ELT & Literary Studies Books

Book SynopsisHow well do you really know your favourite author? Ace literary detective turned quizmaster John Sutherland and Austen buff Deirdre Le Faye challenge the reader to find out. Starting with easy, factual questions that test how well you remember a novel and its characters, the quiz progresses to a level of greater difficulty, demanding close reading and interpretative deduction. What really motivates the characters, and what is going on beneath the surface of the story? Designed to amuse and divert, the questions and answers take the reader on an imaginative journey into the world of Jane Austen, where hypothesis and speculation produce fascinating and unexpected insights. Whether you are an expert or enthusiast, So You Think You Know Jane Austen? guarantees you will know her much better after reading it. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitmeTrade Reviewyou should get a kick out of answering any of the questions in this book correctly. * Irish Times *For those reading Austen for academic puposes the clear answers and insights could prove a valuable learning tool. * Irish Times *

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Book SynopsisGerard Manley Hopkins (1844-89) is now recognized as a major poet of striking originality. He is widely admired for his particularly vivid expression of feeling, from the religious ecstasy of `he Blessed Virgin'' to the torments of his loneliness and despair in `No Worst'', and for conveying with wonderful freshness his sense of natural beauty in such poems as `The Windhover'' and `Pied Beauty''. This selection, chosen from the award-winning Oxford Authors critical edition, includes all his major English poems and most of the larger fragments. The poems are supported with extensive notes and a useful introduction to Hopkins''s life and poetry. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Book SynopsisThe second century A.D. traveller''s guide to buildings, tombs, and statues including mythological, religious, and historical background of sites from Delphi to OlympiaTable of ContentsGuide to Greece 1: Central GreeceList of FiguresList of Maps and PlansAcknowledgmentsCorrectionsIntroductionBook I: AtticaBook II: Corinth and the ArgolidBook III: AchaiaBook IV: BoiotiaBook V: PhokisAppendix: The Successors of Alexander and their WarsSelect BibliographyIndex

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Book SynopsisThe era between the accession of Henry VIII and the crisis of the English republic in 1659 formed one of the most fertile epochs in world literature. This anthology offers a broad selection of its poetry, and includes a wide range of works by the great poets of the age—notably Sir Philip Sidney, Edmund Sepnser, John Donne, William Shakespeare and John Milton. Poems by less well-known writers also feature prominently—among them significant female poets such as Lady Mary Wroth and Katherine Philips. Compelling and exhilarating, this landmark collection illuminates a time of astonishing innovation, imagination and diversity.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by intrTable of ContentsSelected and with an Introduction by David Norbrook - Edited by H.R. Woudhuysen Abbreviations Used in the TextPrefaceAcknowledgmentsIntroductionNote on the Text and AnnotationI. The Public World1. JOHN SKELTON: [from A Lawde and Prayse Made for Our Sovereigne Lord the Kyng]2. SIR THOMAS MORE: De Principe Bono Et Malo3. Quis Optimus Reipublicae Status4. SIR DAVID LINDSAY: [from The Dreme] The Complaynt of the Comoun weill of Scotland5. SIR THOMAS WYATT: [Who lyst his welth and eas Retayne]6. In Spayn7. [The piller pearisht is whearto I Lent]8. HENRY HOWARD, EARLY OF SURREY: [Thassyryans king in peas with fowle desyre]9. ANONYMOUS: John Arm-strongs last good night10. ROBERT CROWLEY: Of unsaciable purchasers11. JOHN HEYWOOD: [from A Ballad on the Marriage of Philip and Mary]12. WILLIAM BIRCH: [from A songe betwene the Quenes majestie and Englande]13. QUEEN ELIZABETH I: [The dowbt off future foes exiles my present joye]14. SIR PHILIP SIDNEY: [from The Countesse of Pembrokes Arcadia]15. ANONYMOUS: Of Sir Frauncis Walsingham Sir Phillipp Sydney, and Sir Christopher Hatton, Lord Chancelor16. GEORGE PUTTENHAM: Her Majestie resembled to the crowned piller17. ANNE DOWRICHE: [from The French Historie]18. SIR WALTER RALEGH: [Praisd be Dianas faire and harmles light]19. [from Fortune hath taken the away my love]20. QUEEN ELIZABETH I: [Ah silly pugge wert thou so sore afraid]21. SIR WALTER RALEGH: The 21th: and last booke of the Ocean to Scinthia22. The Lie23. ALEXANDER MONTGOMERIE: [Remembers thou in Aesope of a taill]24. SIR JOHN HARINGTON: A Tragicall Epigram25. Of Treason26. FULKE GREVILLE, LORD BROOKE: [from Caelica] Sonnet 7827. GEORGE PEELE: [from Anglorum Feriae]28. JOHN DONNE: The Calme29. [from Satire 4]30. ROBERT DEVEREUX, EARL OF ESSEX: [Change thy minde since she doth change]31. MARY SIDNEY, COUNTESS OF PEMBROKE: [To Queen Elizabeth]32. EDMUND SPENSER: [from The Faerie Queene Book 5]33. EOCHAIDH Ó HEÓGHUSA: [On Maguire's Winter Campaign]34. BEN JONSON: On the Union35. SIR ARTHUR GORGES: Written upon the death of the most Noble Prince Henrie36. SIR HENRY WOTTON: Upon the sudden Restraint of the Earle of Somerset, then falling from favor37. WILLIAM BROWNE: [from Brittania's Pastorals Book 2]38. ANONYMOUS: Feltons Epitaph39. ANONYMOUS: [Epitaph on the Duke of Buckingham]40. SIR RICHARD FANSHAWE: [from An Ode Upon occasion of His Majesties Proclamation in the yeare 1630]41. JOHN CLEVELAND: Epitaph on the Earl of Strafford42. SIR JOHN DENHAM: Coopers Hill43. MARTIN PARKER: Upon defacing of White-hall44. ROBERT HERRICK: A King and no King45. ANDREW MARVELL: An Horatian Ode upon Cromwel's Return from Ireland46. SIR WILLIAM MURE: [from The Cry of Blood, and of a Broken Covenant]47. KATHERINE PHILIPS: On the 3. of September, 165148. JOHN MILTON: To the Lord Generall Cromwell May 165249. To Sir Henry Vane the younger50. ANDREW MARVELL: [from The First Anniversary of the Government under O.C.]51. ALEXANDER BROME: On Sir G.B. his defeatII. Images of Love52. ANONYMOUS: [Westron wynde when wylle thow blow]53. SIR THOMAS WYATT: [They fle from me that sometyme did me seke]54. [Who so list to hount I knowe where is an hynde]55. [It may be good like it who list]56. [My lute awake perfourme the last]57. HENRY HOWARD, EARL OF SURREY: [The soote season, that bud and blome furth bringes]58. ALEXANDER SCOTT: [To luve unluvit it is ane pane]59. GEORGE TURBERVILLE: To his Love that sent him a Ring wherein was gravde, Let Reason rule60. ISABELLA WHITNEY: I.W. To her unconstant Lover61. GEORGES GASCOIGNE: [A Sonet written in prayse of the brown beautie]62. ANONYMOUS: A new Courtly Sonet, of the Lady Greensleeves63. SIR PHILIP SIDNEY: [from Certain Sonnets: 4]64. [from The Countesse of Pembrokes Arcadia]65. [from Astrophil and Stella] 166. [from Astrophil and Stella] 267. [from Astrophil and Stella] 968. [from Astrophil and Stella] 7269. [from Astrophil and Stella] 8170. [from Astrophil and Stella] 8371. [from Astrophil and Stella] Eight song72. [from Astrophil and Stella] Eleventh song73. FULKE GREVILLE, LORD BROOKE: [from Caelica] Sonnet 2274. [from Caelica] Sonnet 2775. [from Caelica] Sonnet 3976. [from Caelica] Sonnet 4477. [from Caelica] Sonnet 8478. MARK ALEXANDER BOYD: Sonet79. ROBERT GREENE: Dorons description of Samela80. EDMUND SPENSER: [from The Faerie Queene Book 2]81. [from The Faerie Queene Book 3]82. [from The Faerie Queene Book 3]83. [from Amoretti] Sonnet 2384. [from Amoretti] Sonnet 6485. [from Amoretti] Sonnet 6786. [from Amoretti] Sonnet 7087. [from Amoretti] Sonnet 7188. Epithalamion89. SIR WALTER RALEGH: [As you came from the holy land]90. SAMUEL DANIEL: [from Delia] Sonnet 1391. [from Delia] Sonnet 3992. [from Delia] Sonnet 5293. SIR JOHN DAVIES: [from Gullinge Sonnets]94. [Faith (wench) I cannot court thy sprightly eyes]95. THOMAS NASHE: The choise of valentines96. JOHN DONNE: To his Mistress going to bed97. BARNABE BARNES: [from Parthenophil and Parthenophe] Sonnet 2799. CHRISTOPHER MARLOWE: The passionate Sheepheard to his love99. Hero and Leander100. WILLIAM SHAKESPEARE: [from Venus and Adonis]101. [from Lucrece]102. RICHARD BARNFIELD: [from Cynthia] Sonnet 8103. [from Cynthia] Sonnet 11104. WILLIAM SHAKESPEARE: [from Sonnets] 19105. [from Sonnets] 20106. [from Sonnets] 29107. [from Sonnets] 35108. [from Sonnets] 36109. [from Sonnets] 55110. [from Sonnets] 56111. [from Sonnets] 66112. [from Sonnets] 74113. [from Sonnets] 94114. [from Sonnets] 121115. [from Sonnets] 124116. [from Sonnets] 129117. [from Sonnets] 135118. [from Sonnets] 138119. [from Sonnets] 144120. ROBERT SIDNEY, EARL OF LEICESTER: Sonnet 21121. Sonnet 25122. Sonnet 31123. Songe 17124. GEORGE CHAPMAN: [from Hero and Leander Sestiad 3]125. JOHN MARSTON: [from The Metamorphosis of Pigmalions Image]126. THOMAS DELONEY: [Long have I lov'd this bonny Lasse]127. ANONYMOUS: [from The wanton Wife of Bath]128. [JOHN DOWLAND]: [Fine knacks for ladies, cheape choise brave and new]129. THOMAS CAMPION: [Followe thy faire sunne unhappy shaddowe]130. [Rose-cheekt Lawra come]131. [There is a Garden in her face]132. JOHN DONNE: His Picture133. The Sunne Rising134. The Canonization135. Loves growth136. A Valediction of weeping137. A Valediction forbidding mourning138. MICHAEL DRAYTON: [from Idea] 10139. [from Idea] 61140. To His Coy Love, A Canzonet141. BEN JONSON: Why I Write Not of Love142. My Picture left in Scotland143. LADY MARY WROTH: [from Pamphilia to Amphilanthus] 23144. [from Pamphilia to Amphilanthus] 34145. [from Pamphilia to Amphilanthus] A crowne of Sonetts dedicated to Love146. [from Pamphilia to Amphilanthus]147. [from The Countesse of Mountgomeries Urania] 7148. ROBERT HERRICK: Delight in Disorder149. The Vision150. The silken Snake151. Her Bed152. Upon Julia's haire fil'd with Dew153. Upon Sibilla154. THOMAS CAREW: The Spring155. Ingratefull beauty threatned156. [from A Rapture]157. MARTIN PARKER: [from Cupid's Wrongs Vindicated]158. [from Well met Neighbour]159. EDMUND WALLER: The story of Phoebus and Daphne appli'd160. Song161. The Budd162. SIR JOHN SUCKLING: [Out upon it, I have lov'd]163. JOHN CLEVELAND: The Antiplatonick164. RICHARD LOVELACE: Song. To Lucasta, Going to the Warres165. Gratiana dauncing and singing166. To Althea, From Prison167. Her Muffe168. [from On Sanazar's being honoured with six hundred Duckets by the Clarissimi of Venice, for composing an Elegiack Hexastick of the City. A Satyre]169. ANDREW MARVELL: To his Coy Mistress170. The Gallery171. The Definition of Love172. JAMES HARRINGTON: Inconstancy173. KATHERINE PHILIPS: An Answer to another perswading a Lady to MarriageIII. Topographies174. ALEXANDER BARCLAY: [from Certayne Egloges 5]175. GEORGE BUCHANAN: Calendae Maiae176. ANONYMOUS: [from Vox populi vox Dei]177. ANONYMOUS: [from Jack of the North]178. ANONYMOUS: The Jolly Pinder of Wakefield179. BARNABE GOOGE: Goyng towardes Spayne180. SIÔON PHYLIP: [from Yr Wylan]181. SIR PHILIP SIDNEY: [from The Countesse of Pembrokes Arcadia]182. EDMUND SPENSER: [from The Shepheardes Calender] Maye183. ALEXANDER HUME: [from Of the day Estivall]184. JOHN DAVIES: [from Epigrammes] In Cosmum 17185. JOSEPH HALL: [from Virgidemiarum Book 5]186. EVERARD GUILPIN: [from Skialetheia Satire 5]187. ANONYMOUS: A Songe bewailinge the tyme of Christmas, So much decayed in Englande188. JOHN DONNE: A nocturnall upon S. Lucies day, Being the shortest day189. AEMILIA LANYER: The Description of Cooke-ham190. BEN JONSON: To Penshurst191. MICHAEL DRAYTON: [from Pastorals] The Ninth Eglogue192. [from Poly-Olbion Song 6]193. To the Virginian Voyage194. SAMUEL DANIEL: [from Epistle. To Prince Henrie]195. ANONYMOUS: On Francis Drake196. W. TURNER: [from Turners dish of Lentten stuffe, or a Galymaufery]197. JOHN TAYLOR: [from The Sculler] Epigram 22198. WILLIAM BROWNE: [from Britannia's Pastorals Book 2]199. EDWARD HERBERT, LORD HERBERT OF CHERBURY: Sonnet200. RICHARD CORBETT: A Proper New Ballad Intituled the Faeryes Farewell: Or God-A-Mercy Will201. SIR WILLIAM DAVENANT: The Countess of Anglesey lead Captive by the Rebels, at the Disforresting of Pewsam202. GEORGE WITHER: [from Britain's Remembrancer Canto 4]203. JOHN MILTON: Song on May morning 204. L'Allegro205. ROBERT HERRICK: To Dean-bourn, a rude River in Devon, by which sometimes he lived206. Corinna's going a Maying207. To Meddowes208. The Wassaile209. RICHARD CRASHAW: [from Bulla]210. ABRAHAM COWLEY: The Wish211. ANONYMOUS: [The Diggers' Song]212. HENRY VAUGHAN: [from To his retired friend, an Invitation to Brecknock]213. RICHARD LOVELACE: The Snayl214. ANDREW MARVELL: Bermudas215. The Mower to the Glo-Worms216. The Mower against Gardens217. The Garden218. [from Upon Appleton House, to my Lord Fairfax]219. MARGARET CAVENDISH, DUCHESS OF NEWCASTLE: Of many Worlds in this World220. A Dialogue betwixt Man, and Nature221. Similizing the Sea to Meadowes, and Pastures, the Marriners to Shepheards, the Mast to a May-pole, Fishes to Beasts222. KATHERINE PHILIPS: Upon the graving of her Name upon a Tree in Barnelmes WalksIV. Friends, Patrons and the Good Life223. SIR THOMAS WYATT: [Myn owne John poyntz sins ye delight to know]224. GEORGE GASCOIGNE: [Upon the theme: Magnum vectigal parcimonia]225. [Gascoignes wodmanship]226. EDWARD DE VERE, EARL OF OXFORD: [Weare I a Kinge I coulde commande content]227. THOMAS LODGE: [from Scillaes Metamorphosis]228. JOHN DONNE: To Sir Henry Wotton229. THOMAS DELONEY: The Weavers Song230. THOMAS DEKKER: [Art thou poore yet hast thou golden Slumbers]231. SAMUEL DANIEL: To Lucy, Countesse of Bedford, with Mr. Donnes Satyres233. Inviting a Friend to Supper234. [THOMAS RAVENSCROFT]: [Hey hoe what shall I say]235. [Sing we now merily]236. A Belmans song237. THOMAS CAMPION: [Now winter nights enlarge]238. ANONYMOUS: The Mode of France239. MICAHEL DRAYTON: These verses weare made By Michaell Drayton Esquier Poett Lawreatt the night before hee dyed240. EDMUND WALLER: At Pens-hurst241. RICHARD LOVELACE: The Grasse-hopper. To my Noble Friend, Mr. Charles Cotton. Ode242. ALEXANDER BROME: [from The Prisoners] Written when O.C. attempted to be King243. JOHN MILTON: [To Edward Lawrence]244. KATHERINE PHILIPS: Friendship's Mystery, To My Dearest Lucasia245. Friendship in Embleme, or the Seal. To my dearest Lucasia246. To my Excellent Lucasia, on our FriendshipV. Church, State and Belief247. JOHN SKELTON: [from Collyn Clout]248. ANNE ASKEW: The Balade whych Anne Askewe made and sange whan she was in Newgate249. LUKE SHEPHERD: [from The Upcheringe of the Messe]250. ANONYMOUS: [A Lament for our Lady's Shrine at Walsingham]251. JOHN HEYWOOD: [from Epygrams] Of turnyng.252. GEORGE PUTTENHAM: [from Partheniades] Partheniad 11 Urania253. ROBERT SOUTHWELL: The burning Babe254. HENRY CONSTABLE: To St. Mary Magdalen255. SIR JOHN HARINGTON: A Groome of the Chambers religion in King Henry the eights time256. JOHN DONNE: Satyre 3257. Goodfriday, 1613. Riding Westward258. Hymne to God my God, in my sicknesse259. [from Holy Sonnets]260. [Since she whome I lovd, hath payd her last debt]261. [Show me deare Christ, thy spouse, so bright and cleare]262. FULKE GREVILLE, LORD BROOKE: [from Caelica] Sonnet 89263. [from Caelica] Sonnet 99264. [from Caelica] Sonnet 109265. GILES FLETCHER: [from Christs Victorie, and Triumph in Heaven, and Earth, over, and after death]266. AEMILIA LANYER: [from Salve Deus Rex Judaeorum]267. WILLIAM DRUMMOND: [For the Baptiste]268. [Content and Resolute]269. PHINEAS FLETCHER: [Vast Ocean of light, whose rayes surround]270. JOHN MILTON: On the morning of Christs Nativity271. FRANCIS QUARLES: [from Pentelogia] Fraud Mundi272. [from Divine Fancies] On the contingencie of Actions273. [from Divine Fancies] On the Needle of a Sun-diall274. [from Divine Fancies] On the Booke of Common Prayer275. [from Divine Fancies] On Christ and our selves276. GEORGE HERBERT: Perseverance277. Redemption278. Easter wings279. Prayer280. Deniall281. Jordan282. The Collar283. The Flower284. The Forerunners285. Love286. [from The Church Militant]287. ANONYMOUS: [Yet if his Majestie our Sovareigne lord]288. SIDNEY GODOLPHIN: [Lord when the wise men came from Farr]289. JOHN TAYLOR: [from Here followeth the unfashionable fashion, or the too too homely Worshipping of God]290. EDMUND WALLER: Upon His Majesties repairing of Pauls291. RICHARD CRASHAW: A Hymne of the Nativity, sung by the Shepheards292. To the Noblest and best of Ladyes, the Countesse of Denbigh293. [from The Flaming Heart]294. ANONYMOUS: Upon Arch-bishop Laud, Prisoner in the Tower. 1641295. ROBERT WILD: [from Alas poore Scholler, whither wilt thou goe]296. JOHN MILTON: On the new forcers of Conscience under the Long Parliament297. MORGAN LLWYD: [from The Summer]298. LAURENCE CLARKSON: [from A Single Eye All Light, no Darkness]299. HENRY VAUGHAN: The Retreate300. The World301. Cock-crowing302. The Water-fall303. SIR WILLIAM DAVENANT: [from Gondibert Book 2]304. ANNA TRAPNEL: [from The Cry of a Stone]305. AN COLLINS: Another Song exciting to spirituall Mirth306. ANDREW MARVELL: The CoronetVI. Elegy and Epitaph307. JOHN SKELTON: [from Phyllyp Sparowe]308. HENRY HOWARD, EARL OF SURREY: [Norfolk sprang thee, Lambeth holds thee dead]309. [W. resteth here, that quick could never rest]310. NICHOLAS GRIMALD: [from A funerall song, upon the deceas of Annes his moother]311. CHIDIOCK TICHBORNE: [My prime of youth is but a froste of cares]312. WILLIAM SHAKESPEARE: [The Phoenix and Turtle]313. JOHN DONNE: [from The Second Anniversarie] Of the Progres of the Soule314. BEN JONSON: On My First Sonne315. To the immortalle memorie, and friendship of that noble paire, Sir Lucius Cary, and Sir H. Morison316. SIR WALTER RALEGH: [Even suche is tyme that takes in trust]317. WILLIAM BROWNE: On the Countesse Dowager of Pembrooke318. HENRY KING: An Exequy To his matchlesse never to be forgotten Freind318. GEORGE HERBERT: [from Memoriae Matris Sacrum]320. THOMAS CAREW: Epitaph on the Lady Mary Villers321. SIR HENRY WOTTON: Upon the death of Sir Albert Morton's Wife322. ROBERT HERRICK: To the reverend shade of his religious Father323. Upon himselfe being buried324. Upon a child325. JOHN MILTON: Lycidas326. [Methought I saw my late espoused Saint]327. 'ELIZA': To my Husband328. HENRY VAUGHAN: [They are all gone into the world of light]329. KATHERINE PHILIPS: Epitaph. On her Son H.P. at St. Syth's Church where her body also lies Interred330. Orinda upon little Hector Philips331. JAMES SHIRLEY: [The glories of our blood and state]VII. Translation332. HENRY HOWARD, EARL OF SURREY: [from Virgil's Aeneid Book 4]333. RICHARD STANYHURST: [from Virgil's Aeneid Book 4]334. ARTHUR GOLDING: [from Ovid's Metamorphoses Book 6]335. EDMUND SPENSER: [from Ruines of Rome: by Bellay] 5336. MARY SIDNEY, COUNTESS OF PEMBROKE: Quid gloriaris? Psalm 52337. [from Psalm 89 Misericordias]338. Voce mea ad Dominum Psalm 142339. CHRISTOPHER MARLOWE: [from Ovides Elegies Book 1] Elegia. 13. Ad Auroram ne properet340. [from Lucan's Pharsalia Book 1]341. SIR JOHN HARINGTON: [from Ariosto's Orlando Furioso Book 34]342. EDWARD FAIRFAX: [from Tasso's Godfrey of Bulloigne Book 4]343. JOSUAH SYLVESTER: [from Saluste du Bartas' Devine Weekes]344. GEORGE CHAPMAN: [from Homer's Iliad Book 12]345. JOHN MILTON: The Fifth Ode of Horace. Lib. 1VIII. Writer, Language and Public346. JOHN SKELTON: [from A Replycacion]347. THOMAS CHURCHYARD: [from A Musicall Consort]348. SIR JOHN HARINGTON: Of honest Theft. To my good friend Master Samuel Daniel350. JOHN DONNE: The triple Foole351. WILLIAM SHAKESPEARE: [from Sonnets]352. JOHN MARSTON: [from The Scourge of Villanie] In Lectores prorsus indignos353. SAMUEL DANIEL: [from Musophilus]354. BEN JONSON: A Fit of Rime against Rime355. An Ode. To himselfe356. GEORGE CHAPMAN: [from Homer's Iliad, To the Reader]357. SIR WALTER RALEGH: To the Translator358. WILLIAM BROWNE: [from Britannia's Pastorals Book 2]359. RACHEL SPEGHT: [from The Dreame]360. MICHAEL DRAYTON: [from Idea]361. To my most dearely-loved friend Henery Reynolds Esquire, of Poets and Poesie362. [from The Muses Elizium] The Description of Elizium363. JOHN MILTON: [from At a Vacation Exercise]364. JOHN TAYLOR: [from A comparison betwixt a Whore and a Booke]365. THOMAS CAREW: An Elegie upon the death of the Deane of Pauls, Dr. John Donne366. A Fancy367. ROBERT HERRICK: To the Detracter368. Posting to Printing369. GEORGE WITHER: [from Vox Pacifica]370. SIR WILLIAM DAVENANT: [from Gondibert Book 2]371. MARGARET CAVENDISH, DUCHESS OF NEWCASTLE: The Claspe372. [The Common Fate of Books]373. ABRAHAM COWLEY: The Muse374. HENRY VAUGHAN: The BookNotes to the TextAppendix 1: Index of GenresAppendix 2: Index of Metrical and Stanzaic FormsAppendix 3: Glossary of Classical NamesAppendix 4: Biographical Notes on AuthorsAppendix 5: Index of AuthorsIndex of First LinesIndex of Titles

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Book SynopsisThe story of Manon Lescaut is a tale of passion and betrayal, of delinquency and misalliance, which moves from eighteenth-century Paris - with its theatres, assemblies, and gaming-houses - via prison and deportation to a tragic denouement among the treeless waste of Louisiana. It is one of the great love stories, and also one of the most enigmatic. This new translation includes the vignette and eight illustrations that were published in the edition of1753.Trade Review'an excellent new translation of Manon Lescaut, with a number of useful and welcome features' * MLR *

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Book Synopsis''Rus! Russ!...Everything within you is open, desolate, and flat; your squat towns barely protrude above the level of your wide plains, marking them like little dots, like specks; here is nothing to entice and fascinate the onlooker''s gaze. Yet whence this unfathomable, uncanny force that draws me to you?'' Although Dead Souls (1842) was largely composed by Gogol during self-imposed exile in Italy in the late 1830s, his last work remains to this day the most essentially Russian of all the great novels in Russian literature. As we follow its hero Chichikov, a dismissed civil servant turned unscrupulous confidence man, about the Russian countryside in pursuit of his shady enterprise, there unfolds before us a gallery of characters worthy in comic range of Chaucer, Rabelais, Fielding and Sterne. With its rich and ebullient language, ironic twists and startling juxtapositions, Dead Souls stands as one of the most dazzling and poetic masterpieces of the nineteenth century. This brilliant new translation by Christopher English is complemented by a superb introductory essay by the pre-eminent Gogol scholar, Robert Maguire. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Book Synopsis''We are looking for the things that enable us to live a noble and happy life...and what prospects decent people will have of acquiring any of them.''The Eudemian Ethics is a major treatise on moral philosophy whose central concern is what makes life worth living. Aristotle considers the role of happiness, and what happiness consists of, and he analyses various factors that contribute to it: human agency, the relation between action and virtue, and the concept of virtue itself. Moral and intellectual virtues are classified and considered, and finally the roles of friendship and pleasure. It deals with the same issues as the better-known Nicomachean Ethics, with which it holds three books in common, and its special qualities, as well as the similarities and differences between the two works, are of fundamental concern to anyone interested in Aristotle''s philosophy.This is the first time the Eudemian Ethics has been published in its entirety in any modern language. Anthony Kenny''s fine translation is accompanied by a lucid introduction and explanatory notes, which assist the reader in understanding this important work. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Table of ContentsTHE EUDEMIAN ETHICS

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Book SynopsisTwo revealingly different accounts of the life of the most important figure of the Roman EmpireCharlemage, known as the father of Europe, was one of the most powerful and dynamic of all medieval rulers. The biographies brought together here provide a rich and varied portrait of the king from two perspectives: that of Einhard, a close friend and adviser, and of Notker, a monastic scholar and musician writing fifty years after Charlemagne's death.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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Book SynopsisTomcat Murr is a loveable, self-taught animal who has written his own autobiography. But a printer''s error causes his story to be accidentally mixed and spliced with a book about the composer Johannes Kreisler. As the two versions break off and alternate at dramatic moments, two wildly different characters emerge from the confusion - Murr, the confident scholar, lover, carouser and brawler, and the moody, hypochondriac genius Kreisler. In his exuberant and bizarre novel, Hoffmann brilliantly evokes the fantastic, the ridiculous and the sublime within the humdrum bustle of daily life, making The Life and Opinions of the Tomcat Murr (1820-22) one of the funniest and strangest novels of the nineteenth century.

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Book SynopsisAvailable for the first time in paperback, this is the pre-eminent critical study, and exploration, of how myth and legend played such a significant role in the works of J.R.R. Tolkien.The Song of Middle-earth takes a fresh look at The Lord of the Rings, digging deep into the foundations of Tolkien's world to reveal the complex tapestry of history and mythology that lies behind his stories.The charge that Tolkien''s work was merely derivative that he extracted elements from other mythologies and incorporated them into his own fiction is dismissed in favour of a fascinating examination of the rich historical background to Middle-earth.From the mythic tradition of the Tales told in The Book of Lost Tales: I to the significance of oral storytelling throughout the history of Middle-earth, this book examines the common themes of mythology found within Tolkien's work.In doing so, The Song of Middle-earth demonstrates how Tolkien's desire to create a new mythology for England is not only apTrade Review.

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Book SynopsisA second volume of fascinating interviews from one of the world's best loved literary magazinesSince The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely-crafted literature. From Faulkner's determination that a great novel takes 'ninety-nine percent talent . . . ninety-nine percent discipline . . . ninety-nine percent work', to Gabriel Márquez's observation that 'in the first paragraph you solve most of the problems with your book', The Paris Review has elicited revelatory and revealing thoughts from our most accomplished novelists, poets and playwrights. With an introduction by Orhan Pamuk, this volume brings together another rich, varied crop of literary voices, comprising: Graham Greene, James Thurber, William Faulkner, Robert Lowell, Isaac Bashevis Singer, Eudora Welty, John Gardner, Gabriel Garcia Marquez, Philip Larkin, James Baldwin, William Gaddis, Harold Bloom, Toni Morrison, Alice Munro, Peter Carey and Stephen King. 'A colossal literary event' as Gary Shteyngart put it, The Paris Review Interviews vol. 2 is a treasury of wisdom from the world's literary masters.Trade ReviewFor writing nerds, this is nirvana. -- Colin Waters * * Sunday Herald * *Anyone with the slightest pretension a literary life needs to read this collection. * * The London Paper * *this second collection of the magazine's interviews with writers is rich in delight. -- Steven Poole * * The Guardian * *Wonderful collection dealing with the "how" of writing. -- Martin Tierney * * The Herald * *...much like its predecessor is a bull's-eye...this is a bible both for readers and writers, the insider gossip for those who are truly passionate about their prose. -- Francesca Segal * * Observer * *

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Book SynopsisThis is one of the wisest books I've read in years...--New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act--the fact that poetry must both guard and reveal, hint at and pull back...Also, and maybe most crucially, Ruefle's work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that's vital and welcome, that doesn't make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon Review Profound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused...--Publishers Weekly This is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. --Matthew Dickman The accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature...- -San Francisco Examiner Over the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter--and utterly pleasurable--immersion. Finalist for the 2012 National Book Critics Circle Award. Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.Table of ContentsTABLE OF CONTENTS On Beginnings Poetry and The Moon On Sentimentality On Theme On Secrets: Eight Beginnings, Two Ends On Fear Madness, Rack and Honey My Emily Dickinson Introduction To Lecture on Books So You Want To Write A Book? Someone Reading A Book Is A Sign Of Order In The World Remarks on Letters Kangaroo Beach I Remember, I Remember Introduction To Reading Great Poems Of The Past Twenty-Two Short Lectures Lectures I Will Never Give

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Book SynopsisMacrobius’s Saturnalia, an encyclopedic celebration of Roman culture written in the early fifth century CE, has been prized since the Renaissance as a treasure trove of otherwise unattested lore. Cast in the form of a dialogue it treats diverse topics while showcasing Virgil as master of all human knowledge, from diction to religion.

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Book SynopsisTake Note for Exam Success! York Notes offer an exciting approach to English literature. This market leading series fully reflects student needs. They are packed with summaries, commentaries, exam advice, margin and textual features to offer a wider context to the text and encourage a critical analysis. York Notes, The Ultimate Literature Guides.Table of Contents- Intro – How to Study a Play, Novel- Author Profile – Historical timeline, context with dates, author life, works , historical events.- Map/family tree/character tree- Summaries (numbered summaries for every scene)- Commentary – covering themes, characters, language analysis, style- exam questions end of each section- Answers to Checkpoints and exam questions- Exam questions with annotated model answers (D grade – B grade)- Coursework assignments/resources/top marks/advice- Key Quotations – how to use them.- Glossary/Literary terms- Timeline of events- Other titles in the Series

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Book SynopsisDo you want to know why Harold Pinter is a figure of such influence and importance in the theatre? Are you studying his plays and looking for help with interpretation? Or do you teach Pinter and need a reliable guide to the plays? The Faber Critical Guide to Harold Pinter gives this and much more, including an introduction to the distinctive features of the playwright''s work, a detailed analysis of each of the classic plays and comments on performance.

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Book SynopsisGoing to see a ''Shakespeare'' and want a quick run-down on the plot before you start? Teaching the ''Henry''s'' and need a handy guide to all the histories for the students? A Pocket Guide to Shakespeare''s Plays gives all this and more: an introduction to Shakespeare and his times; a note on the sources; cast lists, synopses; main character descriptions and an essay on each play. It is a concise, readable and essential guide to all 36 plays.

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Book SynopsisIn this series, a contemporary poet selects and introduces a poet of the past

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Book SynopsisDual text on facing pages, now revised and updated edition of this Middle English Arthurian romance. Critically acclaimed translation now in its twenty fifth year. Extensive notes, glossary and introduction. -- .Table of Contents1. Introduction2. Select bibliography3. Sir Gawain and the Green KnightSection 1, Section 2, Section 3, Section 4, 4. Abbreviations5. Notes

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Book SynopsisThe editor, Robyn Bolam, is Professor of literature at St Mary's University College, London.

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Book SynopsisFrom his arrival in Britain in the 1950s and involvement in the New Left, to founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many of the cultural and political debates of our time. Essential Essays—a landmark two-volume set—brings together Stuart Hall''s most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.Volume 2: Identity and Diaspora draws from Hall''s later essays, in which he investigated questions of colonialism, empire, and race. It opens with “Gramsci''s Relevance for the Study of Race and Ethnicity,” which frames the volume and finds Hall rethinking received notions of racial essentialism. In addition to essays on multiculturalism and globalization, black popular cTrade Review"Anyone whose work is informed, 'in the last instance,' by Cultural Studies will find much that is helpfully familiar in it as well as new connections, new applications, new ways of '[penetrating] the disorderly surface of things to another level of understanding,' as Hall says, invoking Marx, in the epilogue. This seems especially urgent as the ascendancy of the far Right coincides with the wholesale neoliberalization of the humanities, as Hall predicted in his 'Theoretical Legacies' lecture. It is obviously not a question of 'going back' to Hall for a truer or more 'authentic' form of Cultural Studies than that in practice today. But there is much in his legacy that illuminates the dynamics of the present, and much to put into dialogue with contemporary scholarship and practice. Morley's collection reminds us how important it is for genuine intellectual work to articulate competing and contradictory paradigms together, to work, as Hall did, from the points of contestation and conflict rather than seek solace in abstractions. This, finally, is the 'essential' in the essays assembled here." -- Liane Tanguay * American Book Review *“Along with the other volumes that Duke University Press has published, these two books of collected essays are to be welcomed. They allow us to see a fertile mind in action, engaged in and with the real world. It is a model well worth emulating.” -- Michael W. Apple * Educational Policy *"I have also narrated the effort it took for me to access his work to illustrate the importance of the Selected Writings now being released by Duke University Press. It is an event of profound historical significance that a new generation will be able to begin its political and theoretical education with systematic access to Hall’s writing. . . . The two-volume Essential Essays shows the broad scope of his work." -- Asad Haider * The Point *"It was one of Hall’s unique gifts to offer analysis of the moment as it unfolded before our eyes. I am sure I am not alone in having found his talks exhilarating in ways I could never quite understand, given that the news he relayed with such energy was almost unremittingly dire. Hall offered his readings as interpretation and self-commentary, tracing his own intellectual path." -- Jacqueline Hall * New York Review of Books *Table of ContentsA Note on the Text vii Acknowledgments ix General Introduction 1 Part I. Prologue: Class, Race, and Ethnicity 1. Gramsci's Relevance for the Study of Race and Ethnicity [1986] 21 Part II. Deconstructing Identities: The Politics of Anti-Essentialism 2. Old and New Identities, Old and New Ethnicities [1991] 63 3. What Is This "Black" in Black Popular Culture? [1995] 83 4. The Multicultural Question [1998] 95 Part III. The Postcolonial and the Diasporic 5. The West and the Rest: Discourse and Power [1992] 141 6. The Formation of a Diasporic Intellectual: An Interview with Kuan-Hsing Chen [1996] 185 7. Thinking the Diaspora: Home-Thoughts from Abroad [1999] 206 Part IV. Interviews and Reflections 8. Politics, Contingency, Strategy: An Interview with David Scott [1997] 235 9. At Home and Not at Home: Stuart Hall in Conversation with Les Back [2008] 263 Part V. Epilogue: Caribbean and Other Perspectives 10. Through the Prism of an Intellectual Life [2007] 303 Index 325 Place of First Publication 341

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Book SynopsisAn energizing real-time journey through the translation of Never Did the Fire and the process of literary translation.In Catching Fire , the translation of Diamela Eltit's Never Did the Fire unfolds in real time as a conversation between works of art, illuminating both in the process. The problems and pleasures of conveying literature into another language—what happens when you meet a pun? a double entendre?—are met by translator Daniel Hahn's humor, deftness, and deep appreciation for what sets Eltit's work apart, and his evolving understanding of what this particular novel is trying to do.Trade Review"A frank, forensic diary that describes what happens when we set aside metaphors and begin the Sisyphean task of translation." —The Spectator"Hahn is so smart and neurotic and funny." —New York Times"Warm, witty, intellectual yet down to earth, Hahn has written a unique book." —The Monthly Booking"A book full of insights into what goes on behind the translation scenes." —Tony's Reading List

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Book SynopsisErudite and entertaining in equal measure, Somewhere Becoming Rain is a love letter from the much-loved writer Clive James to one of the world’s most cherished poets: Philip Larkin.'This is the finest critic of his generation on the best poet of his lifetime' – The TimesClive James was a life-long admirer of the work of Philip Larkin. Somewhere Becoming Rain gathers all of James's writing on this towering literary figure of the twentieth century, together with extra material now published for the first time.The greatness of Larkin's poetry continues to be obscured by the opprobrium attaching to his personal life and his private opinions. James writes about Larkin's poems, his novels, his jazz and literary criticism; he also considers the two major biographies, Larkin's letters and even his portrayal on stage in order to chart the extreme and, he argues, largely misguided equivocations about Larkin's reputation in the years since his death.Through this joyous and perceptive book, Larkin's genius is delineated and celebrated. James argues that Larkin's poems, adored by discriminating readers for over half a century, could only have been the product of his reticent, diffident, flawed, and all-too-human personality.'A collection to savour two-fold – for the genius of Larkin and the playful erudition of James' – Financial TimesTrade ReviewFew contemporary critics display the passionate commitment to the idea of poetry, and to the idea of poetry's centrality to civilized life, that James does -- John Banville * New York Review of Books *To read a major critic on a major poet is one of the great pleasures. Clive James’s passion for the work of Philip Larkin, his intense scrutiny which reveals an extraordinary empathy makes Somewhere Becoming Rain: Collected Writings on Philip Larkin an outstanding book. -- Melvyn Bragg * New Statesman, Books of the Year 2019 *One of the most important and influential writers of our time -- Bryan Appleyard * Sunday Times *In Somewhere Becoming Rain, Clive James’s collected essays on the poetry of Philip Larkin, the brilliance of James’s analysis, his clear-sighted view of Larkin’s solitude and humanity, and the fragile friendship between the two recorded in the book’s final pages, provide a monument to human connection and isolation together. It’s a perfect example of the “almost instinct” Larkin managed to prove “almost true” (hedging his bets to the end) – that what will survive of us is love. -- Andrew Hunter Murray * Guardian *A collection of witty essays by a great critic about a great poet . . . What will survive of Larkin is the work, and this small book is a joyful immersion in it. This is the finest critic of his generation on the best poet of his lifetime * The Times *This slim collection of Clive James’ writings on Philip Larkin demonstrates both a life-long passion for the poet’s work and a deep critical endeavour to rehabilitate his reputation as one of the greatest poets of the 20th century. A collection to savour two-fold – for the genius of Larkin and the playful erudition of James -- Best Books of 2019 * Financial Times *This is a tribute to Larkin’s poems. James is good at reminding us why and how they were powerful, multivalent and memorable . . . He is also unusually observant. His parallels between Larkin and Montale are elucidating * TLS *[James] was what you might call a massive Philip Larkin fan. His specific fandom was feverish and absolute – and also, because he was Clive James, deeply considered and beautifully expressed . . . it’s a privilege to look back at Larkin – all of Larkin – through the prism of [James’s] appreciation * Atlantic *Perceptive . . . This volume also allows the reader to delight in James’s own prose, which surely rivals Larkin’s in the wit and insight stakes * The Crack *The late Clive James had much in common with Philip Larkin . . . In verse and prose, both blazed with wit and wrote scores of memorable lines . . . although their work was laced with sadness, few writers since have written with such beauty and gratitude about the world * Review 31 *

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Book SynopsisThe definitive translation of the seminal treatise on the code of the samurai. Living and dying with bravery and honor is at the heart of Hagakure, a series of over 1,300 short texts written by eighteenth-century samurai Yamamoto Tsunetomo. These texts illuminate the classic Japanese concept of bushido (the Way of the Warrior), which dictated how samurai were expected to behave, conduct themselves, live, and die. Acclaimed translator William Scott Wilson has selected and translated here three hundred of those texts to create an accessible distillation of this guide, making it one of the most thorough and astonishing windows into the captivating world of the samurai available. This edition includes an introduction that delves into the Zen concept of muga, or ?death? of the ego, giving an in-depth historical and philosophical background for the more metaphorical reading of Hagakure that is based on Tsunetomo?s reference to bushido as ?the Way of death.? Through this lens, which has held a morbid fascination for readers through the years, the classic takes on a fresh and nuanced appeal. This book was previously published under the title Hagakure. This book is part of the Shambhala Pocket Library series.The Shambhala Pocket Library is a collection of short, portable teachings from notable figures across religious traditions and classic texts.The covers in this series are rendered by Colorado artist Robert Spellman.The books in this collection distill the wisdom and heart of the work Shambhala Publications has published over 50 years into a compactformat that is collectible, reader-friendly, andapplicable to everyday life.

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Book SynopsisBringing together Mary Klages's bestselling introductory books Literary Theory: A Guide for the Perplexed and Key Terms in Literary Theory into one fully integrated and substantially revised, expanded and updated volume, this is an accessible and authoritative guide for anyone entering the often bewildering world of literary theory for the first time. Literary Theory: The Complete Guide includes: Accessible chapters on all the major schools of theory from deconstruction through psychoanalytic criticism to Marxism and postcolonialism New chapters introducing ecocriticism and biographies Expanded and updated guides to feminist theory, queer theory, postmodernism and globalization New and fully integrated extracts of theoretical and literary texts to guide students through their use of theory Accessible coverage of major theorists such as Saussure, Freud, Lacan, Foucault, Cixous, Deleuze and Guattari and Bhabha ETrade ReviewThis is a useful and realistically priced item for the student at (above all) college and first-/second-year university levels, and will hold its own against numerous competitors (above all in the area of philosophical ideas ... A successful attempt has been made to guide students in what class discussions might offer them, how themes might be followed-up in personal research; and beyond that, how tutors and teachers might develop and incorporate ideas and research inquiries into their teaching programmes. * Reference Reviews *Klages’s third work on literary theory combines, often word-for-word, text from her first two works, Key Terms in Literary Theory (CH, Dec'12, 50-1817) and Literary Theory: A Guide for the Perplexed (CH, Sep'07, 45-0121). The present work is “complete” in the sense that, as the author writes, it acts as "a complete guide to literary theory" (italics hers) as she teaches it at the University of Colorado, Boulder. In the five-page introduction, Klages deftly condenses thousands of years of literary theory into an easy-to-understand explanation. Klages goes on to examine particular literary theory movements from the 19th century to the present. Chapters (which are roughly 20 pages) discuss key ideas and thinkers of each movement. The most useful addition to this volume are the teacher’s notes that accompany each chapter. In these notes Klages analyzes Shakespeare’s Hamlet through the lens of the theory discussed. The two concluding sections offer biographies of literary theorists and definitions of literary theory terms … Summing Up: Recommended. * CHOICE *This book provides a very comprehensive and approachable overview. It reads easily and it does not fall prey to jargon. The 'teacher’s notes' are also quite clear and illustrate aptly how critical theory may be used. * Anne Goarzin, Université Rennes 2, France *Table of ContentsIntroduction: Humanist Literary Theory 1. Structuralism 2. Deconstruction 3. Psychoanalysis 4. Feminist Theories 5. Queer Theories 6. Ideology and Discourse 7. Race and Postcolonialism 8. Ecocriticism 9. Postmodernism 10. Biographies 11. Terms Index

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Book SynopsisVery Short Introductions: Brilliant, Sharp, InspiringPoststructuralism challenges traditional ways of thinking about human beings and our relation to the world. Language, meaning, and culture are all reappraised, and with them assumptions about what it''s possible for us to know. More interested in posing sharply focused questions than in reassuring with certainties, its theorists tend to clarify the options, while leaving them open to debate. At once sceptical towards inherited authority and positive about future possibilities, poststructuralism asks above all that we reflect on its findings.In this Very Short Introduction, Catherine Belsey traces the key arguments that have led poststructuralists to challenge traditional theories of language and culture. In this new edition, such well-known figures as Barthes, Foucault, and Derrida are joined by less famous theorists, and examples are drawn from both high art and popular culture. Shakespeare features alongside advertising and Christmas cards, as well as Lewis Carroll, Marcel Duchamp, Toni Morrison, and the tantalizing lithographs of M. C. Escher.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.Trade ReviewA wonderfully clear account * Guardian *Table of ContentsPreface by Neil Badmington 1: Creatures of difference 2: Difference and culture 3: The differed subject 4: Difference or truth? 5: Difference in the world 6: Dissent References Further reading Glossary Index

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Book SynopsisTaking inspiration from classic authors from Jane Austen to Thomas Hardy, Williams shines a light on our society’s changing views of the rural and industrial landscapes in which we work and live.Our collective notion of the city and country is irresistibly powerful. The city as the seat of enlightenment, sophistication, power and greed is in profound contrast with an innocent, peaceful, backward countryside. Examining literature since the sixteenth century, Williams traces the development of our conceptions of these two traditional poles of life. His groundbreaking study casts the country and city as central symbols for the social and economic changes associated with capitalist development.WITH AN INTRODUCTION BY TRISTRAM HUNTTrade ReviewWhile written with the energy of political engagement, it is a critically generous book... Even where you would read something differently, there is space to disagree -- John Mullan * Guardian *His complex character, indeed his whole life, was held together by two qualities - scholarship and political conviction - which made him a major influence on three decades of political thought * Independent *I went back to my own edition of The Country and the City... Certain books are held dear because they are also psychic landmarks revealing where and how they helped us come into consciousness. Inevitably, our perception of the world continues to be informed by such texts long after the precise details of their contents have been forgotten. -- Geoff Dyer * New Statesman *He was the foremost political thinker of his generation in Britain who in his most formidable books, Culture And Society, The Long Revolution and The Country and the City, redrew the map of our cultural history, and elsewhere made heroic interventions in the main political debates of his time * Guardian *The first thing that struck me about this book when I read it as an undergraduate was the personable charm of the narrator. Embarking on a topic which could hardly be broader or grander: the study of how literature has described the world; he starts with his own country, with his own city. His emotion about his birthplace his sense of belonging, is so powerful, that the book reads at times like an autobiography, like a love-letter to the country of his childhood -- Philippa Gregory * Independent *

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Book SynopsisA travelogue exploring the life and work of George Orwell through the places he lived, worked and wrote Following in the footsteps of his literary hero, researcher and historian Oliver Lewis set out to visit all the places to have inspired and been lived in by George Orwell. Over three years he travelled from Wigan to Catalonia, Paris to Motihari, Marrakesh to Eton, and in each location explored both how Orwell experienced the place, and how the place now remembers him as a literary icon. Beginning in Northern India, where Orwell was born in 1903, and ending in the Oxfordshire village of Sutton Courtenay, where he was laid to rest in 1950, The Orwell Tour offers an accessible and informative new biography of Orwell through the lens of place.Trade ReviewOrwell roamed widely, living in London, Southwold, Henley, Wallington, Hayes and Jura. It's this rootless, restless man that writer Oliver Lewis pursues in his innovative and thorough book, The Orwell Tour. -- Daily TelegraphIf you enjoy Orwell and if you enjoy travelogues, you'll find a lot here to like. -- The Orwell Society

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Book SynopsisSylvia Plath is one of the most influential and iconic American writers of the twentieth century, popular with academic and general audiences alike. Plath, who died at age 30, left behind a body of work that changed the direction of modern poetry, and buttressed second-wave feminism. Her poetry and fiction have been especially important to generations of women readers who have found a powerful reflection of their own emotions and experiences in Plath''s art. In this incisive introduction, leading Plath scholar Heather Clark explores the intersections between Plath''s life and work while discussing key themes in Plath''s poetry collections The Colossus and Ariel, her novel The Bell Jar, and short stories Johnny Panic and the Bible of Dreams, The Wishing Box, and Mary Ventura and the Ninth Kingdom. Clark summarizes the ways in which Plath has been pathologized, and reframes her work within the broader context of poetic confessionalism, biography, feminism, politics, and mental illness.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Book Synopsis''I liv''d indeed like a Queen; or if you will have me confess, that my Condition had still the Reproach of a Whore, I may say, I was sure, the Queen of Whores.''Left destitute by her husband, the heroine of Defoe''s final novel has to choose between her virtue and her life. Choosing survival, she makes her way as a kept woman and courtesan. The Fortunate Mistress (1724), also known under the title Roxana, tells the story of how she climbs society''s ladder by dint of her own enterprise, shedding and gaining multiple identities as she moves through the worlds of business and finance, and across the trade capitals of Europe. Amassing a fortune, her taste for men and luxuries veers increasingly to the aristocratic and exotic, culminating when she dances before the King at a masquerade dressed in the garb of a Turkish Sultana--at which point she is granted the name by which she is known to history, Roxana. Despite her rise, Roxana''s past never recedes from view, and her choices eventally

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Book SynopsisSeminal, inspired translations of one of the greatest poets of all time by Edna St. Vincent Millay and George Dillon, now available in a sleek new edition.It''s no exaggeration to say that Charles Baudelaire invented modern poetry. Flowers of Evil has been a bible for poets from Rimbaud to T.S. Eliot to Edna St. Vincent Millay, who, with Georges Dillon, brought out an inspired rhymed version of the book in 1936. Here it is reprinted, with the French originals, for the first time in many years. Millay and Dillon''s versions are virtuosic in their handling of rhyme and meter, and their take on the Flowers of Evil as a whole is among the most persuasive English, capturing in flowing lines comparable to Baudelaire''s the tortured consciousness and troubling sensuality that are his opulent music''s counterpart. The book also allows readers a new appreciation of the range of Millay''s own achievement as a poet and translator.

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Book SynopsisThe lives and achievements of eight women writers – a startling and unconventional history of literatureTrade Review‘A smart, funny and highly readable journey through the lives of women writers and the challenges they and their works face. It’s an informative, enthusiastic and rightly enraging tour de force.’ —A.L. Kennedy'Essential reading.' —Claire Tomalin'In this splendid alternative history of English literature, Anna Beer shows that "simply by putting words together on the page" women authors have for centuries fought back… [an] excellent study: "let’s scavenge and rebuild in the face of the destruction of women’s work…Let’s find the precious gems amidst the rubble."' —Guardian'Eve Bites Back isn’t pleading for justice for female writers, it’s indicting a system that has long ignored them and, to some extent, still does… Part polemic, part revisionist criticism, Eve Bites Back, as its title suggests, is sharp and aggressive, a book that will irritate, enlighten, persuade and provoke argument. It’s a work of correction, in every sense of the word.’ —Washington Post'A totally absorbing and enlightening tour through the work of eight significant women authors – with one of the funniest introductory chapters ever.' —Sarah Bakewell'Writing with energy, wit and at times barely suppressed fury, Anna Beer brings to life the struggle to be heard of eight women writers over 500 years. Her subtle literary excavations are both informative and a gripping read.' —David Goodhart, founder editor of Prospect'Startling stories and facts on every page. Written with a clear and authoritative voice, this is both a very entertaining and very important book about the many obstacles that women have overcome to be writers, and the long struggles even the most gifted and well-connected women authors have encountered in order to be taken seriously.' —Yasmin Khan, associate professor of history, University of Oxford'Anna Beer is one of those very rare writers who are able to combine rigorous research with a gripping and thoroughly accessible style. This is an ambitious, authoritative, feisty book and a worthy successor to her inspirational Sounds and Sweet Airs: The Forgotten Women of Classical Music.' —Kate Kennedy, author of Dweller in Shadows'Eve Bites Back … is shaped by the same principles [as Beer’s earlier work] – feminist indignation, certainly, but also a drive to share ideas and observations about a diverse body of achievement, emerging from historical periods radically different from our own … invigorating.' —Dinah Birch, TLS'A delightful, and challenging read.' —New York Journal of Books'A thorough, wide-reaching overview of women’s literary accomplishments viewed through a fresh, modern lens … Eve Bites Back is an exemplary work of literary criticism.' —Foreword Reviews'In her alternative history of English literature, Eve Bites Back, cultural historian and biographer Anna Beer takes up arms against the patriarchy… extensive and meticulous.' —Washington Independent Review of Books

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Book SynopsisMarking the centenary of Yeats's Nobel Prize, a timely guide to the work of Ireland's national poet and the changing Ireland he lived through.

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Book SynopsisExamines the role of the pig in medieval society in material and textual sources.

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Book Synopsis

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Book SynopsisIn this electrifying and raw debut anthology, Maggie Nelson unpicks the everyday with the quick alchemy and precision of her later modern classics The Argonauts and Bluets. The poems of Shiner experiment with a variety of stylessyllabic verse, sonnets, macaronic translation, Zen poems, walking poemsto express love, bewilderment, grief, and beauty. This book, Nelson's first, heralded the arrival of a fully formed, virtuoso voice.

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Book SynopsisAn exquisite, lovingly crafted meditation on plants, trees, and our place in the natural worldTrade Review“With . . . tender attentiveness to the non-human, [this] narrative speaks of more compassionate and resilient modes of existence than those devised by the perennially agitated makers of history.”—Pankaj Mishra, The Guardian, “Summer Reading”“Sumana Roy has written—grown—a radiant and wondrous book, which roots and branches in complex, provocative ways, helping us recognize trees for the ‘strange strangers’ they are, companion-citizens with which we think and remember, yes, but also alien beings that draw love, hate, indifference, and even lust from us humans.”—Robert Macfarlane, author of The Old Ways: A Journey on Foot“This is one of the most original, delightful, inspiring books I have read in a long time. It will enchant and move the reader with its unique imaginative mindset, its humorous touches, and its defiance of convention.”—Mary Evelyn Tucker, Yale University“A poetic, probing meditation on how trees are, to paraphrase Lévi-Strauss, ‘good to think with.’ Sumana Roy gives us a fresh and surprising look at a topic as old as the Epic of Gilgamesh, or to put it another way, almost as old as the oldest living trees.”—Robert Moor, bestselling author of On Trails: An Exploration“A genuinely exceptional work that is as poetic as it is scholarly—quirky, enlightening and enriching.”—Chandak Sengoopta, Birbeck College, University of LondonPraise for Sumana Roy: “A one-of-its-kind meditation. . . . Deliciously engaging.”—Supriya Sharma, Hindustan Times “Sumana Roy’s writing brims with rare originality.”—Areeb Ahmad, The Medley “An ode to all that is unnoticed, ill, neglected and yet resilient. . . . Roy’s true spiritual ancestor . . . is Annie Dillard. . . . Both Roy and Dillard craft remarkable, poignant sentences. Both have the ability to make mundane situations lead up to profound, even apocalyptic consequences.”—Rini Barman, Wire India “Sumana Roy’s book shimmers like silver poplar leaves.”—Sylvia Straube, Frankfurter Rundschau “A book like a jungle: from the wide sky to sticky leaves and unsightly thorns, everything is included.”—Susanne Billig, Deutschlandfunk Kultur

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Book SynopsisFor centuries, cats have been worshipped, adored and mistrusted in equal measure. This beautiful gift book contains a selection of essays, stories, and poems on cats by writers from across the ages. In these pages, writers reflect on the curious feline qualities that inspire such devotion in their owners, even when it seems one-sided. Cats' affections are hard-won and often fickle. Freud considered his cat an embodiment of true egoism; Hilaire Belloc found peace in his feline companion's complacency; and Hemingway-a famous cat-lover-wrote of drinking with his eleven cats and the pleasant distraction they gave him. Edward Gorey can't turn down a stray despite the trouble they cause him, and admits he has no idea what they're thinking about; Muriel Spark gives practical advice on how to teach a cat to play ping-pong; Nikola Tesla, who helped design the modern electricity supply system, describes a seminal experience with a cat that first sparked his fascination with electricity; and Caitlin Moran considers the unexpected feelings of loss after the death of her family cat. These writers, and many others (including Mary Gaitskill, Alice Walker, Ursula K. Le Guin, John Keats, James Bowen, Lynne Truss, and more), paint a joyful portrait of cats and their mysterious and loveable ways. As Hemingway wrote, "one cat leads to another." The book features six black-and-white cat portraits by photographer Elliot Ross.

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Book SynopsisClive Bloom is Professor in Residence at the Larkin Centre for Poetry and Creative Writing at Hull University, UK; Emeritus Professor at Middlesex University, UK; Research Fellow at New York University, USA and a Visiting Fellow at the University of Western Timisoara, Romania. A feature writer for The Financial Times, The Times, The Guardian, The Independent, The Irish Times and the London Evening Standard, Bloom is the author of many books on topics from literature to politics, including the political histories of London Violent City and Riot City. He has won a Bram Stoker Award, been shortlisted for a World Fantasy Award twice and is editor of series on crime and the Gothic for multiple publishing house. An international key note speaker he has given addresses to the Association of Forensic Psychiatrists and Gresham College, jointly curated two exhibitions, on Jack the Ripper and the Siege of Sidney Street at the Museum of London and has advised the British Cabinet Office on publish disorder issues.

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Book SynopsisYork Notes for GCSE offer an approach to English Literature that aims to help readers achieve a better grade. This series has been completely updated to reflect the needs of today's students. The new editions are filled with detailed summaries, commentaries on key themes, characters, language and style, illustrations, exam advice and much more.Table of Contents- Intro – How to Study a Play, Novel- Author Profile – Historical timeline, context with dates, author life, works , historical events.- Map/family tree/character tree- Summaries (numbered summaries for every scene)- Commentary – covering themes, characters, language analysis, style- exam questions end of each section- Answers to Checkpoints and exam questions- Exam questions with annotated model answers (D grade – B grade)- Coursework assignments/resources/top marks/advice- Key Quotations – how to use them.- Glossary/Literary terms- Timeline of events- Other titles in the Series

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Book SynopsisWhen the aristocratic Lady Isabel abandons her husband and children for her wicked seducer, more is at stake than moral retribution. This edition returns for the first time to the racy, slang-ridden narrative of the first edition, rather than the subsequent stylistically 'improved' versions hitherto reproduced by modern editors.Trade ReviewExcellent introduction, nicely presented.

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Book SynopsisA completely revised edition of this best-selling Bible resource with new ideas, diagrams and illustrations Uniquely presented, this handbook uses modern language, humour and ingenious diagrams to bring the Bible to life.The Bible Book is a unique kind of guide to the Bible. Informative, though-provoking and very, very readable, this is a book that will help you explore the most famous book in the world. Informal, but informed, simple but never simplistic, The Bible Book tackles the Bible with honesty, humour and inventiveness. This book won''t baffle you with jargon, but it won''t insult your intelligence either.Nick Page maps out the way the Bible works, showing you the route through and the places of interest along the way. With its illuminating graphics and user-friendly design, The Bible Book is an indispensable handbook for anyone setting out to explore the exciting world of the Bible.Contents include:Quick Guide Your at-a-glance introduction to every book of the BibleQuestions,

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Book SynopsisThe complete Cavafy poems including the unfinished works in a stunning new translation.From the acclaimed author of The Lost', a translation that scales new heights in modern poetic rendering. With a masterful eye for irony and an ear for the music of Cavafy's form, Daniel Mendelsohn's translation brings to English the poet who won acclaim from generations of writers, E.M. Forster and T.S. Eliot among them.Spanning the fall of Homeric heroes to the rise of the modern world, Cavafy's poetry collapses the spectra of time, geography and age into intimately personal elegies. Works such as Waiting for the Barbarians and Ithica, famed for their revival of the ancient worlds, continue to address the modern reader in terms of timeless relevance. Here they are accompanied by Cavafy's unfinished poems, translated into English for the first time. From a highly respected classicist and social essayist, Daniel Mendelsohn's edition is uniquely placed to become the fresh, definitive edition of CavaTrade Review’The poetry of Cavafy has been my spiritual food for many years now … Cavafy is a poet who never leaves you. He gets under your skin’ Louis de Bernieres ‘Magisterial … A brilliant scholar, a discerning critic and a generous person, Mendelsohn brings Cavafy alive’ Times ‘This beautifully produced book is as complete an edition as one can expect. Mendelsohn’s scholarship is formidable. No previous editor or translator has been so thorough’ Guardian ‘No-one seeking the fullest possible picture of the poet need go further than Daniel Mendelsohn's exhaustive edition of his work … Mendelsohn’s scholarship and sensitivity manage to persuade us that the poet’s love of history can combine with this more immediate nostalgia, so that in the best poems it’s impossible to separate the cerebral from the sensual’ Daily Telegraph ‘Daniel Mendelsohn has translated all of Cavafy’s poems, including the thirty ‘unfinished’ poems never before rendered in English. The results are extraordinary, and a whole galaxy orbits them’ New Yorker ‘This not only brings us closer to one of the great poets of the 20th century; it also reinvigorates our relationship to the English language … It is an event on the page. Mendelsohn’s Cavafy is itself a work of art’ New York Times Book Review

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Book SynopsisBuild your child's reading confidence at home with books at the right levelGet to know one of literature's most famous couples, as they meet, fall in love, marry in secret and are then cruelly separated. A love story at its heart, this is also a tale of rivalry, revenge and bitter resentment. Get to know one of Shakespeare's most famous plays in this wonderful and engaging retelling.Pearl/Band 18 books offer fluent readers a complex, substantial text with challenging themes to facilitate sustained comprehension, bridging the gap between a reading programme and longer chapter books.Text type:Curriculum links:

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Book SynopsisAn 365-day anthology of readings from one of the most influential writers of all time, George MacDonald, compiled by CS Lewis himself.MacDonald was a major Christian writer of the late nineteenth, early twentieth centuries. He influenced nearly everyone who was a major twentieth century writer (including Lewis Carroll, WH Auden, JRR Tolkien, Walter de la Mare, and CS Lewis. Not only was he a pioneer in the fantasy fiction genre, laying the path for people like Tolkien to write Lord of the Rings, but also a major Christian thinker, which influenced Lewis profoundly.Lewis, in fact, wrote that MacDonald was his master', and said I know hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself.'These words will challenge and uplift you, and illuminate the faith which underpins all of CS Lewis's popular and enduring writing.Trade Review‘I know hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself.’- C.S. Lewis on George MacDonald

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