ELT & Literary Studies Books

Book SynopsisTrade ReviewJane Kentish's translation of The Gambler captures the seething resentment and desperation of the narrator's tone and faithfully conveys the voices of the other characters. * Kenneth Lantz, University of Toronto, Scottish Slavonic Review, No. 20, 1993 *

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Book SynopsisA timely book for today's world, Marcus Aurelius's Meditations explores how to endure hardship, how to cope with change and how to find something positive out of adversity.Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated by A. S. L. Farquharson and features an introduction by John Sellars.The Meditations are a set of personal reflections by Marcus Aurelius. He writes about the vicissitudes of his own life and explores how to live wisely and virtuously in an unpredictable world. He was a follower of the Stoic tradition of philosophy, and one of its finest advocates, both in the clarity of his writing and in the uprightness of his life. The aphorisms show how for him, as perhaps for us all, the answer to life lies in keeping a calm and rational mind, and in refusing to be cast down or alarmed by things over which we have no control.Trade ReviewHis meditations can indeed still offer all of us, historians included, worthwhile advice -- Tom Holland * Guardian *For many thinkers of the 19th century – from Darwin to Nietzsche – Marcus was an intellectual hero -- Mary Beard * London Review of Books *

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Book SynopsisWith a foreword by Becky Albertalli, author of Imogen, Obviously and Love, SimonThe course of true love never did run smooth'Hermia loves Lysander. But she must marry Demetrius or be condemned to life in a convent. Together, Hermia and Lysander plan to elope to escape their fate. But Helena, Hermia's best friend, secretly loves Demetrius and, hoping to win his heart, tells him about the plan. Deep in the forest, the four unlucky lovers cross paths with Oberon, the jilted fairy king. When a powerful, love-inducing flower is put to nefarious use, a case of multiple mistaken identities sets in motion a night of magic and mayhem that could change all of their lives forever. A Midsummer Night''s Dream is Shakespeare's magical romantic comedy of trickery, love triangles and mistaken identities.Discover STAGED, a limited collection of Shakespeare's unabridged plays celebrating the genius of the Bard and the tropes that continue to delight YA readers to this day.Explore the rest of the STAGED collection:As You Like It With a foreword by Talia HibbertHamlet With a foreword by Faridah Àbíké-ÍyímídéMacbeth With a foreword by Kat DelacorteMuch Ado About Nothing With a foreword by Holly Bourne Romeo and Juliet With a foreword by Jennifer Niven

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Book SynopsisAmerican poet Emily Dickinson is revered around the world, and influenced many feminist artists and writers. Her work is some of the best known and most quoted or adapted:''Hope is the thing with feathers, that perches in the soul, and sings the tune without the words, and never stops at all'' Emily DickinsonDickinson received a very good education, but chose to return home to Amherst, Massachusetts, where she spent the rest of her life, writing more than a poem a day until her death. Her refusal to compromise her highly condensed expression meant that only a tiny fraction of her work was published in her lifetime. Even today, her work feels startlingly modern:''Dogs are better than human beings because they know but do not tell'' Emily Dickinson''The dearest ones of time, the strongest friends of the soul - BOOKS''This is a superb collection from a truly iconic poet.

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Book SynopsisThis book engages with Margaret Atwood’s work and its adaptations. Atwood has long been appreciated for her ardent defence of Canadian authors and her genre-bending fiction, essays, and poetry. However, a lesser-studied aspect of her work is Atwood’s role both as adaptor and as source for adaptation in media as varied as opera, television, film, or comic books. Recent critically acclaimed television adaptations of the novels The Handmaid’s Tale (Hulu) and Alias Grace (Amazon) have rightfully focused attention on these works, but Atwood’s fiction has long been a source of inspiration for artists of various media, a seeming corollary to Atwood’s own tendency to explore the possibilities of previously undervalued media (graphic novels), genres (science-fiction), and narratives (testimonial and historical modes). This collection hopes to expand on other studies of Atwood’s work or on their adaptations to focus on the interplay between the two, providing an interdisciplinary approach that highlights the protean nature of the author and of adaptation.Trade Review“The sixteen pieces in this volume, partly illustrated with colored stills and screenshots, photographs, diagrams, or musical scores, build a comprehensive piece of conducted research about the texts of Margaret Atwood … . The fact that a great number of fans, academics, readers, or artists keep returning to the creative output of Margaret Atwood … Atwood’s alchemy leaves no doubt that her magic ‘has to do, in one word, with relevance’ … .” (Sandra Danneil, AAA, Arbeiten aus Anglistik und Amerikanistik, Vol. 47 (1), June, 2022)“This volume sheds light on the legacy in which Atwood inserts herself, and on the legacy she leaves for others to reinterpret through their perspectives and sensitivities. Articles as well as interviews offer insight into the subversive aspects of literary fiction, and enhance the political necessity of adapting and updating these narratives in the light of contemporary events.” (Laura Benoit, Interfaces, Vol. 48, 2022)“Students will love this book, and for readers anywhere it will stimulate a fresh creative engagement with Atwood’s imagined worlds.” (Coral Ann Howells, British Journal of Canadian Studies, Vol. 34 (2), 2022)Table of ContentsPart I Atwood Adapts “Atwood’s Hag-Seed and The Heart Goes Last, a Generic Romp” “Negotiating with the Dead”: Authorial Ghosts and Other Spectralities in Atwood’s Adaptations Transforming the Human and the Novel: The Utopian Potential of Resilience in Margaret Atwood’sM addAddam Trilogy Atwood’s Protean Poetics: Adaptation in the Service of Survival Feminist Adaptations/Adaptations of Feminism: Margaret Atwood’s The PenelopiadPart II Atwood Adapted The Unreliable Female (Narrator) in Mary Harron’s Miniseries Alias Grace The Figure of the Objectified Servant, from the Silent Biblical Maid to the Twenty-First-Century Web TV RebelShallow Focus Composition and the Poetics of Blur in The Handmaid’s Tale (Hulu, 2017–) Feminism, Facts, and Fear: The Protean Reception of The Handmaid’s Tale (Atwood 1985, Miller 2017–) You Are Here: The Handmaid’s Tale as Graphic Novel Offred at the Opera: Dimensions of Adaptation in Poul Ruders and Paul Bentley’sT he Handmaid’s Tale Part III Atwood in the World: Atwood Adaptation Practitioners Staging The PenelopiadFilming Alias Grace Filming The Handmaid’s Tale “Adapting (to) Atwood”

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Book SynopsisThe first of two companion volumes which documents the later writing of The Silmarillion, Tolkien's epic tale of war.After The Lord of the Rings was at last achieved, J R R Tolkien turned his attention once again to the Matter of the Elder Days'. The text of the Annals of Aman, the Blessed Land' in the far West, is given in full; while in writings hitherto unknown is seen the nature of the problems that Tolkien explored in his later years, as new and radical ideas, portending upheaval in the old narratives, emerged at the heart of the mythology, and as the destinies of Men and Elves, mortals and immortals, became of central significance, together with a vastly enlarged perception of the evil of Melkor, the Shadow upon Arda.The second part of this history of the later Silmarillion is concerned with developments in the legends of Beleriand after the completion of The Lord of the Rings.Trade Review‘Christopher Tolkien shows himself to be his father’s son… Tolkien devotees will rejoice’ The New York Times Book Review ‘Illustrates the development, depth and richness of J R R Tolkien’s personal mythology’ Vector

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Book SynopsisHarperCollins is proud to present its incredible range of best-loved, essential classics.I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man the mystery, the power, the freedom.Griffin, a stranger, arrives at the local inn of an English village, entirely shrouded in bandages. Forbidding and unfriendly, he confines himself to his room. Driven away by the villagers and turning to an old friend for help, Griffin reveals that he has discovered how to make himself invisible, and plans to use his condition for treacherous ends. But when his friend refuses to join his quest, Griffin turns murderous, threatening to seek revenge on all who have betrayed him.H. G. Wells' controversial works are considered modern classics of the science fiction genre. Originally serialised in 1897, The Invisible Man is a fascinating exploration of power, corruption and science.Trade Review‘[Wells’ work is] astonishingly rich in human and historical interest … he foresaw the invention of, among other things, television, tanks, aerial warfare and the atom bomb’ David Lodge ‘I personally consider the greatest of English living writers [to be] H. G. Wells’ Upton Sinclair ‘The father of science fiction’ Guardian

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Book SynopsisOne of the finest short story writers I've ever read' Amy TanWINNER OF THE PULITZER PRIZEWINNER OF THE PEN/HEMINGWAY AWARDWINNER OF THE NEW YORKER PRIZE FOR BEST FIRST BOOKJhumpa Lahiri's prize-winning debut collection explores the lives of Indians in exile of people navigating between the strict traditions they've inherited and the baffling New World they must encounter every day.Whether set in Boston or Bengal, these sublimely understated stories, imbued with umour and subtle detail, speak with eloquence to anyone who has ever felt the yearnings of exile or the emotional confusion of an outsider.Lahiri is a writter of uncommon elegance and poise, and with Interpreter of Maladies she has made a precocious debut' New York TimesTrade Review‘Lahiri has an extraordinary voice’Salman Rushdie ‘Jhumpa Lahiri is the kind of writer who makes you want to grab the next person you see and say“Read this!”She’s a dazzling storyteller with a distinctive voice, an eye for nuance, an ear for irony. She is one of the finest short story writers I’ve read.’AMY TAN ‘Jhumpa Lahiri’s strong, subtle short story collection is a debut to relish.’Guardian

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Book SynopsisHarperCollins is proud to present its new range of best-loved, essential classics.Now he found out a new thing namely, that to promise not to do a thing is the surest way in the world to make a body want to go and do that very thing.'An idyllic snapshot of a boy's childhood along the banks of the Mississippi River, Twain's The Adventures of Tom Sawyer is the author's work that comes closest to his boyhood experiences of growing up in Hannibal in the 1840s.Mischievous and full of energy, Tom enjoys childish pranks and pastimes with his friends, Huck Finn, the town outcast and Joe Harper, his best friend. However, at the town graveyard, Huck and Tom witness a murder, carried out by local vagabond Injun Joe. They vow never to tell a soul about what they have seen and so begins their journey into adulthood as Tom wrestles with his own morality, guilt and anxiety.A coming of age' tale, it is through Tom's adventures and relationships with others that he becomes more responsible and more aw

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Book SynopsisFrom Collins Classics and the author of The Great Gatsby' a marriage unravels in this autobiographical tale.Sometimes it is harder to deprive oneself of a pain than of a pleasure.'Set on the French Riviera in the 1920s, American Dick Diver and his wife Nicole are the epitome of chic, living a glamorous lifestyle and entertaining friends at their villa. Young film star Rosemary Hoyt arrives in France and becomes entranced by the couple. It is not long before she is attracted to the enigmatic Dick, but he and his wife hold dark secrets and as their marriage becomes more fractured, Fitzgerald laments the failure of idealism and the carefully constructed trappings of high society in the Roaring Twenties.

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Book SynopsisAn essential resource for anyone studying Princess & The Hustler by Chinonyerem Odimba for GCSE English Literature – featuring a complete guide to the text, plus sample questions and answers to help you prepare for assessment. Get to grips with Princess & The Hustler with expert, easy-to-follow breakdowns and analyses of key aspects of the play – including the characters, plot, structure, themes, setting and language – along with a clear explanation of the historical context. This guide also contains prompts for further reflection and research, to help you get the most out of your study and revision, whether at home or in the classroom. Featuring insights from playwright Chinonyerem Odimba, colour photographs of the original production, and extensive quotes and extracts from the text, this GCSE Study Guide will strengthen your understanding, build your confidence and boost your chances of success. It is also an invaluable resource for teachers approaching the play.

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Book SynopsisFour plays which exemplify his interest in flawed, characters who defy the expectations of Greek society The four tragedies collected in this volume all focus on a central character, once powerful, brought down by betrayal, jealousy, guilt and hatred. The first playwright to depict suffering without reference to the gods, Euripides made his characters speak in human terms and face the consequences of their actions. In Medea, a woman rejected by her lover takes hideous revenge by murdering the children they both love, and Hecabe depicts the former queen of Troy, driven mad by the prospect of her daughter's sacrifice to Achilles. Electra portrays a young woman planning to avenge the brutal death of her father at the hands of her mother, while in Heracles the hero seeks vengeance against the evil king who has caused bloodshed in his family. Philip Vellacott's lucid translation is accompanied by an introduction, which discusses the literary background of Classical Athens aTable of ContentsMedea and Other PlaysIntroductionMedeaHecabeElectraHeraclesNotes

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Book SynopsisThis updated edition is designed to support students in study and revision for the new GCSE (9-1) English Literature exams. Table of Contents Part 1: Induction Part 2: Plot and Action Part 3: Characters Part 4: Key Contexts and Themes Part 5: Language and Structure Part 6: Grade Booster Literacy Terms

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Book SynopsisMarlene thinks the eighties are going to be stupendous. Her sister Joyce has her doubts. Her daughter Angie is just frightened. Since its premiere in 1982, Top Girls has become a seminal play of the modern theatre. Set during a period of British politics dominated by the presence of the newly elected Prime Minister Margaret Thatcher, Churchill's play prompts us to question our notions of women''s success and solidarity. Its sharp look at the society and politics of the 1980s is combined with a timeless examination of women''s choices and restrictions regarding career and family.This new Student Edition features an introduction by Sophie Bush, Senior Lecturer at Sheffield Hallam University, UK prepared with the contemporary student in mind. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: A chronology of the play and the playwTrade ReviewTop Girls has a combination of directness and complexity, which keeps you both emotionally and intellectually alert. You can smell life, and at the same time, feel locked in an argument with an agile and passionate mind. -- John Peter * Sunday Times *The work builds to a superb emotion-draining climax that sent me out of the theatre convinced that this is the best British play ever from a woman dramatist -- Michael Billington * Guardian *[Churchill's] play is brilliantly conceived with considerable wit to illuminate the underlying deep human seriousness of her theme -- Bryan Robertson * Spectator *Table of ContentsChronology (Churchill's life and work, alongside significant political, social and cultural events) Contexts * Historical contexts (women’s rights/advancement; Thatcher’s Britain) * Theatrical contexts (The Royal Court; Max Stafford Clark; production history; critical responses) * The play today (an interview with David Shirley, director of the play in 2014) Themes * Women and work * Female Genealogy: Mothers and daughters (killing your mother; giving up your daughter); sisters (and sisterhood); 'Herstory'/re-finding women's histories * Women’s ability/freedom to occupy multiple/conflicting roles * Women aping masculine behaviour/dress/passing as men * 'Getting away'/freedom/travel/social mobility * Class (individualism vs socialism; economic/social mobility; materialism vs human compassion; 'successful' women ignoring the plight of less fortunate women) Dramatic Technique * Language * Structure * Characterisation/multi-roling Academic Debate (including suggestions for further reading) Related Work Play Text (with on-page glossing/notes) Glossary of Dramatic Terms

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Book SynopsisThe third edition of Hamlet offers a completely new introduction to this rich, mysterious play, examining Shakespeare''s transformation of an ancient Nordic legend into a drama whose philosophical, psychological, political, and spiritual complexities have captivated audiences world-wide for over 400 years. Focusing on the ways in which Shakespeare re-imagined the revenge plot and its capacity to investigate the human experiences of love, grief, obligation, and memory, Heather Hirschfeld explores the play''s cultural and theatrical contexts, its intricate textual issues, its vibrant critical traditions and controversies, and its history of performance and adaptation by celebrated directors, actors, and authors. Supplemented by an updated reading list, extensive illustrationsand helpful appendices, this editionalso features revised commentary notes explicitly designed for the student reader, offering the verybest in contemporary criticism of this great tragedy.Table of ContentsIntroduction; Note on the text; List of characters; The play; Reading list; Appendices.

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The Historians of Ancient Rome is the most comprehensive collection of ancient sources for Roman history available in a single English volume. After a general introduction on Roman historical writing, extensive passages from more than a dozen Greek and Roman historians and biographers trace the history of Rome over more than a thousand years: from the cityâs foundation by Romulus in 753 B.C.E. (Livy) to Constantineâs edict of toleration for Christianity (313 C.E.)Selections include many of the high points of Romeâs climb to world domination: the defeat of Hannibal; the conquest of Greece and the eastern Mediterranean; the defeat of the Catilinarian conspirators; Caesarâs conquest of Gaul; Antony and Cleopatra; the establishment of the Empire by Caesar Augustus; and the Roman Peace under Hadrian and long excepts from Tacitus record the horrors of the reigns of Tiberius and Nero.The book is intended both for undergraduate courses in Roman history and for the gen

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Book Synopsis''I am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order - pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature''On the last day of December 2009 Kate Zambreno, then an unpublished writer, began a blog arising from her obsession with literary modernism. Widely shared on social media, Zambreno''s blog became an outlet for her highly informed and passionate rants and melancholy portraits of the fates of the modernist ''wives and mistresses,'' reclaiming the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers'' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, her blog helped create a community of writers and devised a new feminist discourse

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Book SynopsisGet ready to meet the goddesses.In Divine Might, Natalie Haynes, the bestselling author of Stone Blind and Pandora's Jar, introduces us to the stories of the Greek goddesses. As fearsome, powerful and beloved as their male counterparts, it’s time to look beyond the columns of a ruined temple to the awesome power within . . .We meet Hera, who, whilst most often known for enacting vicious, creative revenge on the women – mortal or otherwise – who catch the wandering eye of her husband Zeus, turns out not to be such a villain after all.We meet Demeter, a mother who will go to any lengths, no matter the cost, to retrieve her daughter Persephone from Hades’ clutches.We’ll be introduced to The Furies, three women who will literally go to the ends of the earth to enact bloody vengeance but who, surprisingly, are the goddesses who can teach us the most about the way we live now.Examining the role of these goddesses and more, Divine Might will change everything you thought you knew about our most ancient stories. Full of fire, fury and devotion, Natalie Haynes brings the divine women of Olympia kicking and screaming into the modern age.Trade ReviewCheerfully erudite . . . academically rigorous . . . combining immense scholarship with a sarky easy-going tone * The Times *Full of wonderful stories . . . packed with detail from ancient source material * The New Statesman *Incredible stories about timeless emotions. * NB Magazine *The great champion of women in Greek myth . . . One of the delights of the book is that Haynes reacquaints us with forgotten goddesses. * Daily Mail *A powerful read that really opens a new dialogue on the Greek goddesses * Independent *

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Book Synopsis"Sergio Chejfec is an admirable writer." —Patti Smith“Could anyone possibly believe that writing doesn’t exist? It would be like denying the existence of rain.”The perfect green notebook forms the basis for Sergio Chejfec’s work, collecting writing, and allowing it to exist in a state of permanent possibility, or, as he says, “The written word is also capable of waiting for the next opportunity to appear and to continue to reveal itself by and for itself.” This same notebook is also the jumping off point for this essay, which considers the dimensions of the act of writing (legibility, annotation, facsimile, inscription, typewriter versus word processor versus pen) as a way of thinking, as a record of relative degrees of permanence, and as a performance. From Kafka through Borges, Nabokov, Levrero, Walser, the implications of how we write take on meaning as well worth considering as what we write. This is a love letter to the act of writing as practice, bearing down on all the ways it happens (cleaning typewriter keys, the inevitable drying out of the bottle of wite-out, the difference between Word Perfect and Word) to open up all the ways in which “when we express our thought, it changes.” Trade Review************Praise for Sergio Chejfec"Sergio Chejfec is an admirable writer." —Patti Smith“Chejfec's latest work should be treated as a significant event." —Publisher's Weekly"It is hard to think of another contemporary writer who, marrying true intellect with simple description of a space, simultaneously covers so little and so much ground.” —Times Literary Supplement"I'd locate My Two Worlds among the rarae aves of recent fiction, among those books still capable of blazing new paths on the perilous trajectory of the modern novel." —Enrique Vila-Matas"This first novel by New York-based Argentine native Chejfec to be translated into English is a slim, gracefully discursive work....[My Two Worlds] allows us to enter the thoughts of a restless intellectual whose streams of thought involve the reader in his quest to find meaning in everything he sees and does." —Kirkus Reviews"If genius can be defined by the measure of depth of an artist’s perception into human experience, then Chejfec is a genius." —Coffin Factory“Sergio Chejfec’s The Incompletes is a masterfully nested narrative where writing—its presence on the page, its course through time, its prismatic dispersion of meaning—is the true protagonist. Heather Cleary’s flawless translation adds yet another layer to this extraordinary palimpsest of a novel.” —Hernan Diaz"This was one of Sergio’s great gifts as a writer: his ability to take the small, the fragmentary, and to reveal the worlds contained within." —Heather Cleary, Lit Hub"A beautifully baffling book about the peripatetic wanderings of your own mind through the hotels, hallways, and postcards of the protagonists, or about the instability hiding in every apparently solid building, or maybe even how you don’t know an event is significant until some disconnected and celestial phenomenon illuminates it." —Josh Cook , Porter Square Books

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Book SynopsisImmerse yourself in a land full of literary locations in this tour through the great books of the British Isles. Caroline Taggart's guide to statues, walks both rural and urban, literary homes and vistas which inspired great scenes from our favourite novels is guaranteed to have something for every avid reader.

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Book SynopsisTrade ReviewThere may never be an absolutely definitive collection of Shakespeare’s plays, but this may be as close as we ever come. Clear, user-friendly and meticulous, this is the edition we all need. * David Tennant *All of humanity in all of its complexity is contained within these plays, so much so that it’s hard to imagine that Shakespeare will ever be surpassed as the world’s greatest and most beloved playwright. It’s therefore fitting to have this edition that displays his continuing relevance and resonances to his ongoing audience. * David Oyelowo *This is a glorious edition of one of the world’s most important books. It’s the essential reference book for anyone who’s ever been in love, felt jealousy, fear, hatred or desire. All human life is here – and every home should have one. * Dame Judi Dench, in praise of the first edition *Timely, original, and beautifully conceived, the RSC edition makes Shakespeare’s extraordinary accomplishment more vivid than ever. * James Shapiro, Professor, Columbia University, in praise of the first edition *Table of ContentsPreface to Shakespeare: A Second Edition, Jonathan Bate The First Folio after 400 years The ‘Second Folio’ of the RSC Shakespeare General Introduction, Jonathan Bate Shakespeare our Perennial Contemporary Shakespeare’s Debut: The ‘Upstart Crow’ The Back Story: Shakespeare of Stratford The Playhouses Plague and Poetry The Lord Chamberlain’s Man The Ensemble at Work Dangerous Matter: Politics and Religion The King’s Man Cult and Heresy The Great Feast of Languages The First Folio Restored User’s Guide Preliminary pages of the First Folio Foreword, Greg Doran, Artistic Director Emeritus, Royal Shakespeare Company PLATES WILLIAM SHAKESPEARE: COMPLETE WORKS with Introductions and Key Facts, Jonathan Bate COMEDIES The Tempest The Two Gentlemen of Verona The Merry Wives of Windsor Measure for Measure The Comedy of Errors Much Ado about Nothing Love’s Labour’s Lost A Midsummer Night’s Dream The Merchant of Venice As You Like It The Taming of the Shrew All’s Well that Ends Well Twelfth Night, or What You Will The Winter’s Tale HISTORIES The Life and Death of King John The Life and Death of King Richard the Second The First Part of Henry the Fourth, with the Life and Death of Henry surnamed Hotspur The Second Part of Henry the Fourth, containing his Death and the Coronation of King Henry the Fifth The Life of Henry the Fifth The First Part of Henry the Sixth The Second Part of Henry the Sixth, with the Death of the Good Duke Humphrey The Third Part of Henry the Sixth, with the Death of the Duke of York The Tragedy of Richard the Third, with the Landing of Earl Richmond and the Battle at Bosworth Field The Famous History of the Life of King Henry the Eighth TRAGEDIES The Tragedy of Troilus and Cressida The Tragedy of Coriolanus The Lamentable Tragedy of Titus Andronicus The Tragedy of Romeo and Juliet The Life of Timon of Athens The Tragedy of Julius Caesar The Tragedy of Macbeth The Tragedy of Hamlet, Prince of Denmark The Tragedy of King Lear The Tragedy of Othello, the Moor of Venice The Tragedy of Antony and Cleopatra The Tragedy of Cymbeline PLAYS NOT IN THE FIRST FOLIO Pericles, Prince of Tyre, William Shakespeare and George Wilkins The Two Noble Kinsmen, William Shakespeare and John Fletcher POEMS AND SONNETS Venus and Adonis The Rape of Lucrece The Passionate Pilgrim ‘To the Queen’ ‘Let the Bird of Loudest Lay’ (also known as ‘The Phoenix and Turtle’) Shakespeare’s Sonnets ‘A Lover’s Complaint’ A Scene for Sir Thomas More (introduction, transcription and modernized text by Eric Rasmussen) CHARTS Shakespeare’s Works: A Conjectural Chronology The Houses of Lancaster and York: A Genealogy Kings and Queens of England: From the History Plays to Shakespeare’s Lifetime The History behind the Histories: A Chronology The History behind the Tragedies: A Chronology

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Book SynopsisBest Fifteen Books of March 2019, Refinery29Best Nonfiction Books of 2019, Paste MagazineObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Fetishized, demonized, celebrated, and outlawed, the high heel is central to the iconography of modern womanhood. But are high heels good? Are they feminist? What does it mean for a woman (or, for that matter, a man) to choose to wear them?Meditating on the labyrinthine nature of sexual identity and the performance of gender, High Heel moves from film to fairytale, from foot binding to feminism, and from the golden ratio to glam rock. Summer Brennan considers this most provocative of fashion accessories as a nexus of desire and struggle, sex and society, violence and self expression, setting out to understand what it means to be a woman by walking a few hundred years in her shoes.Object Lessons is published in partnershiTrade Review[B]risk, readable … Brennan circles around the shoes from all angles, and her brief chapters add up to a kaleidoscopic view of feminine public existence, both wide-ranging and thoughtful. * Jezebel *High Heel is poetry in prose, and while a serious work about the shoe in worldwide history and contemporary culture, it sounds more rhythmic, like poetry in motion. * San Francisco Book Review *In High Heel, the wonderful Summer Brennan embraces a slippery, electric conundrum: Does the high heel stand for oppression or power? … In 150 little essays, Brennan goes at it with poetry, literary references, myth, the psychopathology of rape, fairy tales, politics, and fashion history. All is brought off so beautifully that you can’t help reading … High Heel elevates us, keeps us off balance, and sharpens the point. * The Philadelphia Inquirer *Myths about the transformative power of high heels are central to Summer Brennan’s latest book, High Heel. Part of Bloomsbury’s Object Lessons series, the book traces the history and cultural associations of high heels, primarily as worn by women. Drawing from Ovid’s tales to Cinderella to witch trials to modern courtrooms, Brennan makes the case that high heels are an apt metaphor for the ways in which women have been hobbled in their mobility. She also tackles the relationship between beauty and suffering, highlighting the fraught nature of reclaiming objects defined under patriarchy for feminism. * Paste *The lovely cadences stack up like so many sand castles that sift iconic examples of high heels into a finely grained pile of pros and cons that each reader will sift through quite differently … Whether you're for them or against them, the radical uncertainty of Brennan's take on high heels is worth reflection. High Heel is a properly modern consideration of what is at stake and it uses thoroughly intriguing methods of inquiry to approach a well-balanced lack of resolution. * PopMatters *From Cinderella’s glass slippers to Carrie Bradshaw’s Manolo Blahniks, Summer Brennan deftly analyzes one of the world’s most provocative and sexualized fashion accessories in High Heel, part of the Object Lessons series from Bloomsbury. Told in 150 vignettes that alternately entertain and educate, disturb and depress, the book ruminates on the ways in which society fetishizes, celebrates, and demonizes the high heel as well as the people, primarily women, who wear them … Whether you see high heels as empowering or a submission to patriarchal gender roles (or land somewhere in between), you’ll likely never look at a pair the same way again after reading High Heel. * Longreads *High Heel is thought-provoking meditation on what it means to move through the world as a woman. Brennan’s book, written in very small sections, is short, but powerful enough to completely change your world view. * Refinery29 *High Heel is a riveting, ferociously intelligent, deeply liberating book. I would like to press a copy of it into the hands of every woman I know—and every man, too. -- Jami Attenberg, author of All Grown Up (2017)In the ongoing book series Object Lessons, about the hidden lives of ordinary things, [Brennan] steps into the shoe as a starting point to consider the politics of femininity and of being a woman in public – from the trouble with fairy tales to Sylvia Plath’s black patent pumps. * The Globe and Mail (Canada) *Table of ContentsPart One The Garden of Forking Paths Part Two Daphne in Flight, Daphne in Flower Part Three Ashes, Sea Foam, Glass, Gold Part Four The Minotaur Part Five A Goddess At The End of the World Acknowledgements Selected Bibliography Index

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Book SynopsisWhat exactly are the Weird and the Eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H. P. Lovecraft, H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan."

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Book SynopsisTrade Review"Scott McCloud's brilliant treatise on the inner workings of cartoonists will delight amateur artists and curious fans alike." -- Salon "In this, McCloud's third nonfiction book about comics, he has produced his most significant achievement to date, and that's really saying something." -- Cory Doctorow "Only Scott McCloud could have organized his thoughts on comics like this. Scott's talent as a cartoonist not only makes him intimate to insights no outsider can see, but also gives him the power to show it to the world." -- Jeff Smith "Every aspect of comics creation is covered in this enlightening, accessible guide presented in a comic-strip format." -- Booklist (Editor's Choice) "A guide to creating comics that is as thoughtful and entertaining as the best-loved work in the field, both enjoyable and accessible to casual fans of the form and the new gold standard for artists who want to create their own comics, manga, and graphic novels. -- Bookslut "More than a how-to, the book goes beyond simple instruction, digging into the real dirt of creating comics." -- Kirkus Reviews

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Book SynopsisA new cover reissue of AND STILL I RISE, first published in 1986, from Maya Angelou, one of the most celebrated writers and poets of the world.Trade ReviewA brilliant writer, a fierce friend and a truly phenomenal woman -- President Barack ObamaThe poems and stories she wrote . . . were gifts of wisdom and wit, courage and grace -- President Bill ClintonShe moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds -- Oprah WinfreyShe was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate -- Toni MorrisonAngelou was the first poet since Robert Frost to recite work at a presidential inauguration. And Still I Rise is a tribute to determination, from the title poem to the anthemic "Phenomenal Woman", which sounds like something that Beyoncé could set to music -- Stig Abell * The Times *

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Book SynopsisHarperCollins is proud to present its range of best-loved, essential classics.''Oh! Mama, how spiritless, how tame was Edward''s manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat.''Spirited and impulsive, Marianne Dashwood is the complete opposite to her controlled and sensible sister, Elinor. When it comes to matters of the heart, Marianne is passionate and romantic and soon falls for the charming, but unreliable Mr Willoughby. Elinor, in contrast, copes stoically with the news that her love, Edward Ferrars is promised to another.It is through their shared experiences of love that both sisters come to learn that the key to a successful match comes from finding the perfect mixture of rationality and feeling.

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Book SynopsisPathways, Second Edition, is a global, five-level academic English program. Carefully-guided lessons develop the language skills, critical thinking, and learning strategies required for academic success. Using authentic and relevant content from National Geographic, including video, charts, and other infographics, Pathways prepares students to work effectively and confidently in an academic environment.

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Book SynopsisHarperCollins is proud to present its range of best-loved, essential classics.Is Mr. Heathcliff a man? If so, is he mad? And if not, is he a devil?'Heathcliff, an orphan, wild and unkempt, is taken in by Mr Earnshaw and raised as his son at Wuthering Heights on the bleak Yorkshire moors. He is drawn to Earnshaw's daughter Catherine, and as the pair grow up together they become bound by an intense and passionate love. But when Catherine's father dies, Heathcliff is condemned to servitude, and social disparity drives a wedge between them that will eventually become their downfall.Poetic, grand in scope, and with complex ideas of morality, social codes, violence and illness, Wuthering Heights is one of the most unique and emotive Gothic novels, and is consideredEmily Brontë's masterpiece.

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Book SynopsisRobert Frost was born in San Francisco in 1874. After the death of his father he moved with his mother and sister to Massachusetts. His first collection, A Boy's Will, was published in 1913. In 1924 he won the first of four Pulitzer Prizes for his fourth book, New Hampshire. In the 1930s, as he became ever more revered, he suffered a series of family tragedies: his youngest child Marjorie died in 1934, his wife Elinor in 1938, and his son Carol in 1940. Another daughter, Irma, suffered from mental illness. Frost's last major collection, A Witness Tree (1942), contains a number of poems reflecting these disasters. In 1957 Robert Frost received honorary degrees from the Universities of Oxford and Cambridge. He died in January 1963.Trade ReviewThe most eminent, the most distinguished Anglo-American poet now living -- T. S. EliotFrost was the first American poet who could honestly be reckoned a master-poet by world standards -- Robert GravesRobert Frost has passed into the poetic pantheon * Independent *Of all the poetry written in our generation, Frost's is most likely to stand the test of time * Lewis Gannett *

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Book SynopsisThe stunning new novel from the author of the National Book Award–finalist A Children’s BibleTrade Review"Tender but never sentimental, wearing its intelligence in a low-slung style, Dinosaurs is a garden of earthly delights." -- Laura Mechling - Vogue"Deceptively simple and quietly lovely, Dinosaurs is a compassionate character study of a loner who discovers community. " -- Adrienne Westenfeld - Esquire"Effortlessly readable... there is something new and unusual about Dinosaurs." -- Sam Sacks - The Wall Street Journal"Quietly powerful" -- Adam Begley - The Spectator"This gentle, redemptive novel follows a damaged, trusting man as he heals through human connection and requited love… it leaves a warm afterglow and an optimism that lingers." -- Sally Morris - Daily Mail"Dinosaurs’ solidifies a new phase of Millet’s career. . . . The spaciousness of the style makes the sense of loss richer and the questions posed — what constitutes moral action, how best can we help one another — at once simpler and more profound." -- Christine Smallwood - The New York Times"Millet has perfected charged, science-based prose that takes a surgeon’s loupe to how people interact with nature." -- The San Francisco Chronicle"Dinosaurs is sharp and implacably funny; it evades the sanctimony you’d expect." -- Katy Waldman - The New Yorker

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Book SynopsisOrlando Reade is a writer from London. He studied English at Cambridge and Princeton, where he received his PhD in 2020. He has written about culture and politics for publications including Frieze, the Guardian, and the White Review, where he served as a contributing editor. He is currently Assistant Professor of English at Northeastern University London.

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Book SynopsisA love letter to the joys of childhood reading from Wonderland to Narnia.When Lucy Mangan was little, stories were everything. They opened up new worlds and cast light on all the complexities she encountered in this one.She was whisked away to Narnia - and Kirrin Island - and Wonderland. She ventured down rabbit holes and womble burrows into midnight gardens and chocolate factories. She wandered the countryside with Milly-Molly-Mandy, and played by the tracks with the Railway Children. With Charlotte's Web she discovered Death and with Judy Blume it was Boys. No wonder she only left the house for her weekly trip to the library or to spend her pocket money on amassing her own at home.In Bookworm, Lucy revisits her childhood reading with wit, love and gratitude. She relives our best-beloved books, their extraordinary creators, and looks at the thousand subtle ways they shape our lives. She also disinters a few forgotten treasures to inspire the next generation of bookworms and set them on their way.Lucy brings the favourite characters of our collective childhoods back to life - prompting endless re-readings, rediscoveries, and, inevitably, fierce debate - and brilliantly uses them to tell her own story, that of a born, and unrepentant, bookworm.'Passionate, witty, informed, and gloriously opinionated' Jacqueline Wilson author of The Story of Tracy Beaker Trade ReviewI felt like this was written just for me, and I think everyone will feel this wayTHE most wonderful, funny, clever, charming, evocative book. * India Knight *A book for people who love books, by a person who loves books. Bookworms unite (or just sit in our separate corners and read!) * Stylist *A delicously nostalgic treat that will make you want to pull out all those old favourites again * Good Housekeeping *Artfully evokes that particular magic of reading as a child… Deliciously unrepentant, Mangan’s Bookworm makes a timely case not just for how vital reading is, but also for rereading books as a child, and how reading remains consoling, fortifying and, sometimes, magical. * The Sunday Times *A wonderful romp through the pages of childhood, illuminated by wisdom, humour and enthusiasm. * Bernard Cornwell *What Mangan does brilliantly is express the experience of reading and articulate the emotional connections we make with stories. She understands how books become entwined in our lives and help us make sense of the world. You don’t need to have enjoyed the same books as she has to recognise the pure, life-affirming joy of reading that Bookworm celebrates so eloquently. * The Observer *Lucy Mangan has enough comic energy to power the National Grid... We need this new memoir about her childhood of being a bookworm. It's enchanting. * The Spectator *To read Lucy Mangan’s memoir of growing up bookish is to be taken back to a time in life when reading wasn’t merely a gentle pleasure or mild obligation but an activity as essential as breathing. * Guardian *Anyone who has ever preferred books to life will recognise Lucy Mangan as a kindred spirit. Her moving, funny, honest and superbly-written memoir about how childhood reading shapes our personalities, memories and chances could not be more timely or more needed in an age of library closures, embattled Humanities teaching and Philistinism. * Amanda Craig *Lucy Mangan's passionate, amusing and nostalgic reflection upon her favourite children’s books deserves to become as much of a classic as the novels she revisits. * Sunday Express *A witty and thorough history of reading for children from the 17th century to the present day. Fiercely unsentimental and often funny, it's a memoir that will strike a ringing chord with anyone who spent most of their childhood glued to a book. * Irish Times *Deft, warm and beautifully balanced. Made me smile. Made me glow. Made me think again and again. * Jason Hazeley, co-author of the adult Ladybird series *Funny, nostalgic and super-interesting… Warm, witty and a must-read for every bookworm. * The Sun *The Guardian columnist has composed an enthusiastic love letter to childhood reading, and the classic books that have shaped many young lives, as well as providing a resource and guide on how to build a children’s library * Guardian *Funny and engaging. -- Sue Barraclough * Irish News *Bookworm is for anyone who longed to be on Kirrin Island with the Famous Five, slip through a back of a wardrobe into Narnia or will always think fondly of the penis named Ralph in Judy Blume’s Forever * Red Magazine *A warm, witty story about stories and the way they shape us. -- Lucy Brookes * CultureWhisper *Lucy Mangan’s passionate, amusing and nostalgic reflection upon her favourite children’s books deserves to become as much of a classic as the novels she revisits. -- Charlotte Heathcote * Sunday Express *Enchanting. -- Ysenda Maxton Graham * Spectator *Joyful and heart-warming. * Muddy Stilettos *Entertaining and hugely engaging… An entirely inspiring read. -- Eithne Farry * Sunday Express *… like a heated but enjoyable discussion with a best friend bookworm. -- Jacqueline Wilson * The Week *A love letter to the books we all read as children. -- Mike Gayle * Metro *[W]ise and witty… all the time Mangan has the ability to be ceaselessly and apparently effortlessly funny * Books For Keeps *If you're a book lover of any form then you will almost certainly get something from this book… you will look fondly back on the books of your childhood too -- Paul Cheney * Nudge *In Lucy Mangan’s Bookworm…childhood books are brought vividly to life, as are the remembered pleasures of first encountering them -- Harriet Baker * Times Literary Supplement *Lucy Mangan's funny, warm Bookworm is personal and universal in the way that the very best books are -- Aliya White * Den of Geek, **Books of the Year** *Beautifully narrated, Bookworm brings the favourite characters of our collective childhoods back to life and brilliantly uses them to tell her own story * Psychologies *An enchanting, nostalgic, comfort read * Mail on Sunday *

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Book SynopsisA beautifully illustrated account of the letters and correspondence of Jane Austen. It has been said that Jane Austen the woman and Jane Austen the author are all of a piece, and nowhere is this more evident to the lovers of her novels than in the pages of her letters. This handsome celebration of Austen's letters is illustrated with portraits, facsimile letters, topographical engravings and fashion plates, all helping to bring to life the world Jane Austen inhabited. The letters, with an accompanying commentary by Penelope Hughes-Hallett, are separated into six periods of Jane Austen's life, between the years 1796, when she was twenty, and 1817, the year of her death. They celebrate Jane Austen's talent for expressing exactly what she perceived, making this an illuminating companion to her novels. Although the book follows a broadly chronological scheme, the letters are arranged round visual themes, including the Hampshire countryside, social life in Bath and London, domestic pursuits, paying visits and travelling by carriage. The author, who was born in Jane Austen's Hampshire village of Steventon, lectured on English Literature for the Open University and the Oxford University Department of External Studies. Trade Review‘It’s a fascinating insight into [Jane Austen’s] life and what influenced her.’ * The People's Friend *'Thoughtful and Attractive.' * Best of British *'This is a wondrous mixture of personal opinion, informed commentary and illuminating illustrations... a volume to dip into and enjoy again and again' * Jane Austen’s Regency World Review *

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Book SynopsisLeonard Cohen made his name as a poet before he came to worldwide attention as a singer and songwriter. This collection of his poetry was written in Montreal, Mumbai and during his retirement in Mt Baldy.

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Book SynopsisA farewell to Eastern Europe and its vanishing culture.

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Book SynopsisLao Tzu's Tao Te Ching is the source of Zen Buddhism, and is probably the most broadly influential spiritual text in human history.Complete & Unabridged. Part of the Macmillan Collector’s Library; a series of stunning, cloth-bound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated and introduced by David Hinton. Fluent in ancient Chinese and an acclaimed poet, he skilfully reveals how remarkably current and even innovative this text is after 2500 years.According to legend, Lao Tzu left China at the age of eighty, saddened that men would not follow the path to natural goodness. At the border with Tibet, a guard asked him to record his teachings and the Tao Te Ching is what he wrote down before leaving. Lao Tzu's spirituality describes the Cosmos as a harmonious and generative organism, and it shows how the human is an integral part of that cosmos.

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Book SynopsisA THE TIMES BOOK OF THE YEAR 2019''The best introduction to the plays I''ve read, perhaps the best book on Shakespeare, full stop'' Alex Preston, Observer''It makes you impatient to see or re-read the plays at once'' Hilary MantelA genius and prophet whose timeless works encapsulate the human condition like no others. A writer who surpassed his contemporaries in vision, originality and literary mastery. Who wrote like an angel, putting it all so much better than anyone else.Is this Shakespeare? Well, sort of.But it doesn''t really tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant, deflecting us from investigating the challenges of his inconsistencies and flaws. This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare''s plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex. It takes us into a world of politicking and copy-catting, as we watch him emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cut-throat issues of succession politics, religious upheaval and technological change. The Shakespeare in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean.This is Shakespeare. And he needs your attention.Trade ReviewThe best introduction to the plays I've read, perhaps the best book on Shakespeare, full stop. This is a model of unpretentious, deeply researched, profoundly approachable criticism. It's a book to give to anyone who loves Shakespeare, but particularly to those who think they don't ... What This Is Shakespeare gives the reader most of all, though, is a licence to enjoy the plays without the cultural and historical baggage they so often carry -- Alex Preston * Observer *The question that hangs over every new book on Shakespeare is, "Why read this one?" The short answer is, because it is very good indeed. There is no shortage of eminent Shakespeare scholars, and in her role as professor of Shakespeare studies at Oxford, Smith certainly ranks among them; but more importantly for a book like this, she is perhaps the pre-eminent Shakespeare communicator working today ... This is Shakespeare cuts through the accumulated crust of "schoolroom platitudes", cant and literary piety in order to dust Shakespeare off and see him as he is, was, and might be -- Tim Smith-Laing * Daily Telegraph *I like this book very much. It explains accessibly, with learning lightly worn, why Shakespeare retains such a hold in our culture. Smith has done an exemplary job of restoring the greatest of English writers to his own time, and explaining why he then speaks to ours ... An invigorating examination of the pre-eminence of the most revered figure of English letters -- Oliver Kamm * The Times *Quirky, brilliant ... what's most bracing about Smith's book is the way she sees the plays as almost organic: not only contradictory but alive -- Daniel Swift * Spectator *This is Shakespeare wears its learning very lightly, although there are clear signs of that learning in every chapter ... Sane, sensible and suitably woke ... original and provocative analysis -- Lisa Hopkins * Times Higher Education *Thought-provoking, fizzing with jokes ... Smith is celebrating a Shakespeare who talks to the present. She does it all with such a light touch you barely notice how much you're learning ... Anyone who doesn't understand what the fuss is all about should read This Is Shakespeare -- Colin Burrow * Guardian *An outstanding book ... a distillation of intricate conceptual and textual cruces into readable prose ... lively and unexpectedly moving ... curious and passionate ... [It reminds me] why I came to enjoy Shakespeare so much in the first place -- Sophie Duncan * Literary Review *Intriguing ... Smith argues that the defining characteristic of Shakespeare's plays is their 'permissive gappiness'. This must also surely be the first book on Shakespeare to use the slang term 'woke' * Evening Standard *A joy to read, full of questions, surprises, and new ideas. Smith brings us remarkable new readings of Shakespeare, and a sense of how his work lives on the stage. A wonderful book -- Margaret DrabbleIf I were asked to recommend one guide for readers keen on discovering what's at stake in Shakespeare's plays, This Is Shakespeare would be it. Deeply informed, never dogmatic, and alert to how performance matters, Emma Smith understands that Shakespeare's plays prompt questions rather than provide answers. Her elegantly written and sharply observed book is richly rewarding. -- James Shapiro, author of 1599: A Year in the Life of William ShakespeareA fascinating new perspective and an absolute pleasure to read -- Eimear McBride, author of A Girl is a Half-formed ThingImpeccable ... This is Shakespeare is the ideal book of its moment for unlocking the works of that most miraculous, mysterious and be-pedestalled figure in English literature [...] Smith's fresh approaches reveal something crucial about Shakespeare's ongoing relevance * The Saturday Paper *There's an invigorating frankness to Smith's approach [...] She generously leads an accessible and insightful route towards a provocative, complicating reading of Shakespeare's work. * GLOBE Magazine *Shakespeare pulled from his pedestal and made contemporary...this book is terrific...informative and, more importantly, very enjoyable * This England *Smith salvages Shakespeare from the status of isolated genius, and reveals him as an active participant in his own time and place. In turn, we the audience become active participants in the remaking of Shakespeare...This book puts the pleasure back into the plays, and there is no better reason to read about Shakespeare than that -- Sarah Ditum * The Lancet *Packed with sharp observations and illuminating commentary on the works and their afterlives...acute on the plays' modern resonances and how today's theatre troupes handle Will's less woke moments, such as The Taming of the Shrew. They won't cancel Shakey yet! * The Times Books of the Year 2019 *A brilliant and accessible tour of Shakespeare's plays that is also a radical manifesto for how to read and watch his work. Witty, irreverent and searching, this book shines dazzling new light on the oeuvre of the world's greatest literary genius. * Economist Books of the Year *A tonic ... This Is Shakespeare will, for some time to come, remain required reading for all those with more than a passing interest in Shakespeare ... ['Gappiness' is] a compelling way of evaluating afresh an author about whom we are often told that everything has been said ... Outstanding ... A model for almost everything that Shakespeare criticism for the general reader should be striving to achieve -- Rhodri Lewis * Prospect *Consistently fascinating [...] there's no denying the wit and intelligence [...] nor the dangerous readability of this thoughtful study. -- Alexander Larman * Observer *Read this and you will be seduced -- Val McDermid (Radio 4, A Good Read)Praise for previous works by Emma Smith "Emma Smith is a courteous and helpful guide who wears her considerable learning lightly in this enjoyable, well-conceived, well-written book" -- Andrew Hadfield * Irish Times *Praise for previous works by Emma Smith: "A fascinating and provocative book" -- Daniel Swift * Spectator *Praise for previous works by Emma Smith: "Delightful... there is a bite in Smith's exuberant tales of buying, selling and displaying Shakespeare... beautifully judged, impeccably researched yet wry and affectionate" -- Jerry Brotton * Financial Times *Praise for previous works by Emma Smith "Brilliantly approachable and entertaining ... anarchic, counterintuitive, critical ... perfect" -- Alex Preston * Observer *Praise for previous works by Emma Smith "Delightful" * Telegraph *

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Book SynopsisShakespeare and Lost Plays returns Shakespeare''s dramatic work to its most immediate and (arguably) pivotal context; by situating it alongside the hundreds of plays known to Shakespeare''s original audiences, but lost to us. David McInnis reassesses the value of lost plays in relation to both the companies that originally performed them, and to contemporary scholars of early modern drama. This innovative study revisits key moments in Shakespeare''s career and the development of his company and, by prioritising the immense volume of information we now possess about lost plays, provides a richer, more accurate picture of dramatic activity than has hitherto been possible. By considering a variety of ways to grapple with the problem of lost, imperceptible, or ignored texts, this volume presents a methodology for working with lacunae in archival evidence and the distorting effect of Shakespeare-centric narratives, thus reinterpreting our perception of the field of early modern drama.Trade Review'This is an exceptionally innovative book championing the brand new methodologies and discoveries associated with lost plays that the author and his collaborators have brought to the profession. It would be hard to think of a more groundbreaking work than this, and it will be necessary reading for all scholars of early modern drama, any cultural historians who find themselves confronting the issue of evidential loss, as well as students of these various fields.' Andy Kesson, University of Roehampton, London'This is a well-conceived, skilfully argued, and constantly astonishing book. Its object is to insist on the importance of a study of lost plays so as better to understand the canonical plays we have been too complacent about. It will impact substantially on Shakespeare studies, on Early Modern theatre studies more widely, on authorship determination, and on more general literary and historical studies. Shakespeare and Lost Plays is an outstanding publication.' David Carnegie, Victoria University of Wellington'A fascinating work of literary detection.' Gordon Parsons, Morning Star'The moments of brilliant speculation about enigmas such as Spanish Maze and Felmelanco are the heart of McInnis's work because they display not only superb research skills but also impressive synaptic leaps; at such moments, one feels one is reading both a scholar and a poet. Overall, this is a wonderful book that opens the imagination and proves the vitality and the value of the study of lost plays.' David Nicol, British Shakespeare Association's Journal'Anyone interested in researching historical writing, English or otherwise, would benefit from reading this book, to help us deal with the loss of sources, and to learn how to complicate and enrich our reading and understanding of the texts that did survive.' Sonja Kleij, English Studies'McInnis's study is generous and hopefully generative, and it deserves the kind of careful engagement it offers to its subject. McInnis sheds light on understudied plays and he finds exciting connections, never before identified, some of which in turn allow for a different perspective on individual Shakespeare plays and on his career and early afterlife. But above all, McInnis models an approach to scholarship that promises to yield further insights. This refreshing book, which balances meticulous attention to detail with imagination and creativity, deserves to be widely read.' Eoin Price, Early Theatre'The potential impact of McInnis's ground-breaking study is unlikely to be lost on readers … Shakespeare and Lost Plays opens up numerous explorative avenues for future investigations, and I have no doubt that it will be preserved in the annals of academic history as a seminal work' Jones, Bücherschau'This is a productive and helpful enterprise, which McInnis reaches through a series of skillful, careful, and innovative readings … This refreshing book, which balances meticulous attention to detail with imagination and creativity, deserves to be widely read. That the book is relatively inexpensive for a new academic hardback should help it get the attention it deserves.' Eoin Price, Early TheatreTable of ContentsIntroduction; 1. Charting the landscape of loss; 2. Early Shakespeare: 1594-98; 3. Shakespeare at the turn of the century, 1599-1603; 4. Courting controversy: Shakespeare and the king's men, 1604-08; 5. Late Shakespeare: 1609-13; 6. Loose canons: the lost Shakespeare apocrypha; Conclusion.

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Book Synopsis

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Book SynopsisLYNDA PRESCOTT is Senior Lecturer in Literature, The Open University, UK.

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Book SynopsisIn Burning Questions Atwood aims her constant curiosity and impish humour at our world and reports back to us on what she finds.In it she seeks answers to Burning Questions such as: Why do people everywhere, in all cultures, tell stories? How can we live on our planet? What do zombies have to do with authoritarianism? The roller-coaster period covered in the collection brought an end to the end of history, a financial crash, the rise of Trump and a pandemic. From debt to tech, the climate crisis to freedom; from when to dispense advice to the young (answer: only when asked) to how to define granola, we have no better questioner of the many and varied mysteries of our human universe.INCLUDES NEW MATERIAL FOR PAPERBACK‘A wonderfully written insight into everything from zombies to the climate crisis’ Stylist‘The mighty Margaret Atwood writes about everything from granola to Trump' The TimesTrade ReviewThis isn't just a collection of essays for Atwood fans. Rather, this is an attempt to make sense of the world, taking in with characteristic verve everything from Anne of Green Gables to Donald Trump, zombies to censorship . . . While the tone skates from surreal off-kilter wit to impassioned gravity, Atwood always makes the idea of big questions a little more digestible . . . The collection is polyphonic, enthusiastic, illuminating -- Sophie Macintosh * i News *Margaret Atwood was recently described in a Guardian interview as "arguably the most famous living literary novelist in the world", and she is undoubtedly the most venerable . . . It's fascinating to read Atwood's reflections on her own novels and their continued relevance . . . but equally striking to see how many pieces she has included here generously celebrating other writers -- Stephanie Merritt * Observer *If there's one person in the world from whom you'd want a hot take on the most pressing issues, it would surely be Margaret Atwood . . . She answers our burning questions on climate change, the rise of Trump and on to debt and tech -- Joanna Taylor * Evening Standard *With her bold imagination, calm insight, and wit, Atwood gathers diverse strands into a marvellous collection ranging from the history of forests to the nature of science fiction and beyond. Burning Questions is a delicious antidote to intellectual fragmentation that left me inspired -- Merlin Sheldrake, author of Entangled LifeA compilation of essays that pick the brain of Booker Prize-winning author Margaret Atwood, this is a wonderfully written insight into everything from zombies to the climate crisis * Stylist *

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