Description

It's 1987. Two prisoners, both Italian, break out of prison in a rubbish lorry. One heads for Paris, the other to Milan. The first Carlo, is killed in a shoot-out during a bank robbery - under suspicious circumstances. Frightened by the manhunt launched by Interpol, the second prisoner, Filippo, returns to Paris where he becomes a security guard. He spends his nights writing the story of a Red Brigadier, as recounted to him in prison by Carlo. His landlady Cristina finds him a publisher and the book becomes a bestseller. Filippo, carefully coached by his publishers press office, steadfastly refuses to own the story, insisting that all his stories are fiction and that this is a work of imagination. The public don t buy it, neither do the police, and dogged investigations begin to produce the reasons why. Ultimately Filippo cannot escape his fate: that of a man with an assumed identity that carries far greater risks than his own.

Escape

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£10.00

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Paperback / softback by Dominique Manotti , Ros Schwartz

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Short Description:

It's 1987. Two prisoners, both Italian, break out of prison in a rubbish lorry. One heads for Paris, the other... Read more

    Publisher: Quercus Publishing
    Publication Date: 15/07/2014
    ISBN13: 9781909807556, 978-1909807556
    ISBN10: 1909807559

    Number of Pages: 161

    Fiction , Crime & Thriller

    Description

    It's 1987. Two prisoners, both Italian, break out of prison in a rubbish lorry. One heads for Paris, the other to Milan. The first Carlo, is killed in a shoot-out during a bank robbery - under suspicious circumstances. Frightened by the manhunt launched by Interpol, the second prisoner, Filippo, returns to Paris where he becomes a security guard. He spends his nights writing the story of a Red Brigadier, as recounted to him in prison by Carlo. His landlady Cristina finds him a publisher and the book becomes a bestseller. Filippo, carefully coached by his publishers press office, steadfastly refuses to own the story, insisting that all his stories are fiction and that this is a work of imagination. The public don t buy it, neither do the police, and dogged investigations begin to produce the reasons why. Ultimately Filippo cannot escape his fate: that of a man with an assumed identity that carries far greater risks than his own.

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