Ethnic studies / Ethnicity Books

Book SynopsisA collection of essays critiquing ethnography as literature. It explores the ways in which writing culture has changed the face of ethnography over the years.Trade Review"The ethical concerns expressed in Writing Culture are important ones." * American Ethnologist *"Writing Culture is an invaluable book for anyone concerned about anthropology's future." * Oceania *Table of ContentsForeword to the Twenty-fifth Anniversary Edition Preface JAMES CLIFFORD Introduction: Partial Truths MARY LOUISE PRATT Fieldwork in Common Places VINCENT CRAPANZANO Hermes' Dilemma: The Masking of Subversion in Ethnographic Description REN ATO ROSALDO From the Door of His Tent: The Fieldworker and the Inquisitor JAMES CLIFFORD On Ethnographic Allegory STEPHEN A. TYLER Post-Modern Ethnography: From Document of the Occult to Occult Document TALAL ASAD The Concept of Cultural Translation in British Social Anthropology GEORGE E. MARCUS Contemporary Problems of Ethnography in the Modern World System MICHAEL M. J. FISCHER Ethnicity and the Post-Modern Arts of Memory PAUL RABINOW Representations Are Social Facts: Modernity and Post-Modernity in Anthropology GEORGE E. MARCUS Afterword: Ethnographic Writing and Anthropological Careers Bibliography Notes on Contributors Index

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Book SynopsisA celebration of the life and works of one of the most influential world literary figures of the twentieth century, this Very Short Introduction traces Jorge Luis Borges's trajectory from his beginnings in Buenos Aires through the Dirty War in Argentina. It gives an engaging overview of his writings and their themes and shows how his career redefined Latin American as well as global literature.

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Book SynopsisNewly revised, Ethnographic Fieldwork: An Anthropological Reader Second Edition provides readers with a picture of the breadth, variation, and complexity of fieldwork. The updated selections offer insight into the ethnographer's experience of gathering and analyzing data, and a richer understanding of the conflicts, hazards and ethical challenges of pursuing fieldwork around the globe. Offers an international collection of classic and contemporary readings to provide students with a broad understanding of historical, methodological, ethical, reflexive and stylistic issues in fieldwork Features 16 new articles and revised part introductions, with additional insights into the experience of conducting ethnographic fieldwork Explores the importance of fieldwork practice in achieving the core theoretical and methodological goals of anthropology Highlights the personal and professional challenges of field researchers, from issues of profeTrade Review"This final section serves to bring full circle many of the central issues about the relationship between ethnographers and their research subjects and, thus, is a fitting conclusion to an extraordinary collection." (Anthropos, 2 October 2013) Table of ContentsAbout the Editors x Editors’ Acknowledgments xi Acknowledgments to Sources xii Fieldwork in Cultural Anthropology: An Introduction 1 Jeffrey S. Sluka and Antonius C. G. M. Robben Part I Beginnings 49 Introduction 51 Antonius C. G. M. Robben 1 The Observation of Savage Peoples 56 Joseph-Marie Degérando 2 The Methods of Ethnology 63 Franz Boas 3 Method and Scope of Anthropological Fieldwork 69 Bronislaw Malinowski Part II Fieldwork Identity 83 Introduction 85 Antonius C. G. M. Robben 4 A Woman Going Native 92 Hortense Powdermaker 5 Fixing and Negotiating Identities in the Field: The Case of Lebanese Shiites 103 Roschanack Shaery-Eisenlohr 6 Being Gay and Doing Fieldwork 114 Walter L. Williams 7 Automythologies and the Reconstruction of Ageing 124 Paul Spencer Part III Fieldwork Relations and Rapport 135 Introduction 137 Jeffrey A. Sluka 8 Champukwi of the Village of the Tapirs 143 Charles Wagley 9 Behind Many Masks: Ethnography and Impression Management 153 Gerald D. Berreman 10 The Politics of Truth and Emotion among Victims and Perpetrators of Violence 175 Antonius C. G. M. Robben Part IV The “Other” Talks Back 191 Introduction 193 Jeffrey A. Sluka 11 Custer Died for Your Sins 199 Vine Deloria, Jr. 12 Here Come the Anthros 207 Cecil King 13 When They Read What the Papers Say We Wrote 210 Ofra Greenberg 14 Ire in Ireland 219 Nancy Scheper-Hughes Part V Fieldwork Confl icts, Hazards, and Dangers 235 Introduction 237 Jeffrey A. Sluka 15 Ethnology in a Revolutionary Setting 244 June Nash 16 The Ethnographer’s Tale 256 Neil L. Whitehead 17 Anthropology from the Bones: A Memoir of Fieldwork, Survival, and Commitment 274 Cynthia Keppley Mahmood 18 Reflections on Managing Danger in Fieldwork: Dangerous Anthropology in Belfast 283 Jeffrey A. Sluka Part VI Fieldwork Ethics 297 Introduction 299 Jeffrey A. Sluka 19 The Life and Death of Project Camelot 306 Irving Louis Horowitz 20 Confronting the Ethics of Ethnography: Lessons From Fieldwork in Central America 318 Philippe Bourgois 21 Ethics versus “Realism” in Anthropology 331 Gerald D. Berreman 22 Worms, Witchcraft and Wild Incantations: The Case of the Chicken Soup Cure 353 Jeffrey David Ehrenreich 23 Code of Ethics (2009) 359 American Anthropological Association Part VII Multi-Sited Fieldwork 365 Introduction 367 Antonius C. G. M. Robben 24 Beyond “Culture”: Space, Identity, and the Politics of Difference 374 Akhil Gupta and James Ferguson 25 Afghanistan, Ethnography, and the New World Order 387 David B. Edwards 26 Being There … and There … and There! Reflections on Multi-Site Ethnography 399 Ulf Hannerz 27 A New Form of Collaboration in Cultural Anthropology: Matsutake Worlds 409 Matsutake Worlds Research Group Part VIII Sensorial Fieldwork 441 Introduction 443 Antonius C. G. M. Robben 28 Balinese Character: A Photographic Analysis 450 Gregory Bateson and Margaret Mead 29 The Taste of Ethnographic Things 465 Paul Stoller and Cheryl Olkes 30 Dialogic Editing: Interpreting How Kaluli Read Sound and Sentiment 480 Steven Feld 31 On Rocks, Walks, and Talks in West Africa: Cultural Categories and an Anthropology of the Senses 496 Kathryn Linn Geurts Part IX Refl exive Ethnography 511 Introduction 513 Antonius C. G. M. Robben 32 Fieldwork and Friendship in Morocco 520 Paul Rabinow 33 The Way Things Are Said 528 Jeanne Favret-Saada 34 Transmutation of Sensibilities: Empathy, Intuition, Revelation 540 Thomas J. Csordas 35 “At the Heart of the Discipline”: Critical Reflections on Fieldwork 547 Vincent Crapanzano Part X Engaged Fieldwork 563 Introduction 565 Jeffrey A. Sluka 36 Introduction – 1942 573 Margaret Mead 37 Scholarship, Advocacy, and the Politics of Engagement in Burma (Myanmar) 579 Monique Skidmore 38 “Human Terrain”: Past, Present and Future Applications 593 Roberto J. González 39 The Gaza Freedom Flotilla: Ethnographic Notes on “Othering Violence” 605 Nikolas Kosmatopoulos Appendix 1: Key Ethnographic, Sociological, Qualitative, and Multidisciplinary Fieldwork Methods Texts 612 Appendix 2: Edited Cultural Anthropology Volumes on Fieldwork Experiences 615 Appendix 3: Reflexive Accounts of Fieldwork and Ethnographies Which Include Accounts of Fieldwork 618 Appendix 4: Leading Cultural Anthropology Fieldwork Methods Texts 620 Appendix 5: Early and Classic Anthropological Writings on Fieldwork, including Diaries and Letters 622 Index 623

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Book Synopsis Table of ContentsI.EpistleThe GiftPersimmonsThe Weight Of SweetnessFrom BlossomsDreaming Of HairEarly In The MorningWaterFalling: The CodeNocturneMy IndigoIrisesEating AloneII.Always A RoseIII.Eating TogetherI Ask My Mother To SingAsh, Snow, Or MoonlightThe LifeThe WeepersBraidingRain DiaryMy Sleeping Loved OnesMnemonicBetween SeasonsVisions And Interpretations

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Book SynopsisFinalist, 1988 Pulitzer Prize for Poetry. Lucille Clifton is one of the four or five most authentic and profound living American poets.--Denise Levertov

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Book SynopsisA classic study of the Black liberation movement of the 1960s.

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Book SynopsisNew, updated edition of an important and timely critique of Anti-Jewish sentiment on the left. A great deal has happened since the first edition of The Left's Jewish Problem came out in 2016. The Shami Chakrabarti Inquiry into anti-Semitism and other forms of racism in the Labour Party has been published; the grip of Labour's hard left has strengthened; has failed to deal with Ken Livingstone and other offenders and attitudes to Jews and anti-Semitism have become a marker of political difference across national politics. However, while Jeremy Corbyn may have thrown a harsher spotlight on the crisis, it is by no means a recent phenomenon. The widening gulf between British Jews and the anti-Israel left - born out of anti-apartheid campaigns and now allying itself with Islamist extremists who demand Israel's destruction - did not happen overnight or by chance: political activists made it happen. This book reveals who they were, why they chose Palestine and how they sold their cause to the left. Based on new academic research into the origins of this phenomenon, combined with the author's daily work observing political extremism, contemporary hostility to Israel, and anti-Semitism, this book brings new insight to the left's increasingly controversial `Jewish problem'.

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Book SynopsisWinner of the 2018 Pulitzer Prize for General Non-FictionLonglisted for the National Book AwardOne of the New York Times Book Review''s 10 Best Books of 2017Former public defender James Forman, Jr. is a leading critic of mass incarceration and its disproportionate impact on people of colour. In Locking Up Our Own, he seeks to understand the war on crime that began in the 1970s and why it was supported by many African American leaders in the nation''s urban centres.Forman shows us that the first substantial cohort of black mayors, judges and police chiefs took office amid a surge in crime and drug addiction. Many prominent black officials, including Washington, DC mayor Marion Barry and federal prosecutor Eric Holder, feared that the gains of the civil rights movement were being undermined by lawlessness - and thus embraced tough-on-crime measures, including longer sentences and aggressive police tactics. In the face of sTrade ReviewThis superb, shattering book probably made a deeper impression on me than any other this year - New York TimesA beautiful book, written so well, that gives us the origins and consequences of where we are . . . I can see why [the Pulitzer prize] was awarded - The Daily ShowRemarkable . . . Forman's beautifully written narrative, enriched by firsthand knowledge of the cops and courts, neither condemns black leaders in hindsight nor exonerates the white-dominated institutions . . . He adds historical nuance to the story of 'mass incarceration' told in . . . The New Jim Crow - Washington PostEloquent . . . A gritty, often revelatory work of local history, interspersed with tales of Forman's experiences as a public defender . . . Locking Up Our Own is a sobering chronicle of how black people, in the hope of saving their communities, contributed to the rise of a system that has undone much of the progress of the civil rights era. But, as Forman knows, they could not have built it by themselves, and they are even less likely to be able to abolish it without influential white allies, and dramatic reforms in the structure of American society - London Review of Books

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Book SynopsisTrade Review"This comprehensive survey should be required reading for contemporary art and African American history connoisseurs alike." * Publishers Weekly *"If Basquiat’s ultimate fate in the annals of art history remains unknown, it is Saggese’s Reader to which the future will turn for guidance as she expertly maps out the historical territory." * Rain Taxi Review of Books *Table of ContentsAcknowledgments Introduction JEAN-MICHEL BASQUIAT IN HIS OWN WORDS Interview by Marc H. Miller, 1982 Interview by Henry Geldzahler, 1982 Interview by Lisa Licitra Ponti, 1983 Interview by Geoff Dunlop and Sandy Nairne, 1985 Interview by Becky Johnston and Tamra Davis, 1985 Interview by Démosthènes Davvetas, 1985–1988 Interview by Isabelle Graw, 1986 BASQUIAT'S LANGUAGE Texts by Jean-Michel Basquiat CONTEMPORARY CRITICISM AND COMMENTARY The Radiant Child Rene Ricard, 1981 Schnabel and Basquiat: Explosions and Chaos Hunter Drohojowska, 1982 Jean-Michel Basquiat Jeffrey Deitch, 1982 Jean-Michel Basquiat at Annina Nosei Lisa Liebmann, 1982 Jean-Michel Basquiat at Fun Gallery Susan Hapgood, 1983 Black Picasso and the Lie Detector Diego Cortez, 1983 New Kid on the (Auction) Block Ellen Lubell, 1984 Jean-Michel Basquiat Kate Linker, 1984 Jean-Michel Basquiat at Boone/Werner Nicolas A. Moufarrege, 1984 New Art, New Money: The Marketing of an American Artist Cathleen McGuigan, 1985 Activating Heaven: The Incantatory Art of Jean-Michel Basquiat Robert Farris Thompson, 1985 Art: Basquiat, Warhol Vivien Raynor, 1985 Andy Warhol/Jean-Michel Basquiat Robert Mahoney, 1985 Andy Warhol/Jean-Michel Basquiat Ronald Jones, 1986 Jean-Michel Basquiat Barry Schwabsky, 1986 KNOWING BASQUIAT Interviews by Jordana Moore Saggese Michael Holman, 2007 Suzanne Mallouk, 2008 Bruno Bischofberger, 2010 Robert Farris Thompson, 2011 Dieter Buchhart, 2019 Erika Belle, 2019 Diego Cortez, 2019 THE AFTERLIFE OF JEAN-MICHEL BASQUIAT Jean Basquiat, 27, an Artist of Words and Angular Images Constance L. Hays, 1988 Jean-Michel Basquiat, 1960–1988 Hilton Als, 1988 Martyr without a Cause Peter Schjeldahl, 1988 Remembering Basquiat Keith Haring, 1988 Requiem for a Featherweight: The Sad Story of an Artist's Success Robert Hughes, 1988 New York: More Post-Modern Than Primitive Gregory Galligan, 1988 Saint Jean-Michel Frederick Ted Castle, 1989 Nobody Loves a Genius Child: Jean-Michel Basquiat, Lonesome Flyboy in the '80s Art Boom Buttermilk Greg Tate, 1989 Welcome to the Terrordome: Jean-Michel Basquiat and the "Dark" Side of Hybridity Dick Hebdige, 1992 Royal Slumming: Jean-Michel Basquiat Here Below Thomas McEvilley, 1992 Altars of Sacrifice: Re-membering Basquiat bell hooks, 1993 A Day at the Races: Lorraine O’Grady on Basquiat and the Black Art World Lorraine O’Grady, 1993 Tip-Tapping on a Tightrope Franklin Sirmans, 1994 Famous and Dandy like B. 'n' Andy: Race, Pop, and Basquiat José Esteban Muñoz, 1996 Lost in Translation: Jean-Michel in the (Re)Mix Kellie Jones, 2005 Basquiat's Poetics Christopher Stackhouse, 2015 Chronology List of Illustration Credits Index

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Book SynopsisIn the concluding volume to his landmark trilogy consent not to be a single being Fred Moten uses the work of Emmanuel Levinas, Hannah Arendt, and Franz Fanon to explore the relationship between blackness and phenomenology, theorizing blackness as a way of being in the world that evades regulation.Trade Review"It's this spirit of the collective effort of study and exchange and resonance, the effort to keep the channels open and keep listening, that has made Moten (or, maybe, 'Moten/s') such a celebrated thinker. At the end of sentences like these, you want to say something like Amen." -- Jess Row * Bookforum *"At a time when both theory and criticism are frequently and convincingly attacked as exhausted forms, Moten’s trilogy has reinvented both. . . . In its mixture of theoretical complexity and disarming directness, Moten’s beautifully written trilogy offers the sheer pleasure of art." -- Lidija Haas * Vulture *"2018 must go down for me as the year of Fred Moten’s trilogy: Black and Blur, Stolen Life, and The Universal Machine. You could say they’re essays about art, philosophy, blackness, and the refusal of social death, but I think of them more as a fractal universe forever inviting immersion and exploration, a living force now inhabiting my bookshelf." -- Maggie Nelson * Bookforum *"My favorite book(s) of 2018 are the three volumes of Fred Moten’s consent not to be a single being, individually titled Black and Blur, Stolen Life, and The Universal Machine. In this collection of essays stretching back fifteen years, Moten challenges the reader to imagine a radically interconnected aesthetic and political sphere that stretches from Glenn Gould to Fanon to Kant to Theaster Gates, sometimes in the space of a single sentence. This trilogy is one of the great intellectual adventures of our era." -- Jess Row * Bookforum *"consent not to be a single being, titled after a phrase of Édouard Glissant’s, ranges across an impressive number of disciplines: black studies, performance studies, aesthetics, phenomenology, ontology, ethnomusicology, jazz history, comparative literature, critical theory, etc. Without announcing its intervention as interdisciplinary–Moten deftly renders discipline beside the point. . . . Taken together, the series amounts to a powerful argument for black study—as an analytic, an impetus, a mode, the collective shout from a radical vista, whose bellow requires nothing less than 'passionate response' (Moten 2003)." -- Mimi Howard * boundary 2 *Table of ContentsAcknowledgments vii Preface ix 1. There Is No Racism Intended 1 2. Refuge, Refuse, Refrain 65 3. Chromatic Saturation 140 Notes 247 Works Cited 271 Index 281

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Book SynopsisIn Stolen Life—the second volume in his landmark trilogy consent not to be a single being—Fred Moten engages with the work of thinkers ranging from Kant to Saidiya Hartman, undertaking an expansive exploration of blackness as it relates to black life and the collective refusal of social death.Trade Review"It's this spirit of the collective effort of study and exchange and resonance, the effort to keep the channels open and keep listening, that has made Moten (or, maybe, 'Moten/s') such a celebrated thinker. At the end of sentences like these, you want to say something like Amen." -- Jess Row * Bookforum *"At a time when both theory and criticism are frequently and convincingly attacked as exhausted forms, Moten’s trilogy has reinvented both. . . . In its mixture of theoretical complexity and disarming directness, Moten’s beautifully written trilogy offers the sheer pleasure of art." -- Lidija Haas * Vulture *"My favorite book(s) of 2018 are the three volumes of Fred Moten’s consent not to be a single being, individually titled Black and Blur, Stolen Life, and The Universal Machine. In this collection of essays stretching back fifteen years, Moten challenges the reader to imagine a radically interconnected aesthetic and political sphere that stretches from Glenn Gould to Fanon to Kant to Theaster Gates, sometimes in the space of a single sentence. This trilogy is one of the great intellectual adventures of our era." -- Jess Row * Bookforum *"2018 must go down for me as the year of Fred Moten’s trilogy: Black and Blur, Stolen Life, and The Universal Machine. You could say they’re essays about art, philosophy, blackness, and the refusal of social death, but I think of them more as a fractal universe forever inviting immersion and exploration, a living force now inhabiting my bookshelf." -- Maggie Nelson * Bookforum *"consent not to be a single being, titled after a phrase of Édouard Glissant’s, ranges across an impressive number of disciplines: black studies, performance studies, aesthetics, phenomenology, ontology, ethnomusicology, jazz history, comparative literature, critical theory, etc. Without announcing its intervention as interdisciplinary–Moten deftly renders discipline beside the point. . . . Taken together, the series amounts to a powerful argument for black study—as an analytic, an impetus, a mode, the collective shout from a radical vista, whose bellow requires nothing less than 'passionate response' (Moten 2003)." -- Mimi Howard * boundary 2 *"Whether reading his poetry or theory, listening to his lectures, Moten will change how you think about almost everything." -- Melissa Chadburn * Literary Hub *Table of ContentsAcknowledgments vii Preface ix 1. Knowledge of Freedom 1 2. Gestural Critique of Judgment 96 3. Uplift and Criminality 115 4. The New International of Decent Feelings 140 5. Rilya Wilson, Precious Doe, Buried Angel 152 6. Black Op 155 7. The Touring Machine (Flesh Thought Inside Out) 161 8. Seeing Things 183 9. Air Shaft, Rent Party 188 10. Notes on Passage 191 11. Here, There, and Everywhere 213 12. Anassignment Letters 227 13. The Animaternalizing Call 237 14. Erotics of Fugitivity 241 Notes 269 Works Cited 297 Index 309

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Book SynopsisIt is impossible to understand capitalism without analyzing slavery, an institution that tied together three world regions: Europe, the Americas, and Africa. The exploitation of slave labor led to a form of proto-globalization in which violence was indispensable to the production of wealth. Against the background of this expanding circulation of capital and slave labor, the first revolution in Latin America took place: the Haitian Revolution, which began in 1791 and culminated with Haiti’s declaration of independence in 1804. Taking the Haitian Revolution as a paradigmatic case, Grüner shows that modernity is not a linear evolution from the center to the periphery but, rather, a co-production developed in the context of highly unequal power relations, where extreme forms of conquest and exploitation were an indispensable part of capital accumulation. He also shows that the Haitian Revolution opened up a path to a different kind of modernity, or “counter-modernity,” a path along which Latin America and the Caribbean have traveled ever since. A key work of critical theory from a Latin American perspective, this book will be of great interest to students and scholars of critical and cultural theory and of Latin America, as well as anyone concerned with the global impact of capitalism, colonialism, and race.Trade Review“Eduardo Grüner’s remarkable book is not only a brilliant discussion of slavery and the Haitian Revolution; it is also a profound philosophical and critical reflection, from the viewpoint of the slaves’ rebellion, on the contradictions of Eurocentric Enlightenment and of Western (capitalist) modernity.”Michael Löwy, author of The Theory of Revolution in the Young Marx “What is revolutionary today about the Haitian Revolution, in which African slaves brought Napoleon's army to ignominious defeat? How does it fundamentally challenge ways of thinking not just about modern history, but about thinking itself? Read Grüner’s book to find the answers to these pertinent questions.”Michael Taussig, Professor, Columbia University, Class of 1933Table of ContentsPreface by Gisela CatanzaroPrologueChapter 1: The Category of Slavery and Modern Racism Elements for an Ethno-Historical Sociology of Ancient and Modern SlaveryThe Question of RacismRacism in “Early Modernity” The Traces of Time A Better World? Chapter 2: The Rebellion of the (Slave) Masses and the Haitian Revolution On the Combined and UnevenFrom Particularism to (False) Universalism: A “Philosophical Revolution”The (Uncertain) Logic of Slave RebellionsThe Rest of the Americas Enter Saint-Domingue/Haiti A Portrait of Saint-Domingue/Haiti in 1791An Excursus on Vodou and its Revolutionary CharacterThe Social Complexities of Saint-DomingueThe Confused Dynamic of the RevolutionThe Meaning(s) of the Haitian RevolutionOn “Creative” ViolenceChapter 3: The Disavowed “Philosophical Revolution”: From Enlightenment Thought to the Crisis of Abstract Universalism Shadows in the Enlightenment: Rousseau, Montesquieu, Voltaire, and Slavery Slavery without Scare Quotes: Between Hegel and MarxThe Black Enlightenment: The Haitian “Constitutional Revolution” The Difficulties of Theorizing (Haitian) RevolutionLiterature and Art Have Their SayEpilogue

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Book SynopsisIn the speeches and articles collected in this book, the black activist, organizer, and freedom fighter Stokely Carmichael traces the dramatic changes in his own consciousness and that of black Americans that took place during the evolving movements of Civil Rights, Black Power, and Pan-Africanism. Unique in his belief that the destiny of African Americans could not be separated from that of oppressed people the world over, Carmichael's Black Power principles insisted that blacks resist white brainwashing and redefine themselves. He was concerned not only with racism and exploitation, but with cultural integrity and the colonization of Africans in America. In these essays on racism, Black Power, the pitfalls of conventional liberalism, and solidarity with the oppressed masses and freedom fighters of all races and creeds, Carmichael addresses questions that still confront the black world and points to a need for an ideology of black and African liberation, unification, and transformation. Trade Review"Replete with insights of brilliance." --Julius Lester, The New York Times Book ReviewTable of ContentsForeword by Mumia Abu-Jamal; Preface by Bob Brown; Notes About a Class; Who is Qualified?; Power and Racism; Toward Black Liberation; Berkeley Speech; At Morgan State; The Dialectics of Liberation; Solidarity with Latin America; Free Huey; The Black American and Palestinian Revolutions; A New World to Build; The Pitfalls of Liberalism; Message from Guinea; Pan-Africanism; From Black Power Back to Pan-Africanism.

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Book SynopsisWang Hui asks what it means for China to be modern and for modernity to be Chinese. Is there a rupture between tradition and modernity in China? How has Confucian thought evolved? Did China become modern in the Middle Ages? A deep intellectual history, The Rise of Modern Chinese Thought revises our senses of both modernity and Chinese philosophy.Trade ReviewA monumental contribution to the debate in China about how to respond to the civilizational challenge of the West. -- David K. Schneider * Law & Liberty *An important book…In his account of Chinese history, Wang aims to dissolve the binary between two views: one sees China as an empire opposed to the modern Western nation-state; the other argues that an early nation-state structure built upon a system of centralized administration (junxian zhi) appeared long ago in Chinese history. -- B.V.E. Hyde * Intellectual History Review *This is the long story of modern Chinese intellectual and philosophical scholarship, with a cast of thousands and an array of conceptual categories…and yet somehow Hill makes it all inviting reading. -- Steve Donoghue * Open Letters Review *Reading The Rise of Modern Chinese Thought is a little like sitting down for a hundred-course banquet. Wang Hui’s Summa Theologica for China helps us better understand how the historical glide path of Chinese culture (about which even many ‘China specialists’ have gaps to fill) somehow led to the embattled twentieth century. -- Orville Schell, Director of the Center on U.S.–China Relations at the Asia Society and author of Wealth and Power: China's Long March to the Twenty-First CenturyWang Hui’s masterful work guides the reader through more than a thousand years of China’s intellectual, philosophical, and political discourse with sophistication and nuance. Its analytical power is evident on almost every single page. -- Jude Blanchette, author of China's New Red Guards: The Return of Radicalism and the Rebirth of Mao ZedongA deliberately paradoxical, remarkably sourced, magical history of ideas. After finishing this fastidiously edited English translation, you may concur with or take distance from the categories Wang Hui uses, but there is no question that your basic assumptions about writing Chinese intellectual history will have shifted. Wang's challenge cannot be ignored. -- Tani Barlow, author of In the Event of WomenThis translation is a monumental achievement, and not only for bringing the work to new audiences. This masterful and comprehensive book effectively mobilizes Chinese political and social thought—including Wang’s own ideas as well as the historical texts he engages, some of which are presented in English for the first time—as a living resource for addressing the global dilemmas of our time. -- Leigh K. Jenco, author of Making the Political: Founding and Action in the Political Theory of Zhang ShizhaoAfter almost two decades, Wang Hui’s magnum opus finally arrives in the English-speaking world with this fine translation. The Rise of Modern Chinese Thought has been important in China. The volume before you now promises to change the global conversation on Chinese intellectual history. -- Isabella M. Weber, author of How China Escaped Shock Therapy: The Market Reform DebateThrough historical analysis Wang not only uncovers resources that could be useful in envisioning a new future, but also attempts to redefine China…This is an extremely important gesture in contemporary China because Wang is one of the rare intellectuals who combine critical thought about modernity with serious reflection on tradition. -- Viren Murthy * Modern Intellectual History *

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Book SynopsisAfter the end of the Cold War, it seemed as if Southeast Asia would remain a geopolitically stable region within the American-led order for the foreseeable future. In the last two decades, however, the re-emergence of China as a major great power has called into question the geopolitical future of the region and raised the specter of renewed great power competition. As the eminent China scholar David Shambaugh explains in Where Great Powers Meet, the United States and China are engaged in a broad-gauged and global competition for power. While this competition ranges across the entire world, it is centered in Asia. In this book, Shambaugh focuses on the critical sub-region of Southeast Asia. The United States and China constantly vie for position and influence across this enormously significant area--and the outcome of this contest will do much to determine whether Asia leaves the American orbit after seven decades and falls into a new Chinese sphere of influence. Just as importantly, to the extent that there is a global power transition occurring from the US to China, the fate of Southeast Asia will be a good indicator. Presently, both powers bring important assets to bear in their competition. The United States continues to possess a depth and breadth of security ties, soft power, and direct investment across the region that empirically outweigh China''s. For its part, China has more diplomatic influence, much greater trade, and geographic proximity. In assessing the likelihood of a regional power transition, Shambaugh examines how ASEAN (the Association of Southeast Asian Nations) and its member states maneuver and the degree to which they align with one or the other power.Trade ReviewDavid Shambaugh's Where Great Powers Meet is a fine contribution to a spate of recent books focusing on China, Southeast Asia, and the US. His work is arguably the most policy and foreign policy (narrowly defined) oriented. * David Bachman, University of Washington, Seattle, Pacific Affairs *The book provides food for thought for countries elsewhere as they manage relations with the two competing great powers while protecting their own national interests. Highly recommended. Lower- and upper-division undergraduates. Graduate students, faculty, and professionals. General readers. * Z. Zhu, Bucknell University, CHOICE *Shambaugh's book makes a very important contribution on this critical issue in Australia's neighbourhood... and should be required reading for all Asia-watchers. * John West, Australian Institute of International Affairs *What does great power rivalry mean? David Shambaugh provides an engaging and readable account of how the US-China competition is playing out in its Southeast Asian epicenter. One could not ask for a more thoughtful and experienced guide to this fraught relationship. * Joseph S. Nye, Jr., Harvard University and author of Do Morals Matter? Presidents and Foreign Policy from FDR to Trump *This timely book on Southeast Asia by a leading American Asia specialist belongs on the desk of every senior US official involved with foreign policy and national security. As US-China rivalry intensifies, the strategic significance of Southeast Asia is also shooting upward. In recent decades the region's economic vibrancy and cooperative relationships have made it a global success story. Now its geographic location is assuming ever greater importance. This book explains why. Deeply researched, it is loaded with background information and astute assessments that should inform the thinking of all those concerned about the future role of the United States in a rapidly changing world. * J. Stapleton Roy, Wilson Center, former US ambassador to Singapore, China, and Indonesia *Distinguished China scholar David Shambaugh has produced a timely and well-conceived treatment of the battle for influence between the United States and China that is raging across Southeast Asia. With firsthand accounts and deep insights, he has provided a deeply incisive and troubling narrative of a struggle that too often tilts towards Beijing. Current, deeply relevant and powerfully presented, Shambaugh's book lands like a piece of ordnance in a firefight — with a big blast. A must read for anyone seeking to understand the contest for primacy playing out in Southeast Asia. * Hon. Kurt Campbell, former Assistant Secretary of State for East Asia & Pacific; Chairman & CEO of The Asia Group *Where Great Powers Meet is about the New Great Game — Sino-American competition in Southeast Asia. David Shambaugh has combined his deep understanding of China, experience in US government with his new immersion in ASEAN to produce a perceptive, balanced and comprehensive study on this dynamic rivalry. He has succinctly captured the nuances in the thinking and responses of the ASEAN states. This book is essential reading for those who wish to make sense of the changing geopolitics of Southeast Asia. * Hon. Chan Heng Chee, Ambassador-at-Large and Chairperson, ISEAS- Yusof-Ishak Institute, Singapore *Blending historical context with an incisive analysis of current developments and policy prescriptions, David Shambaugh's new book should be read by anyone — from academia or the policy world — who seeks to understand Southeast Asia's crucial role in shaping US-China relations and the 21st century world order. * Amitav Acharya, American University, Washington, D.C. *An eye-opening survey of a volatile, crucially important region and a must-read for students of geopolitics. * Kirkus Reviews *Shambaugh's fresh eyes are reason enough to read Where Great Powers Meet, as they yield equally fresh observations and arguments. * The Asia Times *The authoritative empirical work comparing Chinese and American influence and weaknesses in the region. * Contemporary Southeast Asia *Table of ContentsDedication Preface Chapter 1: Sino-American Competition in Southeast Asia Chapter 2: China's Legacies in Southeast Asia Chapter 3: American Legacies in Southeast Asia Chapter 4: China's Contemporary Roles in Southeast Asia Chapter 5: America's Contemporary Roles in Southeast Asia Chapter 6: Navigating Between the Giants: ASEAN'S Agency Chapter 7: The Future of International Relations in Southeast Asia Index

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Book SynopsisThis international best-selling textbook provides an interdisciplinary review of the theories and research in cross-cultural psychology. The dynamic author team brings a diverse set of experiences in writing this text that provides cross-cultural perspectives on a wide range of applied topics.Written in a conversational style that transforms complex ideas into accessible ones, the text incorporates a unique critical thinking framework, includingCritical Thinkingboxes, which helps students develop analytical skills.Exercisesinterspersed throughout promote active learning and encourage class discussion.Case in Pointsections review controversial issues and opinions about behavior in different cultural contexts.Cross-Cultural Sensitivityboxes underscore the importance of empathy in communication.New to this eighth edition: An entirely new chapteraddressing modern social justice movements, LGBTQ+ issues, reproductive right

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Book SynopsisNahum Dimitri Chandler examines W. E. B. Du Bois's early thought and its continued relevance, demonstrating that Dub Bois must be re-read, appreciated, and studied anew as a philosophical writer and thinker contemporary to our time.Trade Review“Nahum Dimitri Chandler's "Beyond This Narrow Now" gives the reader the marvelous benefit of Chandler's exquisite knowledge of the DuBoisian oeuvre and his singular unrelenting commitment to tarrying with it. As one of our master teachers, Chandler is at his best here in leading us systematically, virtually line by line, through early Du Bois in his critical conceptual formation.” -- Hortense J. Spillers, Gertrude Conaway Vanderbilt Professor, Vanderbilt University“‘Beyond This Narrow Now’ is a seminal contribution to foregrounding Du Bois’ epistemological roots and its implication for the future.” -- Mosa M. Phadi * Ethnic and Racial Studies *"Chandler is a meticulous scholar and a brilliant thinker with much to say about Du Bois as an intellectual problem. Parts of the book will be accessible to many readers, and Chandler’s approach to analysis serves as a master class in close reading. However, because of the occasionally esoteric nature of Chandler's approach, readers with a background in critical theory or philosophy have the most to gain. Recommended. Upper-division undergraduates, graduate students, researchers/faculty, professionals/practitioners." -- J. W. Miller * Choice *“Chandler’s work is a definitive contribution towards a re-assessment of contemporary orientations of Du Boisian scholarship. His original thoughts and perspectives on Du Bois . . . provide new, innovative approaches to the work of such an iconic thinker and writer.” -- Lena Dallywater * Connections *"Insofar as he remains a critical resource in the present, perhaps one of the things that is most useful about Du Bois today is his ability to interpret historical possibility as the other side of historical limit, and to convince us that the future can still be altogether otherwise than the past that has been given to us, even now. There is no better guide to these aspects of Du Bois’s thought than Nahum Chandler’s 'Beyond This Narrow Now.'. . . Chandler is a poetic and evocative stylist, as well as a profound thinker, who offers the reader aesthetic and intellectual pleasures that help compensate for whatever syntactic or semantic hurdles pop up along the way." -- Ian Litwin * Georgia Review *"Chandler provides a patiently elaborated study of Du Bois’s early thought—a 'delimitation' of this thought that argues for the openness of its investigations and thus our perennial return to its hermeneutics." -- Rebecka Rutledge Fisher * American Literary History *"The merit of Chandler's work is that he stretches Du Bois's reflections along the arc drawn by contemporaneity and brings them into conversation with a constellation of critical theories from post-structuralism to post-colonialism, highlighting the specificity and contemporary importance of Du Bois's thought." -- Vincenzo Di Mino * Journal of Critical Race Inquiry *Table of ContentsAcknowledgments vii Note on Citations xiii An Opening—At the Limit of Thought, a Preface xvii A Notation: The Practice of W.E.B. Du Bois as a Problem for Thought—Amidst the Turn of the Centuries 1 Part I. "Beyond This Narrow Now": Elaborations of the Example in the Thought of W.E.B. Du Bois—At the Limit of the World 25 Part II. The Problem of the Centuries: A Contemporary Elaboration of "The Present Outlook for the Dark Races of Mankind," circa the 27th of December, 1899—Or, At the Turn of the Twentieth Century 145 Another Coda, the Explicit—Revisited 221 Notes 231 References 269 Index 291

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Book SynopsisFrom Elizabeth Keckly's designs as a freewoman for Abraham Lincoln's wife to flamboyant clothing showcased by Patrick Kelly in Paris, Black designers have made major contributions to American fashion. However, many of their achievements have gone unrecognized. This book, inspired by the award-winning exhibition at the Museum at FIT, uncovers hidden histories of Black designers at a time when conversations about representation and racialized experiences in the fashion industry have reached all-time highs.In chapters from leading and up-and-coming authors and curators, Black Designers in American Fashion uses previously unexplored sources to show how Black designers helped build America's global fashion reputation. From enslaved 18th-century dressmakers to 20th-century star designers, via independent modistes and Seventh Avenue workers, the book traces the changing experiences of Black designers under conditions such as slavery, segregation, and the Civil Rights Movement. BlackTrade ReviewIn many ways [Black Designers in American Fashion] is a sad commentary about the world of fashion, but the knowledge gained here is irreplaceable and found in no other publication. This is not a coffee table book; this is a book that must actually be read in order to comprehend just how important Black designers have been and how in some cases made monumental and historical contributions to fashion. * New York Journal of Books *[Black Designers in American Fashion] provides a good introduction into this often overlooked chapter in fashion history ... Above all, the book highlights the emancipatory power fashion holds. * Journal of Dress History *This fresh collection of essays sheds much-needed light on Black fashion makers—recovering histories many thought were unknowable while centering on the genius of Black design. It is required reading for anyone serious about identity politics, craft, labor, and Black futurity. * Tanisha C. Ford, Author of Dressed in Dreams: A Black Girl's Love Letter to the Power of Fashion *Conveys the vast and important impact of Black designers on the American fashion industry through untold stories ranging from descriptions of rare extant garments to pioneering designers ... Required reading for all in the fashion industry. * Eulanda A. Sanders, Iowa State University, USA *Table of ContentsList of Figures List of Contributors Acknowledgements Introduction; Elizabeth Way Section I: Anonymous Histories 1.The Fabric of Fast Fashion: Enslaved Wearers and Makers as Designers in the American Fashion System; Katie Knowles 2.Liberty’s Warp, Slavery’s Weft: A Look at the Work of Eighteenth and Nineteenth-Century Enslaved Fashion Makers and Their Descendants; Jonathan Michael Square 3.A Matrilineal Thread: Nineteenth and Early Twentieth Century Black New York Dressmakers; Elizabeth Way Section II: In the Atelier: Modistes and Independent Designers 4.Dressing Up: The Rise of Fannie Criss; Kristen E. Stewart 5.Ruby Bailey: Making for Oneself, A Regional Fashion Designer Case Study; Joy Davis 6.Arthur George “Art” Smith: An Artist About Form, A Man About Substance; Kristen J. Owens Section III: Into the Mainstream: Seventh Avenue and Beyond 7.Wesley Tann: The Glamour and the Guts; Nancy Deihl 8.Jay Jaxon: An Unsung Couturier; Darnell-Jamal Lisby 9.Dapper Dan: The Original Streetwear Designer and Influencer; Ariele Elia Section IV: The Star Designer: National and International Impact 10.Color Story: Stephen Burrows’s Impact on the World of Fashion; Tanya Danielle Wilson Myers 11.Scott Barrie: Designing 1970s New York; Elizabeth Way 12.Race WERK: Williwear and Patrick Kelly Paris; Eric Darnell Pritchard Postscript; Elizabeth Way Index

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Book SynopsisA collection of essays by the influential founder of the black radical traditionTrade Review'Before the movement for black lives made black radicalism cool for millennials, Cedric Robinson did the work of excavating an intellectual history we rely upon today' -- The Root'Like W. E. B. Du Bois, Michel Foucault, Sylvia Wynter, and Edward Said, Robinson was that rare polymath capable of seeing the whole - its genesis as well as its possible future. No discipline could contain him. No geography or era was beyond his reach.... He left behind a body of work to which we must return constantly and urgently' -- Robin D. G. Kelley, author of 'Freedom Dreams: The Black Radical Imagination'‘Through these essays, we see further evidence of Robinson’s profound faith in the ability of ordinary people to fight against the corruptions of a world that routinely mocks the logic and practice of democracy. In them, we get a clear sense of what Robinson insisted in his work from the outset: that Black freedom struggles are a central part of resisting today’s violent racial and capitalist order’ -- The NationTable of ContentsForeword by Ruth Wilson Gilmore Preface by Elizabeth Peters Robinson Introduction: Looking for Grace in Redemption - H. L. T. Quan Part I - On Africa and Black Internationalism 1. Notes Toward a “Native” Theory of History 2. In Search of a Pan-African Commonwealth 3. The Black Detective and American Memory Part II - On Bourgeois Historiography 4. “The First Attack is an Attack on Culture” 5. Oliver Cromwell Cox and the Historiography of the West 6. Fascism and the Intersections of Capitalism, Racialism, and Historical Consciousness 7. Ota Benga’s Flight Through Geronimo’s Eyes: Tales of Science and Multiculturalism 8. Slavery and the Platonic Origins of Anti-democracy Part III - On World Politics and U.S. Foreign Policy 9. Fascism and the Response of Black Radical Theorists 10. Africa: In Hock to History and the Banks 11. The Comedy of Terror 12. Ralph Bunche and An American Dilemma Part IV - On Reality and Its (Mis)Representations 13. White Signs in Black Times: The Politics of Representation in Dominant Texts 14. The American Press and the Repairing of the Philippines 15. On the Los Angeles Times, Crack Cocaine, and the Rampart Division Scandal 16. Micheaux Lynches the Mammy 17. Blaxploitation and the Misrepresentation of Liberation 18. The Mulatta on Film: From Hollywood to the Mexican Revolution 19. Ventriloquizing Blackness: Eugene O’Neill and Irish-American Racial Performance Part V - On Resistance and Redemption 20. Malcolm Little as a Charismatic Leader 21. The Appropriation of Frantz Fanon 22. Amilcar Cabral and the Dialectic of Portuguese Colonialism 23. Race, Capitalism, and the Anti-democracy 24. David Walker and the Precepts of Black Studies 25. The Killing in Ferguson 26. On the Truth and Reconciliation Commission Index

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Book SynopsisOffers commentary and an illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch, Rembrandt, Rubens, and Hogarth to stunning creations by contemporary black artists.Trade ReviewA fascinating story of the changing image of Africa's people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes. -- Kwame Anthony AppiahReview of the previous editions: One concludes from these pioneering volumes that artistic representations were historical "events" that eventually helped to shape a mentality that justified the enslavement of millions of Africans as well as later attempts to Christianize and liberate their descendants. -- David Brion Davis * New York Review of Books *In addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling volumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers. -- Paul Gilroy, author of The Black Atlantic: Modernity and Double ConsciousnessOne of the most thorough collections depicting the African-American in works of art...The books build on the research and photo project started by art patron Dominique de Menil in the 1960s, which grew out of a frustration with segregation. The collection was then transferred and continued to grow at the W.E.B. Du Bois Institute at Harvard University. De Menil's original volumes have been updated by David Bindman and Henry Louis Gates Jr. and now include more detailed descriptions and provide a larger context of the artwork that spans more than 5,000 years, including the Roman Empire to present-day pieces, filling in tremendous gaps in de Menil's collection, according to some art historians. The images, printed in full-color on high-quality pages, are available for the masses to see and understand how African-Americans not only fit into the various societies of the Western world, but how those relationships evolved throughout the ages. * Kirkus Reviews *The volumes so far are a treasury of paintings and sculptures of people down the ages, taking in many strands of ritual, classicism, artlessness and humanity. -- William Feaver * Spectator *A sumptuous new edition with much additional material and copious color pictures....The books are a wonderful resource: a glitteringly decorated window into the Du Bois Institute's unrivalled archive of relevant images. The accompanying essays, which are models of erudition, are inescapable reading for anyone interested in the subject. -- Felipe Fernández-Armesto * The Art Newspaper *The joy of this series lies in the illustration and discussion of imagery found not only in paintings and woodcuts, but also in mosaics, illuminated manuscripts, and murals. -- K. Mason * Choice *Monumental and groundbreaking volumes...[with] beautifully reproduced and thought-provoking images…A vast array of different "Images of the Black" appear in these volumes, from statues of black saints such as St. Maurice or St. Benedict the Moor, to portraits of notable African ambassadors and kings, poets and musicians, or drawings of literary characters such as Shakespeare's Othello, Aphra Behn's Oroonoko, or Yarico from George Colman's Inkle and Yarico...Africans have been painted and sculpted by some of the most eminent artists in the Western tradition, including Titian, Tiepolo, Rubens, Rembrandt,Van Dyck, Reynolds, Hogarth, Watteau and Gainsborough. More importantly, they have not been caricatured, but sensitively portrayed by these masters, their humanity captured on canvas for all to see...In placing such a vast variety of different images together, both positive and negative, these volumes show that the "Image of the Black" was not at all homogenous but rather reflected the wide range of the Western response to the "other."...Seen through the prism of "Western Art," these "Images of the Black" often tell us more about the Europeans and their agendas than the Africans they portray. Nonetheless, the cumulative effect of the images is to demonstrate a continuous black presence in the Western imagination and experience…This series will pose new questions to scholars of art, history and literature and provoke us all to reconsider the role of "the Black" in Western civilization. -- Miranda Kaufmann * Times Literary Supplement *

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Book SynopsisIn Beyond the World''s End T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah''s cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplifiTrade Review“T. J. Demos has for some time charted intertwining artistic and activist responses to environmental catastrophe, and here he is at his best. This book is powerful and necessary.” -- Julia Bryan-Wilson, author of * Fray: Art and Textile Politics *“Beyond the World's End rethinks the complex relationship between political ecology and artistic practice. Written in the clear, provocative prose for which T. J. Demos is already widely admired, this important book operates within the framework of environmental and, by extension, climate justice and provides a glimmer of hope in the midst of the current catastrophe.” -- Alexander Alberro, Barnard College"Amply illustrated and well indexed, the book blends nature-culture binaries and lays out the possibilities for lives beyond the world’s end. This pithy, well-researched volume includes an introduction, seven chapters, and notes, and it will interest students of Afrofuturism, art history, ecofeminism, ecology, social justice, visual culture, and myriad related subjects. Highly recommended. Graduate students, researchers, faculty, professionals." -- J. Decker * Choice *“Demos...offer[s] a wealth of information on environmentalist artists and ecocritical thinkers who may not be presented to art audiences elsewhere. [His] venturesome examples of art historical ecocriticism model methodologies of engagement that challenge scholars to apply their own talents and imaginations toward new practices of art history for our time.” -- Suzaan Boettger * Art Bulletin *“Demos’ main contribution to the fields of ecology, art history, and geo-politics is the tangible methods he offers against catastrophism. . . . In Beyondthe World’s End, Demos has produced not only a timely teaching tool, but also a touchstone for the ongoing writings and makings of the not-yet.” -- Kate Keohane * Art History *“Beyond the World’s End is a text of impressive scope and depth, whose thematic urgency needs no introduction. . . . If, as in Fredric Jameson’s famous adage, it is easier to imagine the end of the world than it is the end of capitalism, Demos charts a path here for imagining both, and a different world that can be brought into being in what lies beyond these ends.” -- Matthias Kispert * Moving Image Review & Art Journal *Table of ContentsList of Illustrations vii Introduction. The World's End, and Beyond 1 1. Feeding the Ghost: John Akomfrah's Vertigo Sea 23 2. Blackout: The Necropolitics of Extraction 43 3. The Visual Politics of Climate Refugees 68 4. Gaming the Environment: On the Media Ecology of Public Studio 96 5. Animal Cosmopolitics: The Art of Gustafsson&Haapoga 116 6. To Save a World: Geoengineering, Conflictual Futurisms, and the Unthinkable 137 7. The Great Transition: The Arts and Radical System Change 163 Acknowledgments 195 Notes 199 Index 249

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Book SynopsisWhat has a use in the future, unforeseeably, is radically useless now. What has an effect now is not necessarily useful if it falls through the gaps. In For a Pragmatics of the Useless Erin Manning examines what falls outside the purview of already-known functions and established standards of value, not for want of potential but for carrying an excess of it. The figures are various: the infrathin, the artful, proprioceptive tactility, neurodiversity, black life. It is around the latter two that a central refrain echoes: 'All black life is neurodiverse life.' This is not an equation, but an 'approximation of proximity.' Manning shows how neurotypicality and whiteness combine to form a normative baseline for existence. Blackness and neurodiversity 'schizz' around the baseline, uselessly, pragmatically, figuring a more-than of life living. Manning, in dialogue with Félix Guattari and drawing on the black radical tradition''s accounts of black life and the aesthetics of blackTrade Review“Taking black studies seriously as the epistemology of operation from which to practice thought, Erin Manning does more than simply apply black studies to conversations about neurotypicality, autism, and language; she grapples with what black studies attempts to do—to shift the epistemological horizon of thought's horizon.” -- Ashon T. Crawley, author of * The Lonely Letters *“Given her expertise, philosophical acumen, and passion for questions of neurodiversity, I am excited that Erin Manning is the person to orchestrate the encounter between neurodiversity and blackness. Who else but Manning could bring together explorations into process philosophy, experimental practice, black studies, and neurodiversity? This is a superb and important work.” -- Stefano Harney, coauthor of * The Undercommons: Fugitive Planning and Black Study *"The argument of the book ranges across a wide field of topical concerns: whiteness, Black sociality, neurodiversity and neurotypicality, affect and feeling, and autism, all within the scope of considerations mainly related to aesthetics, agency, freedom, and power relations. The book itself is clearly situated at the crossroads of such fields as philosophy, neuroscience, and Black studies, and will surely be of interest to graduate students and academics who are seeking the cutting-edge territory of critical work that reaches beyond the boundaries of the university as normally configured. Highly recommended. Graduate students and faculty." -- M. Uebel * Choice *"Manning’s book might also be described as a field guide for academics who want to discover or rediscover the conditions by which thinking (as theory, poetry, art, or pedagogy) might generate values apart from those prescribed by our capitalist institutions. . . . [T]he book proffers many encounters with artists, art exhibits, and artistic projects that enable us, as readers, to explore the pragmatics that Manning is invoking." -- Ada S. Jaarsma * Letters in Canada *Table of ContentsAcknowledgments ix Prelude. Fugitively, Approximately 1 1. For a Pragmatics of the Useless 15 2. Toward a Politics of Immediation 33 Pocket Practice. nestingpatching 55 3. What Things Do When They Shape Each Other 75 Pocket Practice. backgroundigforegrounding 103 4. Experimenting Immediation: Collaboration and the Politics of Fabulation 115 5. Practicing the Shizz 145 Interlude. How Do We Repair? 199 6. Me Lo Dijo un Pajarito: Neurodiversity, Black Life, and the University As We Know It 213 Pocket Practice. livingdoing 235 7. Not at a Distance: On Touch, Synesthesia, and Other Ways of Knowing 245 Pocket Practice. ticcingflapping 271 8. Cephaloped Dreams: Finance at the Limit 289 Coda. schizziganarchiving 309 Notes 317 References 345 Index 359

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Book SynopsisTrade Review"The book is a series of essays on the luminaries of African American political thought, across the history of the United States, by some of the most impressive scholars currently working. It is as close to a comprehensive overview of the African American political tradition as I’ve read, with chapters on figures from Phillis Wheatley and David Walker (two of the most important Black political thinkers of the early American republic) to Angela Davis and Clarence Thomas." -- Jamelle Bouie * The New York Times *"Melvin Rogers’s and Jack Turner’s magisterial volume African American Political Thought comprises thirty essays on thirty different thinkers, each grappling with a shared set of questions and themes. . . . As 'collected history,' African American Political Thought offers a rich point from which to begin. Transfiguring the history of American political thought and democratic political theory, the volume proposes a canon of political thought that might itself be a starting point for democratic politics. . . . What they have achieved here does not only augment our existing canons, but works to transform those canons, and indeed the project of canon formation itself." * Comparative Political Theory *"For those wishing to learn more about the broader significance of black social-political thought . . . African American Political Thought: A Collected History is the go-to volume. . . . All of the thirty essays in African American Political Thought generate original scholarship and insights . . . all are invaluable sources for future scholarship on these important political thinkers’ contributions to political theory. Overall, this collected history works to reshape understandings of politics, history, culture, economics, institutions, social relations, and human beings in the United States by adding missing political theorists’ voices and views and illustrating problems with some of the dominant political theorists’ voices and views." * Ethnic and Racial Studies *"African American Political Thought, co-edited by Brown political scientist Melvin Rogers, reveals the outsize impact many Black thinkers, from Frederick Douglass to Angela Davis, have had on American society." * Brown University (News from Brown) *"Melvin Rogers’s and Jack Turner’s highly anticipated volume African American Political Thought: A Collected History promises to transform how we read and teach the history of Black political thought. An impressive collection, it fills large gaps in our understanding of this tradition and sets a new foundation for further research... The volume sets a new standard for study of African American political thought and makes a persuasive case for the tradition’s important contributions to political theory broadly." * European Journal of Political Theory *“For far too long, mainstream white American political theorists, whether in political science or political philosophy, have gotten away with the construction of a Jim Crow canon for which black thinkers are separate, unequal, and invisible. This groundbreaking and comprehensive overview of the African American political tradition should henceforth make such intellectual ghettoization impossible.” -- Charles W. Mills, The City University of New York“African American Political Thought should become an instant classic. So much to mine here. So many lines of inquiry to follow. Rogers and Turner have masterfully curated a collection of essays that will guide the field of African American political thought for generations. The study of American political thought will never be the same.” -- Eddie S. Glaude Jr., Princeton University“This book is an essential intervention in political theory and expands the notion of the canon of American political thought in ways that are both necessary and profound. Herein we begin to understand the richness of the legacies of politics reasoned from margin to center and the critical impact that can have on conceptions of democracy and justice. A must-read for those interested in understanding American politics and seriously engaging political theory.” -- Deva Woodly, The New School"Rogers and Turner have assembled a collection of African American political thought covering a stunning range of time and ideas... Given its scope, the book maintains a sense of continuity through a plethora of resonances between its chapters. The collection boasts a variety of interpretative approaches and scales of analysis and is notable for its attention to a range of rhetorical strategies and expressive genres: sermons, slave narratives, satire, Supreme Court opinions... The time and care Rogers and Turner invested in this project from its conception in 2007 and compilation over 10 years is evident in its comprehensiveness and thorough introduction. The credentials of the contributors to this collection are astonishing and the oeuvre of each in their own right is worth reading further." * MAKE Literary Magazine *Table of ContentsPolitical Theorizing in Black: An Introduction Melvin L. Rogers and Jack Turner 1 Phillis Wheatley and the Rhetoric of Politics and Race Vincent Carretta 2 David Walker: Citizenship, Judgment, Freedom, and Solidarity Melvin L. Rogers 3 Martin Delany’s Two Principles, the Argument for Emigration, and Revolutionary Black Nationalism Robert Gooding-Williams 4 Harriet Jacobs: Prisoner of Hope Nick Bromell 5 Frederick Douglass: Nonsovereign Freedom and the Plurality of Political Resistance Sharon R. Krause 6 Alexander Crummell’s Three Visions of Black Nationalism Frank M. Kirkland 7 Booker T. Washington and the Politics of Deception Desmond Jagmohan 8 Anna Julia Cooper: Radical Relationality and the Ethics of Interdependence Carol Wayne White 9 Ida B. Wells on Racial Criminalization Naomi Murakawa 10 W. E. B. Du Bois: Afro-modernism, Expressivism, and the Curse of Centrality Paul C. Taylor 11 Marcus Garvey: The Black Prince? Michael Dawson 12 A. Philip Randolph: Radicalizing Rights at the Intersection of Class and Race Michael McCann 13 Zora Neale Hurston’s Radical Individualism Farah Jasmine Griffin 14 George S. Schuyler: Post-Souls Satirist Jeffrey B. Ferguson 15 C. L. R. James: Race, Revolution, and Black Liberation Anthony Bogues 16 Langston Hughes’s Ambivalent Political Expressivism Jason Frank 17 Thurgood Marshall: The Legacy and Limits of Equality under the Law Daniel Moak 18 Richard Wright: Realizing the Promise of the West Tommie Shelby 19 Bayard Rustin: Between Democratic Theory and Black Political Thought George Shulman 20 Ralph Ellison: Democratic Theorist Danielle Allen 21 James Baldwin: Democracy between Nihilism and Hope John E. Drabinski 22 Malcolm X: Dispatches on Racial Cruelty Nikhil Pal Singh 23 Martin Luther King: Strategist of Force David L. Chappell 24 Toni Morrison and the Fugitives’ Democracy Lawrie Balfour 25 Audre Lorde’s Politics of Difference Jack Turner 26 Stokely Carmichael and the Longing for Black Liberation: Black Power and Beyond Brandon M. Terry 27 Huey P. Newton and the Last Days of the Black Colony Cedric G. Johnson 28 Angela Y. Davis: Abolitionism, Democracy, Freedom Neil Roberts 29 Clarence Thomas: Race Pessimism and Black Capitalism Corey Robin 30 Cornel West and the Black Prophetic Tradition Mark D. Wood Acknowledgments Index Contributors

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Book SynopsisBig Cat Phonics for Little Wandle Letters and Sounds Revised has been developed in collaboration with Wandle Learning Trust and Little Sutton Primary School. It comprises classroom resources to support the SSP programme and a range of phonic readers that together provide a consistent and highly effective approach to teaching phonics.This family are out for the day to make a den in the woods, it''s going to be so fun! Can they all work together as a team to build it? Have you ever made a den?

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Book SynopsisCollins Big Cat supports every primary child on their reading journey from phonics to fluency. Top authors and illustrators have created fiction and non-fiction books that children love to read. Levelled for guided and independent reading, each book includes ideas to support reading. Teaching and assessment support and eBooks are also available.Jam Malik has grown up hearing tales of the hero Jack, who climbed up a beanstalk and rescued three treasures from the land of the giants. When a visit to Jack's house makes her question everything she thought she knew about her village and its stories, she is determined to seek justice.Pearl/Band 18 books offer fluent readers a complex, substantial text with challenging themes to facilitate sustained comprehension, bridging the gap between a reading programme and longer chapter books.Pages 78 and 79 allow children to re-visit the content of the book, supporting comprehension skills, vocabulary development and recall.Ideas for reading in the bac

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Book SynopsisExplorer, novelist, writer and film-maker, Sir Laurens van der Post was one of the most influential figures of our era. Here, in conversation with Jean-Marc Pottiez, he records his ideas and insights into a wide range of issues and personalities, forged by a lifetime of vast experiences and challenges.Trade ReviewI rank Laurens van der Post with the best writers of English - this book confirms my constant admiration and the nobility of his mind -- Raymond Mortimer * Sunday Times *Bushmen, Africa, the relation of man to animals (beautiful stories about elephants), Japan and Japanese prisoner-of-war camps, the forgiveness of enemies, June, spiritual growth, Churchill, Smuts, Mountbatten... Such a rapid catalogue must omit much of what he talks about, but may give some impression of the book's riches * The Times *A deeply thoughtful, engrossing book about his fascinatingly varied life and unusual ideas... Refreshingly unconventional, inspiring, optimistic, wise and true * Sunday Express *Overflows with ideas and insights gained during a long and eventful life * Independent *No one can write more feelingly of Africa... An experience not to be missed * Evening Standard *

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Book SynopsisA powerful prescient memoir of life in 1970s Britain for a child of Windrush generation parents. ''This book is a classic'' Sunday TelegraphTo his fellow West Indians who assemble every weekend for the all-night poker game at Mrs Knight''s, he is always known as Bageye. There aren''t very many black men in Luton in 1972 and most of them gather there: Summer Wear, Pioneer, Anxious, Tidy Boots - each has his nickname. Bageye already finds it a struggle to feed his family on his wage from Vauxhall Motors, but now his wife Blossom has set her heart on her sons going to private school and she will not settle for anything less.This is the story of a father seen through the eyes of his ten-year-old son. It's a wry and gentle comedy about unfulfilling day jobs and late night poTrade ReviewI loved every word * Independent *[A] vivid and bittersweet window into a vanished world of 1970s suburbia * Metro *A quietly unforgettable book * Guardian *A fabulous example of storytelling * Glasgow Herald *A classic * Spectator *

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Book Synopsis''A history of resilience ... sweeping, comprehensive ... it''s a story that has been waiting to be told'' Guardian''An account sorely needed ... a kaleidoscopic view of Native American history, refreshing and rollicking, and not unlike its fractured reality'' StandpointBlood and Land is a dazzling, panoramic account of the history and achievements of Native North Americans, and why they matter today. It is about why no understanding of the wider world is possible without comprehending the original inhabitants of the United States and Canada: Native Americans, First Nations and Arctic peoples.This highly personal book, based on years of travel and first-hand research in North America, introduces a deeply complex story, of myriad identities and determined ethnicities - from the desert Southwest to the high Arctic, from first contact between Europeans and Native Americans to the challenges of Native leadership today. Instead of Trade ReviewResisting the tendency toward generalisation that is the inherent danger of thematic survey, King emphasises singularity, contrast and diversification ... the early sections of the chapter on language and literature contain the most lucid and succinct discussion of the nature, origin and diversification of Native American languages - a subject central to the understanding of Native American history - that I have ever read ... [an] excellent panoramic survey -- Ciaran Brady * Irish Times *Blood and Land is an account - at least from my American perspective - sorely needed...general histories of Native America are difficult to write and King does a superlative job -- David Bahr * Standpoint *Blood and Land is to be commended for its ambition. The subjects covered are fascinating ... an eminently readable work -- Karen Jones * BBC History Magazine *A panoramic portrait ...a delight for the browsers and sifters among us who may be more engaged by the stories of early 20th century Kikapoo travelling snake-oil salesmen than by the minutiae of constitutional haggling and treaty-making -- Melanie McGrath * Evening Standard *King sees through clear and intelligent eyes, with a scholarship that is deep, wide, and liberated from cliché or stereotype, the vast complexities and nuances that motivate and shape not only the past but, even more important, the present and future of the first citizens of North America. -- W. Richard West, Jr. * Founding Director, Smithsonian Museum of the American Indian *

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Book SynopsisThe broadest and most comprehensive collection of writings available by an early civil and women’s rights pioneerSeventy-one years before Rosa Parks’s courageous act of resistance, police dragged a young black journalist named Ida B. Wells off a train for refusing to give up her seat. The experience shaped Wells’s career, and—when hate crimes touched her life personally—she mounted what was to become her life’s work: an anti-lynching crusade that captured international attention.This volume covers the entire scope of Wells’s remarkable career, collecting her early writings, articles exposing the horrors of lynching, essays from her travels abroad, and her later journalism. The Light of Truth is both an invaluable resource for study and a testament to Wells’s long career as a civil rights activist.For more than seventy years, Penguin has been the leading publisher of classic literature in theTrade Review"Wells was the most comprehensive chronicler of that common practice for which few words exist that provide sufficient condemnation. For that reason, and for Wells’ immense courage, clear pen, and understanding of the nature of journalistic advocacy, this new volume ought to become required reading for anyone interested in American history or current affairs."—Flavorwire"An enlightening read, this collection will inspire anyone who still believes that journalism can be a voice for the voiceless."—Bust Magazine"Ida B Wells stands out because she insisted on seeing."—Ta-Nehisi Coates

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Book SynopsisThe Movement for Black Lives (M4BL) has gained worldwide visibility as a grassroots social justice movement distinguished by a decentralized, non-hierarchal mode of organization, and in 2020 Black Lives Matter protests across the country shook America''s moral conscience to its core. M4BL rose to prominence in part thanks to its protests against police brutality and misconduct directed at Black Americans. However, its animating concerns are far broader, calling for a wide range of economic, political, legal, and cultural measures to address what it terms a war against Black people, as well as the shared struggle with all oppressed people. Yet despite the significance of the social, political, and economic goals of M4BL, as well as the innovative organizational leadership strategies it employs, M4BL has so far received little sustained philosophical attention. The Movement for Black Lives: Philosophical Perspectives brings philosophical analysis to bear on the aims, strategies, policy pTrade ReviewFor scholars and laity in the fields of race studies or philosophy, this book offers an important examination of the theoretical foundations and issues of social and political philosophy. The uniqueness of this book is that the essays offer both support for and critiques of the foundational assumptions and arguments underlying different scholarly/activist positions. The volume also provides a theoretical discussion of how to move away from leadership--oriented activism/scholarship and toward democratic/cooperative-oriented activism/scholarship. Though clearly rooted in philosophy, chapters are accessible to readers of all levels. This would be an excellent book for class discussion and student research. * L. L. Lovern, Valdosta State University, CHOICE *This volume is evidence of the fruitfulness of philosophical reflection on and engagement with social movements, as well as being an important contribution to the literature on racial justice. For those looking for philosophical insights into the Movement for Black Lives, this book is essential reading. * Andrew Valls, Criminal Law and Philosophy *Table of ContentsIntroduction Part I - The Value of Black Lives 1. What "Black Lives Matter" Should Mean, Brandon Hogan 2. "And He Ate Jim Crow": Racist Ideology as False Consciousness, Vanessa Wills 3. He Never Mattered: Poor Black Males and the Dark Logic of Intersectional Invisibility, Tommy J. Curry Part II - Theorizing Racial Justice 4. Reconsidering Reparations: The Movement for Black Lives and Self-Determination, Olúfemi O. Táíwò 5. The Movement for Black Lives and Transitional Justice, Colleen Murphy Part III - The Language of M4BL 6. Positive Propaganda and the Pragmatics of Protest, Michael Randall Barnes 7. Value-Based Protest Slogans: An Argument for Reorientation, Myisha Cherry 8. The Movement for Black Lives and the Language of Liberation, Ian Olasov Part IV -M4BL, Anti-Black Racism, and Punishment 9. Can Capital Punishment Survive if Black Lives Matter?, Michael Cholbi and Alex Madva 10. Sentencing Leniency for Black Offenders, Benjamin S. Yost Part V - Strategy and Solidarity 11. The Violence of Leadership in Black Lives Matter, Dana Francisco Miranda 12. Speaking For, Speaking With, and Shutting Up: Models of Solidarity and the Pragmatics of Truth Telling, Mark Norris Lance 13. Sky's the Limit: A Case-Study in Envisioning Real Anti-Racist Utopias, Keyvan Shafiei

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Book SynopsisIn The Culture Trap, Derron Wallace argues that the overreliance on culture to explain Black students'' achievement and behavior in schools is a trap that undermines the historical factors and institutional processes that shape how Black students experience schooling. This trap is consequential for a host of racial and ethnic minority youth in schools, including Black Caribbean young people in London and New York City.Since the 1920s, Black Caribbeans in New York have been considered a high-achieving Black model minority. Conversely, since the 1950s, Black Caribbeans in London have been regarded as a chronically underachieving minority. In both contexts, however, it is often suggested that Caribbean culture informs their status, whether as a celebrated minority in the US or as a demoted minority in Britain.Drawing on rich observations, interviews and archives in London and New York City schools, Wallace suggests that the use of culture to justify Black Caribbean students'' achievement Trade ReviewThis is an important contribution to our understanding of how discourses and practices of racial representation work to shape and perpetuate ethnic inequalities in our schools. Wallace's comparative ethnography of schools in London and New York offers a unique insight into how ideas of culture and identity are formed historically and politically, and how these are lived by those caught in the trap of ethnic expectations. With a sharp eye for detail and an ear for the voices of young people, teachers, and parents, Wallace breathes new life into an old, and seemingly intractable, problem. * Claire Alexander, Professor of Sociology, The University of Manchester *Cultural explanations of the achievement gap, such as culturally responsive and culturally relevant pedagogy, are popular within schools, colleges, and universities. This visionary, timely, engaging, and informative book describes the limits of cultural explanations and how culture, class, and context interact to influence academic achievement. It is a compelling and essential read. * James A. Banks, Kerry and Linda Killinger Endowed Chair in Diversity Studies Emeritus, University of Washington, Seattle *The Culture Trap exemplifies the beauty of cross-national research by deftly illuminating both the general and the particular of social forces across contexts. Wallace sharpens our understanding of the ways that different racial formations in the U.S. and Britain intersect with ethnic and class identity of Black Caribbean youth and permeate the walls of schools and classrooms. It's a compelling ethnography of the everyday lived experiences of second-generation immigrant students, which illuminates how 'ethnic expectations' influence their educational well-being. Many scholars and teachers of culture, race, ethnicity, and education will appreciate the informative, useful nature of Wallace's work. * Prudence L. Carter, Sarah and Joseph Jr. Dowling Professor of Sociology, Brown University *Derron Wallace has written a field-defining book. Comparing Black Caribbeans in London and New York, he shows how ethnic expectations, rooted in history, colonialism, and the proliferation of U.S. media culture, influence the incorporation and academic outcomes of second-generation Black Caribbean youth. Bursting with rich narrative accounts, powerful theoretical insights, and exceptional writing, this book will shape the sociology and education discourse on Black Caribbean students for years to come. Everyone who cares about race, ethnicity, education, and immigration should read this book. * John B. Diamond, Professor of Sociology and Education Policy, Brown University *How to explain the markedly different educational experiences and levels of achievement of African-Caribbean youth in London and New York? Conceptual clarity alongside careful listening to the voices of Black youth, parents, and teachers is at the heart of Derron Wallace's timely and thoughtful analysis of the 'ethnic expectations' which serve as an alibi for racisms and reinforce inequalities. * Catherine Hall, Chair of the Centre for the Study of the Legacies of British Slavery, University College London *This fascinating book takes us into two schools—one in New York City and one in London—where teachers use cultural narratives on the essential elements of Caribbean heritage towards very different goals—to highlight Black students' endless talents and possibilities in one setting and to stress the limited potential of Black adolescents in another. Beautifully written, gripping, and deeply interesting, The Culture Trap sheds new light on the mechanisms through which inequality is sustained. Highly recommended! * Annette Lareau, Professor of Sociology, University of Pennsylvania *This brave, brilliant book takes no hostages. Beautifully evocative and richly theorized, The Culture Trap sets out a compelling argument for why culture should not be prioritized over structure in understandings of educational achievement. Weaving wonderful ethnographic narratives with stunning insights, the book brings a welcome clarity to the messy and highly contested morass that culture has become. For much needed illumination, this is the book to read—it is both an enormous pleasure and a revelation. * Diane Reay, Professor of Education, University of Cambridge *The Culture Trap is a wonderful contribution to the comparative analysis of the ways in which black youth have been the subject of unequal schooling. Through a nuanced and detailed analysis, Wallace illustrates how black Caribbean youth have been subjected to persistent and deeply embedded unequal treatment in the school systems of the UK and US. * John Solomos, Professor of Sociology, University of Warwick *The Culture Trap is an insightful study of the experiences of Afro-Caribbean youth in New York City and London schools. Wallace's careful look at how schools create 'culture traps' through essentializing ethnic expectations of their Afro-Caribbean students is sure to become an instant classic. The book demonstrates how positive expectations go hand in hand with negative expectations, and how the history of colonialism shapes ethnic stereotypes in the US and Britain. Beyond the school, Wallace also shows how students themselves respond to the ethnic expectations they experience. Never reductive, Wallace uses 'storytelling sociology,' providing a vivid and convincing account of the lived experiences of the communities he observed, with deep respect, care, and curiosity. This book is a must-read for anyone interested in immigration, education, and the African diaspora. * Natasha Warikoo, Professor of Sociology, Tufts University *Findings from this study are important...I highly recommend this book to all but especially to educators in teacher preparation programs, preservice teachers, educators in the field, and educational policymakers and leaders in both the United States and Britain. * Mercy Agyepong, Sociology of Race and Ethnicity *This book demonstrates a high calibre of authorship and scholarship, which audiences within the field of education, teaching, and learning will find informative for their practice, as I myself have. * Steve Raven, Institute of Global Education, Coventry University/Trustee of British Sociological Association *Wallace does a good job of demonstrating that expectations regarding culture can affect outcomes...Recommended. Undergraduates through faculty; professionals. * Choice *Table of ContentsAcknowledgments Preface Introduction: The Power of the Culture Trap Part I: Constructing the Culture Trap 1. Model and Failing Minorities? Divergent Representations of Black Caribbean Achievement 2. Black Caribbean Immigrants and the Legacies of Empire 3. Tracking Structures and Cultures: The Role of Academic 'Ability' Grouping Part II: Negotiating the Culture Trap 4. Distinctiveness and the Secret Life of Social Class in Representations of Culture 5. Deference and the Gendered Rewards of 'Good' Behavior 6. Defiance and Black Students' Resistance to Cultural Racism Conclusion: Dismantling the Culture Trap in Schools Appendix: Organizing Methods for Ethnographic Fieldwork Notes About the Author References Index

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Book SynopsisAn insightful, persuasive, and honest defense of immigration as central to the United States'' economic power and national security.America was built by immigrants, yet there has long been strong political opposition to immigration. In recent years, the hostility toward immigration has reached a tipping point. While partisan fighting and confusion over basic policy dominate a broken conversation, we often overlook a fundamental American truth: immigration makes America great.In The Immigrant Superpower, Tim Kane argues that immigration has been a source of American strength and American exceptionalism since the nation''s founding. This book explores how immigration is essential to the military strength, economic power, and innovation of the United States. By combining stories of immigrants who have contributed to the American experience, including in the military and business, with analysis of immigration''s effects on wages and unemployment, Kane presents a clear defense of greater immigration as a matter of national security. The only way to win the great power competition of the twenty-first century is to embrace America''s identity as a nation of immigrants. As politicians in Washington continue to negotiate with no intention to reach an agreement, Kane exposes the immigration consensus hiding in plain sight. Using original, in-depth surveys of American attitudes toward immigration reform he maps out a step-by-step process to achieve reform. Straight-talking and full of common sense, The Immigrant Superpower stands in sharp contrast to the wholly dysfunctional debate about immigration in the United States.Trade ReviewA well-informed analysis of a perennial problem. * Kirkus *

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Book SynopsisTrade Review“Original and insightful, Sounding Latin Music, Hearing the Americas is carefully researched in terms of historical framework, painstakingly structured and argued, and well written. Though the author's expertise is primarily musicological, his erudition spans several fields, and allows him to cover theoretical, historical, and disciplinary terrain that most scholars would be well advised not to attempt. In short, no one else could have written this tour de force.” * Jason R. Borge, University of Texas at Austin *“This is a powerful, insightful, and enlightening book by a major thinker in his field with an impressive command of the literature and musical repertoire of Latin America as well as Latinos in the United States. Moreno writes consciously as an intellectual ‘migrant’ at the crossroads of music studies, Latin American studies, cultural studies, and American studies. The theoretical contributions of this book are palpable, and it is humanized by the author being so conversant in popular music for mass audiences.” * Timothy Brennan, University of Minnesota *Table of ContentsPreface Introduction 1 Reckoning with Letters: “Pedro Navaja” and Aural Equality 2 Crossing Under (and Beyond) 3 Shakira’s Cosmopolitanisms 4 Histories and Economies of Afro-Latin Jazz 5 Act, Event, and Tradition: Miguel Zenón and the Aurality of the Unthinkable Conclusion Acknowledgments Notes Bibliography Index

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Book SynopsisTrade Review“Within the vast scholarship on the atomic bombs the book stands out for its highly original depiction of Hiroshima and Nagasaki as ‘ground zero’ for the articulation of the concept of trauma, which is applied so widely today. Historians of Japan, medicine and science and technology studies are likely to find it an enlightening and even moving read.” * British Journal for the History of Science *“This book presents an insightful and persuasive analysis of Japanese psychiatry and the troubled experiences of atom bomb survivors. . . . Zwigenberg provides important evidence to understand why so many people, who had endured unimaginable suffering, were neglected in the post-war period.” * The Psychologist *“Nuclear Minds is a penetrating investigation into how the postwar Japanese psychological and psychiatric establishment encountered the psychic effects of nuclear trauma, exposing a long journey toward an understanding of how political trauma and war deeply effect individuals within their collective society—here, Zwigenberg offers a necessary reflection and examination extremely resonant with current events today.” * History: Reviews of New Books *“After Hiroshima in 1945, the psychological effect of the bomb was, astonishingly, explained away as if caused by anything but the bomb. Science’s obsession with objectivity and universality, compounded by the Cold War realignment of geopolitical powers, made individual suffering of hibakusha utterly invisible. In a clear and compelling analysis, and with appealingly open prose, Zwigenberg strikingly juxtaposes and makes tangible a global web of psychological knowledge, science politics, and survivor activism before the advent of post-traumatic stress disorder.” -- Naoko Wake, Michigan State University“A profound and illuminating journey into the psychological subjectivism experienced by the hibakusha under the Cold War psychiatric gaze. Zwigenberg shows how analyses of surviving nuclear attacks in Hiroshima and Nagasaki were embedded into existing psychological frameworks of militarized emotional harm and yet disrupted them. We see the hibakusha abandoned as suffering individuals even as their wounds were being collectively codified to prepare the world for a dystopic future.” -- Robert A. Jacobs, Hiroshima Peace Institute and Hiroshima City UniversityTable of ContentsNote on Language Introduction Part 1. Bombing Minds Chapter 1. American Psychological Sciences and the Road to Hiroshima and Nagasaki Chapter 2. Bombing “the Japanese Mind”: Alexander Leighton’s Hiroshima Chapter 3. Healing a Sick World: The Nuclear Age on the Analyst’s Couch Chapter 4. Nuclear Trauma and Panic in the United States Part 2. Researching Minds, Healing Minds Chapter 5. Y. Scott Matsumoto, the ABCC, and A-Bomb Social Work Chapter 6. Konuma Masuho and the Psychiatry of the Bomb Chapter 7. Kubo Yoshitoshi and the Psychology of Peace Chapter 8. Social Workers, Nuclear Sociology, and the Road to PTSD Conclusion Acknowledgments Notes Index

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Book SynopsisA reference and guide for students, scholars, and practitioners of ethnography and beyond. It discusses about the deskwork of fieldwork and the various ways culture is put forth in print.Trade Review"John Van Maanen here gives us a spirited, self-reflexive guide to the rhetorical styles used in 'the cultural representation trade,' a quirky performance-art Strunk and White for ethnographers and their readers." (American Journal of Sociology) "Van Maanen has written a powerful statement, in the guise of a mere introduction, that compels us to rethink what we are doing and how well we are doing it.... This book is a terrific piece of work!" (Karl E. Weick, Administrative Science Quarterly)"

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Book SynopsisConsiders the misappropriation of African American popular culture through various genres, largely Hip Hop, to argue that while such cultural creations have the potential to be healing agents, they are still exploited -often with the complicity of African Americans- for commercial purposes and to maintain white ruling class hegemony.Trade Review“Soul Thieves is a collection of essays that critically weighs the consequences of appropriating black culture. … The volume has broad appeal and informs academics how black material culture is conversant with many of the same discourses as conventional historical narratives. … Soul Thieves is a welcomed addition to interdisciplinary fields, African American studies in particular.” (Kameelah L. Martin, Journal of American Culture, Vol. 102 (3), December, 2015)"This ground breaking interdisciplinary publication is long overdue and offers deep insight into the efficacy of African American popular culture and it's critical impact on shaping artistic cultural production on a global scale. The contributors, leading scholars in their respective research areas, set the record straight through their thought provoking and accessible historical research." - Melanye White Dixon, Associate Professor, Department of Dance, The Ohio State University, USATable of ContentsPreface; Tamara Brown PART I: ENTERTAINMENT AND FASHION 1. 'So You Think You Can Dance'; Tamara Brown 2. 'Foraging Fashion'; Abena Lewis-Mhoon 3. 'In the Eye of the Beholder: Definitions of Beauty in Popular Black Magazines'; Kimberly Brown PART II: BLACK POWER STUDIES 4. 'Neutering the Black Power Movement: The Hijacking of Protest Symbolism'; James B. Stewart 5. 'Silent Protest: The Appropriation of Black Athletic Power'; Jamal Ratchford 6. Black Comic Book Characters; David T. Terry PART III: MUSIC AND TECHNOLOGY 7. Soul Thieves: White America and the Appropriation of Hip Hop and Black Culture; Baruti Kopano 8. I'm Hip: An Exploration of Rap Music's Creative Guise; Kawachi Clemmons 9. 'Cash Rules Everything Around Me! Appropriation, Commodification and the Politics of Hip Hop and Contemporary Protest Music'; Diarra Osei Robinson 10. 'The Appropriation of Blackness in Ego Trip's The (White) Rapper Show'; Carlos D. Morrison and Ronald L. Jackson, Jr.

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Book SynopsisThe first full-length biography of William Still, one of the most important leaders of the Underground Railroad.William Still: The Underground Railroad and the Angel at Philadelphia is the first major biography of the free Black abolitionist William Still, who coordinated the Eastern Line of the Underground Railroad and was a pillar of the Railroad as a whole. Based in Philadelphia, Still built a reputation as a courageous leader, writer, philanthropist, and guide for fugitive enslaved people. This monumental work details Still's life story beginning with his parents' escape from bondage in the early nineteenth century and continuing through his youth and adulthood as one of the nation's most important Underground Railroad agents and, later, as an early civil rights pioneer. Still worked personally with Harriet Tubman, assisted the family of John Brown, helped Brown's associates escape from Harper's Ferry after their famous raid, and was a rival to Frederick DouTrade Review“There has been a need for a good biography of William Still. This sweeping book situates Still at the center of the workings of the Underground Railroad as well as other abolitionist-related activities of the period. William Still provides a sense of the world of which Still was a part and the many roles he played in this activist movement.” —Spencer R. Crew, author of Thurgood Marshall: A Life in American History"With this book, William C. Kashatus has delivered a valuable addition to the growing body of serious literature on the Underground Railroad. His attention to the details of Still's life both before and after his engagement in abolitionist work provides a new and rounded picture of a man who for too long remained a vague figure behind his well-known compendium of information on the fugitive slaves who passed through Philadelphia." —Fergus M. Bordewich, author of Bound for Canaan"William C. Kashatus's contribution expands the bandwidth of African American historiography on the Underground Railroad and William Still. For those who want a closer look at an extraordinary and multidimensional human being, William Still provides an expert and sophisticated view." —Kelisha B. Graves, editor of Nannie Helen Burroughs"William C. Kashatus has given us what will probably be the definitive biography of William Still. He has also deepened our understanding of the experiences of fugitive slaves and the people who aided them before the Civil War." —Thomas Hamm, editor of Quaker Writings"William C. Kashatus’s William Still, along with providing a rich account of the great abolitionist and archivist of the Underground Railroad, brilliantly conveys the courage, the resourcefulness, and the intelligence of the slaves escaping towards freedom. This is history as it should be written: poignant, passionate, and trenchant." —Kenneth A. McClane, author of Color: Essays on Race, Family, and History"William C. Kashatus’s William Still is a double tribute to the heroism of this fascinating man as well as to that of the many freedom-seekers who made the journey out of the house of bondage and of those who aided them." —Christopher A. McAuley, author of The Spirit vs. the Souls"Kashatus’s detailed biography of William Still, with its stories of courageous slaves plotting daring escapes, and moving accounts of free Black people who were kidnapped and taken into slavery, reveals the interracial cooperation involved in helping escaped slaves reach freedom, and honors the man who, at his death in 1902, was named 'Father of the Underground Railroad.'" —Foreword Reviews (Starred Review)"In the first scholarly biography of [William] Still, Kashatus highlights the critical roles Still and other Black Americans played along the entire Underground Railroad, and the risks they took to aid enslaved people. A penetrating analysis of Still’s interviews reveals new and important insights into the enslaved people who made the journey into freedom. . . . An essential work that is a must-read for those interested in the Underground Railroad and Black history in the U.S." —Library Journal (Starred Review)"Kashatus’s biggest contribution to the historiography of the Underground Railroad is the analysis he provides of the information collected by William Still. Using both Still’s Underground Railroad and his unpublished Journal C of Station No. 2 of the Underground Railroad, Kashatus has compiled significant trends that characterize the freedom seekers." —Hidden City"William C. Kashatus's new biography of abolitionist William Still is the first scholarly biography of the activist. It is also a very accessible text, suitable for a broad audience. . . . The biography accomplishes the important task of introducing Still and his significance to a wide readership." —Quaker History"William Still stands poised to be the authoritative biography of the ‘Angel at Philadelphia’ for a generation to come." —American Historical ReviewTable of ContentsAcknowledgments About the Author List of Illustrations Introduction 1. The Price of Freedom 2. Quaker Philadelphia 3. Underground Railroad 4. Fugitive Slave Law 5. Vigilance 6. Bondswoman’s Escape 7. “Dear Friends” 8. Canada West 9. Kidnapped & Ransomed 10. Memorable 28 11. Fighting for Freedom 12. Street Car Protest 13. Politics of Reform 14. Legacy Endnotes Appendix: Index of Still’s Runaways Bibliography

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Book SynopsisYamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. This book tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys."Trade Review"Asian American readers will appreciate the sensitivity and integrity with which the late John Okada wrote about his own group. He heralded the beginning of an authentic Japanese American literature." -- Gordon Hirabayashi * Pacific Affairs *"Nisei will recognize the authenticity of the idioms Okada’s characters use, as well as his descriptions of the familiar Issei and Nisei mannerisms that make them come alive." -- Bill Hosokawa * Pacific Citizen *"[This new edition] brings Okada's groundbreaking work to a new generation . . . an internee and enlisted man himself, [Okada] wrote in a raw, brutal stream of consciousness that echoes the pain and intergenerational conflict faced by those struggling to reconcile their heritage to the concept of an American dream." -- Nancy Powell * Shelf Awareness *"It is both an important document of Japanese American and Pacific Northwest history and a compelling novel." -- Emily Lutenski * Pacific Northwest Quarterly *"Reading No-No Boy, this week, it no longer seemed bound to its past; it felt like a prophecy, a cosmic tragedy, a message in a bottle that arrives a half century later." -- Hua Hsu * Page-Turner *"It’s incorrect to say that No-No Boy is a forgotten masterwork . . . but it isn’t often acknowledged for articulating what had never been said before. The novel was a turning point in the consciousness of Japanese-Americans, and of Asian-Americans more generally—it marked the moment when identity shifted away from the homeland, away from Japan, because Japan was a country that Nisei, like Okada, never really quite knew. It was a novel that struggled to understand the entitlement that came so easily to other Americans—to explain why so few Japanese-Americans protested what had been done to them, that explored the shame of an immigrant who doesn’t feel he has a place in the world." * T: The New York Times Style Magazine *"No-No Boy may be read as a test of character, questioning the rigid binary of loyalty—yes or no—and teaching us what makes us human and complex, what constitutes character, are all the questions and cares that exist between yes and no: ethical and political choices, our best intentions, our social and cultural being, beliefs, courage, fears, failures, and compassion. More than half a century later, Okada's novel challenges us once again with the question of character, asking us, as individuals and as a society, what we are made of." -- Karen Tei Yamashita * Atlantic *"In 2019, No-No Boy is bigger than it's ever been." -- Vince Schleitwiler * The Margins *"I think back to John Okada, who fought in World War II even though his Japanese-American family was in an internment camp. Okada came back from the war and published No-No Boy in 1957, the first novel dealing with the little-known story of Japanese-American draft resisters. . . . Thinking back to writers like Sui Sin Far, Carlos Bulosan and John Okada, it is clear that genius is too often unrecognized in its day." -- Viet Thanh Nguyen * New York Times *"A slow-building 1957 novel about a young Japanese-American who, after the Second World War, is searching for a way to express his psychological anguish. . . . Okada died in 1971, unaware that his book had been discovered by a younger generation." -- Hua Hsu * The New Yorker *"It may be one of the only true classics of Japanese fiction that most Japanophiles have never heard of. No-No Boy . . . unravels the complicated, varied perspectives of Japanese-Americans in the aftermath of World War II under the shadow of the internment camps of the American northwest. . . . For the fascinating, multiple perspectives that unfold to reveal one important point in history, the novel deserves its place as a classic." * Japan Times *"Out of the brutal struggle against racism and anger, Okada finds hope." -- Martha Viehmann * NPR - Code Switch *"No-No Boy is not simply a forceful piece of Asian American literature, but also a realistic account of how war and social injustices affect the psychology of Japanese Americans across generations. . . . Presenting the trauma of Japanese Americans and their coping process, No-No Boy is itself and effort to break the silence and counter social amnesia." * Inquiries Journal *"The book is still the great Japanese American tragedy, whose power and authenticity derives from the unexpressed rage of his generation that Okada pours into his characters." -- Frank Abe * International Examiner *"The book, newly relevant today, evolves into a group portrait of immigrant parents and American children, conflicted veterans and no-no boys, those back home from the camps and those repatriated to Japan alike, all trying to move on from the same injustice." -- Nicholas Kulish * New York Times *"No-No Boy has been at the heart of the Asian American literary canon, where it is often treated as a quasi-miraculous artifact that prophesied a literary renaissance that would only come to fruition after the author's death." * Los Angeles Review of Books *"No-No Boy should be read as a salutary reminder of the tragic aftermath of Pearl Harbor, as the story of the distress of a young rebel torn between two societies, but also as a literary testimony to the mass political violence around human rights." * En attendant Nadeau *"[S]eminal novel...a significant book that influenced many Asian American writers who came after Okada." * New York Magazine *Table of ContentsForeword / Ruth Ozeki Introduction / Lawrence Fusao Inada Preface No-No Boy Afterword: In Search of John Okada / Frank Chin

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Book SynopsisThe first book to bring together the key writings and speeches of civil rights activist Sadie Tanner Mossell Alexander – the first Black American economist.Trade Review“Nina Banks’ excavation and presentation of Sadie Alexander’s words offers this pioneer’s early vision into the complex and irreducible structures race, class, gender and power in American economic life.”—Marcellus Andrews, Bucknell University “Sadie Alexander embodies the Black feminist saying, 'the political is personal.' Her speeches brilliantly intertwine economics and law and will empower the next generation scholars-activists fighting for social justice.”—Rhonda Vonshay Sharpe, President, Women's Institute for Science, Equity and Race "The speeches and writings of Sadie Alexander capture the intellectual reflections of a brilliant political economist, lawyer and racial justice advocate. Some of her observations have been confirmed by modern analysis; some cry out for closer scrutiny; others turn out to be dire predictions of the existential threat of racial discriminations for the rule of law and the fate of our democracy. Ignore at our own peril."—Warren C. Whatley, Emeritus Professor of Economics, University of Michigan–Ann Arbor

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Book SynopsisAn accessible and moving second book of poems from Clint Smith, the instant #1 New York Times bestselling author of How the Word is Passed.

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Book SynopsisThis edited volume draws upon Lacanian psychoanalytic theory to examine the conscious and unconscious forces underlying race as a social formation, conceptualizing race, racial identity, and racism in ways that go beyond traditional modes of psychoanalytic thought.Featuring contributions by Lacanian scholars from diverse geographical and disciplinary contexts, chapters span a wide breadth of topics, including white nationalism and contemporary debates over confederate monuments; emergent theories of race rooted in Afropessimism and postcolonialism; analyses of racism in apartheid and American slavery; clinical reflections on Latinx and other racialized patients; and applications of Lacanâs concepts of the lamella, drive and sexuation to processes of racialization. The collection both reorients readersâ understandings of race through its deployment of Lacanian theory and redefines the Lacanian subject through its theorizing of subjectivity in relation to race, racism and raciaTrade Review'"Lacan" and "race" seem two totally disparate notions: obscure French theory, brutal social struggles... However, this book provides an explosive mixture of the two - after reading it, neither Lacanian theory nor racism and anti-racist struggles will appear the same to you. George and Hook demonstrate that authentic theory is needed today more than ever. An instant classic! Slavoj Žižek, University of Ljubljana, Slovenia'Lacan and Race arrives at a very significant and urgent historical moment, one that symbolically and existentially speaks to the logics of racism as necropolitical, consumptive, phantasmatic, and a problematic pleasurable perversity. Given the unabashed reemergence of white racism within the context of a greater neo-fascist threat, its analysis is critically needed.'George Yancy, Samuel Candler Dobbs Professor of Philosophy at Emory University, USA 'This groundbreaking volume, edited by Sheldon George and Derek Hook, turns conventional notions of race and racism on their head, delivering compelling Lacanian perspectives from leading scholars in the field. Including thought-provoking ideas such as racism as enjoyment and race as an object of the drive - as well as covering a breadth of forms of contemporary racism - this book will undoubtedly inspire future scholarship and conversations about race alike! With Lacan and Race: Racism, Identity and Psychoanalytic Theory, George and Hook have brought us what will undoubtedly serve as the central text on the subject for many years to come.'Stephanie Swales, University of Dallas, co-author of Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch'Written at a time of heightened polarization, xenophobia, and ethno-nationalism, the essays in this collection detail various ways to alter the structures of hatred and otherness that make racism seem immovable and inevitable. Probing and incisive, the essays draw on a range of insights from Lacanian psychoanalysis concerning race transference and unconscious fantasy, the enjoyment of the Other, and the forms of jouissance that continue to propel and underwrite racism today. Insightful, rigorous, and strongly recommended.'Christopher Lane, editor of The Psychoanalysis of Race'Of late, Lacanian theory has come to play an increasingly important role in critical analyses of gender and sexuality. This sterling collection presents the strongest case to date for extending such analysis to the category of race. In powerful, wide-ranging essays, the contributors demonstrate time and again that psychoanalytic concepts such as fantasy, fetishism, jouissance, and disavowal aren’t merely applicable to the phenomena of racial identification and racism, but are absolutely integral to grasping how such phenomena function in the first place. A must read - not only for those still laboring under the (mis)belief that Lacan was an obscurantist whose work has little to contribute to social theory, but especially for those committed to exploring the socio-political purchase of psychoanalysis.'Russell Sbriglia, Seton Hall University, USA'No doubt race and racism are dynamically back on the agenda, both in the US and internationally. Recent events demand a rigorous attempt to clarify what is at stake beyond the obvious: what keeps returning, what seems to resist understanding and intervention. Focusing on the "other scene" animating the multiplicity of drives, identifications, enjoyments and fantasies involved, psychoanalysis can help considerably in this process. This rigorous and timely collection put together by George and Hook is bound to unsettle and reorient our energies, intellectual and affective, by brilliantly orchestrating an impressive Lacan-inspired re-appraisal of our ongoing predicament.'Professor Yannis Stavrakakis, Aristotle University of Thessaloniki, Greece, author of Lacan and the Political and The Lacanian Left: Psychoanalysis, Theory, Politics'In a time like ours, when otherness and singularity are universally commodified, nothing like Lacanian psychoanalysis can throw light on the tension between One and Other. In the early 1970s Lacan indeed predicted the explosion of racism in conjunction with "capitalist progress." This wonderful book explores and contextualizes racism by taking seriously Lacan’s insight that its proliferation and tenacity has less to do with what we know about the other than with what we don’t know about ourselves.'Fabio Vighi, Cardiff University, UK, and author of Zizek’s Dialectics Table of ContentsIntroduction: theorizing race, racism, and racial identification; PART I: Reading racism through Lacan; 1 The bedlam of the lynch mob: racism and enjoying through the other; 2 Pilfered pleasure: on racism as "the theft of enjoyment"; 3 Confederate signifiers in Vermont: fetish objects and racist enjoyment; 4 The function and field of speech and language in white nationalist manifestoes; 5 Oedipal Empire: psychoanalysis, Indigenous Peoples, and the Oedipus Complex in colonial context; PART II: Racial identification and the subversion of race; 6 In medium race: traversing the fantasy of post-race discourse; 7 The object of apartheid desire: A Lacanian approach to racism and ideology; 8 Raced group pathologies and cultural sublimation; PART III: Race and the clinic; 9 Race, perversion, and jouissance in Portrait of Jason; 10 The lost souls of the barrio: Lacanian psychoanalysis in the ghetto; 11 Dereliction: Afropessimism, Anti-Blackness, and Lacanian psychoanalysis; 12 Japanese inter-signifier subjects: jouissance in the locus of the character; PART IV: Theorizing the racialized Lacanian subject; 13 The Lacanian subject of race: sexuation, the drive, and racial subjectivity: 14 Skin-things, fleshy matters, and phantasies of race: Lacan’s myth of the lamella; 15 Fanon’s "zone of nonbeing": Blackness and the politics of the real; Afterword: there is only one race…

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