Fiction in translation

Book SynopsisIt's 1987. Two prisoners, both Italian, break out of prison in a rubbish lorry. One heads for Paris, the other to Milan. The first Carlo, is killed in a shoot-out during a bank robbery - under suspicious circumstances. Frightened by the manhunt launched by Interpol, the second prisoner, Filippo, returns to Paris where he becomes a security guard. He spends his nights writing the story of a Red Brigadier, as recounted to him in prison by Carlo. His landlady Cristina finds him a publisher and the book becomes a bestseller. Filippo, carefully coached by his publishers press office, steadfastly refuses to own the story, insisting that all his stories are fiction and that this is a work of imagination. The public don t buy it, neither do the police, and dogged investigations begin to produce the reasons why. Ultimately Filippo cannot escape his fate: that of a man with an assumed identity that carries far greater risks than his own.

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Book SynopsisOn the cusp of womanhood, Daina Tabūna's heroines are constantly confronted with the unexpected. Adult life seems just around the corner, but so are the kinds of surprise encounter which might change everything. Two siblings realise they're too old to be playing with paper dolls. A girl develops a fixation with Jesus. And a disaffected young woman stumbles into an awkward relationship with an office worker. The narrators of these three stories each try, in their own way, to make sense of how to behave in a world that doesn't give any clear answers.Trade ReviewAuthor Daina Tabūna (born in Riga, Latvia in 1985) has an innate skill in communicating voice to the reader. All three stories in The Secret Box seem to spring from some truth or experience in the author’s life, from which she spins out a narrative with a viewpoint that is seamlessly consistent and vibrantly alive.' -- Jo Manby * Mslexia Max *A quote that I absolutely loved from this story was “Without warning, the time had arrived where it wasn’t our dolls that had to be beautiful and sexy, but us ourselves”. To me this perfectly sums up what the transition to becoming a teenager is like for a young girl. I commend Daina for highlighting this issue and for showing what society expects from women, even from a young age. -- Marie Humble * Cuckoo Review *

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Book SynopsisA remarkable work of horror, half-way between Dr Jekyll and Mr Hyde

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Book SynopsisObsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.

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Book SynopsisMax has been married to Tina for twenty-five years. She is the love of his life but now he must come to terms with the fact she is to spend weeks away on a work assignment; away, for the first time, from their home, their children and their life together. Her absence might only be temporary but leaves a huge gap. Left contemplating life and with the little bar of which he is the proprietor, Max turns to the regulars who hang out there. When the stuffed bull's head that has hung above the bar for years goes missing Max is forced to act. This latest novel by Alex Capus is a hymn to trust, friendship and love, and is told with his trademark humour.

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Book SynopsisA riveting collection of short stories by the French feminist Marie-Louise Gagneur. Much acclaimed amongst her contemporaries and yet all but forgotten today, Marie-Louise Gagneur was a defining voice in French feminism. These stories, translated into English for the first time, critique the restrictions of late nineteenth-century society and explore the ways in which both men and women are hurt by rigid attitudes towards marriage. In An Atonement, the Count de Montbarrey awakes one morning to find his wife dead, leaving him free to marry the woman he really loves. Could the Count have accidentally killed his wife? And how can he atone for his crime? Three Rival Sisters tells the story of the rivalry between Henriette, Renee and Gabrielle as they compete for the affections of one man. But marriage does not necessarily guarantee happiness, as the sisters are about to find out. Steeped in wit, empathy and biting social criticism, and with echoes of Charlotte Perkins Gilman and Kate Chopin, the stories show Gagneur to be worthy of renewed attention.Trade Review'A lively voice ... decidedly feminist for its time ... An extremely interesting discovery' Ricochet

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Book SynopsisAn investigative reporter sets out to uncover the truth about a mining company in Northern Finland, whose activities have caused an environmental disaster. Timely, atmospheric and chilling Nordic Noir from one of Finland’s finest writers… ‘Tuomainen writes beautifully’ Publishers Weekly ‘Clever, atmospheric and wonderfully imaginative’ Sunday Mirror ‘A simple story told with passion and elegant sadness’ The Times ––––––––––––––––––––––––––– A hitman. A journalist. A shattered family. A mine spewing toxic secrets that threaten to poison them all… In the dead of winter, investigative reporter Janne Vuori sets out to uncover the truth about a mining company, whose illegal activities have created an environmental disaster in a small town in Northern Finland. When the company’s executives begin to die in a string of mysterious accidents, and Janne’s personal life starts to unravel, past meets present in a catastrophic series of events that could cost him his life. A traumatic story of family, a study in corruption, and a shocking reminder that secrets from the past can return to haunt us, with deadly results, The Mine is a gripping, beautifully written, terrifying and explosive thriller by the King of Helsinki Noir. ––––––––––––––––––––––––––––––––––––– ‘Dark, captivating and troubling’ Crime Fiction Lover ‘Beautifully executed … mesmerising’ Australian Crime 'Antti Tuomainen again creates a powerful book, set firmly within the boundaries of strong themes and unforgettable characters, with the huge dose of beautiful sensitive style, masterfully translated from Finnish by David Hackston' Crime Review 'You don’t expect to laugh when you’re reading about terrible crimes, but that’s what you’ll do when you pick up one of Tuomainen’s decidedly quirky thrillers' New York Times ’Antti Tuomainen is a wonderful writer, whose characters, plots and atmosphere are masterfully drawn’ Yrsa Sigurðardóttir ‘One of the most compelling, emotionally satisfying and beautifully realised crime thrillers that I have encountered this year. The clarity and deceptively simple style of Tuomainen’s prose is utterly compelling’ Raven Crime ReadsTrade Review"thought-provoking." Publishers Weekly" "U.S. audiences should prepare to be every bit as enthralled as the Finns. . . . Readers attracted either to dystopian fiction or to Scandinavian crime will find gold here." Booklist starred review on The Healer"

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Book SynopsisA landmark in contemporary Spanish literature, Agustín Fernández Mallo’s Nocilla Trilogy – Nocilla Dream, Nocilla Experience, and Nocilla Lab – presents multiple narratives of people and places that reflect the world in the digital age. In this third, standalone volume, we find the author bedridden in Thailand after being knocked down by a motorbike, an accident which fortuitously gave him the time and space to begin writing the trilogy. Seven years later, when he travels with his girlfriend to Sardinia, they come across an old penitentiary that has been converted into an agritourism site. In a tour de force reminiscent of Adolfo Bioy Casares’ The Invention of Morel, a story of suspense and exploration unfolds in the uninhabited hotel. From autofiction to horror story to graphic novel, Nocilla Lab is a fitting conclusion to one of the most daring literary experiments of the twenty-first century.Trade Review‘With the tools of a scientist and the nose of a poet, Fernández Mallo dissects the materials he finds anywhere and everywhere (libraries and garbage dumps, real cities and virtual realities, audiovisual archives and personal memories) to construct, from these fragments, thoughts, and classifications, collages that could only be the fruit of illogic, dreams, accidents.’ — Jorge Carrión, 4Columns ‘Sometimes puzzling, even inexplicable, but rich. Just the thing for fans of Cortázar – and Borges, too.’ — Kirkus‘Reading Nocilla Lab is an enjoyable challenge, a mental exercise that moves between formats and genres in the most unpredictable ways. […] The different layers Agustín Fernández Mallo puts together make up a literary experience that will no doubt be an unforgettable one for whoever embarks on this journey.’ — Laila Obeidat, The London Magazine

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Book Synopsis‘After many years I had excised myself from the life I had led in town, just as one might cut a figure out of a landscape or group photo. Abashed by the harm I had wreaked on the picture left behind, and unsure where the cut-out might end up next, I lived a provisional existence. I did so in a place where I knew none of my neighbours, where the street names, views, smells and faces were all unfamiliar to me, in a cheaply appointed flat where I would be able to lay my life aside for a while.’ In River, a woman moves to a London suburb for reasons that are unclear. She takes long, solitary walks by the River Lea, observing and describing her surroundings and the unusual characters she encounters. Over the course of these wanderings she amasses a collection of found objects and photographs and is drawn into reminiscences of the different rivers which haunted the various stages of her life, from the Rhine, where she grew up, to the Saint Lawrence, the Hooghly, and the banks of the Oder. Written in language that is as precise as it is limpid, River is a remarkable novel, full of poignant images and poetic observations, an ode to nature, edgelands, and the transience of all things human.Trade Review‘River is an unusual and stealthy sort of book in that it’s the opposite of what it appears to be – which is a rather apt dissimulation, as it turns out. Yes, it rifles through both the rich and rank materials of the world, turning over its trinkets and its tat, in a manner that is initially quite familiar – however, this curious inventory demonstrates an eye for the grotesque and does not hold the world aloft, or in place. Here, details blur boundaries rather than reaffirming them, positing a worldview that is haunted and uncanny. Shifting through unremarkable terrain we encounter the departed, the exiled, the underneath, the other side. We are on firm ground, always; yet whether that ground is here or there, now or then, is, increasingly, a distinction that is difficult and perhaps irrelevant to make. Sea or sky, boy or girl, east or west, king or vagrant, silt or gold; by turns grubby, theatrical, and exquisite, we are closer to the realm of Bakhtin’s carnival than we are to the well-trod paths of psychogeography. Kinsky’s River does indeed force us to stop in our tracks and take in the opposite side.’ — Claire-Louise Bennett, author of Pond ‘Our narrator is an ambulant consciousness open to stimulus, like a video recorder left running. She's not searching for anything. She's just there, enduring in the company of rust, moss, dirt, cracks, puddles, half-dead grass, rubbish, wire, random bricks, concrete without purpose, the blackened ground from past bonfires, holes, fragments of fabric, plastic toys, weeds, saplings and dead animals. […] [River's] main subject is the sense of materiality, and its complement, light, that accompanies the narrator from her childhood on the Rhine through sojourns in other riparians homes-from-home, on the St Lawrence in Canada, on the Vistula in Poland. […] The form of River mirrors its content; its consciousness flows with a sense that, like water to the sea, it will one day lose itself. It is appropriately, seamlessly translated by Iain Galbraith.’ — Lesley Chamberlain, Times Literary Supplement‘Rich in atmosphere, River meanders like its liquid locales […] Iain Galbraith, who has also translated Sebald, gives River, and all its "lumber of cumbersome jetsam", a special English poetry of grunge and grime.’ — The Economist‘A magnificent novel.’ — The New Yorker

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Book SynopsisCamilla, Charles, Alma, Edward, Alwilda and Kristian are a circle of friends hurtling through mid-life. Structured as a series of monologues jumping from one friend to the next, Companions follows their loves, ambitions, pains and anxieties as they age, fall sick, have affairs, grieve, host dinner parties and move between the Lake District, Berlin, Lisbon, Belgrade, Mozambique, New York and, of course, Denmark. In her first book to be translated into English, Christina Hesselholdt explores everyday life, the weight of the past and the difficulty of intimacy in a uniquely playful and experimental style. At once deeply comic and remarkably insightful, Companions is an exhilarating portrait of life in the twenty-first century.Trade Review‘Hesselholdt’s most penetrating insights into the texture of lived experience come in moments of vivid imagery and unexpected humor, which bridge the weight of biography and the lightness of an instant. … those who find connections among these disparate moments will be rewarded with a rare and fragile experience: a rediscovery of the strength of narrative bonds, impossible to dissolve and difficult to forget.’ — Alexandra Kleeman, New York Times‘[A]n affecting homage to, and a high-spirited literary dissection of, Woolf’s book [The Waves] ... Companions, translated with care and élan by Paul Russell Garrett, is not at all a gloomy work. Hesselholdt’s touch is light, even mocking, as much as her subject matter is grave. There is a dancing intelligence roaming free here, darting back and forth among ideas and sensations. Her novel is a deceptively nonchalant defence of modernism and a work of pure animation.’ — Catherine Taylor, Financial Times‘In her meditative and engrossing English-language debut, Hesselholdt dives into the consciousnesses of six cerebral, animated, eccentric, and occasionally melancholy Danes. … Their stories are told in introspective monologues by turns splenetic and lyrical. The anxious characters wrestle with whether to retreat from or let oneself be “consumed by life,” turning to the “saturate[d]” works of Woolf, Lawrence Durrell, Thomas Bernhard, and Sylvia Plath for sustenance. For this bookish lot, literature supplies invaluable companions, and readers will be captivated.’ — Publishers Weekly, starred review‘At times, the language is poetic and nostalgic, at others almost clinical, which reflects the internal conflicts of the characters well. Hesselholdt writes with a sharp ability to pinpoint the trials and tribulations that plague the human condition...’ — Buzz Magazine‘A blend of arresting detail, digression, and erudition tinged with nostalgia characterizes this novel, which ranges back and forth between different points of view. … Both the difficulty and the pleasure of being human shine through in these pages.’ — Kirkus

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Book SynopsisScenes from a Childhood is the latest collection of stories by Jon Fosse, one of Norway's most celebrated authors and playwrights, famed for the minimalist and unsettling quality of his writing. In the title work, a loosely autobiographical narrative covers infancy to awkward adolescence, unearthing the moments of childhood that linger longest in the imagination. In 'And Then My Dog Will Come Back To Me', a haunting and dream-like novella, a dispute between neighbours escalates to an inexorable climax. Taken from various sources, the texts gathered here together for the first time demonstrate that the short story is one of the recurrent modes of Fosse's imagination, and occasions some of his greatest works.Trade Review‘The Beckett of the twenty-first century.’ — Le Monde‘Jon Fosse is a major European writer.’ — Karl Ove Knausgaard, author of My Struggle‘Jon Fosse is less well-known in America than some other Norwegian novelists, but revered in Norway – winner of every prize, a leading Nobel contender. I think of the four elder statesmen of Norwegian letters as a bit like the Beatles: Per Petterson is the solid, always dependable Ringo; Dag Solstad is John, the experimentalist, the ideas man; Karl Ove Knausgaard is Paul, the cute one; and Fosse is George, the quiet one, mystical, spiritual, probably the best craftsman of them all... His writing is pure poetry.’ — Paris Review, from an essay by the translator‘Fosse has been compared to Ibsen and to Beckett, and it is easy to see his work as Ibsen stripped down to its emotional essentials. But it is much more. For one thing, it has a fierce poetic simplicity.’ — New York Times‘With its heavy silences and splintered dialogue, his work has reminded some of Beckett, others of Pinter.’ — Guardian‘Fosse’s prose ... builds out of an ambiguity and sparseness and moves with a slow poetic intensity.... The collection has all the hallmarks of Fosse’s signature brooding manner where lyrical precision is used to paint unmoored psyches. An accumulation of moments when our essential emotions come into conflict with experience, Scenes from a Childhood is a welcome – if overdue – introduction to a singular literary voice.’ — Tank‘Fosse writes about the complexity and danger of the bleak Norwegian countryside as well as he writes about the passage of time through a life. In choosing to mostly focus on pieces about childhood, Searls has been able to show an impressive side to Fosse, because – in my experience at least – writing engaging prose about childhood trips up many otherwise competent writers.... Fosse understands that a child’s mind is not merely the mind of an ignorant adult, it is a different form of consciousness entirely: more curious, more optimistic, less scared.... There are portraits of great happiness, great pleasure and great joy in Scenes From A Childhood.’ — Berfrois

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Book SynopsisAnimalia retraces the history of a modest peasant family through the twentieth century as they develop their small plot of land into an intensive pig farm. In an environment dominated by the omnipresence of animals, five generations endure the cataclysm of war, economic disasters, and the emergence of a brutal industrialism reflecting an ancestral tendency to violence. Only the enchanted realm of childhood – that of Éléonore, the matriarch, and that of Jérôme, the last in the lineage – and the innate freedom of the animals offer any respite from the visible barbarity of humanity. Written in shifting prose that reflects the passage of time, Animalia is a powerful novel about man’s desire to conquer nature and the transmission of violence from one generation to the next.Trade Review‘Animalia is never what you expect it to be [...] Del Amo has Flaubert’s flair for performance [...] His prose leaps out at the reader, gleaming with perfection.’ — Ankita Chakraborty, New York Times Book Review‘If EM Cioran, the great Romanian philosopher of the bleak, had been a novelist, Animalia is the kind of novel he would have produced [and] it is likely to be hailed as a modern classic. ... Jean-Baptiste Del Amo has published four novels in his native France. Animalia is the first to appear in English, in a translation by Frank Wynne, whose unenviable task it has been to take Del Amo’s original, Règne Animal, and to capture and convey something of its full throttle, bold, dark profundity. He has triumphantly succeeded: Animalia in English has a truly savage quality, all blood and stench and despair. ... Animalia is an important reminder that literature’s task is not necessarily to uplift, but to help us to attain a true understanding of our predicament.’ — Ian Sansom, Guardian‘This is an extraordinary book. A dark saga related in sprawling sentences, made denser still by obscure and difficult vocabulary, it is everything I usually hate in a novel. Instead, I was spellbound. ... The first half, especially, is full of those dense sprawling sentences, gnarly with obscure words (eclose, muliebral, commensal, ataraxic). This gives the prose an eerie, otherworldly texture. The strangeness of the words, used with precision and scientific exactitude (“lucifugous insects emerge from the mound of earth”), slows your reading down, immersing you more in the scene on the page, and those scenes are so vividly imagined and conveyed — the woman miscarrying in the pigsty, the drunken priest and his attendants slogging up to the farm at night in thunderous rain, the old mother’s body being drawn from the well…’ — David Mills, The Sunday Times‘Jean-Baptiste Del Amo’s writing positively reeks of pathos, and of rage. Yet for all the acrid pungency of its prose, Animalia pretty much tells an everyday story of country folk. Amid the hills, vales and oak woods of Gers in south-western France, the same family dwells over four generations in a gloomy farmhouse. The plot pivots on two periods: the years before and during the Great War, and the early 1980s. ... The writing ... never loses its electric crackle of sumptuousness and savagery. Ever-resourceful, agile and ingenious, Wynne’s translation proves equal to every twist. Del Amo’s prose throws a bucket of slurry from some “unspeakable mire” over the conventions of pastoral fiction. Yet he has plentiful passages of heart-lifting loveliness, as when an August harvest prompts Marcel to feel nature as “an indissoluble great whole”. From first to last, “the cruelty of men” emits its rancid stench. Thankfully, Del Amo lets us sniff the sweeter scents of tenderness and beauty too.’ — Boyd Tonkin, Financial Times ‘Del Amo’s multigenerational portrait of a hardscrabble family of pig farmers in Gascony is ... a lyrical powerhouse, a sophisticated portrait of a fucked-up feedback loop of familial cruelty and disappointment, and a story that, for all its brutality, also reveals something more. Yes, many of Del Amo’s descriptions will turn you vegetarian for a time, and there is wickedness enough for this book to stand alongside Cormac McCarthy’s meanest, but the brief moments when these beleaguered characters show their humanity and kindness—delivering a calf, bathing a mother—left me breathless.’ — Emily Nemens, Paris Review Staff Picks‘Throughout, the novel is resolutely and unceasingly foul in its descriptions of sex, death, shit and all manner of bodily processes. Nothing is sentimentalised or sanitised. Del Amo asks his readers to recognise the multiple cruelties that human beings are capable of, and the detail is at some moments extraordinarily difficult to read. At the same time there is an almost celebratory lyricism to the complex biological language in which nature’s processes are described. These descriptions conjure up an oozing sense of time as slow, repetitive and generative ... Animalia is a disturbing and profound book. Del Amo builds such a realistic, richly textured world that by the novel’s close, despite its horrors, it feels a real wrench to leave the landscape.’ — Katie Lewin, Literary Review‘Gruelling but magisterial, Animalia spans the decades from Eléonore’s childhood to her dotage, telling the tale of this “hostile, implacable land”, and how five generations survive on a single plot of rural soil. Del Amo’s novel is a massive sensory experience; no detail is too small to let ferment.’ — Cal Revely-Calder, The Telegraph

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Book SynopsisSpring is a deeply moving novel about family, our everyday lives, our joys and our struggles, beautifully illustrated by Anna Bjerger.I have just finished writing this book for you. What happened that summer nearly three years ago, and its repercussions, are long since over. Sometimes it hurts to live, but there is always something to live for.Spring follows a father and his newborn daughter through one day in April, from sunrise to sunset. It is a day filled with the small joys of family life, but also its deep struggles. With this striking novel in the Seasons quartet, Karl Ove Knausgaard reflects uncompromisingly on life's darkest moments and what can sustain us through them.Utterly gripping and brilliantly rendered in Knausgaard's famously pensive and honest style, Spring is the account of a shocking and heartbreaking familial trauma and the emotional epicentre of this singular literary series.Trade ReviewEntirely ingenious. Knausgaard isn’t afraid to be gauche, anxious, vulgar, inconsistent, portentous, sentimental. He makes virtues of what, in literary novels, are often counted faults. And he makes them moving. * Daily Telegraph *Spring features Knausgaard unbound. . . the book’s blunt, unforced telling brings the larger project’s meaning into sudden, brilliant focus… Knausgaard has assembled this living encyclopedia for his daughter with a wild and desperate sort of love, as a way to forge her attachment to the world, to fasten her to it... Fall in love with the world, he enjoins, stay sensitive to it, stay in it. * The New York Times *Heavy but not heavy-handed, this true noir of the North is dark, bleak and moody. This story about life that’s set over the course of single day will move and disturb in equal measure. * Monocle *An unexpected treat… A lovely piece of work. * Sunday Telegraph *Oodles of musing on life and art that’s by turns meandering and electrifying. * Metro *[Karl Ove Knausgaard] observes a subject so closely, mining so far into its essence – its quiddity – that the observations transcend banality and become compelling. -- Peter Murphy * Irish Times *For anyone who is curious about this writer... Spring makes for an excellent introduction. It is the shortest book he has ever written, but it is all muscle, a generous slice of a thoughtful, ruminative life. * The Washington Post *If you still haven’t tried Knausgaard... try Spring. It’s poignant and beautiful… you’ll get him and get why some of us have gone crazy for him. * Los Angeles Review of Books *A radical, thrilling departure from the first two volumes of his Seasons Quartet... this moving novel stylistically resembles his acclaimed My Struggle series... A remarkably honest take on the strange linkages between love, loss, laughter, and self-destruction, a perfect distillation of Knausgaard’s unique gifts. * Publishers Weekly *Knausgaard’s assets are on full display, including his precise writing style and his unerring sense of detail … it is all muscle, a generous slice of thoughtful, ruminative life. -- Rodney Welch * Washington Post *

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Book SynopsisWill the newest branch of a decaying house be bent or broken by these uncertain times? It has been six years since China threw off imperial rule, yet Beijing seems largely unchanged. The city is a chaotic, roiling sea of humanity inhabited by merchants, hawkers and street urchins. In the midst of it all, Qi Yuexuan, the sole scion of a distinguished family, lives a life of indolence. But change is coming. Forces from within and without are becoming increasingly influential, while the new ideas they bring are shaking the foundations of the nation. Reappraising his entrenched values, Qi is torn between tradition and the new order. The Elm Tree paints an intimate, yet vivid picture of an extraordinary cast of characters associated with the Qi household. It documents a forgotten way of life before it was swept away by the turmoil of foreign occupation and civil war...

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Book SynopsisDespite her humble rural beginnings, Butterfly regards herself as a sophisticated young woman. So, when offered a lucrative job in the city, she jumps at the chance.But instead of being given work, she is trafficked and sold to Bright Black, a desperate man from a poor mountain village.Trapped in Bright’s cave home with her new “husband”, she plans her escape… not so easily done in this isolated and remote village where she is watched day and night.Will her tenacity and free spirit survive, or will she be broken?Trade ReviewJia Pingwa Research - Reviews of Broken Wings(only quotes useful for marketing The Mountain Whisperer have been lifted)Nikkei Asian Reviewhttps://asia.nikkei.com/Editor-s-Picks/Tea-Leaves/Censorship-and-apathy-strip-China-s-branches-bare Jia is a popular author in China. His books have been feted by critics and (at times) banned by the state. That he has written so openly about issues that many powerful people in his country would wish to remain unsaid is part of the complex legacy of the Cultural Revolution. Writers like Jia, who bring stories like Butterfly's to the mainstream, help to stem (the) tide of indifference. China Dialoguehttps://chinadialogue.net/en/cities/9033-novel-reveals-plight-of-china-s-villages/Jia Pingwa’s Broken Wings doesn’t make simple moral judgements – it explores the soul of the protagonist.Asian Review of Bookshttps://asianreviewofbooks.com/content/broken-wings-by-jia-pingwa/ Chinese writer Jia Pingwa is rooted in his own origin story …(he) is from Shaanxi Province, which has places so remote that they can barely even be said to be forgotten, as they exist suspended in their own time and space. The characters live as if rendered in a folk painting from Shaanxi. Sup Chinahttps://supchina.com/2019/07/11/broken-wings-jia-pingwas-controversial-novel/ uncompromising a rural epic spanning six decades - (note: this refers to Laosheng) Jia broke new ground with Broken Wings The problem with translating Jia Pingwa lies in his mixing of high and low — classical allusions are set down beside scatological dialect expressions, and poetry flows alongside earthy descriptions of village life Writer’s Digesthttps://www.writersdigest.com/write-better-fiction/nicky-harman-on-translation-and-violence(Jia) understands why the men behave the way they doLeeds Centre for New Chinese Writing - there are two reviews here, one positive & one negativehttps://writingchinese.leeds.ac.uk/book-reviews/broken-wings-by-jia-pingwa/ Jia Pingwa writes with sensitivity whilst, nonetheless, not shying away from confronting the reader with bleak realities. Reading Broken Wings, I empathised with characters that I would usually have dismissed as being unworthy of sympathy. Without warning, my moral compass seemed to have been compromised. My blind confidence of knowing basic rights and wrongs was shown to be embarrassingly naïve. a reflection of life in China today

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Book SynopsisIn a cave high in the ageless mountains of China's desolate interior, an ancient funeral singer awaits the end. From his deathbed he gives voice to the generations of villagers to whom he devoted his life's work, and four all-too-human souls whose struggles defined an era. A soldier, a peasant, a revolutionary and a politician. When revolt and reform take hold of the wartorn plains, all play their debased roles in the mythic cycle of avarice, vengeance and suffering. As his four tragedies interweave, the cracked lips of the dying sage conjure a stark vision: a retelling of the forging of the People's Republic from turbulent birth to absurd reversal whispered from its uncharted margins.

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Book SynopsisThe people of China tell of an ancient tale, where the mantis hunts the cicada, unaware of the yellow bird behind it. In a small corner of one of its many cities, a random act of violence sets off a spinning top, entwining the lives of three people.Baorun, the compulsive bondage expert, is forever aided and abetted by Liu Sheng, a brash troublemaker, to indulge in his obsessions; and the lady Fairy Princess, ever-youthful, becomes the target of the pair’s escalating antics.As the years pass, many things begin to change, but in the dysfunctional world of a mental hospital at the end of Red Toon Street, just who is prey, and who is predator?Often insightful and occasionally unsettling, Shadow of the Hunter is a memorable tale concerned with guilt, injustice, madness and the struggle not to lose one’s soul to history. It is one of Su Tong’s most acclaimed works, now available in English for the first time.

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