Ethnic studies / Ethnicity Books

Book SynopsisExploring the intersections of digital humanities and African diaspora studies How can scholars use digital tools to better understand the African diaspora across time, space, and disciplines? And how can African diaspora studies inform the practices of digital humanities? These questions are at the heart of this timely collection of essays about the relationship between digital humanities and Black Atlantic studies, offering critical insights into race, migration, media, and scholarly knowledge production.The Digital Black Atlantic spans the African diaspora’s range—from Africa to North America, Europe, and the Caribbean—while its essayists span academic fields—from history and literary studies to musicology, game studies, and library and information studies. This transnational and interdisciplinary breadth is complemented by essays that focus on specific sites and digital humanities projects throughout the Black Atlantic. Covering key debates, The Digital Black Atlantic asks theoretical and practical questions about the ways that researchers and teachers of the African diaspora negotiate digital methods to explore a broad range of cultural forms including social media, open access libraries, digital music production, and video games. The volume further highlights contributions of African diaspora studies to digital humanities, such as politics and representation, power and authorship, the ephemerality of memory, and the vestiges of colonialist ideologies. Grounded in contemporary theory and praxis, The Digital Black Atlantic puts the digital humanities into conversation with African diaspora studies in crucial ways that advance both. Contributors: Alexandrina Agloro, Arizona State U; Abdul Alkalimat; Suzan Alteri, U of Florida; Paul Barrett, U of Guelph; Sayan Bhattacharyya, Singapore U of Technology and Design; Agata Błoch, Institute of History of Polish Academy of Sciences; Michał Bojanowski, Kozminski U; Sonya Donaldson, New Jersey City U; Anne Donlon; Laurent Dubois, Duke U; Amy E. Earhart, Texas A&M U; Schuyler Esprit, U of the West Indies; Demival Vasques Filho, U of Auckland, New Zealand; David Kirkland Garner; Alex Gil, Columbia U; Kaiama L. Glover, Barnard College, Columbia U; D. Fox Harrell, MIT; Hélène Huet, U of Florida; Mary Caton Lingold, Virginia Commonwealth U; Angel David Nieves, San Diego State U; Danielle Olson, MIT; Tunde Opeibi (Ope-Davies), U of Lagos, Nigeria; Jamila Moore Pewu, California State U, Fullerton; Anne Rice, Lehman College, CUNY; Sercan Şengün, Northeastern U; Janneken Smucker, West Chester U; Laurie N.Taylor, U of Florida; Toniesha L. Taylor, Texas Southern U.Table of ContentsContentsIntroduction: The Digital Black AtlanticKelly Baker Josephs and Roopika RisamPart I. Memory1. The Sankofa Principle: From the Drum to the Digital Abdul Alkalimat2. The Ephemeral Archive: Unstable Terrain in Times and Sites of DiscordSonya Donaldson3. An Editorial Turn: Reviving Print and Digital Editing of Black-Authored Literary TextsAmy E. Earhart4. Access and Empowerment: Rediscovering Moments in the Lives of African American Migrant WomenJanneken Smucker5. Digital Queer Witnessing: Testimony, Contested Virtual Heritage, and the Apartheid Archive in Soweto, JohannesburgAngel David NievesPart II. Crossings6. Digital Ubuntu: Sharing Township Music with the World Alexandrina Agloro7. Text Analysis for Thought in the Black Atlantic Sayan Bhattacharyya8. Austin Clarke’s Digital Crossings Paul Barrett9. Radical Collaboration to Improve Library CollectionsHélène Huet, Suzan Alteri, and Laurie N. Taylor10. Digital Reconnaissance: Re(Locating) Dark Spots on a MapJamila Moore PewuPart III. Relations11. Heterotopias of Resistance: Reframing Caribbean Narratives in Digital Spaces Schuyler Esprit12. Signifying Shade as We #RaceTogether Drinking Our #NewStarbucksDrink “White Privilege Americana Extra Whip”Toniesha L. Taylor13. Slaves, Freedmen, Mulattos, Pardos, and Indigenous Peoples: The Early Modern Social Networks of the Population of Color in the Atlantic Portuguese EmpireAgata Błoch, Demival Vasques Filho, and Michał Bojanowski 14. Digitizing the Humanities in an Emerging Space: An Exploratory Study of Digital Humanities Initiatives in NigeriaTunde Opeibi15. Black Atlantic Networks in the Archives and the Limits of Finding Aids as DataAnne DonlonPart IV. Becomings16. Africa and the Avatar Dream: Mapping the Impacts of Videogame Representations of AfricaD. Fox Harrell, Sercan Şengün, and Danielle Olson17. Musical Passage: Sound, Text, and the Promise of the Digital Black Atlantic Laurent Dubois, David Kirkland Garner, and Mary Caton Lingold18. What Price Freedom? The Implications and Challenges of OER for Africana Studies Anne Rice19. On the Interpretation of Digital Caribbean DreamsKaiama L. Glover and Alex GilAcknowledgmentsContributors

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Book SynopsisA deep dive into mid-century African American newspapers, exploring how Black pulp fiction reassembled genre formulas in the service of racial justice In recent years, Jordan Peele’s Get Out, Marvel’s Black Panther, and HBO’s Watchmen have been lauded for the innovative ways they repurpose genre conventions to criticize white supremacy, celebrate Black resistance, and imagine a more racially just world—important progressive messages widely spread precisely because they are packaged in popular genres. But it turns out, such generic retooling for antiracist purposes is nothing new. As Brooks E. Hefner’s Black Pulp shows, this tradition of antiracist genre revision begins even earlier than recent studies of Black superhero comics of the 1960s have revealed. Hefner traces it back to a phenomenon that began in the 1920s, to serialized (and sometimes syndicated) genre stories written by Black authors in Black newspapers with large circulations among middle- and working-class Black readers. From the pages of the Pittsburgh Courier and the Baltimore Afro-American, Hefner recovers a rich archive of African American genre fiction from the 1920s through the mid-1950s—spanning everything from romance, hero-adventure, and crime stories to westerns and science fiction. Reading these stories, Hefner explores how their authors deployed, critiqued, and reassembled genre formulas—and the pleasures they offer to readers—in the service of racial justice: to criticize Jim Crow segregation, racial capitalism, and the sexual exploitation of Black women; to imagine successful interracial romance and collective sociopolitical progress; and to cheer Black agency, even retributive violence in the face of white supremacy. These popular stories differ significantly from contemporaneous, now-canonized African American protest novels that tend to represent Jim Crow America as a deterministic machine and its Black inhabitants as doomed victims. Widely consumed but since forgotten, these genre stories—and Hefner’s incisive analysis of them—offer a more vibrant understanding of African American literary history. Trade Review "Brooks Hefner’s compelling and insightful book asks us to reconsider not only what counts as Black imaginative writing but what it means to read Black literature at all. Attending to a vast yet overlooked archive of serial genre fiction, Hefner highlights the pleasures afforded by African Americans’ engagement with popular formulas in the Black press. The result is an eye-opening account of modern literary production that centers the tastes and experiences of Black readers themselves. Beyond the predominance of the protest novel in the white imagination, Hefner reveals the narrative forms and medial formats out of which Black America’s imagined communities were built."—Kinohi Nishikawa, author of Street Players: Black Pulp Fiction and the Making of a Literary Underground "Black Pulp tells a much needed and long overdue literary history of the short fiction and serial narratives featured in the African American periodical press of the mid-twentieth century. As Brooks E. Hefner’s deft and compelling close readings and contextual accounts of the pulp fiction industry’s developments demonstrate, Black popular fiction’s fresh formulas offered Black readers utopian (not nihilist) visions of the justice they deserved—but were denied—in Jim Crow America. Thoroughly researched, shrewdly argued, wonderfully illustrated, and bracingly written, Black Pulp is as thrilling to read as the literature it surveys. This is a work that anyone interested in mid-century African American and American popular literature, genre criticism, and US periodical history must read."—Jacqueline Goldsby, Yale University "Beyond the invaluable historical work it performs, Black Pulp offers numerous and exciting theoretical suggestions regarding the politics of reading, the innovations of popular fiction and the huge gulf between the historical experience of readers in a given period and the retrospective constructions of literary history. It constitutes essential reading for whoever is interested in Black studies, pulp fiction or the sociology of reading, probing the limits of these intersecting fields and helping to recover the forgotten hinterlands that lie beyond them."—Journal of Social History "Hefner stitches together the seams of genre and race... Black Pulp challenges us to reimagine and expand our conceptualization of African American literary culture by adopting Black bibliographic practice that simultaneously recovers relationships between lost texts and a larger network of literary practice, even as it might redefine what we mean as Black bibliography."—Papers of the Bibliographical Society of America "A fascinating glimpse into a part of Black history that isn’t well known."—Real Change News "Black Pulp is important and valuable because of the stories Hefner chronicles and the convincing argument he makes that they are worthy of careful investigation, and that in transforming white pulp to create new imaginative worlds, they fulfill an important role by offering new possibilities for readers who have often been deprived of them even in the realm of imagination."—Los Angeles Review of Books "Hefner’s study is—from beginning to end—an absolute pleasure to read, just as it is a convincing case for the political importance of Black pleasure in reading."—Modernism/modernity "Hefner reveals the dauntless envisioning of emancipatory futures by Black writers and illustrators. "—Colors of Influence "For Hefner, recovering African American newspaper fiction is significant because it provides archival evidence of fertile genre experimentation among Black writers in the pulp era... a major achievement. Black Pulp should make it impossible for scholars of popular genre fiction to suggest that Black creators entered the field late or that antiracist approaches to genre are a new development. "—American Periodicals "Breathtakingly researched and astutely argued, Hefner shines a light on a hidden corner of Black cultural production that has remained mostly out of sight." —Modern Fiction Studies Table of ContentsContentsIntroduction: Signifying Genre, Articulating Race1. Beneath the Harlem Renaissance: The Rise of Black Popular Fiction2. Romancing the Race: The Politics of Black Love Stories3. News from Elsewhere: Speculative Fiction in the Black Press4. Battling White Supremacy: A Prehistory of the Black SuperheroConclusion: Writing New HistoriesNotesIndex

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Book SynopsisA deep dive into mid-century African American newspapers, exploring how Black pulp fiction reassembled genre formulas in the service of racial justice In recent years, Jordan Peele’s Get Out, Marvel’s Black Panther, and HBO’s Watchmen have been lauded for the innovative ways they repurpose genre conventions to criticize white supremacy, celebrate Black resistance, and imagine a more racially just world—important progressive messages widely spread precisely because they are packaged in popular genres. But it turns out, such generic retooling for antiracist purposes is nothing new. As Brooks E. Hefner’s Black Pulp shows, this tradition of antiracist genre revision begins even earlier than recent studies of Black superhero comics of the 1960s have revealed. Hefner traces it back to a phenomenon that began in the 1920s, to serialized (and sometimes syndicated) genre stories written by Black authors in Black newspapers with large circulations among middle- and working-class Black readers. From the pages of the Pittsburgh Courier and the Baltimore Afro-American, Hefner recovers a rich archive of African American genre fiction from the 1920s through the mid-1950s—spanning everything from romance, hero-adventure, and crime stories to westerns and science fiction. Reading these stories, Hefner explores how their authors deployed, critiqued, and reassembled genre formulas—and the pleasures they offer to readers—in the service of racial justice: to criticize Jim Crow segregation, racial capitalism, and the sexual exploitation of Black women; to imagine successful interracial romance and collective sociopolitical progress; and to cheer Black agency, even retributive violence in the face of white supremacy. These popular stories differ significantly from contemporaneous, now-canonized African American protest novels that tend to represent Jim Crow America as a deterministic machine and its Black inhabitants as doomed victims. Widely consumed but since forgotten, these genre stories—and Hefner’s incisive analysis of them—offer a more vibrant understanding of African American literary history. Trade Review "Brooks Hefner’s compelling and insightful book asks us to reconsider not only what counts as Black imaginative writing but what it means to read Black literature at all. Attending to a vast yet overlooked archive of serial genre fiction, Hefner highlights the pleasures afforded by African Americans’ engagement with popular formulas in the Black press. The result is an eye-opening account of modern literary production that centers the tastes and experiences of Black readers themselves. Beyond the predominance of the protest novel in the white imagination, Hefner reveals the narrative forms and medial formats out of which Black America’s imagined communities were built."—Kinohi Nishikawa, author of Street Players: Black Pulp Fiction and the Making of a Literary Underground "Black Pulp tells a much needed and long overdue literary history of the short fiction and serial narratives featured in the African American periodical press of the mid-twentieth century. As Brooks E. Hefner’s deft and compelling close readings and contextual accounts of the pulp fiction industry’s developments demonstrate, Black popular fiction’s fresh formulas offered Black readers utopian (not nihilist) visions of the justice they deserved—but were denied—in Jim Crow America. Thoroughly researched, shrewdly argued, wonderfully illustrated, and bracingly written, Black Pulp is as thrilling to read as the literature it surveys. This is a work that anyone interested in mid-century African American and American popular literature, genre criticism, and US periodical history must read."—Jacqueline Goldsby, Yale University "Beyond the invaluable historical work it performs, Black Pulp offers numerous and exciting theoretical suggestions regarding the politics of reading, the innovations of popular fiction and the huge gulf between the historical experience of readers in a given period and the retrospective constructions of literary history. It constitutes essential reading for whoever is interested in Black studies, pulp fiction or the sociology of reading, probing the limits of these intersecting fields and helping to recover the forgotten hinterlands that lie beyond them."—Journal of Social History "Hefner stitches together the seams of genre and race... Black Pulp challenges us to reimagine and expand our conceptualization of African American literary culture by adopting Black bibliographic practice that simultaneously recovers relationships between lost texts and a larger network of literary practice, even as it might redefine what we mean as Black bibliography."—Papers of the Bibliographical Society of America "A fascinating glimpse into a part of Black history that isn’t well known."—Real Change News "Black Pulp is important and valuable because of the stories Hefner chronicles and the convincing argument he makes that they are worthy of careful investigation, and that in transforming white pulp to create new imaginative worlds, they fulfill an important role by offering new possibilities for readers who have often been deprived of them even in the realm of imagination."—Los Angeles Review of Books "Hefner’s study is—from beginning to end—an absolute pleasure to read, just as it is a convincing case for the political importance of Black pleasure in reading."—Modernism/modernity "Hefner reveals the dauntless envisioning of emancipatory futures by Black writers and illustrators. "—Colors of Influence "For Hefner, recovering African American newspaper fiction is significant because it provides archival evidence of fertile genre experimentation among Black writers in the pulp era... a major achievement. Black Pulp should make it impossible for scholars of popular genre fiction to suggest that Black creators entered the field late or that antiracist approaches to genre are a new development. "—American Periodicals "Breathtakingly researched and astutely argued, Hefner shines a light on a hidden corner of Black cultural production that has remained mostly out of sight." —Modern Fiction Studies Table of ContentsContentsIntroduction: Signifying Genre, Articulating Race1. Beneath the Harlem Renaissance: The Rise of Black Popular Fiction2. Romancing the Race: The Politics of Black Love Stories3. News from Elsewhere: Speculative Fiction in the Black Press4. Battling White Supremacy: A Prehistory of the Black SuperheroConclusion: Writing New HistoriesNotesIndex

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Book SynopsisA complex articulation of the ways blackness and nonnormative gender intersect—and a deeper understanding of how subjectivities are formed A deep meditation on and expansion of the figure of the Negro and insurrectionary effects of the “X” as theorized by Nahum Chandler, The Problem of the Negro as a Problem for Gender thinks through the problematizing effects of blackness as, too, a problematizing of gender. Through the paraontological, the between, and the figure of the “X” (with its explicit contemporary link to nonbinary and trans genders) Marquis Bey presents a meditation on black feminism and gender nonnormativity. Chandler’s text serves as both an argumentative tool for rendering the “radical alternative” in and as blackness as well as demonstrating the necessarily trans/gendered valences of that radical alternative. Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

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Book SynopsisA brilliant and rich gathering of voices on the American experience of this past year and beyond, from Indigenous writers and writers of color from Minnesota In this significant collection, Indigenous writers and writers of color bear witness to one of the most unsettling years in the history of the United States. Essays and poems vividly reflect and comment on the traumas we endured in 2020, beginning with the arrival of the COVID-19 pandemic crisis, deepened by the blatant murder of George Floyd by Minneapolis police officers and the uprisings that immersed our city into the epicenter of passionate, worldwide demands for justice. In inspired and incisive writing these contributors speak unvarnished truths not only to the original and pernicious racism threaded through the American experience but also to the deeply personal, in essays about family, loss, food culture, economic security, and mental health. Their call and response is united here to rise and be heard. We Are Meant to Rise lifts up the astonishing variety of BIPOC writers in Minnesota. From authors with international reputations to newly emerging voices, it features people from many cultures, including Indigenous Dakota and Anishinaabe, African American, Hmong, Somali, Afghani, Lebanese, Korean, Vietnamese, Japanese, Puerto Rican, Colombian, Mexican, transracial adoptees, mixed race, and LGBTQ+ perspectives. Most of the contributors have participated in More Than a Single Story, a popular and insightful conversation series in Minneapolis that features Indigenous and people of color speaking on what most concerns their communities. We Are Meant to Rise meets the events of the day, the year, the centuries before, again and again, with powerful testament to the intrinsic and unique value of the human voice.Contributors: Suleiman Adan, Mary Moore Easter, Louise Erdrich, Anika Fajardo, Safy-Hallan Farah, Said Farah, Sherrie Fernandez-Williams, Pamela R. Fletcher Bush, Shannon Gibney, Kathryn Haddad, Tish Jones, Ezekiel Joubert III, Douglas Kearney, Ed Bok Lee, Ricardo Levins Morales, Arleta Little, Resmaa Menakem, Tess Montgomery, Ahmad Qais Munhazim, Melissa Olson, Alexs Pate, Bao Phi, Mona Susan Power, Samantha Sencer-Mura, Said Shaiye, Erin Sharkey, Sun Yung Shin, Michael Torres, Diane Wilson, Kao Kalia Yang, and Kevin Yang.Trade Review"Diversity is our strength. Each new voice who becomes part of America is our strength. The writers in this anthology provide us with individualized portraits of who we are, and in doing so they can help us to know each other, our neighbors, our fellow citizens. These writers prove we are indeed more than a single story."—David Mura, from the Introduction "A powerful and passionate take on a fraught moment."—Publishers Weekly"This collection is diverse, enraging, heartbreaking, impassioned and this month’s #RequiredReading."—Ms. Magazine"The book acts as a time capsule of reflections of being Black, brown, indigenous & immigrant in a city that resembles much of American. There are poignant stories of immigration from the points of view of various communities, including Hmong, Somali, Korean, Lebanese, among others. Many stories share the narrative of survival, of healing from trauma, and emerging intact from the crushing weight of generational wounds. "—Colors of Influence"We Are Meant to Rise offers a different vision of past and present, unflinching in its gaze on our national and local sins but ultimately affirming hope and possibility."—Minnesota Spokesman Recorder Table of ContentsContentsIntroduction: Call and ResponseDavid MuraAbout More Than a Single StoryCarolyn HolbrookPandemic LoveEd Bok LeeJuiceAlexs PateGeorge Floyd Was Killed in My NeighborhoodSafy-Hallan Farahإِنَّا لِلّهِ وَإِنَّـا إِلَيْهِ رَاجِعونَ Queer Death in ExileAhmad Qais MunhazimWith Birthday Girl Blindfolded, Star Piñata Considers His Regrets and Offers a Last RequestMichael TorresBattlegrounds and Building GroundsKao Kalia YangSummer 1964Pamela R. Fletcher BushThe Courage to Hold Together, the Courage to Fall Apart Mona Susan PowerLong Live the Fatherless ChildrenAnika FajardoLand Acknowledgement Statement of a Native VirginianMary Moore EasterFinancial TraumaTess MontgomeryCross PollinationKathryn HaddadBreath: A Meditation in UprisingErin SharkeyDear EditorDouglas KearneyWhat Does it All MeanTish JonesThe Trauma VirusResmaa MenakemHow Will They Take Us Away/How Will We StandBao PhiHealers Are Protectors/Protectors Are HealersMarcie RendonThe Pachuco Himself Considers the Audacity of LanguageMichael TorresLittle Brown BriefcaseSuleiman AdanWe Are All SummonedDiane WilsonA Tangent to a Story about the Smith & Wesson .38, or, Attempts to Be Fully Assimilated into the White American Project Have Failed Miserably, in the Form of a Self-Questionnaire신 선 영 辛善英 Sun Yung ShinToday in MinneapolisSamantha Sencer-MuraLet Me Tell You a StoryMelissa OlsonHere BeforeSherrie Fernandez-WilliamsTruth, Reconciliation, and Four More Meditations on Human FreedomArleta LittleDidion DreamsSaid ShaiyeSpeaking Into ExistenceKevin YangThe WeightEzekiel JoubertFour GeniesRicardo Levins MoralesAll the Stars AflameShannon GibneyHumility, Sincerity, Banana OilLouise ErdrichAcknowledgmentsContributors

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Book SynopsisA compelling examination of Sweden’s African and Black diasporaContemporary Sweden is a country with a worldwide progressive reputation, despite an undeniable tradition of racism within its borders. In the face of this contradiction of culture and history, Afro-Swedes have emerged as a vibrant demographic presence, from generations of diasporic movement, migration, and homemaking. In Afro-Sweden, Ryan Thomas Skinner uses oral histories, archival research, ethnography, and textual analysis to explore the history and culture of this diverse and growing Afro-European community.Skinner employs the conceptual themes of “remembering” and “renaissance” to illuminate the history and culture of the Afro-Swedish community, drawing on the rich theoretical traditions of the African and Black diaspora. Remembering fosters a sustained meditation on Afro-Swedish social history, while Renaissance indexes a thriving Afro-Swedish public culture. Together, these concepts illuminate significant existential modes of Afro-Swedish being and becoming, invested in and contributing to the work of global Black studies.The first scholarly monograph in English to focus specifically on the African and Black diaspora in Sweden, Afro-Sweden emphasizes the voices, experiences, practices, knowledge, and ideas of these communities. Its rigorously interdisciplinary approach to understanding diasporic communities is essential to contemporary conversations around such issues as the status and identity of racialized populations in Europe and the international impact of Black Lives Matter.Trade Review "A remarkable work in both its content and style, Afro-Sweden compels us to reconsider our understandings of race, place, and identity, all while highlighting the presence of a population whose cultural vitality and roots are too often overlooked."—Benjamin R. Teitelbaum, author of War for Eternity: The Return of Traditionalism and the Rise of the Populist Right "Ryan Skinner’s research and writing are among those rare artifacts bringing the Afro-Swedish community to life, informing our own children, even ourselves, of that vital reminder, that we are here, that we have been here for quite some time, that we belong to the global African diaspora, that our lives matter."—Jason Timbuktu Diakité, from the Foreword "[Afro-Sweden] is such a truthful explanation of the dilemma African descendants have here in Sweden… It is such a valuable contribution to efforts to racial integration here in Sweden."—Madubuko Diakité, author of Not Even in Your Dreams: A Story about Children, Parents, and Dreams "In Afro-Sweden: Becoming Black in a Color-Blind Country, Ryan Skinner explores the diverse voices and experiences of the American and Black diaspora in Sweden. The book not only shows the pervasive nature of white supremacy in Swedish society but also pays testimony to the richness of Afro-Swedish life. "—LSE Review of Books "Afro-Sweden: Becoming Black in a Color-Blind Country is convincing in its presentation of how ‘Afro Swedes resist politics of erasure that normative color-blindness prescribes, by affirming a doubly conscious Afro-diasporic and Swedish being-in-the world’ (233). Therefore, the book is informative to those both familiar or not with the burgeoning field of racial studies in Sweden."—Ethnic and Racial Studies Table of ContentsForewordJason Timbuktu DiakitéA Note on OrthographyIntroduction: Race, Culture, and Diaspora in Afro-SwedenPart I. Remembering1. Invisible People2. A Colder Congo3. Walking While BlackPart II. Renaissance4. Articulating Afro-Sweden5. The Politics of Race and Diaspora6. The Art of RenaissanceEpilogueAcknowledgmentsNotesBibliographyIndex

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Book SynopsisA compelling examination of Sweden’s African and Black diasporaContemporary Sweden is a country with a worldwide progressive reputation, despite an undeniable tradition of racism within its borders. In the face of this contradiction of culture and history, Afro-Swedes have emerged as a vibrant demographic presence, from generations of diasporic movement, migration, and homemaking. In Afro-Sweden, Ryan Thomas Skinner uses oral histories, archival research, ethnography, and textual analysis to explore the history and culture of this diverse and growing Afro-European community.Skinner employs the conceptual themes of “remembering” and “renaissance” to illuminate the history and culture of the Afro-Swedish community, drawing on the rich theoretical traditions of the African and Black diaspora. Remembering fosters a sustained meditation on Afro-Swedish social history, while Renaissance indexes a thriving Afro-Swedish public culture. Together, these concepts illuminate significant existential modes of Afro-Swedish being and becoming, invested in and contributing to the work of global Black studies.The first scholarly monograph in English to focus specifically on the African and Black diaspora in Sweden, Afro-Sweden emphasizes the voices, experiences, practices, knowledge, and ideas of these communities. Its rigorously interdisciplinary approach to understanding diasporic communities is essential to contemporary conversations around such issues as the status and identity of racialized populations in Europe and the international impact of Black Lives Matter.Trade Review "A remarkable work in both its content and style, Afro-Sweden compels us to reconsider our understandings of race, place, and identity, all while highlighting the presence of a population whose cultural vitality and roots are too often overlooked."—Benjamin R. Teitelbaum, author of War for Eternity: The Return of Traditionalism and the Rise of the Populist Right "Ryan Skinner’s research and writing are among those rare artifacts bringing the Afro-Swedish community to life, informing our own children, even ourselves, of that vital reminder, that we are here, that we have been here for quite some time, that we belong to the global African diaspora, that our lives matter."—Jason Timbuktu Diakité, from the Foreword "[Afro-Sweden] is such a truthful explanation of the dilemma African descendants have here in Sweden… It is such a valuable contribution to efforts to racial integration here in Sweden."—Madubuko Diakité, author of Not Even in Your Dreams: A Story about Children, Parents, and Dreams "In Afro-Sweden: Becoming Black in a Color-Blind Country, Ryan Skinner explores the diverse voices and experiences of the American and Black diaspora in Sweden. The book not only shows the pervasive nature of white supremacy in Swedish society but also pays testimony to the richness of Afro-Swedish life. "—LSE Review of Books "Afro-Sweden: Becoming Black in a Color-Blind Country is convincing in its presentation of how ‘Afro Swedes resist politics of erasure that normative color-blindness prescribes, by affirming a doubly conscious Afro-diasporic and Swedish being-in-the world’ (233). Therefore, the book is informative to those both familiar or not with the burgeoning field of racial studies in Sweden."—Ethnic and Racial Studies Table of ContentsForewordJason Timbuktu DiakitéA Note on OrthographyIntroduction: Race, Culture, and Diaspora in Afro-SwedenPart I. Remembering1. Invisible People2. A Colder Congo3. Walking While BlackPart II. Renaissance4. Articulating Afro-Sweden5. The Politics of Race and Diaspora6. The Art of RenaissanceEpilogueAcknowledgmentsNotesBibliographyIndex

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Book SynopsisThe son of a Black mother and white father overcomes family trauma to find the courage of compassion in veterinary practice Rising to accept a prestigious award, Jody Lulich wondered what to say. Explain how he’d been attracted to veterinary medicine? Describe how caring for helpless, voiceless animals in his own shame and pain provided a lifeline, a chance to heal himself as well? Lulich tells his story in In the Company of Grace, a memoir about finding courage in compassion and strength in healing—and power in finally confronting the darkness of his youth.Lulich’s white father and Black mother met at a civil rights rally, but love was no defense against their personal demons. His mother’s suicide, in his presence when he was nine years old, and his sometimes brutal father’s subsequent withdrawal set Lulich on a course from the South Side of Chicago to the Tuskegee School of Veterinary Medicine in Alabama to an endowed chair at the University of Minnesota, forever searching for the approval and affection that success could not deliver. Though shadowed by troubling secrets, his memoir also features scenes of surprising light and promise—of the neighbors who take him in, a brother’s unlikely effort to save Christmas, his mother’s memories of the family’s charmed early days, bright moments (and many curious details) of veterinary practice. Most consequentially, at Tuskegee Lulich rents a room in the home of a seventy-five-year-old Black woman named Grace, whose wholehearted adoption of him—and her own stories of the Jim Crow era—finally gives him a sense of belonging and possibility.Completing his book amid the furor over George Floyd’s murder, Lulich reflects on all the ways that race has shaped his life. In the Company of Grace is a moving testament to the power of compassion in the face of seemingly overwhelming circumstances.Trade Review "In the Company of Grace is haunting and powerful. Jody Lulich has written an absorbing meditation on his lifelong journey from a helpless child who witnesses his beloved mother take her own life, to finding acceptance through the unconditional love of an elderly woman and redemption in caring for animals. An unforgettable and inspiring memoir."—Carolyn Holbrook, author of Tell Me Your Names and I Will Testify "Despite suffering true tragedies as a child, Jody Lulich grew up to be a veterinarian who shows deep compassion to both people and animals. His devotion to his mentor and mother figure, Grace Hooks, inspires admiration and an understanding of a true loving relationship. Don't miss this remarkable book."—Laura Shaine Cunningham, author of Sleeping Arrangements "Lulich's memoir is raw, introspective, and honest."—Insight News

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Book SynopsisRethinking the history of African enslavement in the western Indian Ocean through the lens of Iranian cinema From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery. How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fīlmfārsī) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zār, which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic sīyāh bāzī (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery. Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery’s longue durée in ways that resist its overpowering erasure in the popular and historical imagination. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.Trade Review "Parisa Vaziri’s care for Iranian cinema reveals a complex archive—a curriculum, a vigor—that exceeds local abstraction. Its new waves and new particularities are ‘symptoms of the global.’ Her deep analytic concern with racial blackness shows that the absence that makes possible the local and the global is also the presence that disrupts the givenness of self and world. Rigorously, beautifully, Vaziri transforms the history of the Indian Ocean and the history of cinema."—Fred Moten, New York University "Parisa Vaziri’s Racial Blackness and Indian Ocean Slavery is a truly groundbreaking work that asks us to seriously take up the question: What is blackness in Iranian culture? She critically interrogates the claim that Indian Ocean slavery has largely been forgotten in popular Iranian memory with her illuminating exposition and insightful analysis. Racial Blackness and Indian Ocean Slavery prompts us to do a far better job of exploring the lived experience of blackness in modernity beyond the structures of the Atlantic sphere and to reconsider our thinking about the relationship between slavery, Africa, blackness, and the globalization of the nation state."—R. A. Judy, author of Sentient Flesh: Thinking in Disorder, Poiesis in Black "Incisive, theoretically rich, and deeply researched, Parisa Vaziri’s Racial Blackness and Indian Ocean Slavery challenges us to see the cinematic material she analyzes in new and striking ways. Crossing conventional disciplinary and area-studies boundaries, Vaziri’s book demands that we rethink the premises of our assumptions about blackness and histories of enslavement in West Asia, especially in Iran."—Amy Motlagh, author of Burying the Beloved: Marriage, Realism, and Reform in Modern Iran

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Book SynopsisRethinking the history of African enslavement in the western Indian Ocean through the lens of Iranian cinema From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery. How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fīlmfārsī) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zār, which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic sīyāh bāzī (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery. Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery’s longue durée in ways that resist its overpowering erasure in the popular and historical imagination. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.Trade Review "Parisa Vaziri’s care for Iranian cinema reveals a complex archive—a curriculum, a vigor—that exceeds local abstraction. Its new waves and new particularities are ‘symptoms of the global.’ Her deep analytic concern with racial blackness shows that the absence that makes possible the local and the global is also the presence that disrupts the givenness of self and world. Rigorously, beautifully, Vaziri transforms the history of the Indian Ocean and the history of cinema."—Fred Moten, New York University "Parisa Vaziri’s Racial Blackness and Indian Ocean Slavery is a truly groundbreaking work that asks us to seriously take up the question: What is blackness in Iranian culture? She critically interrogates the claim that Indian Ocean slavery has largely been forgotten in popular Iranian memory with her illuminating exposition and insightful analysis. Racial Blackness and Indian Ocean Slavery prompts us to do a far better job of exploring the lived experience of blackness in modernity beyond the structures of the Atlantic sphere and to reconsider our thinking about the relationship between slavery, Africa, blackness, and the globalization of the nation state."—R. A. Judy, author of Sentient Flesh: Thinking in Disorder, Poiesis in Black "Incisive, theoretically rich, and deeply researched, Parisa Vaziri’s Racial Blackness and Indian Ocean Slavery challenges us to see the cinematic material she analyzes in new and striking ways. Crossing conventional disciplinary and area-studies boundaries, Vaziri’s book demands that we rethink the premises of our assumptions about blackness and histories of enslavement in West Asia, especially in Iran."—Amy Motlagh, author of Burying the Beloved: Marriage, Realism, and Reform in Modern Iran

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Book SynopsisThere is an enduring belief amongst some that segregation is worsening and undermining social cohesion, and that this is especially visible in the growing divides between the schools in which our children are educated. This book uses up-to-date evidence to interrogate some of the controversial claims made by the 2016 Casey Review, providing an analysis of contemporary patterns of ethnic, residential and social segregation, and looking at the ways that these changing geographies interact with each other.Table of ContentsEthnic Segregation in England: Discourse and Debate The Changing Ethnic Composition of the School- Age Population Measures of Segregation and Diversity Across Local Authorities How Concentrated Are Ethnic Groups in Schools? Does School Choice Add to Residential Ethnic Segregation? Do Socio- Economic Separations Add to Ethnic Segregation? Conclusion: Ethnic Segregation Is Not Increasing

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Book Synopsis‘On-road’ is a complex term used by young people to describe street-based subculture and a general way of being. Featuring the voices of young people, this collection explores how race, class and gender dynamics shape this aspect of youth culture. With young people on-road often becoming criminalised due to interlocking structural inequalities, this book looks beyond concerns about gangs and presents empirical research from scholars and activists who work with and study the social lives of young people. It addresses the concerns of practitioners, policy makers and scholars by analysing aspects and misinterpretations of the shifting realities of young people’s urban life.Table of ContentsForeword by Claudia Bernard 1. Introduction: Youth and On-Road – Making Gender and Race Matter - Jade Levell, Tara Young and Rod Earle 2. Black, British Young Women On-Road: Intersections of Gender, Race and Youth in British Interwar Youth Penal Reform - Esmorie Miller 3. Tainted Love: Intimate Relationships and Gendered Violence On-Road - Yusef Bakkali and Ezimma Chigbo 4. (The) Trouble with Friends: Narrative Stories of Friendship and Violence On-Road - Tara Young 5. The Sexual Politics of Masculinity and Vulnerability On-Road: Gender, Race and Male Victimisation - Jade Levell 6. The Road, in Court: How UK Drill Music Became a Criminal Offence - Lambros Fatsis 7. On-Road Inside: Music as a Site of Carceral Convergence - Chris Waller 8. Jeta e Rrugës: Translocal On-Road Hustle, Within and from Albania - Jade Levell and Stephanie Schwandner-Sievers 9. ‘He’s shown me the road’: Role Model and Roadman - Peter Harris 10. Diary of an On-Road Criminologist: An Auto-Ethnographic Reflection - Martin Glynn 11. Conclusions, Compromises and Continuing Conversations - Jade Levell, Tara Young and Rod Earle

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Book SynopsisWith humor and grace, the memoir of a first-generation Chinese American in New York City. Our Laundry, Our Town is a memoir that decodes and processes the fractured urban oracle bones of Alvin Eng’s upbringing in Flushing, Queens, in the 1970s. Back then, his family was one of the few immigrant Chinese families in a far-flung neighborhood in New York City. His parents had an arranged marriage and ran a Chinese hand laundry. From behind the counter of his parents’ laundry and within the confines of a household that was rooted in a different century and culture, he sought to reconcile this insular home life with the turbulent yet inspiring street life that was all around them––from the faux martial arts of TV’s Kung Fu to the burgeoning underworld of the punk rock scene. In the 1970s, NYC, like most of the world, was in the throes of regenerating itself in the wake of major social and cultural changes resulting from the counterculture and civil rights movements. And by the 1980s, Flushing had become NYC’s second Chinatown. But Eng remained one of the neighborhood’s few Chinese citizens who did not speak fluent Chinese. Finding his way in the downtown theater and performance world of Manhattan, he discovered the under-chronicled Chinese influence on Thornton Wilder’s foundational Americana drama, Our Town. This discovery became the unlikely catalyst for a psyche-healing pilgrimage to Hong Kong and Guangzhou, China—his ancestral home in southern China—that led to writing and performing his successful autobiographical monologue, The Last Emperor of Flushing. Learning to tell his own story on stages around the world was what proudly made him whole. As cities, classrooms, cultures, and communities the world over continue to re-examine the parameters of diversity, equity, and inclusion, Our Laundry, Our Town will reverberate with a broad readership.Table of Contents1 The Urban Oracle Bones of Our Laundry: Channeling China’s Last Emperor and Rock ’n’ Roll’s First Opera 2 Everybody Was Kung Fu Fighting . . . or Faking It 3 Our Laundry’s Roots in Resistance: Family Reunification Along Flushing’s Fault Line 4 It’s Only a Paper Son: The Chinatown Bachelor Society 5 Addressees 6 Disappearing Acts: That Old-Time Religion 7 Chinese Rocks: Opium, the Chinese Diaspora and Soul . . . and Punk Rock 8 A Sort of Homecoming: But Where Are You Really From? 9 The Bigger Picture, On Screen and Off 10 Trip the Light, Gorgeous Mosaic: Double Happiness, Discovering Playwriting and Activism 11 Commencement Ceremonies: Leaving Flushing 12 Village Pilgrimage for a Marriage Blessing 13 Life Dances On: Our Town in China Epilogue Acknowledgments

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Book SynopsisAgainst the Carceral Archive is a meditation upon what author Damien M. Sojoyner calls the “carceral archival project,” offering a distillation of critical, theoretical, and activist work of prison abolitionists over the past three decades. Working from collections at the Southern California Library (Black Panthers, LA Chapter; the Coalition Against Police Abuse; Urban Policy Research Institute; Mothers Reclaiming Our Children; and the collection of geographer Clyde Woods), it builds upon theories of the archive to examine carcerality as the dominant mode of state governance over Black populations in the United States since the 1960s. Each chapter takes up an element of the carceral archive and its destabilization, destruction, and containment of Black life: its notion of the human and the production of “pejorative blackness,” the intimate connection between police and military in the protection of racial capitalism and its fossil fuel–based economy, the role of technology in counterintelligence, and counterinsurgency logics. Importantly, each chapter also emphasizes the carceral archive’s fundamental failure to destroy “Black communal logics” and radical Black forms of knowledge production, both of which contest the carceral archive and create other forms of life in its midst. Concluding with a statement on the reckoning with the radical traditions of thought and being which liberation requires, Sojoyner offers a compelling argument for how the centering of Blackness enables a structuring of the mind that refuses the violent exploitative tendencies of Western epistemological traditions as viable life-affirming practices.Table of ContentsIntroduction | 1 1 The Human and the Carceral Archival Project | 17 2 Police and the Carceral Archival Project | 32 3 Technology and the Social Sciences as Synergistic Violence | 42 4 Environmental Instability | 59 5 Policing Health and Safety | 72 6 Liberation | 81 Conclusion | 93 Acknowledgments | 103 References | 107

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Book SynopsisNEW IN PAPERBACK! BOOKS ARE MAGIC 2023 HOLIDAY GIFT BOOK With humor and grace, the memoir of a first-generation Chinese American in New York City. Our Laundry, Our Town is a memoir that decodes and processes the fractured urban oracle bones of Alvin Eng’s upbringing in Flushing, Queens, in the 1970s. Back then, his family was one of the few immigrant Chinese families in a far-flung neighborhood in New York City. His parents had an arranged marriage and ran a Chinese hand laundry. From behind the counter of his parents’ laundry and within the confines of a household that was rooted in a different century and culture, he sought to reconcile this insular home life with the turbulent yet inspiring street life that was all around them––from the faux martial arts of TV’s Kung Fu to the burgeoning underworld of the punk rock scene. In the 1970s, NYC, like most of the world, was in the throes of regenerating itself in the wake of major social and cultural changes resulting from the counterculture and civil rights movements. And by the 1980s, Flushing had become NYC’s second Chinatown. But Eng remained one of the neighborhood’s few Chinese citizens who did not speak fluent Chinese. Finding his way in the downtown theater and performance world of Manhattan, he discovered the under-chronicled Chinese influence on Thornton Wilder’s foundational Americana drama, Our Town. This discovery became the unlikely catalyst for a psyche-healing pilgrimage to Hong Kong and Guangzhou, China—his ancestral home in southern China—that led to writing and performing his successful autobiographical monologue, The Last Emperor of Flushing. Learning to tell his own story on stages around the world was what proudly made him whole. As cities, classrooms, cultures, and communities the world over continue to re-examine the parameters of diversity, equity, and inclusion, Our Laundry, Our Town will reverberate with a broad readership.Table of Contents1 The Urban Oracle Bones of Our Laundry: Channeling China’s Last Emperor and Rock ’n’ Roll’s First Opera 2 Everybody Was Kung Fu Fighting . . . or Faking It 3 Our Laundry’s Roots in Resistance: Family Reunification Along Flushing’s Fault Line 4 It’s Only a Paper Son: The Chinatown Bachelor Society 5 Addressees 6 Disappearing Acts: That Old-Time Religion 7 Chinese Rocks: Opium, the Chinese Diaspora and Soul . . . and Punk Rock 8 A Sort of Homecoming: But Where Are You Really From? 9 The Bigger Picture, On Screen and Off 10 Trip the Light, Gorgeous Mosaic: Double Happiness, Discovering Playwriting and Activism 11 Commencement Ceremonies: Leaving Flushing 12 Village Pilgrimage for a Marriage Blessing 13 Life Dances On: Our Town in China Epilogue Acknowledgments

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Book Synopsis"A brilliant and brilliantly different" (Kiese Laymon), wrenching and redemptive coming-of-age memoir about the difficulty of growing up in a hazardous home and the glory of finding salvation in geek culture. Stranded within an ever-shifting family’s desperate but volatile attempts to love, saddled with a mercurial mother mired in crack addiction, and demeaned daily for his perceived weakness, Joseph Earl Thomas grew up feeling he was under constant threat. Roaches fell from the ceiling, colonizing bowls of noodles and cereal boxes. Fists and palms pounded down at school and at home, leaving welts that ached long after they disappeared. An inescapable hunger gnawed at his frequently empty stomach, and requests for food were often met with indifference if not open hostility. Deemed too unlike the other boys to ever gain the acceptance he so desperately desired, he began to escape into fantasy and virtual worlds, wells of happiness in a childhood assailed on all sides. In a series of exacting and fierce vignettes, Thomas guides readers through the unceasing cruelty that defined his circumstances, laying bare the depths of his loneliness and illuminating the vital reprieve geek culture offered him. With remarkable tenderness and devastating clarity, he explores how lessons of toxic masculinity were drilled into his body and the way the cycle of violence permeated the very fabric of his environment. Even in the depths of isolation, there were unexpected moments of joy carved out, from summers where he was freed from the injurious structures of his surroundings to the first glimpses of kinship he caught on his journey to becoming a Pokémon master. SINK follows Thomas's coming-of-age towards an understanding of what it means to lose the desire to fit in—with his immediate peers, turbulent family, or the world—and how good it feels to build community, love, and salvation on your own terms.

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Book Synopsis"[C]harming and surprising. . . The work of Admissions is laying down, with wit and care, the burden James assumed at 15, that she - or any Black student, or all Black students - would manage the failures of a racially illiterate community. . . The best depiction of elite whiteness I've read."-New York TimesEarly on in Kendra James' professional life, she began to feel like she was selling a lie. As an admissions officer specializing in diversity recruitment for independent prep schools, she persuaded students and families to embark on the same perilous journey she herself had made-to attend cutthroat and largely white schools similar to The Taft School, where she had been the first African-American legacy student only a few years earlier. Her new job forced her to reflect on her own elite education experience, and to realize how disillusioned she had become with America's inequitable system.In ADMISSIONS, Kendra looks back at the three years she spent at Taft, chronicling clashes with her lily-white roommate, how she had to unlearn the respectability politics she'd been raised with, and the fall-out from a horrifying article in the student newspaper that accused Black and Latinx students of being responsible for segregation of campus. Through these stories, some troubling, others hilarious, she deconstructs the lies and half-truths she herself would later tell as an admissions professional, in addition to the myths about boarding schools perpetuated by popular culture.With its combination of incisive social critique and uproarious depictions of elite nonsense, ADMISSIONS will resonate with anyone who has ever been The Only One in a room, dealt with racial microaggressions, or even just suffered from an extreme case of homesickness.

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Book SynopsisDavid R. Roediger has been in the vanguard of the study of race and labor in American history for decades. He first came to prominence as the author of The Wages of Whiteness, a classic study of racism in the development of a white working class in nineteenth-century America. In Working Toward Whiteness, Roediger continues that history into the twentieth century. He recounts how ethnic groups considered white today-including Jewish-, Italian-, and Polish-Americans-were once viewed as undesirables by the WASP establishment in the United States. They eventually became part of white America, through the nascent labor movement, New Deal reforms, and a rise in home-buying. Once assimilated as fully white, many of them adopted the racism of those whites who formerly looked down on them as inferior. From ethnic slurs to racially restrictive covenants-the real estate agreements that ensured all-white neighborhoods-Roediger explores the mechanisms by which immigrants came to enjoy the privileges of being white in America. A disturbing, necessary, masterful history, Working Toward Whiteness uses the past to illuminate the present. In an Introduction to the 2018 edition, Roediger considers the resonance of the book in the age of Trump, showing how Working Toward Whiteness remains as relevant as ever even though most migrants today are not from Europe.

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Book SynopsisNow a New York Times Bestseller!External physical characteristics that are genetically encoded are things over which no individual has control. But rather than appreciating the gift of diversity, some have chosen to use it to drive wedges between groups of people. Some of these external characteristics are associated with the past moral failing of slavery. Though slavery in America formally ended in the 1860s, the vestiges of that evil institution are still with us today, and those vestiges often inflict guilt on some and facilitate feelings of victimhood in others. In Created Equal, Dr. Carson uses his own personal experiences as a member of a racial minority, along with the writings and experiences of others from multiple backgrounds and demographics, to analyze the current state of race relations in America. Instead of using race as an excuse to remake America into something completely antithetical to the Constitution, Dr. Carson suggests ways to enhance and bring great success to our nation and all multiethnic societies by magnifying America's incredible strengths instead of her historical weaknesses.

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Book SynopsisMore than any other black leader, H. Rap Brown, chairman of the radical Black Power organization Student Nonviolent Coordinating Committee (SNCC), came to symbolize the ideology of black revolution. This autobiography—which was first published in 1969, went through seven printings and has long been unavailable—chronicles the making of a revolutionary. It is much more than a personal history, however; it is a call to arms, an urgent message to the black community to be the vanguard force in the struggle of oppressed people. Forthright, sardonic, and shocking, this book is not only illuminating and dynamic but also a vitally important document that is essential to understanding the upheavals of the late 1960s. University of Massachusetts professor Ekwueme Michael Thelwell has updated this edition, covering Brown’s decades of harassment by law enforcement agencies, his extraordinary transformation into an important Muslim leader, and his sensational trial.

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Book SynopsisLatin America's growing evangelical movement sparks political and social changeTable of ContentsIntroduction: Rethinking Protestantism in Latin America -- David Stoll 1. Struggling Against the Devil: Pentecostalism and Social Movements in Urban Brazil -- John Burdick 2. The Crentes of Campo Alegre and the Religious Construction of Brazilian Politics -- Rowan Ireland 3. Brother Votes for Brother: The New Politics of Protestantism in Brazil -- Paul Freston 4. Protestantism in El Salvador: Conventional Wisdom versus the Survey Evidence -- Kenneth M. Coleman, Edwin Eloy Aguilar, Jose Miguel Sandoval, and Timothy J. Steigenga 5. The Reformation of Machismo: Asceticism and Masculinity among Colombian Evangelicals -- Elizabeth Brusco 6. Shifting Affiliations: Mayan Widows and Evangelicos in Guatemala -- Linda Green 7. Religious Mobility and the Many Words of God in La Paz, Bolivia -- Lesley Gill Conclusion: Is This Latin America's Reformation? -- Virginia Garrard-Burnett Bibliography About the Contributors Index

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Book SynopsisThis collection of evocative personal testimonies by three generations of Hmong refugees is the first to describe their lives in Laos as slash-and-burn farmers, as refugees after a Communist government came to power in 1975, and as immigrants in the United States. Reflecting on the homes left behind, their narratives chronicle the difficulties of forging a new identity.From Jou Yee Xiong's Life Story: "I stopped teaching my sons many of the Hmong ways because I felt my ancestors and I had suffered enough already. I thought that teaching my children the old ways would only place a burden on them."From Ka Pao Xiong's (Jou Yee Xiong's son) Life Story: "It has been very difficult for us to adapt because we had no professions or trades and we suffered from culture shock. Here in America, both the husband and wife must work simultaneously to earn enough money to live on. Many of our children are ignorant of the Hmong way of life…. Even the old people are forgetting about their life in Laos, as they enjoy the prosperity and good life in America."From Xang Mao Xiong's Life Story: "When the Communists took over Laos and General Vang Pao fled with his family, we, too, decided to leave. Not only my family, but thousands of Hmong tried to flee. I rented a car for thirty thousand Laotian dollars, and it took us to Nasu…. We felt compelled to leave because many of us had been connected to the CIA…. Thousands of Hmong were traveling on foot. Along the way, many of them were shot and killed by Communist soldiers. We witnessed a bloody massacre of civilians."From Vue Vang's Life Story: "Life was so hard in the [Thai refugee] camp that when we found out we could go to the United States, we did not hesitate to grasp the chance. We knew that were we to remain in the camp, there would be no hope for a better future. We would not be able to offer our children anything better than a life of perpetual poverty and anguish."Table of ContentsContentsIllustrations Preface Acknowledgements Personal and Place Names Introduction: The Hmong Experience in Asia and the United States 1. The Xiong Family of Goleta 2. The Xiong Family of Lompoc 3. The Fang Family of San Diego 4. The Tcha Family of Fresno 5. The Maua Family of Sanger Notes to the Introduction Selected Bibliography Notes on the Editor and Transcribers/Translators

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Book SynopsisThe adventures of seven Filipino guerrillas rebelling against U.S. dominationTrade Review"[A] stunning tale of Filipino resistance fighters." --Asian Week "[T]he novel has a cumulative power. Editor San Juan...contributes a 36-page introduction that discusses Bulosan's life, writings, and philosophy as well as the historical background to the novel." --Library Journal "Written against the descending night of the McCarthyite witch-hunt, The Cry and the Dedication is a haunting allegory of search, struggle and redemption. It is high testimony to the power of the revolutionary imagination when empowered by the exile's dream of personal return and liberation of the homeland." --Alan Wald, University of MichiganTable of ContentsAcknowledgments Introduction E. San Juan, Jr. The Cry and the Dedication

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Book SynopsisIn September 19, 1985, a powerful earthquake hit Mexico City in the early morning hours. As the city collapses, the government fails to respond. Long a voice of social conscience, prominent Mexican journalist, Elena Poniatowska chronicles the disintegration of the city's physical and social structure, the widespread grassroots organizing against government corruption and incompetence, and the reliency of the human spirit. As a transformative moment in the life of Mexican society, the earthquake is as much a component of the country's current crisis as the 1982 debt crisis, the problematic economic of the last ten years, and the recent elections. In masterfully weaving together a multiplicity of voices, Poniatowska has reasserted the inherent value and latent power of people working together. Punctuated by Poniatowska's own experiences and observations, these post disaster testimonies speak of the disruption of families and neighborhoods, of the destruction of homes and hospitals, of mutilation and death the collective loss of a city. Drawing the reader dramatically into the scene of national horror through dozens of personal stories, Poniatowska demonstrates the importance of courage and self-reliance in redeeming life from chaos. Elena Poniatowska, a prominent and prolific Mexican journalist and novelist, has written twenty-five books. Several have been translated into English, including "Massacre in Mexico" about the 1968 student/worker uprising in Mexico City, and the forthcoming "Tinisima", which centers upon the life of Tina Modotti. Aurora Camacho de Schmidt is Assistant Professor in the Department of Modern Languages and Literatures at Swarthmore College. She has worked as a writer and as the National Representative for the Mexico-U.S. Border Program of the American Friends Service Committee. Arthur Schmidt is Associate Professor of History and former Director of the Latin American Studies Center at Temple University. He is the author of "The Social and Economic Effect of the Railroad in Puebla and Veracruz, Mexico, 1867-1911".Table of ContentsIntroduction to the Series, Voices of Latin American Life -- Arthur Schmidt Foreword: The Shaking of a Nation -- Aurora Camacho de Schmidt and Arthur Schmidt Nothing, Nobody: The Voices of the Mexico City Earthquake Glossary Index

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Book SynopsisA powerful and moving remembrance of a young doctor who was disappeared during the Argentine "Dirty War"Table of ContentsAcknowledgments Author's Introduction 1. The Cemetery: Voice 1, Emilio Fermin Mignone 2. Catalina: Voice 2, Father Luis Angel Farinello 3. Graciela: Voice 3, Dr. Ester Saavedra 4. Manuel: Voice 4, Uki Goni 5. The Clinic: Voice 5, Maria Adela Gard de Antokoletz 6. Laura: Voice 6, Adolfo Perez Esquivel 7. Luciano: Voice 7, Maria Isabel Chorobik de Miriani 8. Victoria: Voice 8, Dr. Jorge Reinaldo Vanossi 9. Francisco: Voice 9, Luis Brandoni 10. "El Angel": Voice 10, General Herberto Justo Auel 11. Ana Maria: Voice 11, Dr Luis Gabriel Moreno Ocampo 12. Silvina: Voice 12, Eduardo Rabossi Author's Epilogue Index

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Book SynopsisThis ground-breaking collection of new interviews, critical essays, and commentary explores South Asian identity and culture. Sensitive to the false homogeneity implied by "South Asian," "diaspora," "postcolonial," and "Asian American," the contributors attempt to unpack these terms. By examining the social, economic, and historical particularities of people who live "between the lines"-on and between borders-they reinstate questions of power and privilege, agency and resistance. As South Asians living in the United States and Canada, each to some degree must reflect on the interaction of the personal "I," the collective "we," and the world beyond. The South Asian scholars gathered together in this volume speak from a variety of theoretical perspectives; in the essays and interviews that cross the boundaries of conventional academic disciplines, they engage in intense, sometimes contentious, debate. Contributors: Meena Alexander, Gauri Viswanathan, Gayatri Chakravorty Spivak, Amritjit Singh, M. G. Vassanji, Sohail Inayatullah, Ranita Chatterjee, Benita Mehta, Sanjoy Majumder, Mahasveta Barua, Sukeshi Kamra, Samir Dayal, Pushpa Naidu Parekh, Indrani Mitra, Huma Ibrahim, Amitava Kumar, Shantanu DuttaAhmed, Uma Parameswaran. In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Vo.Trade Review"an important and valuable study as it engages in a discourse which pushes beyond simplistic meanings and complacent acceptance of complex terms like 'postcolonial' and 'South Asian.'" -MELUSTable of ContentsAcknowledgments 1. Introduction - Deepika Bahri and Mary Vasudeva Part I: Interviews 2. Observing Ourselves among Others, Interview with Meena Alexander - Deepika Bahri and Mary Vasudeva 3. Pedagogical Alternatives: Issues in Postcolonial Studies, Interview with Gauri Viswanathan - Deepika Bahri and Mary Vasudeva 4. Transnationality and Multiculturalist Ideology, Interview with Gayatri Chakravorty Spivak - Deepika Bahri and Mary Vasudeva Part II: Commentaries 5. African-Americans and the New Immigrants - Amritjit Singh 6. Life at the Margins: In the Thick of Multiplicity - M.G. Vassanji 7. Mullahs, Sex, and Bureaucrats: Pakistan's Confrontations with the Modern World - Sohail Inayatullah 8. Coming to Terms with the "Postcolonial" - Deepika Bahri Part III: Studies in the Media and Popular Culture 9. An Explosion of Difference: The Margins of Perception in Sammy and Rosie Get Laid - Ranita Chatterjee 10. Emigrants Twice Displaced: Race, Color, and Identity in Mira Nair's Mississippi Masala - Binita Mehta 11. From Ritual Drama to National Prime Time: Mahabharata, India's Televisual Obsession - Sanjoy Majumder 12. Television, Politics, and the Epic Heroine: Case Study, Sita - Mahasveta Barua Part IV: Literary Criticism 13. Replacing the Colonial Gaze: Gender as Strategy in Salman Rushdie's Fiction - Sukeshi Kamra 14. Style Is (Not) the Woman: Sara Suleri's Meatless Days - Samir Dayal 15. Redefining the Postcolonial Female Self: Women in Anita Desai's Clear Light of Day - Pushpa Naidu Parekh 16. "Luminous Brahmin Children Must Be Saved": Imperialist Ideologies, "Postcolonial" Histories in Bharati Mukherjee's The Tiger's Daughter - Indrani Mitra 17. The Troubled Past: Literature of Severing the Viewer/Viewed Dialectic - Huma Ibrahim Part V: Experimental Critiques 18. Jane Austin in Meerut, India - Amitava Kumar 19. Border Crossings: Retrieval and Erasure of the Self as Other - Shantanu DuttaAhmed 20. I see the Glass as Half Full - Uma Parameswaran About the Contributors

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Book SynopsisThis new edition of The Afrocentric Idea boldly confronts the contemporary challenges that have been launched against Molefi Kete Asante's philosophical, social, and cultural theory. By rendering a critique of some post-modern positions as well as the old structured Eurocentric orientations discussed in the first edition, this new edition contains lively engagements with views expressed by Mary Lefkowitz, Paul Gilroy, and Cornel West. Expanding on his core ideas, Asante has cast The Afrocentric Idea in the tradition of provocative critiques of the established social order. This is a fresh and dynamic location of culture within the context of social change.Trade Review"Asante's wide range of references, his delightful examples taken from black traditions, and his sheer pleasure at discussing black culture, all combine to make his argument both cogent and important. This will be a major book." --Henry Louis Gates, Jr., Chair, Afro-American Studies Department, Harvard University and W.E.B. Du Bois Professor of the Humanities. "Commencing with a spirited criticism of traditional Western academic discourse, Asante's drama concludes with a discussion of a transformative African and African-American discourse that puts its participants in possession of the dynamic spirits of a distinctive African cultural experience." --Chronicle of Higher Education "Mr. Asante is widely regarded as a major proponent of 'Afrocentricity,' or the understanding of the black experience as an extension of African history and culture. ... He is credited with doing as much as anyone to build a theoretical base for an idea that has been around for some time." --Quarterly Journal of Speech "Not the least purpose of The AFrocentric Idea is to show blacks they have an African Heritage and history that have persisted through, and helped blacks to survive, slavery and subsequent discrimination." --The New York Review of BooksTable of ContentsCONTENTS Preface Acknowledgments Dancing between Circles and Lines Part 1 The Situation Rhetorical Condition as a Conceptual Field The Idea of a Metatheory African Foundations of Nommo Part 2 The Resistance African American Orature and Context Mythoforms in African American Communication Rhetoric of Resistance Choosing a Freedom Africa as Concept Part 3 The Liberation The Search for an Afrocentric Method Transcendence: The Curved Line Notes Index

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Book SynopsisOn the surface, identity politics appears to promote polarization. To the contrary, political scientist Jose E. Cruz argues that, instead, fragmentation and instability are more likely to occur only when the differences are ignored and nonethnic strategies are employed. Cruz illustrates his claim by focusing on one group of Puerto Ricans and how they mobilized to demand accountability from political leaders in Hartford, Connecticut. The activities of the Puerto Rican Political Action Committee from 1983 to 1991 illustrate the power of ethnic mobilization and strategy in an urban setting. Cruz examines their insistence on their right to be included in the political process in the context of both a typical mid-sized American city and the unique attributes of Hartford's predominantly white-collar population. At the same time, this study acknowledges the limitations of the exercise of such power in the political process. Through extensive interviews Cruz brings to light the variety of ways in which politicians and political activists themselves view their own activities and achievements. This group of Puerto Rican activists attempted to penetrate the power structure of Hartford. Though their success was limited, their work constitutes a springboard for further change.Trade Review"This book's contribution lies in its analysis of the structural position of Puerto Ricans at the bottom of the socioeconomic ladder and of the process of empowerment through political activism. It challenges popular notions of identity politics as divisive and instead demonstrates how such an identity can serve as a tool for mobilization. It highlights Hartford's uniqueness at the same time that it provides us with lessons for other Puerto Rican, Latino, and ethnic communities throughout the U.S. Cruz makes an important contribution to the field of ethnic politics and community studies." -Vilma Ortiz, Sociology, University of California, Los Angeles "In a provocative analysis of the Puerto Rican Political Action Committee of Connecticut, Jose Cruz has linked identity politics, political ambition, organizing, and intra-ethnic rivalry. This political intrigue takes place in Hartford, Connecticut, a city in demographic and economic transition that is trying to cope with its newest arrivals. A terrific book-thoughtful, informative and balanced. This case study should have a major impact on the study of Latino politics as well as the study of urban politics." -Wilbur C. Rich, Political Science, Wellesley College "This rigorous examination of the political history of migrant Puerto Ricans evidences the role of identity politics in their empowerment." -The Journal of American HistoryTable of ContentsCONTENTS Maps, Tables, and Photos Preface 1 Introduction 2 Hartford: The City and Its Politics 3 Puerto Ricans in Hartford: From Settlement to Collective Behavior 4 From Collective Behavior to Brokered Representation 5 From Brokered Representation to Political Mobilization 6 Identity Politics: The Puerto Rican Political Action Committee of Connecticut 7 Identity and Power 8 Puerto Rican Politics and the Challenge of Ethnicity Notes Select Bibliography Index

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Book SynopsisThe first biography of an American-born Korean woman, Doing What Had to Be Done is, on the surface, the life story of Dora Yum Kim. But telling more than one woman's story, author Soo-Young Chin offers more than an unusual glimpse at the shaping of a remarkable community activist. In addition -- as she questions her subject, introduces each chapter, and reflects on how Dora's story relates to her own experience as a Korean American who immigrate to this country as an adult -- she carves around Dora's compelling story and courageous life story a story of her own and one of all Korean Americans. Born in 1921, Dora, as she tells Chin her story, chronicles the shifting salience of gendered ethnic identity as she journeys through her life. Traveling through time and place, she moves from San Francisco's Chinatown -- where Koreans were a minority within a minority -- to suburban Dewey Boulevard where Dora and her family attempt to integrate into mainstream America, and where she becomes a social worker in the California State Department of Employment. As the Korean immigrant community grows in the late 1960s, Dora becomes deeply involved in community service. She remembers teaching English to senior citizens and preparing them for their naturalization exams, finding jobs for the younger Koreans, and founding a community center and meals program for seniors. A detailed and inspiring lens through which to view Korean American history, Dora's life journey echoes the changing spaces of the American social landscape. And the grace and ease with which Dora just \u0022does what has to be done\u0022 shows us the importance of everyday acts in making a difference.Trade Review"History comes to life in this compelling saga of a courageous and controversial Korean-American woman and her biographer. Dora Kim's story-frank, painful, but inspirational-is an enduring testimony to the power of the human spirit to rise to new challenges. Soo-Young Chin's monumental study is a major contribution..." -James M. Freeman, author of Changing Identities: Vietnamese Americans 1975-1995 "...a wonderfully nuanced portrait of the lives of Koreans and Korean Americans in the US, as well as a powerful meditation on the meanings of "Americanness" in the late twentieth century. [Chin] also addresses theoretical issues relating to traditions of Western and Asian autobiography-and ethnography in terms a non-anthropologist can grasp, while the footnotes add another layer of analysis for the specialist." -The Women's Review of BooksTable of ContentsCONTENTS Preface Introduction Part One: Chinatown, San Francisco Descendants of Man Suk Yum and Hang Shin Kim: A Korean Family Tree 1 American Origins 2 Coming of Age 3 A Mother's Devotion Part Two: Dewey Boulevard 4 Leaving Chinatown 5 The Influx 6 Centering Service A Family Gallery Part Three: A Room of Her Own 7 Hidden Costs 8 On Her Own 9 Hwan'gap Conclusion: Doing What Had to Be Done Epilogue: Loose Ends Chronology Notes Index

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Book Synopsis\u0022I am Felipe Garcia Villamil\u0022 begins Drumming for the Gods, the life history of the Afro-Cuban artist whose music has survived both political and personal upheaval. \u0022Balogun for thirty years. Oluana, of Matanzas, Cuba, for about forty years. Omoana for almost forty-five years. OluIyesa [he knows the secrets of the Iyesa drums].\u0022 A practitioner of sacred drumming for almost his entire life, Felipe practiced his trade in Cuba both before and after the Revolution and brought it with him to New York, where he continues to play for the gods. This book focuses on three periods of Felipe's life, each marked by changes in his personal life and by important historical events. The first period covers his formative years during which he received his initial training. Through Felipe's story, we explore the legacy of slavery in Cuba, the nature of Afro-Cuban religions and their musical traditions, and the history of bata drums. The second period covers the critical years of the Cuban Revolution. Here we see the effect of social turmoil both n music and religious practice (santero, palero, and abakua). The third period covers Felipe's life in New York as a refugee/immigrant, and the role of music in rebuilding his identity. Felipe's story illuminates his cultural practices and beliefs as well as the ways in which an individual musician selects and modifies the elements of his cultural heritage to create a voice that is personal and unique. Felipe not only lives through history but also makes history, shaping an identity that cannot be described as \u0022Cuban immigrant,\u0022 \u0022Afro-Cuban,\u0022 \u0022religious drummer,\u0022 or \u0022santeria initiate,\u0022 but is composed of all of them. Through Felipe's experiences, Maria Teresa Velez reveals the interaction between social, political, economic, and cultural forces and an individual's own actions. The professionalization of musicians in Cuba following the Revolution and the plight of Afro-Cuban immigrants in New York are seen as large historical and social problems to which Felipe must personally respond. A noted ethnomusicologist, Velez provides the most insightful and comprehensive English-language study of an individual Cuban religious drummer available. Drumming for the Gods is a must-read for those interested in ethnomusicology, Caribbean studies, and Afro-Cuban religions and culture.Trade Review"This is without a doubt the most comprehensive English language study of an individual Cuban religious drummer." -Steve Cornelius "Drumming for the Gods constitutes an impressive accomplishment and includes a great deal of previously unavailable information. It represents a significant contribution to existing literature on Cuban music and cultural history." -Robin Moore, Temple University "[This book] documents the musical traditions of the Afro-Christian Santaria cults through the life history of one of Cuba's most esteemed practitioners of sacred drumming." -Institute for Studies in American Music NewsletterTable of ContentsCONTENTS Acknowledgments A Note on Spelling Prologue PART ONE: Learning the Trade Background Entrance into the Afro-Cuban Religious World Overview Entering Felipe's House Santeria: The Lucumi Door Palo Monte: The Congo Door The Abakua Society: A Secret Passage from Calabar Early Musical Experiences Learning to Play Bata History of the Drums Other Bata Lineages in Matanzas Other Drumming Traditions in Matanzas PART TWO: Life as a Musician During the Revolution Making Ends Meet Becoming a "Cultural Worker" Performing Afro-Cuban Religious Music in Secular Public Contexts Amateur Groups Organizing a Professional Folkloric Ensemble Negotiating the Limits of Secrecy Performing Other Afro-Cuban Secular and Sacred Drumming Styles Performing Afro-Cuban Religious Music in Private Ritual Contexts Searching for Alternatives: Becoming a Craftsman of Religious Objects Crafting a Bembe Drum: "Manufacturing" Material Culture to Obey the Orichas PART THREE: Life as a Diasporic Musician Leaving Cuba Building the Present: Exercising His Trade in His New Home The Tools of the Trade Instruments as Immigrants: Ana Grosses the Ocean Applying "Cultural Memory": Making Instruments Bata Drums Bembe Drums Iyesa Drums Drums as an Extension of the Self, as a Source of Living, as Life Itself The Artisan Transformed into an Artist Felipe's "There" Faces His "Here" Felipe's Concept of Tradition Syncretism The Marielitos "The Orichas Behave Different Here" Confronting the Written The Struggle of Memory over Forgetting Teaching as a Way of Remembering Teaching Women to Play Bata Singing as a Way of Remembering Epilogue Notes Bibliography Glossary Index

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Book SynopsisNo one knows how many Chinese are being smuggled into the United States, but credible estimates put the number at 50,000 arrivals each year. Astonishing as this figure is, it represents only a portion of the Chinese illegally residing in the United States. Smuggled Chinese presents a detailed account of how this traffic is conducted and what happens to the people who risk their lives to reach Gold Mountain. When the Golden Venture ran aground off New York's coast in 1993 and ten of the 260 Chinese on board drowned, the public outcry about human smuggling became front-page news. Probing into the causes and consequences of this clandestine traffic, Ko-lin Chin has interviewed more than 300 people -- smugglers, immigrants, government officials, and business owners -- in the United States, China, and Taiwan. Their poignant and chilling testimony describes a flourishing industry in which smugglers -- big and little snakeheads -- command fees as high as $30,000 to move desperate but hopeful men and women around the world. For many who survive the hunger, filthy and crowded conditions, physical and sexual abuse, and other perils of the arduous journey, life in the United States, specifically in New York's Chinatown, is a disappointment if not a curse. Few will return to China, though, because their families depend on the money and status gained by having a relative in the States. In Smuggled Chinese, Ko-lin Chin puts a human face on this intractable international problem, showing how flaws in national policies and lax law enforcement perpetuate the cycle of desperation and suffering. He strongly believes, however, that the problem of human smuggling will continue as long as China's citizens are deprived of fundamental human rights and economic security. Smuggled Chinese will engage readers interested in human rights, Asian and Asian American studies, urban studies, and sociology.Trade Review"Chin creates a poignant picture of the great hardships immigrants have endured in order to pay off debts and send money home to their families...Recommended for public and academic libraries." -Library Journal "Smuggled Chinese explores an important subject that until now has not been investigated fully by scholars. I am confident that it will emerge as a major contribution to the literature." -Michael Welch, Associate Professor, Rutgers University "...pathbreaking. Chin's analysis is grounded in interviews with 300 Chinese, most of whom had been smuggled into the United States between 1988 and 1993... [H]is multifaceted research strategy endows his analysis and conclusions with a high degree of credibility." -American Journal of Sociology "...highly recommend[ed] for anyone interested in the traffic of illegal immigrants." -Journal of American Ethnic History "Chin describes the international network of this flourishing business, lays bare its evil, and also puts a human face on this intractable international problem, showing how flaws in national policies and lax law enforcement perpetuate the cycle of desperation and suffering." -MultiCultural ReviewTable of ContentsCONTENTS Foreword Douglas S. Massey Preface Acknowledgments I. LEAVING FOR THE BEAUTIFUL COUNTRY 1 In Search of the American Dream 2 In Search of the Beautiful Country 3 The Social Organization of Human Smuggling II. FOLLOWING THE SNAKEHEADS 4 The Air Route 5 The Sea Route 6 The Land Route III. CLIMBING THE MOUNTAIN OF GOLD 7 Safe Houses 8 Life in the Mountain of Gold 9 Stemming the Tide Glossary Appendix A: Research Methods Appendix B: Tables Notes References Index

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Book SynopsisOriginally published in hardcover to much acclaim, this vividly written biographical drama will now be available in a paperback edition and includes a new epilogue by the author. Conceived within a clandestine relationship between a black man and a married white woman, Johnny Spain was born (as Larry Michael Armstrong) in Mississippi during the mid-1950s. Spain's life story speaks to the destructive power of racial bias. Even if his mother's husband were willing to accept the boy -- which he was not -- a mixed-race child inevitably would come to harm in that place and time. At six years old, already the target of name-calling children and threatening adults, he could not attend school with his older brother. Only decades later would he be told why the Armstrongs sent him to live with a black family in Los Angeles. As Johnny came of age, he thought of himself as having been rejected by his white family as well as by his black peers. His erratic, destructive behavior put him on a collision course with the penal system; he was only seventeen when convicted of murder and sent to Soledad. Drawn into the black power movement and the Black Panther Party by fellow inmate, the charismatic George Jackson, Spain became a dynamic force for uniting prisoners once divided by racial hatred. He committed himself to the cause of prisoners' rights, impressing inmates, prison officials, and politicians with his intelligence and passion. Nevertheless, among the San Quentin Six, only he was convicted of conspiracy after Jackson's failed escape attempt. Lori Andrews, a professor of law, vividly portrays the dehumanizing conditions in the prisons, the pervasive abuses in the criminal justice system, and the case for overturning Spain's conspiracy conviction. Spain's personal transformation is the heart of the book, but Andrews frames it within an indictment of intolerance and injustice that gives this individual's story broad significance.Trade Review"Powerful [and] inspirational. A moving journey through a black activist's turbulent life." -Kirkus Reviews "In simple direct prose, Lori Andrews captures a life lived as the crossroads of this century's most volatile and vexing issues-race, violence, justice, and redemption." -David B. Wilkins, Kirkland & Ellis Professor of Law, Harvard Law School "A compelling story-a boy's perceived abandonment by his mother results in crimes motivated by anger. Remorse for murder results in increasing commitment to Black Panther ideology, and finally redemption through a recognition of his need and capacity to take responsibility for his own life. A parable for our time." -Wayne Kerstetter, Criminologist, University of Illinois at Chicago "There is no better book about the Black Panther Party than Lori Andrews' shocking, gripping, and moving account of the tumultous life of Johnny Spain. Black Power, White Blood never shies away from hard facts and harsh realities, offering an unparalleled view of the prison system, its impact on young Black men, and the politics it produces among those it incarcerates." -George Lipsitz, author of The Possessive Investment in WhitenessTable of ContentsCONTENTS Prologue Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve Chapter Thirteen Chapter Fourteen Chapter Fifteen Chapter Sixteen Chapter Seventeen Chapter Eighteen Chapter Nineteen Chapter Twenty Chapter Twenty-One Chapter Twenty-Two Chapter Twenty-Three Chapter Twenty-Four Chapter Twenty-Five Chapter Twenty-Six Chapter Twenty-Seven Chapter Twenty-Eight Chapter Twenty-Nine Chapter Thirty Chapter Thirty-One Chapter Thirty-Two Chapter Thirty-Three Chapter Thirty-Four Chapter Thirty-Five Epilogue Epilogue to the New Edition: Understanding Johnny Acknowledgments Index About the Author

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Book SynopsisIn this remarkable memoir, Tung Pok Chin casts light on the largely hidden experience of those Chinese who immigrated to this country with false documents during the exclusion era. Although scholars have pieced together their history, first-person accounts are rare and fragmented; many of the so-called \u0022Paper Sons\u0022 lived out their lives in silent fear of discovery. Chin's story speaks for the many Chinese who worked in urban laundries and restaurants, but it also introduces an unusually articulate man's perspective on becoming Chinese American. Chin's story begins in the early 1930s, when he followed the example of his father and countless other Chinese who bought documents that falsely identified them as children of Chinese Americans. Arriving in Boston and later moving to New York City, he worked and lived in laundries. Chin was determined to fit into American life and dedicated himself to learning English. But he also became an active member of key organizations -- a church, the Chinese Hand Laundrymen's Alliance, and the Chinese Consolidated Benevolent Association -- that anchored him in the community. A self-reflective and expressive man, Chin wrote poetry commenting on life in China and the hardships of being an immigrant in the United States. His work was regularly published in the China Daily News and brought him to the attention of the FBI, then intent on ferreting out communists and illegal immigrants. His vigorous narrative speaks to the day-to-day anxieties of living as a Paper Son as well as the more universal immigrant experiences of raising a family in modest circumstances and bridging cultures. Historian K. Scott Wong introduces Chin's memoir, discussing the limitations on immigration from China and what is known about Exclusion-era Chinese American communities. Set in historical context, Tung Pok Chin's unique story offers and engaging account of a twentieth-century Paper Son.Trade Review"This rare, engaging, and often poignant firsthand chronicle of Chin's efforts to create a life for himself in the US while supporting his family in China effectively demonstrates how the continual fear of being exposed as a "paper son" and the changing social, international, and political developments from the 1930s through the 1950s fundamentally shaped Chin's opportunities and experiences. ...this clearly written and accessible autobiography constitutes a rich resource for faculty and students interested in US social history and immigration as well as Asian American studies, and is highly recommended for libraries developing comprehensive Asian American studies collection, or diversifying their collections in US social history, immigration, and labor." -Choice "What a stunning book! Mr. Tung Pok Chin was a self-taught poet philosopher steeped in the Laundries and restaurants of Boston and New York City during the nightmarish years of the Chinese exclusion and McCarthy red-baiting. He writes with a penetrating insight that transports the reader into the working lives of isolated men trying their best to survive a hostile racist world while somehow saving pennies to support their loved ones still in Guangdong. This is far more than the story of one man: he is writing the truth of generations of paper sons and paper daughters." -Professor John Kuo Wei Tchen, New York University, and co-founder of the Museum of Chinese in the Americas "For scholars and students, Paper Son is valuable because it documents a life during an era that is perhaps the least studies in Chinese American History, the 1930s through the mid-1970s...Chin's account not only reveals the details and strategy of how he conducted his 'paper life'; it also puts human flesh to our skeletal knowledge of how papers sons lived their day-to-day lives during the Great Depression, World War II, and the McCarthy Era... Chin's memoir relates this information in a manner that is immediately accessible, warm, reflective, human, and insightful. No doubt his writing style reveals a great deal about his personality, but it also reminds us that much of our history of the exclusion era is faceless." -K. Scott Wong, from the Introduction "Having read a number of autobiographies and biographies of Asian American that came before me, Paper Son reaffirms the notion that we are lucky to have not gone through what they had experienced... At this time when [the Asian American Curriculum Project] is trying to promote new Asian Pacific American poets and their writings, it's good to be featuring a book on one of our community's pioneering poets." -Asian American Books newsletterTable of ContentsContents Preface Winifred C. Chin Introduction: Paper Lives K. Scott Wong Prologue The Early Years Gold Mountain My Village A Gold Mountain Man Between Father and Son Everybody for Himself Fighting Chinese City Hall The Cheating Game Turning to Wisdom Gold Mountain Dreams A Navy Man A New Outlook The "Confession Period" A Bitter End, a Bright Start A Paper Son's Duty Under Suspicion A Dream in Flames Chinese Communism Becoming American Paranoia Assimilation The Homecoming The Problem with Confessing The Final Visit Writing Again The Lunar New Year Living in the Present Postscript Winifred C. Chin

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Book SynopsisThe Filipino American population in the U.S. is expected to reach more than two million by the next century. Yet many Filipino Americans contend that years of formal and covert exclusion from mainstream political, social, and economic institutions on the basis of their race have perpetuated racist stereotypes about them, ignored their colonial and immigration history, and prevented them from becoming fully recognized citizens of the nation. Locating Filipino Americans shows how Filipino Americans counter exclusion by actively engaging in alternative practices of community building. Locating Filipino Americans, an ethnographic study of Filipino American communities in Los Angeles and San Diego, present a multi-disciplinary cultural analysis of the relationship between ethnic identity and social space. Author Rick Bonus argues that alternative community spaces enable Filipino Americans to respond to and resist the ways in which the larger society has historically and institutionally rendered them invisible, silenced, and racialized. Bonus focuses on the \u0022Oriental\u0022 stores, the social halls and community centers, and the community newspapers to demonstrate how ethnic identities are publicly constituted and communities are transformed. Delineating the spaces formed by diasporic consciousness, Bonus shows how community members appropriate elements from their former homeland and from their new settlements in ways defined by their critical stances against racism, homogenization, complete assimilation, and exclusionary citizenship. Locating Filipino Americans is one of the few books that offers a grounded approach to theoretical analyses of ethnicity and contemporary culture in the U.S.Trade Review"Bonus draws on contemporary insights of cultural studies while grounding its tendency toward idealism in a very material sense of power. His subjects are actors, not victims of narratives. He does an effective and sometimes elegant job of capturing their adjustment and resistance to being neither and both Filipino and American." -John Horton, Professor Emeritus of Sociology, UCLA "Filipino Americans rank as the second largest Asian-American population in the USA, following Chinese Americans. This book draws from the author's ethnographic studies of Filipino-American communities in Los Angeles and San Diego,California, in the early 1990s. Bonus focuses on commercial establishments such as markets, community centers, and ethnic newspapers as sites where Filipino Americans publicly construct their ethnic identities in relation to the historical and contemporary conditions they face as members of US society. He contends that Filipino-American identity formation reflects two forces: a need to respond to and resist historical and institutional rendering of invisibility, exploitation, silencing and racial constructing, and a desire to claim 'space' within the category 'American' on their own terms." -SAGE Race Relations Abastracts "Bonus combines oral interviews, multi-disciplinary theories, history and ethnographic fieldwork and provides sophisticated and through analyses of his findings. What is refreshing is not only the telling Taglish (i.e., a combination of Tagalog and English) responses by interviewees to his questions, but his scholarly commitment to the interviewees of the study." -Pacific ReaderTable of ContentsCONTENTS Preface Acknowledgments Introduction: Marking Locations 1. Cartographies of Ethnicity 2. Filipinos and Filipinas in America 3. Marking and Marketing Identities in Filipino "Oriental" Stores 4. Palengke Politics and Beauty Pageants in Filipino Community Centers 5. Homeland Memories and Media: Filipino Images and Imaginations in America Conclusion: Re-marking Locations Notes Index

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Book SynopsisIf Asian Americans are to assume the role of bridge builders across the Pacific, what are the opportunities, the risks, the promises, and the perils? The answer to this question comes in eight groundbreaking essays in which contributors to Across the Pacific address issues of contemporary growth and diversification of Asian America in relation to the increasingly globalized economy. New meanings and practices of Asian Americans are considered in the atmosphere of global transformation that is present in the post-Civil Rights, post-Cold War, postmodern, and postcolonial era. This book explores, in descriptive and critical ways, how transnational relationships and interactions in Asian American communities are manifested, exemplified, and articulated within the international context of the Pacific Rim. Members of the Asian American community have always been trans-Pacific, but are now more than ever, since the 1965 change in U.S. immigration law. Entering the U.S. at the culmination of the Civil Rights movement, Asians becoming Asian Americans have joined a self-consciously multicultural society. Asian economies roared onto the world stage, creating new markets while circulating capital and labor at an unprecedented scale and intensity, thereby helping drive the forces of modern globalization. These essays by well-known scholars in the field of Asian American studies consider such topics as the impact of new migrations on Asian American subjectivity and politics, Asian American activism and U.S. foreign policy, and the role of Asian Americans in Pacific Rim economies. Considering issues of diaspora, transmigrancy, assimilation, institutionalized racism, and community, Across the Pacific covers such cutting-edge subjects as the cultural expressions of dislocation among contemporary Asian American writers, as well as the impact of the new migrations on Asian American subjectivity and politics.Trade Review"[These essays] should provide some answers to the field of Asian American studies, which has been both energized and troubled by recent trends toward transnationalism and diasporic studies, and which in other ways has been internationalizing its focus. They should also address some questions for the field of Asian studies, whose practitioners are now wondering out loud how, precisely by internationalizing themselves, Asian Americans, given their biculturalism and transnationality, might help frame new approaches to the study of Asia and its subjects." --Evelyn Hu-DeHart, from the IntroductionTable of ContentsContents Foreword: Vishakha N. Desai Acknowledgments Chapter 1 Introduction: Asian American Formations in the Age of Globalization Evelyn Hu-DeHart Chapter 2 Asians on the Rim: Transnational Capital and Local Community in the Making of Contemporary Asian America Arif Dirlik Chapter 3 Chinese Americans in the Formation of the Pacific Regional Economy Lucie Cheng Chapter 4 Asian American Economic Engagement: Vietnam Case Study Le Anh Tu Packard Chapter 5 Asian American Activism and U.S. Foreign Policy Paul Y. Watanabe Chapter 6 Exclusion and Inclusion: Immigration and American Orientalism Neil Gotanda Chapter 7 Asian Americans at the Intersection of International and Domestic Tensions: An Analysis of Newspaper Coverage Setsuko Matsunaga Nishi Chapter 8 Inventing the Earth: The Notion of "Home" in Asian American Literature Luis H. Francia About the Contributors

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Book SynopsisIts opponents call it part of \u0022the lunatic fringe,\u0022 a justification for \u0022black separateness,\u0022 \u0022the most embarrassing trend in American publishing.\u0022 \u0022It\u0022 is Critical Race Theory. But what is Critical Race Theory? How did it develop? Where does it stand now? Where should it go in the future? In this volume, thirty-one CRT scholars present their views on the ideas and methods of CRT, its role in academia and in the culture at large, and its past, present, and future. Critical race theorists assert that both the procedures and the substance of American law are structured to maintain white privilege. The neutrality and objectivity of the law are not just unattainable ideals; they are harmful actions that obscure the law's role in protecting white supremacy. This notion-so obvious to some, so unthinkable to others-has stimulated and divided legal thinking in this country and, increasingly, abroad. The essays in Crossroads, Directions, and a New Critical Race Theory-all original-address this notion in a variety of helpful and exciting ways. They use analysis, personal experience, historical narrative, and many other techniques to explain the importance of looking critically at how race permeates our national consciousness.Trade Review"The book will appeal to race and legal scholars in the US as well as in the UK. The breadth of topics and methodologies covered within the volume is certainly impressive and the teaming of chapters from established academics with younger scholars give the book a fresh approach to the study of critical race theory." -The Journal of Ethnic and Racial Studies "The book is a must-read for those who are interested in the genesis of CRT [Critical Race Theory], in how CRT positions itself against other legal discourses, and in the current debates within the CRT literature." -Yale Law Journal "The essays are a snapshot of a sprawling, unruly, and sometimes fractious field. Meant to evaluate the first ten years of critical race theory's development, the book truly captures a discipline at the crossroads, struggling with how to define its substantive mission, methodological commitments, and connection to a world outside the academy." -Stanford Law ReviewTable of ContentsForeword: Who Are We? And Why Are We Here? Doing Critical Race Theory in Hard Times - Charles R. Lawrence III Introduction: Battles Waged, Won, and Lost: Critical Race Theory at the Turn of the Millennium - Francisco Valdes, Jerome McCristal Culp, and Angela P. Harris Part I: Histories 1. The First Decade: Critical Reflections, or "A Foot In the Closing Door" - Kimberle Williams Crenshaw 2. Historicizing Critical Race Theory's Cutting Edge: Key Movements that Performed the Theory - Sumi Cho and Robert Westley 3. Keeping It Real: On Anti-"Essentialism" - Catharine A. MacKinnon Part II: Crossroads Section A: Race Critiquing "Race' and Its Uses: Critical Race Theory's Uncompleted Argument - Robert S. Chang 4. The Poetics of Colorlined Space - Anthony Paul Farley 5. Un-Natural Things: Constructions of Race, Gender, and Disability - Robert L. Hayman, Jr., and Nancy Levit 6. Race and the Immigration Laws: The Need for Critical Inquiry - Kevin R. Johnson 7. "Simple Logic": Race, the Identity Documents Rule, and the Story of a Nation Besieged and Betrayed - Sherene H. Razack 8. Straight Out of the Closet: Race, Gender, and Sexual Orientation - Devon W. Carbado Section B: Narrativity Celebrating Racialized Legal Narratives - Margaret E. Montoya 9. The Unbearable Whiteness of Being - Thomas Ross 10. Construction Project: Color Me Queer + Color Me Family = Camilo's Story - Victoria Ortiz and Jennifer Elrod 11. On Being Homeless: One Aboriginal Woman's "Conquest" of Canadian Universities - 1989-98 - Patricia Monture-Angus 12. Dinner and Self-Determination - Henry J. Richardson III Section C: Globalization Critical Race Theory in Global Context - Celina Romany 13. Global Markets, Racial Spaces, and the Role of Critical Race Theory in the Struggle for Community Control of Investments: An Institutional Class Analysis - Elizabeth M. Iglesias 14. Global Feminism at the Local Level: The Criminalization of Female Genital Surgeries - Isabelle R. Gunning 15. Breaking Cycles of Inequality: Critical Theory, Human Rights, and Family In/Justice - Berta Esperanza Hermandez-Truyol 16. Critical Race Theory and Post-Colonial Development - Enrique R. Carrasco Part III: Directions 17. Critical Coalitions: Theory and Praxis - Julie A. Su and Eric Y. Yamamoto 18. Beyond, and Not Beyond, Black and White: Deconstruction has a Politics - Mari Matsuda 19. Outsider Scholars, Critical Race Theory, and "Outcrit" Perspectivity: Postsubordination Vision as Jurisprudential Method - Francisco Valdes Afterword: The Handmaid's Truth - Derrick A. Bell About the Contributors

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Book Synopsis Winner of the 2020 Kirkus Prize for NonfictionBrave, clear-eyed, and passionate, Stakes Is High is the book we need to guide us past crisis mode and through an uncertain future.The events of the past decade have forced us to reckon with who we are and who we want to be. We have been invested in a set of beliefs about our American identity: our exceptionalism, the inevitable rightness of our path, the promise that hard work and determination will carry us to freedom. But in Stakes Is High, Mychal Denzel Smith confronts the shortcomings of these stories -- and with the American Dream itself -- and calls on us to live up to the principles we profess but fail to realize. In a series of incisive essays, Smith exposes the stark contradictions at the heart of American life, holding all of us, individually and as a nation, to account. We've gotten used to looking away, but the fissures and casual violence of institutional oppression are ever-present. There is a future that is not as grim as our past. In this profound work, Smith helps us envision it with care, honesty, and imagination.

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Book SynopsisHow do you learn to be a black man in America? For young black men today, it means coming of age during the presidency of Barack Obama. It means witnessing the deaths of Oscar Grant, Trayvon Martin, Michael Brown, Akai Gurley, and too many more. It means celebrating powerful moments of black self-determination for LeBron James, Dave Chappelle, and Frank Ocean.In Invisible Man, Got the Whole World Watching, Mychal Denzel Smith chronicles his own personal and political education during these tumultuous years, describing his efforts to come into his own in a world that denied his humanity. Smith unapologetically upends reigning assumptions about black masculinity, rewriting the script for black manhood so that depression and anxiety aren't considered taboo, and feminism and LGBTQ rights become part of the fight. The questions Smith asks in this book are urgent--for him, for the martyrs and the tokens, and for the Trayvons that could have been and are still waiting.

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Book SynopsisAn contemplative memoir of love and transcendence.

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Book SynopsisA vulnerable and honest collection of poems exploring lineage, love, and the pandemic, from one of the most acclaimed poets of his generation.“You are told to believe in one paradise / and then there is the paradise you come to know,” begins Rick Barot. What follows is an account of the rich and thorny valley between those poles. Moving the Bones dwells in liminal spaces—of love and memory, the pandemic’s singular domesticity, a serene cemetery of ancestral plots, dawn. In precise and tender verse, Barot captures the particularities of being in the middle of one’s life, reflecting on the joys and sorrows of the past and confronting the inevitabilities that lie ahead.For Barot, this presence of mind is an art of being lost in thought. “My mind has a slow metabolism, it is slow / to understand what anything means,” he confides, “but understands that if you look a

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Book SynopsisSurviving Twice is the story of five Vietnamese Amerasians born during the Vietnam War to American soldiers and Vietnamese mothers. Unfortunately, they were not among the few thousand Amerasian children who came to the United States before the war's end and grew up as Americans, speaking English and attending American schools.

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Book SynopsisThirteen newly published articles on case studies performed by sociologists demonstrating the everyday interactions that reinforce dominance and resistance in modern society.Trade Review"O'Brien and Howard have brought together an engaging and lively collection of articles that demonstrate the various ways that people create, re-create, and sometimes challenge social inequalities in our everyday interactions. This collection challenges the current simplistic tendency to see the 'doing of difference' as mere racial, gender, social class, or sexual 'performance'; Instead, the authors in Everyday Inequalities creatively illuminate various situations - in media, workplaces, the arts, or the street-in which people are actively negotiating their identities and their positions within socially-structured contexts of inequality." Michael A. Messner, University of Southern California Table of ContentsList of Contributors. Foreword (Mary Romero). Preface. Acknowledgments. Introduction: Differences and Inequalities (Jodi O’Brien). PART I. EVERYDAY INTERACTION. Doing Studs: The Performance of Gender and Sexuality on Late-Night Television (Jocelyn A. Hollander). "I Need a Screw": Workplace Sexualization as an Interactional Achievement (Linda Van Leuven). Acknowledgment Rituals: The Greeting Phenomenon Between Strangers (Carl Edward Pate). "Are You Male or Female?" Gender Performances on Muds (Lori Kendall). PART II. MANAGING SELF/SOCIETY CONFLICTS. Frederick the Great or Frederick’s of Hollywood? The Accomplishment of Gender Among Women In the Military (Melissa S. Herbert). Sisyphus In a Wheelchair: Men with Physical Disabilities Confront Gender Domination (Thomas J. Gerschick). Class Dismissed? Quad City Women Doing The Life (Martha L. Shockey). Managing Everyday Racisms: The Anti-Racist Practices of White Mothers of African-Descent Children in Britain (France Winddance Twine). Frontlines and Borders: Identity Thresholds for Latinas and Arab American Women (Laura M. Lopez and Frances S. Hasso). PART III. INSTITUTIONAL DYNAMICS. The Image That Dane Not Speak Its Name: Homoerotics in New Deal Photography (Shelley Kowalski). Reproducing Racial and Class Inequality: Multiculturalism in the Arts (Jennifer L. Eichstedt). The Politics of Race and Sport: Resistance and Domination in the 1968 African American Olympic Protest Movement (Douglas Hartmann). Belongings: Citizenship, Sexuality, and the Market (Anthony J. Freitas). Afterthoughts (Judith A. Howard). Index.

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