Feminism and feminist theory Books

Book SynopsisThe perfect gift for the Spice Girls fan in your life!‘Lauren Bravo is one of my very favourite writers.’ Dolly Alderton'A joyous and energetic celebration of girlhood, friendship and pop culture. If you have ever sung into the lid of a can of Impulse body spray, you need to read this.' Daisy BuchananThe words 'girl power' conjure vivid memories of short skirts and platform boots. But it wasn't just about the look, it was about feminism. The Spice Girls gave a generation their first glimpse of the power of friendship, of staying true to yourself, of sheer bloody-mindedness. And the girl power generation went on to kick-start a new conversation around gender equality.We may have grown up asking What Would the Spice Girls Do?, but their particular brand of feminism is as relevant today as it was twenty years ago – we still need that fun and fearlessness, we still need accessible and all-embracing equality… we still need a zig-a-zig-ah.‘The Spice Girls’ arrival on the pop scene marked the gateway to a modern form of feminism, all dressed up as a riotously good time.’ StylistAs featured in Elle magazine's Best Feminist Gift BooksTrade ReviewLauren Bravo is one of my very favourite writers. -- Dolly AldertonBravo’s tender, funny, kind book is a joyous and energetic celebration of girlhood, friendship and pop culture. If you have ever sung into the lid of a can of Impulse body spray, you need to read this. -- Daisy Buchanan

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Book SynopsisEnding gender segregation in sport fosters equity, challenges sexism and boosts participation.

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Book SynopsisIn this exciting, innovative work, Polish feminist philosopher Ewa Majewska maps the creation of feminist counterpublics around the world-spaces of protest and ideas, community and common struggle, that can challenge the emergence of fascist states as well as Western democratic "public spheres" populated by atomized, individual subjects.Drawing from Eastern Europe and the Global South, Majewska describes the mass labor movement of Poland's Solidarnosc in 1980 and contemporary feminist movements across Poland and South America, arguing that it is outside of the West that we can see the most promising left futures. Majewska argues for the creation of a feminist public-a politics and a world held in common-and outlines the tactics this political goal demands, arguing for a feminist political theory that does not reproduce the same forms of domination it seeks to overcome.Trade ReviewEwa Majewska looks at the ways that feminist spaces resist the tide of fascism. * Lit Hub (75 Nonfiction Books You Should Read This Summer) *A central figure in Polish feminism. -- Amia Srinivasan * New Yorker *

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Book SynopsisAlong with her mother Emmeline, and her sister Christabel, Sylvia Pankhurst was one of the leading women's suffrage activists in early twentieth-century England, working with the militant Women's Social and Political Union. Unlike her family, however, who looked to parliament and spoke to elite and middle-class women's concerns, Sylvia consistently looked to working women and the labour movement as central to her feminist politics.In this illuminating political biography, feminist historian Barbara Winslow recovers Sylvia Pankhurst's life and work for a new generation of socialists and feminists. From Pankhurst's organizing with immigrant and working women in London's East End to her revolutionary communism and growing internationalism and anti-fascism, Winslow gives us the story of a brilliantly inspiring unorthodox feminist and unorthodox socialist.With a preface from internationally recognized socialist feminist historian and activist, Sheila Rowbotham.Trade ReviewBarbara Winslow not only gives us an impressive account of Sylvia Pankhurst's feminism and socialism; she reveals a forgotten strand of radical politics, extremely relevant today. -- Sheila Rowbotham * Preface *Winslow offers a valuable perspective on a woman who faced challenges of race and sex as she pushed the agenda for social justice in her long political career. * Booklist (review of Shirley Chisholm book) *

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Book SynopsisThink today's anti-abortion ideas are rooted in religious prohibitions or arguments about where life begins? Wrong: today's anti-abortion movements is largely financed and planned by far-right extremists. Many of them are avowedly fascist and white supremacist, afraid of a "great replacement" of the world's white population by other races, who are working hard to reshape governments and policies across Europe, North America and around the world. Much of this far-right organizing and funding network, however, has been overlooked by today's feminist and left movements. As investigative journalist Sian Norris uncovers here, it is through attacking abortion rights that fascist ideas from the dark web, incel chat boards, and fringe organizations comes to enter mainstream debate -- and to then shape governmental policy across Europe, from authoritarian regimes like Hungary's to liberal democracies like Britain. As Norris goes undercover at anti-abortion activist meetings, and pieces together the money trail linking American think tanks to far-right fascist groups, she maps out the pipeline by which fascism has become respectable across the Global North by taking away women's reproductive rights and autonomy.Trade ReviewWhen it comes to the critical issues shaping our society, there are journalists who try to observe and analyse from on high - and then there are journalists like Sian Norris, who throw themselves headfirst into the messy tangle of people, places and politics that matter, and do so with passion and bite. Norris is not a passive stenographer, she's a fighter for a better world and her work might just help us win one. -- Jack Schenker, author of The Egyptians and Now We Have Your AttentionA vital and sobering book. Sian Norris's reporting on reproductive rights has long been prescient, dogged, and courageous -- and in this book she gives us an unflinching portrait of quite how much women stand to lose. Her account of how abortion is positioned in our contemporary moment -- by misogyny, white supremacy, and authoritarianism -- is necessary reading. -- Katherine Angel, author of Tomorrow Sex Will Be Good AgainAttacks on abortion rights are not only assaults on women's freedom to live and love as they choose, most successfully targeting black and ethnic minority women, but they are today a key plank of the far right's drive for power. Providing a splendid call to arms, in these pages Sia^n Norris shows why the struggle to preserve women's reproductive and sexual freedoms is now fundamental to the defeat of fascistic forces globally, as well as the foundation for any fairer, progressive future for all of us. -- Lynne Segal author of Lean on MeAn incisive account of the relationship between white supremacist ideology and the attack on abortion rights. The significance, necessity, and timeliness of this book is, unfortunately, all too apparent. -- Helen Hester, co-author of After WorkA groundbreaking and definitive study of far-right misogyny and how to fight it. Norris traces the networks that are pushing bigotry into the heads of young men across the world and shows how they interact with the "respectable" right. -- Paul Mason, author of How to Stop FascismReminds us that once won, rights - all rights - have to be constantly defended. This excellent book may help do that. -- Vanessa Baird * New Internationalist *Essential reading on what has become - yet again - one of the most important battles of our times. Sian Norris is an illuminating and passionate guide to the war on women's bodies and rights - there is so much here I didn't know, and to have it all set down so lucidly makes this book as invaluable as it is engrossing. -- Marina HydeA thorough, alarmed delineation of threats to abortion rights around the world. * Kirkus Reviews *An effective clarion call against complacency. -- Mia Levitin * Sunday Times *Table of ContentsTABLE OF CONTENTSA note on languageForewordIntroductionChapter One: The Ideology: The Place of Women in Fascist ThoughtChapter Two: The Extremists: The Anti-Abortion Far RightChapter Three: The Infiltration: The Networks that Bring Extremist Right Politics Into the MainstreamChapter Four: The Allies: How (Some) Women Join the Far Right ­- from Trad Wives to Anti-Trans Chapter Five: The Money: Who is Funding the Anti-Abortion Right?Chapter Six: The Politicians: How the Far-Right Influences Governments Around the WorldChapter Seven: The Tipping Point: Which Future Do We Choose?AcknowledgementsNotes

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Book SynopsisComforting a family member or friend, soothing children, providing company for the elderly, ensuring that people feel well enough to work; this is all essential labour. Without it, capitalism would cease to function. They Call It Love investigates the work that makes a haven in a heartless world, examining who performs this labour, how it is organised, and how it might change. In this groundbreaking book, Alva Gotby calls this work 'emotional reproduction', unveiling its inherently political nature. It not only ensures people's well-being but creates sentimental attachments to social hierarchy and the status quo. Drawing on the thought of the feminist movement Wages for Housework, Gotby demonstrates that emotion is a key element of capitalist reproduction. To improve the way we relate to one another will require a radical restructuring of society.Trade ReviewA fascinating and exhaustive explanation as to why emotions are a political issue. -- Brit Dawson * AnOther Magazine *They Call It Love shines a light on the invisible labour involved in love, examining who is responsible for performing it, how it can blossom, and why we do it. -- Adele Walton * Dazed *Gotby makes clear our emotional lives are inherently political. Her analysis of the politics of reproductive labour is a cogent criticism of the bourgeois capitalist logics of feeling, of the free labour of intimacy and of normative femininity. -- Adèle Cassigneul * MAI Journal *They Call It Love is a very fine book - one that balances polemical force with careful and rigorous research. In advancing its account of emotional reproduction, it brings together existing bodies of work on unwaged social reproduction and remunerated emotional labour to great effect, shining a light upon a too often overlooked (and heavily gendered) form of work. It is sharp, thoughtful, and well-written, and represents a substantial scholarly achievement. Alva Gotby is a writer and thinker to watch out for. -- Helen Hester, author of Xenofeminism, co-author of After WorkThis thorough book sheds new light on the critics of the political economy on emotional life. It is a welcome addition to the studies on the social meaning of the immaterial production that takes place in the domestic sphere. They Call It Love is a fascinating insider's account of the hidden, economic dimension of our emotional lives whose subject matter will make for passionate arguments and conversations among feminists and scholars in general. -- Leopoldina Fortunati, author of The Arcane of ReproductionGotby's book importantly attempts to underscore and theorise the role of emotions within social reproduction theory. Her concept of 'emotional reproduction' is a reminder that fife-making work is not devoid of affect. -- Sara Farris, author of In the Name of Women’s RightsThey Call It Love is a call to attention: Alva Gotby astutely maps the work of emotional support and care that is done day in and day out and across everyday life. Gotby not only insists that more value be attributed to emotional reproduction, but makes a sophisticated and compelling case for a radical repurposing of emotions, needs, and desires in the struggle for change - a struggle that is necessarily also a struggle for new ways of being together. -- Emma Dowling, author of The Care CrisisGotby powerfully, and persuasively, argues that the labour of love is at the heart of the anti-capitalist struggle . a beautifully written and engaging book that introduces complex ideas and explains them incredibly well. -- Patrycja Sosnowska-Buxton * Sociological Review *

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Book SynopsisThis is a richly detailed account of the way the sex industry works, and one of the few empirical studies that investigates the off street industry in Britain. The book seeks to advance a greater knowledge of the social organisation of the sex industry by uncovering the day-to-day activities of women involved in the indoor markets. What types of occupational risks do women experience in work of this kind? How do these hazards affect their personal lives? A key concern throughout the book is to assess whether women are passive victims of the circumstances of prostitution or whether they understand and calculate their responses to danger. Drawing upon both sociological and criminological theories, and on detailed research in the city of Birmingham, the author addresses these questions by estimating the rationality of those responses and by providing a measure of how women make sense of different risks. Sex Work: a risky business describes how women create complex psychological and emotional techniques to maintain their sanity while selling sex, and goes on to argue that the indoor sex markets in Britain have a distinct 'occupational culture' with a set of social norms, code of conduct and moral hierarchies that make it a high regulated workplace despite its illicit and sometimes illegal nature.Table of ContentsContents Introduction 1 The peculiarities of prostitution 2 Ethnography, sex and the self 3 Choice, risk and selling sex 4 Picking punters 5 Keeping safe 6 Dodging cops 7 Secrets and lies 8 Staying sane 9 Professionalizing prostitution? Bibliography Index

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Book Synopsis'The tone is one of intellectual relish . . . rational . . . refined . . . witty' NEW STATESMAN 'Her work is funny, sexy, frightening and brutal' EDMUND GORDON, GUARDIAN 'Angela Carter liked to blur boundaries and break rules' GABY WOOD, INDEPENDENT 'Sexuality is power' - so says the Marquis de Sade, philosopher and pornographer extraordinaire. His virtuous Justine keeps to the rules laid down by men, her reward rape and humiliation; his Juliette, Justine's triumphantly monstrous antithesis, viciously exploits her sexuality. In a world where all tenderness is false, all beds are minefields.But now Sade has met his match. With invention and genius, Angela Carter takes on these outrageous figments of his extreme imagination, and transforms them into symbols of our time - the Hollywood sex goddesses, mothers and daughters, pornography, even the sacred shrines of sex and marriage lie devastatingly exposed before our eyes. Angela Carter delves into the viscera of our distorted sexuality and reveals a dazzling vision of love which admits neither of conqueror nor of conquered.Trade ReviewAngela Carter is neither ordinary nor timid. The tone is one of intellectual relish ... rational ... refined ... witty * New Statesman *The boldest of English women writers -- Lorna SageHer work is funny, sexy, frightening and brutal, and is always shaped by a keen, subversive intelligence and a style of luxuriant beauty -- Edmund Gordon * The Guardian *Angela Carter liked to blur boundaries and break rules -- Gaby Wood * Independent *

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Book SynopsisThe term 'feminism' came into English usage around the 1890s, but women's conscious struggle to resist discrimination and sexist oppression goes much further back. This completely new and updated edition of "Introducing Feminism" surveys the major developments that have affected women's lives from the 17th century to the present day. "Introducing Feminism" is an invaluable reference book for anyone seeking the story of how feminism reconfigured the world for women and men alike.

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Book SynopsisVision and Difference, published in 1988, is one of the most significant works in feminist visual culture arguing that feminist art history of is a political as well as academic endeavour. Pollock expresses how images are key to the construction of sexual difference, both in visual culture and in broader societal experiences.Her argument places feminist theory at the centre of art history, proffering the idea that a feminist understanding of art history is an analysis of art history itself. This text remains key not only to understand feminine art historically but to grasp strategies for representation in the future and adding to its contemporary value.Table of ContentsWays into the Text Who is Griselda Pollock? What does Vision and Difference say? Why does Vision and Difference matter? Section 1: Influences Module 1: The Author and the Historical Context Module 2: Academic Context Module 3: The Problem Module 4: The Author's Contribution Section 2: Ideas Module 5: Main Ideas Module 6: Secondary Ideas Module 7: Achievement Module 8: Place in the Author's Work Section 3: Impact Module 9: The First Responses Module 10: The Evolving Debate Module 11: Impact and Influence Today Module 12: Where Next? Glossary of Terms People Mentioned in the Text Works Cited

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Book Synopsis'To say this [book] is "empowering" doesn't do it justice. Buy a copy for your daughters, sisters, mums, aunts and nieces - just make sure you buy a copy for your sons, brothers, dads, uncles and nephews, too.' - indy100'Here's to no more forgotten women.' - Evening StandardForgotten Women reaches around the world and its history to rediscover, retell and reinstate the lives of over 190 important and significant women. From Neolithic times to modernity, Zing Tsjeng has traced the women who have shaped their age and revolutionised society. In this book lies the strength, lives and sacrifices of women who have refused to accept the hand they've been dealt and have changed the course of our futures accordingly.

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Book SynopsisIn Stepford Daughters, Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together. In doing so, Isaacson makes the case that this often-maligned genre is in fact a place where oppressed people can understand, navigate and confront an increasingly ugly and horrifying world. Films like Hereditary and The Babadook show women coming apart at the seams as the promises of both the family and waged work fail them. In Get Out, we see how poor women and women of color perform the invisible labor that holds up our society, experiencing domestic work as a kind of possession. In “coming of rage” films such as Assassination Nation and Teeth, we see the ways social reproduction leads to a futureless horizon. Robbed of their dreams but not their power to resist, these heroines emerge as the monsters and avengers we need.Trade ReviewCapitalism and patriarchy create monsters—but inside the darkness there lurks a strange utopia. In Stepford Daughters, Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together. In doing so, Isaacson makes the case that this often-maligned genre is in fact a place where oppressed people can understand, navigate and confront an increasingly ugly and horrifying world.What happens when your smile is no longer yours? Films like Hereditary and The Babadook show women coming apart at the seams as the promises of both the family and waged work fail them. In Get Out, we see how poor women and women of color perform the invisible labor that makes society run while experiencing domestic work as a kind of possession. In “coming of rage” films such as Assassination Nation and Teeth, we see the ways social reproduction leads to a futureless horizon. Robbed of their dreams but not their power to resist, these heroines emerge as the monsters and avengers we need.Product DetailsAuthors: Johanna IsaacsonPublisher: Common NotionsISBN: 9781942173694Published: October 2022Format: PaperbackSize: 5.5 x 8.5Page count: 208Subjects: Feminism/Social Reproduction/HorrorAbout the AuthorJohanna Isaacson writes academic and popular pieces on horror and politics. She is a professor of English at Modesto Junior College and a founding editor of Blind Field Journal. She is the author of The Ballerina and the Bull, has published widely in academic and popular journals, and runs the Facebook group "Anti-capitalist Feminists Who Like Horror Films."Advance Praise“Johanna Isaacson’s Stepford Daughters is a brilliant and critically important elucidation of how ‘class horror is gender horror’ in the twenty-first century. The book explores twenty contemporary horror films that depict how public and private, work and family, have become intertwined under neoliberal politics—and how labor at home and in the workplace has become increasingly feminized and devalued. With an incisive theoretical framework and incredibly rich and illuminating readings, Isaacson’s book offers a much-needed approach to horror, eloquently demonstrating how horror films can both diagnose the problems of neoliberal and gendered capitalism and give us monstrous figures who resist and transform.” —Dawn Keetley, editor of Jordan Peele's Get Out: Political Horror “Johanna Isaacson is a worthy successor to Robin Wood and Carol Clover, and Stepford Daughters deftly analyzes some of the most popular and accomplished contemporary horror films at the nexus of feminism and capitalism. Full of brilliant insights that apply decades of feminist theory to horror cinema, this is essential reading for horror scholars, pop culture enthusiasts, and anyone who desires a greater insight into the intersectional dynamics of the capitalist class war.” —Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure“Surveying dozens of recent horror films and engaging a rich critical archive of social reproduction theory, Stepford Daughters makes provocative and evocative interventions into contemporary cultural theory. A leading scholar in the field of horror criticism whose work is also broadly accessible, Isaacson offers readings that are at once militant and playful, and she persuasively locates in the horror genre a radical current of Marxist-feminist critique that we need now more than ever”. —Annie McClanahan, author of Dead Pledges: Debt, Crisis, and 21st-Century Culture“In this brilliant and compulsively readable book, Johanna Isaacson unpacks a bunch of recent horror films, focusing on what they tell us about gender and class oppression. Horror films in the 21st century are a kind of social realism. They hold a mirror up to social conditions that are so ubiquitous and so commonly taken for granted that we have forgotten that we can fight back against them. Isaacson shows us how horror films can work as tools for understanding, and even for social transformation.” —Steven Shaviro, DeRoy Professor of English, Wayne State University“Johanna Isaacson's Stepford Daughters draws from social reproduction to explore the way in which contemporary horror illustrates the intimacy of exploitation. It proposes not just a new understanding of recent horror films, but a groundbreaking illustration of the monstrosity of daily life under contemporary capitalism, colonialism, and patriarchy.”—Jason Read, author of The Production of Subjectivity: Marx and Philosophy"Stepford Daughters is a powerful exploration of the trans-generational horror of women’s experience under contemporary capitalism. In an analysis attentive to the possibilities of horror film as a mode of realism, which explores in horror form the anxieties that shape our lives, Isaacson expertly brings together Marxism, feminism, and Queer readings into exciting new configurations. Tapping into the 21st-century horror film renaissance, Stepford Daughters offers an insightful reading of our bad times and how we might end them.” —Benjamin Noys, author of Malign Velocities: Accelerationism & Capitalism “Johanna Isaacson is one of the boldest, most lucid critics working on horror today. Stepford Daughters includes some of her most original and paradigm-defining works on the subject, opening in particular a whole new avenue of thinking regarding the intersections between class and gender in horror. Full of exciting insights and bravura readings, this book is a landmark not only for the study of horror, but for the study of contemporary cinema in general.” —Ignacio M. Sánchez Prado, author of Screening Neoliberalism: Transforming Mexican Cinema, 1988–2012 "Jo Isaacson is one of Marxist feminism’s leading lights, and this box of “tools” for horror viewers is more like an arsenal, chockful of weapons with which to abolish the present state of things. Teaching us how to read both with and against the grain of domestic horror cinema, uncovering the bathtubs full of blood in the “hiddener abodes” of social reproduction, Stepford Daughters is a true triumph of cultural criticism, and beautifully written, to boot. Via entertaining and ingeniously grouped readings of movies by turns scary, gory, creepy and uncanny, Isaacson takes us on a denaturalizing journey through housework, motherhood, stratified reproduction, emotional labor, migrant and indigenous oppression, and queer monstrosity, bravely pointing towards the horizon called “abolition of the family.” In these pages, we experience the full potential of the critically utopianist “antiwork” sensibility for which Blind Field, the journal of cultural inquiry Isaacson co-founded, is best known. Inside these elegant interlocking critiques, we glimpse horizons of social possibility beyond the family, beyond whiteness, beyond gender, beyond the state, and beyond capital itself."—Sophie Lewis, author of Abolish the Family: A Manifesto for Care and LiberationTable of ContentsIntroduction: "Class Horror is Gender Horror"Combining Marxist and feminist analysis, it makes a case for social reproduction feminism as a theory that understands that capitalist logic is always gendered. Chapter One: "It's Coming from Inside/Outside the House: Horror as Care Strike" Discusses the horror genre as a place that doesn’t see the home as a protection from “the other,” but as itself a source of horror. For example, using the film Hereditary, which illustrates the family as a source of terror, it discusses the resurgence of a call for “family abolition.” Chapter Two: "It's Coming from Inside the Boss’s House: Horror and the Domestic Worker"This chapter explores social reproduction and horror through looking at waged domestic work. Looking at films including Housekeeping, Get Out, and La Llarona, it makes the case that while reproductive labor is often personified by the bourgoise housewife poor and women of color domestic workers and surplus populations are the most exploited and diagnostic categories of social production. Chapter Three: "It's Coming from Inside the Telltale Managed Heart: Service Labor and Emotional Labor in Horror" This chapter looks at the ways that the contemporary boom in service work leads to the expansion of emotional labor as a key element of social reproduction. Horror movies in which figures such as personal assistants and sex workers appear, give us a way to understand the problems when love becomes labor, or when a person becomes alienated from her own smile.Chapter Four: "Girls Gone Wild: Coming of Rage into the Futureless Future" This chapter explores the crisis of social production as it produces a sense of futurelessness–the contemporary girls of horror are monstrous in the sense that they threaten the social order as we know it. They are utopian in that the carry a hope that witches and final girls will not give into passivity, but fight for a new, unimaginable world. Conclusion: "Violent Femmes against Rape Economies"The book concludes with the film American Mary and a consideration of questions in feminism about rape culture and how these questions connect to theories of social reproduction.

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Book SynopsisThis book examines the deep and lengthy crisis of legitimacy triggered by the death of Prince Juan of Castile and Aragon in 1497 and the subsequent ascent of Juana I to the throne in 1504. Confined by historiography and myth to the madwoman’s attic, Juana emerges here as a key figure at the heart of a period of tremendous upheaval, reaching its peak in the war of the Comunidades, or comunero uprising of 1520–1522. Gillian Fleming traces the conflicts generated by the ambitions of Juana’s father, husband and son, and the controversial marginalisation and imprisonment of Isabel of Castile’s legitimate heir. Analysing Juana’s problems and strategies, failures and successes, Fleming argues that the period cannot be properly understood without taking into account the long shadow that Juana I cast over her kingdoms and over a crucial period of transition for Spain and Europe.Trade Review“This monograph offers a refreshing look at a monarch that has long been depicted as ‘the mad queen’ within the literature and popular imaginary, while also demonstrating that popular depictions often ignore Juana’s own attitudes towards her kingdom and her place in such. … Fleming’s study captures the significance of Juana’s career and its legacy while also illustrating how women, particularly the women of the House of Trastamara-Habsburg, influenced the character of the emerging Kingdom of Spain.” (Jessica L. Minieri, Royal Studies Journal, Vol. 7 (2), 2020)“This well-crafted study is a must-read for any scholar interested in Spanish and European political history, power, the monarchy, queenship, gender, and disability studies.” (Nuria Silleras-Fernandez, Early Modern Women Journal, Vol. 14 (2), 2020)“An excellent scholarly biography of Queen Juana I, daughter of Ferdinand and Isabella. … Fleming examines Juana’s political significance as Queen of Castile and places her within the context of sixteenth century attitudes toward female rule in the Iberian peninsula and beyond. … Well written, well researched and interesting to read. Highly recommended.” (Carolyn Harris, royalhistorian.com, June, 2018)Table of Contents

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Book SynopsisCentred around the bold voices of millennials and Gen Zs, Smashing the Patriarchy explores how young Indian women from diverse backgrounds ingeniously overcome the patriarchy in their everydayives. From beauty, body politics, and sexuality, to caste, power, and the paradox of choice, the book explores a wide range of women''s issues and draws important connections between these. In the chapter On Beauty'' the author examines why women pursue or reject mainstream beauty standards and the real-life repercussions of their choices. Ishq in the Times of Tinder'' considers the conundrum that isove and what women want (and don''t want) from partnerships. The chapter Women at Work'' focuses on how young hyper-informed (and tech-savvy) women have shifted work culture across industries. Demystifying the Feminine'' examines how women across the socio-cultural spectrum define and express femininity. Society, Sanskar, and Choice'' dives into society''s conception of honour and the backlash dissenting women face when they go against the norm. Taking its inspiration from multi-disciplinary theories, grounded and deepened by interviews with a variety of experts and numerous women, Smashing the Patriarchy is an astonishingly insightful exploration of the collective psyche of modern Indian women.

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Book SynopsisPlay the game. Change the game.Discover some of the bravest and most inspirational women out there with these stunning portraits by Daniela Henríquez. Compare notes on 32 of the most courageous women ever, from Malala Yousafzai and Rosa Parks to Marie Curie and Amelia Earhart.Get ready to inspire the next generation of changemakers and groundbreakers while playing this fun and informative game!

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Book SynopsisBurn It Down! is a testament to what is possible when women are driven to the edge. Collecting over seventy-five manifestos from around the world, Burn It Down! is a rallying cry and a call to action. Among this quarrel- some sisterhood, you’ll find ACT UP’s Queer Nation Manifesto, Emma Goldman’s 1896 Anarchy and the Sex Question, Valerie Solanas’s SCUM Manifesto and The Combahee River Collective Statement

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Book SynopsisThe Turkish-language release of Hanne Blank's Virgin: The Untouched History is a politically engaged translation aimed at disrupting Turkey's heteropatriarchal virginity codes. In Virgin Crossing Borders, Emek Ergun maps how she crafted her rendering of the text and draws on her experience and the book's impact to investigate the interventionist power of feminist translation. Ergun's comparative framework reveals translation's potential to facilitate cross-border flows of feminist theories, empower feminist interventions, connect feminist activists across differences and divides, and forge transnational feminist solidarities. As she considers hopeful and woeful pictures of border crossings, Ergun invites readers to revise their views of translation's role in transnational feminism and examine their own potential as ethically and politically responsible agents willing to search for new meanings. Sophisticated and compelling, Virgin Crossing Borders reveals translation's vital role in Trade Review“A beautifully written book that takes the reader on a journey, beginning with the author’s interest in the topic through her struggles to create a translation that will empower and change the lives of her readers and the way they see the world. Ergun makes a convincing case for how essential translation is for transnational feminism and provides a unique, behind-the-scenes look at what translations can do. This book left me feeling inspired and even hopeful--a rare experience in these troubling times.”--Kathy Davis, author of The Making of Our Bodies, Ourselves: How Feminism Travels across BordersTable of ContentsForeword AnaLouise Keating Preface: Traveling (with) Books Acknowledgments Introduction: Translation in Feminism / Feminism in Translation Comparative Geohistories of Virginity Re-visioning Virginity in the Rewriting of Virgin Remaking Feminist Subjectivity in Feminist Translation Local Politics of Feminist Translation Feminist Translation as a Praxis of Cross-Border Interconnectivity Imagined Translational Feminist Communities Conclusion: Translation in Transnational/Transnational in Translation Notes Bibliography Index

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Book SynopsisTrade Review"One of American Institute of Graphic Arts’ Top 50 Books / 50 Covers of 2021"

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Book SynopsisCan science, steeped in Western, masculine, bourgeois endeavors, nevertheless be used for emancipatory ends? In this major contribution to the debate over the role gender plays in the scientific enterprise, Sandra Harding pursues that question...Trade Review"Provocative and often persuasive, this examination of trends in feminine critiques of science presents a useful, comprehensive account of a subject claiming increasing attention among philosophers, historians of science, and feminine theorists."—E.C. Patterson, Albertus Magnus College, Choice, 1986"Offers a plentiful feast of sticky problems, embarrassing questions, and nagging doubts about current practices in both history and philosophy of science that will not go away by themselves."—Elisabeth A. Lloyd, Isis, Vol. 79, 1988"This is the book many scholars in feminist theory and the philosophical and historical studies of science have been waiting for. It is ambitious, sophisticated, and subtle: the best book yet written in feminist approaches to philosophy and the theories of knowledge."—Donna J. Harraway, Department of the History of Consciousness, University of California, Santa Cruz

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Book SynopsisThe concluding volume in a poetic trilogy, Alexis Pauline Gumbs''s Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise. In these prose poems, Gumbs channels the voices of her ancestors, including whales, coral, and oceanic bacteria, to tell stories of diaspora, indigeneity, migration, blackness, genius, mothering, grief, and harm. Tracing the origins of colonialism, genocide, and slavery as they converge in Black feminist practice, Gumbs explores the potential for the poetic and narrative undoing of the knowledge that underpins the concept of Western humanity. Throughout, she reminds us that dominant modes of being human and the oppression those modes create can be challenged, and that it is possible to make ourselves and our planet anew.Trade Review“Grounded in oríkì-like references to Sylvia Wynter’s oeuvre, Dub simultaneously contracts and expands to create a new form of proprioception, which allows us as a species, phantomed by the corrosive and lacerating actions of history, to locate ourselves in relation to other species, as well as within the time-space continuum of the yet to be, the now and the ‘past.’ Part prayer, oration, exhortation, commentary and story, Dub amplifies ancestral voices to become mythopoesis in the making.” -- M. NourbeSe Philip, author of * Zong! *“Offering a sweeping, thoughtful, and exquisite meditation on Sylvia Wynter's work, Alexis Pauline Gumbs's poetic engagement represents a new and unique way of encountering and paying homage to Black feminist theory and Black feminist theorists. A beautiful and graceful text, Dub will inspire readers to return to and to rethink Wynter's work and her place within African Diaspora studies, Caribbean studies, and Black feminist studies.” -- Lisa B. Thompson, author of * Single Black Female *"Breath is an important theme in Dub. As is gratitude in the face of environmental decline. Because our ancestors navigated so intimately through change, Gumbs sets out to prove, so can we. . . . [An] exquisitely rendered love letter. . . ." -- Ashia Ajani * Sierra *"People throw around terms like Genius and Magic frequently but if you open this book, flip to any passage, and don’t feel moved from your soul then I will assume that you don’t have one. 5 Stars aren't enough for this sacred text but it's all we got so . . . ." -- Adrien Julious * Authentically Adrien blog *"I am so grateful that Alexis Pauline Gumbs listens to Black women writers and scholars the way that she does. . . . Dub is a book of our now. As tends to be the case with the books that Gumbs summons, the timing of Dub is prescient. With our breathless global attention set to registering the various way a virus connects all life forms, I cannot think of a better time for a book that tarries with and makes ceremony with Sylvia Wynter." -- Tiffany Lethabo King * Antipode *"[G]round-breaking. . . . Gumbs’s trilogy embraces the lyric beauty in the acts of naming, remembering, and finding one’s way back to the source. . . . Reading Gumbs’s books feels like reading an archive that will someday, who knows maybe even someday soon, usher in an era of radical transformation." -- Kathryn Nuernberger * West Branch *“Both a gathering and a recovery, this last pivotal volume in a trilogy commits to a new poetics. . . . Dub wakes us concussively. Both wrenching and playful, it offers instructions (two sets of them), warnings, and its central bid to listen to the undrowned.” -- Susan McCabe * Los Angeles Review of Books *Table of ContentsA Note ix Request 1 Commitment 3 Instructions 5 Opening 7 Whale Chorus 15 Remembering 21 Nunánuk 34 Boda 40 Anguilla 47 Another Set of Instructions 66 Red August 74 Relation 92 Prophet 94 And 110 Skin 114 Losing it All 120 It's Your Father 126 Edict 145 Edgegrove 153 Unlearning Herself 163 Birth Chorus 177 Conditions 194 Jamaica 199 Blood Chorus 202 Shop 214 Orchard 220 Cycle 227 Saving the Planet 231 Staying 239 Letting Go 246 Acknowledgments 253 Notes 261 Crate Dig 273

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Book SynopsisWhat does feminism have to say to the Anthropocene? How does the concept of the Anthropocene impact feminism? This book is a daring and provocative response to the masculinist and techno-normative approach to the Anthropocene so often taken by technoscientists, artists, humanists, and social scientists. By coining and, for the first time, fully exploring the concept of “anthropocene feminism,” it highlights the alternatives feminism and queer theory can offer for thinking about the Anthropocene. Feminist theory has long been concerned with the anthropogenic impact of humans, particularly men, on nature. Consequently, the contributors to this volume explore not only what current interest in the Anthropocene might mean for feminism but also what it is that feminist theory can contribute to technoscientific understandings of the Anthropocene. With essays from prominent environmental and feminist scholars on topics ranging from Hawaiian poetry to Foucault to shelled creatures to hypomodernity to posthuman feminism, this book highlights both why we need an anthropocene feminism and why thinking about the Anthropocene must come from feminism. Contributors: Stacy Alaimo, U of Texas at Arlington; Rosi Braidotti, Utrecht U; Joshua Clover, U of California, Davis; Claire Colebrook, Pennsylvania State U; Dehlia Hannah, Arizona State U; Myra J. Hird, Queen’s U; Lynne Huffer, Emory U; Natalie Jeremijenko, New York U; Elizabeth A. Povinelli, Columbia U; Jill S. Schneiderman, Vassar College; Juliana Spahr, Mills College; Alexander Zahara, Queen’s U.Trade Review"These insights are extremely important. Moreover, they go a long way toward creating a more sophisticated feminist ecology."—Los Angeles Review of Books"It is certainly a volume that due to its richness I will no doubt regularly return to and use as a point of reference."—Leonardo"What the authors in Anthropocene Feminism do collectively is foreground alternative timelines, histories, locations, and speculations for the Anthropocene, refiguring it as provocation for what remains to be done."—Glasgow Review of Books "Anthropocene Feminism anthologizes nine major thinkers in feminist theory whose work engages the current ecological crises. The book stages a rich transdisciplinary exchange among its contributors." —Signs JournalTable of ContentsContentsIntroduction. Anthropocene Feminism: An Experiment in Collaborative TheorizingRichard Grusin1. We Have Always Been Post-Anthropocene: The Anthropocene CounterfactualClaire Colebrook2. Four Theses on Posthuman FeminismRosi Braidotti3. The Three Figures of GeontologyElizabeth A. Povinelli4. Foucault’s Fossils: Life Itself and the Return to Nature in Feminist PhilosophyLynne Huffer5. Your Shell on Acid: Material Immersion, Anthropocene DissolvesStacy Alaimo6. The Arctic WastesMyra J. Hird and Alexander Zahara7. Gender Abolition and Ecotone WarJoshua Clover and Juliana Spahr8. The Anthropocene ControversyJill S. Schneiderman9. Natalie Jeremijenko’s New ExperimentalismDehlia Hannah in Conversation with Natalie JeremijenkoAcknowledgmentsContributorsIndex

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Book SynopsisTrade Review"[On] Being Human as Praxis is a major contribution to growing efforts to bring Sylvia Wynter’s critical thought to the fore of contemporary critical social theory. The collection secures Wynter’s status as a heretical intellectual insisting on the relevance of the radical Black/Caribbean decolonial tradition to the systemic crises of the early 21st century planet." -- Anthony Bayani Rodriguez * Antipode *"In their combination, and in their resonance with Wynter’s intricate and expansive opening meditation on race, science, and human being, these essays present a complex and coherent intellectual project, at once deeply rooted and generously rhizomic." -- Kaiama L. Glover * Contemporary Women's Writing *Table of ContentsAcknowledgments ix 1. Yours in the Intellectual Struggle: Sylvia Wynter and the Realization of the Living / Katherine McKittrick 1 2. Unparalleled Catastrophe for Our Species? Or, to Give Humanness a Different Future: Conversations / Sylvia Wynter and Katherine McKittrick 9 3. Before Man: Sylvia Wynter's Rewriting of the Modern Episteme / Denise Ferreira da Silva 90 4. Sylvia Wynter: What Does It Mean to Be Human? / Walter D. Mignolo 106 5. Still Submerged: The Uninhabitability of Urban Redevelopment / Bench Ansfield 124 6. Axis, Bold as Love: On Sylvia Wynter, Jimi Hendrix, and the Promise of Science / Katherine McKittrick 142 7. Strategic Anti-Essentialism: Decolonizing Decolinization / Nandita Sharma 164 8. Genres of Human: Multiculturalism, Cosmo-politics, and the Caribbean Basin / Rinaldo Walcott 183 9. From Masquerade to Maskarade: Caribbean Cultural Resistance and the Rehumanizing Project / Carole Boyce Davies 203 10. "Come on Kid, Let's Go Get the Thing": The Sociogenic Principle and the Being of Being Black / Demetrius L. Eudell 226 Bibliography 249 Contributors 275 Index 277

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Book SynopsisThis visionary book on gender and sexuality weaves together high theory and intimate memoir, with "spectacular" results—"and the gendered body will never be the same again" (Jack Halberstam). What constitutes a "real" man or woman in the twenty-first century? Since birth control pills, erectile dysfunction remedies, and factory-made testosterone and estrogen were developed, biology is definitely no longer destiny.In this penetrating analysis of gender, Paul B. Preciado shows the ways in which the synthesis of hormones since the 1950s has fundamentally changed how gender and sexual identity are formulated, and how the pharmaceutical and pornography industries are in the business of creating desire. This riveting continuation of Michel Foucault''s The History of Sexuality also includes Preciado''s diaristic account of his own use of testosterone every day for one year, and its mesmerizing impact on his body as well as his imagination.

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Book SynopsisIn Intersectionality as Critical Social Theory Patricia Hill Collins offers a set of analytical tools for those wishing to develop intersectionality''s capability to theorize social inequality in ways that would facilitate social change. While intersectionality helps shed light on contemporary social issues, Collins notes that it has yet to reach its full potential as a critical social theory. She contends that for intersectionality to fully realize its power, its practitioners must critically reflect on its assumptions, epistemologies, and methods. She places intersectionality in dialog with several theoretical traditions—from the Frankfurt school to black feminist thought—to sharpen its definition and foreground its singular critical purchase, thereby providing a capacious interrogation into intersectionality''s potential to reshape the world.Trade Review“With remarkable brilliance and breadth, Patricia Hill Collins examines the theoretical dimensions of intersectionality in new ways and in dialogue with other influential social theories and resistant knowledges. Intersectionality as Critical Social Theory explains why critical social theory matters in the real world and how intersectionality can achieve its potential as a tool for social action needed to transform the world for the better. Once again, Patricia Hill Collins shines as a masterful scholar of critical inquiry, politics, and social change.” -- Dorothy Roberts, author of * Killing the Black Body: Race, Reproduction, and the Meaning of Liberty *“Anyone who claims the mantle of Black feminist theorist is standing in the house Patricia Hill Collins built. She is one of our most important intellectual architects. Here she continues to be at her very best, asking the thorny questions that those of us who are scholars and practitioners of intersectionality often avoid. Collins reminds us what it looks like to use ideas in service of freedom projects, demanding at every turn that we do it with integrity, rigor, and a critical attention to the high stakes nature of social justice work. This book resets our freedom compass, reminding us both of what our work is and for whom we do it.” -- Brittney Cooper, author of * Eloquent Rage: A Black Feminist Discovers Her Superpower *"This remarkable monograph expresses the most important facets of the critical lens. . . [and] gives hope that collective social action has the potential to affect democratic change even under conditions of multiple oppressions." -- Anna Amelina & Jana Schäfer * Ethnic and Racial Studies *"Highly recommended. Upper-division undergraduates through faculty; professionals." -- I. Ken * Choice *“This book constitutes an extremely valuable resource for students, activists, and scholars who, while having already engaged with foundational texts on the topic, seek to deepen their understanding of intersectionality. Further, Intersectionality as Critical Social Theory also opens a door for those who wish to continue the intellectual journey of theorizing intersectionality that Collins eloquently embarks on. -- Miriam Yosef * KULT_online *“This book is more than a mere investigation of the theoretical of methodological aspects of intersectionality.... Intersectionality as Critical Social Theory is a book that cannot be missed by scholars, activists, and students of all disciplines.” -- C. Laura Lovin * Feminist Encounters *“Intersectionality as Critical SocialTheory is required reading for academics, activists and educators working across and between disciplines including feminist studies, philosophy, critical race theory, sociology, and education. Now more than ever, Professor Hill Collins is essential.” -- Adina Giannelli * Gender and Education *“Intersectionality as Critical Social Theory is a dense and exceedingly thoughtful book. Collins is careful and focused, asking hard questions about the nature of social theory and theorizing.” -- Rose M. Brewer * American Journal of Sociology *Table of ContentsAcknowledgments ix Introduction 1 Part I. Framing the Issues: Intersectionality and Critical Social Theory 1. Intersectionality as Critical Inquiry 21 2. What's Critical about Critical Social Theory? 54 Part II. How Power Matters: Intersectionality and Intellectual Resistance 3. Intersectionality and Resistant Knowledge Projects 87 4. Intersectionality and Epistemic Resistance 121 Part III. Theorizing Intersectionality: Social Action as a Way of Knowing 5. Intersectionality, Experience, and Community 157 6. Intersectionality and the Question of Freedom 189 Part IV. Sharpening Intersectionality's Critical Edge 7. Relationality within Intersectionality 225 8. Intersectionality without Social Justice? 253 Epilogue. Intersectionality and Social Change 286 Appendix 291 Notes 295 References 331 Notes 353

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Book SynopsisAccording to the Bible, Eve was the first to heed Satan''s advice to eat the forbidden fruit and thus responsible for all of humanity''s subsequent miseries. The notion of woman as the Devil''s accomplice is prominent throughout Christian history and has been used to legitimize the subordination of wives and daughters. In the nineteenth century, rebellious females performed counter-readings of this misogynist tradition. Lucifer was reconceptualized as a feminist liberator of womankind, and Eve became a heroine. In these reimaginings, Satan is an ally in the struggle against a tyrannical patriarchy supported by God the Father and his male priests. Per Faxneld shows how this Satanic feminism was expressed in a wide variety of nineteenth-century literary texts, autobiographies, pamphlets, newspaper articles, paintings, sculptures, and even artifacts of consumer culture like jewelry. He details how colorful figures like the suffragette Elizabeth Cady Stanton, gender-bending Theosophist H. P. Blavatsky, author Aino Kallas, actress Sarah Bernhardt, anti-clerical witch enthusiast Matilda Joslyn Gage, decadent marchioness Luisa Casati, and the Luciferian lesbian poetess Renée Vivien embraced these reimaginings. By exploring the connections between esotericism, literature, art and the political realm, Satanic Feminism sheds new light on neglected aspects of the intellectual history of feminism, Satanism, and revisionary mythmaking.Trade ReviewFaxneld's book is essential reading for anyone interested in biblical reception, the history of Christianity, Western esotericism, literature, the history of feminism, and history of art. It is also highly recommended for contemporary satanists, witches, and pagans—and those who want to understand them—as a clear exposition of the history of Satan that consequently sheds light on his relationship to these new religious movements. * Caroline Tully, Reading Religion *... the assemblage here is as provocative for scholarship as the original voices were to their cultures. Consider, for instance, Faxneld's observation that The Woman's Bible was "a project on which several female Theosophists were among the collaborators." This alone should motivate multiple future studies. Anyone interested in the history of feminist thought (and its villainization) should read this book. * Spencer Dew, Denison University / The Ohio State University, Religious Studies Review *an authoritative, wide-ranging analysis of a discourse long considered too outlandish to merit much scholarly attention. Bridging literary and religious studies, it reclaims legions of fascinating she-devils to argue persuasively for Satanic feminism as a daring and culturally significant rewriting of Christian myth. * Dawn Coleman, History of Religions *Satanic Feminism is strongly recommended to all those interested in understanding the crucial role of Satan in theWestern cultural imagination. ... The author does not restrict himself to a specific focus on Satanism, but interconnects several fields of study, including Western esoteric studies. ... Faxneld's volume goes far beyond prior works on the history of intellectual Satanism. * Michele Olzi, Aries *Table of ContentsI: Introduction II: Woman and the Devil: Some Recurring Motifs III: Romantic and Socialist Satanism IV: Theosophical Luciferianism and Feminist Celebrations of Eve V: Satan as the Emancipator of Woman in Gothic Literature VI: Witches as Rebels Against Patriarchy VII: Subversive Satanic Women in Decadent Literature and Art VIII: Lucifer and the Lesbians: Sapphic Satanism IX: Becoming the Demon Woman: Rebellious Role-play X: Mary MacLane's Autobiographic Satanic Feminism XI: Sylvia Townsend Warner's Liberating Devil XII: Conclusions Bibliography

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Book SynopsisWell written and consistently provocative, Gender and the Musical Canon is a comprehensive and balanced study of women composers and their music. A classic in gender studies in music, it is nonetheless accessible for musically educated lay reader.Trade Review"I never thought in my wildest dreams that I would be so interested in a scholarly book of this type. As a woman composer and a teacher of music, I felt so connected to the ideas in it and, more importantly, utterly empowered by them. I have recommended it to everyone I know!" -- Joan Tower"Important and timely. . . . Valuable to anyone from the high school student to the most accomplished academic." -- Renée Cox Lorraine, MLA Notes"[Citron] succeeds admirably in laying out the fundamental problems and the solutions thus far available. . . . [Her] book is well written and continuously provocative." -- Lydia Goehr, Music and Letters

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Book SynopsisSarah Thornton is a sociologist who writes about art, design and people. Formerly the chief art market correspondent for The Economist, she is the author of three previous books. Her second, Seven Days in the Art World was an international bestseller, published in eighteen languages, and named one of the best art books of the year by the New York Times. Sarah has written for The Guardian, W, Art Basel, Cultured, among others. A skilled interviewer and engaging public speaker, Sarah has given hundreds of talks around the world and contributed to NPR, Netflix, ZDF and BBC radio and TV. A Canadian who went to the UK on a prestigious Commonwealth Scholarship, Thornton was hailed as Britain's hippest academic. Now based in San Francisco, Thornton is better known as the Jane Goodall of the art world. She is the author of Tits Up.

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Book SynopsisStart making smart decisions. Free yourself from the financial fog. Take control of your money.Unf*cking your finances will change your life. With a step-by-step approach, including a 30-day financial detox, money mindfulness plan and goal-setting exercises, this book provides everything you need to develop healthy financial habits. As well as in-depth practical advice on debt, the stock market and navigating money with partners, financial advisor and accountant Melissa Browne will teach you to transform your relationship with money. Whether you want to get out of your overdraft, get clued up on credit, maximise your savings or achieve your dream to buy a property, this book is full of no bullsh*t information for anyone who needs a fresh approach.

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Book Synopsis*WINNER OF THE ROYAL PHILHARMONIC SOCIETY STORYTELLING AWARD**SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2023*The lives, loves, adventures and trailblazing musical careers of four extraordinary women from a stunning debut biographer.''Fabulous.'' Sunday Times ''A rare gift.'' Financial Times ''Passionate ... Vivid ... Timely.'' Telegraph ''Readable and inspiring.'' Guardian ''Compelling ... Ambitious ... Poignant.'' Spectator ''Magnificent.'' Kate Mosse ''Riveting.'' Antonia Fraser ''A breath of fresh air.'' Kate Molleson ''Fascinating.'' Alexandra Harris ''Wonderful.'' Claire Tomalin ''Splendid.'' Miranda Seymour ''Remarkable.'' Fiona Maddocks ''Pioneering.'' Andrew Motion ''Brilliant'' Helen PankhurstEthel Smyth (b.1858): Famed for her operas, this trailblazing queer Victorian

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Book SynopsisIn a context marked by the virulent return of patriarchal and white supremacist attitudes, a new generation of feminist activists are continuing the struggle: these are very feminist times. But how do these and other movements relate to the contemporary posthuman condition? In this important new book, Rosi Braidotti examines the implications of the posthuman turn for feminist theory and practice. She defines the posthuman turn as a convergence between posthumanism on the one hand and post-anthropocentrism on the other, and she examines their complex relationship and joint impact. Braidotti claims that mainstream posthuman scholarship has neglected feminist theory, while in fact feminism is one of the precursors of the posthuman turn, through diverse social movements and political traditions. Posthuman Feminism is an analytic and creative response to contemporary conditions and a call to action. It highlights the constraints but also the potentialities available to feminist political subjects as they confront the ever-growing injustices of sexism, racism, ecocide and neoliberal capitalism. This bold new text by a leading feminist philosopher will be of great interest to students and scholars throughout the humanities and social sciences.Trade Review“This profound and energising book is uncannily insightful: read it as a talisman against the present and as a map out of its baleful conditions.”Matthew Fuller, Goldsmiths, University of London“Posthumanism Feminism is astonishingly wide-ranging and characteristically impressive in its contemporary relevance. Attending closely to submerged knowledge traditions including Indigenous and Black perspectives, Braidotti enriches our understanding of both posthumanism and feminism by showing how they are mutually generative and intimately imbricated. Everyone who engages with ideas emerging in these areas will need to know what this book has to say.”Simone Bignall, University of Technology SydneyTable of ContentsAcknowledgements Introduction: Feminism by Any Other Name Part I Posthuman Feminism as Critique Chapter 1: Feminism is Not (Only) a Humanism Chapter 2: The Critical Edge of Posthuman Feminism Chapter 3: Decentring Anthropos: Ecofeminism Revisited Part II Posthuman Feminism as Creation Chapter 4: New Materialism and Carnal Empiricism Chapter 5: Technobodies: Gene- and Gender-editing Chapter 6: Sexuality Beyond Gender: a Thousand Little Sexes Chapter 7: Wanting Out! Epilogue: “Get a life!” Bibliography

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Book SynopsisAs we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In Eating in Theory Annemarie Mol takes inspiration from these transformative entanglements to rethink what it is to be human. Drawing on fieldwork at food conferences, research labs, health care facilities, restaurants, and her own kitchen table, Mol reassesses the work of authors such as Hannah Arendt, Maurice Merleau-Ponty, Hans Jonas, and Emmanuel Levinas. They celebrated the allegedly unique capability of humans to rise above their immediate bodily needs. Mol, by contrast, appreciates that as humans we share our fleshy substance with other living beings, whom we cultivate, cut into pieces, transport, prepare, and incorporate—and to whom we leave our excesses. This has far-reaching philosophical consequences. Taking human eating seriously suggests a reappraisal of being as transformative, knowing as entangling, doing as disperseTrade Review“Its writing limpid, its organization elegant, its argument scintillating, this book is inspirational. And radical. Annemarie Mol effectively unseats the mindset that cannot see past people as thinking and embodied beings. While her address is to questions as they are posed in philosophy, this book will find huge sympathy among those dealing with anthropological materials of all kinds and stages a striking provocation for the general reader who asks whether scholarship can tell us anything new.” -- Marilyn Strathern, author of * Relations: An Anthropological Account *“In characteristically crisp and inviting prose, Annemarie Mol thinks through eating—its social acts, sensory experiences, and metabolic processes—to re-metabolize the wisdoms so many of us have absorbed about knowing and relating, being and doing, subjectivity and agency. Eating in Theory offers a nourishingly pluralistic vision of humans permeable to their surroundings, interdependent rather than autonomous, and hungry for further thinking. It’s a book to savor.” -- Heather Paxson, Professor of Anthropology, Massachusetts Institute of Technology"Eating in Theory is a tasty and satisfying treat for anyone interested in human-nature relationships, refreshing theoretical perspectives, food studies, ethnography and more." -- Ola Plonska * LSE Review of Books *"[I]n detailing much of her critical reflection on a certain valued practice of thinking over those of eating, Mol eloquently brings into the limelight the vitality of abandoning grand theories aimed at explaining all human beings, and especially those not situated in their own theorization." -- Elin Linder * Anthropology Book Forum *"A remarkable book. . . . By dispensing with the ontological need for knowledge to be universal, Eating in Theory lives up to its title and truly theorizes eating as an act of meaning and meaning making. . . . Mol’s analysis unfolds fluidly and clearly. . . . Highly recommended. Graduate students, faculty, and professionals." -- M. A. Lange * Choice *"I know of no health researcher who so compellingly takes health out of individual bodies and situates it in the collective ecology that bodies depend on. . . . No writings seem more relevant to the crises of the present moment." -- Arthur W. Frank * Journal of Medical Humanities *"[A] terrific little book. . . . . Anthropologists and sociologists with an interest in Food Studies can easily make strong use of Eating in Theory, as well as of course philosophers of many disciplines preoccupied with the question of what we can wrap our collective Western mouth—rather than our head—around the most pernicious theoretical effects of the Anthropocene." -- Megan Volpert * Popmatters *"I find this book a valuable philosophical and theoretical contribution to our understanding of eating and food. I find it especially useful because Annemarie Mol demonstrates, through her scrutiny of such philosophical categories as Being, Knowing, Doing, and Relating, the multiple entanglements between people, between humans and nonhumans, that highlight the complexities of eating. As she successfully demonstrates, this traditionally banalized act can be productive for thinking about what it means to be human at a time when multiple empirical realities challenge universal philosophical understandings." -- Steffan Igor Ayora-Diaz * Journal of Anthropological Research *"Eating in Theory proves to be not only brief and approachable, but exciting and thought-provoking for foodways scholars. Reminiscent of Sarah Pink’s work on sensory ethnography, Mol introduces the reader to exciting new approaches in studying food and eating. Through thoughtful fieldwork passages and engaging analysis, Mol teaches us to view the world through eating, relating it to larger issues of overconsumption and ecological sustainability." -- Ema Noëlla Kibirkstis * Digest *"This book unravels the particular and ever-present model of the human derived from Western epistemologies while demonstrating its perniciousness by experimenting with alternatives. . . . Mol's voice is precise, challenging, and insightful. . . . Mol's ideas inspire a way of laboring in the world, of which the academia is part." -- Jessica Hardin * Anthropological Quarterly *"Eating in Theory brings Mol’s sophisticated approach to materiality and its enactment to bear on the prosaic topic of eating. This fascinating yet complex topic is much enriched by her approach and clarity. . . . Mol’s choice of the familiar yet always fascinating topic of eating has allowed her to create a very helpful primer and companion for a posthuman understanding of being, knowing, thinking, and relating. Naturally it is of interest to anyone interested in the topic of food and eating but should also be read widely across the humanities and social sciences for its contributions to thinking around ecological sustainability and philosophy." -- Hannah Drayson * Leonardo *Table of Contents1. Empirical Philosophy 2. Being 3. Knowing 4. Doing 5. Relating 6. Intellectual Ingredients Acknowledgments Notes Bibliography Index

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Book SynopsisThe instant New York Times bestseller: a hilarious and transformational book about how to tackle fear--now with a brand new bonus chapter!'You could spend a lifetime and fortune finding the perfect therapist, mentor, minister, career coach, and girlfriend - or you could just spend a day reading PROFESSIONAL TROUBLEMAKER.' Glennon Doyle, author of #1 NYT Bestseller UntamedFrom the New York Times bestselling author of I'm Judging You, a hilarious and transformational book about how to tackle fear - that everlasting hater - and audaciously step into lives, careers, and legacies that go beyond even our wildest dreams.Luvvie Ajayi Jones is known for her trademark wit, warm voice, and exceptional integrity. But even she's been challenged by the enemy of progress known as fear. She was once afraid to call herself a writer because she was afraid of the title. She nearly skipped out on doing a TED talk that changed her life because of imposter syndrome. And, as she shares in The Fear-Fighter Manual: Lessons from a Professional Troublemaker, she's not alone. We're all afraid. We're afraid of asking for what we want because we're afraid of hearing "no." We're afraid of being different, of being too much or not enough. We're afraid of leaving behind the known for the unknown. But in order to do the things that will truly, meaningfully change our lives, we have to become professional troublemakers: people who are committed to not letting fear talk them out of the things they need to do or say to live free.With humor and honesty, and guided by the influence of her professional troublemaking Nigerian grandmother, Funmilayo Faloyin, Luvvie walks us through what we must get right within ourselves before we can do the things that scare us; how to use our voice for a greater good; and how to put movement to the voice we've been silencing-because truth-telling is a muscle. The point is not to be fearless, but to know we are afraid and charge forward regardless. It is to recognize that the things we must do are more significant than our fears. This book is about how to live boldly in spite of all the reasons we have to cower. Let's go!Trade ReviewYou could spend a lifetime and fortune finding the perfect therapist, mentor, minister, career coach, and girlfriend -- or you could just spend a day reading PROFESSIONAL TROUBLEMAKER. This book - Luvvie Ajayi Jones's most helpful, bold, vulnerable, hilarious, and relevant work yet -- is equal parts catharsis and wake-up call, both comforting and galvanizing. I laughed and cried so hard that my family asked me to read in the other room. With her razor-sharp mind, soul on fire, and heart of gold --- Luvvie is the activist and artist the world needs right now. This will be my go-to gift for all the beloved troublemakers in my life. * Glennon Doyle, author of #1 NYT Bestseller Untamed and founder of Together Rising *There's nobody quite like Luvvie Ajayi Jones. She's a force and a powerhouse, the thunder and the lightning - and Professional Troublemaker shows us exactly how she got that way. This is a great book about reaching deep down inside yourself, crushing your fears, unleashing your 'too-muchness,' and giving yourself permission to shake the world. In a voice that is funny, wise, bold, and always generous, Luvvie encourages, inspires, and dares us to follow our dreams, fight against injustice, soak up the pleasures of life, and take up all the space in the room. If this book doesn't make you feel bolder and braver by the final page, then you weren't reading it right. I loved every passionate word of it * Elizabeth Gilbert, author of City of Girls and Eat Pray Love *This book is a comfort and a challenge. It inspires, encourages, heartens, and invigorates in equal measure. You should read it * Jenny Lawson, New York Times bestselling author of Furiously Happy and Let’s Pretend This Never Happened *As an oft-scared chickenhead, who cares too much about what others think, it's so comforting to be guided through my own crippling fear and self-doubt by one of the bravest, most incisively honest, hysterical voices I know. This book was so real, relatable and so much of it had me belly laughing. This is the essential manual for anybody who is ready to take that leap of faith to bet on the best, uninhibited, whole version of themselves * Issa Rae, Actor and New York Times Bestselling Author of The Misadventures of an Awkward Black Girl *Luvvie Ajayi Jones describes herself as 'a professional troublemaker'. From her TED talk Get Comfortable With Being Uncomfortable to setting up her own safe space social platform, LuvvNation, she's pushed boundaries despite struggling with fear and imposter syndrome and this book is about exactly that. We all feel fear and insecurity but that, in a world that wants to keep people in their boxes, we need to speak out, acknowledge we will always have that fear and get on with it anyway. Written with humour and verve, this is about changing the world politically and personally even if it means we need a bit of courage to do so. * The Stylist *This read underlines why facing your fears is crucial to changing the status quo - both personally and politically * Stylist *

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Book SynopsisMari Ruti combines theoretical reflection, cultural critique, feminist politics, and personal anecdotes to analyze the prevalence of bad feelings in everyday life. Proceeding from a playful engagement with Freud’s idea of penis envy, Ruti fans out to a broader consideration of neoliberal pragmatism and a trenchant critique of gender relations.Trade ReviewI returned to university as an adult to audit a course by Mari Ruti, as I have long been a fan of her writing. This book returns me to the joys of being her student, of hearing her lecture, of her lucid and lively intelligence which is grounded in lived experience and is open and probing in its analysis. I always left her classes with a renewed and expansive feeling about life and the human situation, and this book gives me the same feelings of liberty, outrage, excitement, and possibility. -- Sheila Heti, author of How Should a Person Be?Mari Ruti is a treasure—equal parts learned, generous, and wise. Whether diagnosing and naming American culture’s ‘gender obsession disorder’ or unpacking its absurd fixation on marriage, she puts the unspoken ailments of our everyday into words, and brings us that much closer to finding a cure. -- Kate Bolick, New York Times bestselling author of Spinster: Making a Life of One's OwnMari Ruti's Penis Envy and Other Bad Feelings is truly a unique book. Seamlessly weaving important concerns from recent queer and feminist theory into a quasi-autobiographical, quasi‐polemical fabric, it addresses crucial issues that permeate our daily lives in the twenty-first century. Ruti's book moves from the large‐scale to the intimate and back again, engaging both Western societies in general and specific instances of discomfort within their confines. -- Gail M. Newman, Williams CollegeMari Ruti’s Penis Envy and Other Bad Feelings brings the reader into an intimate conversation with its author, eliciting outright laughter, deep compassion, even heartbreak, and many wincing nods of oh yeah, #MeToo recognition. Fueled by a spirited appreciation of bad feelings and an affirming love of Lacan and language, Ruti deftly turns penis envy on its head into a feisty, feminist source of political agency. -- Jill Gentile, author of Feminine Law: Freud, Free Speech, and the Voice of DesireThrough an intimate portrait of Mari Ruti’s emotional landscape we encounter the phallic predicaments of everyday life. Why the penis, we may ask? This book moves through psychoanalytic theory like fire in grass. Her ethical hope is that in taking on the full range of bad feelings, we may finally know what can be enough! -- Jamieson Webster, author of The Life and Death of Psychoanalysis[Ruti] rescues penis envy from Freud's ludicrous literalism and feminism's merry spoofing. Readers versed in critical theory, a field renowned for its obscurantist prose, will find her book remarkably lucid. -- Carol Tavris * Times Literary Supplement *This is a gutsy, original foray into feminist theory, at once memoirish, polemical and even self-helpful, just the book for anyone up for an intellectual bone to gnaw on. -- Sarah Murdoch * The Toronto Star *A delightful book that spills over with insights into the everyday suffering that these neoliberal times produce in so many of us. * Hypatia *Ruti’s Penis Envy might resonate particularly with young women who are caught up in the groundswell of the #metoo movement, and also set somewhat adrift by it. -- Ronjaunee Chatterjee * ASAP/J *Ruti offers lived experiences as well as cogent readings of Sigmund Freud, Michel Foucault, and Jacques Lacan, to make her case for how feelings of inadequacy are culturally reproduced, rather than biologically determined. . . .[Penis Envy and Other Bad Feelings] invites discussion among men and women, the repressed and the celebrated, as a way of correcting fetishistic acceptance of phallic primacy. * Library Journal *Ruti interweaves theoretical insight, cultural critique, feminist politics, and personal experience to lift the lid on the prevalence of bad feelings in contemporary everyday life. Emanating from a playful engagement with Freud’s idea of penis envy, Ruti’s autotheoretical commentary fans out to a broader consideration of neoliberal pragmatism. * Public Seminar *Table of ContentsIntroduction1. The Creed of Pragmatism2. The Rationalization of Intimacy3. The Obsessions of Gender4. The Reinvention of Heteropatriarchy5. The Specificity of Desire6. The Age of AnxietyConclusionAcknowledgmentsNotesIndex

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For nearly fifty years, Vivian Gornick's essays, written with her characteristic clarity of perception and vibrant prose, have explored feminism and writing, literature and culture, politics and personal experience. Drawing writing from the course of her career, Taking a Long Look illuminates one of the driving themes behind Gornick's work: that the painful process of understanding one's self is what binds us to the larger world.In these essays, Gornick explores the lives and literature of Alfred Kazin, Mary McCarthy, Diana Trilling, Philip Roth, Joan Didion, and Herman Melville; the cultural impact of Silent Spring and Uncle Tom's Cabin; and the characters you might only find in a New York barber shop or midtown bus terminal. Even more, All That Is Given brings back into print her incendiary essays, first published in the Village Voice, championing the emergence of the women's liberation movement of the 1970s.Alternately crackling with urgency or lucid with insight, the essays in Taking a Long Look demonstrate one of America's most beloved critics at her best.

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Book SynopsisAmazingly off-beat, feisty, fashionable, fun-loving and self-assured... the women that young artist Sangita Jogi conjures up in her imagination are incredible. Playfully balancing the limits of her life as a woman with the freedom of her imagination as an artist, this book leaves the reader with a felt sense of the radical potential of art.

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Book SynopsisThis groundbreaking study examines Muslim female superheroes within a matrix of Islamic theology, feminism, and contemporary political discourse. Through a close reading of texts including Ms. Marvel, Qahera, and The 99, Sophia Rose Arjana argues that these powerful and iconic characters reflect independence and agency, reflecting the diverse lives of Muslim girls and women in the world today.Trade ReviewSophia Arjana’s book is my ideal balance of a popular-academic book. Academics are perpetually in search of that book which will be informative and scholarly as well as creative and fun: professor, that book has arrived. Using a refreshingly global, multi-stranded framework of religious studies, gender and women’s studies, cultural studies, and media studies, Dr. Arjana investigates the subversive up-ending of cultural power dynamics through the lens of visual media. Comic book superheroes are the perfect champions to interrogate outdated, wooden status quo of dominant majority cultures. And Muslim women superheroes are ideal protagonists to right wrongs and smash hegemonic stereotypes. Arjana shows how they battle for new paradigms like the heroes of Crouching Tiger, Hidden Dragon, fight-dancing atop towering yet teetering cultural tropes. -- Shabana Mir, associate professor of religion, American Islamic CollegeSophia Arjana’s meticulously researched book is a must read for anyone looking for a window into current realities of Muslim lived experiences and on-the-ground and symbolic practices of resistance against islamophobia and objectification. Self- and other-rescuing female Muslim superheroes reclaiming symbols, their bodies, and their faith are part of the real, complex, diverse lived experiences of struggle and grass roots Islamic social justice work of Muslimah around the world. Arjana makes accessible the public pedagogy of graphic novels, and presents us with the kind of anti-colonial, feminist, liberational partners of which we need legion in our times. -- Heike Peckruhn, assistant professor of religious studies, Daemen CollegeWorking at the intersection of religion, popular culture, and gender studies, Sophia Arjana explores comics’ complex and compelling representations of Muslim women, beyond sexualized stereotypes. Drawing on examples from the famous (Ms. Marvel) to the little known (Bloody Nasreen), Veiled Superheroes situates characters in their diverse national environments while analyzing globally relevant issues of agency, imperialism, and power. -- Kecia Ali, Boston University, professor of religion, Boston UniversityThis is an invigorating, lively, and original book which will have a broad appeal in a number of academic fields including Cultural, Gender, and Islamic Studies. Examining a diverse set of the representations of Muslims in contemporary comics and animation, Sophia Rose Arjana provides lucid analytical insights on the intricate relationships between popular culture, identity, sociality, and reigning political dynamics. Her project brings the subversive and innovative genre of Muslimah Superheroes into a creative and engaged conversation with Islamic feminism and Sufism, all the while proving that erudite academic work can also be exciting and fun to read! -- Sadiyya Shaikh, associate professor of religious studies, University of Cape TownTable of ContentsForeword- Wajahat Ali Introduction 1. Muslim Women in Western Popular Culture 2. The Muslim Body, Veiling, and Contestations of Islam 3. Ms. Marvel, Islam, and America 4. Burka Avenger and the Subversive Veil 5. Qahera, Raat, Bloody Nasreen, and the Vigilante Superhero Conclusion: Islamic Feminism and Muslim Chivalry

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Book SynopsisShould we become parents? This question forces us to reckon with what we love and fear most in ourselves, in our relationships, and in the world. When Gina Rushton considered this decision, the choice was less straightforward than she had assumed. Her search for an answer only uncovered more complexity. How do race, gender and class affect our experiences of pregnancy, birth, and parenthood? How do we address the paradox of creating new life on a planet facing catastrophic climate change? How do we navigate uncompromising workplace cultures and the pitfalls of excessive emotional labour? How does our own childhood impact how we choose to parent, if we do so at all? Drawing on a depth of knowledge gained through her extraordinary work as an award-winning journalist, as well as her personal experiences, Rushton wrote the book she and others needed to transform the discourse around the parenthood dilemma.Trade ReviewExtract: Why Would Anyone Want To Have Kids When It Feels Like The World Is Ending? -- Gina Rushton * Junkee *Review: The easiest—and hardest—decision -- Melody Tan * Mums at the Table *Review -- Rebecca Whitehead * Books + Publishing *Review: The Most Important Job In The World shows that parenting really can be a giant motherload! -- Natalie Salvo * The AU Review *Review -- Jackie Tang * Readings (ANZ) *When is the right time to freeze your eggs? * Harper's Bazaar Australia - syndicated to Harper's Bazaar Arabia *Interview: Gina Rushton on writing The Most Important Job in the World -- Sharon Green * She Defined *The case for not having kids: Why women are putting the conversation on ice -- Kelley Dennett * Stuff NZ *The question around having children: a nine month long study! * RNZ *Panel on The Drum with Ellen Fanning * ABC *Nature and grief, rethinking motherhood on Life Matters * ABC *Ten Terrifying Questions * Booktopia *Why the question 'do you want kids' tears women open like nothing else -- Gina Rushton * Body + Soul *The Millennial Anxiety Of Having Kids In A Climate Crisis -- Alex Bruce-Smith * Elle *What comes after guilt when family planning in a climate crisis? Anger. -- Gina Rushton * Sydney Morning Herald *Show Your Working: Gina Rushton -- Gina Rushton * Kill Your Darlings *The best Australian books out in April -- Donna Lu * The Guardian *As a science journalist I’m reconsidering having kids. I’m not the only one -- Donna Lu * The Guardian *The most anticipated books of 2022 -- Melanie Kembrey * Sydney Morning Herald *

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Book SynopsisAt once a heart-wrenching personal narrative and a unique historical document, The Autobiography of Eleanor Roosevelt is the ultimate example of the personal as political.Eleanor Roosevelt stands as one of the world's greatest humanitarians, having dedicated her remarkable life to the liberty and equality of all people. In this sincere and frank self-portrait she recounts her childhood marked by the death of her mother and separation from the rest of her family at age seven her marriage to Franklin D. Roosevelt; and the challenges of motherhood, including the tragic death of her second son, all of which occurred before her twenty-fifth birthday.It wasn't till her thirties that Eleanor Roosevelt began the life for which she is known. A committed supporter of women's suffrage, architect of the welfare state, leader of the UN Commission on Human Rights and author of the Declaration of Human Rights, as well as being a prolific writer, diplomat, visionary, pacifist and commiTable of ContentsPreface Part I: This is My Story Part II: This I Remember Part III: On My Own Part IV: The Search for Understanding Afterword, Nancy Roosevelt Ireland Index

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Book SynopsisIn her powerful debut work Lean Out, acclaimed journalist Dawn Foster unpicks how the purportedly feminist message of Sandberg's book neatly exempts patriarchy, capitalism and business from any responsibility for changing the position of women in contemporary culture. It looks at the rise of a corporate '1% feminism', and at how feminism has been defanged and depoliticised at a time when women have borne the brunt of the financial crash and the gap between rich and poor is widening faster than ever. Surveying business, media, culture and politics, Foster asks whether this 'trickledown' feminism offers any material gain for women collectively, or acts as mere window-dressing PR for the corporations who caused the financial crash. She concludes that 'leaning out' of the corporate model is a more effective way of securing change than leaning in.Trade Review“Rarely does ‘essential reading’ really mean that you urgently need to read a book. But Lean Out is different: the argument that a society that promotes ‘aspiration’ must rely on outliers is just one of its many gems. There is a danger that corporate feminism will enter academia and will not be recognised for the aberration that it is.Lean Out is the antidote. Just 87 pages long, it is well worth the many hours it takes to read and absorb.”- Danny Dorling, Halford Mackinder professor of geography, University of Oxford"A very important, much-needed and well-researched book that isn’t afraid to ask the right questions and demand answers. It is a straight-talking, timely call to arms” - Independent on Sunday "Vigorous…trenchant…a robust critique…it’s conclusion is both inevitable and startling” - Shahidha Bari, Times Higher Education “Excellent…forward-looking” - Sarah Leonard, Bookforum “...much more than just a riposte to the popular business manifesto for women. Fascinating, thought-provoking and at times outrage-inducing, Lean Out elucidates the many ways in which women are being subjugated by corporations and the government, and encourages us to take direct action to address these inequalities.” - Ariane Sherine, Huffington Post

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Book SynopsisTrade Review"These are crucial manifestos that changed the discourse and clarified our situation in the postmodern in stunning and beautiful ways. That we are animal and machine and human and full of potential is Donna Haraway’s enduring and inspirational message."—Kim Stanley Robinson, author of Aurora and the Mars trilogy "Here Donna Haraway’s manifestos are marvelously composted in the rich humus of reflection, erudition, and reasons for laughter that makes thinking with other people so generative. The brilliance that sparks between Cary Wolfe and Haraway illuminates everything that is between, around, underneath, and beside two most profound moments in critical thought."—Marilyn Strathern, University of Cambridge "Donna Haraway’s essays are invitations to scientists, artists, and everyone-who-must-improvise for respectful play with chimeras, hybrids, cyborgs, GMOs, holobionts, mosaics, allies, and fusions. They are invitations to generate new creative relationships for flourishing during and after the Anthropocene. As always, when presented with essays by Haraway, accept the invitation at the risk of becoming a different person."—Scott F. Gilbert, Swarthmore College"The social relations of science was a whole movement in the 1930s...It did not survive the cold war purges of intellectual life. Science studies has reinvented many of its themes and in many ways improved upon them. Yet perhaps, as Haraway once noted in passing, the “liberal mystification that all started with Thomas Kuhn…” has erased a little too much of its radical past. We are very fortunate that Donna Haraway and her kith reinvented it."—Public Seminar"Unusual and exciting. Every word adds a new detail, facet, nuance, reflection, to an infinitely detailed, faceted, nuanced reality."—London Review of Books"Manifestly Haraway is a timely and necessary publication in response to our own political moment if we are to link up with past failures, and explore new affinities for the future."—Arcadia"Widely influential."—Science Fiction Studies"Important, feminist, bio-political work."—Annals of Science "Manifestly Haraway is illuminating and engaging. Donna Haraway contextualizes the manifestos and considers how some of these early ideas are developing alongside fresh concepts and influences." —SociologyTable of ContentsContentsIntroduction Cary WolfeThe ManifestosA Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century The Companion Species Manifesto: Dogs, People, and Significant OthernessCompanions in ConversationDonna J. Haraway and Cary WolfeAcknowledgmentsIndex

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