Film scripts and screenplays Books

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Book SynopsisThe complete Fleabag. Every Word. Every Side-eye. Every Fox.Fleabag: The Scriptures includes the filming scripts and the never-before-seen stage directions from the Golden Globe, Emmy and BAFTA winning series.'Perfect' Guardian'Perfect' Daily Telegraph'Perfect' Stylist'Perfect' Independent'Perfect' Evening Standard'Perfect' Metro'Perfect' Irish Times'Perfect' RTE'Perfect' Spectator'Perfect' Refinery29'Perfect' Catholic Herald'Perfection' Financial Times***HAIRDRESSERNO.(pointing to Claire)That is EXACTLY what she asked for.FLEABAGNo it's not. We want compensation.HAIRDRESSERClaire?CLAIREI've got two important meetings and I look like a pencil.HAIRDRESSERNO. Don't blame me for your bad choices. Hair isn't everything.FLEABAGWow.HAIRDRESSERWhat?FLEABAGHair. Is. Everything. We wish it wasn't so we could actually think about something else occasionally. But it is. It's the difference between a good day and a bad day. We're meant to think that it is a symbol of power, a symbol of fertility, some people are exploited for it and it pays your fucking bills. Hair is everything, Anthony.Trade ReviewOh, Fleabag. The hot priest. The pencil haircut. The closing scene. I don't think there has ever been a show that dominated the pop culture conversation and captured the nation's hearts quite like Fleabag. When it was confirmed that the second season would be the final one, a collective mourning was palpable on Twitter and in offices alike. Fortunately, creator Phoebe Waller-Bridge keeps giving us a little more...And now we have a book to clutch: Fleabag: The Scriptures is filled with the filming scripts, stage directions and new writing from PWB herself. It's a sacred text, if ever there was one. * Red Magazine *Featuring an insight into the show's delightfully funny stage directions and a number of previously unheard set secrets, this collection of scripts and behind-the-scenes notes from Phoebe Waller-Bridge is a must read for fans * The I *There's a good reason television screenplays aren't often sold as mainstream books - "Man enters room, looks around" isn't necessarily soul-capturing stuff. But it's worth making an exception for Phoebe Waller-Bridge's Fleabag: The Scriptures, naughtily bound to look like an old Bible. The show confirmed her skills as a comic actress, but seeing the words in black and white crystallises her brilliance as a writer who can so expertly build the comedy of a scene to bursting point. It's often very moving, too * Evening Standard *It was with scepticism that I picked up this volume . . . Then I read it. Bliss. The scripts are written with such precise technical skill that it is a pleasure and an education to see their workings . . . It's a fun exercise to overlap in your mind the sound, the rhythm of the edit and the performances as you read these scripts, highly controlled though they are . . . Occasionally mumblings can be deciphered, script in hand, and ad-libs that aren't in the script identified. A good study of the moments of genius . . . Perhaps Fleabag is best left to speak for itself. Scripts as Scriptures. Amen * Spectator *

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Book SynopsisThe Monty Python team's first feature film is a mock-heroic tale set in Medieval Britain with lots of silly things going on. King Arthur, Launcelot, Galahad, Robin and the rest all appear in this screenplay edition, which contains just the script, supplemented by stills from the film.Trade Review* 'It's impossible to explain the plot, which will ensure that Camelot will never be the same again ... Something in such ferociously bad taste, carried through with such blatant indelicacy, made me, I confess, quite upset - with laughter ... It should be on the National Health' The Sunday Telegraph * 'Monty Python and the Holy Grail is a marvellously particular kind of lunatic endeavour ... it manages to send up the legend of the Grail, courtly love, fidelity, bravery, costume movies, movie violence and ornithology' The New York Times * 'Watch out for the knights that say 'Ni', the anarcho-syndicalist peasants, the killer rabbits and Gilliam's graphics' Time Out * 'Sheer comic brilliance ... leave your sense of reason at home, wave a white flag and surrender to the inspired idiocy of the Monty Python team' The Daily Express*

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Book Synopsis''The best book on the subject I''ve read. Quite brilliant'' Tony Jordan, creator/writer, Life on Mars, HustleWe all love stories. But why do we tell them? And why do all stories function in an eerily similar way? John Yorke, creator of the BBC Writers'' Academy, has brought a vast array of drama to British screens. Here he takes us on a journey to the heart of storytelling, revealing that there truly is a unifying shape to narrative forms - one that echoes the fairytale journey into the woods and, like any great art, comes from deep within. From ancient myths to big-budget blockbusters, he gets to the root of the stories that are all around us, every day.''Marvellous'' Julian Fellowes ''Terrifyingly clever ... Packed with intelligent argument'' Evening Standard ''The most important book about scriptwriting since William Goldman''s Adventures in the Screen Trade'' Peter Bowker, writer, Blackpool, Occupation, Eric Trade ReviewBrimmingly insightful ... fresh, enlightening and accessible ... a gripping read from beginning to end -- Robert Collins * Sunday Times *Terrifyingly clever ... Packed with intelligent argument * Evening Standard *So detailed and engaging is his methodology that any consumer of books, plays, TV or films will find the experience enhanced; and scriptwriters themselves will find useful guidance - because when you know the why, the how is natural -- Robert Epstein * Independent on Sunday *This is a marvellous analysis of screenwriting and, with any luck, should help a great many people achieve their dreams -- Julian Fellowes, writer/creator of Downton AbbeyAnother book on screenwriting! Oh, how I wanted to hate it! I didn't. I loved it. Much of it was fresh to me. And always interesting, always intelligent and, for a writer, always rewarding -- Jimmy McGovern, screenwriter, The Street and The AccusedIn an industry full of so called script gurus and snake oil salesmen, at last there's a book about story that treats writers like grown ups. This isn't about providing us with an ABC of story or telling us how to write a script by numbers. It's an intelligent evaluation into the very nature of storytelling and is the best book on the subject I've read. Quite brilliant -- Tony Jordan, screenwriter, Life on Mars and HustleEven for a convinced sceptic, John Yorke's book, with its massive field of reference from Aristotle to Glee, and from Shakespeare to Spooks, is a highly persuasive and hugely enjoyable read. It would be hard to beat for information and wisdom about how and why stories are told -- Dominic Dromgoole, Artistic Director, The Globe TheatreThis book is intelligent, well written, incisive and, most of all, exciting. It is the most important book about scriptwriting since William Goldman's Adventures in the Screen Trade -- Peter Bowker, screenwriter, Blackpool, Occupation and Eric & ErniePart 'How-to' manual, part 'why-to' celebration, Into The Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises ... exciting and thought-provoking -- Emma Frost, screenwriter, The White Queen and ShamelessInto The Woods is an amazing achievement. It has a real depth and understanding about story, a fantastically broad frame of reference and it's interesting and absorbing throughout. Full of incredibly useful insights, every TV writer should read the first chapter alone -- Simon Ashdown, series consultant, EastEndersTesting the adage that "in theory there's no difference between theory and practice but in practice there is", this is a love story to story -- erudite, witty and full of practical magic. It's by far the best book of its kind I've ever read. I struggle to think of the writer who wouldn't benefit from reading it -- even if they don't notice because they're too busy enjoying every page -- Neil Cross, creator/writer of Luther, Crossbones and writer of Dr Who, MI5Books on story structure are ten a penny but Mistah Yorke's is the real deal -- Kathryn FlettAll script-writers will want to read Into The Woods. All plots and archetypes BUSTED -- Caitlin MoranGot to say Into The Woods by John Yorke is marvellous. The prospect of another screenwriting book made me yawn, but its terrific ... It's a great read, wise and cogent, and a must for all screenwriters -- David EldridgeA mind-blower ... an incredibly dense but very readable tome about the art of storytelling ... Really worth a read -- Lenny Henry * The Independent *I don't always enjoy books on writing, but Into the Woods by John Yorke is brilliant on story structure. -- Ken Follett, author of 'The Pillars of the Earth'In his brimmingly insightful, stimulating study of how stories work, Yorke compellingly unpicks how a whole range of films, plays, novels and fairy tales all display the same archetypal structures . . . His book, in telling scores of stories in such a fresh, enlightening and accessible manner, is a gripping read from beginning to end * Sunday Times *The best book on the subject [of storytelling] I've read, tells us everything we need to know about it. Yorke's analysis is superb * London Evening Standard *A mightily impressive opus, both hugely informative and highly educational. I love the way it's populated with so many examples - the many combinations of both mass market and the slightly more esoteric giving a something-for-everyone feeling. A brilliant work -- Peter James, best-selling author of NOT DEAD ENOUGH and LOOKING GOOD DEADYorke sets out to analyse the patterns behind storytelling, explaining why the fundamentals of narrative have remained the same from Aristotle to Aaron Sorkin. A great starting point for anyone wanting to create a story * Stuff Magazine *I've just read a book about professional writing which has genuinely helped me. It's for those who are serious about avoiding bad 'How To' books and want to raise their game, and it's more intelligent than most of the others. John Yorke's Into The Woods: How Stories Work And Why We Tell Them is a genuine game-changer and has helped me put past bad habits to rest -- Christopher Fowler, Author of Bryant and MayInto The Woods is utterly brilliant -- Ed Cumming * Daily Telegraph *Love storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopaedic knowledge. Guaranteed to send you back to your writing desk with newfound excitement and drive -- Chris Chibnall, creator and writer of Broadchurch and The Great Train RobberyInto The Woods is brilliant. One of the best books on script writing out there . . . I loved the book. Inspiring -- Dominic Mitchell, creator and writer of In The FleshThere is no end of books that instruct us on how to write the perfect screenplay, but few that delve more deeply into the art of storytelling than this erudite volume * Financial Times *Its strength is Yorke's acute perception of the wellsprings of universal narrative structures relevant to all artistic activities * The Times *Terrific . . . It's a great read, wise and cogent, and a must for all screenwriters -- David Eldridge, writer of Festen and In BasildonIt's a great read. It makes me smile and say 'Yes!' aloud. Only this and PG Wodehouse do that -- Lucy Gannon, writer/creator of Soldier Soldier, Peak Practice, Frankie, The Best Of MenNot How 2 Write them but how stories work. John Yorke's Into the Woods: A 5 Act Journey into Story is brilliant, illuminates & explains -- Susan Hill, Author, The Woman In Black, I’m The King Of The CastleI'm only 70 pages into John Yorke's Into the Woods but it's already helped me crack two stories -- Andy Diggle, former editor of 2000AD, comic book writer for Marvel, DCHighly recommended reading * Huffington Post *Yorke is aware that the world is not suffering for lack of prescriptive screenwriting manuals. Instead, with Into the Woods, he takes a scalpel to narrative structure - dissecting protagonist, antagonist, inciting incident, crisis and so on - before asking how and why this underlying shape still holds audiences spellbound like a fairytale witch. "A story is like a magnet dragged through randomness," Yorke writes, but while he elegantly untangles the deepest roots of storytelling, he also honours the human need for truth and sense with some more superficial questions: why do series tend to "jump the shark" round about season three, for example, or why is clunky exposition - particularly in medical dramas - so appallingly comical? Sit comfortably, then begin * Guardian *I absolutely love this book. It's incredible and so well written. I keep trying to find fault but so far no joy - It's so good -- Matt Charman, writer Bridge of Spies (dir Stephen Spielberg); Black Work (ITV)[John Yorke's] writing book is arguably possibly almost as good as mine, all right it's loads better shut up -- David Quantick, Author of HOW TO WRITE EVERYTHINGProbably, in the hackneyed phrase, "the last book on screenwriting you'll ever need." He is very good at debunking the claims of some screenwriting gurus, all of whom are busy trying to sell you their own particular brand of snake oil. It's truly excellent -- Tim Adler * Daily Telegraph *Of all the books I've read about story construction and the art of fiction, this one is the most comprehensive and concise -- John Collee, writer on 'Master And Commander', 'Happy Feet', 'Creation', 'Walking With Dinosaurs'

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Book SynopsisDIALOGUE is the follow-up title to Robert McKee's hugely successful STORY.Trade Review"'Writing dialogue is a challenging art. McKee's book DIALOGUE is a great tool for writers.' John Lassater, Chief Creative Officer, Pixar & Walt Disney Animation Studios * 'McKee's DIALOGUE is a mother lode of insight and inspiration for any writer. His teachings have changed my career and changed my life. Robert McKee is in a category of one.' Steven Pressfield, bestselling author of The Legend of Bagger Vance, The War of Art, and Gates of Fire * 'McKee teaches what is not yet taught. He shines his unwavering analytical light on the structure and invisible substructure of dialogue. He takes a craft that is often considered instinctual or magical and reveals its chemical secrets.' Terry Johnson, writer/director, winner of the Tony Award, Olivier Award, Critics' Circle Theatre Award, and Writers' Guild Award * 'DIALOGUE is a masterwork. There's nothing harder to teach. Now this book exists. McKee has written an essential book akin to The Elements of Style for all writers.' Margaret Nagle, writer/producer of Golden Globe-winning TV Series Boardwalk Empire, winner of the Writers Guild Award, Emmy, NAACP, Golden Globe, and PEN * 'A rich and useful companion for practicing writers.' Kirkus Reviews * 'I used to think great dialogue couldn't be taught. You either had an ear for it or you didn't. That was before I read McKee's DIALOGUE. He's a wizard at explaining the unexplainable.' Sarah Treem, writer/producer, co-creator and showrunner of Golden Globe-winning TV Series The Affair, winner of the Writers Guild of America Award and Emmy Award nominee"

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Book SynopsisWhen The Life of Brian was first released in 1979 it was hailed by most as Monty Python's finest parody and denounced by a few as the most blasphemous film of all time. But, with its unforgettable songs and its infinitely quotable script it has gone on to become an enduring cult classic.

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Book SynopsisThe complete screenplay of Christopher Nolan''s space epicInterstellar, with over 200 pages of illustrated storyboards.In Interstellara group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.Written by Christopher Nolan and his frequent collaborator, Jonathan Nolan, the film stars Matthew McConaughey, Jessica Chastain, Anne Hathaway, and Michael Caine. This edition includes the entire screenplay, over 200 pages of storyboards and an introduction featuring a conversation about the film with Christopher Nolan and Jonathan Nolan.

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Book SynopsisWhat did Basil Fawlty fail to avoid mentioning? Why did Sybil keep snagging her cardies? Where was Polly on the night of the Great Wedding Anniversary disaster? This book presents the scripts for the show's classic episodes.

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Book SynopsisA NEW, REVISED EDITION OF THE ULTIMATE NORA EPHRON COLLECTION, PACKED WITH WIT, WISDOM AND COMFORT, WITH AN INTRODUCTION FROM CANDICE CARTY-WILLIAMS'The perfect introduction to the iconic writer' STYLISTINCLUDING:* Nora's much-loved essays on everything from friendship to feminism to journalism* Extracts from her bestselling novel Heartburn* Scenes from her hilarious screenplay for When Harry Met Sally* Unparalleled advice about friends, lovers, divorces, desserts and black turtleneck sweaters'It's got a little bit of everything, from witty essays on feminism, beauty, and ageing to profiles of empowering female figures' ELLE*PRAISE FOR NORA EPHRON*'So bold and so vulnerable at the same time. I don't know how she did it' PHOEBE WALLER-BRIDGE'Nora's exacting, precise, didactic, tried-and-tested, sophisticated-woman-wearing-all-black wisdom is a comfort and a relief' DOLLY ALDERTON'Nora Ephron is the funniest, cleverest, wisest friend you could have' NIGELLA LAWSON'I am only the one of millions of women who will miss Nora's voice' LENA DUNHAM

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Book SynopsisProfessor Albus Dumbledore knows the powerful Dark wizard Gellert Grindelwald is moving to seize control of the wizarding world. Unable to stop him alone, he entrusts Magizoologist Newt Scamander to lead an intrepid team of wizards, witches, and one brave Muggle baker on a dangerous mission, where they encounter old and new beasts and clash with Grindelwald''s growing legion of followers. But with the stakes so high, how long can Dumbledore remain on the sidelines?The official screenplay of Fantastic Beasts: The Secrets of Dumbledore is the ultimate companion to the film, and invites readers to explore every scene of the complete script penned by J.K. Rowling & Steve Kloves. Special features include behind-the-scenes content and commentary from David Yates, David Heyman, Jude Law, Eddie Redmayne, Colleen Atwood and more.

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Book SynopsisStarring Samuel L. Jackson, John Travolta and Uma Thurman, Pulp Fiction exploded on to the screen in 1994 and transformed the direction of contemporary cinema. Nominated for seven Oscars and winner of the BAFTA award, this triplet of masterfully interwoven crime stories is witty, gritty and shamelessly violent, displaying Tarantino''s visceral approach to character and plot. Tarantino has spawned a whole host of wannabes in the wake of this, the defining movie of the 1990s. But none has demonstrated the elegant style and compassion that make Tarantino''s screenplays so compellingly readable. Nominated for seven Oscars, Pulp Fiction starred John Travolta, Samuel L. Jackson, Bruce Willis and Uma Thurman and won the US Oscar for Best Screenplay, the BAFTA and the prestigious Palme d''Or at the Cannes Film Festival. Quentin Tarantino''s other films include Reservoir Dogs, Jackie Brown, From Dusk Till Dawn and most recently, Inglorious Basterds

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Book SynopsisAction - The art of excitement for screen, page and game.Trade ReviewACTION inspires action. McKee and El-Wakil have created the guide I've been looking for all my years as a professional screenwriter. ACTION helps you understand how and why the thing works - how its heart beats, how it thinks, and most important, what makes it move. For a professional action writer it almost feels like cheating. ZAK PENN, American screenwriter and director; 'Robert McKee's books offer lucid analysis, perceptive insights and fruitful challenges to those of us who practice the magical arts of storytelling. I highly recommend his latest, ACTION. Buy it, read it, put it to work.' MICHAEL HIRST, creator, screenwriter, series producer of Vikings and Billy the Kid

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Book SynopsisA loner, Travis Bickle, takes up driving a taxi in search of an escape from his sleeplessness and his disgust with the corruption he finds around him. His pent-up rage, fuelled by his doomed relationship with a political campaign worker, leads to an inevitable descent into psychosis and violence.

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Book SynopsisThe complete Blackadder scripts by Richard Curtis, Ben Elton, Rowan Atkinson and John Lloyd.Twenty-six years ago, Edmund Blackadder made his first appearance on our screens. Comedy has never been the same since (nor indeed has history). Gathered here - in this twenty-sixth anniversary commemorative edition - are the complete scripts of Blackadder''s adventures and, mostly, misadventures. Blackadder, Blackadder II, Blackadder the Third and Blackadder Goes Forth. Every word, every lie, every cunning plan and cock-up.From medieval nastiness, through Elizabethan and Regency glory, to the mud and sautéed rats of the First World War, Blackadder and his oafish underling Baldrick can be most definitely blamed for ruining England''s reputation as a country with a great history.This historical record has been set down by Mr Richard Curtis, Mr Ben Elton, Mr Rowan Atkinson and Mr John Lloyd.Richard Curtis is the writ

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Book SynopsisBringing Jane Austen's "Sense and Sensibility" to the screen was a labor of love for writer/actress Emma Thompson. Featuring the complete award-winning script, "Sense and Sensibility: The Screenplay and Diaries" also showcases Thompson's unreserved, often hilarious diaries that capture the unique experience of making this film. Her rare and personal perspective makes this an irresistible book for students of film and Austen devotees, as well as for everyone who loved this extraordinary movie.

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Book SynopsisThe screenplay of the latest macabre and haunting comedy from the writer of In Bruges and Three Billboards Outside Ebbing, Missouri.Winner: Best Screenplay, BAFTAs 2023Winner: Best Screenplay, Golden Globe Awards 2023.Winner: Best Screenplay, Venice Film Festival 2022.What is he, twelve? Why doesn''t he want to be friends with you no more?1923. As shots ring out from the warring mainland, on the island of Inisherin it''s the rift between old drinking pals Pádraic and Colm that leads both men to ever more alarming action.''Simply perfect . . . a bleakly funny yet often unutterably poignant drama that consistently recalls the best of Beckett. . . . It is proper art.'' The Times''Quietly magnificent.'' Variety

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Book SynopsisTrade ReviewLets James Baldwin's searing work soar . . . you will be astounded by the brilliance of his polemic -- Geoffrey Macnab * Independent *A striking work of storytelling . . . One of the best movies about the civil rights era ever made . . . This might be the only movie about race relations that adequately explains with sympathy the root causes * Guardian *Thrilling. . . . A portrait of one man's confrontation with a country that, murder by murder, as he once put it, devastated my universe * New York Times *Baldwin's voice speaks even more powerfully today . . . the prose-poet of our injustice and inhumanity . . . The times have caught up with his scalding eloquence * Variety *I Am Not Your Negro turns James Baldwin into a prophet * Rolling Stone *

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Book SynopsisChristian Bale and Hugh Jackman play rival magicians in turn-of-the-century London who battle each other for trade secrets, a rivalry so intense that it turns them into murderers.

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Book SynopsisOnly 23-years-old when he directed his extraordinary début feature Gummo, Harmony Korine has since continued to serve notice that he is the riskiest, most radical young talent in independent US film. This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

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Book SynopsisOctober 2019 marks the fiftieth anniversary of the first broadcast of Monty Python's Flying Circus on BBC Television. This book contains the full script with pictures of the last Monty Python film.

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Book Synopsis'The finest writing in the land. Limitless, joyous and terrifying' - RUSSELL T. DAVIESSteve Pemberton and Reece Shearsmith's darkly comedic creations are an endlessly dazzling masterclass in storytelling. Inside No. 9: The Scripts features every episode from Series 4-6 of the award-winning BBC2 anthology, including the live Halloween special and an original foreword for each series from the show's creators.'One of the best pieces of British television in years' - INDEPENDENT

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Book SynopsisWes Anderson startled audiences with his stop-motion animated film of Roald Dahl''s Fantastic Mr Fox.He now displays his unique wit and playful visual sense in an action-filled saga of Samurai dogs.

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Book SynopsisJordan Peele's powerful thriller Get Out debuted in 2017 to enormous public and critical acclaim, a Guess Who's Coming to Dinner? for the age of Obama and Trump that scared audiences and skewered white liberal pieties at the same time. Rather than rely on popular archetypes, Peele weaves together the material realities and daily manifestations of horror with sociopolitical fears and elements of true suspense, and combines them with pitch-perfect satire and a timely cultural critique. This companion paperback to the film presents the Peele's Oscar-winning screenplay alongside supplementary material. Featuring an essay by author and scholar Tananarive Due and in-depth annotations by the director, this publication is richly illustrated with more than 150 stills from the motion picture and presents alternate endings, deleted scenes and an inside look at the concepts and behind-the-scenes production of the film. Continuing in the legacy of 1960s paperbacks that documented the era's most significant avant-garde films such as Akira Kurosawa's Rashomon, Jean-Luc Godard's Masculin/Feminin and Michelangelo Antonioni's L'Avventurra Get Out is an indispensable guide to this pioneering and groundbreaking cinematic work.Jordan Peele (born 1979) is an American actor, comedian, writer, producer and director. Peele's directorial debut, Get Out (2017), earned him an Academy Award for Best Original screenplay as well as nominations for Best Picture and Best Director. In 2012, Peele founded Monkeypaw Productions, which amplifies marginalized voices and cultivates artistic, thought-provoking projects across film, television and digital platforms, including Peele's follow-up to Get Out, the thriller Us (2019).Trade ReviewNamed 'Best Screenplay of the 21st Century (So Far!)' * Writer's Guild of America *This svelte, softcover, pocket-sized volume memorializes Peele’s Oscar-winning script for the first time in print. Proceeding from a new foreword by Peele, 150 gorgeous black-and-white stills thread through the screenplay and into an appendix rich with brand-new material, including cut dialogue, deleted scenes, and Peele’s annotations on the whole production. But the Annotated Screenplay’s most ingenious intervention into the dense critical discourse around Get Out was to tap Tananarive Due to author its proper introduction, an essay titled “Get Out and the Black Horror Aesthetic.” Due is a leading scholar in the emerging study of Black horror, and even teaches a course at UCLA on the subject called “The Sunken Place.” [...] This new framing unlocks a deeper level of engagement with the film... -- Ryan Coleman * Los Angeles Review of Books *Blending horror and dark humour, the director’s multi award-winning screenplay reveals the terrifying realities of racism in America. Famously, Peele has described his directorial debut as a “documentary”. Now, the annotated version gives fans the opportunity to learn more about Peele’s screenwriting process. -- Vivian Yeung * Crack *Peele’s 2017 thriller made the director’s name and won the Oscar for best original screenplay. Now the script is available in book form, illustrated with stills. -- Keith Bradsher * New York Times *Reading the notes, which are extracted from a thoughtful but very conversational interview Peele did for the book...makes you feel like you’re watching the movie with Peele himself. -- Naomi Elias * Film School Rejects *[In Get Out: the Annotated Screenplay,] Peele uncovers additional subtle clues and allusions in the flm that may not be essential knowledge but give insight on the construction of the characters, their psyches, and ultimately their interactions. -- Ina Archer * Film Comment *Dive deeper into the Sunken Place with this dissection of Jordan Peele’s Oscar-winning screenplay, including dialogue from deleted scenes and an essay on the black horror aesthetic. -- Mekado Murphy * New York Times: 2019 Holiday Gift Guide *

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Book Synopsis*THE SIDE-SPLITTING NEW COMIC SHORT FROM ONE OF BRITAIN''S BEST-LOVED WRITERS, NOW A MAJOR BBC TV SERIES*______________________________ ''It is as honest and multi-faceted an examination and appreciation of marriage as you could hope to find'' The Guardian on Hornby''s script adaptationEach week, Tom and Louise meet for a quick drink in the pub before they go to meet their marriage counsellor. Married for years and with two children, a recent incident has exposed the fault lines in their relationship in a way that Tom, for one, does not wish to think about.In the ten minutes in the pub they talk about the agenda for the session, what they talked about last week, what they will definitely not talk about with the counsellor, and how much better off they are than the couple whose counselling slot immediately precedes their own. Over the ten weeks that follow Tom and Louise begin to wonder: what if marriage is like a computer? When you take it apart to see how it works you might just be left with a million pieces you can''t put back together . . .

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Book SynopsisAn imagination of possibilities, of miscalculations, of futures off-kilter “Probability is a chimera, its head is true, its tail a suggestion. Futurologists attempt to compel the head to eat the tail (ouroboros). Here, though, we will try to wag the tail.” —Vilém Flusser Two years after his Vampyroteuthis Infernalis, the philosopher Vilém Flusser engaged in another thought experiment: a collection of twenty-two “scenarios for the future” to be produced as computer-generated media, or technical images, that would break the imaginative logjam in conceiving the social, political, and economic future of the universe. What If? is not just an “impossible journey” to which Flusser invites us in the first scenario; it functions also as a distorting mirror held up to humanity. Flusser’s disarming scenarios of an Anthropocene fraught with nightmares offer new visions that range from the scientific to the fantastic to the playful and whimsical. Each essay reflects our present sense of understanding the world, considering the exploitation of nature and the dangers of global warming, overpopulation, and blind reliance on the promises of scientific knowledge and invention. What If? offers insight into the radical futures of a slipstream Anthropocene that have much to do with speculative fiction, with Flusser’s concept of design as “crafty” or slippery, and with art and the immense creative potential of failure versus reasonable, “good” computing or calculability. As such, the book is both a warning and a nudge to imagine what we may yet become and be.Trade Review"While the universe Flusser created with his previous book, Vampyroteuthis Infernalis, explores a single alternate lifeworld coherent in its mirroring of the human species by a cephalopod, each scenario in What If? suggests a variety of new ideas, given the speculative, projecting nature of their setting—in the best and most creative sense of ‘what if’—in the past, the present, or the future."—from the IntroductionTable of ContentsIntroduction: What If? Into the Slipstream of Flusser’s “Field of Possibilities”Anke FingerFirst Scenario: What If . . .Part I. Scenes from Family LifeSecond Scenario: GrandmotherThird Scenario: GrandfatherFourth Scenario: Great UncleFifth Scenario: BrothersSixth Scenario: SonSeventh Scenario: GrandchildrenEighth Scenario: Great-GrandchildrenPart II. Scenes from Economic LifeNinth Scenario: Economic MiracleTenth Scenario: Foreign AidEleventh Scenario: Mechanical EngineeringTwelfth Scenario: AgricultureThirteenth Scenario: Chemical IndustryFourteenth Scenario: Animal HusbandryPart III. Scenes from PoliticsFifteenth Scenario: WarSixteenth Scenario: Aural ObedienceSeventeenth Scenario: Perpetual PeaceEighteenth Scenario: RevolutionNineteenth Scenario: Parliamentary DemocracyTwentieth Scenario: Aryan ImperialismTwenty-First Scenario: Black Is BeautifulPart IV. ShowdownTwenty-Second Scenario: A BreatherAfterwordKenneth GoldsmithAcknowledgmentsNotes

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Book SynopsisDeath is always the issuein life, and in the Western. Joel and Ethan Coen's The Ballad of Buster Scruggs is a movie of six Western stories. In each, our common destination is approached by a different road. Through each, diverse characters hurry for their final appointment: Oregon Trail-travelers, a gold prospector, a motley crew of stagecoach passengers, a high-plains drifting bank robber, even a singing cowboy. These six stories escort them with a care that either respects, or mocks, the dignity of all.The film stars Tom Waits, James Franco, Liam Neeson, Tim Bake Nelson and Zoe Kazan and is shot with the harsh grandeur of the classic John Ford westerns.

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Book SynopsisFollowing on from the success of his thriller, Ex Machina, Alex Garland returns to cerebral sci-fi with his adaptation of Jeff VanderMeer''s cult novel -a tale of a biologist attempting to uncover the mystery of her husband''s disappearance into a restricted zone.What she and her fellow scientists discover is a world populated by mysterious life forms that might offer answers, but which exposes them to madness and death.Beside the screenplay, the book also includes 20 pages of behind-the-scenes photos.

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Book SynopsisHitchcock''s best-loved romantic thriller is one of the most influential works ever made in the genre - an enticing cocktail of suspense, comedy, eroticism and danger.Roger Thornhill is a suave but stiff-necked Madison Avenue executive, who finds himself mistaken for a US intelligence agent, and dragged into life-threatening escapades. His consolation is that he gets to romance an elegant female spy, but he soon learns that the game of international intrigue is played for high stakes. Ernest Lehman provides an introduction to this souvenir volume, published to coincide with the centenary of Hitchcock''s birth, in which he describes the course of his cherishable collaboration with the master of suspense.

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Book Synopsis From New York Times bestselling author and Lucasfilm Ltd.’s executive editor J. W. Rinzler, Star Wars Storyboards: The Original Trilogy is a behind-the-scenes look into the creative vision of the pop culture phenomenon that changed the art and craft of filmmaking  Foreword by Joe JohnstonIntroduction by Nilo Rodis-Jamero   For the first time, Lucasfilm has opened its archives to present the complete storyboards for the original Star Wars trilogy—the world-changing A New Hope and its operatic sequels, The Empire Strikes Back and Return of the Jedi—as well as never-before-published art from early conceptual and deleted scenes.   From the opening chase above Tatooine in A New Hope to the Battle of Endor in Jedi, this book presents the visual inspiration behind now-iconic moments. Readers can finally see a full set of storyboards by lTrade Review“Star Wars Storyboards: The Original Trilogy shows just how much pre-planning went into the original iconic trilogy.” * The Week Magazine online *“Star Wars fans, take note . . . the book offers a glimpse into the detailed planning and rounds of story revisions that went into the original films.” * Parade Online *Star Wars fans, rejoice — today is the big day that Lucasfilm opens up the archives and bestows upon you Star Wars Storyboards: The Original Trilogy. * Flavorwire *The book contains fantastic insight into how the films' stories and characters were conceived… * Esquire.com *Nerd out over how Star Wars might have been. * Wired *Every Star Wars fan should get this Star Wars Storyboards book. * Gizmodo *

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Book SynopsisA re-issue of John O'Brien's debut novel, a masterpiece of modern realism about the perils of addiction and love in a city of loneliness.Leaving Las Vegas, the first novel by John O'Brien, is the disturbing and emotionally wrenching story of a woman who embraces life and a man who rejects it. Sera is a prostitute, content with the independence and routine she has carved out for herself in a city defined by recklessness. But she is haunted by a spectre in a yellow Mercedes, a man from her past who is committed to taking control of her life again. Ben is an alcoholic intent on drinking his way towards an early death. Newly arrived from Los Angeles, he survived the four-hour intoxicated drive across the desert with his entire savings in his wallet and nothing else left to lose. Looking to satisfy hungers both material and existential, Ben and Sera stumble together on the strip and discover in each other a respite from their unforgiving lives. A testimony to the raw talent of its young author, Leaving Las Vegas is a compelling story of unconditional love between two disenfranchised and lost souls - an overlooked American classic.Trade ReviewA brutal and unflinching portrait of the low life in the city of high rollers, Leaving Las Vegas is both shocking and curiously exhilarating. John O'Brien was a stunningly talented writer who created poetry from the most squalid materials. This is a beautiful and horrifying novel. -- Jay McInerneyThere is not a false note in the novel . . . [O'Brien] achieves real power in his writing. You seldom encounter it anymore, but when you do you know you've been properly whacked by a real talent. * New York Daily News *[An] immense writing talent . . . John O'Brien's life ended with a gunshot. Leaving Las Vegas, for its intensity, its bravado, and its legacy - an American tragedy that would pave the way for many more - only begins to understand why. * Esquire *The book's unique power resides in this awareness; and it allows O'Brien to breathe new life into two of the most familiar and overused archetypes of popular fiction: the drunk and the whore . . . Ben's impulse to destroy himself is so psychologically unspecific as to be sublime. * Boston Review *This book is not only dark and dire, it is crushing. How can a novel so absolutely devoid of hope be so gripping? The portrait of Sera and Ben is a tour de force - masterful and relentless. Leaving Las Vegas is the strongest and most extreme look at alcohol I've ever read. This book moved and bothered me and weeks later it is still in my mind. I think O'Brien is simply terrific. -- Ron CarlsonHere is that rarest jewel, a really fine novel. It's a magical piece of work, one of the best I've seen in a long time. John O'Brien has a very great talent. * Larry Brown *

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Book SynopsisAdapted for the screen by the author from his celebrated memoir, Alan Bennett''s The Lady in the Van, is directed by long-standing collaborator Nicholas Hytner.The film tells the true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who ''temporarily'' parked her van in Bennett''s London driveway and proceeded to live there for 15 years. Their unique story is funny, poignant and life-affirming.The Complete Lady in the Van contains a Foreword by Nicholas Hytner, a substantial Introduction with diary entries by Alan Bennett, the original memoir and the screenplay. The book includes numerous illustrations by David Gentleman, who sketched on set throughout filming, and a colour plate-section including behind-the-scenes photographs and stills from the film

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Book SynopsisGeorgetown, Washington D.C., 1973. Actress and divorced mother Chris MacNeil starts to experience ''difficulties'' with her usually sweet-natured eleven-year-old daughter Regan. The child becomes afflicted by spasms, convulsions and unsettling amnesiac episodes; these abruptly worsen into violent fits of appalling foul-mouthed curses, accompanied by physical mutation. Medical science is baffled by Regan''s plight and, in her increasing despair, Chris turns to troubled priest and psychiatrist Damien Karras, who immediately recognises something profoundly malevolent in Regan''s distorted fetures and speech. On Karras''s recommendation, the Church summons Father Merrin, a specialist in the exorcism of demons . . .William Peter Blatty scripted this version of his own best-selling novel for director William Friedkin, and was rewarded with an Oscar for Best Adapted Screenplay of 1973. This publication also includes the texts of the film''s legendary ''lost scenes'' and excise

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Book SynopsisTHE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Bill Murray, Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, and Owen Wilson.

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Book SynopsisThe screenplay and lyrics from Disney Tim Burton's The Nightmare Before Christmas - along with hundreds of behind-the-scenes facts, illustrations, and historical details from the Walt Disney Animation Research Library - are all collected in these pages.Experience your favourite stop-motion animated film in a new way with this special edition of Disney Tim Burton's The Nightmare Before Christmas!This hardcover book includes both the full film script and the complete song lyrics, along with hundreds of behind-the-scenes facts about the production and development of the film, including details about how the puppets were constructed and animated. All this is brought to life with photographs, original sketches, final frames and historical images from the Walt Disney Animation Research Library.Readers will enjoy an in-depth experience of this beloved classic and gain a deeper appreciation for the animators, musicians, and

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Book SynopsisIn OPPENHEIMER Christopher Nolan has fashioned a story of discovery bathed in the light of a thousand suns - but one that is darkened by govrrnment surveillance and the travesty of a trial to which Oppenheimer was subjected.

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Book SynopsisYes, you can write a great screenplay. Let Syd Field show you how.“I based Like Water for Chocolate on what I learned in Syd's books. Before, I always felt structure imprisoned me, but what I learned was structure really freed me to focus on the story.”—Laura EsquivelTechnology is transforming the art and craft of screenwriting. How does the writer find new ways to tell a story with pictures, to create a truly outstanding film? Syd Field shows what works, why, and how in four extraordinary films: Thelma & Louise, Terminator 2: Judgement Day, The Silence of the Lambs, and Dances with Wolves.Learn how:Callie Khouri, in her first movie script, Thelma & Louise, rewrote the rules for good road movies and played against type to create a new American classic.James Cameron, writer/director of Terminator 2: Judgement Day, created a sequ

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Book SynopsisThis unsettling black comedy about private passion and public shame is based on Zoe Heller''s acclaimed novel, adapted for the screen by celebrated dramatist Patrick Marber (Closer). When art teacher Sheba Hart (Cate Blanchett) arrives at a London comprehensive she catches the keen eye of her older colleague Barbara Covett (Judi Dench). Barbara is not the only one drawn to Sheba, who then begins an illicit affair. Barbara is the keeper of Sheba''s secret, but can she be trusted?

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Book SynopsisGive me the daggers and I'll pin the blame/ On Duncan's grooms who both are also slain. /A little water clears us of this deed /Though a large scotch might also do the trick...' To celebrate the 400th anniversary of Shakespeare''s death, this is the first of a new collection of the Bard''s greatest plays, digested to a few thousand words with invaluable side notes from John Sutherland. Funny and incredibly clever, these parodies are a joy for those who know their Shakespeare, perfect for the theatre goer needing a quick recap, and a massive relief for those just desperate to pass their English exam.Trade ReviewWhat finer way to mark the 400th anniversary of Shakespeare's death than a series of witty modern reworkings...Shakespeare reduced to 100 pages of pithy pentameter with smart side notes. * Evening Standard *Witty, fresh takes on Shakespeare * The Times *Hilarious – and all the better for those of us who know our Shakespeare back to front. -- Harriet WalterHilarious – and all the better for those of us who know our Shakespeare back to front. -- Harriet WalterShrewd interpretations of the Bard; funny footnotes too. -- Hugh Bonneville

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