Entertainment Books

Book SynopsisThe release of Star Wars in 1977 marked the start of what would become a colossal global franchise. Star Wars remains the second highest-grossing film in the United States, and George Lucas's six-part narrative has grown into something more: a culture that goes far beyond the films themselves, with tie-in toys, novels, comics, games and DVDs as well as an enthusiastic fan community which creates its own Star Wars fictions. Critical studies of Star Wars have treated it as a cultural phenomenon, or in terms of its special effects, fans and merchandising, or as a film that marked the end of New Hollywood's innovation and the birth of the blockbuster. Will Brooker's illuminating study of the film takes issue with many of these commonly-held ideas about Star Wars. He provides a close analysis of Star Wars as a film, carefully examining its shots, editing, sound design, cinematography and performances. Placing the film in the context of George Lucas's previous work, from his student shorts to his 1970s features, and the diverse influences that shaped his approach, from John Ford to Jean-Luc Godard, Brooker argues that Star Wars is not, as Lucas himself has claimed, a departure from his earlier cinema, but a continuation of his experiments with sound and image. He reveals Lucas's contradictory desires for total order and control, embodied by the Empire, and for the raw energy and creative improvisation of the Rebels. What seemed a simple fairy-tale becomes far more complex when we realise that the director is rooting for both sides; and this tension unsettles the saga as a whole, blurring the boundaries between Empire and Republic, dark side and light side, father and son. In his foreword to this new edition, Will Brooker discusses is how subsequent films in the series, specifically Rogue One (2016) and The Last Jedi (2017), foregrounded and developed the themes of opposition that are at the heart of Star Wars. He shows how Derridean theories of opposites which become undermined and subverted, and which change places are made more clear with hindsight and provide us with a useful lens for looking back at the 1977 Star Wars.Trade ReviewThe tone of this book is playful and thoughtful… A great stocking filler for the Star Wars geek in your life. * Irish Tech News *Table of ContentsForeword to the 2020 Edition Acknowledgments Introduction.- 1. Before Star Wars 2. Dirt 3. Order 4. Border Crossing 5. Notes 6. Bibliography 7. Credits

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Book SynopsisIn 1996 Trainspotting was the biggest thing in British culture. Brilliantly and aggressively marketed, it crossed into the mainstream despite being a black comedy set against the backdrop of heroin addiction in Edinburgh. Produced by Andrew Macdonald, scripted by John Hodge and directed by Danny Boyle, the team behind Shallow Grave (1994), Trainspotting was an adaptation of Irvine Welsh’s barbed novel of the same title. The film is crucial for understanding British culture in the context of devolution and the rise of ‘Cool Britannia’. Murray Smith unpicks the processes that led to Trainspotting’s enormous success. He isolates various factors – the film’s eclectic soundtrack, its depiction of Scottish identity, its attitude to deprivation, drugs and violence, its traffic with American cultural forms, its synthesis of realist and fantastic elements, and its complicated relationship to ‘heritage’ – that make Trainspotting such a vivid document of its time. Although it heralded a false dawn for British film-making,Trainspotting is, Smith concludes, both authentically vernacular and yet transnational in its influences and ambitions. In his afterword to this new edition, Murray Smith reflects on the original film 25 years after its release, and its 2017 sequel T2: Trainspotting also directed by Boyle. Smith also considers Danny Boyle's subsequent directorial career, with highlights including Slumdog Millionaire (2008) and the 2012 London Olympics opening ceremony.Table of ContentsAcknowledgements 1. Arriving 2 Young Americans 3 The City’s Ripped Backsides 4 Like Friends 5 A Bad Person 6 Speed of Life 7 Scoring Trainspotting 8 Black Magic Realism 9 Moving On Afterword to the 2021 edition Notes Credits

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Book SynopsisFrancis Ford Coppola's The Godfather, Part II (1974) is a magisterial cinematic work, a gorgeous, stylized, auteur epic, and one of the few sequels judged by many to be greater than its predecessor. This despite the fact that it consists largely of meetings between aspiring 'Godfather' Michael Corleone and fellow gangsters, politicians and family members. The meetings remind us that the modern gangster’s success is built upon inside information and on strategic planning. Michael and his father Vito’s days resemble those of the legitimate businessmen they aspire or pretend to be. Jon Lewis's study of Coppola's masterpiece provides a close analysis of the film and a discussion of its cinematic and political contexts. It is structured in three sections: “The Sequel,” “The Dissolve,” and “The Sicilian Thing” – accommodating three avenues of inquiry, respectively: the film’s importance in and to Hollywood history, its unique, auteur style and form; and its cultural significance. Of interest, then, is New Hollywood history, mise-en-scene, and a view of the Corleone saga as a cautionary capitalist parable, as a metaphor of the corruption of American power, post-Vietnam, post-Watergate.Table of ContentsAcknowledgments 1. The Sequel 2. The Dissolve 3. The Sicilian Thing Credits

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Book SynopsisLaura Mulvey and Peter Wollen's Riddles of the Sphinx (1977) follows the life of Louise (played by Dinah Stabb), a white middle-class woman living in London in the 1970s who is transforming her place in patriarchal culture. The film is recognised as one of the most important avant-garde films to have emerged from Britain during the 1970s and a classic of feminist cinema. Kimberly Lamm's study of the film examines its kaleidoscopic array of cinematic strategies and poetic devices and how it explores issues of female representation, the place of motherhood within society and mother-daughter relationships. Lamm delves into the context of the film''s production and reception, considering its significance as the second collaboration between Mulvey and Wollen, and the ways in which it was inspired by Mulvey''s work on the male gaze. She goes on to position Riddles as an essay film, analysing its formal experimentations, including the use of direct address and found footage, the rejection of continuity editing and its groundbreaking, haunting electronic score by Mike Ratledge of Soft Machine. Finally, considering the voice of the Sphinx, Lamm highlights how Mulvey and Wollen work with sound and images to reconfigure visual pleasure and create conditions in which the full range of women's voices can be listened to, heard, and valued.

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Book SynopsisSome films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences.Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spinal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings.Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner''s replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe. Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitati

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Book SynopsisSuccessful in both Japan and the West, Akira had a huge impact on the international growth in popularity of manga and anime. Closely analysing the film and its key themes, Colin O''Dell and Michelle Le Blanc assess its historical importance, its impact on the Western perception of anime, and its influence on science fiction cinema.

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Book SynopsisThe classic three volumes of Hebridean Folksongs, reissued simultaneously for the first time since their original publication (1969, 1977, 1981), contain 135 songs connected with the waulking of homespun tweed cloth in the Hebridean isles. Volume 1 is based on waulking songs collected by Donald MacCormick in South Uist in 1893. Volumes 2 and 3 are based on John Lorne Campbell's recordings of songs made between 1938 and 1965 in Barra, South Uist, Eriskay and Benbecula. The translations for all the songs in Volumes 2 and 3 and many of those in Volume 1 are by John Lorne Campbell, who also wrote detailed notes discussing the songs. Multiple versions of the same song are compared with each other and with versions drawn from unpublished manuscript sources. Francis Collinson's meticulous musical transcriptions of the songs, and musicological analyses, are invaluable. The songs are from the repertoires of some well-known singers of their generation, including Miss Annie Johnson, her brother Calum and Miss Mary Morrison, all of Barra, Mrs Neil Campbell of South Uist, and Miss Nan MacKinnon of Vatersay.

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Book SynopsisWHAT A STORY! WHAT A LIFE! A FASCINATING MEMOIR FROM A LEGENDARY MUSIC BUSINESS EXECUTIVE WHO... Signed the little-known David Bowie... Owned the Hunky Dory and Ziggy Stardust albums... Looked after the The Rolling Stones... Helped reorganise The Beatles' Apple Corp... Worked with Mickie Most on The Animals, Herman's Hermits, Donovan, Jeff Beck, and Lulu... Managed The Tremeloes, The New Seekers, and The Sweet... Masterminded a landmark court case that disrupted music publishers exploiting songwriters including Elton John... Started GTO Records, the company that signed Donna Summer, Billy Ocean, The Walker Brothers and Heatwave... AND WHO... Had dinner with John Lennon... Tea with Colonel Parker... Left Led Zeppelin's cash in a safe and lost the key... Threw Rod Stewart out of his office... Turned down chances to manage Queen and Andrea Bocelli... Almost tempted Stevie Wonder away from Motown... And foolishly allowed Iggy Pop to stay in his house! WHO KNEW?

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Book SynopsisThere's no denying that throughout the 1970s, Jethro Tull were at the top of their game. With iconic albums such as Aqualung (1971), Thick As A Brick (1972), Songs From The Wood (1977) and Heavy Horses (1978) to their credit, the band had majestically earned their place as vital pioneers and contributors within the spectrum of progressive rock music. By the 1980s, the popularity of progressive rock had declined amongst the record-buying public. Any band wishing to continue the success they had enjoyed throughout the previous decade couldn't afford to rest on their laurels. And so arises an essential question: How did Jethro Tull fare in the 1980s? Laura Shenton MA LLCM DipRSL provides a detailed exploration into each of Jethro Tull's albums from the eighties, offering a critical analysis of the band's achievements, challenges, and sound.

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Book SynopsisThe book is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Lluis Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others. Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier. A documentary treasure trove on the life of Le Corbusier Featuring 80 previously unpublished film stills Available as softcover (9783035627282), hardcover (9783035627299) and limited special edition with three photographic prints (9783035627305)

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Book SynopsisListen Up! is the world's first publication to take a look at American radio art as a distinct sound art practice. Analytical essays by leading media art historians and practitioners discuss how the field took shape in the context of changing broadcast environments and socio-political realities, while manifestos and other original documents provide vivid glimpses into the concerns of artists seeking to insert their alternative visions into the mass medium radio. The volume also elucidates the role of prominent artists who worked extensively for European broadcasters and considers the difference between sound works for broadcast radio and their internet incarnations.

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Book SynopsisThis volume provides new, ground-breaking perspectives on the globally renowned work of the Tanztheater Wuppertal and its iconic founder and artistic director, Pina Bausch. The company's performances, how it developed its productions, the global transfer of its choreographic material and the reactions of audiences and critics are explained as complex, interdependent and reciprocal processes of translation. This is the first book to focus on the artistic research conducted for the Tanztheater's international coproductions and features extensive interviews with dancers, collaborators and spectators and provides first-hand ethnographic insights into the work process. By introducing the praxeology of translation as a key methodological concept for dance research, Gabriele Klein argues that Pina Bausch's lasting legacy is defined by an entanglement of temporalities that challenges the notion of contemporaneity.Trade Review"A comprehensive and absolutely worth reading book." Jan Kuhlbrodt, Signaturen, 9 (2020) "[The reading] is only surpassed by one thing: the visit of a dance evening by Pina Bausch." Thomas Rothschild, Kultura-Extra, 31.07.2020, translated from German "Gabriele Klein [...] offers a fantastic wealth of information, she brings out the characteristic aspects of artistic creation and embeds the pieces in their respective historical, social and political time context." Karen Nölle, TraLaLit, 29.07.2020, translated from German "There are no many detailed works about one of the most famous dance companies in the world. The book offers new perspectives on the working process, the members and the reception of Tanztheater Wuppertal and the work of Pina Bausch." Michael Lausberg, www.scharf-links.de, 08.07.2020, translated from German "This book is designed to be a good introduction to Bausch's cosmos for all those interested in culture, while still containing sections that provide informative nourishment for even the most cunning specialists." Helmut Ploebst, Der Standard, 27.03.2020, translated from German "An informative and personal as well socially relevant reading pleasure, not only for a specialist audience, but for a broad readership." Miriam Althammer, www.tanznetz.de, 26.02.2020, translated from German "Klein [embeds] the artistic creation and work of the entire ensemble in complex cultural, sociological, but also intertextual contexts. The result makes a decisive contribution to being able to view the long-term impact of the artist in a new light ten years after her death." Rico Stehfest, tanz, 1 (2020), translated from German "A work [...] which represents the character of a standard work on the legend and the phenomenon of Pina Bausch and which refutes, supports and documents many of the previous second-hand publications [...]." Peter Dahms, Tanzinfo Berlin, 07.10.2019, translated from GermanTable of ContentsIntroduction; Pieces; Company; Work Process; Solo Dance; Reception; Theory and Methodology; Conclusion; Indexes.

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Book SynopsisCzerny''s 40 Daily Exercises (Op. 337) is a collection of studies for piano to help improve student''s technique and performance abilities. Czerny''s own instructions above the studies read: ''Each repetition should be played 20 times without interruption,'' or other numbers of repetitions. ''Daily Exercises'' does not mean that all 40 studies are to be played every day, but the composer recommends that about one hour be devoted to studying part of them every day, requiring about three or four days to get through all 40 of them.Czernys 40 Tägliche Übungen op. 337 ist eine Sammlung von Klavierübungen zur Verbesserung der Technik und der Spielfähigkeit des Lernenden. Czernys eigene Anweisungen zu den Übungen lauten: Jede Wiederholung sollte 20 Mal ohne Unterbrechung gespielt werden oder eine andere Anzahl von Wiederholungen. Tägliche Übungen bedeutet nicht, dass alle 40 Übungen jeden Tag gespielt werden sollen, aber der Komponist empfiehlt, jed

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Book SynopsisJohann Baptist Cramer''s 60 Selected Studies, for Solo Piano. These studies are an excellent preparation for passage-work, as well as being interesting pieces in their own right.60 Etüden für Klavier, ausgewählt und hg. von Hans von BülowIm Gegensatz zu vielen seiner technisch sehr anspruchsvollen Kompositionen sind Cramers Etüden von eher einfacher Struktur. Hans Bülow überarbeitete diese Etüden, die seit jeher ihren festen Platz in der Unterrichtsliteratur einnehmen.

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Book SynopsisClaudia Lonkin is a historian of popular music and culture based in the United States. Her research focuses on global music trends in the 1970s and 1980s, examining congruences and points of contrast between scenes in Europe and the Americas. She has been published in the Journal of Popular Music Studies and Punk & Post-Punk.

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Book SynopsisMath rock sounds like blueprints look: exact, precise, architectural. This trance-like progressive metal music with indie rock and jazz influences has been captivating and challenging listeners for decades. Bands associated with the genre include King Crimson, Black Flag, Don Caballero, Slint, American Football, Toe, Elephant Gym, Covet, and thousands more. In an online age of bedroom producers and sampled beats and loops, math rock is music that is absolutely and resolutely played: men and woman in rooms with instruments creating chaos, beauty, and beautiful chaos.This is the first book-length look at the global phenomenon. Containing interviews with prominent musicians, producers, and critics spanning the globe, Math Rock will delight longtime fans while also serving as a primer for those who want to delve deeper. It shows why and how an intellectually complex, largely faceless, and almost entirely instrumental form of music has been capturing the attention of listeners fo

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Book SynopsisThis soundtrack compilation to Hugh Hodges'' brilliant book The Fascist Groove Thing: A History of Thatcher''s Britain in 21 Mixtapes features 20 tracks of classic punk, anarcho-punk and folk from Margaret Thatcher''s reign and eventual demise (some quite rare). While intended as a companion to the book this mixtape works equally well on its own. It will help prove that while Thatcher''s policies may have been utter crap, the music of this era that came out in response to her was anything but. Limited to 250 copies on Electric Blue shells

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Book SynopsisTrade ReviewYoussef Courbage and Emmanuel Todd totally recast the current debate about Islam and the West by focusing attention on some societal fundamentals and by debunking-once and for all-a number of myths. -- Nicolas Guilhot, editor of The Invention of International Relations Theory This articulate and elegant demographic study convincingly documents a general trend toward modernity in the Muslim world, from Morocco to Indonesia. It successfully refutes many Western prejudices towards Islam, especially those based on misconceptions about its religion. It should be required reading for Western policy makers as well as for the general public. -- Leon-Francois Hoffmann, Princeton University An insightful academic study of how the unrest and turbulence that characterizes large areas of the Muslim world are the results of demographic-rather than ideological-trends... Important reading. Kirkus Reviews I found this succinct book fascinating and recommend it. -- Patrick J. Ryan Commonweal Engaging for a general reader and rewarding for a specialist... Highly recommended. Choice Scholarly and engaging, this is an important work and one which deserves to be widely read. -- Sandra Berns Law Society Journal A positive, enlightening survey. The Midwest Book Review A primer in the demography of Muslim societies, a treatise on the causes and consequences of fertility decline, and a rejoinder to the 'clash of civilizations' argument. -- John Casterline Population and Development Review Written with clarity and elan. Review of Middle East StudiesTable of ContentsList of Figures and Tables Introduction: Clash of Civilizations or Universal History 1. The Muslim Countries in the Movement of History 2. Crises of Transition 3. The Arab Family and the Transition Crisis 4. Other Muslim Women: East Asia and Sub-Saharan Africa 5. At the Heart of Islam: The Arab World 6. The Non-Arab Greater Middle East 7. After Communism 8. Matrilocal Asia 9. Sub-Saharan Africa Conclusion Appendix Notes

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Book SynopsisLeading paleontologist J. David Archibald explores the rich history of visual metaphors for biological order from ancient times to the presentTrade ReviewJ. David Archibald is one of the leading paleomammalogists in the world, and one of the foremost experts on the biotic changes across the Cretaceous-Tertiary boundary. In this book, he shows a deep understanding of the chronology and iconography of the 'tree' as both an iconic metaphor and a conceptual device in the history of biology. -- Kevin Padian, University of California, Berkeley This book presents a fascinating trip through the history of imagery and conceptual frameworks used to understand the diversity and evolution of life. J. David Archibald has produced an authoritative and delightful text that will be relished by anyone interested in evolution, biodiversity, the history and philosophy of science, scientific art, or graphic design. -- David M. Hillis, University of Texas at Austin Through the long history of drawings and diagrams, J. David Archibald's magnificent new book shows us how people have depicted the diverse interrelated array of life: from linear chains and ladders up through modern evolutionary trees. Archibald's work makes it clear that these relationships have been sensed regardless of the competing ideas of how the patterns were formed: whether through supernatural causes or natural evolutionary processes. -- Niles Eldredge, author of Darwin: Discovering the Tree of Life Aristotle's Ladder, Darwin's Tree provides a fascinating insight into the way biologists use diagrams to show the history of evolution. David Archibald documents the story of these pictures in an engaging and refreshing style, ranging from beautiful early manuscripts and frescoes that display religious and human genealogical relationships, to the most modern phylogenetic trees that appear in scientific journals and textbooks. A great book for a biologist! -- Janet Browne, Harvard University Archibald's book is interdisciplinary, authoritative, well-written and complete, with a deep historiographic appreciation of its many subjects. Nature Aristotle's Ladder, Darwin's Tree will be intellectually stimulating for those interested in the history and philosophy of biology, and especially for those impressed by the importance of the visual for the construction of scientific knowledge. Reports of the National Center for Science Education Impressive and rather humbling... Cladistics Fascinating... A book that is very much worth reading by anyone who is interested in the conceptual heritage of phylogenetic trees. Systematic Biology Splendid... Aristotle's Ladder, Darwin's Tree is a wonderful book. Quarterly Review of Biology Illuminating... It has cross-disciplinary appeal, but will be more digestible to readers with prior knowledge of evolutionary theories. Journal of Historical Geography Rich in content, beautifully illustrated, and often thought-provoking, this book should be of interest to anyone interested in the history of visual representations in the life sciences... This is a book to think with. Archives of Natural History Incites curiosity. Journal of Vertebrate PaleontologyTable of ContentsPreface Acknowledgments 1. Blaming Aristotle 2. The Roots of the Tree of Life 3. Competing Visual Metaphors 4. Deciphering Darwin's Trees 5. The Gilded Age of Evolutionary Trees 6. The Waning and Waxing of Darwinian Trees 7. Three Revolutions in Tree Building 8. The Paragon of Animals References Index

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Book SynopsisOffers a process-based, patient-centered approach to palliative care that substantiates a radical reconsideration of our transition to deathTrade ReviewA pioneering work on research about dying and a treasury of knowledge about dying processes, this book will promote our understanding, care, and guidance of terminally ill persons. -- Pim van Lommel, cardiologist and author of Consciousness Beyond Life: The Science of the Near-Death Experience Monika Renz is able to partially lift the veil shrouding the mystery of death. Based on her vast experience with the dying, her book provides an intimate and rich account of the phenomenological experience of the dying process. -- Paul T. P. Wong, Trent University, president of the Meaning-Centered Counselling Institute A bold, probing investigation into how analogies and metaphors provide fresh access to dying as the ultimate mystery of human potential. A skillful analysis of patient vignettes render palpable many ineffable and unconscious dynamics of patients' experiences as they move from conventional ego-based schema through personal, transformative, beautiful, and even painful transitions. This insightful work is a compass for reducing suffering among the dying and the living. -- Bruce L. Arnold, University of Calgary This powerful book plumbs the existential depths of our ultimate transformation. Network ReviewTable of ContentsAcknowledgments Introduction: In Search of Inner Experiences of Dying 1. Dying and the Transformation of Perception 2. The Three Stages of Transition and Dignity 3. What Is Primordial Fear? "The 'I' Dies Into a 'Thou'" 4. Other Hearing: Beyond Space and Time 5. Metaphors of Transition 6. The Sites of Transition: Fear, Struggle, Acceptance, Family Processes, Maturation 7. Dying with Dignity: Indication-Oriented End-of-Life Care Epilogue Appendix Notes References Index

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Book SynopsisThe Wake of Crows is an exploration of the entangled lives of humans and crows. Focusing on five key sites, Thom van Dooren asks how we might live well with crows in a changing world.Trade ReviewA necessary and beautiful book, The Wake of Crows models the work of living responsibly inside both the humanities and the sciences in order to nurture still-possible worlds. This book shows us what collaborative efforts to enact multispecies communities mean, and might yet mean, in the context of ongoing processes of extinction and extermination. Moving through diverse sites of human/crow encounter, it offers insights into the fragile, situated, ongoing work necessary to cultivating ecologies of hope in troubled times. -- Donna Haraway, author of Staying with the Trouble: Making Kin in the ChthuluceneThe Wake of Crows is a thoughtful and captivating book that opens our imagination. Thom van Dooren shows us that accepting the challenge to coexist with crows without dreaming that they will come to behave as a loyal and grateful companion species might teach us priceless lessons at a time when we need to learn how to make room for many different, sometimes inconvenient, but so very interesting others. -- Isabelle Stengers, author of In Catastrophic Times: Resisting the Coming BarbarismWriting from a personal and scholarly perspective, Thom van Dooren takes us on a deep dive into the human-crow relationship that both informs natural history and lays bare the importance of expanding our own ethics to value all of life and our wonderful connections to it. -- John M. Marzluff, author of Gifts of the Crow and Welcome to SubirdiaThe Wake of Crows demonstrates yet another way that the humanities are integral to resisting species loss and plotting practices of living well together...holding open more inclusive ways of being at the edge of extinction requires the brave and urgent scholarship that animates [this book]. -- Nathaniel Otjen, University of Oregon * ISLE: Interdisciplinary Studies in Literature and the Environment *Table of ContentsAcknowledgmentsIntroduction: Making Worlds with CrowsExperimenting1. Interjecting Crows: Enacting Multispecies Communities. Brisbane, AustraliaStealing2. Spectral Crows: Conservation and the Work of Inheritance. The Big Island, Hawai‘iCooperating3. Unwelcome Crows: Hospitality in the Anthropocene. Rotterdam, NetherlandsFumigating4. Recognizing Ravens: Becoming Subjects Together. Mojave Desert, United StatesGifting5. Provisioning Crows: Cultivating Ecologies of Hope. Rota, Mariana IslandsAfterword: In the Wake of TyphoonsNotesReferencesIndex

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Book SynopsisIn 1996, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. It grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation.Trade ReviewNamed a Best Non-Fiction Book of 2020 * PopMatters *UbuWeb is one of the great avant-garde projects of our times. In Duchamp Is My Lawyer, Goldsmith takes us through the aesthetic, legal, economic, and social aspects of the whole project. Through it, we see how the avant-garde had to shift gears to move from the era of analog media to that of digital, or database media. It is an essential document on the theory and practice of experimental media art. -- McKenzie Wark, author of A Hacker ManifestoKenneth Goldsmith’s Duchamp Is My Lawyer details the story of UbuWeb, a free-source library for visual, audio and written art. He cites many extraordinary items – from masterpieces to flukes, oddities and trifles – that will send us rushing to the site to see, but the discussion is equally about the weighty issues of freedom vs ownership of culture. Goldsmith takes a stand – with Duchamp grinning wryly over his shoulder – for availability, access and the accumulation of knowledge. He’s holding the cultural back door open and letting in all the outcasts, misfits and oddballs that would never get past the velvet ropes up front. -- Lee Ranaldo, Sonic YouthDuchamp Is My Lawyer reads like an upbeat mediactivist manifesto—providing all at once an alternative political economy of open access, a humorous introduction to legal poetics, a joyful survey of artistic resistance, and an empowering toolbox to keep the web as free as we care for it to be. -- Yves Citton, author of MediarchyIn 1996, Kenneth Goldsmith sat down at his computer and initiated a website he appropriately called UbuWeb—a site soon consisting of “thousands of freely downloadable avant-garde artifacts,” and unlike any of its peers in being entirely free and open to all: no sponsors, no fees, no memberships or passwords required. Over the decades, it has become clear that UbuWeb, although an unmatchable scholarly resource, is itself the avant-garde artwork we have been waiting for—a giant collage of appropriated materials, chosen, juxtaposed, and framed so as to constitute perhaps the best single available history of its subject, and one entirely created by a single author—Goldsmith himself. The artist’s lively, entertaining, and revelatory account of how this uniquely democratic site was created and maintained, how he resolved vexing copyright issues, and how UBU has helped us reconsider movements from Concrete Poetry to the feminist punk of Angry Women—is nothing short of inspiring. This should be required reading for all those who wonder whether it still possible, in 2020, to speak of the avant-garde. -- Marjorie Perloff, author of Unoriginal Genius: Poetry by Other Means in the New CenturyUbuWeb is an anomaly of the internets. The irony is that it completely functions the way we envisioned the everything would, in the beginning of internets history. Kenneth Goldsmith kept UbuWeb true to the core values of the network: humanity, collectiveness, and borderless openness. In a world where data is synonymous with control and value is synonymous with price, UbuWeb functions as an oasis. -- Peter Sunde, founder of The Pirate BayWith an unshakable belief that art belongs more in the public sphere than behind closed walls, physical or digital, Kenneth Goldsmith originated the first open source platform for those who revere culture. This invigorating and timely book surveys why brilliant ideas, images, and sounds are important to both preserve and proliferate as freely as ever. -- Naomi Beckwith, senior curator at the Museum of Contemporary Art, ChicagoDuchamp Is My Lawyer is the in-depth secret history of one of Goldsmith's most expansive and long running projects—the renegade website UbuWeb. At once manifesto, memoir, treatise, exposition, critique, and gossip column, it presents an essential history of renegade underground creative activity in the past 100 or so years. Brilliantly structured and filled with wit, wisdom, and Goldsmith's provocations, it is also an inspiring and hilarious read. -- John Zorn, composer and performerOne of the smartest manifestos on art and internet politics that I've seen. * The Wire *This book, although written in the first person singular, is an example of collective enunciation, the 'I' of Kenneth Goldsmith being a cooperative person representing all those eager to rely on the creative and communicative possibilities of the net to build a collaborative framework that does not dissolve but offers new promises to all individuals as well. In that sense, Duchamp Is My Lawyer perfectly qualifies as what Deleuze and Guattari call 'minor literature,' . . .the noncanonical use of a 'major' system to serve the needs and expectations of those at the margins. * Leonardo Reviews *A remarkably fluid and engaging read. . . When I finished Duchamp Is My Lawyer, I had the pleasure of sitting in natural silence for a brief while, pondering how much I had learnt, how entertainingly the book had conveyed its message of openness, what a gift it is to have such a light touch. * PopMatters *Duchamp is My Lawyer is an approachable and even-handed discussion of UbuWeb and issues regarding copyright in the digital age. It also provides an insight into the evolution of the counter culture in the internet age and the practical, legal and financial issues of producing and consuming art today. Well worth seeking out. * Alexander Adams Art *This is a book for lovers of art’s revolutionary import and those interested in the interface between art and the law. Recommended. * Choice *UbuWeb is portrayed as a small utopia in the middle of the commercial Internet, built on the principles of freedom, equality and cultural progress, but also subversiveness . . . between the lines, [Goldsmith] persuades us to create other such utopian places online, to try to transform the Internet and reclaim its vision of the future. * 3/4 Magazine *Duchamp Is My Lawyer displays Goldsmith fulfilling an ethics of caring about others who care about conserving odd things. Caring is at the heart of this tender homage to eccentric collectors who have put themselves at legal risk to share their obsessions. * William Carlos Williams Review *Table of ContentsIntroduction: The Back DoorPart I: PolemicsPart II: Pragmatics 1. Folk Law2. From Panorama to Postage Stamp: Avant-Garde Cinema and the Internet3. The Work of Video Art in the Age of Digital Reproduction4. Shadow Libraries and Preserving the Memory of the WorldPart III: Poetics5. Dirty Concrete6. From Ursonate to Re-Sonate7. People Like Us8. Aspen: A “Multimedia Magazine in a Box”9. Street Poets and Visionaries10. An Anthology of AnthologiesCoda: The Ghost in the AlgorithmAppendix: 101 Things on UbuWeb That You Don’t Know About but Should NotesAcknowledgmentsIndex

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Book SynopsisLinda Badley offers an in-depth examination of Lars von Trierâs Antichrist (2009), Melancholia (2011), Nymphomaniac (2013â14), and The House That Jack Built (2018) and the contexts that produced them. She draws on numerous interviews with the director and his collaborators as well as inside access to archival materials.Trade ReviewLinda Badley’s book is indispensable not only for those drawn, in spite of ourselves, to von Trier’s films, but also to all experiencing our contemporary moment in the register of despair and anxiety. Informed by personal conversations with von Trier, deeply ensconced in the filmmaking process and all its collaborators, and attentive to von Trier’s deliberate bad taste as well as his play with bending genre, Badley’s provocative readings of each film locate them in the director’s psyche while also showing that they offer a deft diagnosis of misogyny, climate disaster, capitalism, and hypocrisy run amok. -- Lori Marso, coeditor of Politics, Theory, and Film: Critical Encounters with Lars von TrierLars von Trier Beyond Depression is the first comprehensive account of the recent work of Lars von Trier, offering a lively and compelling critical evaluation of his cycle of ‘post-depression’ films that began with Melancholia (2009). A definitive resource on this period of von Trier’s output, its engagement with primary source material, interviews, and its incisive close readings will be indispensable to anyone interested in the filmmaker and his place within contemporary cinema. -- Tina Kendall, Anglia Ruskin UniversityWe should be grateful to Linda Badley for leading us into the darkness of Lars von Trier's cinematic world and illuminating it. Lars von Trier Beyond Depression draws on Badley's extraordinary knowledge of Trier and his cinema to study Antichrist, Melancholia, Nymphomaniac, and The House that Jack Built. Badley uses interviews of Trier and his collaborators, close analysis, genre studies, film-philosophy, ecocriticism, discussions of extreme cinema, and postcritical and postcinematic discussion to unfurl the strata of Trier's films. The book is a tour de force. Any reader interested in Trier or auteur cinema and its afterlife should read it. -- Andrew Nestingen, author of The Cinema of Aki KaurismakiBased on careful archival research and on highly productive insights from countless practitioner interviews, Lars von Trier Beyond Depression offers a compelling account of Antichrist, Melancholia, Nymphomaniac, and The House That Jack Built. Focusing on the intentions, self-understandings, and personal experiences of von Trier and such theoretical lenses as dark ecology and psychoanalysis/therapy, Linda Badley evokes the contours of an ethical project in the Danish director’s contributions to trauma cinema and extreme cinema. -- Mette Hjort, chair professor of humanities and dean of arts, Hong Kong Baptist UniversityLars von Trier Beyond Depression presents new, insightful readings into the director’s latest films, including valuable reflections on the creative processes and sources of inspiration in von Trier’s work based on extensive archival material, notes, statements, and drafts. These are supplemented with new interviews regarding key questions, which generates a fascinating explorative text on the cultural influences and impacts issuing from one of our finest film directors today. With her impressive and meticulous contribution, Linda Badley not only succeeds in giving new perspectives on von Trier’s films, she also manages to substantiate in depth how Danish and European culture and ways of thinking differ from American. Anyone interested in Lars von Trier’s oeuvre should start with reading this book infused with genuine ideas and perspectives. -- Bodil Marie Stavning Thomsen, author of Lars von Trier's Renewal of Film 1984-2014: Signal, Pixel, DiagramAs one of the foremost scholars on Lars von Trier’s entire oeuvre, Linda Badley’s new in-depth study provides a fresh perspective, integrating extensive archival research, contemporary cultural references, and interviews with the director and his longtime collaborators. In examining some of the Danish auteur’s most criticized—perhaps even despised—films, Lars von Trier: Beyond Depression uncovers multiple new approaches to understanding the processes that shaped their intensity and singularity. -- Anna Westerstahl Stenport, coeditor of Nordic Film Cultures and Cinemas of ElsewhereTable of ContentsPrefaceAcknowledgmentsIntroduction1. Nature as Satan’s Church: Antichrist’s Dark Ecology2. Melancholia: Wagner, Superkitsch, and Dark Ecology3. Nymphomaniac: Digressionism, Collaboration, Hypotexts, Paratexts4. The House That Jack Built: Murder as Art/Art as MurderCodaAppendixNotesFilmographyBibliographyIndex

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Book SynopsisJonardon Ganeri explores philosophical reflections from many of the world’s intellectual cultures, ancient and modern, on how each of us creates an inner world. This book is a thought-provoking consideration of the value—or peril—of turning one’s gaze inward for all readers who have sought to map the geography of the mind.Trade ReviewA work of dazzling compression and eclectic research . . . in little more than 100 eloquent pages. -- Kieran Setiya * Los Angeles Review of Books *Not every philosophical survey can be as learned and open-minded, or as attentive to subtle historical parallels and difference as Ganeri's. But books like this show how unexpected and challenging the history of philosophy can be when it chooses to probe and complicate the traditional distinctions between 'Wester' and 'non-Western' philosophy, between literary and scientific inquiry, between metaphorical and literal uses of language. * TLS *A worthy and compelling philosophical topic, one that Ganeri unfolds in insightful and often effective ways through brief encounters with literary and philosophical sources. * Theory and Event *I recommend to all of you this little book. It's refreshing and considering the times, an important distraction. -- Anna Maria Polidori * Articles and more... *Jonardon Ganeri’s book on inwardness does the most valuable thing a book can do: it gives pleasure and instruction at the same time. It raises numerous fascinating issues concerning inwardness from a variety of perspectives and explores them with delicacy and tact, inviting the reader to further reflection and exploration. -- Christopher Hamilton, author of Middle AgeIn elegant prose and in an admirable cosmopolitan spirit, Inwardness explores philosophic reflections worldwide, ancient and modern, on interiority, how each of us creates an inner world. -- Stephen Phillips, author of Yoga, Karma, and Rebirth: A Brief History and PhilosophyTable of ContentsPreambleExplorations in InwardnessLibraries Lined with MemoriesRashōmon’s EffectSelf-Illuminating BeingsThe Face as InterfaceHidden Layers WithinTroubles with DoublesDreams of DreamsMore “I”s Than “I Myself”To Say “I” Is to LieaPostscriptNotesSelect BibliographyIndex

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Book SynopsisThe Remnants of Race Science traces the influence of ideas from the Global South on UNESCO’s race campaign, illuminating its relationship to notions of modernization and economic development.Trade ReviewBrilliantly and provocatively, The Remnants of Race Science reveals that the so-called decline of racial thought in human biology was really just a substitution of other more flexible ideas of human difference—mostly from the Global South—for the rigid racist typologies of the Global North. This more inclusive refiguring of racial difference would make possible the economic ‘development’ of people once excluded from modernity—which meant in practice their neocolonial incorporation into the netherworlds of global capitalism. In this paradigm-shifting book, Gil-Riaño thus offers us a new ‘southern’ vocabulary to talk about racism and antiracism. -- Warwick Anderson, author of Colonial Pathologies: American Tropical Medicine, Race, and Hygiene in the PhilippinesStarting with scientific research from the Southern Hemisphere, this important book overturns the common story of antiracist science as simplistically rooted in rejecting fixed biological kinds. Drawing from a transnational archive, Gil-Riaño shows how so-called anti-racist science was caught up in projects of improvement that rested on a multitude of other racisms. -- M. Murphy, author of The Economization of LifeLatin Americanists have long maintained that race and biology are shaped by culture, social organization, and economic conditions. In this deeply researched study, Gil-Riaño shows how Latin American racial ideas shaped the post–World War II human sciences and UNESCO projects. The human sciences did not renounce racial explanation—as so many believe—but folded them into global ideas about economic development. -- Karin Rosemblatt, author of The Science and Politics of Race in Mexico and the United States, 1910-1950Offers useful historical context to current debates about how to successfully build solidarity in science and society. * Science *Table of ContentsAcknowledgmentsIntroduction: The Remnants of Race SciencePart I: Confronting Racism in the Southern Hemisphere, 1890–19511. Substituting Race: Arthur Ramos, Bahia, and the “Nina Rodrigues School”2. Relocating Race Science After World War II: Situating the 1950 UNESCO Statement on Race in the Southern Hemisphere3. Vikings of the Sunrise: Alfred Metraux, Te Rangi Hīroa, and Polynesian Racial ResiliencePart II: Race in the Tropics and Highlands and the Quest for Economic Development, 1945–19624. A Tropical Laboratory: Race, Evolution, and the Demise of UNESCO’s Hylean Amazon Project5. “Peasants Without Land”: Race and Indigeneity in the ILO’s Puno-Tambopata ProjectPart III: Engineering Racial Harmony and Decolonization, 1952–19616. A Brazilian Racial Dilemma: Modernization and UNESCO’s Race Relations Studies in Brazil7. A White World Perspective and the Collapse of Global Race Relations InquiryConclusion: “Racism Continues to Haunt the World”NotesIndex

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Book SynopsisHitchcock Annual, volume 23, includes essays on Hitchcock’s use of silence in his films, civilians at war in his World War II trilogy, melodrama and the Christian imagination in Under Capricorn, filming thought and feeling in Strangers on a Train, and remaking the romance in The Man Who Knew Too Much.

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Book SynopsisThis book provides an accessible guide to making healthy diets from sustainable food systems available to all. Glenn Denning bridges the divisive worlds of science, policy, and practice and shares personal perspectives and insights gained over four decades working in more than fifty countries.Trade ReviewUniversal Food Security is an extraordinary book by an extraordinary individual. Glenn Denning offers a comprehensive approach to one of the world’s greatest challenges: how to feed humanity, including the poor and vulnerable, while protecting the Earth’s environment. The book covers an enormous range of topics with remarkable clarity and wisdom, drawing upon Denning’s long career as a world-leading practitioner, scholar, teacher, and policy advisor of agricultural systems. This book will educate, inspire, and help to guide today’s and future leaders in the global effort to achieve a world without hunger. -- Jeffrey D. Sachs, University Professor at Columbia University and president of the UN Sustainable Development Solutions NetworkGlenn Denning brings together a lifetime of experience as a development practitioner and teacher to present an extremely compelling story of what has worked and what has not in meeting the challenge of global hunger. This book is a must-read for all future development practitioners and aspiring policy experts. -- Prabhu Pingali, professor and founding director of the Tata-Cornell Institute for Agriculture and Nutrition at Cornell UniversityIt is hard enough to ensure food security during normal times. It is even harder during major shocks to the food production ecosystem. Glenn Denning’s book provides invaluable tools for the ‘first principles analysis’ to support policy makers, scientists, investors, and business leaders, who have to act quickly during times of crisis. It couldn’t have come at a better time as the world grapples with the shocks of the COVID-19 pandemic, war in Ukraine, and crushing inflation with high food and energy prices globally. -- Frannie Léautier, senior partner and CEO of SouthBridge InvestmentsThe strength of the book lies in the extraordinary experiences relayed as first-hand stories...there is no one else who brings this degree of high-level experience and influence to the table. -- C. Peter Timmer, Harvard University * The Developing Economies *Timely and well written...[this] important book is a call to all of us as well as for students and practitioners looking to transform our food systems and assist humanity at all levels. -- Dr. Francis Costello, Queen's University Belfast * The Irish News *This book, from the director of SIPA’s MPA in Development Practice, allows students to understand how the current food and climate crises are intertwined, and why geopolitics can aggravate them. Using science and evidence, it teaches us how to find a solution to these global challenges. -- Mauricio Cárdenas, Professor of Professional Practice in Global Leadership at Columbia University and former Minister of Finance, Colombia. * SIPA’s Top Summer Reads *But beyond the roadmap, Denning reminds us that the engine driving this transformation is practitioner-leadership, underscored by education and development. This book stands as a testament to the potential for meaningful change when individuals and institutions commit to reshaping our world, making universal food security not merely a dream but a tangible and sustainable reality. -- Dilara Ozer * Politics Today *Table of ContentsPrefaceList of AbbreviationsPart I. Context1. Prophets of Doom2. Green RevolutionsPart II. Knowledge3. Soil and Land4. Water Resources5. Seeds of Life6. Climate Change7. Human Nutrition8. Food Systems TransformationPart III. Strategy9. Sustainable Intensification10. Market Infrastructure11. Postharvest Stewardship12. Healthy Diets13. Social Protection14. COVID-19 and Food SecurityPart IV. Implementation15. More than a Miracle16. Learning to LeadAcknowledgmentsNotesBibliographyIndex

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Book SynopsisDr. No introduced the James Bond formula that has been a box-office fixture ever since. An explosive cocktail of action, spectacle, and sex, the film transformed popular cinema. James Chapman provides a lively and comprehensive study of Dr. No, marshaling a wealth of archival research to place the film in its historical moment.Trade ReviewDr. No: The First James Bond Film by James Chapman is particularly well researched. I especially appreciate the time the author took to dispel myths and legends about the movie. He delved into archives, first-hand sources, as well as unfinished scripts to separate fact from fiction. * Man of la Book: A Bookish Blog *Dr. No is a potentially invaluable resource for Bond scholars and cultural historians, as well as Bond fans keen to engage with the films at a more developed level. The lively writing and assured knowledge make the ideas and analysis feel fresh and revelatory. Chapman investigates and interrogates the many myths and half-truths surrounding the making of the film and the relationships between the key players in order to fully reassess the reputations and reception of the film both at its time of release and now. -- Laura Crossely, Bournemouth UniversityAn impressive and thoroughly enjoyable book. More than twenty years after the landmark volume Licence to Thrill, the author’s latest contribution to the field is meticulously researched and engagingly written. Merging the rigor of the historian with the enthusiasm of the aficionado and consistently illuminated by fresh archival discoveries, Chapman’s Dr. No reminds us that, in the field of Bond studies, nobody does it better. -- Jeremy Strong, author of James Bond UncoveredThe reward of James Chapman’s inquiry is that it explains how and why Dr. No "got it right" from the start while considering the “first” Bond film as a text on its own. Excavating a wealth of primary research, Chapman spearheads the archival and industrial turn in Bond studies to arrive at a new understanding of the ongoing appeal of the James Bond franchise. -- Jaap Verheul, editor of The Cultural Life of James BondJames Chapman's brilliant-realised study of the first Eon-produced James Bond film is a testament not only to the current renaissance of James Bond studies as a field but also the cultural significance of Dr. No in its own right, a film that arguably spawned the modern franchise blockbuster as we know it. Of course, Chapman's rigorous scholarship is the primary draw, here; he proves, once again, that, when it comes to matters of James Bond, "nobody does it better." Dr. No: The First James Bond Film breaks new ground, here, and is likely to pave the way for subsequent "deep-dive" scholarly examinations of specific films in the Bond series. This is film and cultural history scholarship at its finest. -- Ian Kinane, editor of the International Journal of James Bond StudiesTable of ContentsAcknowledgmentsIntroduction1. Sex, Snobbery, and Sadism 2. Everything or Nothing3. Monkey Business4. Underneath the Mango Tree5. A Bizarre Comedy Melodrama 6. I’m Just LookingConclusionAppendix I: Dr. No Production CreditsAppendix II: Dr. No Production BudgetAppendix III: Dr. No Daily Progress ReportsNotesBibliographyIndex

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Book SynopsisVoyages of Discovery is the definitive account of Frederick Wiseman’s career, offering a comprehensive analysis of the work of the leading documentary filmmaker in the United States. In this updated edition, Barry Keith Grant adds new material exploring the documentarian’s works since the 1990s.Trade ReviewBarry Keith Grant provides an updated version of his own singularly authoritative study of documentarian Frederick Wiseman’s astonishing range of films—from the controversial Titicutt Follies through such diverse examples as Meat, Missile, Model, Deaf, Blind, Public Housing, Ballet, and Belfast, Maine, to name a few. In his deeply informed study, Grant creates his own meticulous, yet accessible, “tapestry” of inquiry worthy of the same approach he credits Wiseman with adopting. Grant’s insightful readings of Wiseman’s carefully wrought compositions—and the happy accidents that sometimes occur—highlight colorful thematic threads woven to create the “reality fictions” Wiseman, in his own words, is producing. At the same time, Grant presents a capacious “mosaic,” placing Wiseman’s films in textured dialogue, not only with each other, but also with works of literature, art, theater, music, and dance, along with other films and Hollywood genres, that inform them. Grant explores Wiseman’s penetrating vision of institutional operations—the human interactions that sustain them and the ideological underpinnings beneath the “rules” that govern them. As Grant compellingly claims, Wiseman avoids providing viewers with easy answers. Voyages of Discovery powerfully uncovers the ambiguities inviting viewers to democratically, actively, and reflexively assess their own participation in, contributions to, and complicity within the cultural conditions Frederick Wiseman so evocatively observes. -- Cynthia Lucia, Rider UniversityVoyages of Discovery is one of the very best books of film analysis and scholarship that I've ever read. It is certainly the essential work about a major film-maker, whose films require special tools and sensitivities to discuss, which Grant possesses in abundance. This is a most useful work both for those just discovering Wiseman and those who think they know him. Great ideas abound on every page, and Grant's organization of the films is original and helpful. Exemplary as well are the carefully selected frame enlargements, which nicely support his close analysis of visual issues. Grant's ability to bring in relevant ideas from both film study and beyond it is the mark of an eminent scholar. That Grant discusses the entirety of Wiseman's prodigious output, in depth and entertainingly, is also quite an accomplishment. -- Stephen Mamber, author of Cinema Verite in America: Studies in Uncontrolled DocumentaryThis is the new edition we have been waiting for. Barry Keith Grant provides an essential companion to Frederick Wiseman, one of the most distinctive and prominent voices in US documentary. Voyages of Discovery offers perceptive and in-depth analyses of Wiseman's vast catalogue, ranging from the 1960s to his most recent work. Grant foregrounds the ways Wiseman's films have not only documented institutions but have challenged their established practices, encouraging audiences to meaningfully engage with and question the hierarchies and fraught political dynamics encountered in everyday life. This study matches the subtlety and resistance to reductive narratives found in Wiseman's own films, revealing why his work remains compelling and necessary viewing that continues to speak to the present day. -- Jeffrey Geiger, author of American Documentary Film: Projecting the NationThis revised edition of Voyages of Discovery is updated and expanded to cover Wiseman’s prodigious output over the decades since the original appeared. Supplemented and supported by a range of secondary sources from diverse fields spanning film studies, sociology, art history, and political science (among so many others), Grant develops a portrait of a working filmmaker that is informed and definitive. -- Michael Baker, Sheridan CollegeThe time is right for a second edition, and this year's 'revised and expanded' version rises to the occasion. * Journal of American Culture *Table of ContentsAcknowledgmentsPrefaceIntroduction1. Man with a Movie Camera2. American Madness: Titicut Follies (1967), High School (1968), Law and Order (1969), Hospital (1970), Juvenile Court (1974), Welfare (1975)3. The Big Parade: Basic Training (1971), Manoeuvre (1979), Missile (1988)4. Blood of the Beasts: Primate (1974), Meat (1976), Racetrack (1985), Zoo (1993)5. When Worlds Collide: Canal Zone (1977), Sinai Field Mission (1978), Model (1980), The Store (1983)6. The Bad and the Beautiful: The Cool World (1963), Seraphita’s Diary (1982)7. You and Me: Essene (1972), Blind (1987), Deaf (1987), Adjustment and Work (1987), Multi-Handicapped (1987), Aspen (1991)8. Love and Death: Near Death (1989)9. The Never-Ending Story: High School II (1994), Public Housing (1997), Domestic Violence (2001), Domestic Violence 2 (2002)10. Playtime: Ballet (1995), La Comédie-Française, ou L’amour joué (1996), The Last Letter (2002), La Danse—Le Ballet de l’Opéra de Paris (2009), Boxing Gym (2010), Crazy Horse (2011), National Gallery (2014), A Couple (2022)11. Our Town: Central Park (1989), Belfast, Maine (1999), State Legislature (2007), At Berkeley (2013), In Jackson Heights (2015), EX-LIBRIS: The New York Public Library (2017), Monrovia, Indiana (2018), City Hall (2020)FilmographyIndividual AwardsRetrospective ScreeningsNotesBibliographyIndex

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Book SynopsisA Topsy-Turvy World presents English translations of shorter late Ming and early Qing plays. Satirical and often earthy, these mostly one-act plays provide a glimpse of Chinese daily life and mores even as they question or subvert the boundaries of social, moral, and political order.Trade ReviewThis treasure box of eleven short plays, most available in English for the first time, will delight anyone interested in early modern Chinese drama, culture, and society. Ranging from Buddhist charades to human puppet shows, from sword dances to drag masquerades, these thematically diverse and inventive plays are admirably translated with erudition and panache. -- Judith Zeitlin, author of The Phantom Heroine: Ghosts and Gender in Seventeenth-Century Chinese LiteratureA splendid expansion of the canon of traditional Chinese drama translations—the short plays offer a riotous deep dive into a world of laughter, while the scholarly commentary succinctly explores some of the fault lines of the early modern imagination. -- Patricia Sieber, coeditor of How to Read Chinese Drama in Chinese A Language CompanionA brilliant collection of rare and original works that provides a broad and varied view of Chinese performance traditions. The dominant leitmotif of these translations is the ingenuity and audacity with which writers subvert convention while questioning the sociopolitical order. -- Regina Llamas, translator of Top Graduate Zhang Xie: The Earliest Extant Chinese Southern PlayZaju plays of the Ming and Qing dynasties have long been a neglected area both in China and elsewhere. For that reason, this anthology is a timely translation. It provides new materials not only for general readers interested in premodern Chinese zaju plays but also for students and scholars to engage in further studies of the genre. -- Hongchu Fu, author of Chinese DramaTable of ContentsIntroductionTable of Dynasties1. Cracking a Dumb Chan Riddle2. The Mad Drummer: Thrice-Played Yuyang3. Chan Master Yu Has a Dream of Cuixiang4. Real Puppets5. Sublime Jokes from the Back of Beyond6. Pinning Flowers in His Coiffure7. A Song for a Laugh8. Ramblings with Magicians in Lyrics and Songs9. Black and White Donkeys10. Zaju from the Studio of Singing on the Wind11. Song of Dragon Well TeaAppendix: A List of Short Plays from the Period 1400 to 1850 Already Available in English TranslationContributorsReferences

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Book SynopsisTo Catch a Dictator is a dramatic insider’s account of the hunt for Hissène Habré, the former despot of Chad, and his momentous trial. The human rights lawyer Reed Brody recounts how he and an international team of investigators, legal experts, and victims went on a quest for justice.Trade ReviewFrom one of the world’s great fighters for justice, a most powerful tale of true crime that is at once gripping, forensic, and deeply human. -- Philippe Sands, author of East West Street: On the Origins of "Genocide" and "Crimes Against Humanity"Reed Brody’s remarkable book, To Catch a Dictator, is part political thriller, part memoir, part handbook for human rights attorneys and activists the world over. Brody describes the atrocities committed by Hissène Habré, who brutally ruled Chad from 1982 to 1990 with U.S. government support, and with profound humanity writes of the victims of Habré’s torture, who courageously persevered in their decades-long fight for justice. This compelling book serves as a guiding light to those who would pursue justice and human rights in these times that appear increasingly dark. -- Amy Goodman, Democracy Now!A riveting account of how a band of unrelenting victims and their allies were able to turn the tables on a brutal tyrant who thought he had gotten away with his crimes. I saw the story play out in real time as Senegal organized one of the most important trials in African history, and it was every bit as extraordinary as it appears on the page. Reed Brody’s engrossing book will restore your hope in the possibility of justice. -- Aminata Touré, former prime minister of SenegalTo Catch a Dictator reads like a gripping espionage thriller, except the whole thing is about true-life crime on an international scale. This definitive account of the origins and conduct of the Hissène Habré trial abounds with dictators, spies, assassinations, and political intrigue. -- Craig Etcheson, author of Extraordinary Justice: Law, Politics, and the Khmer Rouge Tribunals[To Catch a Dictator] makes for great reading...an engrossing blow-by-blow account...provid[ing] fascinating insights into the nature of such an international legal coalition. -- Nicolas van de Walle * Foreign Affairs *An absorbing saga that raises a disturbing question: How do brutal fascists like Habre and other murderous heads of state evade a courtroom reckoning for so long after falling from power? -- Steve Levingston * The Washington Post *Catchy, easy to read and inspiring...Brody is a natural storyteller. -- Mia Swart, Edge Hill University * African Yearbook *Table of ContentsForeword, by Jacqueline MoudeïnaProloguePart I. Hissène Habré, an “African Pinochet”1. Souleymane Guengueng2. Hissène Habré3. The Pinochet Precedent4. A President Can Be ProsecutedPart II. Building the Case5. Politics Enters the Picture6. The Terror Files7. A Grenade Attack8. Justice Comes to Chad9. A Banana Republic?10. Reed Brody’s Schedule11. Habré Is Indicted, Again12. The Caliph13. A Senegalese Merchant14. “Reed Bloody, a Hateful Jew”15. Habrémania16. Habrécadabra17. The Trade Union of Heads of State18. “On Behalf of Africa”Part III. Building a Court19. Mr. X20. La France21. Panic in Chad22. An “Insider” Witness23. “Hope Is the Last Thing to Vanish”24. A Bizarre Decision25. Backlash26. “A Political and Legal Soap Opera”27. “Hurricane Mimi”28. “President Habré Has Been Kidnapped”29. A Trial in ChadPart IV. The Trial of Hissène Habré30. Two Heart Attacks31. Round One to Habré32. “You Will Be Tried Whether You Like It or Not”33. “From the Victims I Ask for Forgiveness”34. Khadidja Tells Her Secret35. The Man Who Runs Faster Than Death36. Souleymane Testifies37. The Verdict Is AnnouncedEpilogueAcknowledgmentsIndex

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Book SynopsisTrade Review"[A] moving and frequently comical memoir."--The Tennessean"Co-author Ellen Wright has skillfully assembled and corroborated Stoneman's narratives. . . . Stoneman's story is crammed with her personality, full of funny anecdotes about her family and other performers with whom she worked, all wrapped in her hillborn cussedness."--No Depression"It is a gripping and well-told tale, and Stoneman's can-do spirit, which helped her rise above daunting personal and professional challenges, should inspire all readers."--Library Journal"[An] engrossing narrative [that retains] all of Roni's personality, humor, and compassion. Roni conveys emotion powerfully, and there were some parts of the book that were so painfully sad I had to stop reading. But I couldn't stay away long, wanting to get back to the parts where she made me laugh out loud."--Bluegrass Unlimited"[For country music fans] it's another eye-opener. Praise goes to [Stoneman and Wright] for their excellent input on this latest volume in the University of Illinois Press series Music in American Life."--Nashville Musician“Pressing On is an Appalachian Angela’s Ashes told from a female perspective. It tells the story of Roni Stoneman’s private and public life with remarkable and appealing candor. It is a book full of unfolding revelations, told with a sense of humor, and without an ounce of self-pity. Her story is entertaining at times, heartbreaking at others, but always compelling.”--Sandy L. Ballard, editor of Appalachian Journal“This is a unique book: the authentic story, in her own voice, of a woman who was once one of America’s most widely known entertainers. There will never be another Roni Stoneman, and there will never be another book like this one.”--Elinor Langer, author of Josephine Herbst"We already knew Roni as a first-rate banjo player and comic. This book reveals her as a sharp, observant, thinking woman, and a captivating storyteller."--Murphy Henry, banjo player and columnist for Banjo Newsletter and Bluegrass Unlimited "Told in a no-holds-barred, earthy style, Pressing On is a remarkable read."--Country Music People "Ellen Wright lets Stoneman's raw voice and warm personality come through in every paragraph of the kaleidoscope, and the result is a memorable journey through back stages and bars, recording studios, bedrooms and TV soundstages, from the Appalachian mountains to Alaska and back, from joy to grief and back."--Blue Ridge Country

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Book SynopsisMamie Smith''s 1920 recording of ''Crazy Blues'' is commonly thought to signify the beginning of commercial attention to blues music and culture, but by that year more than 450 other blues titles had already appeared in sheet music and on recordings. In this examination of early popular blues, Peter C. Muir traces the genre''s early history and the highly creative interplay between folk and popular forms, focusing especially on the roles W. C. Handy played in both blues music and the music business. Long Lost Blues exposes for the first time the full scope and importance of early popular blues to mainstream American culture in the early twentieth century. Closely analyzing sheet music and other print sources that have previously gone unexamined, Muir revises our understanding of the evolution and sociology of blues at its inception.Trade ReviewReceived a Certificate of Merit in the Best Music History category from the Association for Recorded Sound Collections (ARSC), 2011. "Required reading for lovers of the blues and historians of American popular music."--Notes"One of the most important and original books on blues to be published in the past decade."--The Journal of Southern History, David Evans"Muir's revealing book contributes significantly to understanding how sheet music and the pop music industry influenced the blues. An important work."--Tim Brooks, author of Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919"This fascinating work discusses the genesis and introduction of a minority music genre into mainstream culture in a way that is impossible to ignore, given the importance of blues connections to other genres. Essential reading for anyone interested in American popular music."--Dick Spottswood, host of The Dick Spottswood Show on BlueGrassCountry.org and editor of Ethnic Music on RecordsTable of ContentsAcknowledgments ix A Word about the Music Examples xi Introduction 1 1. The Popular Blues Industry, 1912-1920 7 2. The Identity and Idiom of Early Popular Blues 28 3. Curing the Blues with the Blues 80 4. The Blues of W. C. Handy 104 5. The Creativity of Early Southern Published Blues 141 6. Published Proto-Blues and the Evolution of the Twelve-Bar Sequence 181 Appendix: Titular Blues, 1912-1915 217 Notes 221 Major Works Consulted 243 General Index 245 Song Index 251

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Book SynopsisTrade Review"Sharp and filled with knowledge. . . . The book shines a light on the Florida studio's legacy within the wider Disney history and its impact during the Disney Renaissance can't be undersold." --Boardwalk Times"Lescher’s admiring narrative, which incorporates her firsthand experience and interviews with fellow artists, illuminates the talent of Disney animators. Readers who cherish all things House of Mouse will find much to appreciate." --Publishers Weekly"An academic monograph that is also accessible to Disney animation and parks fans. . . . Animation fans will lock onto the history of the films that the studio contributed to making. Parks fans cannot help but be fascinated by the evolution of the attraction and the perceptions of the animators behind the glass. And most of all, the work shows how serious academic studies on animation endeavors can provide us with valuable lessons about business, technology, innovation, and culture. " --Between Disney"Utilizing personal interviews and vast repositories of documents in Disney archives, Lescher’s analysis and research is thorough. . . . An intriguing piece of Disney lore." --Library Journal"Adds significantly to the canon of Disney commentary. Mary Lescher was part of an interesting experiment--the creation of a working animation studio that doubled as a theme park attraction--and she was there at a crucial point in the history of animation, when the industry was on the brink of a technological revolution thanks to the development of 3-D digital tools. She chronicles that experiment, as well as the various changes swirling around animation, in an effective and even fond manner, letting us see behind the scenes."--J. P. Telotte, author of The Mouse Machine: Disney and TechnologyTable of ContentsAcknowledgments Introduction A Theme Park Attraction (1989-1990) Traditional or Digital: It’s All Hand-Drawn (1989-1990) B Unit to the Blockbusters (1991-1997) The Little Studio That Could (1998-1999) Shutting Down the Studio (2000-2004) Conclusion NotesAnimation GlossaryFilmographyBibliographyIndex

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Book SynopsisBeyond biography: a legendary performer’s legacy of symbolismTrade Review"Baker enthusiasts will be grateful for Jules-Rosette's challenges to other studies of Baker's life and legend. . . . It deserves a wide general readership and a significant place in the canon of Franco-American cultural studies and twentieth century French and American history."--Women's Review of Books

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Book SynopsisTwentieth-century composers created thousands of original works for solo percussion and percussion ensemble. Concise and ideal for the classroom, Artful Noise offers an essential and much-needed survey of this unique literature. Percussionist Thomas Siwe organizes and analyzes the groundbreaking musical literature that arose during the twentieth century. Focusing on innovations in style and the evolution of the percussion ensemble, Siwe offers a historical overview that connects the music to scoring techniques, new instrumentation and evolving technologies as well as world events. Discussions of representative pieces by seminal composers examines the resources a work requires, its construction, and how it relates to other styles that developed during the same period. In addition, Siwe details the form and purpose of many of the compositions while providing background information on noteworthy artists. Each chapter is supported with musical examples and concludes with a sTrade Review"The author's perspective as a student, and later pedagogue, of the percussion program pioneered at the University of Illinois lends the work a humble authority that ultimately makes for a compelling account of recent percussion history." --Music Educators Journal"Recommended." --Choice”This book makes it possible for everyone to benefit from Professor Siwe's decades of research concerning the history of percussion in the twentieth-century and the music composed by many of that century’s most important composers. Percussion music holds a special place in the twentieth century, and its story is told here by one of the twentieth century's most knowledgeable percussion practitioners and pedagogues. Thomas Siwe has written an indispensable book, drawn from a lifetime of experience and research. Everyone interested in the essential role percussion played the last century should read this book!”—Christopher Shultis, author of Silencing the Sounded Self: John Cage and the American Experimental Tradition”Simply stated, this is a singular contribution detailing the history of percussion literature in the twentieth century made by one of the most knowledgeable percussion educators who was witness to many of the composers and compositions he discusses.”—Kathleen Kastner, Wheaton College Conservatory of Music

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