Description
Book SynopsisLively, original and highly readable, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at The Beginning' and concluding with The End', chapters range from the familiar, such as Character', Narrative' and The Author', to the more unusual, such as Secrets', Pleasure' and Ghosts'. Now in its sixth edition, Bennett and Royle's classic textbook successfully illuminates complex ideas by engaging directly with literary works, so that a reading of Jane Eyre opens up ways of thinking about racial difference, for example, while Chaucer, Monty Python and Hilary Mantel are all invoked in a discussion of literature and laughter.
The sixth edition has been revised and updated throughout. In addition, four new chapters Literature', Loss', Human' and Migrant' engage with exciting recent developments in literary studies. As well as fully up-to-date further reading sections at the end of each chapter, the book contains a co
Trade Review
Praise for previous editions:
‘This is a book which students in every introductory course on criticism and theory would benefit from having.’ Derek Attridge, University of York
‘[Bennett and Royle have] cracked the problem of how to be introductory and sophisticated, accessible but not patronising.’ Peter Buse, English Subject Centre Newsletter
‘Sparkling, enthusiastic and admirably well-informed.’ Hélène Cixous
‘The best introduction to literary studies on the market.’ Jonathan Culler, Cornell University
‘This excellent book is very well written and an outstanding introduction to literary studies. An extremely stimulating introduction.’ Robert Eaglestone, Royal Holloway College, University of London
‘Fresh, surprising, never boring, and engagingly humorous, while remaining intellectually serious and challenging . . . This is a terrific book, and I’m very glad that it exists.’ Peggy Kamuf, University of Southern California
‘An exceptional book. It is completely different from anything else currently available, refreshing, extremely well written and original in so many ways . . . It is quite the best introductory book that I have ever come across.’ Philip Martin, Sheffield Hallam University
‘By far the best introduction we have, bar none. This unmatched book is for everyone: from those beginning literary study, through advanced students, and up to teachers; even those who, like me, have been pro- fessing literature for years and years.’ J. Hillis Miller, University of California
‘All the chapters in the volume are illuminating, informative and original.’ Robert Mills, King’s College London
‘I don’t know of any book that could, or does, compete with this one. It is irreplaceable.’ Richard Rand, University of Alabama
‘Bennett and Royle have written a pathbreaking work’ Alan Shima, University of Gävle
‘It is by far the best and most readable of all such introductions that I know of’ Hayden White, University of California at Santa Cruz
‘The most un-boring, unnerving, unpretentious textbook I’ve ever come across.’ Elizabeth Wright, University of Cambridge
Table of ContentsAlternative Table of Contents
Acknowledgments
How to Read This Book
Trigger Warning and Spoiler Alert
-
- The Beginning
-
- Literature
-
- Readers and Reading
-
- The Author
-
- The Text and the World
-
- The Uncanny
-
- Monuments
-
- Narrative
-
- Character
-
- Voice
-
- Figures and Tropes
-
- Creative Writing
-
- Feelings
-
- Loss
-
- Laughter
-
- The Tragic
-
- Wounds
-
- History
-
- Me
-
- Eco
-
- Animals
-
- Human
-
- Ghosts
-
- Body
-
- Moving Pictures
-
- Sexual Difference
-
- God
-
- Ideology
-
- Love
-
- Desire
-
- Queer
-
- Suspense
-
- Racial Difference
-
- Migrant
-
- The Colony
-
- Mutant
-
- The Performative
-
- Secrets
-
- Pleasure
-
- War
-
- The End
Glossary
A Note on Texts Used
Literary Works Discussed
Bibliography of Critical and Theoretical Works
Index
