ELT & Literary Studies Books

Book SynopsisThis volume gathers together some of the most brilliant and influential essays ever written in English.The Spirit of Controversy uses versions of the essays as they first appeared in the magazines of his day.Trade ReviewThe ambitious attention to contextual situations, and the generous help afforded through introduction and annotations, make this the best selection yet for undergraduates, and the most affordable genuinely good edition for any Hazlitt reader. * Koenraad Claes, Hazlitt Review *Table of ContentsIntroduction Note on the Text Select Bibliography A Chronology of William Hazlitt 1: Reply to Malthus 2: Fragments on Art 3: Mr Kean's Shylock 4: On Imitation 5: On Gusto 6: On the Elgin Marbles 7: Mrs Siddons 8: Mr Kemble's King John 9: Coriolanus 10: Macbeth 11: Hamlet 12: Character of Mr Burke 13: On Court Influence 14: On Fashion 15: Minor Theatres 16: On the Pleasure of Painting 17: Character of Cobbett 18: The Indian Jugglers 19: On a Landscape by Nicholas Poussin 20: The Fight 21: On Familiar Style 22: On the Spirit of Monarchy 23: My First Acquaintance with Poets 24: On Londoners and Country People 25: Jeremy Bentham 26: Lord Byron 27: William Godwin 28: Mr Wordsworth 29: On the Pleasure of Hating 30: Our National Theatres 31: The Spirit of Controversy 32: The Free Admission 33: The Letter-Bell Explanatory Notes

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Book SynopsisThis rich selection - made by the author - exhibits those qualities in poem after poem, reflecting, moreover, an exciting experimentation with rhythm and language and a movement toward an embrace beyond the personal.Trade ReviewHer best work exhibits a lyrical acuity which is both purifying and redemptive. She sees description as a means to catharsis, and the end result is impossible to forget... Her poetry is remarkable for its candour, its eroticism, and its power to move -- David LeavittOlds remains too little-known in the UK...readers new to her will be astounded -- Kate Clanchy * Independent *If any reading is 'essential', this is it -- Carol RumensSharon Olds explores her own experience with an intransigent honesty and fiery dignity. The reader might flinch at the intimacy, but Olds strikes straight out for the truth -- Rachel Campbell-Johnston * The Times *The attention to line, the superbly focused detail, the way her autobiographical detail strikes, shines, deepens, spreads: this, surely is the sound the confessional hordes have been trying to utter since Lowell, the right road that is missed so easily -- Glyn Maxwell

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Book Synopsis''Superlative... definitive and genuinely gripping'' SUNDAY TIMES''Utterly engrossing'' EVENING STANDARD''Compulsively readable... Beautifully written... Definitive'' OBSERVER Appointed by Philip Roth and granted complete access and independence, Blake Bailey spent years poring over Roth''s personal archive, interviewing his friends, lovers, and colleagues, and engaging Roth himself in breathtakingly candid conversations. The result is an indelible portrait of an American master and of the post-war literary scene. Bailey shows how Roth emerged from a lower-middle-class Jewish milieu to achieve the heights of literary fame, how his career was nearly derailed by his catastrophic first marriage, and how he championed the work of dissident novelists behind the Iron Curtain. Bailey examines Roth''s rivalrous friendships with Saul Bellow, John Updike and William Styron, and reveals the truths of his florid love lifeTrade ReviewSuperlative... Bailey's account is definitive and genuinely gripping to boot... He leads us lucidly through a dense palimpsest of overlapping drafts, fictional identities, literary feuds and women. -- Claire Lowdon * Sunday Times *Compulsively readable... Beautifully written... It is hard to imagine a book that will come up with a more definitive series of answers than this one. -- Tim Adams * Observer *[A] monumental and engrossing book... Bailey brings new information and a fresh perspective... No other biographer will have known Roth so well. -- Elaine Showalter * Times Literary Supplement *Bailey's utterly engrossing biography ... shows Roth led a life just as strange and intense as his fictionalised alter egos. -- Tomiwa Owolade * Evening Standard *It's a miracle that he has published so lucid a book just three years after Roth's death - and one so packed with good anecdotes and jokes... It's an achievement for Bailey to have gained as much distance as he has. -- Blake Morrison * Guardian *Philip Roth, for all his flaws, for all that I know his legacy will continue to be judged in judgmental times and found wanting, deserves this riveting, serious and deeply intelligent biography. -- David Baddiel * Spectator *The 19th-century novel lives on. Its name today is Biography; its nature is that of Dostoyevskian magnitude. And Blake Bailey's comprehensive life of Philip Roth - to tell it outright - is a narrative masterwork.' -- Cynthia Ozick * New York Times Book Review *Unassailable as to fact... clear-eyed... quickly moving... Philip Roth seems as brightly peopled as a Victorian novel. ... What [Bailey] does superbly... is chart Roth's sexual and emotional life, and map its effects on his work. -- Michael Gorra * New York Review of Books *[A] terrific new biography... Bailey handles...difficult passages with real skill. -- Benjamin Markovits * Daily Telegraph *A colourful, confident and uncompromising biographical triumph. -- Alexander C Kafka * Independent *

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Book SynopsisOne of the most popular and widely read books of the Middle Ages, Physiologus contains allegories of beasts, stones, and trees both real and imaginary, infused by their anonymous author with the spirit of Christian moral and mystical teaching. This book explains the origins, history, and literary value of this curious text.Trade Review"An elegant little book... still diverting to look at today.... The woodcuts reproduced from the 1587 Rome edition are alone worth the price of the book." - Raymond A. Sokolov, New York Times Book Review "Curley gives a careful account of the history and development of Physiologus, including the insoluble problem of its authorship." - Anne Clark, Washington Post Book World"

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Book SynopsisOffers translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' "The Trackers". In this title, introductions for each play offer information about its first production, plot, and reception in antiquity and beyond.

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Book SynopsisOffers translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' "The Trackers". In this title, introductions for each play offer information about its first production, plot, and reception in antiquity and beyond.

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Book SynopsisThis radically original book argues for the power of ordinary language philosophy a tradition inaugurated by Ludwig Wittgenstein and J. L. Austin, and extended by Stanley Cavell to transform literary studies. In engaging and lucid prose, Toril Moi demonstrates this philosophy's unique ability to lay bare the connections between words and the world, dispel the notion of literature as a monolithic concept, and teach readers how to learn from a literary text. Moi first introduces Wittgenstein's vision of language and theory, which refuses to reduce language to a matter of naming or representation, considers theory's desire for generality doomed to failure, and brings out the philosophical power of the particular case. Contrasting ordinary language philosophy with dominant strands of Saussurean and post-Saussurean thought, she highlights the former's originality, critical power, and potential for creative use. Finally, she challenges the belief that good critics always read below the surfa

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Book SynopsisTrade Review"In this spirited book, Porter identifies not one but three Homeric questions. First, when, how and by whom were the Iliad and the Odyssey actually composed (that is, the Homeric Question as we traditionally know it)? Second, how should we interpret the poems? And third, how does Homer work as a figure of the imagination? . . . One example of Porter’s brilliance is his discussion of Homer’s blindness. Neither historical fact nor unquestioned assumption, 'blindness' was a way for ancient readers to discuss the extraordinary vividness of Homeric epic – a quality that made an impression also on later readers." -- Barbara Graziosi * Times Literary Supplement *"Porter presents intriguing instances of writers who, in thrall to the beauty of Homer’s poetry, either celebrate or deflect from the actual war carnage described therein. Porter’s book provides not only a valuable introduction to the enigma of Homer and the roads taken down the centuries to solve—or at least better understand—that enigma, but also a number of challenging and eye-opening readings of the texts themselves. . . . I found that reading Homer through Porter’s eyes was sometimes most enjoyable precisely when our viewpoints diverged. This, in itself, is a sign of a rich and engaging book." * New Criterion *"Here is a learned tome worth careful examination. Porter presents an original, focused, intelligent analysis of Homer's oeuvre. The style is breathtaking and the range truly impressive. . . . Summing Up: Recommended." * CHOICE *"Brisk and energetic. Students (and teachers) will find much here to provoke thought and argument about the literary, cultural and moral issues, which find expression and exploration via the pages of this most enigmatic of poets." * Journal of Classics Teaching *"Porter’s is a fascinating and erudite book with a penchant for striking prose." * Bryn Mawr Classical Review *"Another book about Homer? No, says [Porter], this one is quite different: he will tease out the sources of Homer’s mystique down the ages, examining the fascination he has cast over posterity since the first recorded references in ancient Greece. There will be nothing about Homer the poet or his supposed historical existence, about the poems’ literary worth or the circumstances of their composition, certainly nothing about heroic society, simply the pursuit of a concept, an idea, a cultural invention of successive ages called ‘Homer’." * Classics for All *"Porter’s book takes us across nearly three millennia of grappling and wrestling with the idea of Homer—who he was, whether he existed, his deification by his admirers, his de-mythologizing by his critics, and his eternal recurrence again and again and again across space and time." * Merion West *"James I. Porter explores the history of Homer’s reception, focusing on the various attempts to construct the illusive identity of the Greek poet. At the same time, following a revisionist tradition popular not only in classical studies but also pervasive in academia through the past nearly seventy years, he argues that the real reading of Homer has been obscured by millennia of Western chauvinism and ideology." * University Bookman *"[Porter] cuts right to the bone of the subject. . . Though our attempts to create a biography around Homer are fruitless, the idea of Homer is eternal." * Law and Liberty *"Porter is an exceptional scholar. Clear, intelligent, and filled with fascinating examples, this book is contemporary while reaching beyond the fashionable, and it will arouse a good deal of discussion." -- Simon Goldhill, author of Preposterous Poetics“Homer: The Very Idea is an extraordinary quest in search not of the elusive Homer but of Homer’s elusivity. Porter takes up Homer as a phenomenon repeatedly produced over millennia, in different times and places, as the gauzy point of origin for cultural value that refuses to vanish. By critically engaging the idea of Homer, he delves deep into the very logic of the tradition’s value. An inimitable tour de force of transhistorical spectrology.” -- Brooke Holmes, author of Gender: Antiquity and Its Legacy“This book is a reckoning with who or what we understand Homer to be and how we have reinvented him for our own ends. Porter makes clear the impossibility of Homer both as a concept and as a person, revealing him as the illusion of a perfectly formed whole that has been kept alive for millennia, a ghost in the machine, a phantom both alive and dead. As a leading scholar in dismantling assumptions about the classical past, Porter has written an original, compelling, and eye-opening book that will generate excitement and admiration.” -- Alex C. Purves, author of Homer and the Poetics of Gesture"This book is the culmination of Porter's work of two decades on Homer as the history of an idea... it demonstrates the immense potential of the poems and their author to create new ideas according to the perspectives of their readers." * The Classical Review *Table of ContentsNote on Translations and Abbreviations List of Illustrations Timeline 1. Why Homer? 2. Who Was Homer? 3. Apotheosis or Apostasy? 4. What Did Homer See? 5. Why War? Acknowledgments Notes Further Reading Works Cited Index

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Book SynopsisRetaining the first edition's literal and respectful translations of Rimbaud's complex and nontraditional verse - after correcting errors and reordering poems - this edition also contains a foreword that considers the heritage of the first edition and adds a bibliography that acknowledges relevant books.Trade Review"This handsome edition, which makes France's most remarkable poet readily available in the U.S., may well be a literary landmark comparable to Baudelaire's introduction of Edgar Allan Poe in France a century earlier." - Anna Balakian, New York Times Book Review"

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Book SynopsisA pathbreaking genealogy of queer theory that traces its roots to an unexpected source: sociological research on marginal communities in the era before Stonewall.Trade Review“What might we learn about queer studies by exploring its intellectual debts to midcentury social scientists’ interest in underdogs, underworlds, and the dynamics of stigma? Heather Love’s provocative and defamiliarizing analysis asks us to see queer studies—its limitations and its transformational possibilities—anew. A critical intellectual history, teeming with ideas and unlikely engagements.” * Regina Kunzel, Yale University *“Underdogs is a well-crafted, subtle, and beautifully written foray into the worlds of mid-twentieth century social science by a humanities scholar who uncovers, in the fine details of descriptive empirical research, the largely unrecognized precursors of today’s queer studies. With keen focus, Love reveals new possibilities for scholarly, ethical, and political commitments to the defense of outcasts and outsiders. Love makes an impassioned claim that humanists and social scientists need one another—and need to set aside the tenacious methodological dogmas that keep them apart.” * Steven Epstein, Northwestern University *“Underdogs clarifies how the social science of deviance, like the queer theory that superseded it, depended on the figure of the outsider. Love asks queer theory to take social science methodologies, especially ‘underdog methods,’ seriously. At their best, these methods promise to keep queer theory open to surprise and alert to the potentialities of everyday life.” * Elizabeth Freeman, University of California, Davis *"Heather Love’s Underdogs: Social Deviance and Queer Theory (University of Chicago Press) is an intervention into the field of queer studies. But it is also an important work of intellectual history, tracing a surprising new genealogy that locates the origins of 1990s ‘queer theory’ not in literary studies, but in mid-20th-century empirical social research. It will appeal to readers invested in the nascent effort to historicise queer studies, but also to those interested in the history of the social sciences." * History Today *"Underdogs seeks to rethink Queer Theory's ideological contributions through an excavation of the field's unacknowledged predecessors in the postwar social sciences. . . . [Love's] lucid prose and well-grounded interpretations make Underdogs a book that should interest readers who are immersed in Queer Theory and those who are not at all." * Gay & Lesbian Review *"Underdogs presents a thorough argument for queer theorists to understand the way their problematic forebearers have left indelible marks on the field. . . . Underdogs presents a careful, close reading of deviance studies, and invites theorists and scholars to reconsider their intellectual heritage." * LSE Review of Books *"This book concisely addresses the modern queer movement as Love challenges readers to critically consider that holding on to what is most valuable in queer critique may mean letting go of what is not... Highly recommended." * Choice *"This book has important implications for social work and social work education." * Affilia: Feminist Inquiry in Social Work *"Underdogs is a meticulously researched study of postwar social scientific writing and its founding influence on queer studies. Its focus on method provides a potentially productive way to bring questions of politics and ethics back into a field that has lost much of its social and theoretical momentum since the late 1990s. Moreover, the sustained critique of the liberal humanist claim to integral subjectivity forms a timely intervention at the current moment, when younger generations increasingly appear invested in the type of sexual and gender identitarianism that both postwar social science and queer theory, in however diverging ways, have so persistently been trying to overhaul. For this reason alone, Underdogs is a powerful and important achievement." * American Literary History Online *"Underdogs offers a thoughtful and clear analysis. . . a first step in recognizing and untangling queer ideals for a more complete intellectual history on queer thought." * American Journal of Sociology *Table of ContentsPreface Introduction: Beginning with Stigma 1 The Stigma Archive 2 Just Watching 3 A Sociological Periplum 4 Doing Being Deviant Afterword: The Politics of Stigma Acknowledgments Notes Index

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Book SynopsisTrade Review"Lest these familiar Foucauldian themes leave readers feeling there is nothing new here, Judith Revel’s nuanced, judicious introduction highlights 'four differences' in apparent contrast to Foucault as he has been received." * Choice *“Reverberations from the forceful impact of Foucault’s thought were first felt by Anglophone readers in the mid-1960s almost entirely through his writings on madness and literature. This new volume gathers several previously unpublished or untranslated texts from this decade on these very themes. Readers will be delighted to revisit or perhaps even indulge for the very first time those ideas and analyses with which Foucault forever shook the future of philosophy." -- Colin Koopman, University of Oregon“The essays collected in this book are as urgent today as they were fifty years ago: provocative, generative, and timely. Each is a bridge connecting Foucault’s histories of the modern subject to different fields of inquiry, from literature to structuralism to the philosophy of J. L. Austin. Anyone interested in literary theory, early modern history, or continental philosophy and its relation to the analytic tradition will find these essays by turns revelatory and inspiring.” -- Richard Neer, University of ChicagoTable of ContentsA Note on the Text Introduction by Judith Revel Lectures and Writings on Madness, Language, and Literature 1. Madness and Civilization 2. Madness and Civilization (Presentation Given at the Club Tahar Haddad, Tunis, April 1967) 3. Madness and Society 4. Literature and Madness (Madness in Baroque Theater and the Theater of Artaud) 5. Literature and Madness (Madness in the Work of Raymond Roussel) 6. Phenomenological Experience: Experience in Bataille 7. The New Methods of Literary Analysis 8. Literary Analysis 9. Structuralism and Literary Analysis (Presentation Given at the Club Tahar Haddad, Tunis, February 4, 1967) 10. [The Extralinguistic and Literature] 11. Literary Analysis and Structuralism 12. Bouvard and Pécuchet: The Two Temptations 13. The Search for the Absolute Notes Index

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Book SynopsisA study of religion through the lens of Peter Shaffer's play Equus. In Unbridled, William Robert uses Equus, Peter Shaffer's enigmatic play about a boy passionately devoted to horses, to think differently about religion. For several years, Robert has used Equus to introduce students to the study of religion, provoking them to conceive of religion in unfamiliar, even uncomfortable ways. In Unbridled, he is inviting readers to do the same. A play like Equus tangles together text, performance, practice, embodiment, and reception. Studying a play involves us in playing different roles, as ourselves and others, and those roles, as well as the imaginative work they require, are critical to the study of religion. By approaching Equus with the reader, turning the play around and upside-down, Unbridled transforms standard approaches to the study of religion, engaging with themes including ritual, sacrifice, worship, power, desire, violence, and sexuality, as well as thinkers including JTrade Review"Unbridled treats Equus as a prism through which to reimagine the study of religion, asking urgent questions and inviting us to critically rethink methods as openings. With an inviting mix of confidence and humility, Robert reinvigorates pedagogical discussions, delivering insights about the difference between reverence and devotion, the meaning of critique, and the nature of literature. Every page provokes thoughts about how we teach and think about religion, and how we might do it otherwise.” -- Constance M. Furey, coauthor of Devotion: Three Inquiries in Religion, Literature, and Political Imagination“Unbridled is a compelling, engaging, sophisticated provocation for how the study of religion might be done differently. Keeping his eyes fixed on Equus, Robert touches on themes central to the study of religion—performance, ritual, embodiment, sacrifice, image, worship, sexuality, violence—while also defamiliarizing the operation of these terms by following what Equus prompts us to think about them.” -- Kent Brintnall, author of Ecce Homo: The Male-Body-in-Pain as Redemptive FigureTable of ContentsPlaybill Program Notes Cast Prologue Act 1 1.1 Mise-en-scène 1.2 Imagination 1.3 Literature 1.4 Performance 1.5 Case 1.6 Terms 1.7 Problems 1.8 Question Act 2 2.1 Staging 2.2 Performance-Text 2.3 Inter- 2.4 Mask 2.5 Play 2.6 Acting 2.7 Make-Believe 2.8 Play-in-Play Act 3 3.1 Casting 3.2 Relations 3.3 Image 3.4 Human-Horse-Divinity 3.5 Devotion 3.6 Sexuality 3.7 Queer 3.8 Nude Act 4 4.1 Directing 4.2 Passion 4.3 Pain 4.4 Normal 4.5 Tragedy 4.6 Sacrifice 4.7 Ending 4.8 Value Epilogue Encore Credits Notes References Index

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Book SynopsisTrade Review“In Professing Criticism, [Guillory] takes on an even bigger question: What is literary criticism—specifically, the kind of highly specialized, theoretically sophisticated textual readings generated by academic critics—really for?" -- Jennifer Schuessler * The New York Times *"Professing Criticism is a sociology of criticism, an argument about how, during the twentieth century, the practice evolved from a wide-ranging amateur pursuit, requiring no specialist training or qualifications, into a profession and a discipline housed within the academy. . . . The profession of literary study as it is currently institutionalized in the university may not be the place from which the journey toward a future criticism begins. To sit alongside Guillory on his high perch, or maybe a branch or two higher, is not to dream of the past or to mourn the present. It is to scan new horizons for the second coming of the critic." -- Merve Emre * The New Yorker *"The most penetrating, and in some ways most original, study we have of the forces that have shaped the history of literary study, especially in the US. . . . Professing Criticism does not fit any familiar category: it is the work of an original intelligence taking seriously the various responsibilities involved in trying to understand how the present state of literary study emerged out of its history." -- Stefan Collini * London Review of Books *"For those of us who value not only literature but the idiosyncratic legacy of academic literary studies, Guillory does not bring good or welcome news. Of course, that doesn’t mean he’s wrong." -- Evan Kindley * New York Review of Books *"[Guillory’s] goal is to understand how the practice of criticism, which flourished in the journalism of the 19th century, became a university discipline. . . . The questions Guillory poses have a long history but a new urgency before what seems like a precipice: Will literary studies continue as a professional activity, and if so, in what form? And might professionalism itself inhibit the changes that need to happen in the field?" -- Nicholas Dames * The Nation *"Three decades ago, Guillory’s influential Cultural Capital attacked the whole premise of the canon wars. The combatants assumed that it mattered meaningfully for creation of an inclusive social world what people read in literature classrooms. They mistook or substituted the exclusionary classroom for a possibly inclusive social world. These arguments are revisited and deepened in Professing Criticism, which warns against examining 'the school' in isolation from the total world." -- Sarah Brouillette * Public Books *"Professing Criticism will set the terms of discussion about the English department for a long time. But it will resonate outwards, too — historians of the humanities writ large will find in this book enormous resources, though they will need to be translated carefully from one disciplinary setting to others." * The Chronicle of Higher Education *“If there is a more thoughtful, penetrating, insightful, trenchant, acerbic, scathing or original analysis of a scholarly discipline than John Guillory’s Professing Criticism, I have yet to see it. Partly a history and in part a sociology of English as a profession, Professing Criticism is an extraordinary book, truly a landmark work of scholarship and interpretation.” * Inside Higher Ed *“Professing Criticism offers a brilliantly exacting, politically confronting analysis of why the study of literature is unlike other disciplines of the university and what its distinctive history means for its ability to serve a clear social purpose today. Fearless in his account of how and why we practitioners of criticism so often misplace and exaggerate our contributions to political life, Guillory defines the terms for the conversations we need to be having now: conversations about the scope and purposes of criticism in a public sphere where literature is no longer central; about the relation of print to unrestricted digital media platforms; about the diversity of the demand for writing today and our role in teaching it; and about the forms of knowledge we can offer a society in which interpretation of texts is a specialist way of making sense of the world.” * Helen Small, University of Oxford *“Professing Criticism is the distillation of a lifetime’s quest by one of our most deeply learned, searching, and principled literary scholars to understand literary studies in its long history of changing extrinsic relations with society, internal tectonic shifts as a discipline, and current structural diminishment. Guillory’s grand argument about literary studies as part of the sociology of knowledge is sweeping, and his analyses of the perennial confusions about the objects and modes of literary criticism are acute. ‘These conditions must be acknowledged if the professoriate is ever to overcome its tendency to construct literary study as something more than it can be and less than it should be,’ he writes—a sentence that captures the poised essence of his challenge to, yet affirmation of, literary study as a diminished, but not therefore to be relinquished, discipline.” * Alan Liu, University of California, Santa Barbara *"Professing Criticism is ambitious and impressively learned, an extraordinarily deep and illuminating immersion in the history and sociology of professionalism, European literature, and critical theory." -- Michael Stern * The American Prospect *"Professing Criticism offers a rigorous assessment of the major tendencies in contemporary literary studies and a strong argument for the continuing relevance of English in the 21st-century university." * Literary Review *"John Guillory's Professing Criticism is in every way an admirable book. It is deeply learned, sharp in its observations, unquestionably sincere in its effort to rehabilitate and reorganize the study of literature, and above all correct: literary study has indeed lost sight of its original, underlying purpose, has become too dispersed in its curricular organization, and has become helplessly caught in the shifting winds of every new and passing critical trend that comes along." * The Reading Experience *"John Guillory has written a thoughtful and wide-ranging book in which he refuses to let the aura of crisis prompt him to blame literary colleagues who abandoned some supposedly perfect approach to chase critical fashions, or on students allegedly concerned only to prepare for lucrative professions." * Critical Inquiry *"An exhaustive and careful history of the institutional study of literature that contextualizes its roots from ancient Greece to the modern American multiversity." * Law & Liberty *"Professing Criticism is a thorough and complex work of scholarship. It’s also a bracing call for literary scholars to significantly reform how they think about their profession and its relationship to their students and the reading public in general. At its core is a challenge that is simultaneously reasonable and radical: professors of literary study must be more modest in their aims and promises to suit the realities of their field in the twenty-first century." * Public Discourse *"Professing Criticism is so comprehensive an analysis of the field of criticism that it even contains an argument in defense of scholarly projects that are thirty years (or thereabouts) in the making. This is a book that aspires to see the profession of literary study steadily and see it whole: from the origins of academic literary study to the 'method wars' of the past two decades, from the difficulties besetting the evaluation of scholarship in the humanities to the collapse of the academic job market and the consequences of that collapse for graduate programs, from the place of composition in English departments to the rise of global English, Professing Criticism has an argument for you." -- Michael Bérubé * Cultural Critique *"It deserves to be read and pondered by everyone teaching in departments of English and modern languages." -- Ritchie Robertson * Modern Language Review *"A very knowledgeable and incisive analysis of the state of literary studies today." * Australian Book Review *"One of the most brilliant recent accounts of our subject. . . Guillory’s reading of the reciprocity of document and monument is genuinely illuminating and important when it comes to literary research." * Modern Philology *"John Guillory has produced a virtuoso display of what scholarship at its most honest, self-aware best can accomplish." * College Literature *Table of ContentsPreface Part One: The Formation and Deformation of Literary Study Chapter 1 Institution of Professions Chapter 2 Professing Criticism Chapter 3 Critique of Critical Criticism Part Two: Organizing Literature: Foundations, Antecedents, Consequences Chapter 4 Monuments and Documents: On the Object of Study in the Humanities Chapter 5 The Postrhetorical Condition Chapter 6 Two Failed Disciplines: Belles Lettres and Philology Chapter 7 The Location of Literature Chapter 8 The Contradictions of Global English Part Three: Professionalization and Its Discontents Chapter 9 On the Permanent Crisis of Graduate Education Chapter 10 Evaluating Scholarship in the Humanities Chapter 11 Composition and the Demand for Writing Chapter 12 The Question of Lay Reading Conclusion: Ratio Studiorum Acknowledgments Index

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Book SynopsisSIR JONATHAN BATE is Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works. He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as the best modern book on Shakespeare. In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'. ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited volumes in bo

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Book SynopsisJONATHAN BATE is Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works. He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as the best modern book on Shakespeare. In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'. ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited vol

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Book SynopsisFrom the Royal Shakespeare Company a fresh new edition of Shakespeare''s much-loved comedy of the battle between the sexesTHIS EDITION INCLUDES: An illuminating introduction to Much Ado About Nothing by award-winning scholar Jonathan Bate The play - with clear and authoritative explanatory notes on each page A helpful scene-by-scene analysis and key facts about the play An introduction to Shakespeare''s career and the Elizabethan theatre A rich exploration of approaches to staging the play featuring photographs of key productionsThe most enjoyable way to understand a Shakespeare play is to see it or participate in it. This unique edition presents a historical overview of Much Ado About Nothing in performance, recommends film versions, takes a detailed look at specific productions and includes interviews with two leading directors and an actor Nicholas Hytner, Marianne Ell

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Book SynopsisJONATHAN BATE is Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works. He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as 'the best modern book on Shakespeare.' In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'. ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited volumes in bothTrade Review'Informative, thought-provoking and humane.' - Dr Colin Burrow, University of Oxford, UKTable of ContentsIntroduction About the Text Key Facts The Tragedy of Othello, the Moor of Venice Textual Notes Quarto Passages That do not Appear in the Folio Scene-by-scene Analysis Othello in Performance: the RSC and Beyond Four Centuries of Othello: An Overview At the RSC Director and Actor: Interviews with Trevor Nunn, Michael Attenborough and Anthony Sher Shakespeare's Career in the Theatre Shakespeare's Works: A Chronology Further Reading and Viewing Acknowledgements and Picture Credits

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Book SynopsisRegina M. Janes proposes a new theory of the origins of the hereafter. Drawing on a variety of religious traditions and contemporary literature and film as well as cognitive science and evolutionary psychology, Inventing Afterlives shows that in asking what happens after we die we define the worlds we inhabit and the values by which we live.Trade ReviewThis engaging and thought-provoking book has a capacious range that includes those who believe there is no afterlife and spans time from the ancient Greeks and Egyptians to our current scientific, psychological, and religious thinking about what we imagine—or hope—happens after death. -- Paula R. Backscheider, Philpott Stevens Eminent Scholar, Auburn UniversityRegina Janes has written a brilliant, inquisitive, polymath essay to explain why the afterlife required inventing and what the results may show about the diversity and consistency of human nature. For adventurous wit on a forbidding terrain, this book has no precedent and will allow no imitator. -- David Bromwich, Yale UniversityInventing Afterlives is an intensively researched and brilliant book. The question of what humans have made of the afterlife is fascinating and Janes, who knows more about this subject than any scholar living (or, dare I say it, dead), has achieved something like completeness in her survey of the material. -- Blakey Vermeule, Stanford UniversityRegina Janes’ Inventing Afterlives is a breezy but well-informed romp through the ages as cultures from those of primitive humans to those of the digital age do what the title of this manuscript states, invent afterlives, telling their members what to expect, or, as in our own age, telling them what cannot happen even if the space or site of the afterlife gives writers a perfect setting to stage righteous justice or cynical evasion. -- Daniel T. O'Hara, Temple UniversityThere is no doubt that Janes’ book will be of interest to scholars of religion, particularly those who focus on the areas of death and immortality studies, religion and literature, and religion and popular culture since it contains a cache of literary and cinematic references. -- Cynthia A. Hogan * Reading Religion *This book, which travels time and disciplines, cannot be ignored. Scholars and students of sociology, anthropology, religion, and cultural history will find Inventing Afterlives particularly useful for developing new approaches to conceptualizing and interrogating beliefs in the hereafter. Janes’s study strips away theological and anachronistic understandings about belief in life after death, leaving us with a productive framework with which to question the validity of both our own assumptions about the afterlife and those of other scholars. -- Camille Grace Leon Angelo * Religious Theory *Table of ContentsPreface 1. Concerning the Present State of Life After Death 2. Impermanent Eternities: Egypt, Sumer and Babylon, Ancient Israel, Greece, and Rome3. Touring Asian Afterlives: Eternal Impermanence4. Pursuing Happiness: How the Enlightenment Invented an Afterlife to Wish For5. Wandâfuru Raifu or Afterlife Inventions and VariationsNotesIndex

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Book Synopsis''What had happened to the lost manuscripts, what train of chances took Rolfe to his death in Venice? The Quest continued''One summer afternoon A.J.A. Symons is handed a peculiar, eccentric novel that he cannot forget and, captivated by this unknown masterpiece, determines to learn everything he can about its mysterious author. The object of his search is Frederick Rolfe, self-titled Baron Corvo - artist, rejected candidate for priesthood and author of serially autobiographical fictions - and its story is told in this ''experiment in biography'': a beguiling portrait of an insoluble tangle of talents, frustrated ambitions and self-destruction.Trade ReviewPart detective story, part spiritual journey, and part meditation on biography. Steeped in arcane learning, queer encounters, and fanciful symbolist prose, it is a very peculiar operation indeed, leaving he reader unconvinced that there was ever such a real person as Frederick Rolfe - or, possibly, his biographer -- Hermione LeeA slender book, an odd book, a completely original book ... a masterpiece * Wall Street Journal *One of the genre's most notable - if also quirkiest - triumphs * New Criterion *Extraordinary ... a new template for twentieth-century biography * Times Literary Supplement *

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Book SynopsisTrade ReviewThese pocket-sized guides are ideal gifts for anyone whose thirst for knowledge knows no bounds * How it Works *

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Book SynopsisAn intimate study of three of Ireland''s greatest writers from one of its best-loved contemporary voices, Colm Tóibín__________________In Mad, Bad, Dangerous to Know Colm Tóibín takes three of Ireland''s greatest writers - Oscar Wilde, W.B. Yeats and James Joyce - and examines their earliest influences: their fathers. With his inimitable wit and sensitivity, Tóibín introduces us to Wilde Senior, the philandering doctor whose libel case prefigured that of his son; the elder Yeats, an impoverished artist who never finished a painting; and to John Stanislaus Joyce, the hard-drinking, storytelling father of James, who couldn''t feed his own family. This is an illuminating study of how each of these men cast a long shadow not only over the lives of their famous sons, but over the works for which they are celebrated and cherished.__________________''Astonishing to read. Tóibín has a hawk-like eye for literary subtleties, and a generosity towards his subjects that is warm'' Sunday Times''Funny, exciting, illuminating, wonderful, so engaging. Tells us more than a little about our own selves along the way'' Irish Times''There is something interesting and insightful on almost every page'' Observer''Sparkling, subtle, witty and often deeply moving . . . A classic'' Fintan O''Toole, New Statesman''Scintillating, imaginative, enlightening and powerfully moving throughout'' Roy Foster, SpectatorTrade ReviewThere is something interesting and intriguing to be found on almost every page -- Rachel Cooke * Guardian *Toibin has a hawk-like eye for literary subtleties, and a generosity towards his subjects that is warm and unacademic. * The Sunday Times *Toibin has a hawk-like eye for literary subtleties, and a generosity towards his subjects that is warm and unacademic. * The Sunday Times *Full of insight and intrigue * Observer *Searching, funny, generous * Irish Times *Subtle, witty and often deeply moving * New Statesman *If there is a more brilliant writer than Tóibín working today, I don't know who that would be -- Karen Joy FowlerToibin is a supple, subtle thinker, alive to hints and undertones, wary of absolute truths * New Statesman *A consistently revealing look at how writers' relationships have influenced their work * Sunday Telegraph on 'New Ways to Kill Your Mother' *A wide-ranging and enlightening study of the potentially stifling family and the individual spirit of the writer * Sunday Times on 'New Ways to Kill Your Mother' *

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Book SynopsisSuper Hero. Leader. Avenger. One of Marvel Comics most inspiring characters is all this and so much more. With a foreword by the equally legendary Stan Lee, Captain America: The Ultimate Guide: New Edition celebrates the 80th Anniversary of the iconic Captain America. Delve into the long and storied history of the First Avenger, from his service in World War II through to the earth-shattering events of the Infinity Wars and Empyre.Discover the origins of Captain America and how he joined the Avengers. Learn about his first encounters with his courageous allies, including Peggy Carter, Winter Soldier, and Falcon, and his epic clashes with villains such as Baron Zemo and Red Skull. Iconic, brave, and principled, Captain America has become one of Marvel Comics'' most beloved Super Heroes. Expertly written and lavishly illustrated, no Marvel or Captain America fan will want to miss this indispensable guide. 2021 MARVEL

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Book SynopsisDiscover your next read with this carefully curated list from We Need Diverse Books.Check out 100 must-read books to try before you''re 12! Packed with reviews, recommendations, and exclusive author interviews, The Reading Adventure: 100 Books To Check Out Before You''re 12 will inspire young readers to discover a diverse range of books beyond the curriculum.From mystery to autobiography, the book is organised by genre, so you can jump to the section that interests you the most. Each entry has a key theme box so you can immediately see if the book is something you''ll enjoy. Helpful signposts lead readers to another book the author thinks they''ll enjoy. Hidden gems, award-winners, classics, and current bestsellers are brought to life by vibrant illustrations. There''s truly something for everyone!Vibrant and educational, you can explore:- 15 exclusive author interviews, including Jason Reynolds, Meg Medina and Linda Sue Park- Organi

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Book SynopsisClaire Tomalin has been literary editor of the New Statesman and the Sunday Times. She has written seven highly acclaimed literary biographies including Samuel Pepys, which won the Whitbread Book of the Year award, and the international bestseller Charles Dickens. She is married to the playwright and novelist Michael Frayn.

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Book SynopsisA fascinating journey into the life of H.G. Wells, from one of Britain''s best biographersHow did the first forty years of H. G. Wells'' life shape the father of science fiction?From his impoverished childhood in a working-class English family, to his determination to educate himself at any cost, to the serious ill health that dominated his twenties and thirties, his complicated marriages, and love affair with socialism, the first forty years of H. G. Wells'' extraordinary life would set him on a path to become one of the world''s most influential writers. The sudden success of The Time Machine and The War of The Worlds transformed his life and catapulted him to international fame; he became the writer who most inspired Orwell and countless others, and predicted men walking on the moon seventy years before it happened.In this remarkable, empathetic biography, Claire Tomalin paints a fascinating portrait of a man like no other, drivTrade ReviewYou put down Tomalin's book knowing you have met a living author * The Times *Richly informative... Tomalin admits that, although she set out to write about the young Wells, she has followed him into his forties because she found him 'too interesting to leave'. The same can be said of her book * Sunday Times *

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Book SynopsisAn exploration of historical memory and networks of meaning in the context of today’s crises of extremism and polarization.As authoritarianism continues to rise around the world, the stories we tell ourselves about what has happened and what is happening become ever more relevant. In Memory, Edited, Abby Smith Rumsey examines collective memory, how it binds us, and how it can be used by bad actors to manipulate us. Bringing forward the voices of a rich cast of Eastern European artists from the past two hundred years—from Fyodor Dostoevsky to Gerhard Richter—Rumsey shows how their work and lives illustrate the devastation wrought by regimes dependent on entrenched lies to survive. This hijacking of the narrative polarizes communities even as it commandeers our future.Through an interdisciplinary lens that includes the best thinking from history, the arts, cognitive science, psychology, and political philosophy, Rumsey lays bare our na

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Book SynopsisIn Theater of the Word: Selfhood in the English Morality Play, Julie Paulson sheds new light on medieval constructions of the self as they emerge from within a deeply sacramental culture. The book examines the medieval morality play, a genre that explicitly addresses the question of what it means to be human and takes up the ritual traditions of confession and penance, long associated with medieval interiority, as its primary subjects.The morality play is allegorical drama, a theater of the word, that follows a penitential progression in which an everyman figure falls into sin and is eventually redeemed through penitential ritual. Written during an era of reform when the ritual life of the medieval Church was under scrutiny, the morality plays as a whole insist upon a self that is first and foremost performedconstructed, articulated, and known through ritual and other communal performances that were interwoven into the fabric of medieval life.This fascinating loTrade Review“An insightful and elegant approach to late medieval and early modern morality plays, ritual practice, and selfhood, this book offers a much needed study of the morality play. It is beautifully written and full of thoughtful, and sometimes brilliant, readings. It should find a ready and enthusiastic audience.”—Shannon Gayk, associate professor of English and director of the Medieval Studies Institute, Indiana University "According to Theater of the Word, English morality plays perform spectacles of penitence that fashion religious pedagogy out of a carefully crafted dramaturgy. Paulson innovatively approaches these dramas as both responses to late medieval religious debates and unlikely illustrations of Wittgenstein’s notion of the embodied, social nature of verbal meaning. Along the way, this book makes a coherent and compelling case for the construction of medieval penitential selves through the dynamic medium of theatrical performance." —Theresa Coletti, University of Maryland“In her remarkable new study, Julie Paulson turns our assumptions about the medieval morality play—as well as medieval selfhood—inside out. Taking her cue from the work of Ludwig Wittgenstein and Stanley Cavell, Paulson argues that these plays depict an embodied, ritual performance of penance that produces a recognition of the self as a being created by God: a self constituted communally, rather than individually; a self whose body reveals rather than conceals the soul within. Theater of the Word crucially revises both the history of English drama and the history of the self: it will be essential reading for anyone studying medieval and Renaissance theater, literature, or history.” —Maura Nolan, University of California, Berkeley"This is a careful study, rich in readings of theology, philosophy, and literature, illustrating how the medieval Christian subject emerges from the rites and relationships that structure penance rather than from the self-scrutiny of confession. Theatre of the Word is essential reading because of its compelling articulation of the centrality of performance to medieval understandings of the self but also because it is a trenchant articulation of the tenacity of Cartesian dualism, even in medieval studies, and a call to attend to the words and worlds of human interaction." —Patricia Badir, University of British Columbia“Looking at this oft-forgotten genre of theatre, readers will learn more about medieval drama and how religious rule affected human actions and performances.” —Playbill“Paulson views the English morality play and a selection of related Reformation dramas through the lens of Wittgenstein’s philosophy of language as verbally and publicly performed constitutions of selfhood. . . . The analysis that follows illustrates this new approach to morality plays and related drama.” —ChoiceTable of ContentsIntroduction 1. The Castle of Perseverance and Penitential Platea 2. A Theater of the Soul’s Interior: Contemplative Literature and Penitential Education in Wisdom 3. Speaking for Mankind Everyman and Community 4. A New Theater of the Word: The Morality Play and the English Reformation Conclusion: Morality Drama Inside Out Works Cited

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Book SynopsisTable of ContentsAcknowledgments Introduction: Who Owns Suffering? 1. Writing and Redemption 2. The Argument of Fiction 3. Murderous Fictions 4. The Momentary Pleasures of Reconcilation Coda Notes Bibliography Index

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Book SynopsisA lively intellectual history that explores how prominent midcentury public intellectuals approached Zionism and then the State of Israel itself and its conflicts with the Arab worldTrade Review“Original. . . . Interesting. . . . Important. . . . Urgent.”—J. J. Goldberg, New York Times Book Review“Linfield explores her theme through the writing of a galaxy of intellectuals.”—David Feldman, Financial Times“The book is a brilliant, intellectual, sociological exploration of eight popular, prolific thinkers and writers.”—Harold Goldmeier, American ThinkerNamed one of two Fall 2019 Natan Notable Books, sponsored by The Jewish Book Council “The Lions’ Den is a brilliantly incisive commentary on eight intellectuals who wrote about the Israel/Palestine conflict. Susie Linfield is herself the ninth intellectual in this book, with a strong and persuasive position of her own.”—Michael Walzer, author of A Foreign Policy for the Left“You don’t have to be enthralled by the Left, Judaism, or Zionism to enjoy this riveting book. Wherever you stand on the Israeli-Palestinian conflict, this is a must for devotees of fascinating, intriguing, exhilarating, and exciting debates.”—Hussein Agha, coauthor of A Framework for a Palestinian National Security Doctrine“Why have some of the brightest minds in the American and European Left been unable to understand Jewish nationalism? The Lions’ Den is a fascinating, uniquely incisive inquiry into the limits of the intellectual Left as it tries to deal with the harsh realities of our world.”—Zeev Sternhell, author of The Founding Myths of Israel: Nationalism, Socialism, and the Making of the Jewish State“How has the stormy yet often devoted marriage of the Left and Zionism devolved into a minefield of acrimonious disputes? Susie Linfield approaches this polarizing subject with her customary brilliant vision and generous spirit. An original and essential contribution.”—Ruth Franklin, author of A Thousand Darknesses: Lies and Truth in Holocaust Fiction“The Lions’ Den is an exemplary intellectual history that comes to grips with both the tragedy of Zionism and the way in which anti-Zionism became a touchstone for the global Left. It is scrupulous, unflinching, lucid, timely, and morally serious.”—Todd Gitlin, author of The Sixties: Years of Hope, Days of Rage

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Book Synopsis''Adds enormously to our understanding of the man'' Evening StandardGeorge Orwell was one of the greatest writers England produced in the last century. He left an enduring mark on our language and culture, with concepts such as ''Big Brother'' and ''Room 101.'' His reputation rests not only on his political shrewdness and his sharp satires (Animal Farm and Nineteen Eighty-Four) but also on his marvellously clear style and superb essays, which rank with the best ever written. Gordon Bowker''s new biography includes fascinating new material which brings Orwell''slife into unfamiliar focus. He writes revealingly about Orwell''s family background; the lasting influence of Eton on his work and character; his superstitious streak and youthful flirtation with black magic; and his chaotic and reckless sex life, which included at least one homoerotic relationship. It highlights the strange circumstances of his first marriage and provides rTrade ReviewInvaluable... superb and fascinating biography adds enormously to our understanding of the man * Evening Standard *The strength of his approach lying in his careful and judicious sifting of the evidence, and in the writing, which possesses an admirable clarity that Orwell himself would have appreciated * Independent *[Orwell is].a voice that speaks as urgently to our times as it did to his * Economist *Bowker's biography is that of a scholar... he has the ability to select the right detail and let it speak for itself * Sunday Telegraph *Magisterial * Daily Mail *In all his complex contradictions, Orwell comes to energetic life * Publishers Weekly *An exhilaratingly crowded book * INDEPENDENT *Invaluable... superb and fascinating biography adds enormously to our understanding of the man * EVENING STANDARD *Bowker's biography is that of a scholar... he has the ability to select the right detail and let it speak for itself * SUNDAY TELEGRAPH *Magisterial * DAILY MAIL *

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Book SynopsisGlobal Arab Fiction explores twenty-first-century fiction set in north and east Africa, the Gulf, the Arab east, and diaspora, showing diversity and connections across Arab world contexts. Nadia Atia and Lindsey Moore draw on a substantial literary corpus, highlighting contemporary trends in what is available to Anglophone audiences and considering how Arab fiction circulates as a global commodity.Global Arab Fiction begins by positioning the Arab novel as a global phenomenon. It also explores the influence of literary prizes, notably the International Prize for Arabic Fiction, on the enhanced international visibility of Arab fiction this century. The authors tackle the thorny issue of violence, in representing Arab world contexts, and spotlight queer Arab desire, identity, and community. They address the rise of speculative Arab literary modes and show how both mobility and immobility challenge a global paradigm.Global Arab Fiction illuminat

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Book SynopsisThe One-Hour Shakespeare series is a collection of abridged versions of Shakespeare’s plays, designed specifically to accommodate both small and large casts. This volume, The Tragicomedies, includes the following plays: All’s Well That Ends Well, Measure for Measure and The Merchant of Venice.Table of ContentsAcknowledgements 1. Introduction 2. One-Hour projects in performance: money-saving suggestions to consider with a minimal budget 3. Lesson Plan and Editing Exercise 4. Cross-gender casting suggestions 5. All's Well That Ends Well 6. All's Well That Ends Well: suggested cast list and character assignments for a small cast 7. Measure for Measure 8. Measure for Measure: suggested cast list and character assignments for a small cast 9. The Merchant of Venice 10. The Merchant of Venice: suggested cast list and character assignments for a small cast

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisKorean Business Communication demonstrates the heuristic value of the research on Korean business communication. It is composed of two parts: theory and practice. First, alongside the review of the major research trend of Asian business communication, it explores the contemporary teaching trend of business communication in Korean higher education to define business communication from the local perspective. It also shows how Korean business professionals manage facework within the communication rules or cultural values. Second, Korean business communication data are analyzed with the main sources of three competences, discourse competence, sociolinguistic competence, and strategic competence. Emphasis is on stakeholder communication genres, Korean service encounters, Korean business apology, and Korean CEOâs online greetings. By examining how business communication and Korean communication are projected to Korean business, Korean Business Communication pro

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Book SynopsisAn Introduction to the Blue Humanities is the first textbook to explore the many ways humans engage with water, utilizing literary, cultural, historical, and theoretical connections and ecologies to introduce students to the history and theory of water-centric thinking. Comprised of multinational texts and materials, each chapter will provide readers with a range of primary and secondary sources, offering a fresh look at the major oceanic regions, saltwater and freshwater geographies, and the physical properties of water that characterize the Blue Humanities. Each chapter engages with carefully chosen primary texts, including frequently taught works such as Herman Melville's Moby-Dick, Samuel Taylor Coleridge's Rime of the Ancient Mariner, Homer's Odyssey, and Luis Vaz de Camões's Lusíads, to provide the perfect pedagogy for students to develop an understanding of the Blue Humanities chapter by chapter. Readers will gain insight into new trends in intTable of ContentsPreface Bodies of Water1 A Poetics of Planetary Water2 Blue Humanities Thinking3 The Vast Pacific4 The Roaring South5 The Connected Ocean6 Surrounded by Land7 In the Caribbean8 Northern Lights 9 The Tornadoed Atlantic10 Conclusion: Touching Moisture11 Works Cited12 Essential Reading in the Blue Humanities

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Book SynopsisAs one of the most adventurous literary and cultural critics of his generation, Terence Hawkes' contributions to the study of Shakespeare and the development of literary and cultural theory have been immense. His work has been instrumental in effecting a radical shift in the study of Shakespeare and of literary studies.This collection of essays by some of his closest colleagues, friends, peers, and mentees begins with an introduction by John Drakakis, outlining the profound impact that Hawkes' work had on various areas of literary studies. It also includes a poem by Christopher Norris, who worked with Hawkes for many years at the University of Cardiff, as well as work on translation, social class, the historicist and presentist exploration of Shakespearean texts, and teaching Shakespeare in prisons.The volume features essays by former students who have gone on to establish reputations in areas beyond the study of literature, and who have contributed ground-breaking volTable of ContentsIntroduction, by John Drakakis Terza Rima for Terry (Meaning by Hawkes), by Christopher Norris1. "I strike a match": Rereading Hawkes for the Era of Science, Rebellion and Automation, by John Hartley2. Shakespeare in a Changing World, by Susan Bassnett3. We That Are Young: Hawkes, Cavell and the Legacies of Lear\, by John J. Joughin4. Devil-portering in Hell: Teaching Macbeth in Prison, by Jean E. Howard5. Romancing the Oak: On the Performativity of Trees in Shakespearean Comedy, by Keir Elam6. Coriolanus: Late Play, faux Tragedy, and Proleptic History, by Hugh Grady7. Terence Hawkes, Presentism, and the Role of the Critic, by Evelyn Gajowski8. Semiotics Goes Business, by Malcolm EvansAppendix. A Terence Hawkes BibliographyIndex

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Book SynopsisNarrative Medicine: A Rhetorical Rx rests on the principles that storytelling is central to medical encounters between caregivers and patients and that narrative competence enhances medical competence. Thus, the book''s goal is to develop the narrative competence of its reader. Grounded in the rhetorical theory of narrative that Phelan has been constructing over the course of his career, this volume utilizes a three-step method: Offering a jargon-free explication of core concepts of narrative such as character, progression, perspective, time, and space. Demonstrating how to use those concepts to interpret a diverse group of medical narratives, including two graphic memoirs. Pointing to the relevance of those demonstrations for caregiver-patient interactions. Narrative Medicine: A Rhetorical Rx is the ideal volume for undergraduate students interested in pursuing careers in healthcare, students in medical Table of ContentsChapter One Narrative as Rhetoric and the Art of MedicineChapter Two Principles and Activities of Rhetorical Reading: Understanding, Overstanding, and SpringboardingChapter Three Character and Progression I: Understanding and Overstanding Richard Selzer’s "Imelda" Chapter Four Character and Progression II: Colm Toibin’s "One Minus One" as Portrait NarrativeChapter Five Somebody Telling I: Authors, Narrators, Characters, and OccasionsChapter Six Somebody Telling II: Perspective and VoiceChapter Seven TimeChapter Eight SpaceChapter Nine From Print to Comics: Toward a Rhetoric of Graphic MedicineChapter Ten FictionalityChapter Eleven Rhetorical Narrative Medicine Workshops: Understanding, Overstanding, Springboarding

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Book SynopsisThe surprising hidden history behind Charlotte Brontë’s Jane Eyre.Trade Review"This is an engaging introduction to Charlotte and her famous novel, which will whet the appetite of anyone who is coming to either of them for the first time." -- The Sunday Times"The Secret History Of Jane Eyre cleverly intertwines art and life." -- Mail on Sunday"Pfordresher’s book is an attempt to take us behind this veil, to show us the mechanisms; a biography of a book, as it were." -- The London Review of Books"Devotees of the novel will thrill to find each ingredient parsed out so carefully for some revelatory analysis of their favourite author." -- British Heritage

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Book SynopsisOne of the most important activist texts in American literature is now available in a thoroughly updated and revised Norton Critical Edition.

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Book SynopsisFairy tales shape our cultures and enrich our imaginations; their narrative stability and cultural durability are incontestable.

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