ELT & Literary Studies Books

Book SynopsisMark Doty has always felt haunted by Walt Whitman’s bold, new American voice, and by his equally radical claims about body and soul and what it means to be a self. In What Is the Grass, Doty – a poet, a lover of men, a New Yorker, and an American – keeps company with Whitman and his mutable, landmark work, Leaves of Grass, tracing the resonances between his own experience and the legendary poet’s life and work.What is it, then, between us? Whitman asks. Doty’s answer is to explore spaces tied to Whitman’s life and spaces where he finds the poet’s ghost, meditating on desire, love, and the mysterious wellsprings of the poet’s enduring work. How does a voice survive death? What Is the Grass is a conversation across time and space, a study of the astonishment one poet finds in the accomplishment of another, and an attempt to grasp Whitman’s deeply hopeful vision of humanity.Trade ReviewDoty is an extraordinarily fine writer whose every word sings on the page… There certainly couldn’t be a more appropriate explorer [of Whitman] than Doty, as both a leading North American poet and a memoirist and prose writer of exceptional grace and depth… This is an exceptional, passionate memoir of reading, and of a poet’s lifelong work of understanding self and the world. -- Fiona Sampson * Spectator *Mark Doty's deeply personal love letter to Walt Whitman, belongs in the pantheon...beside Ted Hughes’s Shakespeare and the Goddess of Complete Being and Don Paterson’s Reading Shakespeare’s Sonnets… As admirers of his poetry and memoirs will know, Doty writes about his life with a rare warmth and candour. He makes you lean forward to listen… He reads with care, in the sense of both attentiveness and love. -- Tristram Fane Saunders * Daily Telegraph *Marvellous. He sends you straight back to the text, makes you feel like you're returning to an old love... In a fit of enchantment. -- Abhrajyoti Chakraborty * Guardian *Doty is one of the most compelling modern singers of 'the body electric' and in What is the Grass he has produced an elegant meditation on the great founding father of American poetry... Doty helps us feel the touch and connection of great art afresh. It is a warmly affecting performance. -- David Wheatley * Literary Review *Mark Doty has written a warm and intelligent account of Whitman... [Doty's] poems are a highly engaging mixture of the quotidian and the numinous. -- Seamus Perry * Times Literary Supplement *

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Book SynopsisThe World in a Grain of Sand offers a framework for reading literature from the global South that goes against the grain of dominant theories in cultural studies, especially, postcolonial theory. It critiques the valorization of the local in cultural theories typically accompanied by a rejection of universal categories - viewed as Eurocentric projections. But the privileging of the local usually amounts to an exercise in exoticization of the South. The book argues that the rejection of Eurocentric theories can be complemented by embracing another, richer and non-parochial form of universalism. Through readings of texts from India, Sri Lanka, Palestine and Egypt, the book shows that the fine grained engagement with culture, the mapping of ordinary lives not just as objects but subjects of their history, is embedded in much of postcolonial literature in a radical universalism - one that is rooted in local realities, but is able to unearth in them the needs, conflicts and desires that stretch across cultures and time. It is a universalism recognized by Marx and steeped in the spirit of anti-colonialism, but hostile to any whiff of exoticism.Trade ReviewPraise for The Other Side of Terror An Anthology of Writings on Terrorism in South Asia:"A brave attempt to locate political violence in a milieu that neocons are averse to. It succeeds in raising questions that the establishment seeks to drown in its shrill rhetoric and shattering sounds of carpet-bombing." * New Indian Express *Praise for The Other Side of Terror An Anthology of Writings on Terrorism in South Asia:"The anthology aims to give the subject of terror a genealogy other than the one ascribed to it by the Bush doctrine, to examine its impacts in places other than the United States of the 21st century, but most importantly to allow us to engage with the phenomenon in the most complex, situated, historicized, and empathetic way possible. The attempt to canvas literature to make these arguments is quite unique." -- Aparna Sundar * Against The Current *Praise for The Other Side of Terror An Anthology of Writings on Terrorism in South Asia:"It privileges literary texts as forms of media where imaginative and empathetic dialogues can be forged with the histories of occluded and supposedly silent others." -- Amit R Baishya * North East Review *Praise for The Other Side of Terror An Anthology of Writings on Terrorism in South Asia:"An attempt to represent a holistic view that is contrary to the new global understanding of terrorism with rich philosophical insights [and] an innovative way to counter the idea of methodological universalism in understanding social reality." -- Bhagat Oinam * South Asian Popular Culture *A bracing critique of postcolonial orthodoxy from a standpoint decisively to the left of it. Some books are enjoyable but not necessary; this one is both. -- Terry EagletonA bracing critique of postcolonial orthodoxy from a standpoint decisively to the left of it. Some books are enjoyable but not necessary; this one is both. -- Terry EagletonMore than three decades after its intellectual and institutional beginnings, postcolonial theory must still learn to read-and how not to read-postcolonial literature. So argues, convincingly, Nivedita Majumdar in this careful and militantly progressive new work of postcolonial literary criticism and interpretation. A theory launched by high poststructuralism and a then stylish postmodernism's cult of difference and allergy to universals trips over literary narratives that, on the contrary, have everything to do with the concrete universals inseparable from struggles against gender and class oppression. Whether, as Majumdar carefully demonstrates, these narratives (here mostly Anglo- and, refreshingly, non-Anglo-Indian) ultimately prove to be truthful reflections of such struggles and their underlying social realities or not, their genuinely critical reading presupposes a radical universalism at odds with many of the originating texts of postcolonial theory-a theory that Majumdar here goes a long way towards rectifying and redeeming. -- Neil LarsenIn crisp, honest, prose, Majumdar treats the academy's postcolonial royalty with remarkable candor in a series of sharp, often acerbic, close readings. We too often call dissent what are really acts of accommodation, she argues, and ignore the real-world fiction of the periphery - the work, say, of Sharatchandra Chattopadhyay, Mahasweta Devi, and A. Sivanandan - who take their stand not with a classless "difference" but with radical universalism. A compelling case that the darling texts of the Western awards industry (the novels of Ondaatje, Lahiri, and Neel Mukherjee) reflect troubling neo-Orientalist or neoliberal ideas. -- Timothy BrennanIn this vigorously discriminating and deeply engaged book, Professor Majumdar seeks to restore to Postcolonial Studies its pristine political purpose. Going beyond or behind the pervasive complicities of the Postcolonial with Cultural Studies, World Literature and the New Left, she argues for a more meaningful resistance based on the older certitudes of class struggle. She proposes an alternative Postcolonial canon in which the little-known Sharatchandra and Sivanandan are put forward as being more particular and therefore more universal than liberal global figures such as Tagore and Ondaatje. This return to the local, in her affirmation, is a more radical and universalist new turn. -- Harish Trivedi, University of Delhi

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Book SynopsisThe modern, unacademic idiom of A.D. Melville's translation opens the way to a fresh understanding of Ovid's unique and elusive vision of reality.Trade Review`This translation will quickly establish itself as _the_ transation for English speaking readers and students of this great Augustan epic.' Dr A.H.F. Griffin, University of Exeter'a work of the highest quality which provides pleasure and information in generous measure.' JACT Review

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Book SynopsisRead Shakespeare’s plays in all their brilliance—and understand what every word means! Don’t be intimidated by Shakespeare! These popular guides make the Bard’s plays accessible and enjoyable.Each No Fear guide contains: The complete text of the original play A line-by-line translation that puts the words into everyday language A complete list of characters, with descriptions Plenty of helpful commentary

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Book SynopsisWinner of the Baillie Gifford Prize and the Baillie Gifford ''Winner of Winners'' award in 2023How did Shakespeare go from being a talented poet and playwright to become one of the greatest writers who ever lived? In this one exhilarating year we follow what he reads and writes, what he saw and who he worked with as he invests in the new Globe theatre and creates four of his most famous plays - Henry V, Julius Caesar, As You Like It, and, most remarkably, Hamlet.This book brings the news, intrigue and flavour of the times together with wonderful detail about how Shakespeare worked as an actor, businessman and playwright, to create an exceptionally immediate and gripping account of an inspiring moment in history.A brilliant study, which carefully unpacks a single year in Shakespeare''s life ... The audacious focus on just one year pays off magnificently.' Sunday TimesA far richer, more intimate portrait of our greatest author than you''re likely to find in any cradle-to-grave biography.' Daily MailGripping and illuminating.' TelegraphA fascinating and entirely believable portrait of a talented workaholic ... Shapiro''s informed enthusiasm and energetic prose is addictive.'' GuardianTrade Review"'One of the few genuinely original biographies of Shakespeare.' Jonathan Bate, Sunday Telegraph"

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Book SynopsisFor the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin''s four collections and on his uncollected poems. Chosen by Martin Amis.''Many poets make us smile; how many poets make us laugh - or, in that curious phrase, laugh out loud (as if there''s another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous gloom?... Larkin, often, is more than memorable: he is instantly unforgettable.'' - Martin Amis

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Book SynopsisEmma is considered by many to be Austen's finest and most representative novel. The story of Emma Woodhouse's matchmaking, and her awakening to the true feelings of others as well as herself, is told with consummate wit and humour.Table of ContentsIntroduction Select Bibliography A Chronology of Jane Austen EMMA Explanatory Notes

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Book SynopsisIn the Nicomachean Ethics Aristotle examines the nature of happiness, which he defines as a specially good kind of life. He considers the nature of practical reasoning, friendship, and the role and importance of the moral virtues in the best life. This new edition features a revised translation and valuable new introduction and notes.

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Book SynopsisThe Masterpiece is the tragic story of Claude Lantier, an ambitious and talented young artist from the provinces who has come to conquer Paris and is conquered by the flaws in his own genius. While his boyhood friend Pierre Sandoz becomes a successful novelist, Claude's originality is mocked at the Salon and turns gradually into a doomed obsession with one great canvas. Life - in the form of his model and wife Christine and their deformed child Jacques - issacrificed on the altar of Art.The Masterpiece is the most autobiographical of the twenty novels in Zola's Rougon-Macquart series. Set in the 1860s and 1870s, it provides a unique insight into his career as a writer and his relationship with Cézanne, a friend since their schooldays in Aix-en-Provence. It also presents a well-documented account of the turbulent Bohemian world in which the Impressionists came to prominence despite the conservatism of the Academy and the ridicule of the general public.Table of ContentsNo Penguin competition.

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Book Synopsis''What was merry Christmas to Scrooge? Out upon merry Christmas! What good had it ever done to him?''Ebenezer Scrooge is a bad-tempered skinflint who hates Christmas and all it stands for, but a ghostly visitor foretells three apparitions who will thaw Scrooge''s frozen heart. A Christmas Carol has gripped the public imagination since it was first published in 1843, and it is now as much a part of Christmas as mistletoe or plum pudding. This edition reprints the story alongside Dickens''s four other Christmas Books: The Chimes, The Cricket on the Hearth, The Battle of Life, and The Haunted Man. All five stories show Dickens at his unpredictable best, jumbling together comedy and melodrama, genial romance and urgent social satire, in pursuit of his aim ''to awaken some loving and forbearing thoughts, never out of season in a Christian land''. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordTable of ContentsA Christmas Carol ; The Chimes ; The Cricket on the Hearth ; The Battle of Life ; The Haunted Man

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Book SynopsisFind everything you need to achieve your full potential with York Notes for GCSE Study Guides, now updated for GCSE (9-1).

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Book SynopsisWith intellectual reference points that include Foucault and Freud, Wittig, Kristeva and Irigaray, this is one of the most talked-about scholarly works of the past fifty years and is perhaps the essential work of contemporary feminist thought.Trade Review‘Indispensable for feminist theory.’ - Hypatia‘At times brilliant, always groundbreaking, Gender Trouble is bound to make some trouble of its own.’ - Outweek‘The most authoritative attack to date on the "naturalness" of gender. This is a brilliant and innovative book.’ - Sandra Lee Bartky'Rereading this book, as well as reading it for the first time, reshapes the categories through which we experience and perform our lives and bodies. To be troubled in this way is an intellectual pleasure and a political necessity.' - Donna HarawayTable of ContentsPreface (1999) Preface (1990) 1. Subjects of Sex/Gender/Desire I. 'Women' as the Subject of Feminism II. The Compulsory Order of Sex/Gender/Desire III. Gender: The Circular Ruins of Contemporary Debate IV. Theorizing the Binary, the Unitary and Beyond V. Identity, Sex and the Metaphysics of Substance VI. Language, Power and the Strategies of Displacement 2. Prohibition, Psychoanalysis, and the Production of the Heterosexual Matrix I. Structuralism's Critical Exchange II. Lacan, Riviere, and the Strategies of Masquerade III. Freud and the Melancholia of Gender IV. Gender Complexity and the Limits of Identification V. Reformulating Prohibition as Power 3. Subversive Bodily Acts I. The Body Politics of Julia Kristeva II. Foucault, Herculine, and the Politics of Sexual Discontinuity III. Monique Wittig - Bodily Disintegration and Fictive Sex IV. Bodily Inscriptions, Performative Subversions Conclusion - From Parody to Politics

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisBrea and Mallory, passionate bibliophiles, and hosts of the Reading Glasses podcast are not too shy to admit that the book-lovers community can easily get a bit snobby and pretentious. Many people with the desire to read get lost in the smog of countless sources commanding how much you should be reading and what you must keep on your shelves. Take in a breath of fresh air with The No-Pressure Book Journal. This journal is carefully designed to help people read better by finding and achieving their reading goals without any guilt, shame, or pressure. Along with plenty of space to track your reading, The No-Pressure Book Journal offers unique prompts, thoughtful essays on reading topics (like how to dump a book when you just aren't feeling it, without a hint of remorse!), and dedicated sections to record all your exciting and insightful reading reflections. This is the perfect journal for readersfrom those who speed through their TBR lists on the regular, to those who just thought, what is a TBR list?Elevate your reading and writing life, on your own schedule and at your own pace, with The No-Pressure Book Journal.

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Book SynopsisRosencrantz and Guildenstern Are Dead is a play which, as it were, takes place in the wings of Hamlet, and finds both humour and poignancy in the situation of the ill-fated attendant lords. The National Theatre production in April 1967 made Tom Stoppard''s reputation virtually overnight. Its wit, stagecraft and verbal verve remain as exhilarating as they were then and the play has become a contemporary classic.

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Book SynopsisThis book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com.Water is the element that, more than any other, ties human beings in to the world around them from the oceans that surround us to the water that makes up most of our bodies. Exploring the cultural and philosophical implications of this fact, Bodies of Water develops an innovative new mode of posthuman feminist phenomenology that understands our bodies as being fundamentally part of the natural world and not separate from or privileged to it. Building on the works by Luce Irigaray, Maurice Merleau-Ponty and Gilles Deleuze, Astrida Neimanis's book is a landmark study that brings a new feminist perspective to bear on ideas of embodiment and ecological ethics in the posthuman critical moment.Trade ReviewFor the last couple of decades, feminist theory has been immersed in a new materialist wave that has produced among the most innovative and capacious ways to think and to respond critically--ontologically, ethically, and politically--within the depths of the ongoing ecological crises. If hardly any field of philosophy, cultural studies, or science studies has been as well-equipped to think the posthuman turn as feminist approaches have, Astrida Neimanis's Bodies of Water brilliantly synthesizes, illustrates, and continues this feminist ebullition. * Hypatia *To read Astrida Neimanis’s Bodies of Water is to immerse oneself in a fluid poetics, contemplating the teeming, virtual infinity of lifeforms for which water, in its myriad incarnations, supplies the medium of connection and dispersal; of gestation and differentiation through space-time. Through its feminist posthuman phenomenological lens, this work recasts the intertextual net eloquently and generously, re-inflecting a polyphony of feminist, philosophical, poetic, and scientific voices to address our planetary emergency in the wake of ecocidal extractionist and consumerist practices. -- Marion May Campbell, Deakin University * Swamphen Journal *[Neimanis] does however, offer some important and somewhat revolutionary concepts to environmental educators and researchers in both her analysis of what she terms watery embodiment and in her intentional melding of posthu-man feminist theory with phenomenology. Neimanis is immediately frank about the reasons why embracing both of these concepts is crucial in these times, citing increasing Anthropocenic global water crises as an obvious instigator of the need to reconsider how we understand, and act on, the impact of our human bodies on our surrounding ecology. -- Lisa Siegel * Australian Journal of Environmental Education *Table of ContentsINTRODUCTION: Figuring Bodies of Water Bodies of Water (A Genealogy of a Figuration) Posthuman Feminism for the Anthropocene Living with the Problem Water is What We Make It The Possibility of Posthuman Phenomenology CHAPTER ONE: Embodying Water: Feminist Phenomenology for Posthuman Worlds A Posthuman Politics of Location Milky Ways: Tracing Posthuman Feminisms How to Think (About) a Body of Water: Posthuman Phenomenology Between Merleau-Ponty and Deleuze How to Think (As) a Body of Water: Access, Amplify, Describe! Posthuman Ties in a Too-Human World CHAPTER TWO: Posthuman Gestationality: Luce Irigaray and Water's Queer Repetitions Hydrological Cycles Elemental Bodies: Irigaray as Posthuman Phenomenologist? Love Letters to Watery Others: Marine Lover of Friedrich Nietzsche Gestationality as (Sexuate) Difference and Repetition The Onto-Logic of Amniotics (Queering Water’s Repetitions) Bodies of Water Beyond Humanism CHAPTER THREE: Fishy Beginnings Other Evolutions Dissolving Origin Stories Carrier Bags and Hypersea Wet Sex Waters Remembered (Moving Below the Surface) Unknowability as Planetarity (Or, Becoming the Water that We Cannot Become) Aspiration, That Oceanic Feeling CHAPTER FOUR: Imagining Water in the Anthropocene Prologue / Kwe Swimming into the Anthropocene Learning from Anti-Colonial Waters Water is Life? Commodity, Charity and Other Repetitions Material Imaginaries and Other Aqueous Questions REFERENCES NOTES INDEX

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Book SynopsisIn this almost documentary account of his own experiences of penal servitude in Siberia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, thebrief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his greatmasterpieces.

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Book SynopsisThis collection of beautiful Persian love poetry is richly illustrated with images from the British Museumâ s world-famous collection.

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Book SynopsisPrize-winning poet Ruth Padel is renowned as a guide to understanding today''s poetry. Her much-loved 52 Ways of Looking at a Poem introduced the contemporary poetry scene and discussed individual poems. Her new book, invaluable for all who want to write as well as read poems, reveals the journey of thought, language and music within sixty more poems and also shows how poems fortify us on the journey of our lives, in a collection of essays written in elegant, accessible prose.Trade ReviewIt's a generous, likable, diligent and smart piece of work -- Andrew Motion * Guardian *Ruth Padel is Virgil in the 'Inferno' of poetry. She guides the reader gently and deftly on the journey... This is much more than a book about poetry, this is a handbook for living! -- Fiona ShawBrilliant... Padel draws on a huge range of references to make a powerful case for poetry as a living art form * Independent *As a writer you would probably choose Ruth Padel as your ideal reader. Her eye misses very little of the nudging and winking that goes on in a poem, and she seems able to tune into the silent music of text on the page...she finds more than most to engage with and enjoy -- Simon ArmitageAn enlivening, illuminating book, lucid, accessible and probing * The Times *

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Book SynopsisDazzling modern lyrical poems from Catullus - by turns smutty, abusive, romantic and deeply moving.Introducing Little Black Classics: 80 books for Penguin''s 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Catullus (c.84-54 BCE). Catullus''s The Poems is available in Penguin Classics.

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Book SynopsisThis book celebrates the most enchanting gardens from literature and re-imagines them with beautiful artworks.

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Book SynopsisCelebrate the timeless wit and wisdom of Jane Austen with this exquisite collection of classic quotations, fascinating facts and trivia questions that will enchant and inspire. Each page is filled with tart humour, astute observations, and the essential truths of love and life, showcasing Austen at her finest.

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Book SynopsisEssays by Patrick Guinness poet, novelist, translator, editor, critic and speaker of several languages exploring his personal history, the unofficial history of places in which he has lived, and some of the lesser known byways of European literature and art.

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Book SynopsisWhat should I read next?' Alex Johnson invites you to join him on his year of reading Welshly on a warm and witty journey through 52 books from Wales and about Wales.From novels to poetry to non-fiction, Alex explores a rich and eclectic spread of books. Covering famous favourites such as Dylan Thomas's Under Milk Wood and Oliver Postgate and Peter Firmin's Ivor the Engine, through to contemporary hits such as Manon Steffan Ros's The Blue Book of Nebo and Tiffany Murray's My Family and Other Rock Stars, Alex's Reading Welshly' list spans decades and genres. It's not just about mines and farming (though there are plenty of those), but a window onto Welsh culture in all its complexity and diversity. Discover with Alex how Welsh books both reveal modern Wales and speak to universal themes of love, social struggle and identity.Complete with discussion questions about each book and space to chart your own Reading Welshly progress, this is the ideal companion for readers and book groups to discover Wales through its rich and varied literature.

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Book SynopsisExplore the essence of life, love, nature, and time in exquisite verse with this elegantly designed edition of Emily Dickinson’s finest poems. Born in 1830 in Amherst, Massachusetts, to a prominent New England family and educated at Amherst Academy and Mt. Holyoke Female Seminary, Emily Elizabeth Dickinson lived most of her life in seclusion, devoted to writing. She scarcely left home, nor did she have many visitors. Only ten of her poems were published in her lifetime, submitted without her permission by friends. It was only after her death in 1886 that the scope of her work as a poet came to light—over 1,700 poems were discovered in a dresser drawer by her sister, Lavinia. Emily Dickinson’s poems reflect her loneliness, as well as her love of nature, the influence of the Metaphysical poets of seventeenth century England, and her strong Puritan religious beliefs. Yet, it is her use of language, form, and the deceptive simplicity of her verse that categorize her as an important force in nineteenth century American letters and, along with Walt Whitman, a founder of a distinctly American voice in modern poetry. PRELUDE THIS is my letter to the world, That never wrote to me,— That simple news that Nature told, With tender majesty. Her message is committed To hands I cannot see; For love of her, sweet countrymen, Judge tenderly of me! The Timeless Classics series from Rock Point brings together the works of classic authors from around the world. Complete and unabridged, these elegantly designed gift editions feature luxe, patterned endpapers, ribbon markers, and foil and deboss details on vibrantly colored cases. Celebrate these beloved works of literature as true standouts in your personal library collection. Table of ContentsContents introduction xxvii poems. 1890. prelude book i. life. success “our share of the night to bear. . .” rouge et noir rouge gagne “glee! the great storm is over. . .” “if i can stop one heart from breaking. . .” almost! “a wounded dear leaps highest. . .” “the heart asks pleasure first. . .” in a library “much madness is divinest sense. . .” “i asked no other thing. . .” exclusion the secret the lonely house “to fight aloud is very brave. . .” dawn the book of martyrs the mystery of pain “i taste a liquor never brewed. . .” a book “i had no time to hate, because. . .” unreturning “whether my bark went down at sea. . .” “belshazzar had a letter. . .” “the brain within its groove. . .” book ii. love. mine bequest “alter? when the hills do. . .” suspense surrender “if you were coming in the fall. . .” with a flower proof “have you got a brook in your little heart?” transplanted the outlet in vain renunciation love’s baptism resurrection apocalypse the wife apotheosis book iii. nature. “new feet within my garden go. . .” may-flower why? “perhaps you’d like to buy a flower. . .” “the pedigree of honey. . .” a service of song “the bee is not afraid of me. . .” summer’s armies the grass “a little road not made of man. . .” summer shower psalm of the day the sea of sunset purple clover the bee “presentiment is that long shadow on the lawn. . .” “as children bid the guest good-night. . .” “angels in the early morning. . .” “so bashful when i spied her. . .” two worlds the mountain a day “the butterfly’s assumption-gown. . .” the wind death and life “’twas later when the summer went. . .” indian summer autumn beclouded the hemlock “there’s a certain slant of light. . .” book iv. time and eternity. “one dignity delays for all. . .” too late astra castra “safe in their alabaster chambers. . .” “on this long storm the rainbow rose. . .” from the chrysalis setting sail “look back on time with kindly eyes. . .” “a train went through a burial gate. . .” “i died for beauty, but was scarce. . .” troubled about many things real the funeral “i went to thank her. . .” “i’ve seen a dying eye. . .” refuge “i never saw a moor. . .” playmates “to know just how he suffered would be dear. . .” “the last night that she lived. . .” the first lesson “the bustle in a house. . .” “i reason, earth is short. . .” “afraid? of whom am i afraid?” dying “two swimmers wrestled on the spar. . .” the chariot “she went as quiet as the dew. . .” resurgam “except to heaven she is nought. . .” “death is a dialogue between. . .” “it was too late for man. . .” along the potomac “the daisy follows soft the sun. . .” emancipation lost “if i shouldn’t be alive. . .” “sleep is supposed to be. . .” “i shall know why when time is over. . .” “i never lost as much but twice. . .” poems. 1891. “my nosegays are for captives. . .” book i. life. “i’m nobody! who are you?” “i bring an unaccustomed wine. . .” “the nearest dream recedes, unrealized. . .” “we play at paste. . .” “i found the phrase to every thought. . .” hope the white heat triumph the test escape compensation the martyrs a prayer “the thought beneath so slight a film. . .” “the soul unto itself. . .” “surgeons must be very careful. . .” the railway train the show “delight becomes pictorial. . .” “a thought went up my mind today. . .” “is heaven a physician?” the return “a poor torn heart, a tattered heart. . .” too much shipwreck “victory comes late. . .” enough “experiment to me. . .” my country’s wardrobe “faith is fine invention. . .” “except the heaven had come so near. . .” “portraits are to daily faces. . .” the duel “a shady friend for torrid days. . .” the goal sight “talk with prudence to a beggar. . .” the preacher “good night! which put the candle out?” “when i hoped i feared. . .” deed time’s lesson remorse the shelter “undue significance a starving man attaches. . .” “heart not so heavy as mine. . .” “i many times thought peace had come. . .” “unto my books so good to turn. . .” “this merit hath the worst. . .” hunger “i gained it so. . .” “to learn the transport by the pain. . .” returning prayer “i know that he exists. . .” melodies unheard called back book ii. love. choice “i have no life but this. . .” “your riches taught me poverty. . .” the contract the letter “the way i read a letter’s this. . .” “wild nights! wild nights!” at home 89 possession “a charm invests a face. . .” the lovers “in lands i never saw, they say. . .” “the moon is distant from the sea. . .” “he put the belt around my life. . .” the lost jewel “what if i say i shall not wait?” book iii. nature. mother nature out of the morning “at half-past three a single bird. . .” day’s parlor the sun’s wooing the robin the butterfly’s day the bluebird april the sleeping flowers my rose the oriole’s secret the oriole in shadow the humming-bird secrets “who robbed the woods. . .” two voyagers by the sea old-fashioned a tempest the sea in the garden the snake the mushroom the storm the spider “i know a place where summer strives. . .” “the one that could repeat the summer day. . .” the wind’s visit “nature, rarer uses yellow. . .” gossip simplicity storm the rat “frequently the woods are pink. . .” a thunder-storm with flowers sunset “she sweeps with many-colored brooms. . .” “like mighty footlights burned the red. . .” problems the juggler of day my cricket “as imperceptibly as grief. . .” “it can’t be summer,—that got through. . .” summer’s obsequies fringed gentian november the snow the bluejay book iv. time and eternity. “let down the bars, o death!” “going to heaven!” “at least to pray is left, is left. . .” epitaph “morns like these we parted. . .” “a death-blow is a life-blow to some. . .” “i read my sentence steadily. . .” “i have not told my garden yet. . .” the battle-field “the only ghost i ever saw. . .” “some, too fragile for winter winds. . .” “as by the dead we love to sit. . .” memorials “i went to heaven. . .” “their height in heaven comforts not. . .” “there is a shame of nobleness. . .” triumph “pompless no life can pass away. . .” “i noticed people disappeared. . .” following “if anybody’s friend be dead. . .” the journey a country burial going “essential oils are wrung. . .” “i lived on dread; to those who know. . .” “if i should die. . .” at length ghosts vanished precedence gone requiem “what inn is this. . .” “it was not death, for i stood up. . .” till the end void “a throe upon the features. . .” saved! “i think just how my shape will rise. . .” the forgotten grave “lay this laurel on the one. . .” poems. 1896. “’tis all i have to bring today. . .” book i. life. real riches superiority to fate hope forbidden fruit (i) forbidden fruit (ii) a word “to venerate the simple days. . .” life’s trades “drowning is not so pitiful. . .” “how still the bells in steeples stand. . .” “if the foolish call them ‘flowers’. . .” a syllable parting aspiration the inevitable a book “who has not found the heaven below. . .” a portrait i had a guinea golden saturday afternoon “few get enough,—enough is one. . .” “upon the gallows hung a wretch. . .” the lost thought reticence with flowers “the farthest thunder that i heard. . .” “on the bleakness of my lot. . .” contrast friends fire a man ventures griefs “i have a king who does not speak. . .” disenchantment lost faith lost joy “i worked for chaff, and earning wheat. . .” “life, and death, and giants. . .” alpine glow remembrance “to hang our head ostensibly. . .” the brain “the bone that has no marrow. . .” the past “to help our bleaker parts. . .” “what soft, cherubic creatures. . .” desire philosophy power “a modest lot, a fame petite. . .” “in bliss, then, such abyss. . .” experience thanksgiving day childish griefs book ii. love. consecration love’s humility love satisfied with a flower song loyalty “to lose thee, sweeter than to gain. . .” “poor little heart!” forgotten “i’ve got an arrow here. . .” the master “heart, we will forget him!” “father, i bring thee not myself. . .” “we outgrow love like other things. . .” “not with a club the heart is broken. . .” who? “he touched me, so i live to know. . .” dreams numen lumen longing wedded book iii. nature. nature’s changes the tulip “a light exists in spring. . .” the waking year to march march dawn “a murmur in the trees to note. . .” “morning is the place for dew. . .” “to my quick ear the leaves conferred. . .” a rose “high from the earth i heard a bird. . .” cobwebs a well “to make a prairie it takes a clover. . .” the wind “a dew sufficed itself. . .” the woodpecker a snake “could i but ride indefinite. . .” the moon the bat the balloon evening cocoon sunset aurora the coming of night aftermath book iv. time and eternity. “this world is not conclusion. . .” “we learn in the retreating. . .” “they say that ‘time assuages’. . .” “we cover thee, sweet face. . .” “that is solemn we have ended. . .” “the stimulus, beyond the grave. . .” “given in marriage unto thee. . .” “that such have died enables us. . .” “they won’t frown always,—some sweet day. . .” immortality “the distance that the dead have gone. . .” “how dare the robins sing. . .” death unwarned “each that we lose takes part of us. . .” “not any higher stands the grave. . .” asleep the spirit the monument “bless god, he went as soldiers. . .” “immortal is an ample word. . .” “where every bird is bold to go. . .” “the grave my little cottage is. . .” “this was in the white of the year. . .” “sweet hours have perished here. . .” “me! come! my dazzled face. . .” invisible “i wish i knew that woman’s name. . .” trying to forget “i felt a funeral in my brain. . .” “i meant to find her when i came. . .” waiting “a sickness of this world it most occasions. . .” “superfluous were the sun. . .” “so proud she was to die. . .” farewell “the dying need but little, dear. . .” dead “the soul should always stand ajar. . .” “three weeks passed since i had seen her. . . “i breathed enough to learn the trick. . .” “i wonder if the sepulchre. . .” joy in death “if i may have it when it’s dead. . .” “before the ice is in the pools. . .” dying “adrift! a little boat adrift!” “there’s been a death in the opposite house. . .” “we never know we go,—when we are going. . .” the soul’s storm “water is taught by thirst. . .” thirst “a clock stopped—not the mantel’s. . .” charlotte brontë’s grave “a toad can die of light. . .” “far from love the heavenly father. . .” sleeping retrospect eternity

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Book Synopsis''No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine.''Northanger Abbey is a comedy about reading and misreading-of books and the world-and about different kinds of peril, both imagined and real. In it, Austen''s youngest heroine, Catherine Morland, must navigate financial disadvantage, social constraint, and sometimes quite ruthless manipulation. The absurdities of fashion and conspicuous consumption, voguish ostentation and social competition are seen first in shark-infested Bath, (the premier health resort and marriage market of the day) and then in a more tranquil pocket of rural Gloucestershire that turns out to be a hotbed of materialism and greed. Jane Austen combines making fun of the excesses of the Gothic novel with larger moral issues: the folly of letting literature get in the way of life, and the inexcusability (especially for women) of not thinking for oneself.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Book Synopsis''Oh grandmama, what great big teeth you have!''Charles Perrault''s versions gave classic status to the humble fairy tale, and it is in his telling that the stories of Little Red Riding-Hood, Sleeping Beauty, Cinderella and the rest have been passed down from the seventeenth century to the present day. Perrault''s tales were enjoyed in the salons of Louis XIV as much as they were loved in the nursery, and it is their wit, humour, and lively detail that capture the imagination of adult and child alike. They transmute into vivid fantasies the hidden fears and conflicts by which children are affected: fears of abandonment, or worse, conflicts with siblings and parents, and the trials of growing up. In addition to the familiar stories, this edition also includes the three verse tales - the troubling account of patient Griselda, the comic Three Silly Wishes, and the notorious Donkey-Skin. This new translation by Christopher Betts captures the tone and flavour of Perrault''s world, and the dTrade ReviewBett's new edition positions Perrault in relation to the many other tales in circulation before and after, offering helpful comparisions. * Margaret ReynoldsThe Times *Bett's new translation of the tales is subtle and clever. * Margaret Reynolds, The Times *Table of ContentsThe History of Griselda ; Three Silly Wishes ; Donkey-Skin ; The Sleeping Beauty in the Wood ; Little Red Riding-Hood ; Bluebeard ; Puss in Boots ; The Fairies ; Cinderella ; Ricky the Tuft ; Hop o'my Thumb

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Book SynopsisFrom the picnic on Box Hill and the strawberry picking at Donwell Abbey in Emma, to supper at the Netherfield Ball and Mrs. Bennet''s family dinners in Pride and Prejudice, Jane Austen''s novels are full of delicious food that you can recreate at home with this collection of over 50 recipes inspired by her work and her life in Regency England.Jane Austen''s Table brings readers a sumptuous array of recipes that capture all the spirit and verve of the food of Jane Austen''s world and the Regency era, adapted and reimagined for the modern day. Including recipes such as Netherfield White Soup, Box Hill Picnic Pies, General Tilney''s Hot Chocolate, and Summer Berry Delice, this beautiful collection of over 70 recipes provides an irresistibly charming experience of Austen''s novels like no other.This beautiful cookbook also features fascinating insights into the food of Jane Austen''s world in the form of short essays and recipe notes, making this the perfect addition to any Austen fan''s bookshelf. Recreate the delicious meals, picnics and tidbits from the novels of Jane Austen, and indulge in all the luxury and splendour of the Regency period. Discover food and drink for every occasion, from picnics and suppers to sweet delights for your very own routs and balls. Immerse yourself in Austen''s world and all the pomp and charm of the eighteenth century with detailed notes and essays featured throughout.

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Book SynopsisTurgenev's masterpiece about the conflict between generations is as fresh, outspoken, and exciting today as it was in when it was first published in 1862.

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Book Synopsis''Nowhere, beloved, can world be but within us''Rainer Maria Rilke (1875-1926) is one of the leading poets of European Modernism, and one of the greatest twentieth-century lyric poets in German. From The Book of Hours in 1905 to the Sonnets of Orpheus written in 1922, his poetry explores themes of death, love, and loss. He strives constantly to interrogate the relationship between his art and the world around him, moving from the neo-romantic and the mystic towards the precise craft of expressing the everyday in poetry.This bilingual edition fully reflects Rilke''s poetic development. It contains the full text of the Duino Elegies and the Sonnets to Orpheus, selected poems from The Book of Images, New Poems, and earlier volumes, and from the uncollected poetry 1906-26. The translations are accurate, sensitive, and nuanced, and are accompanied by an introduction and notes that elucidate Rilke''s poetic practice and his central role in modern poetry. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade ReviewA masterly introduction to Rilke ... a representative and well-judged assortment of poems, both familiar and uncollected ... a wealth of excellent and thoughtful notes * The Brown Book *Table of ContentsSELECTED EARLY POEMS; THE BOOK OF HOURS (SELECTIONS); THE BOOK OF IMAGES (SELECTIONS); NEW POEMS (SELECTIONS); UNCOLLECTED POEMS (SELECTIONS); SONNETS TO ORPHEUS (COMPLETE); DUINO ELEGIES (COMPLETE)

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Book SynopsisThe plays of Euripides have stimulated audiences since the fifth century BC. This volume, containing Phoenician Women, Bacchae, Iphigenia at Aulis, Orestes, and Rhesuscompletes the new editions of Euripides in Penguin Classics.Features a general introduction, individual prefaces to each play, chronology, notes, bibliography, and glossaryTable of ContentsThe Bacchae and Other PlaysGeneral IntroductionChronological TableNote on the TextTranslator's NotePreface to Phoenician WomenPhoenician WomenPreface to OrestesOrestesPreface to BacchaeBacchaePreface to Iphigenia at AulisIphigenia at AulisPreface to RhesusRhesusNotesBibliographyGlossary of Mythological and Geographical Names

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Book SynopsisOffers a collection of ten biographies that spans the period from the start of the fourth century BC to the early third, and covers some of the most important figures in Greek history, such as the orator Demosthenes and Alexander the Great, as well as lesser known figures such as Plato's pupil Dion of Syracuse.

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Book SynopsisThe second volume of Robert Crawford''s magisterial biography of the revolutionary modernist, visionary poet and troubled man, drawing on extensive new sources.In this compelling and meticulous portrait of the twentieth century''s most important poet, Robert Crawford completes the story he began in Young Eliot. Drawing on extensive new sources and letters, this is the first full-scale biography to make use of Eliot''s most significant surviving correspondence, including the archive of letters (unsealed for the first time in 2020) detailing his decades-long love affair with Emily Hale.This long-awaited second volume, Eliot After ''The Waste Land'', tells the story of the mature Eliot, his years as a world-renowned writer and intellectual, and his troubled interior life.From his time as an exhausted bank employee after the publication of The Waste Land, through the emotional turmoil of the 1920s and 1930s, and his years as a f

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisThis deluxe vegan leather bookmark, evoking gilded leather tomes of old, features gold foil stamping and a silken tassel, making it the perfect addition to any book lover’s collection. Union Square and Co.’s Classic Vegan Leather Bookmark series feature iconic titles sure to appeal to book lovers of all stripe: the series is launching with designs based on the leather-bound classics editions of The Complete Sherlock Holmes, Dracula, The Iliad and the Odyssey, Grimm’s Complete Fairy Tales, Alice’s Adventures in Wonderland and Jane Austen: Seven Novels.

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Book SynopsisEurie Dahn is Associate Professor of English at The College of Saint Rose, NY, USA. She is the author of Jim Crow Networks: African American Periodical Cultures (2021).

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Book Synopsis''She sees, coming up a second time,Earth from the ocean, eternally green;the waterfalls plunge, an eagle soars above them,over the mountain hunting fish.''After the terrible conflagration of Ragnarok, the earth rises serenely again from the ocean, and life is renewed. The Poetic Edda begins with The Seeress''s Prophecy which recounts the creation of the world, and looks forward to its destruction and rebirth. In this great collection of Norse-Icelandic mythological and heroic poetry, the exploits of gods and humans are related. The one-eyed Odin, red-bearded Thor, Loki the trickster, the lovely goddesses and the giants who are their enemies walk beside the heroic Helgi, Sigurd the Dragon-Slayer, Brynhild the shield-maiden, and the implacable Gudrun. New in this revised translation are the quest-poem The Lay of Svipdag and The Waking of Angantyr, in which a girl faces down her dead father to retrieve his sword.Comic, tragic, instructive, grandiose, witty and profound, the poems of the Edda have influenced artists from Wagner to Tolkien and a new generation of video-game and film makers.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade ReviewLarringtons version of The Poetic Edda has been beautifully translated, and the flow of each poem is perfect. * Kirsty Hewitt, Book Hugger *A 750-year-old haul of Icelandic verse might not sound like cutting-edge entertainment but these sinewy sagas include such modern elements as gutsy heroines and ultra-violence. * Christopher Hirst, Independent *these sinewy sagas include such modern elements as gutsy heroines and ultra-violence * Independent *

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Book SynopsisA fabulous yellow diamond disappears, the case looks simple, but in mid-Victorian England no one is what they seem, and nothing can be taken for granted.Table of ContentsIntroduction Note on the Text Select Bibliography A Chronology of Wilkie Collins The Moonstone Explanatory notes Index

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Book SynopsisOne of the greatest artistic works of the twentieth century, Finnegans Wake is both an outrageous epic and a wildly inventive comedy that rewards its readers with never-ending layers of meaning. This edition helps readers get past its reputation for difficulty in order to enjoy its astonishing originality and imaginative achievement.Trade Reviewenhances the reader's textual awareness...The captivating, accessible and rich introduction by Finn Fordham enthuses first-time readers * James Joyce Broadsheet, Dirk Van Hulle *The editors have provided a lucid introduction and a chapter-by-chapter outline which gives one at last a vague hold on what's going on, but it's not overburdened with notes, which frees one to stop worrying and just enjoy the surrealism and exuberance of Joyce's language. * Independent on Sunday *

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Book Synopsis''A tremendous sentimental education of a book ... scholarly discernment mixed with a wild-card flair ... an exceptional anthology, fascinating and unignorable'' Kate Kellaway, Observer (Poetry Book of the Month)Elegy is among the world''s oldest forms of literature. Born in Ancient Greece, practised by the Romans, revitalized by the poets of the Renaissance and continuing down to the present day, it speaks eloquently and affectingly of the experience of loss and the yearning for consolation. It gives shape and meaning to memories too painful to contemplate, and answers our desire to fix in words what would otherwise slip our grasp.In The Penguin Book of Elegy, Andrew Motion and Stephen Regan trace the history of this tradition, from its Classical roots in the work of Theocritus, Virgil and Ovid down to modern compositions exploring personal tragedy and collective grief by such celebrated voices of the twentieth and twenty-first centuries as Dylan Thomas, Elizabeth Bishop, Linton Kwesi Johnson and Denise Riley.The only comprehensive anthology of its kind in the English language, The Penguin Book of Elegy is a profound and moving compendium of the fundamentally human urges to remember and honour the dead, and to give comfort to those who survive them.

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Book SynopsisHarperCollins is proud to present its new range of best-loved, essential classics.

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Book SynopsisEvery day from nine to five I sit at my desk facing the door of the office and type up other people's dreamsAn office assistant in a hospital pursues a secret vocation. A girl endures a series of initiation ceremonies to join her high school sorority. A married woman seeks relief from the dull realities of daily life. From her mid-teens Sylvia Plath wrote stories, twenty-four of which are collected here, along with works of journalism and extracts from her journal. All the pieces presented here are revealing . . . It ought to round out one's knowledge of the writer, and, perhaps, offer some surprises. Luckily it does both.' Margaret Atwood, New York TimesA beautiful, delicate, commanding poet.' Lena DunhamShe embodied a seismic shift in consciousness which enabled us to feel and think as we do today, and of which she was a supremely vulnerable and willing casualty. She changed our world.' Margaret Drabble, Guardian

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