Ethnic studies / Ethnicity Books

Book SynopsisFor twenty-five years, Feminism and Nationalism in the Third World has been an essential primer on the late nineteenth- and early twentieth-century history of women's movements in Asia and the Middle East. In this engaging and well-researched survey, Kumari Jayawardena presents feminism as it originated in the Third World, erupting from the specific struggles of women fighting against colonial power, for education or the vote, for safety, and against poverty and inequality.Journalist and human rights activist Rafia Zakaria's foreword to this new edition is an impassioned letter in two parts: the first to Western feminists; the second to feminists in the Global South, entreating them to use this "compendium of female courage" as a bridge between women of different nations.Feminism and Nationalism in the Third World was chosen as one of the top twenty Feminist Classics of this Wave, 1970-1990, by Ms. magazine, and won the Feminist Fortnight Award in the UK.Trade ReviewAn ambitious book . valuable and compelling. * New Society *Excellently researched and interesting . well worth a read. * Everywoman *Seek out the book . Its sheer scope . not only allows for fascinating comparisons but also shows Third World women defining themselves and being influenced by other Third World women rather than in relation to the West . The book proves that feminist ideas and movements are not an import from the West [and] shows clearly that the tradition of women's struggles is firmly embedded in these countries' histories. -- Rahila Gupta * OutWrite *

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Book SynopsisMartin Luther King, Jr. described Stride Toward Freedom as "the chronicle of 50,000 Negroes who took to heart the principles of non-violence, who learned to fight for their rights with the weapon of love, and who, in the process, acquired a new estimate of their own human worth." On December 1st, 1955, Rosa Parks was arrested for refusing to give up her seat to a white passenger on a bus in Montgomery, Alabama. Rallied by the young preacher and activist Martin Luther King, Jr., the black community of Montgomery organised a historic boycott of the bus service, rising up together to protest racial segregation. This was the first large-scale, non-violent resistance of its kind in America and marked the beginning of a national Civil Rights movement based on Martin Luther King, Jr.'s principles. Stride Toward Freedom is the account of that pivotal turning point in American history, told through Martin Luther King, Jr.'s own experiences and stories, chronicling his community's refusal to accept the injustices of racial discrimination.Trade ReviewTelling the inspiring story of the Civil Rights movement... A very important and moving book which tells the story of the movement that transported and changed not only America but globally. -- Black History LiveIt's still shocking to read this account, detailing the overt racism of the time...King, of course, was one of the finest orators of the 20th century, but passion pours from his pen, too. -- The Crack

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Book SynopsisIn a moment of rising authoritarianism, climate crisis, and ever more exploitative forms of neoliberal capitalism, there is a compelling and urgent need for radical paradigms of thought and action. Through interviews with key revolutionary scholars, Bhandar and Ziadah present a thorough discussion of how anti-racist, anti-capitalist feminisms are crucial to building effective political coalitions. Collectively, these interviews with leading scholars including Angela Y. Davis, Silvia Federici, and many others, trace the ways in which black, indigenous, post-colonial and Marxian feminisms have created new ways of seeing, new theoretical frameworks for analysing political problems, and new ways of relating to one another. Focusing on migration, neo-imperial militarism, the state, the prison industrial complex, social reproduction and many other pressing themes, the range of feminisms traversed in this volume show how freedom requires revolutionary transformation in the organisation of the economy, social relations, political structures, and our psychic and symbolic worlds. The interviews include Avtar Brah, Gail Lewis and Vron Ware on Diaspora, Migration and Empire. Himani Bannerji, Gary Kinsman, Leanne Betasamosake Simpson, and Silvia Federici on Colonialism, Capitalism, and Resistance. Ruth Wilson Gilmore, Avery F. Gordon and Angela Y. Davis on Abolition Feminism.Trade ReviewThe contributors may not agree on every detail, and neither may you, but if you are looking for a thought-provoking, academic overview, covering all aspects of revolutionary feminism, you have found it' -- Stella Dadzie, author of The Heart of the RaceProvides reassuring and informative perspectives on the lifelong journey of effecting change in complex socio-economic and political systems. Their compilation of interviews engages activists who have been building political coalitions across a range of intersecting feminisms: queer, Indigenous, anti-racist, anti-imperial. The questions they pose reveal a depth of research across a wide arc of topics. -- Taylor Le Melle * Mousse Magazine *Collaborative to its core, [Revolutionary Feminisms] invites scholars, activists and researchers to join in, pick up the threads of struggles that came before us and weave them into new contexts. -- Sophia Siddiqui * Race & Class *'Revolutionary feminisms' are not a theoretical framework, but are made and unmade through lived experience, struggle and political consciousness. There has never been a more important time to take heed of the message in this publication, delivered through a chorus of powerful voices: revolutionary feminisms need to become a revolution of solidarity. -- Helene Kazan * Radical Philosophy *

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Book Synopsis'Race Is Everything' looks at ideas of 'racial science' in the nineteenth century and the first half of the twentieth century, and how art was influenced by it. It looks at race in general, but with a particular concentration on attitudes towards and representations of people of African and Jewish descent. David Bindman argues that behind all racial ideas is the belief that outward appearance, and especially skull-shape, can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races. The book considers many aspects, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race and aesthetics; the 'Mediterranean race'; the visual aspects of eugenics; and the racial politics of Emil Nolde.

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Book SynopsisThe national racial reckoning that began in 2020 promised to radically restructure American society from the bottom up. But five years on, it has mainly served to strengthen the ruling class and deliver the rich an opportunity to rehabilitate a profoundly unequal economic order precisely at a moment when the stability of the system and the public’s trust in it are drastically deteriorating.Corporations have used antiracism to consolidate their political power and evade government regulation. Employers have surveilled and undermined workers through counterproductive diversity, equity, and inclusion trainings. Affluent professionals and Democratic politicians have exacerbated a stark class divide by pushing half-baked "racial equity" policies that come at the expense of the majority of working people. And the right has reacted to these developments by stoking a toxic culture war against "wokeness" that serves only as a distraction from the increasing economic hardship faced by Americans of all races.Selling Social Justice investigates the rise and spread of contemporary antiracist ideology and shows how the rich came to embrace this particular form of justice. In this provocative and thoroughly researched account, Jennifer C. Pan explores why, in a twenty-first-century economy of increasing scarcity, antiracism is the wrong frame for understanding and fighting inequality.

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Book SynopsisSupported by Mayan traditions, this book shows you how to embrace gratitude in every area of your life so that you may find ultimate bliss, happiness, and connection to all things.In Remember Your Roots, Mayan Spiritual Guide Christine Olivia Hernandez draws upon her lineage's wisdom and cosmovision. She bridges these ancient teachings to the modern day so you can connect to your roots and live with greater wholeness, regardless of your specific ancestry. However, there is a problem. Many people do not feel connected to their roots, but rather, a sense of loss, mistrust, and unsafety in the world. By speaking to the core issues we all face, Christine guides you through an intentional 13 chapter journey to help you access gratitude in every area of your life. Gratitude is a state of being that brings health, abundance, and enlightenment, for it's the key that unlocks all doors in your life. When we remember this truth, we find that we are connected to th

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Book SynopsisAn enduring history of how race and class came together to mark the course of the antebellum US and our present crisis. Roediger shows that in a nation pledged to independence, but less and less able to avoid the harsh realities of wage labor, the identity of "white" came to allow many Northern workers to see themselves as having something in common with their bosses. Projecting onto enslaved people and free Blacks the preindustrial closeness to pleasure that regimented labor denied them, "white workers" consumed blackface popular culture, reshaped languages of class, and embraced racist practices on and off the job. Far from simply preserving economic advantage, white working-class racism derived its terrible force from a complex series of psychological and ideological mechanisms that reinforced stereotypes and helped to forge the very identities of white workers in opposition to Blacks. Full of insight regarding the precarious positions of not-quite-white Irish immigrants to the US and the fate of working class abolitionism, Wages of Whiteness contributes mightily and soberly to debates over the 1619 Project and critical race theory.Trade ReviewThe Celestine Prophecy of whiteness studies. * SPIN *An extremely important and insightful book. * The Nation *A brilliant account of how white workers in antebellum America constructed a social identity fundamentally premised on their 'whiteness.' -- Steve Fraser * American Historical Review *Compelling. -- John White * Times Higher Education Supplement *Delivers powerful insights into the collective psyche of the U.S. working class. Striking. -- Chris Searle * Morning Star *An important contribution to our understanding of what has often been called 'American exceptionalism.' Sensitive and detailed handling of a wide range of original sources. -- Louis Kushnick * Race and Class *Brilliant. Remarkable for its subtlety, its penetrating and honest analysis. -- Fred Whitehead * People's Culture *Scholarly and thoroughly documented, The Wages of Whiteness is nonetheless a highly readable, compact and compelling narrative. A provocative illumination of the long and tortuous history of racism in the U.S. -- Franklin Rosemont * Heartland Journal *Casts a new light on a broad social, cultural and political landscape. -- Iver Bernstein * Journal of American History *Far and away the best treatment of white working-class racial attitudes in the nineteenth century that I have seen. -- George M. FredricksonAn indispensable addition to our knowledge of American working class formation. -- Joe W. Trotter * Journal of Social History *In this penetrating study of the origins of white working-class racial attitudes, Roediger profoundly illuminates the new labor history. A distinctive extension of the scholarly studies that locate the nexus of American society in race and labor. -- Joseph Boskin * Choice *A timely and important intervention in the current debates over 'race' and ethnicity. Roediger has opened up the question of white identity. -- Catherine Hall * New Left Review *Interesting and useful. Reconstructs how labor in America made racism part of its very being. -- John DeBrizzi * Telos *A brilliant, authoritative, carefully researched study of major importance. -- Michael Rogin * Radical History Review *A real contribution to the study of the dynamic relationship that exists between the variables of race and class. A very engaging and compelling book. Wages of Whiteness will have a broad appeal to students and researchers across a wide array of disciplines. -- Lisa Reilly and Cameron McCarthy * European Journal of Intercultural Studies *A welcome challenge to the old and new mythmakers. -- Noel Ignatiev * Labor [Le Travail] *A significant contribution, particularly necessary for those who want to see the struggle for labor unity across racial lines move forward. -- Paul Mishler * Science and Society *Roediger's lasting contribution ensures that the history of race and class can no longer be written from the perspective of romantic working class heroes, nor can it be written in a spirit of self-righteous 'anger.' -- Barry Goldberg * New Politics *Subtle, serious, commands our attention -- J. Milton Yinger * Ethnic and Racial Studies *Roediger's excellent book is must reading for those interested in American working-class formation. -- Andrew Kim * Critical Sociology *In The Wages of Whiteness David Roediger takes a courageous look at the development of white working-class racism and attempts to unravel its complex skein of economic, cultural, and psycho-political issues. -- Soledad Santiago * Foundation News *Of great originality and yet firmly grounded in a rich and diverse scholarship. There is no denying the enormous achievement of this book. Henceforth there will be no evading the question of racism in our contemplation of working-class formation in America. -- David Brody * Journal of Interdisciplinary History *Offers a compelling understanding of working-class racism. A rich and detailed history that traces notions of whiteness from the early seventeenth century to the late nineteenth. -- Rhonda Levine * Contemporary Sociology *Much has been written about the sources of racism and the wellsprings of racial conflict but few historians have shown David Roediger's sensitivity to the process by which race figured in defining the very nature of American society. The author's most important contribution is to elucidate how racial identity was critical to the formation of the working class during the nineteenth century. Roediger's central argument is most compelling. -- Ronald Mendel * Labour History Review *David Roediger's fascinating and vital study will satisfy even the most jaded intellectual palate and deserves the widest circulation. -- Martin Crawford * History *The book speaks so clearly to what historians know about the American working class, but with enormous originality. Broadly accessible to a wide audience, it connects the histories of slave labor and free labor thus providing a more profound understanding of American working class formation. Theoretically sophisticated, pulling together subtle but significant connections among race, class and gender. Blindingly revealing and of lasting scholarly value. * Organization of American Historians Prize Committee on awarding Wages the 1992 Merle Curti Prize *At last an American labor historian realizes that white workers have a racial identity that matters as race matters to those who are not white. -- Neil Irvin PainterPraise for Black on White: Black Writers on what It Means to be White edited by David R. Roediger:Although long dismissed as irrelevant or biased, African American views on whiteness are in fact crucial to any intelligent discussion on race. By documenting the history of these views, David Roediger is not only addressing a compelling need, he is enriching the ?eld of Race Studies. -- Toni MorrisonPraise for Black on White: Black Writers on what It Means to be White edited by David R. Roediger:Black on White is a brilliantly disturbing collection of work by black authors who are the often unappreciated foreparents of contemporary debates about the fallacies and functions of whiteness. These writings throw generous light on Fannie Lou Hamer's deliciously cryptic claim: the mistake that whites made with blacks is that they put us behind them leaving blacks little choice, for survival's sake, but to learn and master white culture. Black on White is proof that not only was Hamer right, but that if white Americans are to survive the madness of whiteness, they must now listen to and learn from those who made a glorious art out of a painful necessity. -- Michael Eric Dyson author of Race RulesPraise for Black on White: Black Writers on what It Means to be White edited by David R. Roediger:Brilliant, wide-ranging and beautifully executed, Black on White puts to rest any claims that 'whiteness' is a passing fad meant to put white folks at the center again. -- Robin D.G. KelleyPraise for Black on White: Black Writers on what It Means to be White edited by David R. Roediger:Yet another ?ash of brilliance illuminates and largely defines a vital subject area. Black on White deserves the widest reading. -- Sterling Stuckey, Presidential Chair, University of California Riverside and author of Slave CulturePraise for Black on White: Black Writers on what It Means to be White edited by David R. Roediger:This valuable collection provides a new and badly-needed perspective on America's deep seated problems of racial inequality and antagonism. Much has been written and anthologized to show what whites thought and felt about blacks. This is the ?rst effort to present a range of black opinion on the meaning of whiteness, and it is a notably successful one. -- George M. Fredrickson, Edgar E. Robinson Professor of United States History, Stanford UniversityPraise for Black on White: Black Writers on what It Means to be White edited by David R. Roediger:Black on White is a superb collection of writings by African Americans about the nature of White identity in the United States. David Roediger's informed and inspired introduction and the eloquent and insightful works he has collected expose the ideas, attitudes, and actions that transform the ?ction of white racial identity into an all too real social fact. At a time when white politicians, pundits, and private citizens base many public policies and even more private decisions in the knowledge they claim to have about black people, whiteness seems to disappear. Black on White redirects our focus to the way white people appear to blacks, to the insights, analyses, and interpretations emanating from people who became experts on whiteness out of dire necessity. -- George Lipsitz, University of California, San DiegoPraise for The Sinking Middle Class:An incisive, timely, clear-eyed analysis of race and class in America. -- Robin D.G. KelleyPraise for The Sinking Middle Class:Brilliant and Insightful [it] explores the ways in which appeals to save the middle class in electoral politics harm the very constituencies they purport to help. -- George LipsitzPraise for Class, Race, and Marxism:No contemporary intellectual has better illuminated the interwoven social histories and conceptual dimensions of race and class domination. With this stunning new collection of essays, David Roediger once again demonstrates that he is a vital thinker for all of us seeking to bridge the imperatives of economic and social justice. -- Nikhil Singh, New York UniversityPraise for Class, Race, and Marxism:David Roediger's work is always as learned as it is profoundly engaged with the pursuit of social justice. From his signature study of the 'wages of whiteness,' to the analysis of links between settler colonial dispossession, gendered social reproduction, plantation management, and immigrant labor in the making of modern racial capitalism-Roediger's bold commitments to demonstrating the historical and ongoing implications of race and class in the United States are timely, and more necessary than ever. -- Lisa Lowe, Tufts UniversityPraise for Class, Race, and Marxism:These bracing essays express hard truths and grounded hopes as they help us to rethink a past too much with us still. Portraying a history of oppression and resistance made at the intersections of social identities, Roediger makes sophisticated analyses of culture and political economy accessible to scholars and to activists. -- Kimberlé Crenshaw, Columbia University School of LawPraise for Class, Race, and Marxism:When it comes to thinking about the history of racism, anti-racism and the US working class, David Roediger has no peer. Incisive, provocative, and uncannily timely, Class, Race, and Marxism reckons honestly with the challenges of building class solidarity across the fissures of race, the difficulties of writing about it, and the ways in which the two are entwined. If there is a single lesson here, it is that solidarity is not forever-it is elusive, fragile, and hard as hell. -- Robin D.G. Kelley, author of Hammer and Hoe: Alabama Communists During the Great DepressionPraise for Class, Race, and Marxism:David Roediger wades into the fray with refreshing nuance and generosity. * In These Times *Praise for Class, Race, and Marxism:Roediger's book couldn't have appeared at a more timely moment. * Brooklyn Rail *Praise for Class, Race, and Marxism:A scintillating compilation . Roediger's book explains exactly why even the most sickening atavisms of racism are fully compatible with the capitalist order, with ramifications into the 21st century. -- Alan Wald * Against the Current *Praise for Class, Race, and Marxism:Roediger addresses the challenges that class and race continue to present for U.S. radicals . should be required reading for anyone trying to understand the era of Trumpian politics. This is an important book, with lessons that some way wish to ignore, but at their peril. * Working Class Studies Association C.L.R. James Award *Praise for Class, Race, and Marxism:Studying, understanding, struggling against, and ultimately replacing this centuries-old, foundational, and deep societal reality remains essential, as Roediger, a consistently pathbreaking historian, makes clear in these insightful essays. * Monthly Review *Praise for Class, Race, and Marxism:Amid the cacophony of competing perspectives, David Roediger's Class, Race and Marxism not only expertly evaluates the historical, theoretical, and political stakes of contemporary debates on race and class, but also significantly contributes to scholarship that 'refus[es] to place race outside of the logic of capital.' * Black Scholar Journal *Praise for Seizing Freedom:Seizing Freedom persuasively documents the self-emancipation of the enslaved Black folk of the American South. A meticulously researched book, it offers close readings of verbal and visual texts, unfailingly attentive to issues of race, gender, and labor coming together and falling apart. It brilliantly brings together disability studies, race in the Civil War, and the disappearance of the gold standard. A worthy supplement to Du Bois's Black Reconstruction. -- Gayatri Chakravorty Spivak, Columbia UniversityPraise for Seizing Freedom:This sparkling book does more than merely restore and underscore the agency of bold worker-slaves in attempts to make the US democratic and free. It aims artfully at the underlying mechanisms of revolutionary transformation: imagination and solidarity, time, labor and the human body, gender, class and race. In Roediger's hands, these are neither dry nor overly abstract categories. The insurgent history of abolition gets resuscitated and used vividly to address a host of stalled contemporary debates and ossified styles of thought. -- Paul Gilroy, King's College LondonPraise for Seizing Freedom:Sweeping in its scope and filled with brilliant and original insights, this book reminds us of how little still is our appreciation both for what slaves accomplished between 1860 and 1865 and how beholden the national labor movement and the woman suffrage campaigns were to the 'general strike' they won...Evocative and inspiring, Seizing Freedom represents a landmark study by one of the foremost scholars of the history of race and labor in our time that will fundamentally challenge the way we understand the moral and practical power of emancipation. -- Thavolia Glymph, Duke UniversityPraise for Seizing Freedom:Seizing Freedom, David Roediger's spellbinding account of black self-emancipation and the array of movements accelerated by this 'general strike of the slaves' as DuBois put it, reminds us that it is never too late to take up the democratic promise of Radical Reconstruction. -- Angela Y. Davis, University of California, Santa CruzPraise for How Race Survived US History:Sometime in the US of the past quarter-century, calling policies and the people who dream them up racist became a worse offense than for them to be racist. This inversion, always dressed in self-righteous indignation, is actually part of the social evolution of white supremacy. David Roediger's book details in sharp and readable prose how race survived US history. It is a must-read for all who strive to understand-and abolish-what underlies the strangely strident rhetoric enveloping everything from presidential contests to prison expansion. -- Ruth Wilson GilmorePraise for How Race Survived US History:In a trenchant, broad-ranging analysis, the leading US historian of racism, David Roediger, demonstrates white supremacy's incredible staying power against major societal forces that should long ago have dismantled it. Not capitalism, not emancipation, not labor movements, not mass immigration, not the civil rights movement, not colorblind liberalism, and not the Barack Obama presidential campaign-not one of these forces separately, and not all of them together-have been able to destroy the deep structures of white racism in the United States. -- Joe R. FeaginPraise for How Race Survived US History:David Roediger's bold and brilliant book presents an extraordinary new framework for understanding the persistence of racism in the history of the United States. This book is a wake-up call and a warning, an appeal for understanding and action. It offers a clear and convincing demonstration that white supremacy is not merely a relic of the past but rather a perpetually renewed and infinitely renewable resource for inequality and injustice in the present. -- George LipsitzPraise for How Race Survived US History:A staggering re-interpretation of the whole course of American history in which the skeletons in the closet walk again. From genocide and massacre to lynching to the coded tongue of liberalism, the bankruptcy of white supremacy is found in the racialized structures maintained by the enclosures of incarceration and the foreclosures of impignoration -- Peter LinebaughPraise for How Race Survived US History:An extremely timely argument about the enduring significance of 'race' in American society, as well as a sophisticated polemic against the complacent assumption that the Obama phenomenon spells the end of American racism. -- Richard SeymourPraise for Colored White:David Roediger has been showing us all for years how whiteness is a marked and not a neutral color in the history of the United States. Colored White . . . marks yet another advance. In the burgeoning literature on whiteness this book stands out for its groundedness, its analytic clarity, and its scope. -- Michael RoginPraise for Colored White:No other writer on whiteness can match Roediger's historical breadth and depth; his grasp of the formative role played by race in the making of the nineteenth-century working class, in defining the contours of twentieth-century US citizenship, and in shaping the meaning of emerging social identities and cultural practices in the twenty-first century. -- George LipsitzPraise for Working toward Whiteness:Whiteness Studies can enable us to see American history in a wholly new light, and for the development of the field we must thank Roediger . . . full of thought-provoking observations. * Boston Globe *Praise for Working toward Whiteness:A tour de force. Roediger marshals vast knowledge extending from social and labor history to popular culture and the role of the state. This book will be the point of departure for future studies of whiteness. -- Rudolph J. VecoliPraise for Working toward Whiteness:This book is a major achievement by all standard. A more than worthy successor to Roediger's groundbreaking The Wages of Whiteness, this new book tells in rich detail how the 'new immigrants' from eastern and southern Europe . . . went from being an 'in-between' racial group to to one that was unequivocally white. -- George FredricksonPraise for Working toward Whiteness:Roediger has given us another of our most compelling, incisive, and elegant analyses of racial subjugation and privilege-in-the-making in the US. A brilliant investigation of that historical zone where institutions, ideas, and street-level experiences meet and give form to one another. It may be Roediger's most powerful contribution yet. -- Matthew Frye JacobsonPraise for History against Misery:This wonderful collection of essays is not only a powerful indictment of late capitalism . . . but also a fascinating survey of resistance voices, from the IWW to the Surrealists, from the Chicago Idea Anarchists to Black Liberation. -- Michael LöwyPraise for History against Misery:It is to the summer of our discontent that the surrealist brings us a wintry elation: humor, a poetics of resistance, purposeful deviance motivated by genuine compassion and a love of truth. -- Blake Schwarzenbach

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Book SynopsisThe Forest People is an astonishingly intimate and life-enhancing account of a hunter-gatherer tribe living in harmony with nature -- and an all-time classic of anthropology.For three years, Colin Turnbull lived with an isolated group of Pygmies deep in the forest of the African Congo, experiencing their daily life first-hand. He attended their hunting parties and initiation ceremonies, witnessed their music and their rituals, observed their quarrels and love affairs. He documented them as an anthropologist but was accepted among them as a friend.A ground-breaking work in its time, The Forest People made him one of the most famous intellectuals of the 1960s and 1970s. It remains a transporting account of an earthly paradise and of a legendary and fascinating people.With a new foreword by Horatio Clare.Trade ReviewLife-enhancing, extraordinarily vivid … It is impossible to praise this book too highly * Listener *A book of quite exceptional charm * New Statesman *The reader feels sheer delight in an entirely new world -- Margaret MeadAmazing ... It inspired me to seek out wild places -- Ray Mears

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Book SynopsisAntiblack racism avows reason is white while emotion, and thus supposedly unreason, is black. Challenging academic adherence to this notion, Lewis R. Gordon offers a portrait of Martinican-turned-Algerian revolutionary psychiatrist and philosopher Frantz Fanon as an exemplar of "living thought" against forms of reason marked by colonialism and racism. Working from his own translations of the original French texts, Gordon critically engages everything in Fanon from dialectics, ethics, existentialism, and humanism to philosophical anthropology, phenomenology, and political theory as well as psychiatry and psychoanalysis. Gordon takes into account scholars from across the Global South to address controversies around Fanon's writings on gender and sexuality as well as political violence and the social underclass. In doing so, he confronts the replication of a colonial and racist geography of reason, allowing theorists from the Global South to emerge as interlocutors alongside northern ones in a move that exemplifies what, Gordon argues, Fanon represented in his plea to establish newer and healthier human relationships beyond colonial paradigms.Trade Review'What Fanon Said is well researched and stages a very complex dialogue with existing scholarship on Fanon. Professor Lewis Gordon's vast intellectual/academic knowledge allows us to read Fanon in new and different ways: Lewis Gordon contextualizes Fanon's thought in a wide arch of knowledge--from St Augustine and traditional Akan philosophy through Fanon's contemporary interlocutors such as Simone De Beauvoir and J. P. Sartre, L. S. Senghor, etc., through to more recent continental philosophers such as Jacques Lacan and Jacques Derrida. Along the way Professor Gordon also incorporates the relevant debates from contemporary theoretical movements such as critical race theory. What Fanon Said is a provocative and illuminating study of Fanon's work and it will have a significant impact on contemporary debates about Fanon.' * Abdul R. Jan Mohamed, University of California, Berkeley *'As a careful and systematic analysis of the major controversies that have surrounded the works of Frantz Fanon, this book is a must read. Lewis Gordon delivers on his promise of boldly examining these controversies while at the same time providing a very spirited defense of many of Fanon's positions. What Fanon Said is now the most comprehensive treatment of the many and ever so intense polemics arising out of Fanon's works that continue to be fiercely debated.' * Paget Henry, Brown University *

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Book SynopsisHaunted houses, bitter revenants and muffled heartbeats under floorboards — the American gothic is a macabre tale based on a true story. Part memoir and part cultural critique, Darkly reveals the heart of America’s darkness in the specters left from chattel slavery and the persistence of white supremacy. Locating the gothic in technologies of terror, the insurgency of melancholy, and the guilty conscience of a country that got away with murder, Darkly shows how this trauma has been metabolized into art, music, film, and literature. America's story is founded in horror, with a culture shaped from the Black experience, proving that you can’t get more goth than Black.Trade Review"I am struck by the depth of Leila Taylor's vision. The generosity shown in the way a history (and present) is illuminated. This book does so much beautiful work to widen the expectations and understandings of blackness, and I am immensely thankful for it." — Hanif Abdurraqib, author of Go Ahead in the Rain: Notes to a Tribe Called Quest and They Can't Kill Us Until they Kill Us"A powerful and deeply personal exploration of what it means to be an outsider within an outsider culture. Between the black aesthetic of goth culture and the Blackness of America, Leila Taylor navigates seamlessly between cultural critique, personal history, and a history of America's troubled past in writing that is incessant, curious, and generous, and a voice that is at turns both searing and vulnerable. Powerful and strange, uncanny and unforgettable." — Colin Dickey, author of Ghostland"Takes us on a path that connects the Middle Ages, Edgar Allen Poe, the Trans-Atlantic slave trade, Afropunk, Prince, Black Lives Matter, and Hot Topic. It’s an incredible journey..." — Baratunde Thurston"Fascinating. A revelatory exploration of blackness, goth culture and the ramifications of inherited trauma."—Irenosen Okojie“A rare glimpse into American gothic from an African American perspective.”—Library Journal

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Book SynopsisNON-FICTION WINNER OF THE OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE AND A FINALIST FOR THE HILARY WESTON WRITERS’ TRUST PRIZE FOR NON-FICTION What does it mean to belong? All her life, Tessa McWatt has been asked, ‘What are you?’ Born in Guyana to a family with Scottish, African, French, Chinese, Indian, Portuguese, and Native American heritage, she grew up in a white suburb, out of place, longing to fit in. As an adult, she moved to the UK, still pursued by questions about her identity. In this deeply personal reckoning with race and belonging, Tessa interweaves her own experiences as a mixed-race woman with a stark and unvarnished history of slavery and indenture, as well as observations on literature and popular culture. This powerful memoir of being mixed race in a predominantly white society is a necessary exploration of who and what we truly are.Trade Review‘Eloquent and moving.’ -- Barbara Taylor * The Guardian *‘Political, personal, intellectual, and critical.’ -- Bernardine Evaristo, author of Girl, Woman, Other‘This remarkable meditation on beautiful, human bodies formed by the violence of slavery and by colonial shame resists categorisation, even as it shows up the ways in which categories of race and identity are no more than empty methods of social control. Reading this book I felt a profound sense of relief: that someone as wise as Tessa McWatt had the compassion and courage to write it. Though she doesn’t spare us, her ancestors or herself, as she travels from British Guiana to China, India and Scotland, we must go with her: and realise the power of recovering female lineage, and realise that there is no centre, except the one we ourselves can make with all the various stories we contain. It is a deeply moving, urgent and important book.’ -- Preti Taneja, author of We That Are Young‘She is one of our greatest black female writers … She’s a deeply thoughtful woman and deeply radical in her thinking. She’s not on the fence about her politics.’ -- Monique Roffey * The Observer *‘Interrogating our ideas of race through the lens of her own multi-racial identity, critically acclaimed novelist Tessa McWatt turns her eye on herself, her body and this world in a powerful new work of non-fiction.’ -- Layla Saad, author of Me and White Supremacy‘Superb.’ -- Emma Dabiri, author of Don’t Touch My Hair‘Stunningly beautiful … Her flowing, lyrical first-person prose is as close to poetry as prose can be, deeply evocative and laden with imagery without weighing the narrative down … Deeply compelling and strikingly original.’ -- Becky Long * The Irish Times *‘Shame on Me offers alternative routes into black life and suggests that there’s still space for … reflections on the politics of race presented in tangential ways.’ -- Colin Grant * TLS *‘Executed with mellifluous scholarship and an eagle’s eye for affecting detail.’ -- Stephanie Sy-Quia * Brixton Review of Books *‘Heartstopping and wise, exquisitely written, compellingly told, Shame on Me rises to a crescendo of such beauty and grace in its final chapter — a call to activism and resistance — that it left me breathless with the intensity of my own listening.’ -- Rebecca Stott, author of In the Days of Rain‘A brave indictment, both passionate and reflective, of the category of race and the prison that identity can become.’ -- Lisa Appignanesi, author of Mad, Bad, and Sad‘There have been many books about race and identity in recent years, but none quite like this one. Shame On Me is part memoir, part essay, and partly a challenge to think beyond the current parameters of “identity” in our contemporary world. Told from the perspective of a writer whose own inheritance confounds established identities at every turn, it is a perceptive, poignant and deeply profound meditation on how the race-thinking of the plantation continues to structure our sense of ourselves “all the way down”. It is an essential intervention on behalf of those of us who wish to confront and overcome the resurgence of racism today.’ -- Anshuman Mondal, Professor of Modern Literature at UEA‘Shame on Me is one of the most moving and intellectually profound books of its kind. As an ‘anatomy,’ it operates with surgical precision upon the necrotic legacies of race, affirming kinship and solidarity against the ongoing violence of silence and denigration. Courageously intimate and beautifully written, it is everything I admire in Tessa McWatt.’ -- David Chariandy, author of I've Been Meaning to Tell You‘Poignant, provocative, beautifully written, Tessa McWatt's new memoir Shame on Me is an important, original and deeply thoughtful book. McWatt asks the toughest, most searching of questions about race and belonging and offers answers that surprise and challenge us. I loved it.' -- Jill Dawson, author of The Language of Birds‘Her prose is lyrical and haunting ... McWatt forcefully demonstrates how we all have a stake in dismantling the status quo and creating new paths towards true freedom: “a place outside both the master’s house and the field”. Shame on Me is a tale of our time, yet also timeless.’ -- Shu-Ling Chua * The Saturday Paper *‘Powerful and provocative.’ * Sunday Life *‘Beautifully written, profoundly moving, and deeply reflective.’ * 2020 OCM Bocas Prize jury citation *‘Beautifully written and courageously told.’ * 2020 Hilary Weston Writers’ Trust Prize for Nonfiction jury citation *‘This is a fierce, remarkable and poetic take on racial identity.’ -- Susan Dale * Bad Form *‘A personal and powerful exploration of history and identity.’ * The Globe and Mail ‘Books of the Year’ *Praise for Higher Ed: ‘[C]ombines campus novel (historically a distinctly white-male genre) with a Zadie Smith-like sense of a thoroughly multicultural London … satirises with sharp wit the precariousness of academic life.’ * The Age *Praise for Higher Ed: ‘A wryly passionate, slyly political and engrossing concatenation of London lives, that only a Londoner by choice could have written.’ * China Miéville *

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Book SynopsisTaylor brings an ethnographer’s eye, ear, and many years of experience to this fictional portrait of life along the US/Mexico desert border. In these linked short stories, readers are taken on a wild ride from San Diego to Nogales, into Mexican and Chicano neighborhoods, failed spas and defunct mining towns, rambling Native American reservations and besieged Wildlife Refuges. Along the way they will share the conflicts, calamities, and occasional triumph of an engaging cast of characters. While these tales treat such familiar border themes as drug- and people-smuggling or hybrid and conflicting cultures and identities, they do so with a literary flair that revels in the rich diversity of border life as well as in its ambiguity, ambivalence, irony and often unexpected humor.Table of ContentsChapter 1: MachacaChapter 2: Hot SpringsChapter 3: Love and Lettuce Chapter 4: NAFTAChapter 5: Endangered SpeciesChapter 6: Burying Sheila CassidyChapter 7: Ranch RescueChapter 8: The Tunnel

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisOffers commentary and an illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch, Rembrandt, Rubens, and Hogarth to stunning creations by contemporary black artists.Trade ReviewA fascinating story of the changing image of Africa's people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes. -- Kwame Anthony AppiahReview of the previous editions: One concludes from these pioneering volumes that artistic representations were historical "events" that eventually helped to shape a mentality that justified the enslavement of millions of Africans as well as later attempts to Christianize and liberate their descendants. -- David Brion Davis * New York Review of Books *In addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling volumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers. -- Paul Gilroy, author of The Black Atlantic: Modernity and Double ConsciousnessOne of the most thorough collections depicting the African-American in works of art...The books build on the research and photo project started by art patron Dominique de Menil in the 1960s, which grew out of a frustration with segregation. The collection was then transferred and continued to grow at the W.E.B. Du Bois Institute at Harvard University. De Menil's original volumes have been updated by David Bindman and Henry Louis Gates Jr. and now include more detailed descriptions and provide a larger context of the artwork that spans more than 5,000 years, including the Roman Empire to present-day pieces, filling in tremendous gaps in de Menil's collection, according to some art historians. The images, printed in full-color on high-quality pages, are available for the masses to see and understand how African-Americans not only fit into the various societies of the Western world, but how those relationships evolved throughout the ages. * Kirkus Reviews *The volumes so far are a treasury of paintings and sculptures of people down the ages, taking in many strands of ritual, classicism, artlessness and humanity. -- William Feaver * Spectator *A sumptuous new edition with much additional material and copious color pictures....The books are a wonderful resource: a glitteringly decorated window into the Du Bois Institute's unrivalled archive of relevant images. The accompanying essays, which are models of erudition, are inescapable reading for anyone interested in the subject. -- Felipe Fernández-Armesto * The Art Newspaper *The joy of this series lies in the illustration and discussion of imagery found not only in paintings and woodcuts, but also in mosaics, illuminated manuscripts, and murals. -- K. Mason * Choice *Monumental and groundbreaking volumes...[with] beautifully reproduced and thought-provoking images…A vast array of different "Images of the Black" appear in these volumes, from statues of black saints such as St. Maurice or St. Benedict the Moor, to portraits of notable African ambassadors and kings, poets and musicians, or drawings of literary characters such as Shakespeare's Othello, Aphra Behn's Oroonoko, or Yarico from George Colman's Inkle and Yarico...Africans have been painted and sculpted by some of the most eminent artists in the Western tradition, including Titian, Tiepolo, Rubens, Rembrandt,Van Dyck, Reynolds, Hogarth, Watteau and Gainsborough. More importantly, they have not been caricatured, but sensitively portrayed by these masters, their humanity captured on canvas for all to see...In placing such a vast variety of different images together, both positive and negative, these volumes show that the "Image of the Black" was not at all homogenous but rather reflected the wide range of the Western response to the "other."...Seen through the prism of "Western Art," these "Images of the Black" often tell us more about the Europeans and their agendas than the Africans they portray. Nonetheless, the cumulative effect of the images is to demonstrate a continuous black presence in the Western imagination and experience…This series will pose new questions to scholars of art, history and literature and provoke us all to reconsider the role of "the Black" in Western civilization. -- Miranda Kaufmann * Times Literary Supplement *

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Book SynopsisExamines how school curriculum-based representations of Dominican identity navigate black racial identity, its relatedness to Haiti, and the culturally entrenched pejorative image of the Haitian Other in Dominican society.Trade ReviewExamining the concept of race within the Dominican national rhetoric through the analysis of textbooks, Wigginton and Middleton offer an appropriate and rational interpretation of Dominican textbooks in public schools that is easy to follow and provides clear examples of racialist inculcation."" - Dawn F. Stinchcomb, author of The Development of Literary Blackness in the Dominican Republic""Through their examination of textbooks, Wigginton and Middleton reveal a shift taking place in the Dominican Republic surrounding ideas of blackness. They provide a rich example and show how blackness continues to be reconsidered in the Dominican Republic, reconstructing a sense of being Afro-Dominican."" - Kimberly Eison Simmons, author of Reconstructing Racial Identity and the African Past in the Dominican Republic

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Book SynopsisClapback: [Noun / Verb] Responding to a (often ignorant) notion with a withering comeback; with the aim of shutting. it. down.___________In order to have an honest and open conversation about race, we need to identify areas where things are not right. The Clapback: Your Guide to Calling Out Racist Stereotypes examines the evolution of the negative stereotypes towards the black community and arms you with the tools to shut them down once and for all. Taking readers on a journey through history, and providing facts and detailed research, this is an eye-opening and refreshing look at race and language. With a light-hearted, razor sharp wit and a refreshing honesty, The Clapback is the handbook the world needs - dishing out the hard truths and providing a road map for bringing some 'act right' into our everyday lives.It's time to Clapback.

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Book SynopsisShannen Dee Williams provides a comprehensive history of Black Catholic nuns in the United States, tracing how Black sisters' struggles were central to the long African American freedom movement.Trade Review“Deeply researched, elegantly written, and boldly argued, Subversive Habits is a brilliant excavation of the long political history of Black nuns. This is extraordinary scholarship that is as accessible as it is groundbreaking and illuminating. This timely and essential book widens the frames of Black women’s history, of religion and activism, and of Black Catholicism.” -- Barbara D. Savage, author of * Your Spirits Walk beside Us: The Politics of Black Religion *“Sweeping in its scope, exhaustively researched, and balanced in presentation,Subversive Habits is a seminal history of Black Catholic Nuns and their struggle for equality and justice in the Catholic Church.” -- Bettye Collier-Thomas, author of * Jesus, Jobs, and Justice: African American Women and Religion *"An awe-inspiring history book about Black nuns who fought for freedom and equality. . . . Subversive Habits is a stirring history text about the remarkable faith and conviction of Black nuns in America." -- Melissa Wuske * Foreword *(Starred Review) "Informative and often surprising, this should be required reading for scholars of Catholic and African American religious history and will undoubtedly become the standard text on its subject." * Publishers Weekly *"The 'uncommon faithfulness' of the nuns in Subversive Habits—taking the church at its word when it teaches that we are all one body—is a model of discipleship from which all Catholics can learn." -- Kathleen Manning * U.S. Catholic *"Shannen Williams's book chronicles the bold steps and persistence African-American sisters took to debunk their rejection by white orders that insisted Black women lacked souls and/or virtue suitable to be admitted to them. . . . This outstanding book, Subversive Habits, is well-researched, quite revealing and a set of history and reality lessons of how Black sisters kept the faith and made the Catholic Church change." -- Ralph E. Moore, Jr. * The AFRO *"This eye-opening, inspiring and thoroughly researched book unearths a history that few Americans know: the challenges and triumphs of Black Catholic nuns in the United States. It’s one of the most exciting new books in Black women’s history and powerfully captures the interconnections between race, religion and politics." -- Keisha Blain * Politico *"Subversive Habits demands a committed reader. However, it will reward the resilient and open-minded reader with apokalupsis—tremendous learning about the scope of racism throughout the American Catholic Church as well as the witness of these Black Catholic women and their contributions to the church and the world. Please take up the reading and stick with it. Draw some perseverance from the women the book depicts and take heart in their commitment to justice." -- Kevin Spinale * America *"Subversive Habits brings a very necessary balance to histories published in recent decades that focus on civil rights work by Catholics. It seems these historians were writing about the exception and not the norm. This is the story of courageous nuns, including those who felt they couldn't remain any longer, who are the true gems of American Catholic history. Every woman religious must read this book." -- Laura Swan * Magistra *"In Subversive Habits, historian Williams has given us a remarkable work of scholarship, one that may be distressing for many readers because she clears away any shred of doubt about the U.S. Catholic Church being racist from its very beginnings." -- Kathleen Finley * The Tablet *"I have never read a more thoughtful account of the Black Catholic experience than Shannen Dee Williams’ Subversive Habits. Williams’ book is a revelatory history of the experiences of Black religious women in understanding race, faith, and change in the Catholic church from the antebellum period through the various waves of civil-rights struggle to the contemporary era." -- Marcia Chatelain * Chronicle of Higher Education * "Williams seeks to tell the story of these women and of the Black and majority white sisterhoods in which they participated. The account is well documented, and Williams includes a look at the current departures of Black sisters from religious life and considers the likely future of Black female religious communities. Recommended. Graduate students, researchers, faculty, and professionals." -- L. H. Hoyle * Choice *"Williams's book is the go-to work on Black women religious in the United States during and in the afterlife of slavery. Future scholars, practitioners, and interlocutors are indebted to this brilliant author for the treasure trove she has gifted us." -- Ahmad Greene-Hayes * Journal of Southern History *Table of ContentsAbbreviations ix Note on Terminology xiii Preface: Bearing Witness to a Silenced Past xv Acknowledgments xix Introduction. America’s Forgotten Black Freedom Fighters 1 1. Our Sole Wish Is to Do the Will of God: The Early Struggles of Black Catholic Sisters in the United States 23 2. Nothing Is Too Good for the Youth of Our Race: The Fight for Black-Administered Catholic Education during Jim Crow 61 3. Is the Order Catholic Enough? The Struggle to Desegregate White Sisterhoods after World War II 103 4. I Was Fired Up to Go to Selma: Black Sisters, the Second Vatican Council, and the Fight for Civil Rights 134 5. Liberation Is Our First Priority: Black Nuns and Black Power 167 6. No Schools, No Churches! The Fight to Save Black Catholic Education in the 1970s 200 7. The Future of the Black Catholic Nun Is Dubious: African American Sisters in the Age of Church Decline 231 Conclusion. The Catholic Church Wouldn't Be Catholic If It Wasn’t for Us 259 Glossary 271 Notes 273 Bibliography 345 Index 371

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Book Synopsis''A towering achievement. There is simply nothing like it in the history of Black radical thought'' Cornel West''Cedric Robinson''s brilliant analyses revealed new ways of thinking and acting'' Angela Davis''This work is about our people''s struggle, the historical Black struggle''Any struggle must be fought on a people''s own terms, argues Cedric Robinson''s landmark account of Black radicalism. Marxism is a western construction, and therefore inadequate to describe the significance of Black communities as agents of change against ''racial capitalism''. Tracing the emergence of European radicalism, the history of Black African resistance and the influence of these on such key thinkers as W. E. B. Du Bois, C. L. R. James and Richard Wright, Black Marxism reclaims the story of a movement.Trade ReviewA towering achievement. There is simply nothing like it in the history of Black radical thought -- Cornel WestCedric Robinson's brilliant analyses revealed new ways of thinking and acting -- Angela DavisI can say, without a trace of hyperbole, that this book changed my life. -- Robin KelleyBlack Marxism shattered the taken-for-granted of understanding the modern world, allowing us to see the racist nature of capitalism. There are very few books that transform how we have to approach the world and Black Marxism is one of them -- Kehinde AndrewsA handbook for a new generation of radicals and activists ... Robinson's work helpfully points to the tension in Marxism between the march towards progress and the spontaneous character of revolution... offers a sense of belonging and a means of imagining a common future -- Kevin Okoth * London Review of Books *

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Book SynopsisThis is a comprehensive manual intended to teach students the basics of communicating in Swahili at an elementary level. It is designed to teach major communicative skills such as speaking, listening, reading, and writing. Moreover, the text strives to impart fundamental knowledge about East African and Swahili culture.

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Book SynopsisThen, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond.Trade Review“This is a welcome new voice to the generally staid conventions of art history. A lively, engaging examination of a serious and under-addressed topic.” — Library Journal "BLK ART is a must have for every art history enthusiast! Through her gorgeous curation and spot on commentary, Ware has shined a light on black creators and previously left out art pieces that deserve to be in the grandest museums." — Rachel Ignotofsky, best-selling author, creator of Women In Art "This is the book we all needed growing up, a comprehensive and broad visual summary of people and events of the past. Zaria has woven together a story that has shown us that the past is still present with us, and people of every generation, color, and gender need to get behind this legacy piece." — Lavinya Stennett, writer, author, founder, and CEO of The Black Curriculum "BLK ART is a gorgeous tribute to the Black brilliance that redefined fine art in the western world. Each chapter pulls lesser known Black painters, sculptors, and models from the margins of the canon and places them front and center--where they belong. Smartly researched and entertaining, this is a book art experts and those with a budding interest will enjoy." — Tanisha C. Ford, professor of history, CUNY, author of Dressed in Dreams: A Black Girl's Love Letter to the Power of Fashion "I love this book so much. From its impressive sweep of historical and religious paintings to its storytelling through art, it is a must have for anyone interested in how art intersects with human history. I'm never loaning this to anyone." — Paterson Joseph, award-winning actor, author of The Secret Diaries of Charles Ignatius Sancho "BLK ART is the kind of book one keeps picking up to read in bits and pieces and to share details with friends; the kind of book that becomes part of your daily life for a while, and by the time you have really finished it, unnoticed, you will have made the drive your own." — Elmer Kolfin, professor of art history, University of Amsterdam

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Book SynopsisExploring how artists at midcentury addressed the social issues of their day—from Jacob Lawrence to Elizabeth Catlett, Rose Piper to Charles White

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Book SynopsisA collection of essays critiquing ethnography as literature. It explores the ways in which writing culture has changed the face of ethnography over the years.Trade Review"The ethical concerns expressed in Writing Culture are important ones." * American Ethnologist *"Writing Culture is an invaluable book for anyone concerned about anthropology's future." * Oceania *Table of ContentsForeword to the Twenty-fifth Anniversary Edition Preface JAMES CLIFFORD Introduction: Partial Truths MARY LOUISE PRATT Fieldwork in Common Places VINCENT CRAPANZANO Hermes' Dilemma: The Masking of Subversion in Ethnographic Description REN ATO ROSALDO From the Door of His Tent: The Fieldworker and the Inquisitor JAMES CLIFFORD On Ethnographic Allegory STEPHEN A. TYLER Post-Modern Ethnography: From Document of the Occult to Occult Document TALAL ASAD The Concept of Cultural Translation in British Social Anthropology GEORGE E. MARCUS Contemporary Problems of Ethnography in the Modern World System MICHAEL M. J. FISCHER Ethnicity and the Post-Modern Arts of Memory PAUL RABINOW Representations Are Social Facts: Modernity and Post-Modernity in Anthropology GEORGE E. MARCUS Afterword: Ethnographic Writing and Anthropological Careers Bibliography Notes on Contributors Index

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Book SynopsisWang Hui asks what it means for China to be modern and for modernity to be Chinese. Is there a rupture between tradition and modernity in China? How has Confucian thought evolved? Did China become modern in the Middle Ages? A deep intellectual history, The Rise of Modern Chinese Thought revises our senses of both modernity and Chinese philosophy.Trade ReviewA monumental contribution to the debate in China about how to respond to the civilizational challenge of the West. -- David K. Schneider * Law & Liberty *An important book…In his account of Chinese history, Wang aims to dissolve the binary between two views: one sees China as an empire opposed to the modern Western nation-state; the other argues that an early nation-state structure built upon a system of centralized administration (junxian zhi) appeared long ago in Chinese history. -- B.V.E. Hyde * Intellectual History Review *This is the long story of modern Chinese intellectual and philosophical scholarship, with a cast of thousands and an array of conceptual categories…and yet somehow Hill makes it all inviting reading. -- Steve Donoghue * Open Letters Review *Reading The Rise of Modern Chinese Thought is a little like sitting down for a hundred-course banquet. Wang Hui’s Summa Theologica for China helps us better understand how the historical glide path of Chinese culture (about which even many ‘China specialists’ have gaps to fill) somehow led to the embattled twentieth century. -- Orville Schell, Director of the Center on U.S.–China Relations at the Asia Society and author of Wealth and Power: China's Long March to the Twenty-First CenturyWang Hui’s masterful work guides the reader through more than a thousand years of China’s intellectual, philosophical, and political discourse with sophistication and nuance. Its analytical power is evident on almost every single page. -- Jude Blanchette, author of China's New Red Guards: The Return of Radicalism and the Rebirth of Mao ZedongA deliberately paradoxical, remarkably sourced, magical history of ideas. After finishing this fastidiously edited English translation, you may concur with or take distance from the categories Wang Hui uses, but there is no question that your basic assumptions about writing Chinese intellectual history will have shifted. Wang's challenge cannot be ignored. -- Tani Barlow, author of In the Event of WomenThis translation is a monumental achievement, and not only for bringing the work to new audiences. This masterful and comprehensive book effectively mobilizes Chinese political and social thought—including Wang’s own ideas as well as the historical texts he engages, some of which are presented in English for the first time—as a living resource for addressing the global dilemmas of our time. -- Leigh K. Jenco, author of Making the Political: Founding and Action in the Political Theory of Zhang ShizhaoAfter almost two decades, Wang Hui’s magnum opus finally arrives in the English-speaking world with this fine translation. The Rise of Modern Chinese Thought has been important in China. The volume before you now promises to change the global conversation on Chinese intellectual history. -- Isabella M. Weber, author of How China Escaped Shock Therapy: The Market Reform DebateThrough historical analysis Wang not only uncovers resources that could be useful in envisioning a new future, but also attempts to redefine China…This is an extremely important gesture in contemporary China because Wang is one of the rare intellectuals who combine critical thought about modernity with serious reflection on tradition. -- Viren Murthy * Modern Intellectual History *

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Book SynopsisA peerless reference guide to the history of Black Studies from one of the discipline's foundersTrade Review'Abdul Alkalimat is one of the most rigorous and committed Black radical thinkers of our time' -- Barbara Ransby, award-winning author of 'Ella Baker and the Black Freedom Movement''Magisterial [...] The most comprehensive history of the field of Black Studies. This landmark book will become a standard in the history of our field.' -- Molefi Kete Asante, Professor at the Department of Africology, Temple University'Abdul Alkalimat, one of the pioneers of Black Studies, has done a great service by providing a powerful, expansive, and compelling history of the field' -- Keisha N. Blain, award-winning author and co-editor of the #1 New York Times Bestseller '400 Souls'‘This is Alkalimat’s magnum opus […] a focal point for scholarship on the history of Africana thought in the academy. It is required reading for Black Studies scholars and intellectual historians’ -- Fabio Rojas, Virginia L. Roberts Professor of Sociology Indiana University‘A visionary and a documentarian, Alkalimat has been a major figure in the Black Studies movement since its modern inception. This landmark book is indispensable’ -- Martha Biondi, author of ‘The Black Revolution on Campus’'Stunning [...] a precious guide to a forgotten past as well as a valuable tool for future battles over the political direction of education against racism' -- Paul Gilroy, author of 'There Ain't No Black in the Union Jack''A must-read chronicle of one of the most significant developments in US social movements, making more visible the role of Black women who have too often been footnotes in this history. Even veteran pioneers and Black Studies comrades will be wowed!' -- Beverly Guy-Sheftall, the Anna Julia Cooper Professor of Women's Studies at Spelman CollegeTable of ContentsList of Figures List of Tables Introduction PART I: BLACK STUDIES AS INTELLECTUAL HISTORY 1. The Academic Disciplines 2. The Historically Black Colleges and Universities 3. The Political Culture of the Black Community PART II: BLACK STUDIES AS SOCIAL MOVEMENT 4. The Freedom Movement 5. The Black Power Movement 6. The Black Arts Movement 7. The New Communist Movement 8. The Black Women’s Movement 9. The Black Student Movement PART III: BLACK STUDIES AS ACADEMIC PROFESSION 10. Disrupting 11. Building Consensus 12. Building Institutions 13. Establishing the Profession 14. Theorizing 15. Norming Research Conclusion Appendix Bibliography Index

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Book SynopsisTrade Review"Alexander Weheliye's Habeas Viscus is the latest iteration in the current reinvigoration of black diasporic thought.... Habeas Viscus feeds into this furiously complex joyful noise." -- Dhanveer Singh Brar * New Formations *“It is a book that offers us a meditation for imagining a world where the categorization and organization that produces race, and racialist distinction and hierarchy — where human life — might be organized otherwise than it is.” -- Ashon Crawley * Los Angeles Review of Books *“Habeas Viscus is a work with vast implications for the rereading of canonical works of biopolitics, as well as the reframing of biopolitics from the ‘other’ side. The arguments and techniques provided in the book will not only be of interest to scholars of race, feminism, and biopolitics, but also to those engaged with disability studies, affect theory, and even animal/ity studies. For this last group in particular, Habeas Viscus will be a haunting incantation for reconsidering the meanings and boundaries of human and nonhuman life, where ‘flesh’ is proved liminal, belonging neither to the realm of Man nor beast.” -- Megan H. Glick * Hypatia *“Weheliye’s dual theoretical-political aim of clarifying the operating force of racializing assemblages as well as voicing the necessity and potentiality of alternate political futures is an urgently needed intervention in conversations about the human and humanity. Not satisfied with critiquing the perils of our contemporary condition, he orients us towards new futures. In doing so, Weheliye’s Habeus Viscus offers intellectual victuals not only for the project of black studies, but for all those who study non-white being-in-the-world and are relegated to the conceptual ghetto of ethnographic specificity.” -- Aditi Surie von Czechowski * Borderlines (CSSAAME blog) *“Habeas Viscus is a long-awaited contribution in the slowly awakening critical debates on the place of the concepts of race and racialization within the discourses on biopolitics and bare life underpinning many scholarly debates concerned with political violence, neoliberal capitalism and converging systems of oppression in Western critical theory. More importantly, coming from the standpoint of black studiesand drawing largely from black feminist thought, this critical account of poststructuralist take on the category of the human, promises not only to redraw the blueprints of this prominent theoretical formation, but also to deterritorialise minority discourses, so far relegated to academic peripheries.” -- Marianna Szczygielska * Parallax *"In the age of the Anthropocene, Habeas Viscus helps us hear, feel, and imagine humanities that persist beyond Man’s catastrophic horizons." -- Annie Menzel * Theory & Event *"Weheliye’s book is a major philosophical accomplishment. It expertly dispatches with the fantasy of the liberal subject by making racialization the central problem of the human. It broadens the agenda and intellectual reach of black studies into the realm of humanity. In these endeavors, it makes gender and black feminism central to these investigations, and it brings us back to the all-important question of the body and how to think with and through it. That Weheliye stays attentive to all of these questions while articulating damning critiques about biopolitics, bare life, and racism, is an important feat to behold." -- Amber Jamilla Musser * philoSOPHIA *Table of ContentsAcknowledgments ix Introduction: Now 1 1. Blackness: The Human 17 2. Bare Life: The Flesh 33 3. Assemblages: Articulation 46 4. Racism: Biopolitics 53 5. Law: Property 74 6. Depravation: Pornotropes 89 7. Deprivation: Hunger 113 8. Freedom: Soon 125 Notes 139 Bibliography 181 Index 205

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Book SynopsisLight in the Dark is the culmination of Gloria E. Anzaldua's mature thought and the most comprehensive presentation of her philosophy. Focusing on aesthetics, ontology, epistemology, and ethics, it contains several developments in her many important theoretical contributions.Trade Review"Published more than a decade after Anzaldúa’s death, the collection of essays is a welcomed resource for scholars and students of Anzaldúa, Chicana/o and Latina/o studies, and American studies. Overall, Anzaldúa’s chapters and Keating’s editorial work are of the highest caliber and great additions to the body of Anzaldúa’s work." -- Monica Montelongo Flores * Southwestern American Literature *"[T]he publication of a new book of [Anzaldua's] writing provides a glorious new opportunity to revel in her brilliant mind.... In our contemporary world of intense binary thinking and wall building, Gloria Anzaldúa’s insights provide an inspiring way forward." -- Susan Noyes Platt * Raven Chronicles *"The publication of Gloría Anzaldúa's Light in the Dark/ Luz en lo oscuro: Rewriting Identity, Spirituality, Reality eleven years after her death in 2004 is a highly anticipated—and enormously important—event in feminist scholarship, one that takes both philosophy and activism in new directions. The manuscript ... makes significant philosophical contributions to feminism, epistemology, aesthetics, ontology, critical philosophy of race, and social and political thought at the same time that it calls into question how we conceive of and organize these areas of study to begin with." -- Natalie Cisneros * Hypatia Reviews online *"Moving from the intricate Tex-Mex-rootedness of Borderlands to the more spiritual, historical-mythical, liminal negotiation zone of Light in the Darkness, Anzaldúa continues her examination of in-between spaces. Her concept of nepantla enables multiple thematic and stylistic lines to intersect, defining possible spaces of cultural transformation." -- Romana Radlwimmer * Women's Review of Books *"Throughout Light, Anzaldúa courageously offers up her lived experiences to argue for the importance of spirituality, theories in the flesh, and the female body.... Scholars invested in intellectual praxis will find a powerful guide to social justice inquiry within this publication." -- Robert Gutierrez-Perez * Women's Studies in Communication *"Perhaps the book’s greatest strength is Keating’s vast editorial knowledge.... Under Keating’s care, Light in the Dark continues Anzaldúa’s metaphysical philosophies, reiterating, expanding, and inspiring consciousness building and setting innovative directions for future Chicana/o studies.... The text offers a new way of decolonizing the mind, transforming the world, and reaching out into the universe." -- Iracema M. Quintero * Aztlán *"Light in the Dark is not only a previously missing piece of Anzaldúa’s oeuvre, important to the growing field of scholarship on Anzaldúa, but also a text that speaks broadly across disciplines and will surely influence scholarship in women’s studies, philosophy, politics, Chicana/o and Latina/o studies, border studies, native studies, sexuality studies and beyond." -- Michelle R. Martin-Baron * International Feminist Journal of Politics *"This text would serve as an excellent book in a literature course, and could be used as the capstone of Anzaldúa’s other writings. Keating has done an excellent job of editing this piece—she has made it easy to forget that the work was published after Anzaldúa’s death." -- Fawn-Amber Montoya * The Americas *Table of ContentsEditor's Introduction. Re-envisioning Coyolxauhqui, Decolonizing Reality: Anzaldúa's Twenty-First-Century Imperative ix Preface. Gestures of the Body—Escribiendo para idear 1 1. Let us be the healing of the wound: The Coyolxauhqui imperative—la sombra y el sueño 9 2. Flights of the Imagination: Rereading/Rewriting Realities 23 3. Border Arte: Nepantla, el lugar de la frontera 47 4. Geographies of Selves—Reimagining Identity: Nos/Otras (Us/Other), las Nepantleras, and the New Tribalism 65 5. Putting Coyolxauhqui Together: A Creative Process 95 6. now let us shift . . . conocimiento . . . inner work, public acts 117 Agradecimientos | Acknowledgements 161 Appendix 1. Lloronas Dissertation Material (Proposal, Table of Contents, and Chapter Outline) 165 Appendix 2. Anzaldúa's Health 171 Appendix 3. Unfinished Sections and Additional Notes from Chapter 2 176 Appendix 4. Alternative Opening, Chapter 4 180 Appendix 5. Historical Notes on the Chapters' Development 190 Appendix 6. Invitation and Call for Papers, Testimonios Volume 200 Notes 205 Glossary 241 References 247 Index 257

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Book SynopsisMy Life with Things is Elizabeth Chin's meditation on her relationship with consumer goods and a critical statement on the politics and method of anthropology in which she uses everyday items to intimately examine the ways consumption resonates with personal and social meaning.Trade Review"Chin composes a sprawling paean to the joy of stuff and the impossibility of our ever eschewing it. In My Life With Things, she is winningly alert to the ambivalence around our acts of consumption, both the awful guilt and the immeasurable pleasure nonetheless." -- Shahidha Bari * Times Higher Education *"My Life with Things is a refreshing and honest book, which gives a rich insight into the experience of engaging with auto-ethnography. It should certainly appeal to the more adventurous, less conventional academic from across the social sciences and not just anthropology, the author’s home discipline.... At the end of the day, researchers interested in anthropology, auto-ethnography and/or consumption looking for an insider account complete with warts and all, should find this an invaluable companion." -- Christina Goulding * Consumption Markets & Culture *"With herself as both subject and object of study, Chin . . . weaves a highly personal, idiosyncratic, and explanatory narrative. Ever the provocateur, she brings her own consumer diaries over the span of several years into conversation with the likes of Karl Marx, not only at a theoretical level but also as biographical touchstones. The narratives, structured around the themes of inheritance, survival, and love, detail the author’s close relationship with the everyday items that surround her. The results can be exhilarating, giving readers self-reflexive pause on the consumptive world and how they got there." -- C. R. Yano * Choice *"My Life with Things is a strange yet fascinating look at our cultural preoccupation with owning and communing with physical objects. Chin uses her anthropological background to present an autoethnography, combining research, theory, and personal writing to criticize (and commiserate with) our love of objects." -- Jess Kibler * Bitch *"Elizabeth Chin’s My Life with Things: The Consumer Diaries, is a fantastic book. I can’t imagine anyone reading it and not wanting to become an anthropologist. It is also one of the funniest books I’ve read in a long time, with actual laugh-out-loud moments." -- Ben Highmore * New Formations *"Part academic study and part personal essay, My Life with Things offers both casual and scholarly readers an entryway into conversation about the place of material possessions in our lives.... [A] nuanced reflection on both the fact that we are inescapably tied to our possessions and the ways they connect us to our loved ones and neighbors around the world." -- Lee Hull Moses * Christian Century *“My Life with Things is thought-provoking in the best sense of the term. It poses new questions, approaches old ones in fresh ways, and tugs at the complex heart of people’s relationship to the things they have and the things they want.” -- Carrie M. Lane * American Ethnologist *"In the end this book, as Chin tells us, is a focus on moments, rife with the complexities and contradictions of everyday life. Just as in other life moments and journeys, it is full of fodder for contemplation and discussion as well as catalysts for new perspectives. I can imagine it as a resource for teachers as well as students, and I envision many imaginative and lively discussions based on objects described in this book as well as the particular objects animating others’ lives and relationships." -- Patricia L. Sunderland * Journal of Anthropological Research *Table of ContentsAcknowledgments vii 1. Introduction 3 2. The Entries 37 My Life with Things 37 Learn to Love Stuff 38 Banky 40 A Digression on the Topic of the Transitional Object 42 Cebebrate! 56 My Purple Shoes 58 Newspapers 61 Rose Nails 63 The Window Shade 67 Napkins 69 My White Man's Tooth 72 Should I Be Straighter 76 Cyberfucked 79 Knobs 80 Glasses 82 Curing Rug Lust 85 Window Shopping Online 89 Catalogs 92 Other People's Labor 95 Making Roots/Making Routes 98 My Closet(s) 101 Joining the MRE 108 Fun Shopping 114 Preschool Birthday Parties 114 Xena Warrior Consumer Princess 118 I Love Your Nail Polish 120 Little Benches 123 The Kiss 126 Are There Malls in Haiti? 127 Baby Number Two Turned Me into Economic Man 129 Pictures of the Rice Grain 132 Panting in Ikea 136 Capitalism Makes Me Sick 139 My Grandmother's Rings 147 Anorectic Energy 157 Mi-Mi's Piano 162 Dream-Filled Prescriptions 169 The Turquoise Arrowhead 170 Turning The Tables 173 Minnie Mouse Earring Holder 176 Make Yourself a Beloved Person 181 3. Writing as Practice and Process 187 4. This Never Happened 203 Notes 221 Bibliography 227 Index 235

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Book SynopsisExamining singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as vocal synthesis technology, Nina Sun Eidsheim traces the ways in which the voice and its qualities are socially produced and how listeners assign a series of racialized and gendered set of assumptions to a singing voice.Trade Review"Should be required reading in music education—and no doubt it will become required reading in many academic disciplines that touch on voice studies." -- Marit MacArthur * Yale Review *"An important read within sound studies and race studies." -- Jeff Donison * Journal of Radio & Audio Media *"The Race of Sound is brimming with insight and originality. Not every chapter contributes new knowledge (e.g., Eidsheim is not the first to note that black classical singers were constrained by listener expectations), but in tandem they constitute a groundbreaking argument that should inform all listeners and be part of all music courses. If enough readers take Eidsheim’s work to heart, we can begin to counter the effect of institutions that create and perpetuate the racialized voice." -- Sandra Jean Graham * ARSC Journal *“Eidsheim demonstrates an impressive ability to weave together different critical modes and diverse topics without faltering in her project…. New and established scholars interested in the study of race, gender, voice, and/or African American musics will find much to engage with in Eidsheim’s push toward nonessentializing listening.” -- Alex C. Valin * Women and Music *"Like Eidsheim’s earlier work, The Race of Sound presents meticulously researched, compelling, and detailed accounts of reception, race, and voice throughout the careers of important historical figures. The author provides ample evidence to support her groundbreaking arguments that will give readers a new understanding of how we construct voice, race, and identity every time we engage in the act of listening." -- Victoria Malawey * MUSICultures *“The Race of Sound is ... an insightful addition to the growing body of work on the voice.... We continue to live in a time in which Black voices struggle to be heard. The Race of Sound contributes to this struggle in recognition and joins the record of activist scholarship that centres and respects Black humanity.” -- Natalie Hyacinth * Feminist Review *“This book should be required reading for faculty members everywhere. . . . By asking listeners to reflect on their assumptions . . . The Race of Sound seeks greater freedom for Black musicians and people, opening the door to new possibilities for us all.” -- Loren Kajikawa * Journal of the American Musicology Society *“The Race of Sound allows us to rethink our understanding of identities through voice and thus better understand the social construction of race and gender. Brilliantly written, as approachable as it is accurate, The Race of Sound goes beyond the framework of musicology alone to embrace all cultural studies.” (Translated from French) -- Jean-René Larue * Volume *“Eidsheim provides an elaborate and powerful addition to music scholarship and sound studies as well as to humanities disciplines more broadly. . . . In exposing the plethora of mechanisms that build cultural lenses though which we hear voice, her work serves to puncture even the most trained musical ear or the deepest listener.” -- Kira Dralle * Notes *Table of ContentsAcknowledgments xi Introduction. The Acousmatic Question: Who Is This? 1 1. Formal and Informal Pedagogies: Believing in Race, Teaching Race, Hearing Race 39 2. Phantom Genealogy: Sonic Blackness and the American Operatic Timbre 61 3. Familiarity as Strangeness: Jimmy Scott and the Question of Black Timbral Masculinity 91 4. Race as Zeros and Ones: Vocaloid Refused, Reimagined, and Repurposed 115 5. Bifurcated Listening: The Inimitable, Imitated Billie Holiday 151 6. Widening Rings of Being: The Singer as Stylist and Technician 177 Appendix 201 Notes 205 Bibliography 243 Index 259

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Book SynopsisIn the concluding volume to his landmark trilogy consent not to be a single being Fred Moten uses the work of Emmanuel Levinas, Hannah Arendt, and Franz Fanon to explore the relationship between blackness and phenomenology, theorizing blackness as a way of being in the world that evades regulation.Trade Review"It's this spirit of the collective effort of study and exchange and resonance, the effort to keep the channels open and keep listening, that has made Moten (or, maybe, 'Moten/s') such a celebrated thinker. At the end of sentences like these, you want to say something like Amen." -- Jess Row * Bookforum *"At a time when both theory and criticism are frequently and convincingly attacked as exhausted forms, Moten’s trilogy has reinvented both. . . . In its mixture of theoretical complexity and disarming directness, Moten’s beautifully written trilogy offers the sheer pleasure of art." -- Lidija Haas * Vulture *"2018 must go down for me as the year of Fred Moten’s trilogy: Black and Blur, Stolen Life, and The Universal Machine. You could say they’re essays about art, philosophy, blackness, and the refusal of social death, but I think of them more as a fractal universe forever inviting immersion and exploration, a living force now inhabiting my bookshelf." -- Maggie Nelson * Bookforum *"My favorite book(s) of 2018 are the three volumes of Fred Moten’s consent not to be a single being, individually titled Black and Blur, Stolen Life, and The Universal Machine. In this collection of essays stretching back fifteen years, Moten challenges the reader to imagine a radically interconnected aesthetic and political sphere that stretches from Glenn Gould to Fanon to Kant to Theaster Gates, sometimes in the space of a single sentence. This trilogy is one of the great intellectual adventures of our era." -- Jess Row * Bookforum *"consent not to be a single being, titled after a phrase of Édouard Glissant’s, ranges across an impressive number of disciplines: black studies, performance studies, aesthetics, phenomenology, ontology, ethnomusicology, jazz history, comparative literature, critical theory, etc. Without announcing its intervention as interdisciplinary–Moten deftly renders discipline beside the point. . . . Taken together, the series amounts to a powerful argument for black study—as an analytic, an impetus, a mode, the collective shout from a radical vista, whose bellow requires nothing less than 'passionate response' (Moten 2003)." -- Mimi Howard * boundary 2 *Table of ContentsAcknowledgments vii Preface ix 1. There Is No Racism Intended 1 2. Refuge, Refuse, Refrain 65 3. Chromatic Saturation 140 Notes 247 Works Cited 271 Index 281

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Book SynopsisEngaging with the work of M. Jacqui Alexander and Black feminist thought more generally, Alexis Pauline Gumbs's M Archive is a series of prose poems that speculatively documents the survival of Black people following a worldwide cataclysm while examining the possibilities of being that exceed the human.Trade Review"M Archive adds to and extends the critical work being done around breath, breathing, and blackness. And in so doing, it gives us a reason to breathe – independently and collectively – again." -- Sasha Panaram * New Black Man (In Exile) *"Alexis Pauline Gumbs is a literary treasure. M Archive, the second book in an innovative trilogy that began with Spill, is evidence of her brilliance." * Bitch *(Starred Review) "Groundbreaking.... This is an impressive archive 'written in collaboration with the survivors' and the mythology that Gumbs develops from the artifacts of future black life and memory works to reveal an existence 'on the verge of regenerating the cells that would let us dream deep enough to remember.'” * Publishers Weekly *"The end of the world is no joke! This text is clearly ambitious. More compendium than chronicle, the writing is poetic, dense, and often solemn with glimmers of dark wit." -- Gabrielle Civil * Full Stop *"Offers a set of necessary and stimulating interventions . . . A generous work that challenges dominant views that assume that ancestral speculative work has no place in feminist theory." -- Chandra Frank * Feminist Formations *"At turns lush and awesome, in ways that make the eyes gleam and the mind crackle with electricity, in ways that devastate and leave the spirit raw with overlain feelings of complicity and responsibility, and loving, always loving, always loving in, between, and across every single word—the beautiful and daring writing of M Archive imperatively continues the constellar work of radical Black feminism’s ongoing project of 'imagining the unimaginable.'" -- John Murillo III * Make *"[G]round-breaking. . . . Gumbs’s trilogy embraces the lyric beauty in the acts of naming, remembering, and finding one’s way back to the source. . . . Reading Gumbs’s books feels like reading an archive that will someday, who knows maybe even someday soon, usher in an era of radical transformation." -- Kathryn Nuernberger * West Branch *Table of ContentsA Note ix From the Lab Notebooks of the Last Experiments 3 Archive of Dirt: What We Did 31 Archive of Sky: What We Became 71 Archive of Fire: Rate of Change 89 Archive of Ocean: Origin 105 Baskets (Possible Futures Yet to Be Woven) 133 Memory Drive 185 Acknowledgments 213 Notes 217 Periodic Kitchen Table of Elements 227

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Book SynopsisCalvin L. Warren intervenes in Afro-pessimism, Heideggerian metaphysics, and black humanist philosophy, illustrating how blacks embody a metaphysical nothing while showing how this nothingness destabilizes whiteness, makes blacks a target of violence, and explains why humanism has failed to achieve equality for blacks.Table of ContentsAcknowledgments ix Introduction. The Free Black Is Nothing 1 1. The Question of Black Being 26 2. Outlawing 62 3. Scientific Horror 110 4. Catachrestic Fantasies 143 Coda. Adieu to the Human 169 Notes 173 Bibliography 201 Index 211

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Book SynopsisFiery and candid, I Killed Scheherazade is a provocative exploration of what it means to be an 'Arab woman' today.Trade Review'Haddad is a revolutionary, this book is the manifesto. Read it or be left behind.' Rabih Alameddine 'Haddad is a poet who inhabits the storm.' Tahar Ben Jelloun 'In this courageous book Haddad breaks down the taboo of the silent absent Arab woman.' Elfriede Jelinek 'Courageous and illuminating - it opens our eyes, destroys our prejudices and is very entertaining.' Mario Vargas Llosa 'Haddad cannot be intimidated. This book is a lesson of courage for all those who fight to go beyond their own limits and chains.' Roberto Saviano 'A spirited call to arms' New York Times 'A vivid assertion of individuality, free speech, free choice and dignity against religious bigotry, prejudice and the herd instinct both within and outside the Arab world.' Guardian 'Lifts the veil on love and sex' Marie Claire 'Provocative and sensual' Huffington Post 'Beirut's body language pioneer' Washington PostTable of ContentsCONTENTS: TO START WITH - On camels, belly dancing, schizophrenia and other disasters 1 AN ARAB WOMAN READING THE MARQUIS DE SADE 2 AN ARAB WOMAN NOT BELONGING ANYWHERE 3 AN ARAB WOMAN WRITING EROTIC POETRY 4 AN ARAB WOMAN CREATING A MAGAZINE ABOUT THE BODY 5 AN ARAB WOMAN REDEFINING HER WOMANHOOD 6 AN ARAB WOMAN SAYING NO 7 AN ARAB WOMAN FLYING AN AIRPLANE 8 AN ARAB WOMAN SEIZING THE MOMENT 9 AN ARAB WOMAN UNAFRAID OF PROVOKING ALLAH 10 AN ARAB WOMAN TALKING TO HER SON ABOUT SEX TO START again - Am I really an 'Arab Woman'? POST PARTUM - I killed Scheherazade THE MISSING CHAPTER - Attempt at an autobiography

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Book SynopsisThis is a story of belonging and not belonging, of not knowing if you exist and making sure that you do. This story is for ancestors and descendants, for the people without roles or representation who find themselves placed in a random mixed-up race. This is a story about time travel and tigers, of mountains and moons, and what happens when you sew a thread that was split in two.   Reliving defining memories from early childhood in the 1990s to the present day, Laila Woozeer engages with the divisive patterns of racism and prejudice and their cumulative effect on a single life. Using the healing stream of connection – with personal and family history, friends, nature and imagination – and the act of creation, Laila illustrates the way a self was forged. Between past lives and personhood, and from colonialism to creativity, this is a vivid, lyrical account of identity, endurance, courage, growth and artistry. In Not Quite White you are invited to follTrade Review'A pulsing exploration of the self, this book hands you the privilege to observe Laila find meaning, and it oozes with vulnerability, hope, beauty and story. When I’m older I want to write like Laila' -- Gina Martin'Charts the pain and confusion of growing up while grappling with a complicated, mixed ethnic identity.. a memoir that many mixed-race people will easily relate to' * Dazed *'A lyrical odyssey of self-discovery, told with folkloric flair. In charting her journey across Welsh mountains and Mauritian seas, Laila Woozeer offers a map that can guide us all, regardless of our origins, to unearth the treasure that lies within. A must-read for anyone in search of themselves' -- Jassa Ahluwalia, author and creator of #BothNotHalf'Anyone who wants to learn how our racial identity impacts not only our experience of the world but also how we understand ourselves should pick up this book. Gorgeously written, too' -- Natasha Devon'A moving piece of literature.. an eloquent portrayal of self-discovery and building your identity in a society that is eager to dismantle your existence at every turn' * Wales Art Review *An insight into what it's like growing up mixed race' * My London *'One of the most relatable books I’ve read on the mixed experience' * Mixed Messages *'This book is a gem. I genuinely couldn’t stop turning the pages. Laila is an essential voice in todays important issues of race, identity and belonging' -- Kai Samra'Heartbreaking, vivid, lyrical, and very smart… I was so grateful to Laila giving us the understanding of this quite complex topic' * Book Reccos *'This book is a treat, asking timely questions about race, who we are and how we define ourselves, but through such exquisite prose you get utterly pulled in' -- Rosie Holt'Delves into what it’s like growing up mixed race in the UK' * Mashable *'Woozeer creates an environment in the reader’s mind that allows us to learn more about ourselves… the is the real gift to readers' * Brown Girl Bookshelf *'The most nuanced and moving account of mixed race identity I’ve read' * htmljones *

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Book SynopsisIn Racial Melancholia, Racial Dissociation critic David L. Eng and psychotherapist Shinhee Han draw on case histories from the mid-1990s to the present to explore the social and psychic predicaments of Asian American young adults from Generation X to Generation Y. Combining critical race theory with several strands of psychoanalytic thought, they develop the concepts of racial melancholia and racial dissociation to investigate changing processes of loss associated with immigration, displacement, diaspora, and assimilation. These case studies of first- and second-generation Asian Americans deal with a range of difficulties, from depression, suicide, and the politics of coming out to broader issues of the model minority stereotype, transnational adoption, parachute children, colorblind discourses in the United States, and the rise of Asia under globalization. Throughout, Eng and Han link psychoanalysis to larger structural and historical phenomena, illuminating how the study of psychic processes of individuals can inform investigations of race, sexuality, and immigration while creating a more sustained conversation about the social lives of Asian Americans and Asians in the diaspora.Trade Review"Intentionally answering the call for interdisciplinary scholarship, this innovative work will be valuable for clinicians as well as scholars of race. Highly recommended. Upper-division undergraduates through faculty and professionals." -- J. deGuzman * Choice *"One of the most striking aspects of Eng and Han’s book is the relative ease with which it toggles back and forth between psychoanalytic case studies of people in various stages of suffering and characters in novels who were created to embody themes of beauty and triumph, suffering and fracture. . . . There’s a power in being able to recognize our struggles as the result of paradoxes we live within rather than seeing them as purely private failings. It’s a step toward imagining lives that we might be the authors of, with endings that we write ourselves." -- Hua Hsu * The New Yorker *"Accessibly written and powerfully argued, Racial Melancholia, Racial Dissociation is an excellent resource for any scholar thinking about race and psychoanalysis and, specifically, who are thinking critically about the use of psychoanalytic paradigms like mourning, loss, melancholia, infantile development, reparation, or transitional objects in relation to questions of the lived experiences of racial oppression." -- Christopher Bennett * Journal of Critical Race Inquiry *"Eng and Han—a literature professor and a psychotherapist, respectively—demonstrate how to understand the entanglements of history, culture, and psychoanalysis for Asian Americans. . . . This is an unusual social justice project, for it imagines a collective politics that is grounded in the intimate—and highly individualized—work of therapeutic repair." -- Amy R. Wong * Public Books *“Eng and Han’s work provides a critical vocabulary for articulating the slippery and insidious ways multicultural violence operates in the contemporary era.... Eng and Han contribute an invaluable perspective on Asian Americans’ racial and psychic processes that will be of interest to scholars across disciplines....” -- Corinne Mitsuye Sugino * Journal of Asian American Studies *Table of ContentsPreface vii Introduction: The History of the (Racial) Subject and the Subject of (Racial) History 1 Part I: Racial Melancholia 1. Racial Melancholia: Model Minorities, Depression, and Suicide 33 2. Desegregating Love: Transnational Adoption, Racial Reparation, and Racial Transnational Objects 66 Part II. Racial Dissociation 3. Racial Dissociation: Parachute Children and Psychic Nowhere 101 4. (Gay) Panic Attack: Coming Out in a Colorblind Age 141 Epilogue 174 Notes 181 Bibliography 203 Index 213

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Book SynopsisThe concluding volume in a poetic trilogy, Alexis Pauline Gumbs''s Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise. In these prose poems, Gumbs channels the voices of her ancestors, including whales, coral, and oceanic bacteria, to tell stories of diaspora, indigeneity, migration, blackness, genius, mothering, grief, and harm. Tracing the origins of colonialism, genocide, and slavery as they converge in Black feminist practice, Gumbs explores the potential for the poetic and narrative undoing of the knowledge that underpins the concept of Western humanity. Throughout, she reminds us that dominant modes of being human and the oppression those modes create can be challenged, and that it is possible to make ourselves and our planet anew.Trade Review“Grounded in oríkì-like references to Sylvia Wynter’s oeuvre, Dub simultaneously contracts and expands to create a new form of proprioception, which allows us as a species, phantomed by the corrosive and lacerating actions of history, to locate ourselves in relation to other species, as well as within the time-space continuum of the yet to be, the now and the ‘past.’ Part prayer, oration, exhortation, commentary and story, Dub amplifies ancestral voices to become mythopoesis in the making.” -- M. NourbeSe Philip, author of * Zong! *“Offering a sweeping, thoughtful, and exquisite meditation on Sylvia Wynter's work, Alexis Pauline Gumbs's poetic engagement represents a new and unique way of encountering and paying homage to Black feminist theory and Black feminist theorists. A beautiful and graceful text, Dub will inspire readers to return to and to rethink Wynter's work and her place within African Diaspora studies, Caribbean studies, and Black feminist studies.” -- Lisa B. Thompson, author of * Single Black Female *"Breath is an important theme in Dub. As is gratitude in the face of environmental decline. Because our ancestors navigated so intimately through change, Gumbs sets out to prove, so can we. . . . [An] exquisitely rendered love letter. . . ." -- Ashia Ajani * Sierra *"People throw around terms like Genius and Magic frequently but if you open this book, flip to any passage, and don’t feel moved from your soul then I will assume that you don’t have one. 5 Stars aren't enough for this sacred text but it's all we got so . . . ." -- Adrien Julious * Authentically Adrien blog *"I am so grateful that Alexis Pauline Gumbs listens to Black women writers and scholars the way that she does. . . . Dub is a book of our now. As tends to be the case with the books that Gumbs summons, the timing of Dub is prescient. With our breathless global attention set to registering the various way a virus connects all life forms, I cannot think of a better time for a book that tarries with and makes ceremony with Sylvia Wynter." -- Tiffany Lethabo King * Antipode *"[G]round-breaking. . . . Gumbs’s trilogy embraces the lyric beauty in the acts of naming, remembering, and finding one’s way back to the source. . . . Reading Gumbs’s books feels like reading an archive that will someday, who knows maybe even someday soon, usher in an era of radical transformation." -- Kathryn Nuernberger * West Branch *“Both a gathering and a recovery, this last pivotal volume in a trilogy commits to a new poetics. . . . Dub wakes us concussively. Both wrenching and playful, it offers instructions (two sets of them), warnings, and its central bid to listen to the undrowned.” -- Susan McCabe * Los Angeles Review of Books *Table of ContentsA Note ix Request 1 Commitment 3 Instructions 5 Opening 7 Whale Chorus 15 Remembering 21 Nunánuk 34 Boda 40 Anguilla 47 Another Set of Instructions 66 Red August 74 Relation 92 Prophet 94 And 110 Skin 114 Losing it All 120 It's Your Father 126 Edict 145 Edgegrove 153 Unlearning Herself 163 Birth Chorus 177 Conditions 194 Jamaica 199 Blood Chorus 202 Shop 214 Orchard 220 Cycle 227 Saving the Planet 231 Staying 239 Letting Go 246 Acknowledgments 253 Notes 261 Crate Dig 273

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Book SynopsisIn What’s the Use? Sara Ahmed continues the work she began in The Promise of Happiness and Willful Subjects by taking up a single word—in this case, use—and following it around. She shows how use became associated with life and strength in nineteenth-century biological and social thought and considers how utilitarianism offered a set of educational techniques for shaping individuals by directing them toward useful ends. Ahmed also explores how spaces become restricted to some uses and users, with specific reference to universities. She notes, however, the potential for queer use: how things can be used in ways that were not intended or by those for whom they were not intended. Ahmed posits queer use as a way of reanimating the project of diversity work as the ordinary and painstaking task of opening up institutions to those who have historically been excluded.Trade Review“In this close reading of use, Sara Ahmed leads the reader from object to object at a pace that moves with the deliberateness of a philosopher and the grace of a literary scholar. With this and other books, Ahmed has established herself as one of the most important feminist thinkers in the world.” -- Rosemarie Garland-Thomson“With characteristic verve and force, Sara Ahmed explores the uses of use. More than a history of an idea and much more than a philosophical investigation of use and value, Ahmed’s book teaches us how to locate use, usefulness, used-upness, used objects, and useful and useless knowledge in relation to time, space, queerness, and more. Read this book; you need it, and more importantly, you will use it. It is useful and useless in equal proportion and compelling precisely because of its mixed-use value. Before you know it, you will get used to use and you will carry it with you always.” -- Jack Halberstam“How lucky we are that feminist killjoy Sara Ahmed takes us on her learned, witty, and insightful journey. With her evocative exasperation at the state of affairs with regard to the (im)possibilities of diversity work and complaint, she dismantles the sexist and racist structures of the modern university. Now as a courageous, independent scholar, Ahmed continues to shine her characteristic phenomenological lights on walls and doors and more. She is still here; she refused to get used to it!” -- Gloria Wekker"By crafting different routes, travelling lesser-known paths, and finding alternate ways of telling stories about use, Ahmed invites her readers to see the world from these non-normative subject positions and to rethink and reshape their own worldviews in the process." -- Sohel Sarkar * AC Review of Books *"A well-written, engaging text. Highly recommended. All readership levels." -- C. R. McCall * Choice *"Ahmed sought to write a text that intervenes in the everyday, that elevates a threadbare backpack to a place of unbound theoretical play. And she has done so. Although some readers may find themselves frustrated by Ahmed’s deflections of tangible directive, that seems to be precisely the point. Accessible and innovative, What’s the Use? will be of serious interest to activists, artists, and academics working at the intersections of queer and critical race studies." -- Caitlin Mackenzie * QED *“Ahmed follows an unexpected and fascinating pathway through the history of use, one that brings together scientific theories, institutional histories, and everyday life.... Ahmed’s explorations are animated by a spirit of reinvention that challenges both the conventions of philosophical practice and the taken-for-granted boundaries of feminist thought.” -- Eden Kinkaid * Feminist Formations *"What’s the Use? combines an intellectual history and a philosophical exploration of the concept of use with ethnographies and personal reflections on institutional diversity work. . . . Ahmed’s paradoxical undertaking reveals one must first subvert institutional diversity practices, in order to truly diversify an institution." -- Velina Manolova * Public Books *“What’s the Use? is a rigorous book with power.... Ahmed’s book wields theory in the right way.... I came away from What’s the Use? feeling equipped with new knowledge and ready to use it.” -- Minhae Shim Roth * Continuum *"Ahmed’s book is an interdisciplinary treasure for scholars that contributes to diverse strands of thought including women’s studies, decolonial studies, disability studies, and queer studies. Furthermore, the 'queer and idiosyncratic' method of the book (19) offers rich resources for 'troublemakers,' student organizers, feminist collectives, and human rights advocates." -- Pallavi Gupta * International Feminist Journal of Politics *Table of ContentsAcknowledgments xiii Introduction. A Useful Archive 1 1. Using Things 21 2. The Biology of Use and Disuse 68 3. Use as Technique 103 4. Use and the University 141 Conclusion. Queer Use 197 Notes 231 References 257 Index 271

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Book SynopsisWhat has a use in the future, unforeseeably, is radically useless now. What has an effect now is not necessarily useful if it falls through the gaps. In For a Pragmatics of the Useless Erin Manning examines what falls outside the purview of already-known functions and established standards of value, not for want of potential but for carrying an excess of it. The figures are various: the infrathin, the artful, proprioceptive tactility, neurodiversity, black life. It is around the latter two that a central refrain echoes: 'All black life is neurodiverse life.' This is not an equation, but an 'approximation of proximity.' Manning shows how neurotypicality and whiteness combine to form a normative baseline for existence. Blackness and neurodiversity 'schizz' around the baseline, uselessly, pragmatically, figuring a more-than of life living. Manning, in dialogue with Félix Guattari and drawing on the black radical tradition''s accounts of black life and the aesthetics of blackTrade Review“Taking black studies seriously as the epistemology of operation from which to practice thought, Erin Manning does more than simply apply black studies to conversations about neurotypicality, autism, and language; she grapples with what black studies attempts to do—to shift the epistemological horizon of thought's horizon.” -- Ashon T. Crawley, author of * The Lonely Letters *“Given her expertise, philosophical acumen, and passion for questions of neurodiversity, I am excited that Erin Manning is the person to orchestrate the encounter between neurodiversity and blackness. Who else but Manning could bring together explorations into process philosophy, experimental practice, black studies, and neurodiversity? This is a superb and important work.” -- Stefano Harney, coauthor of * The Undercommons: Fugitive Planning and Black Study *"The argument of the book ranges across a wide field of topical concerns: whiteness, Black sociality, neurodiversity and neurotypicality, affect and feeling, and autism, all within the scope of considerations mainly related to aesthetics, agency, freedom, and power relations. The book itself is clearly situated at the crossroads of such fields as philosophy, neuroscience, and Black studies, and will surely be of interest to graduate students and academics who are seeking the cutting-edge territory of critical work that reaches beyond the boundaries of the university as normally configured. Highly recommended. Graduate students and faculty." -- M. Uebel * Choice *"Manning’s book might also be described as a field guide for academics who want to discover or rediscover the conditions by which thinking (as theory, poetry, art, or pedagogy) might generate values apart from those prescribed by our capitalist institutions. . . . [T]he book proffers many encounters with artists, art exhibits, and artistic projects that enable us, as readers, to explore the pragmatics that Manning is invoking." -- Ada S. Jaarsma * Letters in Canada *Table of ContentsAcknowledgments ix Prelude. Fugitively, Approximately 1 1. For a Pragmatics of the Useless 15 2. Toward a Politics of Immediation 33 Pocket Practice. nestingpatching 55 3. What Things Do When They Shape Each Other 75 Pocket Practice. backgroundigforegrounding 103 4. Experimenting Immediation: Collaboration and the Politics of Fabulation 115 5. Practicing the Shizz 145 Interlude. How Do We Repair? 199 6. Me Lo Dijo un Pajarito: Neurodiversity, Black Life, and the University As We Know It 213 Pocket Practice. livingdoing 235 7. Not at a Distance: On Touch, Synesthesia, and Other Ways of Knowing 245 Pocket Practice. ticcingflapping 271 8. Cephaloped Dreams: Finance at the Limit 289 Coda. schizziganarchiving 309 Notes 317 References 345 Index 359

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