Ethnic studies / Ethnicity Books

Book SynopsisWhat was it like to grow up black and female in the segregated South? To answer this question, LaKisha Simmons blends social history and cultural studies, recreating children's streets and neighbourhoods within Jim Crow New Orleans and offering a rare look into black girls' personal lives.

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Book SynopsisDebbie Challis is the Audience Development Officer at the Petrie Museum of Egyptian Archaeology, London, UK, and the author of From the Harpy Tomb to the Wonders of Ephesus (Bloomsbury Academic, 2008).Trade ReviewReveals an unexpected link between two major figures in early anthropology, and one that adds weight to my favourite Darwin quote, that: 'Ignorance more frequently breeds confidence than does knowledge'. -- Steve Jones, The LancetThe Archaeology of Race: the Eugenic Ideas of Francis Galton and Flinders Petrie tells the tale and pays particular attention to the role of attractiveness in defining ancestry. The book has a detailed, indeed exhaustive, analysis of some of the material in UCL's collections, and itself has rather a whiff of the museum (with “multiple visualities at play”). Even so, The Archaeology of Race reveals an unexpected link between two major figures in early anthropology, and one that adds weight to my favourite Darwin quote, that: “Ignorance more frequently breeds confidence than does knowledge”. -- Steve Jones, The LancetTable of ContentsForeword by Natasha McEnroe, former Curator of the Galton Collection and Director of the Florence Nightingale Museum. Introduction Races and Men Before the 1860s Galton and Genius Fitting Aesthetics Photographing Races from Antiquity Greek Art, Greek Faces? Peopling the Old Testament Akhenaten's Heredity The New Ancient Race Flinders Petrie and Edwardian Politics Memphis Heads Afterword by Kathleen Sheppard, Missouri University of Science and Technology Appendices

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Book SynopsisRobert Wedderburn was one of the first promoters of black power by revolutionary force, if necessary. His publications had an enormous impact in his time. The Horrors of Slavery is a vivid record of the history, ideas, and rhetoric of a leader in the movement to abolish slavery in the West Indies.

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Book SynopsisA survey of the historical, political, and sociological contexts of antisemitism in more than 50 countries.Antisemitism: A Reference Handbook is the first reference work to present a global survey of antisemitism that goes beyond its history to reveal the roots and nature of antisemitism. Exploring how antisemitism has manifested itself in various countries from pre-Christian times to today's ongoing Palestinian Intifada, which has caused severe reactions in Arab and Muslim communities all over the world, this unique work traces the history of the hatred of Jews worldwide.Approximately 20 biographical sketches profile advocates of antisemitism such as William Marr, who coined the term "antisemitism," and opponents of antisemitism such as St. Anselm and Martin Luther King. In this serious yet accessible volume, students, scholars, government officials, and diplomats will discover the answers to such puzzling questions as "What is antisemitism?" and "How does antisemitism relate to racism and to group prejudice in general?" A detailed worldwide survey of antisemitism, covering every major country from Austria to Yemen Biographical sketches of influential antisemitic figures such as John Chrysostom, Father Charles Coughlin, and David Duke as well as individuals who fought against antisemitism such as Abraham Foxman, David Harris, and Martin Niemoller Trade Review"This is a useful handbook that provides objective information. It will help readers understand antisemitism and gather data for research, databases, or personal use. Public, academic, school, and synagogue libraries will welcome it for their collections." - American Reference Books Annual"Biographical sketches are followed by a country-by-country reference discussing both historical legacy and recent developments, making Antisemitism an excellent overview reference recommended for college-level and advanced high school collections alike." - The Midwest Book Review"Chanes provides an exploration in depth of the historical, political, and sociological contexts of antisemitism from an international perspective. Recommended. All libraries." - Choice

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Book SynopsisA compelling portrait of composer-performer Julius Eastman's enigmatic and intriguing life and music. Composer-performer Julius Eastman (1940-90) was an enigma, both comfortable and uncomfortable in the many worlds he inhabited: black, white, gay, straight, classical music, disco, academia, and downtown New York. His music, insistent and straightforward, resists labels and seethes with a tension that resonates with musicians, scholars, and audiences today. Eastman's provocative titles, including Gay Guerrilla, Evil Nigger, Crazy Nigger, and others, assault us with his obsessions. Eastman tested limits with his political aggressiveness, as reflected in legendary scandals like his June 1975 performance of John Cage's Song Books, which featured homoerotic interjections, and the uproar over his titles at Northwestern University. These episodes are examples of Eastman's persistence in pushing the limits of the acceptable in the highly charged arenas of sexual and civil rights. In addition to analyses of Eastman's music, the essays in Gay Guerrilla provide background on his remarkable life history and the era's social landscape. The book presents an authentic portrait of a notable American artist thatis compelling reading for the general reader as well as scholars interested in twentieth-century American music, American studies, gay rights, and civil rights. This Life of Sounds: Evenings for New Music inBuffalo received an ASCAP Deems Taylor Award for excellence. Mary Jane Leach is a composer and freelance writer, currently writing music and theatre criticism for the Albany Times-Union.Trade ReviewJulius Eastman enjoyed the admiration of peers such as Morton Feldman, Meredith Monk and Pierre Boulez. Here, highly engaging essays by those who knew Eastman well recall him as a person and assess his brilliance. While there are amusing anecdotes about his more madcap moments . . . the overall message is that he was an artist deserving of significant respect. * BBC MUSIC MAGAZINE *[Eastman's work] effectively rewrote the history of post-war American New Music, restoring to its narrative a gay black voice creating a liberating, high-energy form of organic minimalism. * THE GUARDIAN *It is eminently readable throughout. * JOURNAL OF EXPERIMENTAL MUSIC STUDIES *[The book will be] a starting point for others who want to engage with Julius Eastman as a performer, scholar, or composer. * ARSC JOURNAL *A picture of [Eastman]--charismatic performer, magnetic personality and emotional escape artist--that puts his work in a context larger and more representative. * BAY AREA REPORTER *A composer of visionary power, a singer with a cavernous bass voice, a collaborator with the diverse likes of Meredith Monk and Pierre Boulez, Eastman had long been a fixture of the New York Music scene....Part of the pleasure of Eastman's rediscovery has been the belated, deserving reinsertion of a black, gay figure into music history. * THE NEW YORK TIMES *Outspoken about his own identity as a black queer man...Eastman was ahead of his time. His music is politics by other means, in search of a form, alighting toward a future that could grant him dignity, when he could be something other than an abstraction. * THE NEW YORKER *A fascinating new collection of essays exploring the life and work of the enigmatic composer Julius Eastman...who worked fluently in jazz, improvisation and acoustical experiments. An indication of his impact is the very fact that so many people have come together [in this book] to remember him and are actively championing his music. * ALBANY TIMES-UNION *The publication of this rigorously researched, lovingly produced, multidimensional study of a singular artist will surely be met with joy by those of us who remember Julius Eastman--the inspired creator, the sly provocateur and martyred saint of the avant-garde. For those who are interested in iconoclasts of whatever stripe, this volume will be a revelation and an invitation to rethink what composition, performance, and life at the precipice of madness can be.-- -- Bill T. Jones, choreographer and dancerThis book has arrived just in time for Black Lives Matter and gets my deepest praise. This important volume of essays brought forth by two brilliant women who have long championed Eastman's music, belongs in every music conservatory library and beyond.-- -- Pauline Oliveros, composerTable of ContentsForeword by George E. Lewis Acknowledgments Introduction: Julius Eastman and His Music - Renee Levine Packer Julius Eastman, A Biography - Renee Levine Packer Unjust Malaise - David Borden The Julius Eastman Parables - R. Nemo Hill Julius Eastman and the Conception of "Organic Music" - Kyle Gann Julius Eastman Singing - John Patrick Thomas An Accidental Musicologist Passes the Torch - Mary Jane Leach A Flexible Musical Identity: Julius Eastman in New York City, 1976-90 - Ryan Dohoney Evil Nigger: A Piece for Multiple Instruments of the Same Type by Julius Eastman (1979), with Performance Instructions by Joseph Kubera - David Borden A Postminimalist Analysis of Julius Eastman's Crazy Nigger - Andrew Hanson-Dvoracek "The Piece Does Not Exist without Julius": Still Staying on Stay On It - Matthew Mendez Connecting the Dots - Mary Jane Leach Gay Guerrilla: A Minimalist Choralphantasie - Luciano Chessa Appendix: Julius Eastman Compositions - Mary Jane Leach Chronology Selected Bibliography List of Contributors Index

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Book SynopsisIn the summer of 1999, in the tiny west Texas town of Tulia, thirty-nine people, almost all of them black, were arrested and charged with dealing powdered cocaine. The operation, a federally-funded investigation performed in cooperation with the local authorities, was based on the work of one notoriously unreliable undercover officer. At trial, the prosecution relied almost solely on the uncorroborated, and contradictory, testimony of that officer, Tom Coleman. Despite the flimsiness of the evidence against them, virtually all of the defendants were convicted and given sentences as high as ninety-nine years. Tom Coleman was named a Texas Lawman of the Year for his work. Tulia is the story of this town, the bust, the trials, and the heroic legal battle that ultimately led to the reversal of the convictions in the summer of 2003. Laws have been changed in Texas as a result of the scandal, and the defendants have earned a measure of bittersweet redemption. But the story is much bigger than the tale of just one bust. As Tulia makes clear, these events are the latest chapter in a story with themes as old as the country itself. It is a gripping, marvellously well-told tale about injustice, race, poverty, hysteria, and desperation in rural America.Trade Review"Reading this gripping account of the appalling Tulia case brought to mind Bill Gillespie, the police-chief played so convincingly by Rod Steiger in the film The Heat of the Night. Being real life, Blakeslee's story is much worse: 39 people, almost all black, convicted for drugs on the testimony (uncorroborated and contradictory) of one police officer. That he was uncovered and a colossal legal battle reversed the convictions goes some way towards mitigating a terrible miscarriage of justice." Publishing News "Blakeslee's riveting account of what proved to be a gross miscarriage of justice does not shy away from the moral complexities of the case...This is strong stuff and would make an interesting tale in almost any hands. But Nate Blakeslee uses his considerable journalistic skill and invaluable local knowledge to turn his account of what happened in Tulia into something exceptional... this account is utterly compelling. The next time you feel the urge to pick up a thriller, don't. Read Tulia instead." Scotland on Sunday "Tulia is a splendid read: engagingly and enthusiastically written, with close attention to detail and a grim sense of tragedy. By focusing on the experience of individuals such as Joe Moore, Blakeslee gives the tale a powerfully personal thrust, but what is really disturbing is that the case was not especially unusual. No one reading this book can fail to be horrified by the staggeringly corrupt and incompetent Texas justice system - a system capable of sentencing dozens of men for crimes they palpably never committed." Daily Telegraph"

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Book SynopsisIn this provocative book, Rev. Jesse Lee Peterson, the most outspoken critic of the civil-rights establishment in America today, lays bare its corrupt leadership, courageously taking aim at the bigest names?Jesse Jackson, Louis Farrakhan, Al Sharpton, Maxine Waters, among others?claiming they are nothing more than scam artists profiting off the hatred and disorder they foster in the black community. Peterson insists it's time to throw off the oppression of the established black leadership and stand for the American ideals of freedom, personal responsibility, free enterprise, and moral principle.

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Book SynopsisWilderness is one of the most abiding creations in the history of religions. It has a long and seminal history and is of contemporary relevance in wildlife preservation and climate discourses. Yet it has not previously been subject to scrutiny or theorising from a cross-cultural study of religions perspective. What are the specific relations between the world’s religions and imagined and real wilderness areas? The wilderness is often understood as a domain void of humans, opposed to civilization, but the analyses in this book complicate and question the dualism of previous theoretical grids and offer new perspectives on the interesting multiplicity of the wilderness and religion nexus. This book thus addresses the need for cross-cultural anthropological and history of religions analyses by offering in-depth case studies of the use and functions of wilderness spaces in a diverse range of contexts including, but not limited to, ancient Greece, early Christian asceticism, Old Norse religion, the shamanism-Buddhism encounter in Mongolia, contemporary paganism, and wilderness spirituality in the US. It advances research on religious spatialities, cosmologies, and ideas of wild nature and brings new understanding of the role of religion in human interaction with ‘the world’.

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Book SynopsisBased on the author’s cross-regional fieldwork, archival findings, and critical reading of memoirs and creative works of Tibetans and Chinese, this book recounts how the potency of Tibet manifests itself in modern material culture concerning Tibet, which is interwoven with state ideology, politics of identity, imagination, nostalgia, forgetting, remembering, and earth-inspired transcendence. The physical place of Tibet is the antecedent point of contact for subsequent spiritual imaginations, acts of destruction and reconstruction, collective nostalgia, and delayed aesthetic and environmental awareness shown in the eco-religious acts of native Tibetans, Communist radical utopianism, former military officers’ recollections, Tibetan and Chinese artwork, and touristic consumption of the Tibetan landscape. By drawing connections between differences, dichotomies, and oppositions, this book explores the interiors of the diverse agentive modes of imaginations from which Tibet is imagined in China. On the theoretical front, this book attempts to bring forth a set of fresh perspectives on how a culturally and religiously specific landscape is antecedent to simultaneous processes of place-making, identity-making, and the bonding between place and people.

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Book SynopsisFor almost a decade Peter Quezada, a prolific self-taught artist, painted murals and lettering on buildings and retaining walls in neighborhoods northeast of downtown Los Angeles. He refers to his work as a ""graffiti deterrent"" or a ""substitute for graffiti,"" and he targets sites that are favorites of taggers and gang graffiti writers. Often he enlists their assistance and designs his murals to appeal to these youths as well as to discourage them from participating in antisocial behavior.Highlighting the interplay of contemporary life, mass-media images that confront the public, and the use of physical space in the city landscape, Chicano Graffiti and Murals shows how such art as Quezada's has become the signature of modern urban culture.

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Book SynopsisDaisy Bates (1914-1999) is renowned as the mentor of the Little Rock Nine, the first African Americans to attend Central High School in Little Rock, Arkansas. For guiding the Nine through one of the most tumultuous civil rights crises of the 1950s, she was selected as Woman of the Year in Education by the Associated Press in 1957 and was the only woman invited to speak at the Lincoln Memorial ceremony in the March on Washington in 1963. But her importance as a historical figure has been overlooked by scholars of the civil rights movement.Daisy Bates: Civil Rights Crusader from Arkansas chronicles her life and political advocacy before, during, and well after the Central High School crisis. An orphan from the Arkansas mill town of Huttig, she eventually rose to the zenith of civil rights action. In 1952, she was elected president of the NAACP in Arkansas and traveled the country speaking on political issues. During the 1960s, she worked as a field organizer for presidents John F. Kennedy and Lyndon B. Johnson to get out the black vote. Even after a series of strokes, she continued to orchestrate self-help and economic initiatives in Arkansas.Using interviews, archival records, contemporary news-paper accounts, and other materials, author Grif Stockley reconstructs Bates's life and career, revealing her to be a complex, contrary leader of the civil rights movement. Ultimately, Daisy Bates paints a vivid portrait of an ardent, overlooked advocate of social justice.

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