ELT & Literary Studies Books

Book SynopsisThe first truly continentally representative collection of modern African drama in any language, this Norton Critical Edition includes plays from Egypt, Algeria, the Republic of South Africa, Nigeria, Ethiopia, Ghana, and Kenya.

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Book SynopsisThe text, with few departures, is that of the First Quarto (1598) edition of the play.Table of ContentsPreface A Note on the Text Abbreviated Genealogy of the Mortimers and the House of Lancaster The Text of 1 Henry IV Contexts and Sources COMPOSITION AND PUBLICATION Excerpt from the 1598 Quarto ONE PLAY OR TWO? Harold Jenkins – The Structural Problem in Shakespeare’s “Henry the Fourth” Paul Yachnin – History, Theatricality, and the “Structural Problem” in the Henry IV Plays FALSTAFF OR OLDCASTLE? Gary Taylor – The Fortunes of Oldcastle David Scott Kastan – [Reforming Falstaff] ORIGINS Peter Saccio – [Shakespearean History and the Reign of Henry IV] Edward Hall – Henry, Prince of Wales Raphael Holinshed – Elizabeth and the Uniting of the Two Houses Anonymous – An Homilee against disobedience and wylful rebellion Raphael Holinshed – The Chronicles of England Samuel Daniel – The Ciuile Wars The Famous Victories of Henry the Fifth Criticism John Dryden – The Composition of a Character Samuel Johnson – [Falstaff] Elizabeth Montagu – [Hal, Falstaff, and Taste] Maurice Morgann – An Essay on the Dramatic Character of Sir John Falstaff John Dover Wilson – The Falstaff Myth Arthur C. Sprague – Gadshill Revisited E.M.W. Tillyard – The Second Tetralogy Henry Ansagar Kelly – [Providence and Progaganda] Graham Holderness – [Tillyard, History, and Ideology] Sigurd Burckhardt – [Symmetry and Disorder] John Wilders – [Knowledge and Misjudgement] Stephen Greenblatt – [Theater and Power] Scott McMillin – [Performing 1 Henry IV] David Scott Kastan – “The King Hath Many Marching in His Coats,” or, What Did You Do in the War, Daddy? C. L. Barber – [Mingling Kings and Clowns] Michael Bristol – [The Battle of Carnival and Lent] Samuel Crowl – [Welles and Falstaff] Patricia Parker – [Fat Lady Falstaff] Coppélia Kahn – [Masculine Identities] Gus Van Sant – [My Own Private Idaho] Susan Wiseman – [Shakespeare in Idaho] Jean E. Howard and Phyllis Rackin – [Gender and Nation] Christopher Highley – [Defining the Nation] Barbara Hodgdon – [Endings] Selected Bibliography

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Book SynopsisSince its publication in 1908, Anne of Green Gables has been an enduring bestseller and arguably Canada's most famous novel.

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Book SynopsisIn 1956, J. R. R. Tolkien famously stated that the real theme of The Lord of the Rings was "Death and Immortality." The deaths that underscore so much of the subject matter of Tolkien's masterpiece have a great deal to teach us. From the heroic to the humble, Tolkien draws on medieval concepts of death and dying to explore the glory and sorrow of human mortality. Three great themes of death link medieval Northern European culture, The Lord of the Rings, and contemporary culture: the way in which we die, the need to remember the dead, and above all the lingering apprehension of what happens after death. Like our medieval ancestors, we still talk about what it means to die as a hero, a traitor, or a coward; we still make decisions about ways to honor and remember the departed; and we continue to seek to appease and contain the dead. These themes suggest a latent resonance between medieval and modern cultures and raise an issue not generally discussed in contemporary Western society: our deeply rooted belief that how one dies in some way matters.While Tolkien, as a medieval scholar, naturally draws much of his inspiration from the literature, folklore, and legends of the Middle Ages, the popularity of his work affirms that modern audiences continue to find these tropes relevant and useful. From ideas of "good" and "bad" deaths to proper commemoration and disposal of the dead, and even to ghost stories, real people find comfort in the ideas about death and dying that Tolkien explores."The Sweet and the Bitter": Death and Dying in J. R. R. Tolkien's The Lord of the Rings examines the ways in which Tolkien's masterwork makes visible the connections between medieval and modern conceptions of dying and analyzes how contemporary readers use The Lord of the Rings as a tool for dealing with death.Trade Review"[Although Amendt-Raduege] supports her arguments with a wide array of scholarly sources, her clear prose and explanations render this text truly accessible to the general reader. . . . Such a volume serves an important function at any time in the human experience. Amendt-Raduege has crafted a powerful, extended meditation on facing the end of life, preparing for a good death, avoiding a bad one, and memorializing those who have passed from this world. General fans of The Lord of the Rings as well as specialists will appreciate this book." — Journal of Tolkien Research"Amendt-Raduege has produced an insightful and comprehensive study on the thematic and contextual importance of death in Tolkien's work.... The strength of [her] book lies in its series of interconnected close readings. She devotes a significant amount of attention to each character and culture of Middle-earth, parsing their differences and similarities. Additionally, the robust historical context, which draws on both medieval and twentieth-century history, enhances the significance of her conclusions. The Sweet and the Bitter is an impressive achievement: focused, nuanced, and comprehensive, and it marks what I hope will continue to be a growing area of research in Tolkien studies." — Fafnir: Nordic Journal of Science Fiction and Fantasy Research"Amendt-Raduege's treatment of Tolkien's use of death and dying reminds the reader that death is not trivial, no matter how common or abundant it may feel. She employs literary criticism, but her work is not bloated with technical jargon. The book is a piece of scholarship, and yet accessible to the curious fan of Middle-earth and its unique influences."—Journal of Faith and the Academy

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Book SynopsisMary Shelley’s Mathilda, the story of one woman’s existential struggle after learning of her father’s desire for her, has been identified as Shelley’s most important work after Frankenstein. The two texts share many characteristics, besides authorship and contemporaneity: both concern parental abandonment; both contribute to the Gothic form through themes of incest, insanity, suicidality, monstrosity, and isolation; and both are epistolary. However, Mathilda was not published until 1959, 140 years after Shelley wrote it—in part because Shelley’s father, William Godwin, suppressed it. This new edition encourages a critical reconsideration of a novella that has been critically stereotyped as biographical and explores its importance to the Romantic debate about suicide.Historical appendices trace the connections between Mathilda and other works by Shelley and by her mother, Mary Wollstonecraft, while also providing biographical documents, contemporary works on the theme of incest, and documents on suicide in the Romantic era.For Michelle Faubert’s transcription of Mathilda for the Shelley-Godwin Archive, click here.Trade Review“The Broadview Press edition of Mathilda fills a gap in Romantic studies. The long-suppressed work (Godwin refused to return the manuscript) wasn’t published until 1959, and its immediate critical reception was almost entirely biographical. Michelle Faubert’s astute introduction to this new edition offers a scrupulous account of the work’s critical reception and opens new possibilities for understanding what she calls a ‘purgatorial text.’ The judicious appendices, a hallmark of Broadview Editions, situate Shelley’s novella in the contexts of its immediate intertexts, of its central place in contemporaneous suicide debates, and, crucially, of representations of incest and the Gothic. A paperback edition makes a hitherto neglected text widely available. The sophisticated editorial care evident throughout ensures that this will also serve as the standard scholarly edition.” — Alan Vardy, Hunter College, City University of New York“Michelle Faubert’s beautifully edited version of Mathilda is the first widely available edition to come from a transcription of Shelley’s original 1819 fair copy. Faubert’s lucid and elegant introduction situates Mathilda in the context of Shelley’s earlier Frankenstein (1818) and later novella The Mourner (1830) and discusses its troubled publication history and recent critical reception. Faubert provides a wide range of well-chosen supplementary material to complement both novice and returning readers’ appreciation for and study of Mathilda. This edition should become the standard classroom text of Shelley’s important, engaging, and notorious second novel.” — Katherine Montwieler, University of North Carolina Wilmington“The editor writes with a clear sense of hope that the text may find new readers thanks to this publication. I share her optimism … Overall a superb edition that I hope will indeed breathe new life into the oft-forgotten Mathilda and her haunting tale.” — Anna Mercer, Romantic Circles“This new edition is a welcome addition, and Michelle Faubert offers an affordable volume for use by students, scholars, and general readers, which is accompanied by careful editing and explanatory notes, an authoritative introduction, and accompanying excerpts from contemporary texts. Faubert believes that the work should be better known, and this edition will do much to make it available to readers.” — Lisa Vargo, European Romantic Review“Faubert makes a convincing case in her edition for the need for new eyes to be brought to the text, as her annotations and notes regarding editing nuances and specifics attest. Because of the careful transcription her work has brought to the manuscript as well as the judicious footnotes readers expect from a Broadview edition, Faubert invites readers to reconsider the text and contexts of the novel even as readers are invited to read anew—Faubert’s notes position the edition for both the ‘popular, as well as scholarly, audience’. … Faubert’s careful edition makes a convincing argument for shining light back on this novella again.” — Lucy Morrison, Women’s WritingTable of Contents Awknowledgements Introduction Mary Shelley: A Brief Chronology A Note on the Text Mathilda Appendix A: The Romantic-era Suicide Debate From William Godwin’s An Enquiry Concerning Political Justice, and Its Influence on General Virtue and Happiness (1793) From David Hume’s Essays on Suicide and the Immortality of the Soul (1793) From William Rowley’s A Treatise on Female, Nervous, Hysterical … Diseases (1788) From John Francis’ “Sermon III. On Self-Murder” (1749) From Johann Wolfgang von Goethe’s The Sorrows of Young Werther (1774) From Lord Byron’s Manfred (1817) William Wordsworth’s “The Complaint of a Forsaken Indian Woman” (1798) Appendix B: Family Resemblances Full-detail transcription from Mary Shelley’s manuscript of “Mathilda” (1819) From Mary Shelley’s “The Fields of Fancy” (1819) From Mary Shelley’s “The Mourner” (1830) From Mary Shelley’s Frankenstein (1818) From Mary Wollstonecraft’s Mary, A Fiction (1788) From Mary Wollstonecraft’s The Wrongs of Woman, or Maria (1798) From Mary Wollstonecraft’s “Cave of Fancy” (composed 1787; published 1798) Appendix C: Incest, the Gothic, Literary Forebears From Percy Bysshe Shelley’s The Cenci (1819) From Percy Bysshe Shelley’s Laon and Cythna (1818) From Vittorio Alfieri’s Myrrha (1815) From Matthew Lewis’ The Monk (1796) From Horace Walpole’s The Castle of Otranto (1764) Appendix D: Biographical Context: Shelley’s Letters and Journals Letter from Godwin to P. B. Shelley on Fanny Imlay’s suicide (1816) From Harriet Shelley’s suicide letter (1816) Letter by Mary Shelley on William Shelley’s final illness (1819) William Godwin’s letter to Mary Shelley on her son’s death (1819)

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Book SynopsisIn 1808 Napoleon invaded Spain and deposed the king. Overnight, Hispanics were forced to confront modernity and look beyond monarchy and religion for new sources of authority. Coronado focuses on how Texas Mexicans used writing to remake the social fabric in the midst of war and how a Latino literary and intellectual life was born in the New World.Trade ReviewReading British colonial writers as the sole founders of American culture lends our history a false sense of teleology, as though we were always going to end up here. One of the greatest strengths of Coronado’s book is its ability to remind us of other paths we might have taken; other worlds different ‘we’s’ might have made… A World Not to Come boldly challenges the dominance of the westward expansion narrative… At once a gripping history, a dizzying synthesis of Enlightenment philosophical currents, and a breathtaking feat of original archival research, his book merits reading by anyone interested in American literature, Latina/o studies, economic history, or Western philosophy. A World Not to Come demands that we recalibrate our sense of what ‘American’ literary history looks like. -- John Alba Cutler * Los Angeles Review of Books *A World Not to Come constitutes an extraordinary contribution to distinct and interconnected lines of scholarly debates engaged with Latin American and trans-hemispheric history. -- Beatriz González-Stephan * S-USIH: Society for U.S. Intellectual History *A World Not to Come is a magnificent first book. Raúl Coronado makes the case that the meeting of Anglos and Mexicans in the Southwest occasioned not only political and military conflict but also epistemological struggle between two different systems of thought. Latinos in the U.S. attempted forge what in hindsight can be seen as a modern social imaginary. The differences between these conflicting visions of an American imaginary are still very much with us and help define the nature of the present interactions between Anglos and Latinos within the boundaries of the U.S. and outside of them. This is a compelling thesis about the need for a ‘transnational’ view of the Americas and the recognition that an undifferentiated history of ‘Latino’ writings cannot easily be extracted from the historical record. Coronado’s argument on both counts should advance significantly our understanding of the relationship between the Anglo and Latin Americas in the nineteenth century. -- Ramón Saldívar, Stanford UniversityIn this brilliantly conceived book, Raúl Coronado turns over the forgotten record of a Texas rebellion, and from it spins an absorbing counter-history of a distinctively Latino tradition of political thought. A World Not to Come will stand as a major contribution to the emergent multilingual portrait of print culture in the U.S., and to the comparative intellectual and literary history of the Americas in general. -- Kirsten Silva Gruesz, University of California, Santa CruzCoronado’s A World Not to Come is already a standard, well on its way to becoming a classic. The comprehensiveness of the research is extraordinary: an extraordinary job, extraordinarily well done. -- Rolena Adorno, Yale UniversityCoronado’s book offers a fascinating alternative history of modernity, one rooted in the forgotten archives of Texas. Well-timed to intervene in contemporary debates on rights theory and sovereignty, Coronado tells the story of how Spanish-American intellectuals of the early nineteenth century took the work of now-forgotten Catholic Reformation thinkers to produce a model of rights based on collective well-being and ‘public happiness.’ The Anglo-American Protestant history of rights suppressed a rich and complex Spanish version, and Coronado finds in these conservative thinkers a revolutionary potential that I believe found fruition in liberation theology in the Americas. -- Carrie Tirado Bramen, University at Buffalo, State University of New YorkIn a work of great originality and breathtaking erudition, Raúl Coronado writes a compelling history of an alternative West, a history spanning continents, oceans, centuries, and genres. The story told in A World Not to Come is the story of modernity itself, inflected through an immense and virtually unstudied archive of Latino writing that the author reads as a fragmented narrative of becoming. This is cultural history of the highest order. -- Anna Brickhouse, University of VirginiaThis is a book about Tejanos and the printing press in the Age of Revolutions. Between 1810 and 1848, Tejanos witnessed momentous sociopolitical, cultural changes and responded by articulating their own peculiar narratives of modernity through the printing press—narratives that both Mexican and U.S. historiographies have erased. Coronado brings these forgotten narratives, poised between utopia and disillusionment, deftly back to life. This is a moving meditation on the making of the first ‘Latino’ public sphere. -- Jorge Cañizares-Esguerra, The University of Texas at Austin

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Book SynopsisEmperor Taizong (r. 626–49) of the Tang is remembered as an exemplary ruler. This study addresses that aura of virtuous sovereignty and Taizong’s construction of a reputation for moral rulership through his own literary writings—with particular attention to his poetry.

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Book SynopsisEve of the Festival is a detailed examination of Homeric myth-making in the first and longest dialogue of Penelope and Odysseus (Odyssey 19). This study makes a case for seeing virtuoso myth-making as an essential part of this conversation, a register of communication important for the interaction between the two speakers.

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Book SynopsisThis volume presents two complementary medieval anthologies containing lyrics by two outstanding Latin poets of the second half of the twelfth century. The collection is further augmented by verse as varied as Christmas poems and satires on the venality of the Roman Curia and immoral bishops.Trade ReviewThe material in the volume repays study and the scholarly apparatus is impressive...This volume should receive a warm welcome. [The Dumbarton Oaks Medieval Library] will be a boon to professional medievalists, their students and the general reader, and every good library ought to own the series. -- Keith Sidwell * Times Literary Supplement *

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Book Synopsisaeo Provides a vital introduction to one of the centurya s major thinkers. aeo Reveals Jamesona s systematic vision of the contemporary world. aeo Represents the broad spectrum of Jamesona s work, including major seminal texts to lesser--known works.Table of ContentsIntroduction. Part I: Paradigms of Interpretation:. 1. On Interpretation: Literature as a Socially Symbolic Act (1981). 2. Towards Dialectical Criticism (1971). 3. T.W. Adorno (1971). 4. Roland Barthes and Structuralism (1972). 5. Imaginary and Symbolic in Lacan (1977). Part II: Marxism and Culture: . 6. On Jargon (1977). 7. Base and Superstructure (1990). 8. Reification and Utopia in Mass Culture (1979). 9. Marxism and the Historicity of Theory: An Interview by Xudong Zhang (1998). 10. Five Theses on Actually Existing Marxism. Part III: Postmodernism:. 11. Beyond the Cave: Demystifying the Ideology of Modernism (1975). 12. Postmodernism, or The Cultural Login of Late Capitalism (1984). 13. The Antinomies of Postmodernity (1994). 14. Culture and Finance Capital (1997). Part IV: Exercises in Cognitive Mapping: . 15. Cognitive Mapping (1998). 16. Class and Allegory in Contemporary Mass Culture: Dog Day Afternoon as a Political Film (1977). 17. National Allegory in Wyndham Lewis (1979). 18. Third World Literature in the Era of Multinational Capitalism (1986). 19. Totality as Conspiracy (1992). Part V: Utopia: . 20. Introduction/Prospectus: To Reconsider the Relationship of Marxism to Utopian Thought (1976). 21. World-Reduction in Le Guin: The Emergence of Utopian Narrative (1975). 22. Utopian and Anti-Utopianism (1994). Bibliography. Index.

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Book SynopsisOwen analyzes the redirection of poetry following the deaths of the major poets of the High and Mid-Tang and the rejection of their poetic styles. In the Late Tang, the poetic past was beginning to assume the form it would have for the next millenniuma repertoire of styles, genres, and the voices of past poets.Trade ReviewOver the last several decades, Owen has distinguished himself as one of the world’s foremost scholars of the poetry of the Tang dynasty (618–906)… As always, Owen’s analysis of literary history is keen and penetrating, and his translations from the Chinese are both readable and faithful to the original poems. This is one of the most important studies on Tang poetry to appear in recent years. -- J. M. Hargett * Choice *

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Book SynopsisThe most supportive, easy-to-use and focussed literature guides to help your students understand the texts they are studying at GCSE and A LevelTable of Contents Part 1: Introduction Part 2: The Text Part 3: Critical Approaches Part 4: Critical History Part 5: Background Further Reading Literacy Terms

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Book SynopsisIn letters to his friend Atticus, Cicero (106–43 BC) reveals himself as to no other of his correspondents except perhaps his brother, and vividly depicts a momentous period in Roman history, marked by the rise of Julius Caesar and the downfall of the Republic.

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Book SynopsisThe poetry of the seventh to the fifth centuries BC that the Greeks called iambic is primarily invective.Trade ReviewThese two additions to the Loeb Classical Library [Greek Iambic Poetry and Greek Elegiac Poetry] will be welcomed by readers at all levels. Archolicus, Hipponax, Solon, the Theognidea, and many others are now accessible as never before...The translations, into prose, are wonderfully clear and readable. All traces of translationese have been removed, or more likely were never there. While the revisions are plain, they are always instructive and can be elegant. It will repay students to read these versions not just as a crib, but to compare them carefully with the Greek. There are surprises and delights for the attentive...Gerber has a gift for finding English that shows how the Greek works...The notes are marvels of condensed information...Gerber throughout the notes writes in a clear, concise, and scrupulous style. In effect he had summarized for his readers a great deal of information about current interpretations and problems of dozens and dozens of fragments...Gerber has distilled an impressive amount of scholarship. That feat, together with the excellence of his translations, makes these volumes among the most distinguished of those recently issued. -- H.G. Edinger * Phoenix *The contemporary literalness of Gerber's translations will fo much to make these poems appealing and accessible to undergraduates...Gerber successfully transmits both the letter and the spirit of the Greek, and his eloquent directness will be welcome to both scholars and students. -- Emily Katz Anhalt * Bryn Mawr Classical Review *

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Book SynopsisMacrobius’s Saturnalia, an encyclopedic celebration of Roman culture written in the early fifth century CE, has been prized since the Renaissance as a treasure trove of otherwise unattested lore. Cast in the form of a dialogue it treats diverse topics while showcasing Virgil as master of all human knowledge, from diction to religion.

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Book SynopsisStatius’s Silvae, thirty-two occasional poems, were written probably between AD 89 and 96. The verse is light in touch, with a distinct pictorial quality. D. R. Shackleton Bailey’s edition, which replaced the earlier Loeb Classical Library edition by J. H. Mozley, is now reissued with corrections by Christopher A. Parrott.

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Book SynopsisAlthough Problems is an accretion of multiple authorship over several centuries, it offers a fascinating technical view of Peripatetic method and thought. Rhetoric to Alexander provides practical advice to orators and was likely composed while Aristotle (384–322 BC) was tutor to Alexander, perhaps by another tutor.

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Book SynopsisAeschylus (ca. 525–456 BC) is the dramatist who made Athenian tragedy one of the world’s great art forms. Seven of his eighty or so plays survive complete, including the Oresteia trilogy and the Persians, the only extant Greek historical drama. Fragments of his lost plays also survive.Trade ReviewAlan Sommerstein’s three-volume Aeschylus…is in many respects the best critical edition of this playwright available in any format. Sommerstein’s authority as a linguist and expert in Aeschylean drama is second to none, and he has provided an up-to-date and carefully constituted text for the seven surviving plays, plus all of the fragmentary remains that are at least one line long. Important manuscript variants and modern conjectures are scrupulously recorded (making the page a little cluttered, but clear enough); and in addition he has provided copious notes, fuller and more numerous than is normal for a Loeb, on matters of myth, geography, history and interpretation. -- Mark Griffith * Times Literary Supplement *

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Book Synopsis Anthony Trollope was well aware that the seemingly parochial power struggles that determine the action of Barchester Towers -- struggles whose comic possibilities he exploits to hilarious effect -- actually went to the heart of mid-Victorian English society, and had, in other times and other guises, led to civil war and constitutional upheaval. Thai awareness heightens the comedy and intensifies the drama in this magnificent novel and it transforms the story of a fight for ascendency among the clergy and dependants of a great English cathedral into something fundamental and universal. This is the second novel in Trollope's Barsetshire series.(Book Jacket Status: Not Jacketed)

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Book SynopsisThe story of the mysterious indictment, trial, and reckoning forced upon Joseph K—one of the twentieth century’s master parables from one of the greatest writers of the twentieth century, the author of The Metamorphosis. Translated by Willa and Edwin Muir The Trial reflects the central spiritual crises of modern life. Kafka’s method—one that has influenced, in some way, almost every writer of substance who followed him—was to render the absurd and the terrifying convincing by a scrupulous, hyperreal matter-of-factness of tone and treatment. He thereby imparted to his work a level of seriousness normally associated with civilization’s most cherished poems and religious texts.Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

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Book SynopsisPolybius’ theme is how and why the Romans spread their power as they did. The main part of his history covers the years 264–146 BC, describing the rise of Rome, the destruction of Carthage, and the eventual domination of the Greek world. It is a vital achievement despite the incomplete survival of all but the first five of forty books.Trade ReviewThe numerous explanatory notes of the revised edition offer the reader a good assistance in orienting themselves within the fragmentary tradition of Polybius’ books 16 to 27 by contextualizing the events mentioned historically, referring to recent research and clarifying special terms, persons, places, etc.… Fully recommended. -- Michael Kleu * Bryn Mawr Classical Review *Polybius found a brilliant subject for his history in the Roman drive to supremacy in the Mediterranean. As an experienced Greek politician who lived as a hostage among the elite in Rome from 167 to 159 BC, he was ideally positioned to write it. He had formidable organizational powers, and he really did know what he was talking about. Without him, our understanding of the whole period and of the dynamics of Roman imperialism would be inconceivably impoverished. -- Denis Feeney * Times Literary Supplement *

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Book SynopsisVolume VII of the nine-volume Loeb edition of Early Greek Philosophy includes the atomists Leucippus and Democritus.Trade ReviewIn brief, André Laks and Glenn Most give us a brilliant and beautiful reference work that can, at the same time, be easily enough read straight through. And spending a few months doing so gives the reader almost all that she needs (perhaps along with Loeb #258, Greek Elegiac Poetry) to reconstruct for herself the origins of the discipline of philosophy. I should want any graduate student or colleague in ancient philosophy or intellectual history to acquire and make their way through it. -- Christopher Moore * Classical Journal *The publication of the Loeb Classical Library’s nine-volume set, Early Greek Philosophy, gives us a new edition of the original texts, with fresh translations. It is a monumental achievement—the result of many years of dedicated work on the part of the two editors/translators André Laks and Glenn W. Most… We owe a profound debt of gratitude to the editors/translators for their thorough and impeccable scholarship, and to the publishers for their usual high standards of production. If you can afford them, don’t hesitate: you will be all the richer for having these volumes on your shelves. -- Jeremy Naydler * Minerva *André Laks and Glenn W. Most have made available to the world of scholarship in early Greek philosophy a resource of immense value. Every study of a thinker or of an issue within the thematic ambit of Early Greek Philosophy must henceforth start by canvassing and taking into account the appropriate selections in the Loeb set. -- Alexander P. D. Mourelatos * Bryn Mawr Classical Review *The publication of a Loeb Classical Library edition of the evidence for early Greek philosophy is a major event in classical scholarship…The editors and their assistants are to be commended for their exemplary execution of such a vast and difficult task. They have succeeded in producing what is far and away the best available edition of the texts of the early Greek philosophers with accompanying English translation…More than that, their edition effectively supersedes Hermann Diels and Walter Kranz’s Die Fragmente der Vorsokratiker, which has long held sway as the standard edition of the Presocratics, but it only does so because Laks and Most have respectfully taken Diels-Kranz as their model…Laks and Most have set such a high standard with this work that it is hard to imagine that we will see a better general collection on early Greek philosophy in our lifetimes…Laks and Most’s philological acumen, judiciousness as editors, and excellence as translators is evident on every page. -- John Palmer * Arion *

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Book SynopsisThis guide helps make Shakespeare's play more accessible. It contains a complete text of the original work, along with a line-by-line modernisation and plenty of helpful commentary.

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Book SynopsisA thoughtful and deeply personal book by a master theatre-maker. In Tip of the Tongue, Peter Brook takes a charming, playful and wise look at topics such as the subtle, telling differences between French and English, and the many levels on which we can appreciate the works of Shakespeare. Brook also revisits his seminal concept of the 'empty space', considering how theatre – and the world – have changed over the span of his long and distinguished career. Threaded throughout with intimate and revealing stories from Brook's own life, Tip of the Tongue is a short but sparkling gift from one of the greatest artists of recent times.Trade Review'Engaging and thought-provoking… Brook is constantly enthralled but never daunted by contemplation of the art he serves, as this short work shows with grace and eloquence' * Shakespeare Survey *'A gem… like sitting down with Brook after a meal… this simple and accessible book contains insights and lessons from someone who has lived and breathed theatre for over seventy years' * Drama Magazine *'Full of aphoristic wisdom' * Guardian *'Short, sweet and brimming with wise saws and modern instances' * The Stage *'Peter Brook's exploration of words, theatre and everything attached is loving and heartfelt, taking his readers on a journey through his experiences and giving meaning to what he's seen and done' * Broadway World *'Filled with wisdom… devotees will be enchanted by the great director’s latest ruminations on language and the theatre' * British Theatre Guide *

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This book has features to help students improve their grade. It has features that address the specific needs of students studying for the new AS and A2 exams. Text boxes in the margin labelled 'Context' describe the literary, historical, cultural, religious, or philosophical context of specific references in the text.

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Book SynopsisTake Note for Exam Success! York Notes offer an exciting approach to English literature. This market leading series fully reflects student needs. They are packed with summaries, commentaries, exam advice, margin and textual features to offer a wider context to the text and encourage a critical analysis. York Notes, The Ultimate Literature Guides.Table of Contents- Intro – How to Study a Play, Novel- Author Profile – Historical timeline, context with dates, author life, works , historical events.- Map/family tree/character tree- Summaries (numbered summaries for every scene)- Commentary – covering themes, characters, language analysis, style- exam questions end of each section- Answers to Checkpoints and exam questions- Exam questions with annotated model answers (D grade – B grade)- Coursework assignments/resources/top marks/advice- Key Quotations – how to use them.- Glossary/Literary terms- Timeline of events- Other titles in the Series

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Book SynopsisYork Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.Table of Contents Part 1: Introduction Part 2: The Text Part 3: Critical Approaches Part 4: Critical History Part 5: Background Further Reading Literacy Terms

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Book SynopsisHe has an affinity with the violence, the balance, the ritual, the grace and the power. He is indestructible.Beautiful Burnout is about the soul-sapping three-minutes when men become gods and gods, mere men. It''s about the second when the guard drops, that moment when the eyes blink and miss the incoming hammer blow.Beautiful Burnout premiered at the Pleasance Forth as part of the Edinburgh International Festival in August 2010 before touring the UK in a co-production between Frantic Assembly and the National Theatre of Scotland.

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Book SynopsisBy the Poet LaureateThe Alliterative Morte Arthure - the title given to a four-thousand line poem written sometime around 1400 - was part of a medieval Arthurian revival which produced such masterpieces as Sir Gawain and the Green Knight and Sir Thomas Malory''s prose Morte D''Arthur. The Death of King Arthur deals in the cut-and-thrust of warfare and politics: the ever-topical matter of Britain''s relationship with continental Europe, and of its military interests overseas. Simon Armitage is already the master of this alliterative music, as his earlier version of Sir Gawain and the Green Knight (2006) so resourcefully and exuberantly showed. His new translation restores a neglected masterpiece of story-telling, by bringing vividly to life its entirely medieval mix of ruthlessness and restraint.

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Book Synopsis'York Notes for GCSE' offers a useful approach to English Literature and aims to help readers achieve a better grade. Updated to reflect the needs of today's students, the new editions are filled with detailed summaries, commentaries on key themes, characters, language and style, illustrations, exam advice and much more.

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Book SynopsisDo you want to know why Harold Pinter is a figure of such influence and importance in the theatre? Are you studying his plays and looking for help with interpretation? Or do you teach Pinter and need a reliable guide to the plays? The Faber Critical Guide to Harold Pinter gives this and much more, including an introduction to the distinctive features of the playwright''s work, a detailed analysis of each of the classic plays and comments on performance.

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Book SynopsisThe acclaimed Pelican Shakespeare series, now repackaged in award-winning modern covers to inspire Shakespearians of all ages.

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Book SynopsisAuster''s radical modern ghost story from the author of contemporary classic The New York Trilogy: ''a literary voice for the ages'' (Guardian) Several months into his recovery from a near-fatal illness, novelist Sidney Orr enters a stationery shop in Brooklyn and buys a blue notebook. It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and bewildering events that threaten to destroy his marriage and undermine his faith in reality.If The New York Trilogy was Paul Auster''s detective story, his mesmerizing eleventh novel reads like an old-fashioned ghost story. But there are no ghosts in this book - only flesh-and-blood human beings, wandering through the haunted realms of everyday life. Oracle Night is a narrative tour de force that confirms Auster''s reputation as one of the boldest, most original writers at work in America today.

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Book SynopsisGoing to see a ''Shakespeare'' and want a quick run-down on the plot before you start? Teaching the ''Henry''s'' and need a handy guide to all the histories for the students? A Pocket Guide to Shakespeare''s Plays gives all this and more: an introduction to Shakespeare and his times; a note on the sources; cast lists, synopses; main character descriptions and an essay on each play. It is a concise, readable and essential guide to all 36 plays.

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Book SynopsisDesigned to meet the requirements for students at GCSE and A level, this accessible educational edition offers the complete text of The History Boys with a comprehensive study guide. Highlights of Andrew Bruff''s guide include: detailed analyses of character, theme and structure; a clear introduction to the context of the play and its author; key quotations and activities both for the student working alone and in the classroom.An unruly bunch of bright, funny sixth-form boys in pursuit of sex, sport and a place at university. A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool.In Alan Bennett's award-winning and hugely popular play, staffroom rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it, about education and its purpose.

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