Entertainment Books
University of South Carolina Press Charleston Belles Abroad: The Music Collections
Book SynopsisAn examination of the influential role music played in the lives of elite southern women during the antebellum periodIn Charleston Belles Abroad, Candace Bailey examines the vital role music collections played in the lives of elite women of Charleston, South Carolina, in the years leading up to the Civil War.Bailey has studied a substantial archive of music held at several southern libraries, including the library in the historic Aiken-Rhett House, once owned by William Aiken Jr., a successful businessman, rice planter, and governor of South Carolina. Her skill as a musicologist enables her to examine the collections as primary sources for gaining a better understanding of musical culture, instruction, private performance, cultural tourism, and the history of the music industry during this period.The bound and unbound collections and their associated publications show that international travel and music education in Europe were common among Charleston’s elite families. While abroad, the budding musicians purchased the latest music publications and brought them back to Charleston, where they often performed them in private and at semipublic events.Through a narrow exploration of the collections of these elite women, Bailey exposes the cultural priorities within one of the South’s most influential cities and illuminates both the commonalities and discrepancies in the training of young women to enter society. A noteworthy contribution to southern and urban history, Charleston Belles Abroad provides a deep study of music in the context of transatlantic values, interpersonal relationships, and stability and tumult in the South during the nineteenth century.
£45.90
New Village Press Meeting the Moment: Socially Engaged Performance,
Book SynopsisThe experiences of a diverse range of progressive theater and performance makers in their own words. Curated stories from over 75 interviews and informal exchanges offer insight into the field and point out limitations due to discrimination and unequal opportunity for performance artists in the United States over the past 55 years. In this work, performers, often unknown beyond their immediate audience, articulate diverse influences. They also reflect on how artists are educated and supported, what content is deemed valuable and how it is brought to bear, as well as which audiences are welcome and whether cross-community exchange is encouraged. The book’s voices bring the reader from 1965 through the first wave of the covid-19 pandemic in 2020. They point to more diverse and inclusive practices and give hope for the future of the art.
£20.69
University Press of Mississippi Barbara Stanwyck: The Miracle Woman
Book SynopsisBarbara Stanwyck (1907-1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women-and America's highest paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic. A four-time Academy Award nominee, winner of three Emmys and a Golden Globe, she was honored with a Lifetime Achievement Award by the Academy.Dan Callahan considers both Stanwyck's life and her art, exploring her seminal collaborations with Capra in such great films as Ladies of Leisure, The Miracle Woman, and The Bitter Tea of General Yen; her Pre-Code movies Night Nurse and Baby Face; and her classic roles in Stella Dallas, Remember the Night, The Lady Eve, and Double Indemnity. After making more than eighty films in Hollywood, she revived her career by turning to television, where her role in the 1960s series The Big Valley renewed her immense popularity.Callahan examines Stanwyck's career in relation to the directors she worked with and the genres she worked in, leading up to her late-career triumphs in two films directed by Douglas Sirk, All I Desire and There's Always Tomorrow, and two outrageous westerns, The Furies and Forty Guns. The book positions Stanwyck where she belongs-at the very top of her profession-and offers a close, sympathetic reading of her performances in all their range and complexity.
£31.96
University Press of Mississippi Abraham Polonsky: Interviews
Book SynopsisAbraham Polonsky (1910-1999), screenwriter and filmmaker of the mid-twentieth-century Left, recognized his writerly mission to reveal the aspirations of his characters in a material society structured to undermine their hopes. In the process, he ennobled their struggle. His auspicious beginning in Hollywood reached a zenith with his Oscar-nominated screenplay for Robert Rossen's boxing noir, Body and Soul (1947), and his inaugural film as writer and director, Force of Evil (1948), before he was blacklisted during the McCarthy witch hunt. Polonsky envisioned cinema as a modern artist. His aesthetic appreciation for each technical component of the screen aroused him to create voiceovers of urban cadences--poetic monologues spoken by the city's everyman, embodied by the actor who played his heroes best, John Garfield. His use of David Raksin's score in Force of Evil, against the backdrop of the grandeur of New York City's landscape and the conflict between the brothers Joe and Leo Morse, elevated film noir into classical family tragedy. Like Garfield, Polonsky faced persecution and an aborted career during the blacklist. But unlike Garfield, Polonsky survived to resume his career in Hollywood during the ferment of the late sixties. Then his vision of a changing society found allegorical expression in Tell Them Willie Boy Is Here, his impressive anti-Western showing the destruction of the Paiute rebel outsider, Willie Boy, and cementing Polonsky as a moral voice in cinema.
£31.96
Boydell & Brewer Ltd Music in FifteenthCentury Bohemia
Book SynopsisA long-needed reassessment of the musical culture of fifteenth-century Bohemia, liberating it from nineteenth- and twentieth-century nationalist agendas and reassessing its position in European music history.What was musical culture like in a country in fifteenth-century Central Europe where theologians tried to restore the values of the early church--including through musical practices--only to be branded "heretical"? Bohemian theologians tried to return to Christianity's "roots" by promoting frequent bread-and-wine communion for all (including children) and by encouraging lay participation in worship through translations into the vernacular. Unlike in many other European lands, monophonic chant and sacred songs were primarily used (though some advanced contemporary polyphonic settings circulated as well). These religious and musical developments formed part of the seedbed that would develop more fully during the European Reformation through the work of Martin Luther and others. Music in Fifteenth-Century Bohemia: Between Reform and Identity Building contains essays on liturgy, song, and the influence of the Hussite movement. The book resists both nationalistically tinged narratives and the marginalization that has long resulted from an emphasis on the disparities between Czech and Western European musical traditions. One chapter demonstrates how a fifteenth-century song was employed in the revival of Czech culture in the nineteenth century. Taken as a whole, the essays in this important collection illustrate the distinctive and often effective ways in which fifteenth-century Czech culture dealt with the dichotomy between religious reform and cultural identity.
£85.50
Wilfrid Laurier University Press Performing Female Blackness
Book SynopsisPerforming Female Blackness examines race, gender, and nation in Black life using critical race, feminist and performance studies methodologies. This book examines what private and public performances of female blackness reveal about race, gender, and nation and considers how Canada shapes these performances. Naila Keleta-Mae proposes that performance is part of the ontology of female blackness in the public and private spaces that constitute everyday life because people who are female and Black are constantly expected to perform fantasies - be it their own or, far more commonly, those insisted on by dominant culture. By exploring Black expressive culture in familial, literary, and performance settings, the author demonstrates how people who are read as female and Black in private and public settings, are figuratively on stage regardless of the cultural, political, or historical contexts in which they find themselves. Written in poetry, prose and journal-form and drawing from the author's own life and artistic works, Performing Female Blackness is ideal for scholars, educators, and students of race, gender, performance, and Black expressive culture.Trade Review“With elegant depth and breadth Naila Keleta-Mae brings together the most influential Black feminist thinkers as she masterfully adds her own distinctive and groundbreaking conceptualizations of performance, political economy, and metaphysics under past and present resonances of colonialism and chattel slavery. The insightful and theoretical depth of this book offers an elegant and absorbing exegesis on female blackness that is new, different, and profoundly relevant across multiple disciplines in the humanities, social sciences, and fine arts. The author’s conceptualization of ‘perpetual performance’ is brilliantly illuminated against machinations of modernity, forced labor, and advanced capitalism as well as the generative strategies of language, silence, and performance.”—D. Soyini Madison, Professor Emeritus, Northwestern University, author of Acts of Activism: Human Rights as Radical Performance “What I love most about this book is that even as a non-Canadian I can see myself in it. I would argue that even other minoritized people can relate to the idea of having to ‘perpetually perform’—to shift between being and being read by society. Like the best of DJs, Naila Keleta-Mae mixes and spins a deft, poetic, fluid, and moving collaged narrative of theory, lived experience, literary and performance analysis, and multiple performances to tell her own story. In the process, she also illustrates a diverse, global journey of female blackness borne out of the chattel slave trade.”—Rashida K. Braggs, Williams College, author of Jazz Diasporas: Race, Music, and Migration in Post-World War II Paris <.i>
£19.76
Boydell & Brewer Ltd Music and Instruments of the Elizabethan Age: The
Book SynopsisUses the rare depictions of musical instruments and musical sources found on the Eglantine Table to understand the musical life of the Elizabethan age and its connection to aspects of culture now treated as separate disciplines of historical study. The reign of Elizabeth I (1558-1603) has often been regarded as the Golden Age of English music. Many works of high quality, both vocal and instrumental, were composed and performed by native and immigrant musicians, while balladry and minstrelsy flourished in hall, street and alehouse. No single source of the sixteenth century presents this rich musical culture more vividly than the inlaid surface of the Eglantine Table. This astonishing piece of furniture was made in the late 1560s for the family of Elizabeth or 'Bess' of Hardwick, Countess of Shrewsbury (1527-1608). The upper surface bears a wealth of marquetry that depicts, amidst the briar roses and other plants, numerous Elizabethan musical instruments in exquisite detail together with open books or scrolls of music with legible notation. Given that depictions of musical instruments and musical sources are rare in all artistic media of the Elizabethan period, the Eglantine Table is a very important resource for understanding the musical life of the age and its connection to aspects of culture now treated separately in disciplines such as art history, social and political history or the study of material culture. This volume assembles a group of leading scholars in the history of instruments and associated fields to ground future research upon the most expert assessment of the depicted instruments, the music and the decorative imagery that is currently attainable. A final section of the book takes a broad view, placing the Table and the musical components of its decoration in relation to the full range of Elizabethan musical life.Trade ReviewThe book is beautifully produced [...] copiously illustrated throughout [...] the book represents a major contribution to knowledge of the cultural history of England during the early years of Elizabeth I's reign. * JOURNAL OF THE AMERICAN MUSICAL INSTRUMENT SOCIETY *It is a delight to see an entire book devoted to this one item from myriad viewpoints. -- JOURNAL OF BRITISH STUDIESTable of ContentsList of Illustrations Foreword Acknowledgements Note to the Reader Abbreviations Introducing the Eglantine Table The Table: models and artistic context Botany, the Table and Hardwick New Hall The playing cards and gaming boards The writing implements The music in staff notation The book of lute tablature 'A full and lively pourtraiture': The Table as evidence for Tudor musical instruments The bowed instruments and bows The gittern or guitar The cittern The lute The harp The wind instruments The Table and the music of the 1560s Pipers, Fiddlers and the Musical Lives of the Majority Tables of the Mind Appendix 1: The renovation of the Eglantine Table by Tankerdale Ltd, 1996 Appendix 2: The Table in the context of furnishings in Bess of Hardwick's houses Glossary List of Contributors Select Bibliography Index
£42.75
Boydell & Brewer Ltd A Medieval Songbook: Trouvère MS C
Book SynopsisDetailed exploration of an enigmatic manuscript containing the texts to hundreds of songs, but no musical notation. The medieval songbook known variously as trouvère manuscript C or the "Bern Chansonnier" (Bern, Burgerbibliothek, Cod. 389) is one of the most important witnesses to musical life in thirteenth-century France. Almost certainly copied in Metz, it provides the texts to over five hundred Old French songs, and is a unique insight into cultures of song-making and copying on the linguistic and political borders between French and German-speaking lands in the Middle Ages. Notably, the names of trouvères, including several female poet-musicians, are found in its margins, names which would be unknown today without this evidence. However, the manuscript has received relatively little scholarly attention, partly because the songs' musical staves remained empty for reasons now unknown, and partly because of where it was copied. This collection of essays is the first to consider C on its own terms and from a range of disciplinary perspectives, including philology, art history, literary studies, and musicology. The contributors explore the process of creating the complex object that is a music manuscript, examining the work of the scribes and artists who worked on C, and questioning how scribes acquired and organised exemplars for copying. The peculiarly Messine flavour of the repertoire and authors is also discussed, with contributors showing that C frames the tradition of Old French song from a unique perspective. As a whole, the volume demonstrates how in this eastern hub of music and poetry, poet-composers, readers, and scribes interacted with the courtly song tradition in fascinating and unusual ways.Table of ContentsIntroduction Elizabeth Eva Leach, Joseph W. Mason, and Matthew P. Thomson 1. The Trouvère Manuscripts of the Bern Burgerbibliothek Florian Mittenhuber, translated by Henry Hope 2. The Lorraine Repertoire of C Mélanie Lévêque-Fougre 3. Chansonnier C: Contents, Stemmatic Position, Particularities Paola Moreno 4. A Note on the Decoration of C and its Artistic Context Alison Stones 5. Author Ascriptions and Genre Labels in C Luca Gatti 6. Common Exemplars of U and C Robert Lug 7. Shared Small Sources for Two Early Fourteenth-Century Metz Chansonniers? Elizabeth Eva Leach 8. The Legacy of Thibaut de Champagne in C Daniel E. O'Sullivan 9. Strategies of Appropriation in Jacques de Cambrai's Devotional Contrafacts Christopher Callahan 10. Jeux-Partis and their Contrafacts in C Joseph W. Mason 11. C and Polyphonic Motets: Exemplars, Adaptations, and Scribal Priorities Matthew P. Thomson Appendix: List of Songs in C Bibliography of Works Cited General Index
£76.00
Boydell & Brewer Ltd Demystifying Scriabin
Book SynopsisAn innovative contribution to Scriabin studies, covering aspects of Scriabin's life, personality, beliefs, training, creative output, and interaction with contemporary Russian culture. This book is an innovative contribution to Alexander Scriabin (1872-1915) studies, covering aspects of Scriabin's life, personality, beliefs, training, creative output, as well as his interaction with contemporary Russian culture. It offers new and original research from leading and upcoming Russian music scholars. Key Scriabin topics such as mysticism, philosophy, music theory, contemporary aesthetics, and composition processes are covered. Musical coverage spans the composer's early, middle and late period. All main repertoire is being discussed: the piano miniatures and sonatas as well as the symphonies. In more detail, chapters consider: Scriabin's part in early twentieth-century Russia's cultural climate; how Scriabin moved from early pastiche to a style much more original; the influence of music theory on Scriabin's idiosyncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin's writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer's mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic 'tonal function' of Scriabin's late works, as well as self-regulating structures in the composer's music.Table of ContentsIntroduction: Demystifying Scriabin Kenneth Smith & Vasilis Kallis Part I. Shaping Creativity 1 About That Chord, and about Scriabin as a Mystic Simon Morrison 2 Scriabin and the Russian Silver Age Rebecca Mitchell 3 Scriabin as a Writer: The Development of Scriabin's Thought as Shown in a Lifetime's Writings Simon Nicholls 4 Russian Pedagogy in Composition and Music Theory during Scriabin's Creative Period Kostantin Zenkin 5 Studying Scriabin's Autographs: Reflections of the Creative Process Pavel Shatskiy Part II. The Music as Prism 6 Scriabin's Miniaturism Stephen Downes 7 The Scriabin Tremor and Its Role in His Oeuvre Inessa Bazayev 8 Demystifying the Mystic Vasilis Kallis 9 Temporal Perspectives in Scriabin's Late Music Antonio Grande 10 Scriabin's Multi-dimensional Accelerative Sonata Forms Kenneth Smith 11 Setting Mystical Forces in Motion: The Dialectics of Scale-Type Integration in Three Late Works Ross Edwards Part III. Reception and Tradition 12 Scriabin's Synaesthesia: the Legend, the Evidence, and Its Implications for Multimedia Counterpoint Anna Gawboy 13 Playing Scriabin: Reality and Enchantment Marina Frolova-Walker 14 Scriabin and Music Analysis: The Search for the Holy Grail Vasilis Kallis & Kenneth Smith 15 Scriabin and the Classical Tradition Ildar Khannanov 16 Scriabin's Critical Reception: 'Genius or madman?' James Kreiling Bibliography Index
£96.13
Boydell & Brewer Ltd The New Reynard: Three Satires: Renart le
Book SynopsisA translation of three works from the second half of the 13th century: Rutebeuf's Renart le Bestourné, the anonymous Le Couronnement de Renart and Jacquemart Gielée's Renart le Nouvel. These savage and highly entertaining satires are in a league of their own, and Renart le Nouvel contains important music which is reproduced in the text. Rarely can a medieval work have resonated with the mood of the present as uncannily as do these three satires. Acerbic, raging and finally apocalyptic, these poems from the second half of the thirteenth century, richly entertaining and wickedly comic though they are, express a vision of the world and its descent into corruption and disaster which mirrors our own state of rampant alarm. The animal tales of the 12th- and 13th-century Roman de Renart - the Romance of Reynard the Fox - were immensely popular. Any satire in those original tales was generally light of touch, but the characters created in them, fox and wolf and ass and lion to name but four, were an open invitation to anyone of a more scathing satirical bent. The poet Rutebeuf, in his short but startling Renart le Bestourné ('Reynard Transformed'), deploys the beasts to make a venomous attack on the mendicant orders and on 'Saint' Louis IX of France. The anonymous Le Couronnement de Renart ('Reynard Crowned') then has the Fox crowned king, establishing a reign of every vice. And most ambitiously of all, Jacquemart Gielée in his Renart le Nouvel ('The New Reynard'), gripped by an increasingly pervasive sense of apocalypse, ends his poem with the Fox, the epitome of deceit and lying, not merely crowned king, but seated in permanent, malign control of the world atop a chocked, unturning Fortune's Wheel. The New Reynard is of special interest not only to students of medieval literature but also to musicologists. Music, in the form of numerous songs, plays an important part in Renart le Nouvel's satirical and apocalyptic message, and the poem is renowned as the most abundant source of late medieval refrains. The notations have survived, and the music is edited in this volume by Matthew P. Thomson.Table of ContentsIntroduction Reynard Transformed Reynard Crowned The New Reynard Love, and love songs Hope ... and the opposite Entertainment Satire general, satire specific Authors, Dates, Manuscripts and Editions Translating the verse The Refrains in Renart le Nouvel Further Reading Reynard Transformed Renart le Bestourné Reynard Crowned Le Couronnement de Renart The New Reynard Renart le Nouvel Index
£66.50
Boydell and Brewer Reading Texts in Music and Literature of the Long
Book Synopsis
£23.74
Boydell & Brewer Ltd Minstrels and Minstrelsy in Late Medieval England
Book SynopsisA major new study piecing together the intriguing but fragmentary evidence surrounding the lives of minstrels to highlight how these seemingly peripheral figures were keenly involved with all aspects of late medieval communities.Minstrels were a common sight and sound in the late Middle Ages. Aristocrats, knights and ladies heard them on great occasions (such as Edward I's wedding feast for his daughter Elizabeth in 1296) and in quieter moments in their chambers; town-dwellers heard and saw them in civic processions (when their sound drew attention to the spectacle); and even in the countryside people heard them at weddings, church-ales and other parish celebrations. But who were the minstrels, and what did they do? How did they live, and how easily did they make a living? How did they perform, and in what conditions? The evidence is intriguing but fragmentary, including literary and iconographic sources and, most importantly, the financial records of royal and aristocratic households and of towns. These offer many insights, although they are often hard to fit into any coherent picture of the minstrels' lives and their place in society. It is easy to see the minstrels as peripheral figures, entertainers who had no central place in the medieval world. Yet they were full members of it, interacting with the ordinary people around them, as well as with the ruling classes: carrying letters and important verbal messages, some lending huge sums of money to the king (to finance Henry V's Agincourt campaign in 1415, for instance), some regular and necessary civic servants, some committing crimes or suffering the crimes of others. In this book Rastall and Taylor bring to bear the available evidence to enlarge and enrich our view of the minstrel in late medieval society.
£35.99
Wallflower Press Bollywood – Gods, Glamour, and Gossip
Book Synopsis
£16.19
ERIS Fancies Versus Fads
Book SynopsisFancies versus Fads is a brilliant introduction to one of the most distinctive voices of twentieth-century literature.
£14.24
University Press of Mississippi Born in the U. S. A.: The Myths of America in
Book SynopsisThis is the first study to explore fully the myth of America as reflected in the nation's popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen.So that the full and diverse narrative of this complex nation might be recorded, this insightful study is focused both upon the national myth and upon the songwriters and performers representing subcultures and alternative viewpoints that are the text of America's story. Through hymnlike paeans and through discordant lamentations protesting the realities of the contemporary workaday world, popular music is an astonishing mirror of American history.
£27.96
Zone Books Bob Dylan – How the Songs Work
Book Synopsis
£19.00
Rutgers University Press Bollywood’s New Woman: Liberalization,
Book SynopsisBollywood’s New Woman examines Bollywood’s construction and presentation of the Indian Woman since the 1990s. The groundbreaking collection illuminates the contexts and contours of this contemporary figure that has been identified in sociological and historical discourses as the “New Woman.” On the one hand, this figure is a variant of the fin de siècle phenomenon of the “New Woman” in the United Kingdom and the United States. In the Indian context, the New Woman is a distinct articulation resulting from the nation’s tryst with neoliberal reform, consolidation of the middle class, and the ascendency of aggressive Hindu Right politics. Trade Review"Essays in this exciting and welcome collection show us how India’s economic liberalization ushers in new figurations of women. Tracking Bollywood’s New Woman across revised filmic tropes, unconventional screen bodies, emergent technological formats and cosmopolitan geographies, they reveal gender’s starring role in the unfolding story of India’s neoliberalism and cinema." -- Priya Jaikumar * author of Where Histories Reside: India as Filmed Space *"A sumptuous and well-rounded volume of essays by leading experts on Indian cinema. This book is recommended for all scholars and students for an in-depth understanding of the gender dynamics in post-globalization Bollywood." -- Rini Bhattacharya Mehta * author of Unruly Cinema: History, Politics, and Bollywood *"Insightful and wide-ranging, Bollywood’s New Woman brings together some of the most exciting new scholarship in South Asian film and cultural studies. The figure of the ‘New Woman’ has emerged as the site on which many of India’s current desires and anxieties come to be rehearsed and executed. This anthology is essential reading for anyone interested in gender, politics, and popular culture in contemporary India and beyond." -- Meheli Sen * author of Haunting Bollywood: Gender, Genre and the Supernatural in Hindi Commercial Cinema *"A timely and valuable collection, Bollywood’s New Woman offers a critical assessment of nearly three decades of post-economic liberalization India through a focus on the changes and consistencies, in female characters and stars in Hindi cinema. The close readings situate films in diverse industrial formations—big-budget, small films, multiplex, hatke—that shape the many manifestations of these ‘new’ women. And, the perceptive readings anchored in genres, star texts, and new media skillfully show how these ‘new’ women navigate, question, and/or embrace the tradition/modern dyad in neoliberal and Hindu nationalist India." -- Monika Mehta * author of Censorship and Sexuality in Bombay Cinema *"There is an emerging gap in classical narrative or textual analysis which marked the early blossoming of film studies in India. Anwer and Arora’s edited volume on Bollywood’s New Woman addresses precisely this gap by taking the attention back to the text to comment on gender, history and society. This collection of articles, spread across fourteen chapters and four sections attempts to reconfigure screened womanhood from the post-liberalization era." * Studies in South Asian Film and Media *"These authors deconstruct the tools that filmmakers use and how the characters themselves strategize to assert identity and individuality. Localized, globalized, and contextualized within the larger Indian landscape and yet focusing on the intersections of place, class, caste, and age, the book offers an overview of the New Bollywood Woman." -- Uma Vangal * Quarterly Review of Film and Video *Table of ContentsContents Introduction Part I Family and Nation 1. Koel Banerjee and Jigna Desai, “Mompreneur in the Multiplex: Entrepreneurial Technologies of the “New Woman” Subject in the Age of Neoliberal Globalization” 2. Sangita Gopal, “Lethal Acts: Bollywood’s new woman and the Nirbhaya Effect” 3. Baidurya Chakrabarti, “Beyond the Couple Form: The Space of the New Woman in Yash Raj Films” 4. Aparajita De, “Mera Saaya: Shadows of the Woman in Bollywood’s Cultural Imagination” Part II Body Matters 5. Gohar Siddiqui, “New Womanhood and #LipstickRebellion: Feminist Consciousness in Lipstick Under My Burkha” 6. Debadatta Chakraborty, “Queering Bollywood: Sexuality of the disabled Body – A Case Study” 7. Ajay Gehlawat, “Plus-size Femininity: The Multiple Figurations of Bhumi Pednekar” 8. Puja Sen, “The Many Bodies of Vidya Balan: The Dirty Picture, Kahaani, and Tumhari Sulu” Part III Geographies of the New Woman 9. Anjali Ram, “Out of India: Educating the New Woman in Queen, EnglishVinglish, and Badrinath ki Dulhaniya” 10. Prathim-Maya Dora-Laskey, “Learning to Love The(ir) World: Using Feminist Spaces and Cosmopolitan Impulses against the Heteropatriarchy in Queen and English Vinglish” 11. Namrata Rele Sathe, “Single in the City: The Female Flâneur in Queen” 12. Madhavi Biswas, ”Dedh Ishqiyaand Ishqiya “Glocal Women: Gender, Genre, and Performance in Abhishek Chaubey’s Part IV New Media and the New Woman 13. Kuhu Tanvir, “All Broken Up and Dancing: Looking at Katrina Kaif in eight GIFs” 14. Tanushree Ghosh, “Reshaping ‘Bollywood’: Dissident New Media Femininities and Hindi Cinema” Acknowledgments Notes on Contributors Index
£107.20
Rutgers University Press Mainstreaming Gays: Critical Convergences of
Book SynopsisMainstreaming Gays discusses a key transitional period linking the eras of legacy and streaming, analyzing how queer production and interaction that had earlier occurred outside the mainstream was transformed by multiple converging trends: the emergence of digital media, the rising influence of fan cultures, and increasing interest in LGBTQ content within commercial media. The U.S. networks Bravo and Logo broke new ground in the early 2000s and 2010s with their channel programming, as well as bringing in a new cohort of LGBTQ digital content creators, providing unprecedented opportunities for independent queer producers, and hosting distinctive spaces for queer interaction online centered on pop culture and politics rather than dating. These developments constituted the ground from which recent developments for LGBTQ content and queer sociality online have emerged. Mainstreaming Gays is critical reading for those interested in media production, fandom, subcultures, and LGBTQ digital media. Trade Review"Mainstreaming Gays investigates the role that LGBTQ media professionals, television, and online content played at a pivotal moment in media convergence and the consolidation of multiplatform content delivery. Impeccably researched and accessibly written, Eve Ng’s book offers a nuanced analysis of the central role LGBTQ media and marketing played during a vital period in media history." — Katherine Sender, professor and director of Graduate Studies, Department of Communication, Cornell University "How did legacy TV morph into streaming and take queerness with it? Eve Ng brings intellectual force and clarity to a key change in queer media, redefining what 'mainstream' means and showing us how power, capital, and reinvention have long sparred—and danced—on the fields of queer culture." — Lisa Henderson, Dean, Faculty of Media and Information Studies, Western University "Chronicled in these pages are a host of culturally significant portals for LGBTQ news and entertainment which, Ng convincingly argues, contributed to the mainstreaming of historically marginalized communities. With her rigorous investigation into the people who created and benefited from these sites, Ng shows how the distance between the margins and the center, fans and producers, amateurs and professionals, is much narrower than scholars typically assume. This is an essential book for scholars of queer media.” — Aymar Jean Christian, author of Open TV: Innovation Beyond Hollywood and the Rise of Web TelevisionTable of ContentsIntroduction – Between Legacy and Streaming Chapter 1 – New Convergences in LGBTQ Media Production: Digital Pathways Into Commercial Media Chapter 2 – The New Queer Digital Spaces Chapter 3 – Gaystreaming, Dualcasting, and Changing Queer Alignments Chapter 4 – Beyond Queer Niche: Remaking the Mainstream Conclusion – Legacies and Futures for Mainstreaming Gays Appendix – List of Research Interviews and Events Acknowledgments Bibliography Index
£25.19
Rutgers University Press Music Is Power: Popular Songs, Social Justice,
Book SynopsisHonorable Mention, 2019 Foreword INDIES Awards - Performing Arts & Music Honorable Mention, Graphis 2021 Design Annual Competition Popular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction, and so many other crucial issues. Music Is Power takes us on a guided tour through the past one hundred years of politically conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk, and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches— angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority—to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, the Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley. Supplemental material (Artist and Title List): https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2020/07/24001955/Music_Is_Power_Supplementary_Artist_Title_List.doc Trade Review"Talk with Ted" interview with Brad Schreiber https://www.podbean.com/media/share/pb-s3b37-e5cbf5— Talk with Ted podcast "Madame Perry's Salon" interview with Brad Schreiber, part two https://www.blogtalkradio.com/madameperryssalon/2020/05/14/writer-producer-brad-schreiber— Madame Perry's Salon, part two Parallax Views with J.G. Michael interview with Brad Schreiber https://parallaxviews.podbean.com/e/schreiber/— Parallax Views "Coast to Coast AM" interview with Brad Schreiber, part 3— Coast to Coast AM, part 3 "A fun and informative read from first page to last."— Midwest Book Review Louisiana Radio Network "Talk Louisiana" interview with Jim Engster and Brad Schreiber https://www.wrkf.org/post/monday-january-20th-faye-williams-daryl-glasper-brad-schreiber— Louisiana Radio Network “Brad Schreiber understands both music and politics, as well as the jagged lines where they overlap and intersect. His clarity, intelligence, and insight provide lasting rewards.” — Anthony DeCurtis, Grammy Award–winning journalist, for Rolling Stone, author of Lou Reed: A Life "Brad Schreiber Visits Madame Perry's Salon" podcast interview https://podcasts.apple.com/us/podcast/brad-schreiber-visits-madame-perrys-salon/id1063919048?i=1000465223311 — Madame Perry's Salon "Coast to Coast AM" interview with Brad, Schreiber, part 1— Coast to Coast AM, part 1 "Episode 37: "Music Is Power: Popular Songs, Social Justice, and The Will to Change" with Brad Schreiber" https://allmusicbooksdeepdive.podbean.com/e/episode-37-music-is-power-popular-songs-social-justice-and-the-will-to-change-with-brad-schreiber/— Deep Dive podcast "Brad Schreiber talks about this topic perfectly...You did a lot of research." https://www.youtube.com/watch?v=8Gaim6C8E3wfeature=youtu.be— The Allan Handelman Show interview with Brad Schreiber: Music Is Power" "How Tom Odell’s Another Love became an unlikely anthem for Ukraine," by James Hall— The Telegraph Unstructured Podcast interview with Brad Schreiber https://unstructuredpod.com/psychotically-eclectic-author-brad-schreiber/— Unstructured Podcast Music Is Power mention in Planet Proctor, December 2019 issue— Planet Proctor Brad Schreiber's Playlist for His Book "Music is Power: Popular Songs, Social Justice, and the Will to Change"— Largehearted Boy "Passing Through" KAAD-LP 103.5 FM interview with Brad Schreiber — Passing Through “A stirring survey of the sometimes sad, sometimes joyful, sometimes angry but ever hopeful music that is the soundtrack for America’s struggle to become a more fair and just society.” — Seth Rosenfeld, journalist, winner of the George Polk Award, author of Subversives: The FBI’s War on Student Radical "Brad Schreiber interview – Episode 288" http://readingandwritingpodcast.com/brad-schreiber-interview/— Reading and Writing podcast "Tuesday, December 8th: Andrea Gallo, Brad Schreiber"— "Talk Louisiana," WRKF "Coast to Coast AM" interview view Brad Schreiber, part 2— Coast to Coast AM, part 2 The Stuph File Program interview with Brad Schreiber— The Stuph File Program "Music Is Power covers the socio-political history of important music, from Bob Dylan to hip-hop, including genres like punk, comedy, folk, psychedelia, RB/soul and major musicals, and encourages listeners to respond to this powerful music with real world activism. It’s a timeless New Year’s gift!"— Planet Proctor "What’s better than a book you didn’t know you needed? Music Is Power is a history of the nexus of music and protest, from Wobbly-turned-musician Joe Hill to Green Day, from folk to hip-hop."— Razorcake "Chatting with Sherri," BlogTalkRadio interview with Brad Schreiber https://www.blogtalkradio.com/rithebard/2020/06/25/chatting-with-sherri— Chatting with Sherri - Blog Talk Radio "Music is Power: Author Brad Schreiber digs into he history and power of protest music" interview with Brad Schreiber https://wgnradio.com/2019/12/10/music-is-power-author-brad-schreiber-digs-into-he-history-and-power-of-protest-music/— Nick Digilio Show - WGN INTERVIEW WITH BRAD SCHREIBER ON ‘MUSIC IS POWER’: PART 1—DIXIE CHICKS, MARVIN GAY https://shadowproof.com/2020/03/31/music-is-power-interview-schreiber-dixie-chicks-marvin-gaye/— Shadowproof "Much has been written about these artists elsewhere, but Schreiber’s focus sets this study apart. He goes beneath the surface to detail how their social consciousness evolved during the course of their careers, and how they came to understand their music’s power to address social ills. This carefully researched book is suitable for fans and scholars alike. Recommended." — Choice "In Music Is Power, Brad Schreiber argues that socially or politically conscious music emerges from practically every genre of popular music, and he takes the reader on a journey through the various ways that musicians have addressed the issues of their day."— Shalon Van Tine, Western Folklore journal “Music Is Power - Part 3: Black Sabbath, Gil Scott-Heron, Public Enemy” https://shadowproof.com/2020/04/28/music-is-power-schreiber-gil-scott-heron-black-sabbath/— Shadowproof, Part 3 "Brad Schreiber, 'Music Is Power: Popular Songs, Social Justice And The Will To Change'" https://www.wortfm.org/brad-schreiber-music-is-power-popular-songs-social-justice-and-the-will-to-change/— Madison Bookbeat Interview with Brad Schreiber on The Stuph File Program— The Stuph File "MWN Episode 144 – Music is Power (Part 2) with Brad Schreiber" https://midnightwriternews.com/mwn-episode-144-music-is-power-part-2-with-brad-schreiber/— Midnight Writer News Interview on "Deep Dish Radio with Tim Powers" with Brad Schreiber https://play.acast.com/s/deepdishradio/7424927b-bdc3-4183-a884-a84f4ba85c5f— Deep Dish Radio with Tim Powers Brad Schreiber interview on “Passing Through” on KAAD-LP 103.5 FM— Passing Through, part 2 "INTERVIEW WITH BRAD SCHREIBER ON ‘MUSIC IS POWER’: PART 2—JIMI HENDRIX, PINK FLOYD"— Shadowproof, Part 2 “An inspiring tour through the history of making change with music and an important call for retrieving music’s intrinsic ability to challenge power.” — Douglas Rushkoff, documentarian, professor of Media Theory and Digital Economics at CUNY/Queens, author of Team Human *Special episode * Music is Power: Donna and Dr Adam in conversation with author Brad Schreiber— Love's A Secret Weapon podcast "An intensively researched yet rollicking tour of socially charged music...A compelling read on the intersection of popular music and social activism, from Pete Seeger to Zappa to Public Enemy and beyond."— American Songwriter Beyond Reality Paranormal Podcast - Hidden History episode interview with Brad Schreiber https://anchor.fm/brparanormal/episodes/Hidden-History---Brad-Schreiber---102020-elclvh— Beyond Reality Paranormal podcast MWN Episode 136 – Popular Songs , Social Justice, and the Will to Change with Brad Schreiber— Midnight Writer News Law and Disorder Radio interview with Brad Schreiber https://lawanddisorder.org/2019/11/law-and-disorder-november-25-2019/— Law and Disorder High Road to Humanity - Music Is Power! Popular Songs, Social Justice, with Guest Brad Schreiber https://www.youtube.com/watch?v=55j15fa54NIfeature=youtu.be— Nancy Yearout's High Road to Humanity Music's Connection to Societal Issues The Patty Hearst/SLA Case - interview with Brad Schreiber https://www.youtube.com/watch?v=7AHdxbXK6Ys— Beyond Reality Radio "In-Depth Interview: Author Brad Schreiber Talks..." interview on the Peter B. Collins Show https://www.stitcher.com/podcast/peter-b-collins-newscomment/e/66984975— The Peter B. Collins Show "A fun read. It provides the old timer with a quick sail down the streams of memory and the younger reader with a useful and concise look at the music of the West that helped form the culture of today."— CounterPunchTable of ContentsIntroduction Chapter 1: Musical Workers of the World Unite: Joe Hill, Woody Guthrie, Pete Seeger Chapter 2: There For More Than Fortune: Phil Ochs, Joan Baez, Bob Dylan Chapter 3: Caged Artists: Lesley Gore, Janis Ian, P.F. Sloan Chapter 4: Parody and Poetry: Tom Lehrer, Peter, Paul and Mary, The Smothers Brothers Chapter 5: Psychedelicate Situation: Jimi Hendrix and Pink Floyd Chapter 6: Reason and Blues: Marvin Gaye and The Temptations Chapter 7: Say It Loud, We’re Blocked but Proud: James Brown and Curtis Mayfield Chapter 8: Hard Rock Turns Metallic: The Who and Black Sabbath Chapter 9: More Than a Working Class Hero: John Lennon Chapter 10: Out of Place and In Your Face: The Dead Kennedys and The Sex Pistols Chapter 11: Word: Gil Scott Heron and Grandmaster Flash Chapter 12: Global Music Consciousness: Bob Marley and Peter Gabriel Chapter 13: Weird, Funny, Angry: Frank Zappa vs. Everybody Chapter 14: Rap, Not Hip Hop: N.W.A. and Public Enemy Chapter 15: Weapons of Mass Deconstruction: Dixie Chicks and Green Day Epilogue Bibliography
£21.59
Springer Quantum Mechanics and AvantGarde Music
Book Synopsis1. Introduction.- 2. Correlations in timeline.- 3. Entropy in the development of tonality.- 4. Heisenberg's uncertainty principle and aleatoric technique in music.- 5. Phenomena of Silence, 0 and Void.- 6. Performance as experiment.
£22.49
Synema Gesellschaft Fur Film u. Medien Be Sand, Not Oil – The Life and Work of Amos
Book SynopsisAmos Vogel was one of America's most innovative film historians and curators. An émigré from Austria who arrived in New York just before the Second World War, in 1947 he created Cinema 16, a pioneering film club aimed at audiences thirsty for work "that cannot be seen elsewhere," and in 1963 was instrumental in establishing the New York Film Festival. He later embarked on an ambitious teaching career, synthesizing decades of experience and directing his ideas towards students and, eventually, the wider public. In 1974 he published the culmination of his thoughts – along with an extraordinary collection of stills – in Film as a Subversive Art. On his death, the New York Times wrote that Vogel "exerted an influence on the history of film that few other non-filmmakers can claim." Be Sand, Not Oil is the first book about Vogel, and includes uncollected writings, an unpublished interview, and new essays documenting his never-ending quest for what Werner Herzog, his friend of many decades, has described as "adequate imagery."Trade ReviewAn important new book. * The New Yorker *An indispensable study...If the book is invaluable for gathering together numerous never-before-collected or previously unpublished pieces by Vogel himself, the newly commissioned essays by various scholars are every bit as welcome. -- filmcomment
£25.20
The Chinese University Press Ascendant Peace in the Four Seas: Drama and the Qing Imperial Court
Book SynopsisRelying on materials uncovered by in the First Historical Archives in Beijing, the author investigates the development of imperial drama and its influence on Peking Opera, as well as the function and system of the Nanfu (later Shengpingshu)-an organization responsible for drama in the Qing dynasty. Also discussed are the complex roles of the actors on and off stage, and the broader issues of cultural and political control intertwined with the performances themselves. The final section delves into the interaction between the palace and commercial theatres and how this contributed to the transformation of "low class" regional Peking Opera into an art form enjoyed by a wide swath of society.
£44.25
Taylor & Francis Cinematography Theory and Practice
a huge range and FREE tracked UK delivery on ALL orders.
£161.50
Taylor & Francis Drum Sound and Drum Tuning
Book SynopsisDrum Sound and Drum Tuning assists drummers, sound engineers, and music students in learning critical skills related to drum sound and achieving an optimised and personalised drum kit set-up. The book covers the essential theories of percussion acoustics and develops this knowledge in order to facilitate creative approaches to drum tuning and professional-level recording and mixing of drums. All aspects of drumhead vibration, drumhead equalisation, and resonant drumhead coupling are de-mystified, alongside discussions relating to drumhead types, drum shell vibration, and tuning to musical intervals for different performance genres. The book develops drum sound theory and creative analysis into a detailed dissection of recording and production techniques specifically for drums, including discussions on studio technologies, room acoustics, microphone techniques, phase coherence, and mixing drums with advanced digital audio workstation (DAW) techniques and creative procTable of ContentsList of FiguresList of Tables1 Introduction1.1 Values of Great Drum Sound1.2 Why Bother with Drum Tuning?1.3 About this Book1.3.1 Educational Approach1.3.2 Online Resources1.3.3 Interviews with Esteemed Professionals1.3.4 Companion Software and Examples1.4 Don’t Forget to Listen!2 Drumhead Vibration and the Science of Sound2.1 Sound Sources, Acoustic Transmission and Sound Reception2.2 Evaluating Frequencies2.3 The Single Most Valuable Musical Acoustics Theory!2.4 Measuring and Analysing Drum Modes3 Tuning the Pitch of a Cylindrical Drum3.1 Exploring the Pitch Range of a Cylindrical Drum3.2 Musical Frequencies3.3 Coupled Drumheads4 Lug Tuning and Clearing the Drumhead4.1 Evaluating the First Overtone of a Drum4.2 Beat Frequencies4.3 The Sound of a Uniformly Tuned Drumhead4.4 Lug Tuning with Assistance5 Tuning the Resonant Drumhead – What, Why and How?5.1 Harmonics and In-Harmonic Overtones5.2 Musical Intervals5.3 Controlling Overtones and Intervals with the Resonant Drumhead6 A Holistic Approach to Drum Tuning6.1 Simplicity Wins6.2 Setting the Fundamental Pitch6.3 Implementing Lug Tuning and Resonant Head Tuning6.4 Damping and Decay Times7 The Wonderful World of Drumheads7.1 Guitar Strings on Steroids!7.2 The Drumhead Equation7.3 Drumhead Types and Features7.4 Resonant Drumhead Selection7.5 Experience Drumheads!8 Timbre: The Truth about Drum Shell Vibration8.1 Introducing Timbre8.2 Tuning Fork Example with Mass Loading8.3 Drum Shell Vibration8.4 Loading the Drum Shell8.5 Bearing Edges and Precision Manufacturing8.6 Considering the Drum Shell Vibration Frequency when Tuning9 Tuning for Different Musical Styles and Genres 9.1 Creative Objectives9.2 Drum Sizes for Different Music Genres9.3 Pitches and Intervals on the Kit9.4 Tuning Suggestions for Different Genres9.5 Drumheads for Different Music Genres10 Snare Drum Tuning 10.1 Key Aspects of Snare Tuning10.2 Holistic Approach to Snare Tuning10.3 Manipulating Snare Drum Timbre10.4 Comparing Snare Timbre Example11 Kick Drum Tuning 11.1 Kick Drum Tone and Dynamics11.2 Drumheads for the Kick Drum11.3 Kick Drum Tuning Range11.4 Controlling the Kick Drum Timbre12 Production and Preparation for Drum Recording12.1 Production and Pre-Production12.2 Setting Standards and Getting Results12.3 Choosing and Evaluating the Recording Space12.3.1 Room Size and Dimensions12.3.2 Room Materials and Reverberation Characteristics 12.3.3 Sound Isolation and Background Noise Levels 12.3.4 Suitability for a Room’s Use in a Recording Project12.3.5 Positioning Drums within a Room12.4 Tuning and Performance for Recording13 Fundamental Technologies for Drum Recording13.1 Microphones and Transducers13.1.1 Dynamic Microphones13.1.2 Condenser Microphones13.1.3 Ribbon Microphones13.1.4 Other Audio Transducers13.2 Microphone Characteristics13.2.1 Microphone Polar Patterns13.2.2 Other Microphone Characteristics13.3 The Complete Recording Signal Chain13.3.1 Audio Convertors13.3.2 Mixing Desk13.3.3 Microphone Preamplifiers13.3.4 Recording with FX13.4 Monitoring and Foldback13.4.1 Control Room Monitoring13.4.2 Headphone Foldback14 We Need to Talk About Phase! 14.1 What Exactly is Phase?14.2 Time Delay and Comb Filtering14.3 Mono Compatibility14.4 Signal Polarity 15 Microphone Techniques for Recording Drums15.1 Microphone Placement Approaches15.2 Stereo Recording for Drums15.2.1 Defining The Stereo Field15.2.2 Spaced Pair Technique15.2.3 X-Y Technique15.2.4 Blumlein Pair Technique15.2.5 ORTF Technique15.2.6 Mid-Side Technique15.2.7 Baffled Omnidirectional Pair Technique15.2.8 Decca Tree Technique15.2.9 Left-Right-Center Technique15.3 Using Spot Microphone Techniques15.3.1 Kick Drum Microphone Technique15.3.2 Snare Drum Microphone Technique15.3.3 Tom Drum Microphone Technique15.3.4 Close Cymbal Microphone Technique15.4 Room Microphones 15.5 Microphone Choices for Recording Drums15.6 Developing a Personal Approach16 Mixing Drums: Balance and Dynamics16.1 Balance, Panning and Bussing16.2 Dynamics Processing16.2.1 Compression and Limiting16.2.2 Gates and Expanders16.2.3 Envelope Shaping16.3 Hybrid mixing17 Mixing Drums: Creative Processing17.1 Equalisation and Spectral Processing17.1.1 Cutting Low Frequencies17.1.2 Treating the Fundamental and Overtones of Each Drum17.1.3 Adding Attack and Presence17.1.4 Controlling High Frequencies17.2 Using Reverb to Regain Authenticity17.3 Delay for Drums17.4 Distortion and Enhancers17.5 Sequential and Sidechain and Processing17.6 Drum Replacement17.7 The Final MixdownIndex
£33.99
Taylor & Francis Producing and Directing the Short Film and Video
Producing and Directing the Short Film and Video, Sixth Edition is the definitive book on producing and directing short films for the serious film student or beginning filmmaker. Its unique two-fold approach looks at filmmaking from the perspectives of both the producer and director, and clearly explains how their separate roles must work together to create a successful short film or video. Through extensive examples from award-winning shorts and insightful interviews, you will learn about common challenges these filmmakers encountered during each step of filmmaking processâfrom preproduction to production, postproduction, and distributionâand the techniques they used to overcome them.The Sixth Edition has been carefully updated to include:â New, in-depth cases studies of esteemed short filmsâ Fresh interviews with the filmmakers integrated alongside the text, as well as new images and behind-the-scenes coverage of production processesâ Completely revamped section
£37.99
Taylor & Francis Ltd The Routledge Introduction to Theatre and
Book SynopsisErika Fischer-Lichte''s introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study:Part 1 Central Concepts for Theatre and Performance Research introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of meaning; and the theatrical event as an experience shared by actors and spectators. Part 1 contextualizes these concepts by tracing the history of Theatre and Performance Studies as a discipline.Part 2 Fields, Theories and Methods looks at how to analyse a performance and how to conduct theatre-historiographical research. This section is concerned with the ''doing'' of Theatre and Performance StuTrade Review"Rarely do books with “introduction” in the title exhibit the depth of synthesis that this one does. Fischer-Lichte’s book, as edited and translated by Minou Arjomand and Romona Mosse, is stimulating in its approach, conversational tone, and ease of access to interesting points of view...This well-researched, cogent study will be a fine addition to any theatre and performance studies collection. Summing up: Recommended." - CHOICE, November 2014Table of ContentsAcknowledgements Preface Prologue: Is Everything Theatre? Part 1: Central Concepts for Theatre and Performance Research 1. The Concept of Theatre 2. The History of the Discipline 3. The Concept of Performance Part 2: Fields, Theories, and Methods 4. Performance Analysis 5. Theatre Historiography 6. Theorizing Theatre and Performance Part 3: Pushing Boundaries 7. Interweaving Cultures in Performance 8. Performing the Arts 9. Cultural Performances Epilogue: Is Everything Theatre? Bibliography
£38.99
Taylor & Francis Essentials of Period Style
Book SynopsisEssentials of Period Style: A Sourcebook for Stage and Production Designers covers the visual, social, and political dynamics of multiple epochs and cultures and discusses how these trends affect the design of the architecture, costumes, and furnishings of the time. This book relates these characteristics and cultural movements to the design needs students encounter as they design a period production. Each chapter contains examples of period style in both theatre and film from a variety of notable productions and a glossary of specialized terms and words used in the chapter. Technological and aesthetic developments that affect design, lighting, and music are also included. This is a textbook meant for Period Styles courses in Theatre programs.Trade Review"How delightful of Mr. Tiné, to take us on a journey of visual spectacle and discovery so essential for anyone needing to know the high points in life, art and architecture as they weave the net of human creative development. It's as if the author has "time travelled" to each period, waded through its essence and come back to tell us what we must not miss on our own journey of recollection, of the important elements we need to fulfill any and all recreations which might involve historical subjects." - Professor Elizabeth Popiel, Western Connecticut State University, School of Visual and Performing Arts. Scenic Designer USA Local 829 IATSE."Hal Tiné, experienced Broadway and regional designer and educator, has created an excellent resource for beginning the exploration of historical periods as they relate to all aspects of design."-Natalie Robin, Stage DirectionsTable of ContentsPrefaceIntroductionAcknowledgementsForeword, by Peter WexlerChapter 1: Greece: The Hellenic Period 475-375 BCEChapter 2: Roman: 3rd Century BCE-476 CEChapter 3: Early Christian: 313-800 CE; Byzantine: 313-1453 CEChapter 4: Islamic: 622-1100 CEChapter 5: Romanesque: 800-1100 CEChapter 6: Gothic: 1100-1450 CEChapter 7: Renaissance: 1450-1600Chapter 8: Baroque: 1600-1720Chapter 9: Rococo: 1720-1760Chapter 10: Neoclassical: 1750-1820Chapter 11: Romantic: 1750-1840Chapter 12: Early Victorian: 1837-1870Chapter 13: Late Victorian: 1870-1901Chapter 14: Edwardian: 1901-1919Chapter 15: Modern: 1919-1980Chapter 16: Postmodern: 1980-PresentChapter 17: Pre-Columbian Cultures: Maya: 291 BCE-circa.1200, Aztec: 1325-1521, Inca: 13th Century-1527Chapter 18: Egypt: 2920-57 BCEChapter 19: India: 320 CE-1858 Chapter 20: China: 589 CE-1912Chapter 21: Japan: 1338-1868
£54.14
Taylor & Francis Ltd On the Track
Book SynopsisOn the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer''s aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person dreaming of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. It contains over 100 interviews with noted composers, illustrating the many technical points made through the text.Trade Review'A stupendous book that doesn't scant in offering details about the complex world of the music composition for movies ... It is obligatory reading for the composer that wants to enter the wonderful world of filmscoring.' – Audiomidilab, Community of Music TechnologyTable of ContentsForeword by John Williams I Preliminaries II Conceptualizing III Timings IV Composing V Recording VI Electronic and Contemporary Scoring VII Songs VIII The Business
£77.89
Taylor & Francis Ltd Performance Art
Book SynopsisPerformance Art: Education and Practice is an introduction to performance art through activities and practice prompts that are framed by seminal moments in the history of the medium as well as the current theoretical discussions surrounding performance.The book begins by introducing the terminology related to performance art and its early history. The basic elements of performance, including the body, objects, space, the public, and the public sphere are approached through thematic and conceptual correlations such as objects as autobiography, body as an expression of gendered identity, performance and the everyday, the augmented body, the archive of performance, and public space as space for intervention. Case studies analysed in each chapter are accompanied by reflective questions and discussion topics. The book proposes a wide range of exercises and comprehensive practice prompts that aim to enhance performance skills, promote experimentation, and encourage an experiential understanding of the theory, history, and concepts relating to performance art.Performance Art: Education and Practice is addressed to students of Fine Arts and Performance Studies from beginner to intermediate level, performance and visual artists who are interested in expanding their knowledge base and creative range, and artist-teachers who are interested in developing their own curriculum and workshop content.Table of ContentsIntroduction 1. Introduction to performance 2. Materials in performance: objects 3. Body, gender, identity 4. Performing the self 5. The augmented body 6. Body and space 7. Performance and the everyday 8. Performing in public space 9. Performing radical interventions 10. Nature, bodies, environment 11. Beyond the live event
£32.99
Taylor & Francis Ltd Nutrition for Dancers
Book SynopsisDancers are top performance athletes on stage to keep fit andhealthy proper nutrition is an integral part of an optimal dancetraining. Nutrition for Dancers provides the principles of nutritionfor dancers of all genres. Authors Liane Simmel and Eva-Maria Kraft clarify widespread nutritional mistakes and giveadvice on how a healthy diet can be incorporated into the everydaylife of dancers.Trade Review"Nutrition for Dancers boasts an information-packed conciseness, excellent readability, and singular clarity in much of the discussion. The clarity is enhanced by the many text call-outs, practical tips, tables, and diagrams. Dancers will find the text useful."-Journal of Dance Medicine & Science, Vol 23, Number 2 2019Table of ContentsGetting started 1 The basics – an overview Dancing needs energy Providing energy – oxygen is key Digestion – from food to energy Carbohydrates as energy providers Regulating blood sugarEnergy reserves for danceFats as energy providers Not all fats are alike Proteins - Building blocks for the body Quality lies in the combination Vitamins, Minerals, & key micronutrients Vitamins and phytonutrients Minerals: macro-minerals and trace elements 2. Drinking – Fluids are crucial Water and its significance for the dancer Perspiration – an intelligent cooling system The dangers of lacking fluids The right drink Selection criteria Handle with care! 3. What? The agony of choice Daily requirements – recommendations for planning your diet Breakfast – getting off to a good start Cold breakfasts Warm breakfasts Main meals - the basis of fitness The "plate of thirds" – healthy nutrition at a glance Snacks – energy on the go Practice makes perfect – some general information Other senses enjoy the meal, too. Warm or cold?Sugar – a How-To?Comfort Foods Food in balance – a planning aid Dietary Supplements – healthy or unhealthy? If things don’t run smoothly – digestive problems and food allergies Digestion is work Food intolerance 4. When? Timing is everything Eating around a dancer’s scheduleBefore dancing: stock up on energy While dancing: maintain your energyAfter dancing: accelerate regeneration A daily meal planReality can be a different story No time, no space Working evenings 5. How? Healthy nutrition as a daily routinePreparation is key – shop with a plan Writing a grocery list Navigating the offers Reading labels Seasonal and regional Organic– yes or no? "Free of" and "diet" products – the power of advertising Cooking tips for everyday lifeThe right amount of waterOil – a How-To? Healthy toppings – sprouts, seeds, and co. Homemade or ready meals? Eating out 6. Fit and slim – a challenge for dancers How many calories does a dancer need? Your basic energy needs Your total energy needs – movement is key Figure and body composition BMI – the Body Mass Index Body fat – an unloved necessity Maintaining body fat Much ado about weighing Dancing influences one’s weight Dancing influences one’s diet A new living situation alters one’s diet Putting dieting to the testDropping weight too quickly – the body’s emergency plan How to lose weight the healthy way Eating disorders – awareness is key Causes, risk factors, triggers Is this still normal? – warning signs of an eating disorder Avoiding eating disorders – tips for the dance world 7. Synoptic of foods and nutrients Appendix Literature Recommended web links Contact addresses for eating disorders Register Index
£35.99
Taylor & Francis Ltd Theatre Masks Out Side In
Book SynopsisTheatre Masks Out Side In examines masks from different angles and perspectives, combining the history, design, construction, and use of masks into one beautifully illustrated resource.Each chapter includes key information about an element of mask study: history and uses, theatre traditions, practical principles for directing, performing exercises, design considerations, mask-making techniques, and considering makeup as mask. Artist interviews, theatre company profiles, and hundreds of images provide insight into the variety of mask styles and performance applications. Project suggestions, discussion questions, useful worksheets, creative prompts, and resources for sourcing masks are included to inspire further exploration. Theatre Masks Out Side In is designed with the beginning theatre maker in mind, as well as prop makers, costume designers and technicians, and actors learning to use masks in performance.Table of Contents1. First Encounters with Masks 2. Facing the Stage 3. The Director’s Perspective 4. The Actor’s Perspective 5. Masks by Design 6. Mask Making 7. Makeup, A Living Mask
£37.04
Taylor & Francis Ltd Beyond Scenography
Book SynopsisFocused on the contemporary Anglophone adoption from the 1960s onwards, Beyond Scenography explores the porous state of contemporary theatre-making to argue a critical distinction between scenography (as a crafting of place orientation) and scenographics (that which orientate acts of worlding, of staging). With sections on installation art and gardening as well as marketing and placemaking, this book is an argument for what scenography does: how assemblages of scenographic traits orientate, situate, and shape staged events. Established stage orthodoxies are revisited - including the symbiosis of stage and scene and the aesthetic ideology of ''the scenic'' - to propose how scenographics are formative to all staged events. Consequently, one of the conclusions of this book is that there is no theatre practice without scenography, no stages without scenographics. Beyond Scenography offers a manifesto for a renewed theory of scenographic practice forTrade Review"[Beyond Scenography] remains a thought-provoking and much-needed theoretical contribution to the sprawling domain of scenography studies and related performance disciplines. The book’s hugely relevant and historically underpinned theoretical take on such diverse topics as installation art, interior design, gardening and marketing renders it essential reading for a much broader academic audience. […] I recommend Beyond Scenography as necessary reading for scholars, students and practitioners engaged in cross-disciplinary studies of art and performing arts history and practice, architecture, urban sociology and beyond."Astrid von Rosen, University of Gothenburg, Theatre and Performance Design, 7:3-4, 240-241, DOI: 10.1080/23322551.2021.2003155Table of ContentsAcknowledgmentsIntroductionScenography as theatre-makingTheatre after cinemaScenography after performanceChapter outlineChapter 1: Place Orientation, Scenic Politics and ScenographicsScenes and Scenic PoliticsScenographicsOthering TacticsChapter 2: Scenography and the Anglophone theatresThe first adoption of scenographyContinental differences pre-1960The second adoption of scenographySound and costume as scenographyChapter 3: Scenography beyond scenographersMise en scène and scenographyWhose scenography? Beyond dramaturgy and choreographyExpanded scene design? Chapter 4: Scenography HappensThe time of scenographyScenography is not setGecko’s MISSING setChapter 5: Scenographic WorldingStage GeographiesStage IdeologiesScenography beyond stages?Stage-Scenes beyond visionChapter 6: Scenographic CulturesInstallation Art and Scenographic ScaleInterior Design and Scenographic BehavioursMarketing and Scenographic SeductionGardening and Scenographic CurationProtest and Scenographic ActivismChapter 7: Scenographic ArchitectureFast ArchitectureTrompe l'oeil and Scenographic PropagandaPotemkin Villages and Scenographic PlacemakingConclusion
£35.99
Cambridge University Press Germaine Tailleferre
a huge range and FREE tracked UK delivery on ALL orders.
£18.00
Cambridge University Press The Cambridge Companion to Wagners Der Ring Des
Book SynopsisThe Companion is an essential, interdisciplinary tool for those both familiar and unfamiliar with Wagner''s Ring. It opens with a concise introduction to both the composer and the Ring, introducing Wagner as a cultural figure, and giving a comprehensive overview of the work. Subsequent chapters, written by leading Wagner experts, focus on musical topics such as ''leitmotif'', and structure, and provide a comprehensive set of character portraits, including leading players like Wotan, Brünnhilde, and Siegfried. Further chapters look to the mythological background of the work and the idea of the Bayreuth Festival, as well as critical reception of the Ring, its relationship to Nazism, and its impact on literature and popular culture, in turn offering new approaches to interpretation including gender, race and environmentalism. The volume ends with a history of notable stage productions from the world premiere in 1876 to the most recent stagings in Bayreuth and elsewhere.Trade Review'This Companion fully captures the richness and all too human complexity of this astonishing work, offering up multiple paths for us each to find our way to its heart.' Hugo Shirley, OperaTable of ContentsList of figures; List of music examples; List of contributors; Preface; List of abbreviations; Introduction Mark Berry and Nicholas Vazsonyi; Part I. Myth: 1. Greek tragedy and myth Jason Geary; 2. Wagner and the rise of modern mythology Stefan Arvidsson; Part II. Aesthetics: 3. The Ring in theory and practice Arnold Whittall; 4. Form and structure J. P. E. Harper-Scott; 5. Listening for leitmotifs: concept, theory, practice Christian Thorau; 6. The Bayreuth concept and the significance of performance Roger Allen; Part III. Interpretations: 7. Characters in the 'world' of the Ring Mark Berry; 8. The Ring as a political and philosophical drama Anthony Arblaster; 9. The idea of nature Thomas Grey; 10. Gender and sexuality Chris Walton; Part IV. Impact: 11. Critical responses Barbara Eichner; 12. Placing the Ring in literary history David Trippett; 13. Specters of Nazism Tash Siddiqui; 14. The Ring in cinematic and popular culture Adrian Daub; 15. Notable productions Barry Millington; Bibliography; Index.
£25.64
Cornell University Press Franz Liszt
Book SynopsisThe third volume in Alan Walker's magisterial biography of Franz Liszt.Trade Review"Alan Walker's biography of Liszt ... has been widely hailed as a groundbreaking work of scholarship... Not only did his dogged research correct numerous, mostly damaging preconceptions about Liszt, but his cogent musical analyses made the case for the importance of the music... Love him or hate him as a saint or a sinner, Liszt still has the capacity to stir great passions ... and Mr. Walker has done a great service in correcting many misconceptions and thus raising the question about the true character of Liszt."-Johanna Keller, The New York Times. January 14, 2001 "A conscientious scholar passionate about his subject. Mr. Walker makes the man and his age come to life. These three volumes will be the definitive work to which all subsequent Liszt biographies will aspire."-Harold C. Schonberg, Wall Street Journal "What distinguishes Walker from Liszt's dozens of earlier biographers is that he is equally strong on the music and the life. A formidable musicologist with a lively polemical style, he discusses the composer's works with greater understanding and clarity than any previous biographer. And whereas many have recycled the same erroneous, often damaging information, Walker has relied on his own prodigious, globe-trotting research, a project spanning twenty-five years. The result is a textured portrait of Liszt and his times without rival."-Elliot Ravetz, Time "You can't help but keep turning the pages, wondering how it will all turn out: and Walker's accumulated readings of Liszt's music have to be taken seriously indeed."-D. Kern Holoman, New York Review of Books "The prose is so lively that the reader is often swept along by the narrative... This three-part work ... is now the definitive work on Liszt in English and belongs in all music collections."-Library Journal
£22.79
Hal Leonard Corporation The Disney Fake Book
Book Synopsis
£42.75
OMNIBUS PRESS SHEET MUSIC Michael Jackson
Book SynopsisEZ Play Today 73.
£16.65
Amazon Publishing Death in Heels
Book SynopsisWhen Fi went to support her best friend’s drag debut, she didn’t imagine a killer would be going to watch it too. And they’re waiting for their grand finale… Fi McKinnery is full of nerves as the gorgeous Mae B (aka her best friend Robyn) takes to the stage for her debut at drag club TRASH, but Mae B is dazzling…that is until local queen Eve lampoons her performance and ruins the show. So when Eve turns up dead later that night, face down in the gutter of a rain-soaked Dublin street, the timing seems awfully suspicious… The police are quick to rule Eve’s death an accident, but Fi is convinced it was foul play. When her ‘Hagatha Christie’ amateur sleuthing backfires, it drives a wedge between Fi and Robyn. But when another friend is targeted in a hit-and-run, she’s determined to get this twisted killer caught, no matter what the consequences. Even as the rest of the gang start to distance themselves, Fi is certain that they’re all in terrible danger. Something dark is lurking beneath the feathers, glitter and sequins of Dublin’s drag scene. And it’s not just the sticky floor and cracked mirrors. Someone is targeting the queens. When another member of the group is gunned down, it’s clear the danger is coming ever closer. Can Fi stop the killer before any more of her friends are hurt?Trade Review“Dublin’s flamboyant drag scene provides the backdrop for Murphy’s scintillating debut and series launch…Readers will eagerly await the sequel.” —Publishers Weekly “Murphy’s first ‘Dublin Drag’ mystery is a bittersweet story with a big, brassy climax…This character-driven mystery flips convention on its head when the straight amateur sleuth is an outsider to the drag community where her best friend is welcome.” —Library Journal
£8.54
Hal Leonard Corporation The Ultimate Bass Songbook
Book Synopsis
£23.39
Schott Music Ltd Irish Folk Tunes for Flute: 71 Traditional
Book Synopsis(Woodwind Solo). Irish Folk Tunes for Flute presents 71 superb Irish traditional tunes, including jigs, reels, polkas, hornpipes, slow airs, and pieces by Carolan and are suitable for flute, recorder or tin whistle. Experienced folk musician Patrick Steinbach provides an excellent introduction explaining style and traditional ornamentation as well as notes on each of the tunes. The edition also contains recordings of all the tunes for free download.
£16.14
Andrews McMeel Publishing Disney Dreams Collection Thomas Kinkade Studios
Book SynopsisColoring Snow White, Cinderella, Pocahontas, Ariel, Tiana, and other Disney Princess characters is easy and fun with this special coloring book that contains more than 40 coloring pages.Each image was created from the Disney Dreams Collection of paintings by the Thomas Kinkade Studios, and is presented in color across the page from the exceptionally detailed black line art of the same image. This coloring book is perfect for fans of Disney Princess characters and Thomas Kinkade Studios' Disney Dreams paintings. Measures 7.25" x 9.5" closed Soft cover 96 pages Full-color art of image opposite black line art to color Uncoated paper suitable for crayons, colored pencils, and gel pens Printed on FSC-certified paper © Disney
£9.99
Canbury Press You Have Not Yet Heard Your Favourite Song
Book Synopsis‘If you want to know anything about how music surfaces today, how to find it, or how to create it, you will find what you need right here.’ Joseph Menn, Washington Post writer For the first time in history, almost every song ever recorded is available instantly. Everywhere. This book charts what music’s dazzling digital revolution really means for fans and artists. As a former data guru at the world’s biggest streaming service, Spotify, Glenn McDonald reveals: What the tech giants know about you How they serve up your next song Whether fans can cheat the algorithm Whether jazz is dead and ASMR is the new punk Your chances of becoming a rock star Having analysed the streams of 500 million people, McDonald explores what the data tells us about music and about ourselves, from the secrets of russelåter in Norway to Christmas in the Philippines. Statistically, you have not ye
£999.99
Oxford University Press Inc Learn Faster Perform Better
Book SynopsisPracticing is an essential part of every musician''s life, but we are rarely taught how to practice in the most effective and efficient way. Many of us find ourselves frustrated when we sound good in the practice room only to embarrass ourselves on stage or in front of our teachers. We feel overwhelmed by the amount of music we have to learn, unsure how to balance everything. Playing from memory can feel terrifying and an insurmountable challenge, and overcoming bad habits can seem impossible at times. Molly Gebrian applies the science of learning and memory to practicing and performing, giving musicians the tools to learn music more effectively and experience greater confidence on stage. Researchers working in the fields of cognitive psychology and neuroscience have discovered many important principles about how the brain learns new information, retains this information both short- and long-term, and how to make this learning reliable in high-pressure situations like performances. Musicians often choose practice strategies that don''t align well with the optimal ways in which the brain learns, leading to frustration while practicing and inconsistency in performance. The author offers a practical guide, using accessible language for non-scientists and non-academics, to help musicians get more out of their practicing by applying this research. Gebrian starts with general principles of learning and how the brain works, and then progresses through increasingly specific topics. Throughout the book, the science behind the various topics is explained in layman''s terms, accompanied by practical, actionable advice that can be implemented immediately, to give musicians of all levels better tools while practicing and greater confidence on stage.
£16.99
Faber & Faber Everybody Loves Our Town A History of Grunge
Book SynopsisGrunge, also known as the Seattle Sound', emerged from the Pacific north-west in the early part of the 1980s. With the unexpected success of Nirvana's single Smells Like Teen Spirit' in 1991, grunge became a household word overnight and launched an American music movement on a par with punk and hip-hop. In Everybody Loves Our Town , Mark Yarm draws from exclusive interviews to tell the whole story: the founding of originators like Soundgarden and the Melvins, the early successes of the Sub Pop record label, the rise of powerhouses Nirvana and Pearl Jam, the media hype, the suicide of Kurt Cobain, and finally, the genre's mid-to-late-nineties decline.
£12.34
Kahn & Averill Valentin Berlinsky
Book SynopsisThe Borodin Quartet was to the string quartet what Richter was to the piano, Oistrakh to the violin, Rostropovich to the cello. But the story of this Soviet ensemble - the first to come out of the USSR to give concerts abroad - was inextricably linked to the personality of its founder and cellist for more than six decades, Valentin Berlinsky.Trade Review'On so many levels, this is one of the most fascinating books I have ever read: a history of the legendary Borodin Quartet, not coincidentally packed with musical wisdom enlightening, or at least food for thought, to any musician. Furthermore, it's a memoir of the extraordinary talent among both teachers and students of the Moscow Conservatory in the 1940s (Shostakovich, David Oistrakh and Rostropovich just some of the most famous); and - perhaps most intriguing of all - a candid portrait of the Borodin's long-standing cellist, Valentin Berlinsky. Conjured from a rich mix of sources - Berlinsky's diary, reviews, interviews published for the first time - what emerges from the book is a profound musician fanatically dedicated to the quartet and the repertoire it excelled in. Anyone disappointed by their Christmas haul should not hesitate but treat themselves.' 5 stars Daniel Jaffe, BBC Music Magazine, February 2019; 'The more I read, the more absorbed and touched I was' Steven Isserlis, September 2018Table of ContentsForeword, Author's Preface, Publisher's Note, Family and Childhood, Moscow Central Music School, Moscow Tchaikovsky Conservatory, Birth of a Quartet, Beginnings - First Appearances at Moscow Conservatory, Ethics and Ideals - Moscow Philharmonic Quartet, Stabilising the Quartet, Borodin Quartet on the Road, Dmitri Dmitriyevich Shostakovich, Like a Phoenix from the Ashes, On Leadership, On Teaching, On Audiences - on Russia, David Oistrakh, On Criticism - Mstislav Rostropovich, On Sviatoslav Richter - on family, In Praise of Examples, Anatoly Zverev, Tempo, Yevgeny Fyodorovich Svetlanov, Finale, Valentin Berlinsky by Family and Friends - Ludmila Berlinskaya - Dmitri Shebaline - Irina Antonova - Rostislav Burkin - Natalia Shakhovskaya, Appendices, Notes on Contributors, Index of Names
£18.00
Hal Leonard Corporation The Advancing Guitarist
Book Synopsis
£25.64
Rowman & Littlefield Publishers Morphenomenal
Book SynopsisWhen it first appeared on American television sets in 1993, Mighty Morphin Power Rangers was like nothing else on TV. The brainchild of Israeli music producer Haim Saban, the show stitched together segments from the Japanese children?s program Super Sentai with newly recorded live footage, and its unexpected popularity quickly anchored Fox?s daytime programming block and further cemented the network as a innovative pop-culture powerhouse. Garish, heartfelt, utterly strange, and bursting with irrepressible energy, the show was a dramatic departure from the animated fare that dominated children?s programming at the time, and came closer than any program before it to being a ?live-action? cartoon.Three decades later, Power Rangers is a pop-culture icon and a billion-dollar franchise. The show regularly premiered episodes on U.S. networks through December 2021, after which streaming juggernaut Netflix brought new airings under the ?exclusive? umbrella on its platform. Netflix and Hasbro, current rights-holder of the Power Rangers brand, also announced in late 2021 the development of a Power Rangers TV and film ?universe? spearheaded by Jonathan Entwistle, whose dramedy series The End of the F***ing World won a Peabody Award and British Academy Television Award for Best Drama Series. Power Rangers, it seems, is trying to grow up.In Morphenomenal, journalist and lifelong Power Rangers fan Joshua Moore will deliver readers a deeply researched narrative history of Power Rangers ? from its inception to the present day ? and offer comprehensive retellings and analysis of milestone moments for the brand and show, as well as insights into its still-thriving toy line and an adult fandom that yearns for its favorite spandex-wearing superheroes to share a bigger piece of the spotlight with the likes of Batman and Wonder Woman. Moore will tell this story through a combination of original interviews and existing news coverage, academic research and recorded audio and video appearances by cast and crew members from throughout the show?s 30-year run.
£18.71
Silvana Dario Argento: The Exhibition
Book SynopsisThis volume celebrates one of the best known and most loved Italian directors in the world, one of the great masters of tension and horror: Dario Argento. Over the years his cinema has established itself - among cinephiles but not only - for its visionary power, for the search for an aesthetic dimension which is reached through excess. And this excess is not so much what materialises in the virtuosity of the staging of murder and death, as in treating such a brutal and disturbing material in such a way that it becomes something abstract, almost a baroque stylisation. The volume, full of critical essays that investigate the poetics and imagination of Dario Argento, retraces the director’s complete filmography. It also welcomes the testimonies of collaborators and the statements of great directors and actors who shared his long career. Biographies complete the volume. With texts by: Mick Garris, Domenico De Gaetano, Marcello Garofalo, Stefano Della Casa, Piera Detassis, Roberto Pugliese, Alan Jones, Domenico Monetti; testimonianze di: Stefania Casini, Franco Bellomo, Luigi Cozzi, Claudio Simonetti, Sergio Stivaletti, Luciano Tovoli, Antonello Geleng, Pupi Oggiano; fotogrammi tematici: Grazia Paganelli, Matteo Pollone, and Fabio Pezzetti Tonion. Text in English and Italian.
£27.00
