Fashion and textile design Books

Book SynopsisBuild the knowledge and understanding of garment technology essential to any designer In today''s competitive fashion industry, it is essential that designers have a working understanding of garment technology. This 2nd edition has been comprehensively updated, with in-depth information on stitches, guides and attachments and sewing techniques, all of which are fully illustrated. There are enhanced chapters on machine and equipment technology explaining the uses, features and limitations of garment manufacturing equipment, enabling designers to create products that can be manufactured efficiently and with a high degree of quality. Approached from the fashion designer''s mindset, this book features illustrations to help users build their knowledge and understanding Blends theoretical and practical material Updated with the latest and most modern advances in clothing technology Illustrated throughout to help shape the reader''s knowledgeTable of ContentsPreface – About This Revised Edition vi Acknowledgements vii Part I The Commercial Designer 1 Chapter 1 The Designer’s Role within Product Development and Manufacture 3 Chapter 2 The Designer and Garment costs — The commercial Designer 7 Chapter 3 Pattern cutting and Materials Utilisation 15 Chapter 4 Garment Trimmings 36 Chapter 5 Designing for Manufacture 47 Part II Garment Technology 53 Chapter 6 Understanding Textile Materials 55 Chapter 7 Sample cutting 76 Chapter 8 The Principles of Fusing Technology 99 Chapter 9 The Principles of Sewing Technology 112 Chapter 10 The Principles of Pressing Technology 138 Chapter 11 Garment Finishing and Inspection 150 Chapter 12 Selecting Appropriate Technology 160 Part III The Operation of the Product Development Department 165 Chapter 13 The Sample Room 167 Chapter 14 communication 173 Chapter 15 Management/Leadership and Organisation 184 References 193 Index 195

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Book SynopsisThe long-running popular TV series Doctor Who is, Piers Britton argues, a ''uniquely design intensive text'': its time-and-space-travel premise requires that designers be tirelessly imaginative in devising new worlds and entities and recreating past civilizations. While Doctor Who's attempts at worldbuilding are notorious for being hit-and-miss old jokes about wobbly walls and sink plungers die hard the distinctiveness of the series' design imagery is beyond question. And over the course of six decades Doctor Who has produced designs which are not only iconic but, in being repeatedly revisited and updated, have proven to be an ever-more important element in the series' identity and mythos.In the first in-depth study of Doctor Who's costumes, sets and graphics, Piers Britton offers an historical overview of both the original and the revived series, explores theoretical frameworks for evaluating Doctor Who design, and provides detailed analysis of keyTrade ReviewBritton's book highlights the important role played by design throughout the various incarnations of Doctor Who, providing both a fresh perspective on the long-running series and a robust model for future research into this neglected area of media studies. -- Richard Hewett, University of Salford, UKWhether you’re a Doctor Who fan or a design student – perhaps even an attentive student of Doctor Who or a passionate design fan – Design for Doctor Who is for you. Expertly and innovatively bringing together design studies and ‘Doctor Who studies’, Piers Britton restores the importance of the visual to understanding this long-running TV show. -- Professor Matt Hills, University of Huddersfield, UKTable of ContentsTable of Contents Preface PART 1: A CRITICAL DESIGN HISTORY OF DOCTOR WHO Introduction: Why a history of Doctor Who design? 1. The London Period – Lime Grove 1963 to Television Centre 1989 2. The TVM, and the Cardiff Period – Upper Boat Studios 2004 to Roath Lock 2020 Postlude PART 2: THIRTEEN KEY DESIGNS - A PERSONAL VIEW Introduction 3. Formative and Enduring Images 4. Design of the Times PART 3: WHAT’S AT STAKE IN DESIGN FOR DOCTOR WHO Introduction 5. The Work of Design in the Doctor Who Narrative 6. Responding to Design for Doctor Who – Evaluation and Transformations LAST THOUGHTS Notes

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Book SynopsisUlrich Lehmann brings together methods and ideas from social sciences and material production to give us a new political reading of fashion in today's post-democracy. Accessing rare source material across a wide range of European languages and cultures, he gives us insight into new working structures in the manufacture of garments and textiles.

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Book SynopsisExamining the special relationship between footwear and film, Shoe Reels explores images of shoes in cinema. It questions what shoes mean in the context of narrative, aesthetics and symbolism, why they are so memorable, and what their wider cultural resonances might be.

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Book SynopsisNo other book comparesThis is the book students reference during their four years at university. Tara Konya, Southern New Hampshire University, USALearn how fashion lines are designed, manufactured, marketed, and distributed. The book covers the full supply chain from textiles to fashion brand production as well as supply chain management, and competitive strategies, so that you can be successful in your future career. Topics covered include sustainable design for a circular economy, 3-D printing, fashion entrepreneurship, disruptions in fashion calendars, supply chain transparency, impact of social media, growth and evolution of online retailing, expanded omnichannel strategies, and changes in international trade, among others. Case studies, a Career Glossary, and key terms help you connect concepts to practice. New to this Edition Content addresses knowledge and skill guidelines in the Association to Advance Collegiate Sc

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Book SynopsisSocial Psychology of Dress, 2nd Edition presents and explains the major theories and concepts of human behavior relating to dress, drawing from the social science fields of psychology, sociology, and anthropology. The text positions dress as a process in which individual preferences, membership in social groups, and cultural awareness all impact choices about attire and appearance. Using empirical data and examples from current events and popular culture, the authors define dress, present its origins and functions, and discuss research methods for dress. They also explore the relationships between dress and topics including social perception, impression formation, identity, cultural patterns and rituals, and body image. Box features highlighting applications to the fashion industry, end-of-chapter summaries, and discussion questions to further engage students in their study of dress. New to this Edition: -New Dress Research in the News, Application t

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Book Synopsis‘From inspiration to sketch, pattern to fabric, the making of a dress has been the structure that has held me, and my passion to dress others is the momentum of my life.’ Jenny Packham is one of Britain’s leading designers and most in-demand couturiers, known for her exquisite dresses made for brides, celebrities and even royalty. In How to Make a Dress, she explores her creative journey in a brilliant meditation on life and style.Beginning with the search for creative inspiration and taking us into her studio then onto the red carpet and beyond, she asks the questions that have preoccupied us for centuries: What makes the perfect dress? What do our clothes mean to us? And why do we dress the way we do? Whether she is on the trail of Marilyn Monroe in LA, designing a bespoke piece for the red carpet or sketching for a new collection, Jenny documents her pursuit of the eternal truths of style. Decades in the making, How to Make a Dress is an unforgettable book for anyone who has ever loved a piece of clothing.Trade ReviewCaptivating—Sunday ExpressFascinating—GraziaHow to Make a Dress is inspirational. It shows the relevance of fashion in everyday life - undertaking a cool analysis of your closet the Packham way reveals more than garments but the tale of an interesting past. The mad, mad mistakes, the ridiculous dreams, that unworn touch of regret. Unlike most designers Packham acknowledges the word sexy when it comes to dressing and chooses Marilyn Monroe as a Muse. Taut as the seams that hold the top A-listers on the red carpet, it's so much more than frock and roll.—Eve Pollard OBEI love this book. It's a very beautiful and intimate insight into the creative mind. Jenny takes us on the journey from her childhood to the glamourous world of dressing the red carpet stars with such refreshing honesty. I couldn't put it down!—Deborah Brett, fashion editorI really enjoyed this book, the photographs are fabulous, and the stories even better. I just could not put this down, can't wait for the next one!—Richard Young, photographerPackham details her inspirations, struggles and successes in a style that is as lyrical and dreamy as one of her own satin and gauze confections.—Town and CountryWhat a beautiful story. Not only does it take you through the journey of her inspiration and the making of her gorgeous pieces but I love the details of Jenny's personal life. I read it in one sitting and I loved it.—Jessica Paster, celebrity stylistJenny writes with an eye for colour, a feel for romance and an unerring instinct for the pertinent detail. Passionate about fashion and unpersuaded by its excesses, How To Make A Dress is a total treat.—David Downton

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Book SynopsisThe Practical Guide to Patternmaking for Fashion Designers: Menswear offers patternmaking techniques for a variety of garment styles and includes information on sizing, lining and a variety of fabrics. Covering everything from casual to tailored designs, it can serve both as an introduction to the pattern-drafting skills necessary for menswear and as a more in-depth treatment of patternmaking techniques. The guide covers the patternmaking process for an array of menswear garments, as well as the accompanying theories and concepts.Table of Contents* Introduction to Patternmaking * Taking Measurements, Body Forms, Live Models * Drafting the Basic Sloper Set * Shirts * Vests * Pants * Jackets and Coats * Linings TEXT FEATURES * Pattern charts for a range of sizes * Size conversion charts * Specification sheets * Learning Activities

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Book SynopsisPrior to the 1970s-1980s, fashion marketing focused heavily (and perhaps solely) on women's fashions. Today, fashion marketing influences all products and the manner of style consumers use products. How products are marketed, when products are marketed, the evolution of products into different sizes, shapes, color, and uses are all influenced by fashion marketers. Fashion marketing is taken to different levels from branding a person (e.g., Ralph Lauren, the person), line of products (e.g., Lexus luxury cars) to a single product (e.g., Coach handbag). This much needed text will provide information regarding the introduction, making and machine the industry calls Fashion Marketing. Features: -- Addresses how branding and imaging of fashion, once used for a product or product line, is now used for the company spokesperson, owner, or representative -- Looks at the industry through a global perspective -- Case Studies including company logo and discussion of the company's impact on fashion marketing -- Online links throughout the chapter for students and instructors to investigate fashion marketing around the U.S. and world -- End of chapter elements include: summary, list of key terms, 3-4 assignments, discussion questions, study questions, and references -- Appendix includes glossary, bibliography and references (both for citations within text and for further study), index for subject and company -- Instructor's Guide includes exams with answers -- PowerPoint(r) Presentation provides outlines and ideas for lectures; compatible with PC and Mac platformsTrade ReviewAs far as I can see this book is the most practical introduction to fashion marketing. Besides the fact that it covers a broad variety of topics, all informations are up-to-date and the Terms/Questions sections at the end of each chapter are able to generate a deeper interest and understanding by students. -- Alexander Bretz, Mediadesign Fachhochschule - University of Applied Sciences, GermanyTable of ContentsThe Impact of Fashion Branding and Image Fashion Marketing The Buying Season: Marketing Fashions to Retailers Targeting the fashion consumer Cross Channel Shopping Crossing Product Boundaries Fashion and Entertainment Counterfeit merchandise, Ethics and Enforcement of the Law Marketing Fashions Globally

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Book SynopsisShows how cinematic treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of postwar German women. This book steers attention toward two key aspects of German culture - film and fashion - that shared similar trajectories and multiple connections, looking at them not only in the immediate postwar years but as far back as 1939. They formed spectacular sites of the postwar recovery processes in both East and West Germany. Viewed against the background of the abundant fashion discourses in the Berlin-based press, the films discussed include classics such as The Murderers Are among Us, Street Acquaintance, and Destinies of Women as well as neglected works such as And the Heavens above Us, Martina, Modell Bianka, and Ingrid. These films' treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of the women who made up a large majority of the postwar public. Costume - in films produced both by DEFA and by West German studios - is a productive site to explore the intersections between realism and escapism. With its focus on costumes within the context of the films' production, distribution, and reception, this book opens up wider discussions about the role of the costume designer, the ways film costumes can be read as intertexts, and the impact on audiences' behaviors and looks. The book reveals multiple connections between film and fashion, both across the temporal dividing line of 1945 and the Cold War split between East and West. Mila Ganeva is Department Chair and Professor of German at Miami University, Oxford, Ohio.Trade Review[A] captivating interpretation of fashion and film in 'the long 1940s' in Germany . . . . a valuable resource for scholars and students, as well as a lively and fascinating read for a broader audience. -- Victoria Vygodskaia-Rust * GERMAN STUDIES REVIEW *Meticulously researched...Ganeva's trenchant analysis shows how fashion maintained pretences of normality during wartime, bolstered the processes of postwar normalization, and eventually helped to define attitudes towards consumer culture and material abundance in a 1950s Germany divided between East and West. -- Marketa Uhlirova * SCREEN *With [this book] Mila Ganeva puts forth an insight-rich study of the cultural meaning of fashion in film and the press from the Nazi period to the beginnings of the Cold War in Berlin. . . . [C]learly written and precisely researched . . . . An important contribution to research on the female horizon of experience in the 1940s and 1950s. -- Jan Uelzmann * FILMBLATT *This interesting book sheds light on the [postwar] period [in Germany] by documenting that both [the film and fashion] industries cultivated a vision of the autonomous, professionally accomplished woman and that numerous women were able to achieve an independent existence within these industries. -- R. Bledsoe * CHOICE *The book . . . is outstandingly researched and fills a thematic gap in the literature of German film history. -- Hans Helmut Prinzler * WWW.HHPRINZLER.DE *Table of ContentsIntroduction Vicarious Consumption: Wartime Fashion in Film and the Press, 1939-44 "Fashions for Fräuleins": The Rebirth of the Fashion Industry and Media in Berlin after 1945 Vignette 1 - Charlotte Glückstein: Historical Ruptures and Continuities in Postwar Fashion Fashion amidst the Ruins: Revisiting Two Early Rubble Films, . . . und über uns der Himmel (1947) and Die Mörder sind unter uns (1946) Vignette 2 - Hildegard Knef: Star Appeal from Fashion to Film Farewell to the Rubble and Welcome to the New Look: Straßenbekanntschaft (1948) and Martina (1949) Consuming Fashion on the Screens of the Early 1950s: Modell Bianka (1951), Frauenschicksale (1952), and Ingrid: Die Geschichte eines Fotomodells (1955) Epilogue Appendix 1:Principal Costume and Fashion Designers: Biographical Notes Appendix 2: Films and Newsreels Discussed Notes Bibliography Index

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Book SynopsisAn unmissable celebration of the most iconic and influential handbags in history, offering a visual journey through the aesthetic of each bag.

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Book SynopsisA style icon, a trendsetter, a princess: Lady Diana epitomised 80s and 90s style.With a well-earned place in the fashion hall of fame, Diana's style choices have influenced decades of style. From her ultimate 80s wedding dress to her off-duty sporty looks, and from classic Sloane Ranger preppiness to killer glamour, as celebrity fan Rihanna has said, "Every look was right".Featuring over 100 stunning photographs of Diana's key looks, Icons of Style – Diana explores how and why she chose the designers and styles she returned to time and time again, and what we can learn from her iconic wardrobe to cultivate our own style.A fun and complete guide to a modern-day icon's signature style.

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Book SynopsisIt''s an intersection of pop culture, politics, celebrity, entertainment and fashion, all colliding together for one stellar night out on the iconic steps of the Met. - Jeremy ScottGlitz, gossip and glamour! Step onto the red carpet of the most talked-about night in fashion.The Met Gala is the legendary event that fuses art, fashion and pop culture, sparking excitement and intrigue the world over. Through stunning images and captivating text, Fashion''s Big Night Out charts the history of the Met Gala from its inception in 1948, while celebrating all the risk-taking looks, breathtaking exhibitions and jaw-dropping celebrity moments that have shaped the Met Gala into what it is today. The book features a foreword by iconic designer, Jeremy Scott, creator of some of the most memorable Met Gala looks of all time, including a chandelier-clad Katy Perry.

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Book SynopsisA leading authority on the Bayeux Tapestry examines the work "frame by frame" in this profusely illustrated and annotated volume. The Bayeux Tapestry is one of the most extraordinary artefacts to survive from the eleventh century: a fragile web of woollen thread on linen, its brilliant colours undimmed after nearly a thousand years. The events of the years 1064 to 1066 surrounding the contested accession to the English throne of William, Duke of Normandy are so vividly portrayed that you can almost watch the artists' minds at work as they created it. This beautiful full-colour reproduction of the entire Tapestry includes a detailed commentary alongside each episode, so you can follow the story blow by blow.Trade Review[A] strikingly illustrated book, which reproduces in colour every centimetre of the surviving embroidery. [...] Admirably balanced and informed. * SUNDAY TIMES *[An] extremely valuable volume. [...] To be valued as both a survey of work on the tapestry and an extremely well presented and coherent analysis of a medieval masterpiece. * TOEBI Newsletter *A magnificently illustrated book, and as such is extremely practical for study, teaching and happy browsing. * FINDS RESEARCH GROUP *[Presents] a new slant, particularly the in-depth analysis of the tapestry's indebtedness to Scandinavia's weaponry, ships, and buildings. Recommended. * CHOICE *Possibly the most authoritative of the many books spawned by the Tapestry. * HISTORICAL NOVELS REVIEW *Handsome and very reasonably priced. Clearly aimed at the student and the general reader rather than at the specialist, it would be an attractive purchase for all three. * ENGLISH HISTORICAL REVIEW *A very interesting and informative book. * HOBILAR *

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Book SynopsisA captivating visual exploration of fashion and modern style as seen through the eyes of artists across the globe.Since the emergence of the seasonal fashion industry in the nineteenth century, Western artists have been engaging with fashion's impact, meaning and forms in their artwork. In portraits, the clothes that sitters wear are often revelatory about their wider context or identity. But as time has passed, sartorial details artists used to provide visual praise or condemnation of their subjects have lost their legibility. Exploring the variety of ways in which artists have engaged with such possibilities over the last two hundred years, this book examines the intricate relationship between the history of modern art and fashion, revealing the many ways modern fashion has featured within art and the ways art has, in fact, become fashion.Discover the relationship between the Pre-Raphaelite Brotherhood and the creation of the London department store

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Book SynopsisSir Norman Hartnell (1901-1979) was the star of London couture during the interwar years, gaining international fame as dressmaker to the British royal family. His autobiography, first published in 1955, tells the story of the creation of his couture house in 1923, his formal appointment as dressmaker to the royal family in 1935, and the most momentous commissions of his career: Princess Elizabeth's wedding gown in 1947 and her magnificent coronation dress six years later. Best known for romantic eveningwear shimmering with beads and embroidery, Hartnell is credited with reintroducing the crinoline to world fashion through his full-skirted designs for Queen Elizabeth. Silver and Gold describes an extraordinary life with elegance and panache.Trade Review'originally published in 1955 but still on point' -- The Gloss, March 2019 -- 'Silver and Gold is highly recommended, and, with its lovely cover illustrated by Beatriz Lostale, would make a charming addition to any bookshelf' -- Meredith Noorda, The Journal of Dress History, Volume 5, Issue 1, Spring 2021

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Book SynopsisWhat motivates people to dress in a manner that marks them out as different to the conventional norm? Is it true that, with dress, 'anything goes' in our mix-and-match postmodern culture? Have easily recognizable, authentic subcultures imploded in a glut of ironic revivals and stylistic fragmentation? Does this supposed 'post-subcultural' generation actively celebrate ephemerality, transience and disposability, merely casting off and trying on one alternative identity after another in an ever-accelerating fashion frenzy? This exciting book is a considered sociological examination of such questions. By listening to the voices of the subcultural stylists themselves - their subjective perceptions of their style and the ideas that lie behind them - the author provides original insights into issues of subjectivity and identity. Situating an empirical case study within a wider consideration of postmodernism and cultural change, the author rejects cultural studies perspectives that attempt to 'read' subcultures as texts. Drawing on extensive interviews with people who dress in what might be deemed a stylistically unconventional manner, he seeks instead to establish whether contemporary subcultures display modern or postmodern sensibilities and forms. He argues persuasively that they do both - a stress on postmodern hyperindividualism, fluidity and fragmentation runs alongside a modernist emphasis on authenticity and underlying essence. He concludes that a Romantic libertarianism has permeated working-class culture and that the distinction between 'individualistic' middle-class countercultures and 'collectivist' working-class subcultures has been over-emphasized.Trade Review'Highly recommended for academic libraries.' Library Journal 'Interview excerpts provide powerful illustrations of some of the points made on identification and dress style, and the book is also commendably thorough in its fieldwork details; the interview schedule in particular makes it a book that could be recommended as background reading to students on research methods courses as well.' Times Higher Education Supplement

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Book SynopsisTransnational movements of people, cultural objects, images and identities have played a vital role in creating an informal global network for African fashion - from clothing designers and tailors to dyers and jewellery makers. This book traces the changing meanings, aesthetics and histories of the thriving informal African fashion network through its multicultural cross-roads of Los Angeles, Kenya and Senegal.In African communities, designers compete with each other to survive and often travel long distances in search of new markets. Such competition and bridging of cultures fuels creativity and innovation. From adapting western fashion magazines to combining 'ethnic' designs with dramatic new colours and techniques, artisans weave a variety of borrowed influences into their traditional practices. Rabine explores the interrelationship and tensions that exist between these popular and mass cultures, including the ways that global circulation threatens to destroy artisanal skills. With its unique insights into the operation and ethics of these global networks, this book offers a timely contribution to contemporary studies of fashion, transnationalism and globalization.Trade Review'This is a landmark book in many ways. First, it grounds the study of global fashion in a way that sheds new and important light on issues of political economy, ethnic identity, and transnational aesthetics. Second, it moves far theoretically beyond the 'disconnect' that often exists between understandings of production and consumption of fashion. And, Leslie Rabine illustrates - indeed models - the kind of scholarship that is so desperately needed at the interface of the humanities and social sciences: deep readings of cultural materials, coupled with courageous and self-reflexive ethnography.'Susan B. Kaiser, University of California at Davis 'Within the study are some fascinating details - not least a searing indictment of a particular World Bank discussion paper, published in its Africa Technical Department Series in 1993.'African Business'This book contributes to discussions of fashion, transnationalism and globalisation through its exploration of th

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Book SynopsisAs a young man, living in Manhattan in the 1970s and ‘80s, Frank Rispoli was drawn to the New Wave and Punk club scenes. Recognising the inherent performance of sexuality and desire in both fashion and club culture, he documented the intertwining of the two. Always with a camera strapped around his neck, he frequented Danceteria, Tier 3, Max’s Kansas City, Studio 54 and many other clubs in Soho, Chelsea, the Lower East Side, and Midtown. Rispoli asked female clubgoers, bar patrons, singers, and band members if he could photograph their shoes, utilising the staged sets, props, and bathrooms of the clubs, and the taxis, sidewalks, and rooftops of the city, as his backdrops. A selection of these photographs forms the basis of his first book – High Heels. Rispoli attributes his interest in women’s shoes to his inability, as a teenager, to look women in the eye and, due to his shyness, focusing on their feet instead. He drew further inspiration from the work of Guy Bourdin, and his advertising photography of the period. Rispoli continues, in his photographs, to capture the fun, freedom, and performance found in other outsider communities and events, such as Wigstock, and the burgeoning art scene in Bushwick, Brooklyn.

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Book SynopsisHe is always by her side. He’s got everything she needs. She strokes him lovingly and breathes in his scent. And yet she’ll eventually trade him for a new one: the lady and her handbag.In this book, Mylo Freeman introduces fifty inspiring women from all over the world. From big names such as Queen Elizabeth II, Jane Birkin and  Paris Hilton, to lesser known women such as South  African fashion designer Palesa Mokubung, Hello Kitty designer Yuko Yamaguchi and journalist-explorer  Nellie Bly. For each of them, their handbag carries a different meaning: accessory, practical aid, feminist manifesto. However different the women and their bags, each of them are unique and a force to be reckoned with.

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Book SynopsisSince 2000, the husband-and-wife duo, Carmel and Terrell Swan of catstudio have woven together their spirit of wanderlust and mutual appreciation for art, design, and craftsmanship into decorative textile-works inspired by vintage souvenir pillows of the 30s and 40s. Hand embroidered by skilled artisans in a process spanning months, the meticulously crafted pillows in the Geography Collection capture the whimsical essence of all 50 states across the United States, plus many cities, regions, resorts, and national parks. Pillow Geography invites readers on a leisurely magic pillow ride from the rolling folds of the misty Appalachian Mountains all the way to sunny San Francisco through the Golden Gate Bridge, and everywhere in between. So settle in, get comfortable, and come dream across America . . . one catstudio pillow at a time.

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Book SynopsisAre we designers or artists? Maybe it's possible to be both For more than three decades, Viktor Horsting and Rolf Snoeren have been exploring with breathtaking virtuosity the boundaries between the worlds of haute couture and art. The book reflects the duo's passions, obsessions and singular vision of their unconventional approach to design. Viktor&Rolf's creations have been embraced by artists such as Madonna, Tilda Swinton, Lady Gaga, Doja Cat and Cardi B as well as many dancers and opera singers. Along with introductory essays and an interview with Viktor&Rolf, 100 of their most daring couture pieces, their dolls dressed in the designers' iconic creations as well as works by renowned visual artists like Ellen von Unwerth, Andreas Gursky, Inez&Vinoodh and Cindy Sherman provide an in-depth look at Viktor&Rolf's unique concept of wearable art.

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Book SynopsisClothes define people. A person’s attire, whether it be a sari, kimono, or business suit, is an essential code to his or her culture, class, personality, even faith. Indeed, clothing has the power to define people and their generation. Recognizing this sartorial significance is the Kyoto Costume Institute, whose team of curators examine fashion through sociological, historical, and artistic perspectives. With one of the world’s most extensive clothing collections, the KCI has amassed a wide range of historical garments, including underwear, shoes, and fashion accessories dating from the 18th century to the present day. Showcasing the Institute’s vast collection, Fashion History is a fascinating excursion through clothing trends from the 18th to the 20th century. With photographs of clothing displayed on custom-made mannequins and commentary from some of the sharpest minds in fashion studies, the book is a testimony to attire as “an essential manifestation of our very being” and to the Institute’s passion for fashion as a complex and intricate art form.

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Book SynopsisThis book is a practical manual intended specifically for anyone interested in delving into the technique of granting colour to fashion figurine illustrations to give them more life and expressiveness. In a clear and educational way, Tiziana Paci, author of the well-known book Figure Drawing for Fashion Design, explains in detail the different themes examined in the work through images and examples along with concise and to-the-point texts ideal for neophytes as well as people who have been working in this field for years. The book is divided into the following chapters: poses, colour and colour combinations, watercolour technique, tools such as professional markers, coloured pencil and water-soluble graphite, digital techniques and mixed techniques. Together, these suggestions allow both beginner and professional illustrators to depict figurines in vivid poses with incredible effects including the imitation of any type of material: leather, jewellery, bright fabrics and transparencies, and many more, following very different styles.

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Book SynopsisThe book describes the particularities of printed textile design, the trends, the techniques for creating motifs for a textile project, and examples of their composition and application. This unchanged hardback edition of our richly illustrated publication walks the reader through the different aspects of printed textile design as a process and a profession. The intention of this book is to present an overall panorama of the world of printed textile design. The authors - both design school teachers responsible for textile design training at the prestigious fashion, textile and luxury goods design school, Françoise Conte (Paris, France) - describe the areas of activity and involvement of the textile designer to help the reader understand the ins and outs of the profession, especially within the fashion and the home sector. They pay special attention to current tendencies and offer an excellent insight on how to interpret trends, which is essential for making a living in this profession. The book also includes a presentation of the stages of project design, creation and execution.The featured projects provide the reader with outstanding explanatory case studies and exercises in every chapter. This textbook is a key aid for design teachers, students and young professionals. It also includes a highly useful list of schools, professional publications and organisations. AUTHORS: Marie-Christine Noel is a lecturer in Applied Arts. She graduated from the Ecole Nationale Superieure des Arts Decoratifs (Textile Design) and the Ecole Nationale Superieure des Beaux-Arts de Paris (Painting). For the last ten years she has been working for the Carlin International Style Agency as manager of the textile department. She is now pedagogical director of introductory courses and head of post-graduate courses at the School of Art Francois Conte, Paris, France. Michael Cailloux was born in Paris in 1975 and gained a diploma in Applied Arts from the Ecole Duperre. He was co-creator of the Atelier LZC which specialised in the creation of design objects, working for over ten years on the collections displayed at the Maison et Objets, as well as creating personalised pieces for such brands as Baccarat, Cartier, Habitat, Van Cleef & Arpels, and S.T. Dupont. He is currently artistic director at the Ecole superieure d'art Francoise Conte, specialised in textile creation, and he is also a jewellery designer. SELLING POINTS: . The book concentrates on printed textile-design training and the specifics of the profession. . It defines the profile and skills needed to be a textile designer. . The authors show the steps involved in developing a project, from the interpretation of trends to the design and production processes, including exercises in every chapter. . The book is currently used as a set text in many French textile design schools.

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Book SynopsisSince the nineties, Walter Van Beirendonck has been fascinated with masks. They change your identity, invoke a certain atmosphere and have an instant impact. Many artists, among whom are Andre Breton, Pablo Picasso and even Brueghel, have been influenced by them. Power Mask - The Power of Masks elaborates on the many different aspects of masks: the link between Western art and African masks, the supernatural aspect, rituals about masks, masks in fashion or as a fetish...Walter Van Beirendonck is "a truly engaged visionary and a passionate designer, artist and teacher." - Jurgi Persoons, fashion designer. "Walter Van Beirendonck succeeded where I have failed; he turned me into a muscle-man instantly. He is a true artist and there's not many of them around." - Bono, lead singer of U2. "Come along and take a ride into the crazy helter-skelter, inside-out, upside-down world of Walter Van Beirendonck. Colours and shapes reach psychedelic dimensions to charm and astound you." - Stephen Jones, milliner. This book accompanies an expo in the Wereldmuseum (World Museum) Rotterdam, from 1 September 2017 until 7 January 2018.

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Book SynopsisThis book on Jules François Crahay rediscovers a couturier who was once at the pinnacle of Parisian fashion with many followers and fans all over the world. It explores Crahay''s career from beginning in the 1930s to his death in 1988.The publication takes a deep dive in the collections Crahay designed, tells the story of his life and reveals an independent style full of fantasy, nourished by a love of folklore and beautiful fabrics. As the pages turn, we see the sumptuous haute couture models of Nina Ricci and Lanvin, the famous women who wore them, such as Jackie Kennedy, and the images by the great fashion photographers who followed Crahay's work.

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Book SynopsisThe Wood Wood 2-22 book is an introduction to, and a look back at, Wood Wood and the first 20 years of the brand's history. The label's archive has been delved into by Copenhagen/Milan-based design duo, Wrong Studio. The outcome is a carefully compiled selection of material, organised in a non-chronological format reflecting Wood Wood's non-linear creative journey. Fragments, sketches and photographs from past collections and collaborations have been juxtaposed to tell the story of a clothing brand in constant flux. The result is a slightly chaotic, intensely visual representation of the Copenhagen label. The image heavy pages are supplemented by a section of technical information, brief commentary from past collaborators and an interview with the founders, offering an insight into the roots of Wood Wood.

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Book SynopsisMake Your Own Resin Jewelry includes all the instructions and materials you need to create personalized resin jewelry, for yourself or to give as gifts.

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Book SynopsisObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.We think we know the trench coat, but where does it come from and where will it take us? From its origins in the trenches of WW1, this military outerwear came to project the inner-being of detectives, writers, reporters, rebels, artists and intellectuals. The coat outfitted imaginative leaps into the unknown. Trench Coat tells the story of seductive entanglements with technology, time, law, politics, trust and trespass. Readers follow the rise of a sartorial archetype through media, design, literature, cinema and fashion. Today, as a staple in stories of future life-worlds, the trench coat warns of disturbances to come.Object Lessons is published in partnership with an essay series in The Atlantic.Trade ReviewTrench Coat maps the extraordinary lives of this seemingly simple garment, which emerged from early industrialized warfare to become the screen for a multitude of projected dreams, fears and desires across the 20th century to the present. Jane Tynan’s material and cultural history charts the evolution of a coat that is practical yet cryptic, hyper-visible but concealing, possessed of vitality whilst also a form of camouflage. * Rachel Woodward, Professor of Human Geography, Newcastle University, UK *Jane Tynan’s Trench Coat is a delight – richly informative and written in prose as stylish as the object it describes. Uncovering the ‘dark and dangerous energy’ behind this icon of modernity, Tynan vividly captures the trench coat’s perennial appeal. * Catherine Spooner, Professor of Literature and Culture, Lancaster University, UK, and author of Fashioning Gothic Bodies *Really interesting. . . . There's so many iconic moments that this analysis helps us peer more closely into. * New Books Network *Another engaging, thought-provoking paperback in Bloomsbury's excellent 'Object Lessons' series. * The Irish Scene *Table of ContentsIntroduction 1. Substance 2. War 3. Mobility 4. Insurgency 5. Reportage 6. Heroes or Villains 7. Outsiders 8. Style Conclusion Postscript Notes Index

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Book SynopsisThis is an illustrated study of the representation of the body and clothing in Western art, from Greek sculpture and vase painting, through medieval and Renaissance portraits, to contemporary films and fashion photography.Table of ContentsAcknowledgments Preface I DRAPERY II NUDITY III UNDRESS I IV COSTUME 2 v DRESS VI MIRRORS Sources for Illustrations Notes Bibliography Index

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Book SynopsisContributions by Grace Elizabeth Hale, Katie Knowles, Ted Ownby, Jonathan Prude, William Sturkey, Susannah Walker, Becca Walton, and Sarah Jones WeickselFashion studies have long centered on the art and preservation of finely rendered garments of the upper class, and archival resources used in the study of southern history have gaps and silences. Yet, little study has been given to the approach of clothing as something made, worn, and intimately experienced by enslaved people, incarcerated people, and the poor and working class, and by subcultures perceived as transgressive.The essays in the volume, using clothing as a point of departure, encourage readers to imagine the South's centuries-long engagement with a global economy through garments, with cotton harvested by enslaved or poorly paid workers, milled in distant factories, designed with influence from cosmopolitan tastemakers, and sold back in the South, often by immigrant merchants.Contributors explor

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Book SynopsisDressy men as a type of celebrity have played a distinctive part in the cultural – and even in the political – life of Britain over several centuries. But unlike the twenty-first-century hipster, the dandies of the British past provoked intense degrees of fascination and horror in their homeland and played an important role in British society from the seventeenth to the twentieth century. This book – illustrated with contemporary prints, portraits and caricatures – explores that social and cultural history through a focus on the macaroni, the dandy and the aesthete. The first was noted for his flamboyance, the second for his austere perfectionism and the third for his sexual perversity. All were highly controversial in their time, pioneering new ways of displaying and performing gender, as demonstrated by the impact of key figures such as Lord Hervey, George ‘Beau’ Brummell and Oscar Wilde. This groundbreaking study tells the scandalous story of fashionable men and their clothes as a reflection of changing attitudes not only to style but also to gender and sexuality.Trade Review'This is a superb history of the British dandy with comical moments on every page, a book to enjoy from start to finish.' -- Richard Clegg * Bookmunch *Table of ContentsContents List of Illustrations Chapter One, British Dandies Chapter Two, Dressing the Sexes in the Seventeenth and Eighteenth Centuries Chapter Three, A Georgian Taste for Macaroni Chapter Four, Fine and Dandy in the Regency Chapter Five, Victorians and the Aesthetic Pose Chapter Six, Fashion and Scandal in the Twentieth Century Notes Bibliography Picture Credits Index

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Book Synopsis Gorgeous paper constructions expand on Hermès’ scarf designs in this luxury pop-up book. Every year, the iconic luxury brand Hermès chooses a new theme to celebrate its creative direction for the upcoming year. This practice began in 1987, marking the brand’s 150th anniversary, and has since become a beloved tradition—a way to combine the house’s proud, storied heritage with its creative vision for the future. This year’s theme is ‘Let’s Play’, and Hermès is celebrating in style with this new, deluxe pop-up book. Featuring a selection of fourteen of the house’s iconic square scarf designs, both old and more recent, this book brings the designs alive with exhilarating ingenuity. Delicate paper constructions bring out the depth and volume within the scarf designs; zebras rear up, delicately arching trees grow from the page and painterly strokes detach themselves from the paper surface. This is the Hermès carré as you’ve never seen it before. For Hermès, a brand associated with the highest quality luxury materials and design, ‘play is movement, freedom, imagination, fantasy, seduction, lightness.’ Impeccably produced, Hermès Pop Up gives readers the chance to play around in the brand’s archives.

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Book SynopsisThis practical book highlights the key garments essential for late medieval men as seen in pictorial, archaeological and written sources. Each project makes the construction of a medieval capsule wardrobe accessible to everyone interested in this fascinating period of history. Written by a leading dress historian and costume maker, the book also explains the historical context of England's textile industries and the international trade networks they were part of.

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