Ethnic studies / Ethnicity Books

Book SynopsisLike coffee or tea, yerba mate is one of the world's most beloved caffeinated beverages. Once dubbed a devil's drink by Spanish missionaries in South America only to be later hailed by capitalists and politicians as green gold, it has a long and storied history. And no country consumes and celebrates yerba mate quite like Argentina. Yerba Mateis the first book to explore the extraordinary history of this iconic beverage in Argentina from the precolonial period to the present. From yerba mate's Indigenous origins to its ubiquity during the colonial era, from its association with rural people and the poor in the late nineteenth century to its resurgence in the last years of the twentieth century, Julia Sarreal meticulously documents yerba mate's consumption, production, and cultural importance over time.Yerba Mateis the definitive history of this popular beverage and social practice, and it tells a fascinating story about race, culture, and how a drink helped forge the national identity of one of the world's most dynamic countries.Trade Review"Yerba Mate is the first book to chart the captivating journey of Argentina’s cherished caffeinated beverage from its indigenous roots to the modern day. Through meticulous documentation, author Julia Sarreal showcases how yerba mate has intertwined with Argentina’s cultural and racial dynamics. She sheds light on yerba mate’s transformative role in shaping the country’s national identity and its present ubiquity." * Food Tank *"Yerba Mate would appeal to anyone interested in learning all that is needed to know about an infusion that is embedded in Argentine culture and the country’s everyday life. . . . I would recommend heating water, preparing a mate, and sipping while you enjoy the reading." * ReVista *"As Sarreal notes, yerba mate is now increasingly consumed as a cold beverage in Europe and the United States, marketed as a pick-me-up superfood with all the false trappings of Indigenous exoticization. And thanks to Sarreal’s sweeping book, scholars of Latin America and of food and drugs now have a definitive study of yerba mate in Argentina, and a picture window on the nation’s historical longue durée." * Hispanic American Historical Review *Table of ContentsContents Acknowledgments Introduction 1 • From Indigenous Staple to Colonial Commodity 2 • Tool of Empire 3 • Borderland Production and the Struggle to Form an Argentine Nation 4 • Gaucho Mythology and the Drink of the New Argentines 5 • Profits and Nationalism: The Rise of Green Gold in Argentina’s Belle Epoque 6 • Yerba Regulation, Nationalism, and the Fall of Laissez-Faire Ideology 7 • Yerba Workers as a Symbol of Capitalist Exploitation 8 • Modernity, Mass Politics, and Mate’s Decline 9 • The Rebirth of Mate with Democracy, Economic Crisis, and Globalization Afterword Notes Bibliography Index

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Book SynopsisTrade Review"This comprehensive survey should be required reading for contemporary art and African American history connoisseurs alike." * Publishers Weekly *"If Basquiat’s ultimate fate in the annals of art history remains unknown, it is Saggese’s Reader to which the future will turn for guidance as she expertly maps out the historical territory." * Rain Taxi Review of Books *Table of ContentsAcknowledgments Introduction JEAN-MICHEL BASQUIAT IN HIS OWN WORDS Interview by Marc H. Miller, 1982 Interview by Henry Geldzahler, 1982 Interview by Lisa Licitra Ponti, 1983 Interview by Geoff Dunlop and Sandy Nairne, 1985 Interview by Becky Johnston and Tamra Davis, 1985 Interview by Démosthènes Davvetas, 1985–1988 Interview by Isabelle Graw, 1986 BASQUIAT'S LANGUAGE Texts by Jean-Michel Basquiat CONTEMPORARY CRITICISM AND COMMENTARY The Radiant Child Rene Ricard, 1981 Schnabel and Basquiat: Explosions and Chaos Hunter Drohojowska, 1982 Jean-Michel Basquiat Jeffrey Deitch, 1982 Jean-Michel Basquiat at Annina Nosei Lisa Liebmann, 1982 Jean-Michel Basquiat at Fun Gallery Susan Hapgood, 1983 Black Picasso and the Lie Detector Diego Cortez, 1983 New Kid on the (Auction) Block Ellen Lubell, 1984 Jean-Michel Basquiat Kate Linker, 1984 Jean-Michel Basquiat at Boone/Werner Nicolas A. Moufarrege, 1984 New Art, New Money: The Marketing of an American Artist Cathleen McGuigan, 1985 Activating Heaven: The Incantatory Art of Jean-Michel Basquiat Robert Farris Thompson, 1985 Art: Basquiat, Warhol Vivien Raynor, 1985 Andy Warhol/Jean-Michel Basquiat Robert Mahoney, 1985 Andy Warhol/Jean-Michel Basquiat Ronald Jones, 1986 Jean-Michel Basquiat Barry Schwabsky, 1986 KNOWING BASQUIAT Interviews by Jordana Moore Saggese Michael Holman, 2007 Suzanne Mallouk, 2008 Bruno Bischofberger, 2010 Robert Farris Thompson, 2011 Dieter Buchhart, 2019 Erika Belle, 2019 Diego Cortez, 2019 THE AFTERLIFE OF JEAN-MICHEL BASQUIAT Jean Basquiat, 27, an Artist of Words and Angular Images Constance L. Hays, 1988 Jean-Michel Basquiat, 1960–1988 Hilton Als, 1988 Martyr without a Cause Peter Schjeldahl, 1988 Remembering Basquiat Keith Haring, 1988 Requiem for a Featherweight: The Sad Story of an Artist's Success Robert Hughes, 1988 New York: More Post-Modern Than Primitive Gregory Galligan, 1988 Saint Jean-Michel Frederick Ted Castle, 1989 Nobody Loves a Genius Child: Jean-Michel Basquiat, Lonesome Flyboy in the '80s Art Boom Buttermilk Greg Tate, 1989 Welcome to the Terrordome: Jean-Michel Basquiat and the "Dark" Side of Hybridity Dick Hebdige, 1992 Royal Slumming: Jean-Michel Basquiat Here Below Thomas McEvilley, 1992 Altars of Sacrifice: Re-membering Basquiat bell hooks, 1993 A Day at the Races: Lorraine O’Grady on Basquiat and the Black Art World Lorraine O’Grady, 1993 Tip-Tapping on a Tightrope Franklin Sirmans, 1994 Famous and Dandy like B. 'n' Andy: Race, Pop, and Basquiat José Esteban Muñoz, 1996 Lost in Translation: Jean-Michel in the (Re)Mix Kellie Jones, 2005 Basquiat's Poetics Christopher Stackhouse, 2015 Chronology List of Illustration Credits Index

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Book SynopsisThis “important and timely” (Drew Faust, Harvard Magazine) #1 New York Times bestseller examines the legacy of slavery in America—and how both history and memory continue to shape our everyday lives. Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view—whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted. Informed by scholarship and brought to life by the story of people living today, Smith's debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.   Winner of the National Book Critics Circle Award for NonfictionWinner of the Stowe Prize Winner of 2022 Hillman Prize for Book Journalism A New York Times 10 Best Books of 2021 

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Book SynopsisFrom the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father.Essential. ?BooklistNotes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie''s beloved father?s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page?and never without touches of rich, honest humor?Adichie weaves together her own experience of her father?s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he?d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book?a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment?a work readers will treasure and share now more than ever?and yet will prove durable and timeless, an indispensable addition to Adichie''s canon.

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Book SynopsisNicole Charles frames the refusal of Afro-Barbadians to immunize their daughters with the HPV vaccine as suspicion, showing that this suspicion is based in concrete histories of government mistrust and coercive medical practices on colonized peoples.Trade Review“Suspicion is a compellingly written and superlatively theorized ethnography of public health, affect, and the persistence of racism in the Caribbean. Nicole Charles uses suspicion to understand the logic behind Black parents' decisions about whether to give their children vaccines, showing that their decisions are rooted not in ignorance and irrationality but within long histories of racial and sexual injury as well as hierarchies related to race, class, color, education, and authority. This is quite simply a remarkable book.” -- Deborah A. Thomas, author of * Political Life in the Wake of the Plantation: Sovereignty, Witnessing, Repair *“In this empirically rich account of HPV vaccine promotion and refusal in Barbados, Nicole Charles depathologizes and unsettles conventional understandings of vaccine hesitancy through the urgent conceptual framework of suspicion. Deeply informed by and contributing to plural interdisciplinary conversations in Black feminisms, transnational gender studies, science and technology studies, and the history and anthropology of the Caribbean, Charles listens closely to insightful interlocutors in Barbados to illuminate the embodied affective intensity of contemporary vaccine politics.” -- Anne Pollock, author of * Synthesizing Hope: Matter, Knowledge, and Place in South African Drug Discovery *"Charles provides us with a thoroughly researched examination of an important subject at a time when such research is urgently needed in the face of a deadly pandemic. She shows us that parents in Barbados are motivated by genuine fears regarding the health of their children, and reasonable suspicion about the motivations of the state, and of vaccine manufacturers. That is significant for understanding how black Caribbean people evaluate technologies that affect health." -- F.S.J. Ledgister * Caribbean Quarterly *"This interesting, theoretically engaging book explores vaccine hesitancy among adolescents and young women in the English-speaking Caribbean nation of Barbados. Feminist scholars, medical anthropologists, and health-care professionals in the Caribbean and other postcolonial settings will benefit greatly from exposure to the ideas outlined in this book. Highly recommended. Lower- and upper-division undergraduates. Graduate students, faculty, and professionals. General readers." -- F. H. Smith * Choice *“Suspicion is a richly documented and theoretically ambitious ethnography of HPV vaccination hesitancy in Barbados. . . . Charles persuasively shows that Barbadians’ suspicion toward the HPV vaccination should be taken seriously, as it constitutes a productive tool for social and cultural analysis. . . . [Suspicion] is a theoretically sophisticated book that charts new territory within the literature.” -- Cristina A. Pop * Gender & Society *“This remarkable book . . . makes an important contribution to international scholarship on vaccine hesitancy, linking personal and familial decision-making in Barbados with transnational economic trends, national health and economic policies, and local embodied experiences of postcoloniality. . . . Suspicion offers a necessary correction to current received wisdom about some people’s deeply felt discomfort about vaccines, which inevitably links vaccine hesitancy with irrationality and misinformation.” -- Bernice L. Hausman * Journal of Medical Humanities *“Although numerous studies have been undertaken on vaccine confidence and its social regulators, there has rarely been a work published in this area that provides such depth of feeling to the voiced concerns of a specific community. . . . The result is a beautifully rich understanding of the complexity of human decision-making and a recognition that, at least in the case of Afro-Barbadians, ‘suspicion’ is a far more apt description of collective vaccine response than ‘hesitancy.’” -- Paula Larsson * H-Sci-Med-Tech, H-Net Reviews *Table of ContentsAcknowledgments ix Suspicion: An Introduction 1 1. Circles of Suspicion 24 2. Risk and Suspicion: An Archive of Surveillance and Racialized Biopolitics in Barbados 45 3. (Hyper)Sexuality, Respectability, and the Language of Suspicion 66 4. Care, Embodiment, and Sensed Protection 94 5. Suspicion and Certainty 115 Conclusion: Toward Radical Care 148 Notes 155 Bibliography 175 Index 191

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Book SynopsisReveals the legacy of the train as a critical site of race in the United StatesDespite the seeming supremacy of car culture in the United States, the train has long been and continues to be a potent symbol of American exceptionalism, ingenuity, and vastness. For almost two centuries, the train has served as the literal and symbolic vehicle for American national identity, manifest destiny, and imperial ambitions. It's no surprise, then, that the train continues to endure in depictions across literature, film, ad music. The Racial Railroad highlights the surprisingly central role that the railroad has playedand continues to playin the formation and perception of racial identity and difference in the United States. Julia H. Lee argues that the train is frequently used as the setting for stories of race because it operates across multiple registers and scales of experience and meaning, both as an invocation of and a depository for all manner of social, historical, and political narratives.Trade Review"Julia Lee’s brilliant scholarly intervention is in rendering the railroad as THE technology for understanding American exceptionalism, racial exclusion, and racist state harm, as well as, contradictorily, the symbol of liberation and legitimation for so many non-white Americans who have struggled to lay claim to the U.S. The depth and breadth of Lee’s archive, from canonical American novels to contemporary films and music videos further reinforces the ubiquity of trains and the railroad in the racial hierarchies of the last two centuries and is a testament to Lee’s capacious intellect and scholarly rigor." * Jennifer Ho, author of Racial Ambiguity in Asian American Culture *"A fascinating interdisciplinary book offering a sustained consideration of the railroad’s cultural iconicity from the suppressed perspective of racialized authors. Lee’s distinctive expertise in literary analysis and comparative race studies covers a broad and diverse archive that conveys the railroad’s racial implications and contestations across visual, acoustic, and literary forms." * Hsuan Hsu, author of The Smell of Risk: Environmental Disparities and Olfactory Aesthetics *"Lee examines affinities between narratives and images of American exceptionalism and railroads, both of which narrowly orient perspective through the perception of movement. … Lee examines visual narratives of trains in railroad advertisements, in film history, and in reenactments. She examines narratives of Chinese degeneracy and Chinese American memory, of the survival and critique of Jim Crow, and of border crossings and the exploitation of migrant labor, all taking place on trains … offers valuable insights on how racism and exclusionary borders take shape through physical infrastructure." -- Manu Karuka * Public Books *

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Book SynopsisWinner of the 1990 American Book Award What is classical about Classical civilization? In one of the most audacious works of scholarship ever written, Martin Bernal challenges the foundation of our thinking about this question. Classical civilization, he argues, has deep roots in Afroasiatic cultures. But these Afroasiatic influences have been systematically ignored, denied or suppressed since the eighteenth century—chiefly for racist reasons. The popular view is that Greek civilization was the result of the conquest of a sophisticated but weak native population by vigorous Indo-European speakers—Aryans—from the North. But the Classical Greeks, Bernal argues, knew nothing of this “Aryan model.” They did not see their institutions as original, but as derived from the East and from Egypt in particular. In an unprecedented tour de force, Bernal links a wide range of areas and disciplines—drama, poetry, myth, theological controversy, esoteric religion, philosophy, biography, language, historical narrative, and the emergence of “modern scholarship.”Trade Review"In a spectacular undertaking, Martin Bernal sets out to... restore the credibility of what he calls the Ancient Model of the beginnings of Greek civilizations... Bernal makes an exotic interloper in Classical studies. He comes to them with two outstanding gifts: a remarkable flair for the sociology - perhaps one should say politics - of knowledge, and a formidable linguistic proficiency... The story told by Bernal, with many fascinating twists and turns and quite a few entertaining digressions, is... a critical inquiry into a large part of the European imagination... a retrospect of ingenious and often sardonic erudition." -- Perry Anderson * The Guardian *"An astonishing work, breathtakingly bold in conception and passionately written... salutary, exciting, and, in its historiographical aspects, convincing." -- G. W. Bowersock * Journal of Interdisciplinary History *"A work which has much to offer the lay reader, and its multi-disciplinary sweep is refreshing: it is an important contribution to historiography and the sociology of knowledge, written with elegance, wit, and self-awareness... a thrilling journey... his account is as gripping a tale of scholarly detection and discovery as one could hope to find." -- Margaret Drabble * The Observer *"Bernal's material is fascinating, his mind is sharp, and his analyses convince." -- Richard Jenkyns * Times Higher Educational Supplement *"A formidable work of intellectual history, one that demonstrates that the politics of knowledge is never far from national politics." * Christian Science Monitor *"His book should be welcome to both classicists and ancient historians, most of whom will, now at least, be inclined to agree with him." -- R. A. McNeal * Franklin and Marshall College *"Bernal's work and the stir it has occasioned have caused ancient historians and archaeologists to undertake a major reexamination of methods and motives." -- Robert L. Pounder * American Historical Review *"Colossal.... Bernal aims to revise current understanding of Ancient Middle Eastern history by taking seriously the ancient Greeks' legends that portrayed much in their civilization as originating in the Middle East, especially Egypt." * New York Times Book Review *"Demands to be taken seriously... Every page that Bernal writes is educating and enthralling. To agree with all his thesis may be a sign of naivety, but not to have spent time in his company is a sign of nothing at all." * Times Literary Supplement *"A serious work that deals in a serious way with many of the principal issues of Aegean history in the second millennium B.C., and one can ask little more of any historical work." -- Stanley M. Burstein, California State University * Classic Philology *"[Bernal's] multifaceted assault on academic complacency is an important contribution to the development of a more open, historical, and culturally oriented post-processual archaeology." * Current Anthropology *"A breathtaking panoply of archaeological artifacts, texts, and myths." * Toronto Star *"Bernal's enterprise - his attack on the Aryan model and his promotion of a new paradigm - will profoundly mark the next century's perception of the origins of Greek civilization and the role of Ancient Egypt." * Transition *"Challenges the racism implicit in the recent 'cultural literacy' movement." * Socialist Review *"A monumental and path-breaking work." -- Edward Said"[Martin Bernal] has forced scholars to reexamine the roots of Western civilization." * Newsweek *"Martin Bernal has managed to make the subject of Ancient Greece both popular and controversial." * Baltimore Sun *"Martin Bernal’s Black Athena is nothing short of a monumental achievement in scholarship that re-oriented and transformed serious study of ancient civilizations. It remains a soaring accomplishment of classical erudition of the Afroasiatic foundation of Greek history." -- Molefi Kete Asante * author of The History of Africa,Professor, Department of Africology, Temple University *"Black Athena is a powerfully written and brilliantly researched book that relentlessly unveils the historical and cultural African origins of Western civilization. Still a must read for all those in search of truth." -- Ama Mazama * Professor of Africology and African American Studies, Temple University *“Bernal has ample justification for calling into question many widely accepted hypotheses…. He shows that Egypt and its culture were misrepresented or simply ignored by European writers.” -- Mary Lefkowitz * The New Republic *"In a spectacular undertaking, Martin Bernal sets out to... restore the credibility of what he calls the Ancient Model of the beginnings of Greek civilizations... Bernal makes an exotic interloper in Classical studies. He comes to them with two outstanding gifts: a remarkable flair for the sociology - perhaps one should say politics - of knowledge, and a formidable linguistic proficiency... The story told by Bernal, with many fascinating twists and turns and quite a few entertaining digressions, is... a critical inquiry into a large part of the European imagination... a retrospect of ingenious and often sardonic erudition." -- Perry Anderson * The Guardian *"An astonishing work, breathtakingly bold in conception and passionately written... salutary, exciting, and, in its historiographical aspects, convincing." -- G. W. Bowersock * Journal of Interdisciplinary History *"A work which has much to offer the lay reader, and its multi-disciplinary sweep is refreshing: it is an important contribution to historiography and the sociology of knowledge, written with elegance, wit, and self-awareness... a thrilling journey... his account is as gripping a tale of scholarly detection and discovery as one could hope to find." -- Margaret Drabble * The Observer *"Bernal's material is fascinating, his mind is sharp, and his analyses convince." -- Richard Jenkyns * Times Higher Educational Supplement *"A formidable work of intellectual history, one that demonstrates that the politics of knowledge is never far from national politics." * Christian Science Monitor *"His book should be welcome to both classicists and ancient historians, most of whom will, now at least, be inclined to agree with him." -- R. A. McNeal * Franklin and Marshall College *"Bernal's work and the stir it has occasioned have caused ancient historians and archaeologists to undertake a major reexamination of methods and motives." -- Robert L. Pounder * American Historical Review *"Colossal.... Bernal aims to revise current understanding of Ancient Middle Eastern history by taking seriously the ancient Greeks' legends that portrayed much in their civilization as originating in the Middle East, especially Egypt." * New York Times Book Review *"Demands to be taken seriously... Every page that Bernal writes is educating and enthralling. To agree with all his thesis may be a sign of naivety, but not to have spent time in his company is a sign of nothing at all." * Times Literary Supplement *"A serious work that deals in a serious way with many of the principal issues of Aegean history in the second millennium B.C., and one can ask little more of any historical work." -- Stanley M. Burstein, California State University * Classic Philology *"[Bernal's] multifaceted assault on academic complacency is an important contribution to the development of a more open, historical, and culturally oriented post-processual archaeology." * Current Anthropology *"A breathtaking panoply of archaeological artifacts, texts, and myths." * Toronto Star *"Bernal's enterprise - his attack on the Aryan model and his promotion of a new paradigm - will profoundly mark the next century's perception of the origins of Greek civilization and the role of Ancient Egypt." * Transition *"Challenges the racism implicit in the recent 'cultural literacy' movement." * Socialist Review *"A monumental and path-breaking work." -- Edward Said"[Martin Bernal] has forced scholars to reexamine the roots of Western civilization." * Newsweek *"Martin Bernal has managed to make the subject of Ancient Greece both popular and controversial." * Baltimore Sun *"Martin Bernal’s Black Athena is nothing short of a monumental achievement in scholarship that re-oriented and transformed serious study of ancient civilizations. It remains a soaring accomplishment of classical erudition of the Afroasiatic foundation of Greek history." -- Molefi Kete Asante * author of The History of Africa,Professor, Department of Africology, Temple University *"Black Athena is a powerfully written and brilliantly researched book that relentlessly unveils the historical and cultural African origins of Western civilization. Still a must read for all those in search of truth." -- Ama Mazama * Professor of Africology and African American Studies, Temple University *“Bernal has ample justification for calling into question many widely accepted hypotheses…. He shows that Egypt and its culture were misrepresented or simply ignored by European writers.” -- Mary Lefkowitz * The New Republic *Table of ContentsPreface and Acknowledgements Transcription and Phonetics Maps and Charts Chronological Table Introduction Background Proposed historical outline Black Athena, Volume I: a summary of the argument Greece European or Levantine? The Egyptian and West Semitic Components of Greek Civilization / a summary of Volume 2 Solving the Riddle of the Sphinx and Other Studies in Egypto-Greek Mythology / a summary of Volume 1 The Ancient Model in Antiquity Pelasgians Ionians Colonization The colonizations in Greek tragedy Herodotos Thucydides Isokrates and Plato Aristotle Theories of colonization and later borrowing in the Hellenistic world Plutarch’s attack on Herodotos The triumph of Egyptian religion Alexander son of Ammon 2 Egyptian wisdom and Greek transmission From the Dark Ages to the Renaissance The murder of Hypatia The collapse of Egypto-Pagan religion Christianity, stars and fish The relics of Egyptian religion: Hermeticism, Neo-Platonism and Gnosticism Hermeticism – Greek, Iranian, Chaldaean or Egyptian? Hermeticism and Neo-Platonism under early Christianity, Judaism and Islam Hermeticism in Byzantium and Christian Western Europe Egypt in the Renaissance Copernicus and Hermeticism Hermeticism and Egypt in the 16th century 3 The triumph of Egypt in the 17th and 18th centuries Hermeticism in the 17th century Rosicrucianism: Ancient Egypt in Protestant countries Ancient Egypt in the 18th century The 18th century: China and the Physiocrats The 18th century: England, Egypt and the Freemasons France, Egypt and ‘progress’: the quarrel between Ancients and Moderns Mythology as allegory for Egyptian science The Expedition to Egypt 4 Hostilities to Egypt in the 18th century Christian reaction The ‘triangle’: Christianity and Greece against Egypt The alliance between Greece and Christianity ‘Progress’ against Egypt Europe as the ‘progressive’ continent ‘Progress’ Racism Romanticism Ossian and Homer Romantic Hellenism Winckelmann and Neo-Hellenism in Germany Göttingen 5 Romantic linguistics The rise of India and the fall of Egypt, 1740–1880 The birth of Indo-European The love affair with Sanskrit Schlegelian Romantic linguistics The Oriental Renaissance The fall of China Racism in the early 19th century What colour were the Ancient Egyptians? The national renaissance of modern Egypt Dupuis, Jomard and Champollion Egyptian monotheism or Egyptian polytheism Popular perceptions of Ancient Egypt in the 19th and 20th centuries Elliot Smith and ‘diffusionism’ Jomard and the Mystery of the Pyramids 6 Hellenomania, 1 The fall of the Ancient Model, 1790–1830 Friedrich August Wolf and Wilhelm von Humboldt Humboldt’s educational reforms The Philhellenes Dirty Greeks and the Dorians Transitional figures, 1: Hegel and Marx Transitional figures, 2: Heeren Transitional figures, 3: Barthold Niebuhr Petit-Radel and the first attack on the Ancient Model Karl Otfried Müller and the overthrow of the Ancient Model 7 Hellenomania, 2 Transmission of the new scholarship to England and the rise of the Aryan Model, 1830–60 The German model and educational reform in England George Grote Aryans and Hellenes 8 The rise and fall of the Phoenicians, 1830–85 Phoenicians and anti-Semitism What race were the Semites? The linguistic and geographical inferiorities of the Semites The Arnolds Phoenicians and English, 1: the English view Phoenicians and English, 2: the French view Salammbô Moloch The Phoenicians in Greece: 1820–80 Gobineau’s image of Greece Schliemann and the discovery of the ‘Mycenaeans’ Babylon 9 The final solution of the Phoenician problem, 1885–1945 The Greek Renaissance Salomon Reinach Julius Beloch Victor Bérard Akhenaton and the Egyptian Renaissance Arthur Evans and the ‘Minoans’ The peak of anti-Semitism, 1920–39 20th-century Aryanism Taming the alphabet: the final assault on the Phoenicians 10 The post-war situation The return to the Broad Aryan Model, 1945–85 The post-war situation Developments in Classics, 1945–65 The model of autochthonous origin East Mediterranean contacts Mythology Language Ugarit Scholarship and the rise of Israel Cyrus Gordon Astour and Hellenosemitica Astour’s successor? – J. C. Billigmeier An attempt at compromise: Ruth Edwards The return of the Iron Age Phoenicians Naveh and the transmission of the alphabet The return of the Egyptians? The Revised Ancient Model Conclusion Appendix Were the Philistines Greek? Notes Glossary Bibliography Index

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Book SynopsisThe Ku Klux Klan established a significant foothold in Arkansas in the 1920s, boasting more than 150 state chapters and tens of thousands of members at its zenith. Propelled by the prominence of state leaders such as Grand Dragon James Comer and head of Women of the KKK Robbie Gill Comer, the Klan established Little Rock as a seat of power second only to Atlanta. In The Ku Klux Klan in 1920s Arkansas, Kenneth C. Barnes traces this explosion of white nationalism and its impact on the state’s development.Barnes shows that the Klan seemed to wield power everywhere in 1920s Arkansas. Klansmen led businesses and held elected offices and prominent roles in legal, medical, and religious institutions, while the women of the Klan supported rallies and charitable activities and planned social gatherings where cross burnings were regular occurrences. Inside their organization, Klan members bonded during picnic barbeques and parades and over shared religious traditions. Outside of it, they united to direct armed threats, merciless physical brutality, and torrents of hateful rhetoric against individuals who did not conform to their exclusionary vision.By the mid-1920s, internal divisions, scandals, and an overzealous attempt to dominate local and state elections caused Arkansas’s Klan to fall apart nearly as quickly as it had risen. Yet as the organization dissolved and the formal trappings of its flamboyant presence receded, the attitudes the Klan embraced never fully disappeared. In documenting this history, Barnes shows how the Klan’s early success still casts a long shadow on the state to this day.

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Book SynopsisJennifer C. Nash reframes black feminism's engagement with intersectionality, contending that black feminists should let go of their possession and policing of the concept in order to better unleash black feminist theory's visionary and world-making possibilities.Trade Review"What Nash does in Black Feminism Reimagined is new, brave, and important." -- Chelsea Johnson * Women's Review of Books *"This book brings charged feminist issues, anxieties, and negative affects to the surface for the field of women’s studies to confront making for a challenging yet necessary read." -- Tiffany Lethabo King * Feminist Formations *"This is a book that generates messy feelings, that forges counterintuitive intimacies, that asks and answers difficult questions about a field that is still too often denied a brief— at least in the US academy— as a crucial site of intellectual motility, critical inquiry, and capacious knowledge production." -- Shoniqua Roach * Syndicate *"Black Feminism Reimagined is an invitation to explore the radical openness of Black feminism and the diversity of its potential expressions." -- James Bliss * Syndicate *"[This] book has created a moment in the academy that calls us to practice radical honesty. [Its] honesty about the affect and feelings that Black feminism— and particularly intersectionality— produce in the academy is a rare and refreshing break from the norms of bourgeois pretense and protocols of politesse." -- Tiffany King * Syndicate *"Black Feminism Reimagined invites us to think about which sites of black feminism have been emphasized and which have been foreclosed in its multi-decade tarrying with the academy." -- Amber Musser * Syndicate *"Nash provides an important new examination of intersectionality and Black feminism, one that will shape women’s studies and feminist theory well into the future. Challenging yet enlightening, this book is sharp and nuanced and necessary. It’s your end-of-year #RequiredReading." -- Karla Strand * Ms. *Table of ContentsAcknowledgments vii Introduction: Feeling Black Feminism 1 1. A Love Letter from a Critic, or Notes on the Intersectionality Wars 33 2. The Politics of Reading 59 3. Surrender 81 4. Love in the Time of Death 111 Coda: Some of Us are Tired 133 Notes 139 Bibliography 157 Index 165

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Book SynopsisBlackness is a prized commodity in American pop culture. Marketed to white consumers, it invites whites to view themselves in a mirror of racial difference, while remaining wholly white. From sports to literature, film, and music to investigative journalism, Eric Lott reveals the hidden dynamics of this self-and-other racial mirroring.Trade ReviewThis is a rich book. Eric Lott made worlds I thought I knew look unexplored: more interesting, more cryptic, more threatening, more alive. -- Greil MarcusThe ‘Black Mirror’ does not exactly reproduce blackness; it activates fantasies of blackness that are crucial to the reproduction of white national selfhood. Lott begins with a timely, uncannily lucid account of Barack Obama’s usage of cross-racial mirrorings throughout his presidency. This book is poised to intervene in the most difficult and significant of contemporary and political questions. A monumental achievement. -- Donald Pease, Dartmouth CollegeEric Lott reveals the syncopated rhythms of racial fantasy that serve as the enduring backbeat of American culture. He posits that a ‘black mirror’ works overtime in American culture to produce a fantasy of white masculinity and plenitude. This book is insightful, timely, and stunningly written. -- Elizabeth Maddock Dillon, Northeastern University[Lott] has important things to say about how race functions in contemporary U.S. culture. -- D. C. Mauss * Choice *

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Book Synopsis"Time Longer than Rope" unearths the ordinary roots of extraordinary change, demonstrating the depth and breadth of black oppositional spirit and activity that preceded the civil rights movement.Trade Review"An exciting and much needed anthology. Collectively, this astute selection of provocative essays and the powerful introduction effectively challenge worn frameworks and outmoded narratives of the civil rights movement. Pushing the time line back to before the Civil War, Charles M. Payne and Adam Green complicate our understanding of how everyday people transformed their own lives and changed this nations history. This splendid volume is a vital contribution to African American history and underscores the importance of dissent in America." -- Darlene Clark Hine,co-author of A Shining Thread of Hope: The History of Black Women in America"An exciting and much needed anthology. Collectively, this astute selection of provocative essays and the powerful introduction effectively challenge worn frameworks and outmoded narratives of the civil rights movement. Pushing the time line back to before the Civil War, Charles M. Payne and Adam Green complicate our understanding of how everyday people transformed their own lives and changed this nations history. This splendid volume is a vital contribution to African American history and underscores the importance of dissent in America." -- Darlene Clark Hine,co-author, A Shining Thread of Hope: The History of Black Women in America"Readers will find this volume a helpful companion to capturing an under explored area of black activism from the slavery era to the mid-twentieth century. These essays are especially helpful in assessing the rural historical experiences of African Americans and advancing our common historical understanding and knowledge on key aspects of this element of the black experience." * The Journal of Southern History *"The essays that make up Time Longer Than Rope skillfully express the variety, depth, and resilience of African Americans resistance in the effort to achieve political freedom and greater economic opportunities and to maintain viable intraracial community associations to fight for equality. A useful tool that will facilitate student awareness of the varied and long-term struggle for black freedom in America." * The Journal of American History *"A comprehensive collection of essays and narratives." * Ebony *

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Book SynopsisThe first history of black slavery in the Maritimes, North to Bondage is a startling corrective to the enduring myth of Canada as a land of freedom at the end of the Underground Railroad.Trade ReviewNorth to Bondage provides a powerful interruption of the historical silencing of slavery in Canada, detailing the complex origins and intricate social relationships that formed the basis of slavery in the Maritimes. The book thus functions as an important corrective to Canadian narratives of slavery that have functioned largely to erase black presence and suffering in Canada by encouraging a belief that slavery was either non-existent, benevolent, or economically unimportant. * Canadian Literature *...North to Bondage is an important work that will become the standard text for understanding Maritime slavery...it not only challenges scholars of early Canada to think about the place and role of slavery but also Canada’s understanding of its national identity. For that reason, it has a place in many different classrooms, including courses on early Canadian history, multiculturalism in Canada, and Atlantic slavery. -- Jared Hardesty, Western Washington University * American Review of Canadian Studies, Vol. 46 No. 4, February 2017 *Whitfield’s book places the experiences of enslaved persons at the centre of this history. This is skilfully done given that there are few sources that contain the unmediated voices of enslaved people in Atlantic Canada …[Whitfield] achieves this by combining archival material and histories of slavery in what became the United States and Canada. He demonstrates that enslaved persons negotiated their experiences of enslavement and he shows that they were integral to bringing about the demise of slavery in the early nineteenth century. -- Eleanor Bird, The University of Sheffield * British Journal of Canadian Studies *Whitfield’s important and very readable study reinserts Maritimes slavery and black labour into the narrative of Canada’s many beginnings while also keeping the relevant black Atlantic connections in full view. -- Winfried Siemerling, University of Waterloo * Left History *Whitfield presents a new avenue for understanding the complexities of slavery in Maritime Canada and opens the door for future research. Rather than expanding on traditional research that stresses the freedoms found by enslaved or escaped African-Americans, Whitfield complicates the narratives and creates a more encompassing image of life in the late eighteenth and early nineteenth centuries ... North to Freedom will be a welcomed addition to courses in both Canadian and American history, especially those looking to bring in new perspectives that challenge the history of slavery. -- Amy Mitchell-Cook, University of West Florida * Canadian Journal of History *North to Bondage is a significant contribution to several subfields of historical research, including African diasporic studies, the history of slavery, early American history, and early Canadian history. At just 118 pages of text and written in accessible prose, it is also very readable and ideally suited for the classroom. -- Christopher C. Jones, Brigham Young University * Early Canadian History *Amani Whitfield provides a nuanced and remarkably fulsome picture of the lives of enslaved people in the Maritimes by drawing on runaway advertisements, court documents, and personal papers. * Immigrants & Minorities *Table of ContentsIntroduction: Slavery in the Maritime Colonies1 Slavery and the American Context2 Maritime Slavery and Loyalist Settlement3 Slave Work4 The World of Maritime Slaves and Slaveholders5 Ending SlaveryConclusion: Legacies of SlaveryAppendix A: Possible Slave NumbersAppendix B: Slave ProfilesNotesBibliographic Essay

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Book SynopsisBlackballed is Darryl Pinckney’s meditation on a century and a half of participation by blacks in US electoral politics. In this combination of memoir, historical narrative, and contemporary political and social analysis, he investigates the struggle for black voting rights from Reconstruction through the civil rights movement to Barack Obama’s two presidential campaigns. Drawing on the work of scholars, the memoirs of civil rights workers, and the speeches and writings of black leaders like Martin Luther King and Stokely Carmichael, Andrew Young and John Lewis, Pinckney traces the disagreements among blacks about the best strategies for achieving equality in American society as well as the ways in which they gradually came to create the Democratic voting bloc that contributed to the election of the first black president.  Interspersed through the narrative are Pinckney’s own memories of growing up during the civil rights era and the reactio

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Book SynopsisDescribes the development of chimaycha, a Quechua-language music genre, over the last fifty years, in order to show how changes in performance track and drive evolving conceptions of Andean indigeneity over the same period.

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Book SynopsisTrade Review“Wole Soyinka always guarantees challenging and lively reading.”—Tom Phillips, Times Literary Supplement“Wole Soyinka, the great Afro-Atlantic master, speaks with authority and compassion about the art and literature of the black world. Beyond Aesthetics is insightful, essential reading.”—Robert Farris Thompson, author of Flash of the Spirit and Tango: The Art History of Love

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Book SynopsisFarzaneh Hemmasi draws on ethnographic fieldwork in Los Angeles and musical and textual analysis to examine how the pop music, music videos, and television made by Iranian expatriates express modes of Iranianness not possible in Iran.Trade Review“In this important book Farzaneh Hemmasi offers a novel reading of Iranian exilic pop music, raising insightful conceptual questions about the notion and significance of pop culture and diasporic imagination. By taking pop music seriously, she opens up a space for conversations about transnational networks of artistic production, the construction of nationhood and nationalism, and the politics of identity.” -- Behrooz Ghamari-Tabrizi, author of * Foucault in Iran: Islamic Revolution after the Enlightenment *“Tehrangeles Dreaming deftly analyzes what circulates and translates around and across this most complex and refractive of diasporic spaces. It is a subtle book, a model of how to weave popular music and dance into a field still largely dominated by film and literature. And a real pleasure to read. That shesh-o-hasht groove can be felt on every page.” -- Martin Stokes, author of * The Republic of Love: Cultural Intimacy in Turkish Popular Music *“Farzaneh Hemmasi’s book is a deft and insightful analysis of Tehrangeles, viewed as a geography, a music scene, a pop industry, a transnational cultural production field, and a post-revolutionary diasporic cultural formation…. Conceptually rich, theoretically nuanced, with its lucid demonstrations of the mobilization of affect, Hemmasi’s Tehrangeles Dreaming makes a valuable contribution to a wide range of scholarship.” -- Mehdi Semati * Cultural Studies *“Tehrangeles Dreaming offers a compellingly argued and accessibly written ethnography of exile, cultural production, and the politics of identity in the Iranian context. It no doubt will be useful for those in ethnomusicology, anthropology, cultural studies, and Middle East Studies...” -- Amy Malek * International Journal of Middle East Studies *“[Tehrangeles Dreaming] is an invaluable contribution to the study of Iranian popular culture.... Hemmasi is a truly powerful narrator in her ethnographic work and she provides a profoundly deep and pointed analysis....” -- Siavash Rokni * Lateral *“[Tehrangeles Dreaming] is particularly interesting when it discusses the impact of Tehrangeles pop on Iranians within, in political, social and moral terms.... The writing is engaging, filled with stories about fieldwork and encounters.” -- Laetitia Nanquette * Abstracta Iranica *“Tehrangeles Dreaming makes significant contributions to the scholarship on both American musical multiculturalism and the music of the Islamic world. . . . Farzaneh Hemmesi is to be commended for her clear and captivating first book.” -- Anna K. Rasmussen * Journal of Anthropological Research *Table of ContentsAcknowledgments ix Introduction 1 1. The Capital of 6/8 38 2. Iranian Popular Music and History: Views from Tehrangeles 67 3. Expatriate Erotics, Homeland Moralities 98 4. Iran as a Singing Woman 122 5. A Nation in Recovery 153 Conclusion: Forty Years 186 Notes 201 References 223 Index 235

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Book Synopsis'The Fugitive's Properties' uncovers a poetics of intangible, personified property emerging out of antebellum laws, circulating through key 19th century works of literature, and informing cultural forms such as blackface minstrel performance and early race films.Trade Review"The Fugitive's Properties explores how nineteenth-century property law informed the history of race relations in the United States. Stephen Best shows how conceptions of slave property and personhood travel across time to unrelated aesthetic and cultural realms. This entirely new approach to the study of law and literature will dramatically reconfigure black cultural studies." - Susan Gillman, University of California, Santa Cruz"

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Book SynopsisTrade Review"By tracing the history of the Black Panther Party through the evolution of its popular imagery, Jane Rhodes has made a major contribution to scholarship. Her treatment of this controversial organization is well-researched, admirably balanced, singularly insightful, and a pleasure to read."--Clayborne Carson, Director, Martin Luther King Jr. Research and Education Institute"No scholar has better documented and explained the Black Panther Party 's continuing hold on the popular imagination than Jane Rhodes. In a moment when black men and women dying at the hands of police is once again in the public eye, and insurgent political confrontation takes form through mediated images and pithy slogans, the republication of Framing the Black Panthers is both timely and relevant."--Nikhil Pal Singh, author of Black Is a Country: Race and the Unfinished Struggle for Democracy

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Book SynopsisTrade Review"Nisei Radicals is an important addition to Asian American history texts and creates likable heroes out of Yasutake and Yamada." * International Examiner *"All in all, Nisei Radicals is not only a book well worth reading as a joint biography of two remarkable Nikkei, but I hope will act as a springboard for larger discussions of social justice." * Nichi Bei Weekly *"Nisei Radicals offers a model for historical biography…The lives [Fujino] portrays offer a model of how to make activism sustainable, most notably, by staying in community and partnering with like-minded others to fight for justice." * Pacific Historical Review *

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Book SynopsisThe first book to highlight Asian diasporic women and nonbinary artists engaged with figurative painting, sculpture, and drawing.Genny Lim?s poem ?Wonder Woman? follows a narrator who observes the everyday lives of Asian women?across generations, countries, and socioeconomic backgrounds?wondering if their experiences reflect her own. The poem centers Asian women as its protagonists and asks what commonalities exist between them.Often underrepresented in museum collections and important exhibitions, Asian diasporic women and nonbinary artists are now receiving recognition; this book expands on two landmark shows of figurative art curated by Kathy Huang, organized in response to increasing anti-Asian racism and violence during the Covid-19 pandemic.The forty featured artists, each represented with four or more works and a personal statement, subvert stereotypes and assert their identities in places where they have historically been marginalized. While some featured artists explore identity through self-portraiture, others depict the heroines in their lives, offering works that highlight family, community, and history. Several of the works address colonial and patriarchal structures in the West, legends, and myths. With essays, paintings, sculptures, and drawings created within the last four years, this book is a current, open-ended collection of contemporary Asian diasporic experiences.

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Book SynopsisThis book explores the multiform and shifting location of borders and boundaries in social life, related to difference and belonging. It contributes to understanding categories of difference as a building block for forms of belonging and inequality in the world today and as underpinning modern capitalist societies and their forms of governance. Reflecting on the ways in which we might theorise the connections between different social divisions and identities, a translocational lens for addressing modalities of power is developed, stressing relationality, the spatio-temporal and the processual in social relations. The book is organised around contemporary dilemmas of difference and inequality, relating to fixities and fluidities in social life and to current developments in the areas of racialisation, migration, gender, sexuality and class relations, and in theorising the articulations of gender, class and ethnic hierarchies. Rejecting the view that gender, ethnicity, race, class or Trade Review'With a focus on processes of power underpinning ‘difference’ across such axes as class, race and gender, this text provides a sustained critique of essentialist thinking. Its innovative reworking of the concepts of intersectionality, stratification, and political economy is likely to set new agendas on addressing questions of inequality. Incisive theoretical and political analysis at its best.' - Avtar Brah, Professor Emerita of Sociology, Birkbeck College, University of London'Floya Anthias offers a nuanced and astute account of the changing forms of social inequality in the contemporary global environment. She challenges simplistic accounts of belonging and identity and seeks to show that we need to move beyond dominant paradigms and perspectives.' - John Solomos, Professor of Sociology, University of Warwick, UK 'This book is a masterpiece: with a translocational lens, Anthias focuses on insights from studies on intersectionality, bordering and belonging, migration, nationalism, racism, violence, intimacy and social class and demonstrates how they are entangled in complicated ways. Yet, she is not satisfied with depicting dilemmas but instead provides heuristic tools and theoretical frames for their adequate analysis.' - Helma Lutz, Goethe University Frankfurt, Germany, co-author of Gender and Migration: Transnational and Intersectional Prospects "Translocational Belongings, introduced by incisive personal memories of growing up in an activist migrant family, captures the human condition of the migrant, offering a distinctive account of border crossings, in the real world and in sociological theory. Scrutinising intersecting hierarchies of race, gender, class, ascribed cultural differences and social inequalities, the author grounds new horizons for solidarity politics beyond fixed belonging." - Aleksandra Ålund, Professor Emerita, Linköping University, Sweden'This tour de force considers key debates in sociological and social theory engaging with gender, ethnicity, racialization, and class locations, borders and boundaries, difference and belongings. It transcends disciplinary boundaries speaking also to philosophy and political theory [...]. A fascinating theoretical re-reading, extending and rethinking of feminism, race/ethnicity and class theory. It provides fresh and insightful contributions on the potential and shortcomings of class and stratification theorisations since Marx’s Capital and the revived interest in class via the works of Bourdieu, Foucault, Tilly, Agamben.' - Nicos Trimikliniotis, Ethnic and Racial Studies'The power of Anthias’ argument is threefold. Not only does she go beyond the limits of methodological nationalism and synthesise the transnational scale into her theory, making visible how scale is an important aspect of the contradictory nature of translocal belonging and difference. Her analysis and political perspective also highlight the notion of agency that is possible in relation to actors’ contradictory belonging. Contrary to Patricia Hill Collins or Nira Yuval-Davis, Anthias argues that identity and deconstructive solidarity politics will possibly both play a role in political activism because they are produced by intersections of categories of difference. In addition, she combines economic and cultural dimensions in her analysis in order to address a major lacuna in current sociological attempts to investigate how power works within the state of the neoliberal world.' - Jana Schäfer and Anna Amelina, European Journal of Women's Studies'Anthias points to the limitations of dialogical politics, favouring instead the importance of ‘asserting the right to have rights…. that is, claiming the rights to difference and the right to be equal, despite difference’ (p. 182). This is a text brimming with incisive theoretical and political analysis at its best.' - Avtar Brah, European Journal of Women's Studies‘In her much-praised and discussed book, Floya Anthias summarizes her decades-long work on translocational positionality, refining and operationalizing the traveling concept of intersectionality by weaving together a coherent theoretical framework of "translocation belongings." Her book is an essential contribution to intersectionality, identity, difference, bordering, and belonging studies. …Combined with the goals of resource allocation and ensuing struggles and also agency and positionalities of social actors, the framework of translocational belongings provides a rich theoretical tool for understanding inequality.’ - Tanzilya Oren, Affilia: Feminist Inquiry in Social Work‘The book represents an outstanding contribution in addressing issues around gender, place and culture based on the re-examination of long-standing debates in social theory around concepts of equality/difference, racialization processes, feminism and social justice. It does not only provide for an acute theoretical analysis of those themes beyond simplistic and essentialist arguments, but it also provides heuristic tools for investigation including at policy level. It also presents a much needed analysis on how scholarship on intersectionality has developed in recent years and on the risks that it may be disjoined from the struggle for social justice while providing for sophisticated conceptual tools in this direction.’ – Erika Bernacchi, Gender, Place & Culture: A Journal of Feminist Geography‘This book takes us on a complex journey of understanding of social boundaries, differences, and hierarchies that manifest through different forms of inequality and oppression in society. It provides us with deep insights into migrants'/migrant-citizens’ multi-level dilemmas around identity and belonging as well as shows us how by adopting a translocational intersectional framework, we can, to some extent, overcome the analytical impasse of intersectionality.’ - Sajia Ferdous, Gender, Work & OrganizationTable of ContentsProlegomena: a personal borderscape 1. Introduction. Marking places: dilemmas of difference and inequality 2. Branding places: dilemmas of ordering 3. Assembling places: dilemmas of articulation 4. Hierarchising places: dilemmas of class and stratification 5. Transgressing places: dilemmas of gender, intimacy and violence 6. Territorialising places: dilemmas of b/ordering the nation 7. Epilogos. Transforming places: towards a politics of translocation

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Book SynopsisWinner, 2020 Alan Bray Memorial Prize, given by the GL/Q Caucus of the Modern Language AssociationA new understanding of freedom in the black diaspora grounded in the erotic In Frottage, Keguro Macharia weaves together histories and theories of blackness and sexuality to generate a fundamentally new understanding of both the black diaspora and queer studies. Macharia maintains that to reach this understanding, we must start from the black diaspora, which requires re-thinking not only the historical and theoretical utility of identity categories such as gay, lesbian, and bisexual, but also more foundational categories such as normative and non-normative, human and non-human. Simultaneously, Frottage questions the heteronormative tropes through which the black diaspora has been imagined. Between Frantz Fanon, René Maran, Jomo Kenyatta, and Claude McKay, Macharia moves through genrespsychoanalysis, fiction, anthropology, poetryas well as rTrade ReviewFrottage takes you on a journey of mutual pleasure, queer potentials, intimacy, violence, and erotic freedom through the African and Afro-diaspora. Macharia delivers a layered, intellectually expansive, and necessary critical irritation for black queer studies. * zethy Matebeni, curator and co-editor of Reclaiming Afrikan *Frottage is an important and field-changing book. One of Keguro Macharia’s great talents is to guide us to a way to understand, read, and think differently about kinship, about gender, about ‘thinghood,’ and about intimacy. Macharia is a profoundly original thinker and writer and in Frottage he renders and imagines diaspora in ways that attend beautifully to a range of world-making practices, to geo-histories and discontinuities. The final chapter, both meditation and invitation, is a gift. * Christina Sharpe, author of In the Wake *Frottage raises fundamental questions about ways of seeing and living sexual difference – in this case queer sexuality – in a world that by virtue of its language, expectations, actions and general beliefs, tends to homogenise sexuality in a heteronormative sense. [...] Keguro is searching for how to articulate ‘queer’ in an African and Afrodiasporic world that disavows not just the practice but the very word and identity. * Wasafiri Magazine *Frottage is an important addition to theoretical work that makes it possible to think about black and queer subjectivities in Africa and the African diaspora. * Tydskrif vir Letterkunde *

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Book SynopsisIn his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at an international scale. In 1980, shortly after founding of the Working People's Alliance in Guyana, the 38-year-old Rodney would be assassinated.In this classic work published in the heady days of anti-colonial revolution, Groundings with My Brothers follows the global circulation of emancipatory ideas, from the black students of North America to the Rasta counter-culture of Jamaica and beyond. The book is striking in its simultaneous ability to survey the wide and heterogenous international context while remaining anchored in grassroots politics, as Rodney offers us first-hand accounts of mass movement organizing. Having inspired a generation of revolutionaries, this new edition will re-introduce the book to a new political landscape that it helped shape, with reflections from leading scholar-activists such as Carole Boyce DaviesTrade ReviewIf Walter Rodney's assassins were under the impression that they could arrest the flow of his ideas by destroying his body, they could have not been more wrong. . .In the context of the new resistance fo global capitalism, his captivating analysis resonates more than ever before. -- Angela Davis, author of Women, Race and ClassGrounds with My Brothers issues an open call, even today, for the black intellectual to engage in the discourse of black consciousness and black power, and also to actively seek out concrete tactics and strategies which are necessary for our liberation -- Carlos Clarke, Ministry of Foreign Affairs, BelizeRodney's perspective is alive, dazzling with the potential of revolution -- Vijay Prashad, author of The Poorer Nations and Director of the Tricontinental Institute for Social ResearchIn short order, Groundings became the single most influential Black Power text in the Caribbean as well as the region's most notable ideological contribution to Black Power globally. -- Michael West * Groundings: Development, Pan-Africanism, Critical Theory, Vol. 4, No. 1, 2018 *

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Book SynopsisWithout the State explores the 201314 Euromaidan protests a wave of demonstrations and civil unrest in Ukraine through in-depth ethnographic research with leftist, feminist, and student activists in Kyiv. The book discusses the concept of self-organization and the notion that if something needs to be done and a person has the competence to do it, then they should simply do it. Emily Channell-Justice reveals how self-organization in Ukraine came out of leftist practices but actors from across the spectrum of political views also adopted self-organization over the course of Euromaidan, including far-right groups. The widespread adoption of self-organization encouraged Ukrainians to rethink their expectations of the relationship between citizens and their state. The book explains how self-organized practices have changed people’s views on what they think they can contribute to their own communities, and in the wake of Russia’s renewed invasion of UkraineTrade Review“Anchored in events in Kyiv in 2013–2014, Without the State offers insights relevant for other societies that were once part of the Soviet Union and that may be currently engaged in their own efforts to extricate themselves from Moscow’s grasp. This book sheds needed light on the ideational struggles of people worldwide seeking participatory alternatives to the neoliberal economic order.” -- Jessica Pisano, New School for Social Research * The Russian Review *Table of ContentsList of Illustrations Preface Acknowledgments Note on Language Introduction: “we provide the content of Maidan!” 1. Without Any Help from the State: Self-Organization in Ukraine 2. Twenty-First Century Leftists 3. Decommunization and National Ideology 4. #LeftMaidan: Violence, Repression, and Re-creation 5. “For free education”: Education Activism and Maidan 6. “These aren’t your values”: Gender and Nation on Maidan Conclusion: Volunteerism after Maidan Afterword Notes Bibliography Index

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Book SynopsisTrade Review‘A haunting evocation of the routine brutalities of slavery that is also a powerful celebration of friendship, community, resilience and rebellion. A hugely impressive debut’ SARAH WATERS ‘A haunting, moving story’SUNDAY TIMES ‘A powerful and inspired achievement… gives voice to the enslaved women of this nation’s past who have, for far too long, had their voices gone unheard in the annals of history. She does them justice and then some. This one is not to be missed’ NATHAN HARRIS, author of The Sweetness of Water ‘Extraordinary: a beautiful book about harrowing things, beautiful because of its understanding of humanity, its astonishing language, and the plain brilliance of its author. I'm not sure I've recovered from the experience of reading it, or ever will, or ever should’ ELIZABETH MCCRACKEN ‘A tale of epic survival, a song of collective resilience, an intimate exploration of love, friendship and sisterhood in the face of harrowing cruelty and injustice. In lyrical and precise prose, Peyton evokes an indelible portrait of each woman's complicated desires, hopes and fears. And in spite of the characters' difficult lives, this is a book about joy and transcendence as much as it is about trauma and loss. The complex and varied voices of the women that inhabit Night Wherever We Go make it a haunting, powerful and utterly unforgettable read’ RACHEL HENG, author of Suicide Club ‘Night Wherever We Go has the potential to change how Blacknesses, Texas and the nation are written about forever’ KIESE LAYMON, author of Long Division

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Book SynopsisArticulates a new, post-ethnic American JewishnessTrade ReviewShaul Magid . . . has just happened to write one of the most important books on American Judaism written of late. . . . Magid has a keen eye on the politics of change and renewal as they impact Israel and the American Jewish community. * The Daily Beast *The ongoing public conversation about the future of American Judaism is embodied in a small library of recent books, many of which have been considered here. None of them, however, offers quite the same potent brew of courage, clarity, passion and expertise as Shaul Magid's American Post-Judaism . . . , a scholarly but also visionary book about what it means to be a Jew in America today. * Jewish Journal *Magid's important book is a clear and realistic – albeit incomplete – preliminary analysis of Judaism in America; its achievements; and its crises. It provides a variety of perspectives on the creation of contemporary Jewish society in the U.S. . . . that provide an accurate portrait of postethnic Judaism. * Haaretz *[Magid's] American Post-Judaism provides a timely and necessary, if controversial, entry into contemporary Jewish theology. Highly recommended. * H-Judaic *[American Post-Judaism] deals with the reality of American Jewish life with realism and with insight. * JNS *[R]equired reading for anyone directly concerned with Jewish survival, and for everyone interested in the state of institutional religion and personal spirituality in the US today. . . Highly recommended. * Choice *[T]his spirited and erudite collection has much to contribute to the sociological understanding of American Jewry. . . When read against the findings of the Pew Study, however, his observation that American Jewry has arrived at a 'between moment' strikes me as singularly prescient. * Sociology of Religion *Table of ContentsForeword Acknowledgments Introduction 1. Be the Jew You Make: Jews, Jewishness, and Judaism inPostethnic America 2. Ethnicity, America, and the Future of the Jews: Felix Adler,Mordecai Kaplan, and Zalman Schachter-Shalomi3. Pragmatism and Piety: The AmericanSpiritual and Philosophical Roots of Jewish Renewal 4. Postmonotheism, Renewal, and a New AmericanJudaism 5. Hasidism, Mithnagdism, and Contemporary AmericanJudaism: Talmudism, (Neo) Kabbala, and (Post) Halakha 6. From the Historical Jesus to a New Jewish Christology:Rethinking Jesus in Contemporary American Judaism 7. Sainthood, Selfhood, and the Ba'al Teshuva: ArtScroll's AmericanHero and Jewish Renewal's Functional Saint 8. Rethinking the Holocaust after Post-HolocaustTheology: Uniqueness, Exceptionalism, and the Renewal of AmericanJudaism Epilogue. Shlomo Carlebach: An Itinerant Preacher for aPost-Judaism Age Conclusion Notes Bibliography Index

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Book Synopsis"The Crisis" was an integral part of the struggle to combat racism in America. As editor of the magazine (1910-1934), W E B Du Bois addressed the important issues facing African Americans. This book is an exploration of how W E B Du Bois created a "visual vocabulary" to define a collective memory and historical identity for African Americans.Trade Review[T]he paramount value of Kirschke's laudable acoomplishment is that she has simultaneously added to the Du Boisian mystique, while providing a new understanding and appreciation for his role in shaping the manner in which African Americans viewed themselves and were perceived by others.Vol. 94.1 Fall 2009 -- Randall O. Westbrook * Fairleigh-Dickinson University *. . . valuable. It supplies a concise account of Du Bois's inclusion of art during his editorship of the magazine. It focuses us on the abundance and high quality of the art included and begins the important job of remembering and documenting the work of black artists now too often forgotten. . . . Art in Crisis makes readily accessible to a wide range of readers a rich sampling of work from The Crisis's formative period.Vol.42.2 (rec'd April 2009) -- Elizabeth Ammons * Tufts University *As the first book to examine Du Bois's use of imagery to create racial pride and convey moral outrage, Art in Crisis offers important insights into the history of visual journalism as well as the contributions of one of the twentieth—century's most significant black periodicals. . . * Jhistory *. . . a reminder of the usage and power of visual images to shape ideas and instill self—worth and opinions in American society. . . . Recommended. General readers; lower—division undergraduates through faculty. * Choice *Table of ContentsAcknowledgmentsIntroduction1. W. E. B. Du Bois and African American Memory and Identity2. A History of Black Political Cartoons and Illustrations: The Artists3. The "Crime" of Blackness: Lynching Imagery in The Crisis4. Theories of Art, Patronage, and Audience5. Images of Africa and the Diaspora6. Art, Political Commentary, and Forging a Common IdentityConclusionNotesBibliographyIndex

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Book SynopsisSam Kelly's story intersects with the major developments in twentieth-century African American history, from the rich culture of the Harlem Renaissance and the integration of the U.S. Army to the civil rights movement and the political turmoil of the 1960s.Trade Review"Kelly's book is important reading for all students of African American, Pacific Northwest, military, civil rights, and educational history and will also appeal to a popular audience." -- Kimberly Jensen * Pacific Northwest Quarterly *"A signature feature of Kelly's approach to educational equity was inclusiveness. He sought not just redress for African Americans but also for Chicanos, Native Americans, Asian Americans, and poorer white students as well. . . A self-described patriot and 'conservative' . . . Kelly viewed educational service as an extension of his patriotic duty to country, epitomized on the battlefield." * Oregon Historical Quarterly *"Kelly's autobiography details the career of a man motivated from an early age to work for the benefit of his race as a whole." * Oregonian *"Follow Sam Kelly through his life and you'll learn about American history and about Seattle's past. Like Zelig or Forrest Gump, Kelly was often there. Unlike those fictional characters, he was real, and he made an impact. You can visit history in 'Dr. Sam." * The Seattle Times *Table of ContentsForeword by Governor Daniel Evans Acknowledgments Introduction by Quintard Taylor Part 1: Childhood 1. A Connecticut Childhood 2. Thirty Minutes from Harlem Part 2: Soldier 3. A Segregated Army 4. In Occupied Japan 5. Integrating the Army 6. Korea 7. A Career Solider Part 3: Educator 8. Community College Instructor 9. Coming to the University of Washington 10. Building the Office of Minority Affairs 11. Final Years at the University of Washington Part 4: Advocate 12. Starting Over 13. The Vancouver Years Epilogue: A Life of Service and Friendship Chronology U.S. Army Awards, Citations, and Commendations, 1945-65 Index

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Book Synopsis* What are the latest developments in the production, representation and reception of media output, produced by, for or about ethnic minorities?* What informs the questions media researchers ask and pursue when examining the mass media and ethnic minorities?* What are the principal forces of change currently shaping the field?There are few media issues more pressing, or potentially more consequential, than the representation of ethnic minorities. This authoritative text therefore brings together leading international researchers who have examined some of the latest processes of change (and continuity) informing the field of ethnic minorities and the media. Numerous studies of 'race', racism and the mass media have been conducted in the past. However, both the media landscape and the cultural field of ethnic minorities are fast changing, and this book addresses the recent developments which have threatened to outpace our ability to map, understand and intervene in procesTable of ContentsSeries editor's forewordAcknowledgementsNotes on contributorsIntroductionEthnic minorities and media researchmapping the fieldPart one: Changing representationsNew(s) racisma discourse analytical approachWhite watchDreaming of a white...Part two: Changing contexts of productionThe paradox of African American journalistsA rock and a hard placemaking ethnic minority televisionBlack representation in the post network, post civil rights world of global mediaPart three: Changing cultures of identityIn whose image? TV criticism and black minority viewersEthnicity, national culture(s) and the interpretation of televisionTransnational communications and diaspora communitiesMedia and diasporic consciousnessan exploration amoung Iranians in LondonAfterword: On the right to communicateMedia and the 'public sphere' in multi-ethnic societiesGlossaryReferencesIndex.

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Book SynopsisWeaving together narratives that celebrate the triumph of Black female resistance, Catherine Joy White takes us on a unique journey through the eyes of positive and inspiring disruptors. Throughout history, acts of defiance have taken place in secret, in kitchens, churches, through trusted networks. Others were projected onto a global stage through art, politics and activism.From Alice Walker to Beyoncé, from Audre Lorde to Doreen Lawrence, from Aretha Franklin to Zendaya: Catherine Joy White charts her own journey to self-discovery through the prism of extraordinary women to create a beautiful tapestry of Black joy. Taking on the legacy of Angela Davis''s Women, Race and Class, Audre Lorde''s Sister Outsider and Saidiya Hartman''s Wayward Lives, This Thread of Gold brings new life to the history of Black women''s resistance.Trade ReviewFor centuries, black women have been written out of the dominant narrative, their stories untold, their art appropriated. This Thread of Gold ... attempts to correct the record and inspire the next generation of readers. -- Lucy Popescu * Camden New Journal *profiles a series of remarkable black women in order to restore their place in the "dominant narrative" -- Tom Gatti * New Statesman *Catherine Joy White is an extraordinary writer, the kind who turns non-fiction into poetry. her forthcoming book This Thread of Gold reveals beautifully how the legacy of Black women's writing across generations has woven itself into her heart and soul, and the power of their legacies. It's a stunning debut from a young author, and yet feels, and reads, like it has been decades in the making. -- Afua Hirsch * The Soho House Book Club *Catherine is not only an incredible writer but a much needed voice in our current cultural landscape. This Thread of Gold shines a spotlight on previously untold stories with grace and nuance - I couldn't put it down -- Ione GambleFrom the moment I heard about this book, I was dying to read it, and when I got a hold of it I could not put it down. The passion of White's words is infectious. I was constantly fascinated and moved by the way she interwove the stories of the Black women who came before her, with her own experiences and her reflections on the two. I know this book will find many loving readers and I am very excited for them all. -- Okechukwu NzeluAn essential and overdue meditation on black womanhood. In offering us this beautifully written work - part memoir, part paean, part call to arms - Catherine Joy White has done herself and our ancestors justice. It manages to be poetic yet punchy, enraging yet uplifting, and it transforms our mechanisms for survival and resistance into high art. -- Sara CollinsMonumental. A refusal to back down to an oppressive, reductive version of history. It's even more radical to do this with a tone of pure unadulterated joy; smiling rather than screaming in the face of those who would try and whitewash a rich, beautiful and momentous tapestry. What a fly kick in the face! Kill your masters one symphony at a time. -- Nima TaleghaniThis book is a poetic journey through Black Womanhood. It is beautiful. And fragile. And worth its weight in gold. More, actually. -- Parker SawyersIn her astonishing celebration of Black Womanhood, Catherine Joy White celebrates life itself. Her debut book vividly unleashes the stories of little-known, remarkable Black women and we hear their voices crackle off the pages as if they are being channelled through her. Reading this book makes you want to be a part of a future which lengthens the Thread of Gold, making it last forever. -- Angus ImrieA poetic meditation on women hood. A blending of the personal with the political, the magical with reality, and contemporary thinking with ancient stories. It has the spirit of hope and change but with a grounding in what we can learn from those who have walked the Earth before us. -- Rhea NorwoodThe stories Catherine weaves are enchanting and inspiring. To be held by her words is an absolute pleasure. -- Ruby RareUtterly captivating from the first sentence, this celebration of Black Womanhood, joy and resistance celebrates revolutionary women from across time and space. -- Laura BatesBy turns fascinating, inspiring and movingly written, this is an essential new book. -- Anna Bonet * iNews *

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Book SynopsisThe definitive history of the Kerner Commission, whose report on urban unrest reshaped American debates about race and inequalityIn Separate and Unequal, historian Steven M. Gillon offers a revelatory new history of the National Advisory Commission on Civil Disorders-popularly known as the Kerner Commission. Convened by President Lyndon Johnson after riots in Newark and Detroit left dozens dead and thousands injured, the commission issued a report in 1968 that attributed the unrest to white racism and called for aggressive new programs to end racism and poverty. Our nation is moving toward two societies, they warned, one black, and one white-separate and unequal.Johnson refused to accept the Kerner Report, and as his political coalition unraveled, its proposals when nowhere. For the right, the report became a symbol of liberal excess, and for the left, one of opportunities lost. Separate and Unequal is essential for anyone seeking to understand t

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Book SynopsisThis pioneering work analyzes the impact of telegraphy and the internet on political participation in modern China.Trade Review"Zhou's book is an engaging and important addition to the literary of Chinese media studies." -- New Zealand Journal of Asian StudiesTable of ContentsContents Introduction 000 Part I. Telegraphy 1. Telegraphy, Culture, and Policymaking 000 2. Telegraphy, Newspapers, and Public Opinion 000 3. Telegraphy, Political Participation, and State Control 000 4. Public Telegrams and Nationalist Mobilizations 000 5. Telegraph Power: Textual and Historical Contexts 000 Part II. The Internet 6. China and the Internet: Proactive Development and Control 000 7. Negotiating Power Online: The Party State, Intellectuals, and the Internet 000 8. Living on the Cyber Border: Minjian Online Political Writers in China 000 9. Informed Nationalism: Military Web Sites in Chinese Cyberspace 000 Conclusion 000 Notes 000 Bibliography 000 Index 000

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Book SynopsisWhat does it mean to belong? How are twenty-first-century diasporic subjects fashioning identities and communities that bind them together? Aspiring to Home examines these questions with a focus on immigrants from India, Pakistan, and Bangladesh. Advancing a theory of locality to explain the means through which immigrants of varying regional, religious, and linguistic backgrounds experience what it means to belong, Bakirathi Mani shows how ethnicity is produced through the relationship between domestic racial formations and global movements of class and capital. Aspiring to Home focuses on popular cultural works created by first- and second-generation South Asians from 19992009, including those by author Jhumpa Lahiri and filmmaker Mira Nair, as well as public events such as the Miss India U.S.A. pageant and the Broadway musical Bombay Dreams. Analyzing these diverse productions through an interdisciplinary framework, Mani weaves literary readings with etTrade Review"It is essential reading for scholars interested in diaspora, immigrant community formation, transnational migration, Asian American studies, and applications of post-colonial theory. . . . I highly recommend the entire book for graduate seminars focusing on migration and diaspora." -- Ishan Ashutosh * International Migration Review *"Working with a truly innovative archive, Mani compellingly argues that merely 'adding on' South Asians to the litany of ethnic and national-origin identifications that circulate under 'Asian America' is thoroughly inadequate to pursuing the study of racialization in ways that take seriously the intimacy and depth of the relationship between the local and the global.—Kandice Chuh, CUNY/The Graduate Center"An elegantly written and trenchantly argued book." -- Martin F. Manalansan IV, University of Illinois * Urbana-Champaign *"An important contribution to the burgeoning field of South Asian American studies, Bakirathi Mani's Aspiring to Home easily traverses a range of cultural practices, moving seamlessly between genres (literature, film, performance) and methodologies (textual analysis, ethnography). Mani compelling transforms our understanding of seemingly transparent assimilationist narratives produced by South Asian Americans in the US. These contradictions, for Mani, point to the ways in which middle class South Asian Americans both collude with and renegotiate dominant notions of belonging in multiple national spaces. Thus Mani argues that we must reconceptualize Asian American studies beyond a familiar mapping of US colonialism in East and South East Asia, and the Pacific Islands, but simultaneously through US and British imperial interests in South Asia." -- Gayatri Gopinath * New York University *

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Book SynopsisExplores Filipino American religious institutions as essential locations for empowermentTrade Review;In this academic page turner Gonzalez blends rich ethnographic descriptions with theoretical sophistication. Filipino American Faith in Action is THE book on the importance of religion for the Filipino migrant community. Gonzalez breaks new ground in the emerging field of religion and immigration with his use of diverse theoretical tools and compelling narratives. A must read. -- Lois Ann Lorentzen,author of The Gendered New World Order: Militarism, the Environment and DevelopmentBreaks new ground in Asian American Studies and more broadly in migration studies by illustrating the transnational and intergenerational civic engagement of migrants through religion. . . . An eminently important study that expands our knowledge of Filipino migrant settlement in the United States. -- Rhacel Salazar Parrenas,author of The Force of Domesticity: Filipina Migrants and GlobalizationThe & missionized and & diasporized Christians of the global South are here in our midst . . . transforming the social, religious, and political landscape in places they are finding receptive soils, and . . . challenging us to think and act in new ways. Gonzalezs work speaks of this reality not in abstraction, but through the breathing stories of Filipino diaspora Christian communities in San Francisco, California. Finally, a book that I have been waiting for has arrived. -- Eleazar S. Fernandez,Professor of Constructive Theology, United Theological Seminary of the Twin Cities, Minnesota

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Book SynopsisShows how African American young women are victimized and how they struggle to navigate a dangerous terrainTrade ReviewThe result of Millers information lode is a sometimes uplifting book. It is possible for government and private-sector programs to alleviate the violence against females, Miller believes—but not if those in charge lack the will and refuse to allocate the resources. * St. Louis Post Dispatch *It offers an in-depth examination of how class, race, gender, and educational inequalities place young African American girls in positions of powerlessness as they navigate an urban terrain that glorifies patriarchy and machismo. Getting Played is an eye-opening, emotional roller coaster that will capture your attention and heart from the first page. * The Journal of African American History *Millers analysis is spot-on and sensitive, illuminating the oft overseen effects and workings of privilege. * Feminist Review *Millers analysis is spot-on and sensitive, illuminating the oft overseen effects and workings of privilege . . . she does a great job at showing how large societal forces have very real, individual, and private consequences. * Feminist Review *Getting Played shows powerfully how gender, class, and race inequality expose girls in disadvantaged urban communities to violent and sexual victimization, both in neighborhoods and in schools. Miller expertly analyzes how extreme social and economic disadvantage combine with pervasive normative codes to create a context in which girls face high risks of victimization at the hands of boys and men. Getting Played is masterful. -- Karen Heimer,co-editor of Gender and Crime: Patterns in Victimization and OffendingBy giving us a better understanding of how the neighborhoods and the peer culture of poor African American youth increase the risk of gendered victimization, Getting Played challenges both academics and policymakers to face the role of structured discrimination in the perpetuation of violence toward women. -- Candace Kruttschnitt,co-author of Marking Time in the Golden State: Women's Imprisonment in CaliforniaIn Getting Played, sociologist Jody Miller presents a compelling picture of this dire social problem and explains how inextricably and tragically, linked violence is to their daily lives in poor urban neighborhoods. * Harlem Book Fair *In Getting Played, sociologist Jody Miller presents a compelling picture of this dire social problem and explores how inextricably, and tragically, linked violence is to their daily lives in poor urban neighborhoods. -- QBR * The Black Book Review *Miller gives us a detailed examination of the violence experienced by Black inner city girls whose victimization is based on multiple dimensions of their lives: because they are Black, because they live in extremely disadvantaged neighborhoods, and because they are women. Millers careful, rich, detailed field work documents and analyzes the complex realities of these young womens lives that set the context for the struggles they routinely contend with. The voices of these young people have been ignored for too long. Getting Played has given them an opportunity to be heard that is long overdue. -- Robert Crutchfield,University of WashingtonMiller grabs readers attention with the stark reality of the widespread occurrence of violent victimization among the girls she studies. -- From the Foreword by Ruth D. Peterson,Distinguished Professor of Social and Behavioral Sciences, The Ohio State UniversityThis is a significant and timely book. Miller has taken on a vitally important, but understudied, topicviolence against young Black girls in economically depressed urban settings. -- Dana M. Britton,author of At Work in the Iron Cage: The Prison as Gendered OrganizationTable of ContentsForeword by Ruth D. PetersonPreface Acknowledgments 1 Perspectives on Gender and Urban Violence 2 Gender 'n the 'Hood: Neighborhood Violence against Women and Girls 3 Playin' Too Much: Sexual Harassment in School4 Respect Yourself, Protect Yourself: Sexual Coercion and Violence 5 The Playa' and the Cool Pose: Gender and Relationship Violence 6 Conclusions and Recommendations Appendix: Study Participants Notes References IndexAbout the Author

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Book SynopsisSpanning three centuries, Craig Wilder's study shows that enslaved Africans provided the institutional foundation upon which African American religious, political and social culture flourished so successfully in New York City.Trade ReviewA beautifully researched, subtly argued exploration of the moral and intellectual life of New Yorks African American community in its first two hundred years. As Wilder shows how African societies provided a foundation for black religion, politics, and cultural institutions, he opens a new window on New York history. We hear the voice and aspirations of black New Yorkers as we have never heard them before. Written with verve, In the Company of Black Men repeatedly rewards its readers with fresh insights and provocative arguments that leaves one thinking long after it has been set aside. -- Elizabeth Blackmar,Columbia UniversityIn this groundbreaking and superbly written work Craig Wilder provides a gendered and richly textured discussion of the African origins of black political consciousness and moral traditions in the United States. Through a skillful comparative discussion of African associations in North America, the Caribbean, Brazil and Africa he demonstrates the connections between African systems of values and beliefs, masculinity and the black public sphere. This book is essential reading in African American history, Diaspora studies and American studies. -- Irma Watkins-Owens,author of Blood Relations: Caribbean Immigrants and the Harlem Community 1900-1930Though stony the road they trod, a small band of men developed and passed on an ethos of mutuality and collectivism brought from Africa. America owes a great debt to those men, and scholars owe a great debt to Craig Wilder, who has combined vast research and keen intelligence to tell their story. Wilders work will force a new look at a familiar landscape. Imaginean African city at the base of the Hudson! -- Noel Ignatiev,author of How the Irish Became WhiteIn the historiography on blacks in the colonial and antebellum periods, Craig Steven Wilders In the Company of Black Men stands out as one of the finest works of scholarship in the last decade. * Journal of American Ethnic History *Wilder explores cultural expression with and through African societies in New York City. . . . He follows them from their origin, through their heyday, to their decline as capitalist culture overwhelmed the voluntary tradition * Book News *

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