ELT & Literary Studies Books

Book SynopsisSecond Lieutenant Wilfred Owen was twenty-four years old when he was admitted to the newly established Craiglockhart War Hospital for treatment of shell shock. A nascent poet, trying to make sense of the terror he had witnessed, he read a collection of poems from a fellow officer, Siegfried Sassoon, and was impressed by his portrayal of the soldier’s plight. One month later, Sassoon himself arrived at Craiglockhart, having refused to return to the front after being wounded during battle.Over their months at Craiglockhart, each encouraged the other in their work, their personal reckonings with the morality of war, and their treatment. Therapy provided Owen, Sassoon, and their wardmates with insights that allowed them to express themselves better, and for the 28 months that Craiglockhart was in operation, it notably incubated the era’s most significant developments in both psychiatry and poetry.Soldiers Don’t Go Mad tells for the first time the story of the soldiers and doctors who struggled with the effects of industrial warfare on the psyche. As he investigates the roots of what we now know as PTSD, Glass brings historical bearing to how we must consider war’s ravaging effects on mental health, and the ways in which creative work helps us come to terms with even the darkest of times.Trade Review'A marvellous and very moving book' - Allan Massie, The Scotsman

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Book SynopsisA glorious treasury of literary curiosities for every night of the year. Bedside Companion for Book Lovers contains an eclectic mix of fact and fiction, letters, diaries, essays and dedications, all suffused with the joys of books and reading. The perfect gift for the bibliophile in your life, it contains snippets from some of the greatest writers and book collectors from throughout history, including: Charles Dickens on the smell of books Maya Angelou on the pleasures of reading aloud Virginia Woolf on finding space for writing Nick Hornby on reading for pure enjoyment and much more. Along the way, you’ll find advice on how to look after your most precious volumes, what to do when books start taking over your home, and where to find the most atmospheric libraries and bookshops around the world. Keep this beautifully illustrated book by your bedside and wander into a magical world of books every night of the year.Trade Review‘This would be a much-loved and treasured gift for bookworms! From fact and fiction, to letters and diaries, be greeted by the beauty of the written word’ Love Reading ‘The perfect gift for any book lover, with a mix of letters and diaries, both fact and fiction’ Prima ‘This is the perfect book for any bookworm… a real classic in the making’ Miranda Mills YouTubeTable of ContentsJanuary: An Illimitable Choice 10February: Frivolous and Idle Books 46March: A Stroke of the Pen 78April: Something Sensational to Read 112May: Encouraging Early Bookishness 146June: The Poet and the Dreamer 182July: I Always Took a Book 216August: Bibliomania, or Book-madness 252September: In an Elbow-chair at Ease 288October: The Art of Bookbinding 324November: An Abundant Library 358December: The Craft of Genius 394Index: 430Acknowledgements 444

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Book SynopsisTrade Review“Combining meticulous scholarship and intellectual heft with an engaging, approachable style is one of the most difficult writing tasks there is, but Davidson makes it seem effortless, using the life, the letters and the novels of Austen as an entry point into her exploration of clothing, its modes of production, its aesthetics, and its social meaning.”—Kerryn Goldsworthy, Sydney Morning Herald“Dress in the Age of Jane Austen is an exemplary model of how to read historical dress—the objects themselves and their presentation in text and images—that was well worth the wait.”—Michele Majer, Costume“[The author] gives fascinating insights into Austen’s appearance and also her attitudes to fashion.”—Matthew Westwood, The Australian“What Davidson generously presents her reader with . . . is a systemic primer of Regency fashion, using Austen’s works and her context as a starting-off point and as the object that the analysis explicates.”—Denise Baxter, Journal of Modern History“Davidson treats historical garments as material objects open to interpretation, helping scholars and fans alike add to the traditional Austen archive by turning textile to text.”—Elyse Martin, Perspectives on History“In a remarkable new book, the textile historian Hilary Davidson uses Austen’s writing as a lens through which to explore the evolving fashions of the Regency period at every level of society. Glorious full-colour illustrations of costumes ranging from linen bodices to silk pantaloons are stitched together with contextual observations to create a comprehensive portrait of late-18th-century life.”—Town & Country UK“Dress in the Age of Jane Austen gives us a detailed and comprehensive analysis of Regency fashion and is to be much welcomed as a single volume survey. . . . The book is beautifully illustrated with thoughtfully chosen, and often unusual or unfamiliar images. . . . For dress historians this book sets a scholarly and inspiring example, which is bound to remain a standard work of reference for this period.”—Penelope Byrd, Journal of Dress HistoryCHOICE Outstanding Academic Title, 2020

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Book SynopsisFrom wicked queens, beautiful princesses, elves, monsters, and goblins, to giants, glass slippers, poisoned apples, magic keys, and mirrors, the characters and images of fairy tales have cast a spell over readers and audiences, both adults and children, for centuries. These fantastic stories have travelled across cultural borders, and been passed on from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. In this Very Short Introduction, Marina Warner digs into a rich hoard of fairy tales in all their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. Drawing on a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers'' Hansel and Gretel, and Hans Andersen''s The Little Mermaid, to modern-day realizations including Walt Disney''s Snow White, Warner forms a persuasive case for fairy tale as a crucial repository of human understanding and culture. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.Trade ReviewReview from previous edition the book is an enchanted material object, and reading a journey toward knowledge and wisdom. * Gramayre *thoroughly enjoyable and scholarly account * Times Literary Supplement *elegantly concise * Literary Review *...this is a book to treasure. It really is the perfect introduction to the subject. * Desperate Reader, Hayley Anderton *wide ranging and handsomely produced * Rowan Williams, New Statesman *wise, witty, elegant, little book * Amanda Craig, Mslexia *This is a book to treasure. * Helen Parry, Shiny New Books *Marina Warner's newest book is as pocket-sized and potent as one might expect a short history of fairy tales to be...she manages to be astute without being intrusive...there is sharpness too. * Shahidha Bari, Times Higher Education *Warner is always intelligent, writes with great elegance and bubbles over with new ideas and impressions. Many will enjoy her style, wide range of literary reference and infectious enthusiasm. * Irish Times *Marina Warner's new book distills her work on the literary, cultural, psychological and social influence of fairy tales, old and new, into an elegant little volume. From fantasy to feminism - it is all here. * Wall Street Journal *For such a small book it carries a heavy load, but Ms Warner's insights are both surprising and rewarding. * The Economist *An expert and intruiging guide to the roots and triffid-like growth of a significant genre * The Tablet *a spellbinding cultural tour de force * The Lady *Marina Warner is our doyenne of fairy stories ... her scholarly knowledge is not just worn lightly but presented with a flourish * Amanda Craig, Observer19/10/2014 *her light touch effortlessly imparts knowledge in your mind. A beautifully produced book, this will be a joy to anyone who loves stories. * Patrick Neale, The Bookseller *Table of ContentsPrologue 1: The worlds of Faery: far away and down below 2: With a touch of her wand: magic & metamorphosis 3: Voices on the page: tales, tellers, & translators 4: Potato soup: true stories/real life 5: Childish things: pictures & conversations 6: On the couch: house-training the Id 7: In the dock: don't bet on the Prince 8: Double vision: the dream of reason 9: On stage and screen: states of illusion Epilogue Further reading Index

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Book SynopsisSharp and funny. Gunderson taps into a buoyant spirit ... the touching ''barbaric yawp'' (Whitman''s phrase) of these two deeply engaging kids. The Washington PostHousebound by illness, Caroline hasn't been to school in months. Confined to her room, she has only social media for company. That is until classmate Anthony bursts in uninvited and armed with waffle fries, a scruffy copy of Walt Whitman's poetry and a school project due the next dayCaroline is unimpressed, but an unlikely friendship develops and a seemingly mundane piece of homework starts to reveal the pair's hopes and dreams - as well as a deep and mysterious bond that connects them even further.Finalist for the Susan Smith Blackburn Prize, 2014. This new Modern Classics edition features an introduction by Julie Felise Dubiner.Trade ReviewSharp and funny. Gunderson taps into a buoyant spirit...the touching 'barbaric yawp' (Whitman's phrase) of these two deeply engaging kids. * Washington Post *The show is suffused not with the bleakness that you might expect, but with a strong sense of potential and promise. * Daily Mail *

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Book SynopsisA radically subversive critique brings to the fore the masculine ideology implicit in psychoanalytic theory and in Western discourse in general: woman is defined as a disadvantaged man, a male construct with no status of her own.Trade ReviewThe publication of these two translations is an event to be celebrated by feminists of all persuasions. * Women's Review of Books *Table of ContentsTHE BLIND SPOT OF AN OLD DREAM OF SYMMETRYWoman, Science's Unknown How Can They Immediately Be So Sure?; The Anatomical Model; A Science That Still Cannot Make Up Its Mind; A Question of Method; What Is Involved in (Re) production, and How It Aids and Abets the Phallic Order; A Difference Not Taken into Account; The Labor "to Become a Woman"The Little Girl Is (Only) a Little Boy An Inferior Little Man; The Cards Turned Over; The Dream Interpreters Themselves; Penis Masturbation: A Necessarily Phallic Auto-eroticism; The Change of "Object" or the Crisis of a Devaluation; The Law of the Self-sameIs Her End in Her Beginning? An Unsuspected Love; The Desire to Have a Child by the Mother; The Father's Seduction: Law but Not Sex; The "Reasons" Why a Girl Hates Her Mother and a Boy Goes on Loving His; An Economy of Primal Desire That Cannot Be Represented; One More ChildAnother "Cause"—Castration As Might Be Expected; The Gaze, Always at Stake; Anatomy Is "Destiny"; What the Father's Discourse Covers Up; The Negative in Phallocentric Dialectic; Is Working Out the Death Drives Limited to Men Only?"Penis-Envy" Waiting in Vain; An Indirect Sublimation; "Envy" or "Desire" for the Penis?; Repression, or Inexorable Censorship?; Mimesis ImposedA Painful Way to Become a Woman And the Father, Neutral and Benevolent, Washes His Hands of the Matter; A (Female) A-Sex?; Is the Oedipus Complex Universal or Not?; Free Association on OnanismA Very Black Sexuality? Symptoms Almost Like Those of Melancholia; A Setback She Cannot Mourn; That Open Wound That Draws Everything to Itself; That Necessary Remainder: HysteriaThe Penis = the Father's Child The Primacy of Anal Erotism; Those Party to a Certain Lease; Woman Island Also Mother; Forbidden Games; The Hymen of Oedipus, Father and SonThe Deferred Action of Castration Capitalism without Complexes; The Metaphorical Veil of the Eternal Feminine; The Other Side of History; The Submission of a Slave?; A Super-ego That Rather Despises the Female SexAn Indispensable Wave of Passivity A Redistribution of Partial Instincts, Especially Sadistic-anal Instincts; "There Is Only One Libido"; Idealization, What Is One's Own; The (Re)productive Organ; Confirmation of FrigidityFemale Hom(m)osexuality The "Constitutional Factor" Is Decisive; Homosexual Choice Clearly Expounded; A Cure Fails for Lack of Transference(s); Female SamenessAn Impracticable Sexual Relationship An Ideal Love; Were It Not for Her Mother?; Or Her Mother-in-law?; Squaring the Family Circle; Generation Gap, or Being Historically out of Phase?; Woman's Enigmatic Bisexuality"Woman Is a Woman as a Result of a Certain Lack of Characteristics" An Ex-orbitant Narcissism; The Vanity of a Commodity; The Shame That Demands Vicious Conformity; Women Have Never Invented Anything but Weaving; A Very Envious Nature; Society Holds No Interest for Women; A Fault in Sublimation; "La Femme de Trente Ans"SPECULUM Any Theory of the "Subject" Has Always Been Appropriated by the "Masculine" Kore: Young Virgin, Pupil of the Eye On the Index of Plato's Works: Woman How to Conceive (of) a Girl Une Mère de Glace "... and if, taking the eye of a man recently dead... " La Mystérique Paradox A Priori The Eternal Irony of the Community Volume-FluidityPLATO'S HysteriaThe Stage Setup Turned Upside-down and Back-to-front; Special Status for the Side Opposite; A Fire in the Image of a Sun; The Forgotten Path; Paraphragm/Diaphragm; The Magic Show; A Waste of Time?; A Specular CaveThe Dialogues One Speaks, the Others Are Silent; Like Ourselves, They Submit to a Like Principle of Identity; Provided They Have a Head, Turned in the Right Direction; What Is = What They See, and Vice Versa; The A-letheia, a Necessary Denegation among Men; Even Her Voice Is Taken Away from Echo; A Double Topographic Error, Its ConsequencesThe Avoidance of (Masculine) Hysteria A Hypnotic Method; That Buries and Forbids "Madness"; A Remainder of Aphasia; The Misprison of Difference; The Unreflected Dazzle of SeductionThe "Way Out" of the Cave The "Passage"; A Difficult Delivery; Then Whence and How Does He Get Out?; A World Peopled by GhostsThe Time Needed to Focus and Adjust the Vision Impossible to Turn Back (or Over); Were It Not, Right Now, for a Sophistry Played with Doubles; A Frozen Nature; The Auto... Taken in by the A-letheia; Bastard or Legitimate Offspring?The Father's Vision: Engendering with No History of Problems A Hymen of Glass/Ice; The Unbegotten Begetter; Exorcism of the Dark Night; Astrology as Thaumaturgy: A Semblance (of a) Sun; A Question of PropertyA Form That Is Always the Same The Passage Confusing Big and Little, and Vice Versa; The Standard Itself/Himself; Better to Revolve upon Oneself-But This Is Possible Only for God-the-Father; The Mother, Happily, Does Not Remember; A Source-mirror of All That Is; The Analysis of That Projection Will Never Take (or Have Taken) PlaceCompletion of the Paideia The Failings of an Organ That Is Still Too Sensible; A Seminar in Good Working Order; An Immaculate Conception; The Deferred Action of an Ideal Jouissance; The End of ChildhoodLife in Philosophy Always the Same (He); An Autistic Completeness; Love Turned Away from Inferior Species and Genera/Gender; The Privilege of the Immortals; The Science of Desire; A Kore Dilated to the Whole Field of the Gaze and Mirroring HerselfDivine Knowledge The Back Reserved for God; The Divine Mystery; This Power Cannot Be Imitated by Mortals; How, Then, Can They Evaluate Their Potency?; Except over Someone Like Themselves?; The Father Knows the Front Side and Back Side of Everything, at Least in Theory; The Meaning of Death for a PhilosopherAn Unarticulated/Inarticulate Go-Between: The Split between Sensible and Intelligible A Failure of Relations between the Father and Mother; A One-way Passage; Compulsory Participation in the Attributes of the Type; A Misprized Incest and an Unrealizable IncestReturn to the Name of the Father The Impossible Regression toward the Mother; A Competition the Philosopher Will Decline to Enter; Two Modes of Repetition: Property and Proximity; Better to Work the Earth on the Father's Account Than to Return to It: Metaphor/Metonymy; The Threat of Castration"Woman's" Jouissance A Dead Cave Which Puts Representation Back into Play; That Marvelously Solitary Pleasure of God; A Diagonal Helps to Temper the Excessiveness of the One; The Infinite of an Ideal Which Covers the Slit (of a) Void; Losing Sight of "the Other"; The Vengeance of Children Freed from Their Chains

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Book SynopsisAlongside a selection of photographs and Plath's own line-drawings, the editors masterfully contextualise what the pages disclose.This selection of early correspondence marks the key moments of Plath's adolescence, including childhood hobbies and high school boyfriends;

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Book SynopsisCarefully preserving the original work's acclaimed narrative style and combination of biography, intellectual history, and literary criticism, this title illuminates the author's works from his first novel "Poor Folk" to "Crime and Punishment" and "The Brothers Karamazov" by setting them in their personal, historical, and ideological context.Trade ReviewCo-Winner of the Etkind Prize, European University at St. Petersburg "A monumental achievement... This is not a literary biography in the usual sense of the term... It is, rather, an exhaustive history of Dostoyevsky's mind, an encyclopedic account of the author as major novelist and thinker, essayist and editor, journalist and polemicist... Wrought with tireless love and boundless ingenuity, it ... [is] a multifaceted tribute from an erudite and penetrating cultural critic to one of the great masters of 19th-century fiction."--Michael Scammell, New York Times Book Review "It is unquestionably the fullest, most nuanced and evenhanded--not to mention the most informative--account of its subject in any language, and it has significantly changed our understanding of both the man and his work."--Donald Fanger, Los Angeles Times Book Review "In his aim of elucidating the setting within which Dostoevsky wrote--personal on the one hand, social, historical, cultural, literary, and philosophical on the other--Frank has succeeded triumphantly."--J. M. Coetzee, New York Review of Books "Dostoevsky: A Writer in His Time thus immediately becomes the essential one-volume commentary on the intellectual dynamics and artistry of this great novelist's impassioned, idea-driven fiction... To understand Dostoevsky's often savage satire or nightmarish visions or just the conversations among the Karamazov brothers, one needs to grasp not only the text but also the ideological context. To both of these there is no better guide than Joseph Frank."--Michael Dirda, Wall Street Journal "Magnificent... A deeply absorbing account."--James Wood, New Republic "The ideal one-volume biography of Dostoevsky could only come through a distillation of the much-acclaimed five-volume biography (1976-2002) by Joseph Frank. In compressing his longer work, editor Mary Petrusewicz tightens the rigor of a narrative that already departed from traditional biography by focusing chiefly on the ideas with which the Russian author wrestled so powerfully, providing the details of his personal life only as incidental background. Thus, for example, while readers do learn of formative incidents during Dostoevsky's four years in tsarist prison camp, what they see most clearly is how the prison experience deepened the author's faith in God while dampening his zeal for political reform. In a similar way, Frank limns only briefly the life experiences surrounding the writing of the major novels--Crime and Punishment, Demons, and Brothers Karamazov--devoting his scrutiny largely to how Dostoevsky develops the ideological tensions within each work. Readers consequently see, for instance, how Napoleonic illusions justify Raskolnikov's bloody crimes, how the Worship of Man dooms Kirillov to suicide, and how deep Christian faith enables Alyosha to resist Ivan's corrosive rationalism. Yet while probing Dostoevsky's themes, Frank also examines the artistry that gives them imaginative life, highlighting--for example--perspectival techniques that anticipate those of Woolf and Joyce. A masterful abridgement."--Bryce Christensen, Booklist (Starred Review) "Frank displays a brilliant command of Dostoyevsky's heroic endeavors, and his biography reads readily, especially for such a scholarly work. It compares nicely with Leon Edel's multivolume biography of Henry James. Highly recommended."--Robert Kelly, Library Journal "It is wonderfully lucidly written and a marvellous portrait of the man behind the books."--Nadine Gordimer, Independent "This extraordinary biography succeeds in making both irony and great ideas wholly alive, immediately accessible to us. It is a great work, both of scholarship and of art."--A. S. Byatt, Sunday Times (London) "A narrative of such compelling precision, thoroughness and insight as to give the reader a sense not just of acquaintanceship, but of complete identification with Dostoevsky, of looking through his eyes and understanding with his mind."--Helen Muchnic, Boston Globe "One of the finest achievements of American literary scholarship."--Rene Wellek, Washington Post Book World "Dostoevsky: A Writer in His Time at last offers non-specialist readers access to the definitive biography of an important figure in the history of the novel... Patient, cautious, critical but not judgmental, using clear language and a chronologically ordered narrative structure, Frank neutralises the unreliable and hysterical self-constructions of which his subject was capable. The result is like watching an artist building an intricate, large-scale painting around a single figure... Frank's great insight is that, just as no one aspect of Dostoevsky's complex personality can be separated from the others, no part of his writing--whether aesthetic, moral, religious or political--can be quarantined from the others. Frank's biography honours the polyphony of Dostoevsky's novelistic imagination: even in truncated form, it is a rare triumph."--Geordie Williamson, Australian "Frank's monumental five-volume study of Dostoevsky deserves to be read, if only as an inspiring lesson about how much more thrilling a focus on ideas can be than the standard biography's obsession with the connections between creativity and the subject's personal life. The series has been condensed with incisive care and respect, giving those with limited time (and budget) a chance to engage with a revelatory vision of the Russian writer's enduring greatness."--Bill Marx, PRI's "The World" "This is the Dostoevsky we encounter in Joseph Frank's superb Dostoevsky: A Writer in His Time, a one-volume, 984-page condensation of Frank's five-volume biography of the author, written over the course of a long and distinguished career... Few biographers could muster the intelligence and imagination needed to capture all this in a single tome. We should be grateful for Joseph Frank."--Peter Savodnik, Commentary "With the publication of Dostoevsky: A Writer in His Time earlier this year, a massive abridgement of five volumes written over three decades, Frank breaks once and for all with his early critic's stilted categories in portraying the human subject. His innovative method of biography, influenced heavily by literary criticism, starts with artistic expression and moves backward, seeking to carefully situate his subject within ideological context... Without a doubt, the genius of Frank's form is in combining three modalities in crafting his narrative: literary criticism, social and intellectual history, and biography."--Aaron Stuvland, Politics and Culture "Joseph Frank's magisterial five-volume biography of Dostoevsky--one of the exemplary achievements of our era--has invaluably been published in an abridged one-volume edition."--Jeff Simon, Buffalo News "The depth of Frank's achievement is to put the writer and his work in social, political, ideological and historical context."--Jeff Baker, Oregonian "Most of us spend much of our life trying to understand only a handful of people we know and love, in a span of time usually extending just three generations (from our parents to our children). Imagine, then, devoting your life to trying to make sense of one other person long dead, whom you had necessarily never met, with whom you may have nothing in common, and whose times and works must always seem elusive, encoded and frustratingly out of your reach. In a pursuit of that kind, Leon Edel trudged through five volumes on Henry James, Robert Caro is working away on his fourth installment of Lyndon Johnson's biography, and Edmund Morris is finalizing his third book on Teddy Roosevelt. Joseph Frank, though, trumps them all. After writing Feodor Dostoevsky's biography in five volumes, Frank and a gifted editor (Mary Petrusewicz) have now turned that massive, interminable endeavour into an abridged, accessible one-volume edition."--Mark Thomas, Canberra Times "Joseph Frank, emeritus professor of Slavic and comparative literature at Stanford and Princeton universities, fully grasped the pressure of the political and religious issues seething in and around the visionary author to whom he dedicated his career. It took him five highly praised volumes and 26 years (1976-2002) to give a full account of Dostoevsky's life, works and times; this new, hefty condensation was done in collaboration with editor and Russian scholar Mary Petrusewicz, on condition that the original five volumes remain in print, available to anyone 'wishing for a wider horizon.' ... Frank's magisterial homage deserves no less recognition."--Judith Armstrong, The Age "Frank's five-volume biography has been called 'magisterial' and monumental,' as well as 'nuanced,' 'lucid' and 'penetrating.' The same might be said of this shorter version."--Marilyn McEntyre, Christian Century "Frank's contribution to understanding Dostoevsky is no less than Dostoevsky's own gift to the world of literature."--Sarthak Shankar, Organiser "Interspersed with others, it took me a while to read this altogether majestic book--but I'm so glad I did. [T]his tomb more than illuminates Dostoevsky's life vast array of brilliant writing."--David Marx, David Marx "One of the greatest literary biographies ever written, Frank's five-volume account details the nearly unfathomable life and literary career of a writer who endured epilepsy and exile."--Jonathon Sturgeon, FlavorwireTable of ContentsList of I llustrations xi Preface: Dostoevsky: A Writer in His Time xiii Acknowledgments xix Transliteration xxi Abbreviations xxiii PART I: The Seeds of Revolt, 1821-1849 Chapter 1: Prelude 3 Chapter 2: The Family 5 Chapter 3: The Religious and Cultural Background 23 Chapter 4: The Academy of Military Engineers 38 Chapter 5: The Two Romanticisms 51 Chapter 6: The Gogol Period 61 Chapter 7: Poor Folk 76 Chapter 8: Dostoevsky and the Pleiade 86 Chapter 9: Belinsky and Dostoevsky: I?94 Chapter 10: Feuilletons and Experiments 104 Chapter 11: Belinsky and Dostoevsky: II?119 Chapter 12: The Beketov and Petrashevsky Circles 129 Chapter 13: Dostoevsky and Speshnev 145 PART II: The Y ears of Ordeal, 1850-1859 Chapter 14: The Peter-and-Paul Fortress 163 Chapter 15: Katorga 185 Chapter 16: "Monsters in Their Misery" 196 Chapter 17: Private Dostoevsky 223 Chapter 18: A Russian Heart 243 Chapter 19: The Siberian Novellas 255 Chapter 20: Homecoming 273 PART III: The Stir of Liberation, 1860-1865 Chapter 21: Into the Fray 281 Chapter 22: An Aesthetics of T ranscendence 298 Chapter 23: The Insulted and Injured 317 Chapter 24: The Era of Proclamations 330 Chapter 25: Portrait of a Nihilist 341 Chapter 26: Time: The Final Months 358 Chapter 27: Winter Notes on Summer Impressions 372 Chapter 28: An Emancipated Woman, A Tormented Lover 384 Chapter 29: The Prison of Utopia 399 Chapter 30: Notes from Underground 413 Chapter 31: The End of Epoch 441 PART IV: The Miraculous Y ears, 1865-1871 Chapter 32: Khlestakov in Wiesbaden 455 Chapter 33: From Novella to Novel 472 Chapter 34: Crime and Punishment 483 Chapter 35: "A Little Diamond" 509 Chapter 36: The Gambler 521 Chapter 37: Escape and Exile 531 Chapter 38: In Search of a Novel 549 Chapter 39: An Inconsolable Father 564 Chapter 40: The Idiot 577 Chapter 41: The Pamphlet and the Poem 590 Chapter 42: Fathers, Sons, and Stavrogin 601 Chapter 43: Exile's Return 616 Chapter 44: History and Myth in Demons 626 Chapter 45: The Book of the Impostors 650 PART V: The Mantle of the Prophet, 1871-1881 Chapter 46: The Citizen 669 Chapter 47: Narodnichestvo: Russian Populism 682 Chapter 48: Bad Ems 694 Chapter 49: A Raw Youth 706 Chapter 50: A Public Figure 723 Chapter 51: The Diary of a Writer, 1876-1877 738 Chapter 52: A New Novel 760 Chapter 53: The Great Debate 779 Chapter 54: Rebellion and the Grand Inquisitor 788 Chapter 55: Terror and Martial Law 804 Chapter 56: The Pushkin Festival 813 Chapter 57: Controversies and Conclusions 835 Chapter 58: The Brothers Karamazov: Books 1-4 848 Chapter 59: The Brothers Karamazov: Books 5-6 867 Chapter 60: The Brothers Karamazov: Books 7-12 886 Chapter 61: Death and Transfiguration 912 Editor's Note 933 Index 935 Contents

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Book SynopsisWhen Stevie Smith died in 1971 she was one of the twentieth-century''s most popular poets; many of her poems have been widely anthologised, and ''Not Waving but Drowning'' remains one of the nation''s favourite poems to this day.Satirical, mischievous, teasing, disarming, her characteristically lightning-fast changes in tone take readers from comedy to tragedy and back again, while her line drawings are by turns unsettling and beguiling. In this edition of her work, Smith scholar Will May collects together the illustrations and poems from her original published volumes for the first time, recording fascinating details about their provenance, and describing the various versions Smith presented both on stage and page. Including over 500 works from Smith''s 35-year career, The Collected Poems and Drawings of Stevie Smith is the essential edition of modern poetry''s most distinctive voice.Nobody heard him, the dead man,But still he lay moaning:I was muc

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Book SynopsisHarold Bloom, the doyen of American literary critics and author of The Western Canon, has spent a professional lifetime reading, writing about and teaching Shakespeare. In this magisterial interpretation, Bloom explains Shakespeare's genius in a radical and provocative re-reading of the plays.How to understand Shakespeare, whose ability so far exceeds his predecessors and successors, whose genius has defied generations of critics' explanations, whose work is of greater influence in the modern age even than the Bible? This book is a visionary summation of Harold Bloom's reading of Shakespeare and in it he expounds a brilliant and far-reaching critical theory: that Shakespeare was, through his dramatic characters, the inventor of human personality as we have come to understand it. In short, Shakespeare invented our understanding of ourselves. He knows us better than we do: The plays remain the outward limit of human achievement: aesthetically, cognitively, in certain ways morally, even spiritually. They abide beyond the end of the mind's reach; we cannot catch up to them. Shakespeare will go on explaining us in part because he invented us ' In a chronological survey of each of the plays, Bloom explores the supra-human personalities of Shakespeare's great protagonists: Hamlet, Lear, Falstaff, Rosalind, Juliet. They represent the apogee of Shakespeare's art, that art which is Britain's most powerful and dominant cultural contribution to the world, here vividly recovered by an inspired and wise scholar at the height of his powers.Trade Review‘Brilliant… a Shakespearean reading of Shakespeare which is rich in asides and incidentals.’Robert Nye, Sunday Telegraph ‘Harold Bloom is the leading literary critic of our time… a superb advocate for the reality and influence of Shakespeare… Bloom, a great critic, also lives his literary criticism, enacts it in his soul.’James Wood, Guardian

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Book SynopsisHarperCollins is proud to present its range of best-loved, essential classics.

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Book SynopsisSlowly Down the Ganges' is seen as a vintage Newby masterpiece, alongside A Short Walk in the Hindu Kush' and Love and War in the Apennines'. Told with Newby''s self-deprecating humour and wry attention to detail, this is a classic of the genre and a window into an enchanting piece of history.On his forty-forth birthday, Eric Newby sets out on an incredible journey: to travel the 1,200-mile length of India''s holy river. In a misguided attempt to keep him out of trouble, Wanda, his life-long travel companion and wife, is to be his fellow boatwoman. Their plan is to begin in the great plain of Hardwar and finish in the Bay of Bengal, but the journey almost immediately becomes markedly slower and more treacherous than either had imagined - running aground sixty-three times in the first six days.Travelling in a variety of unstable boats, as well as by rail, bus and bullock cart, and resting at sandbanks and remote villages, the Newbys encounter engaging characters and glorious mishaps, inTrade Review'All the dusty enchantment and the recurrent dottiness of India - its exasperating charm - are in these pages' Eric Linklater 'Any book by Eric Newby is an event' Len Deighton 'Impossible to describe adequately the flavour of this delicious story … vintage Newby delicately salted with “The Wind in the Willows” and “Three Men in a Boat”' Guardian 'No journey into an unmapped interior to carry the word or find a lost explorer was more obstinately seen through to its end than this do-it-yourself pleasure trip … Mr Newby has fine descriptive gifts and a deft touch in casual portraiture' Times Literary Supplement 'One of the finest and certainly the funniest of British travel writers' Sunday Times

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Book SynopsisThe essential history of Alexander the Great, compelling and brilliantly realizedAlexander the Great (356-323 BC), who led the Macedonian army to victory in Egypt, Syria, Persia and India, was perhaps the most successful conqueror the world has ever seen. Yet although no other individual has attracted so much speculation across the centuries, Alexander himself remains an enigma. Curtius' History offers a great deal of information unobtainable from other sources of the time. A compelling narrative of a turbulent era, the work recounts events on a heroic scale, detailing court intrigue, stirring speeches and brutal battles—among them, those of Macedonia's great war with Persia, which was to culminate in Alexander's final triumph over King Darius and the defeat of an ancient and mighty empire. It also provides by far the most plausible and haunting portrait of Alexander we possess: a brilliantly realized image of a man ruined by constant good fortune in his youTable of ContentsThe History of AlexanderIntroductionSummary of the Lost Books 1 and 2Book 3Book 4Book 5Book 6Book 7Book 8Book 9Book 10BibliographyList of IllustrationsNotesAppendices1. List of Variations from the Budé Text2. Chrononlogy3. Glassary of Personal Names4. Index of Mythical, Historical and Literary Figures5. Index of Peoples6. Geographical IndexIndex to MapsMaps1. The Campaign of Alexander the Great (334-323 B.C.)2. Alexander's Campaigns in Asia Minor (334-333/2 B.C.)3. Alexander's Campaigns in India (327-325 B.C)

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Book SynopsisMr Peacocke, a Classical scholar, has come to Broughtonshire with his beautiful American wife to live as a schoolmaster. But when the blackmailing brother of her American first husband appears at the school gates, their dreadful secret is revealed, and the county is scandalized. In the character of Dr Wortle, the combative but warm-hearted headmaster, who takes the couple's part in the face of general ostracism, there is an element of self-portrait. There are echoes, too, in Wortle's gallantry to Mrs Peacocke, of Trollope's own attachment to the vivacious Bostonian, Kate Field.With its scathing depiction of American manhood, its jousting with convention and its amiable, egotistical protagonist, Dr Wortle's School(1879) is one of the sharpest and most engaging of Trollope's later novels.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a

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Book SynopsisHergé's Tintin cartoon adventures have been translated into more than fifty languages and read by tens of millions of children aged, as their publishers like to say, 'from 7 to 77'. Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: is Tintin literature? McCarthy takes a cue from Tintin himself, who spends much of his time tracking down illicit radio signals, entering crypts and decoding puzzles and suggests that we too need to 'tune in' and decode if we want to capture what's going on in Hergé's work. What emerges is a remarkable story of hushed-up royal descent in both Herge's work and his own family history. McCarthy shows how the themes this story generates - expulsion from home, violation of the sacred, the host-guest relationship turned sour and anxieties around questions of forgery and fakeness - are the same that have fuelled and troubled writers from the classical era to the present day. His startling conclusion is that Tintin's ultimate 'secret' is that of literature itself. Appearing on the eve of the release of a major Steven Spielberg Tintin film, Tintin and the Secret of Literature should be avidly devoured by not only Tintin lovers but also by anyone with an interest in literature, philosophy or art.

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Book SynopsisThis book gives a radically new reading of Russia s cultural history. Alexander Etkind traces how the Russian Empire conquered foreign territories and domesticated its own heartlands, thereby colonizing many peoples, Russians included.Trade Review"Thought provoking, at times arguably paradigm shifting" Slavic and Eastern European Journal "Internal Colonization might be said to inject postcolonial theory into Russian studies. This, however, would be to understate the case. Russia, in Etkind's account, is no mere latecomer to the postcolonial feast: in so many ways, it got there first. Etkind has confirmed what Russianists have suspected for a while without quite being able to prove the point: that Russia's peculiarly vocal subalterns have at least as much to bring to 'Western' cultural theory as they stand to gain from it." Times Literary Supplement "The cumulative power of Etkind's argument constitutes an impressive scholarly achievement, offering a coherent yet richly detailed account of Russia's centuries-long experience of internal colonisation." Times Higher Education "A coherent and cogent, as well as an original and witty investigation … the text itself teems with intriguing Tristram Shandean excursions." Journal of European Studies "Etkind highlights what is at the core of the Russian Empire building process. Beyond objective specific facts [Etkind] goes deep into Russian history and culture to emphasize and explain the heuristic idea 'how to colonize oneself'." The Global Journal "A thought-provoking work of scholarship that will inspire both controversies and useful new approaches to Russian history and culture: to paraphrase Levi-Strauss, it is good to think with." The Russian Review "A gripping read. Etkind combines an energetic pace with a multitude of sources … Etkind has succeeded in presenting an entirely readable text that will appeal to anyone interested in Russian imperial history, Russian literature, or the literature and culture of a colonial and postcolonial society." Melbourne Historical Journal "A fresh and entertaining work that is beautifully written … Etkind persuasively demonstrates that post-Soviet postcolonial studies should shift their focus from chasing the unresolvable historical justice to pursuing original, creative and challenging research to support competennt discussion of the controversial issues." Ideology and Politics "Not only useful but also very enjoyable...It is safe to consider this as one of the best books of 2011 in its category and it will definitely have an impact on Russian studies for many years to come." Journal of Eurasian Studies "An exhaustingly original book, beautifully written and crafted so as to be eminently quotable. It will stand for decades to come as the central volume in the larger debates on empire." Nancy Condee, University of Pittsburgh "An erudite and incisive interpretation of Russian history and culture. Indeed, one of the great virtues of this book is its sweeping range, covering several centuries of history and culture. It is well-known that Russia was a great and expansive empire. Etkind provides a striking new lens for seeing Russian culture and history, one that stresses the enduring process of internal colonization. Beyond scholars of Russia, this book should appeal to those interested in questions of colonialism and post-colonialism and in issues of comparative empire." Peter Holquist, University of Pennsylvania "Combining literary and historiographical evidence, Alexander Etkind elucidates the processes of 'self-' or 'internal colonization' the Russian imperial state carried out in its heartland in tandem with colonizing practices deployed in its farthest corners. With wit and erudition, Internal Colonization provides an original and fascinating account of Orientalism's genealogies, the complexity of its global enactments, and the fantasia of its imperial, 'self-colonizing' logic on the newly-illuminated stage of the Second World." Nancy Ruttenburg, Stanford Center for the Study of the NovelTable of ContentsIntroductionPart One. The Non-Traditional OrientChapter 1. Less than One and DoubleChapter 2. WorldlinessPart Two. Writing from ScratchChapter 3. Chasing RurikChapter 4. To Colonize OneselfChapter 5. Barrels of FurPart 3. Empire of the TsarsChapter 6. Occult InstabilityChapter 7. Disciplinary GearsChapter 8. Internal AffairsPart 4. Shaved Man's BurdenChapter 9. Philosophy under Russian Rule Chapter 10. Sects and Revolution Chapter 11. Re-Enchanting the DarknessChapter 12. Sacrificial Plotlines Conclusion

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Book SynopsisAmmianus Marcellinus was the last great Roman historian, and his writings rank alongside those of Livy and Tacitus. The Later Roman Empire chronicles a period of twenty-five years during Marcellinus'' own lifetime, covering the reigns of Constantius, Julian, Jovian, Valentinian I, and Valens, and providing eyewitness accounts of significant military events including the Battle of Strasbourg and the Goth''s Revolt. Portraying a time of rapid and dramatic change, Marcellinus describes an Empire exhausted by excessive taxation, corruption, the financial ruin of the middle classes and the progressive decline in the morale of the army. In this magisterial depiction of the closing decades of the Roman Empire, we can see the seeds of events that were to lead to the fall of the city, just twenty years after Marcellinus'' death.Table of ContentsThe Later Roman EmpirePrefaceIntroductionFurther ReadingFamily Tree of Constantine the GreatIntroductory NoteThe Later Roman EmpireBook 14Book 15Book 16Book 17Book 18Book 19Book 20Book 21Book 22Book 23Book 24Book 25Book 26Book 27Book 28Book 29Book 30Book 31Notes on the TextNote on Officials and their TitlesNotes on PersonsDates of EmperorsGeographical keyMapsGeneral MapMonuments of RomeMap A: Gaul, Germany, and the RhineMap B: The Danube, Italy and ThraceMap C: The East and PersiaMap D: Asia Minor

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Book SynopsisIn his reflections on Christianity, Saint Thomas Aquinas forged a unique synthesis of ancient philosophy and medieval theology. Preoccupied with the relationship between faith and reason, he was influenced both by Aristotle's rational world view and by the powerful belief that wisdom and truth can ultimately only be reached through divine revelation. Thomas's writings, which contain highly influential statements of fundamental Christian doctrine, as well as observations on topics as diverse as political science, anti-Semitism and heresy, demonstrate the great range of his intellect and place him firmly among the greatest medieval philosophers.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanTrade Review"There are readers of Aquinas's works, but Penguin's surpasses all by its sheer size, the very representative choice of texts, the excellent translations, and scholarly, informative introductions." —Albert E. GunnTable of ContentsSelected Writings - Thomas Aquinas IntroductionChronologyA Note on the TextsPart One: Student (1245-56)1. The Inaugural Sermons (1256)2. On the Principles of Nature (1252-6)3. On Being and Essence (1252-6)4. The Nature of Theology. Commentary on Sentences I, Prologue (1252-4)5. The Work of the Six Days of Creation. Commentary on Sentences 2.2, d. 12 (1252-4)Part Two: Master at Paris (1256-9)6. Theology, Faith and Reason. On Boethius On the Trinity, 1-2 (1257)7. How are Things Good? Exposition of On the Hebdomads of Boethius (1257)8. The Meanings of Truth. Disputed Question on Truth, I (1256-9)9. On the Teacher. Disputed Question on Truth, II (1256-9)10. On Conscience. Disputed Question on Truth, 17 (1256-9)Part Three: Italy (1259-68)11. Proof of God's Existence. Summa contra Gentiles, I, 9-14 (1259)12. The Human Good. Summa contra Gentiles, 3 (1259-65)13. On the Divine Simplicity. Disputed Question of the Power of God, 7 (1265-6)14. On Goodness and the Goodness of God. Summa theologiae, 1, 5-6 (1268)15. On Creation. Summa theologiae, 1, 44 (1268)16. On Angelic Knowledge. Summa theologiae, 1, 54-8 (1268)17. Definitions of Soul. On Aristotle's De anima, 2, 1-3 (1268)18. Platonism and Neoplatonism. Preface to Exposition of On the Divine Names (1265-8)Part Four: Paris (1269-72)19. The Range of Natural Philosophy. Expositions of Physics, 1, 1, Preface to On the Heavens, Preface to On Sense and the Sensed Object (1269)20. How Words Mean. Exposition of On Interpretation, 1-5 (1270-71)21. On the Ultimate End. Summa theologiae, 1-2, 1-5 (1271)22. On Human Choice. Disputed Question on Evil, 6 (1266-72)23. What Makes Actions Good or Bad? Summa theologiae, 1-2, 18-20 (1271)24. On Law and Natural Law. Summa theologiae, 1-2, 90-94 (1271)25. The Virtues. Summa theologiae, 1-2, 55-7 (1271-2)26. The Active and Contemplative Lives. Summa theologiae, 2-2, 179-81 (1271-2)27. On the Eternity of the World (1271)28. The Love of Wisdom. Exposition of Metaphysics, Preface and 1, 1-3 (1271)Part Five: Naples (1272-4)29. The Logic of the Incarnation. Summa theologiae, 3, 16 (1273)30. What is a Sacrament? Summa theologiae, 3, 6 (1273)31. The Exposition of the Book of Causes, 1-5 (1272)32. Exposition of Paul's Epistle to Philemon (1273)33. Exposition of the Angelic Salutation (Ave Maria) (1273)Glossary

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Book SynopsisPostmodernism has been a buzzword in contemporary society for the last decade. But how can it be defined? In this Very Short Introduction Christopher Butler challenges and explores the key ideas of postmodernists, and their engagement with theory, literature, the visual arts, film, architecture, and music. He treats artists, intellectuals, critics, and social scientists ''as if they were all members of a loosely constituted and quarrelsome political party'' - a party which includes such members as Cindy Sherman, Salman Rushdie, Jacques Derrida, Walter Abish, and Richard Rorty - creating a vastly entertaining framework in which to unravel the mysteries of the ''postmodern condition'', from the politicizing of museum culture to the cult of the politically correct.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.Trade ReviewThis VSI is a terrific book. If you've ever had doubts about post-modernism and its manifestations in art, literature and identity politics, yet wondered how intelligent people came to be influenced by it ... if you are open-minded enough to consider whether there is anything worthwhile about postmodernism rather than just be mocked or dismissed out of hand ... this VSI is the book for you. * ANZ LitLovers *Table of Contents1. The rise of postmodernism ; 2. New ways of seeing the world ; 3. Politics and identity ; 4. The culture of postmodernism ; 5. The 'postmodern condition' ; References ; Further reading ; Index

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Book SynopsisOne of a series designed to provide a new, accessible approach to the works of great poets and playwrights. Each text includes general notes on the text; discussion of themes, issues and context; and suggestions for further reading.

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Book SynopsisThe first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and termssuch as the implied author, the postulated reader, and the unreliable narratorhave become part of the standard critical lexicon. For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty yearstwo decades that Booth describes as the richest in the history of the subject.

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Book SynopsisTrade ReviewAthenaze, Books I and II, presents a thoughtful, reading-based approach to learning ancient Greek. Both books are interspersed with superbly written cultural and historical essays that introduce readers to the signature characteristics of Greek culture. * Stephen Esposito, Boston University *I have found Athenaze's methodology successful with today's broad range of student learning styles and varied levels of language sophistication. * Elizabeth A. Fisher, George Washington University *Athenaze is an excellent adaptation of the reading approach for ancient Greek, with excellent Greek readings. * Nicholas Rynearson, University of Georgia *The approach is student friendly, the readings are varied and interesting, and the grammatical explanations are clear. * Laurie Cosgriff, Portland State University *Athenaze is the best text for learning ancient Greek. Period. * George Rudebusch, Northern Arizona University *The storyline and characters of the text readily draw students into the language and culture of the Greeks. Athenaze is arguably the best first-year Greek text on the market. * Richard L. Phillips, Virginia Tech University *Table of ContentsPreface List of Historical Essays List of Maps List of Color Plates About the Authors Introduction Map of Greece and the Aegean Sea 1. O *DIKAIO*PO*LI*S (a) Grammar 1. Verb Forms: Stems and Endings 2. Nouns: Genders, Stems, Endings, Cases, and Agreement 3. U se of the Definite Article Reading The Athenian Farmer O *DIKAIO*PO*LI*S (*b) Grammar 4. Accents Readings O K*LHPO*S Classical Greek: Heraclitus New Testament Greek: Title page of the Gospel of Luke 2. O *XAN*CIA*S (a) Grammar 1. Verb Forms: Indicative Mood; 1st, 2nd, and 3rd Persons Singular 2. Proclitics 3. The Imperative Readings Slavery Greek Wisdom: Cleobulus of Lindos O *XAN*CIA*S (*b) Grammar 4. Articles, Adjectives, and Nouns; Singular, All Cases 5. U ses of the Cases 6. Persistent Accent of Nouns and Adjectives 7. Recessive Accent of Verbs Readings O *DO*U*LO*S Classical Greek: Callimachus New Testament Greek: Luke 3.22 3. O APOTO*S (a) Grammar 1. Verb Forms: 3rd Person Plural, Imperatives, and Infinitives Reading The Deme and the Polis O APOTO*S (*b) Grammar 2. Articles, Adjectives, and Nouns; Singular and Plural, All Cases 3. Accent Shifting Readings OI *bOE*S Classical Greek: Menander New Testament Greek: Luke 6.46 4. *PPO*S THI KPHNHI (a) Grammar 1. Verb Forms: All Persons, Singular and Plural 2. Declensions of Nouns and Adjectives 3. Feminine Nouns and Adjectives of the 1st Declension Readings Women Greek Wisdom: Pittacus (of Mitylene) *PPO*S THI KPHNHI (*b) Grammar 4. Masculine Nouns of the 1st Declension 5. Feminine Nouns of the 2nd Declension 6. 1st and 2nd Declension Adjectives 7. Two Irregular Adjectives 8. Formation of Adverbs 9. The Definite Article as Case Indicator Readings AI *G*UNAIKE*S TO*U*S AN*DPA*S *PEI*CO*U*SIN Classical Greek: Callimachus New Testament Greek: Luke 6.45 5. O *L*UKO*S (a) Grammar 1. Contract Verbs in -a- 2. Recessive Accent of Finite Verbs 3. Article at the Beginning of a Clause 4. Elision Readings Gods and Men Greek Wisdom: Chilon of Sparta O *L*UKO*S (*b) Grammar 5. Agreement of Subject and Verb 6. Personal Pronouns 7. Attributive and Predicate Position 8. Possessives 9. The Adjective a)u*t)o*S, -)n, -)o Readings O AP*GO*S TA *PPO*bATA *S*WIZEI Greek Wisdom: The Seven Wise Men Classical Greek: Anacreon New Testament Greek: Luke 4.22 and 24 6. O M*U*CO*S (a) Grammar 1. Verb Forms: *P*L)e*W 2. Verbs: Voice 3. Verb Forms: Middle Voice 4. Deponent Verbs Reading Myth O M*U*CO*S (*b) Grammar 5. Middle Voice: Meaning 6. Some Uses of the Dative Case 7. Prepositions Readings O *CH*SE*U*S THN APIA*DNHN KATA*LEI*PEI Classical Greek: Marriage New Testament Greek: Luke 13.10-16 7. O K*UK*L*W*V (a) Grammar 1. Substantive Use of Adjectives 2. Nouns: Declensions 3. 3rd Declension Consonant Stem Nouns: Velar and Dental Stems 4. Reflexive Pronouns Reading Homer O K*UK*L*W*V (*b) Grammar 5. 3rd Declension Consonant Stem Nouns: Nasal Stems 6. 3rd Declension Consonant Stem Nouns: *b, *P, *Q (Labial) and *L, p (Liquid) Stems 7. A 3rd Declension Adjective: *S)w*Qp*Wv, *S*W.*Qpov, of sound mind; prudent; self-controlled 8. The Interrogative Pronoun and Adjective 9. The Indefinite Pronoun and Adjective Readings O TO*U *CH*SE*W*S *PATHP A*PO*CNHI*SKEI Classical Greek: Sophocles Greek Wisdom: Thales of Miletus 8. *PPO*S TO A*ST*U (a) Grammar 1. Participles: "Present" or Progressive: Middle Voice Readings Athens: A Historical Outline Classical Greek: Archilochus New Testament Greek: Luke 5.20-21 *PPO*S TO A*ST*U (*b) Grammar 2. 3rd Declension Consonant Stem Nouns: Stems in -p- 3. Two Important Irregular Nouns: )N *G*Uv)n, *tH.*S *G*Uva*iK)o*S, woman; wife, and )N *Y*e)Ip, *tH.*S *Y*e*ip)o*S, hand 4. 1st/3rd Declension Adjective: *Pa.*S, *Pa.*Sa, *Pa.v, all; every; whole Reading Greek Wisdom: Periander of Corinth Grammar 5. Numbers 6. Expressions of Time When, Duration of Time, and Time Within Which Readings O O*D*U*S*SE*U*S KAI O AIO*LO*S Classical Greek: Sappho: The Deserted Lover: A Girl's Lament 9. H *PANH*G)yPI*S (a) Grammar 1. Participles: Present or Progressive: Active Voice Reading The City of Athens H *PANH*G*UPI*S (*b) Grammar 2. 3rd Declension Nouns with Stems Ending in -v*t- 3. 3rd Declension Nouns with Stems Ending in a Vowel: )N *P)o*L*i*S and *t)O )a*S*t*U 4. 3rd Declension Nouns with Stems Ending in Diphthongs or Vowels: (o *ba*S*i*L*e)y*S and the Irregular Nouns )N va*U.*S and (o *bo*U.*S 5. U ses of the Genitive Case 6. Some Uses of the Article Readings O O*D*U*S*SE*U*S KAI H KIPKH Classical Greek: Simonides New Testament Greek: Luke 6.31-33: The Sermon on the Mount REVIEW OF VERB FORMS PREVIEW OF NEW VERB FORMS 10. H *S*UM*QOPA (a) Grammar 1. Verb Forms: Verbs with Sigmatic Futures 2. Verb Forms: The Asigmatic Contract Future of Verbs in -)I*z*W 3. Verb Forms: The Sigmatic Future of Contract Verbs 4. Verb Forms: Verbs with Deponent Futures Readings Festivals Classical Greek: Theognis New Testament Greek: Luke 6.35-36: The Sermon on the Mount H *S*UM*QOPA (*b) Grammar 5. Verb Forms: The Asigmatic Contract Future of Verbs with Liquid and Nasal Stems 6. The Irregular Verb *e(I)Yµ*i 7. Future Participle to Express Purpose 8. Impersonal Verbs 9. Review of Questions Readings O O*D*U*S*SE*U*S TO*U*S ETAIPO*U*S A*PO*L*L*U*SIN Classical Greek: Menander and Archilochus New Testament Greek: Luke 5.30-32 11. O IATPO*S (a) Grammar 1. Verb Forms: Past Tense: The Aorist 2. Verb Forms: The Thematic 2nd Aorist 3. Aspect 4. Thematic 2nd Aorist Active and Middle Participles 5. Verb Forms: Common Verbs with Thematic 2nd Aorists Readings Greek Science and Medicine Classical Greek: Theognis New Testament Greek: Luke 6.20-21: The Beatitudes O IATPO*S (*b) Grammar 6. Verbs with Thematic 2nd Aorists from Unrelated Stems 7. Accents on Thematic 2nd Aorist Active Imperatives 8. Augment Readings O *DHMOKH*DH*S TON *bA*SI*LEA IATPE*UEI New Testament Greek: Luke 6.27-29: The Sermon on the Mount 12. *PPO*S TON *PEIPAIA (a) Grammar 1. Verb Forms: Past Tense: The Sigmatic 1st Aorist 2. Sigmatic 1st Aorist Active and Middle Participles Readings Trade and Travel Classical Greek: Scolion: The Four Best Things in Life New Testament Greek: Luke 15.3-7: The Parable of the Lost Sheep *PPO*S TON *PEIPAIA (*b) Grammar 3. Verb Forms: The Asigmatic 1st Aorist of Verbs with Liquid and Nasal Stems 4. Irregular Sigmatic 1st Aorists 5. Verb Forms: Augment of Compound Verbs Readings O K*W*LAIO*S TON TAPTH*S*SON E*UPI*SKEI Greek Wisdom: Bias of Priene 13. *PPO*S THN *SA*LAMINA (a) Grammar 1. Verb Forms: The Imperfect or Past Progressive Tense 2. Aspect Reading The Rise of Persia *PPO*S THN *SA*LAMINA (*b) Grammar 3. Relative Clauses 4. 3rd Declension Nouns and Adjectives with Stems in -*e*S- 5. 1st/3rd Declension Adjective with 3rd Declension Stems in -*U- and -*e- Readings O *XEP*XH*S TON E*L*LH*S*PONTON *DIA*bAINEI Greek Wisdom: Solon of Athens Classical Greek: Archilochus New Testament Greek: Luke 21.1-4: The Widow's Mite 14. H EN TAI*S *CEPMO*P*U*LAI*S MA*YH (a) Grammar 1. Comparison of Adjectives 2. Irregular Comparison of Adjectives 3. Comparison of Adverbs 4. U ses of Comparatives and Superlatives Readings The Rise of Athens Classical Greek: Archilochus New Testament Greek: Luke 10.25-29: The Good Samaritan (concluded 14 (B)) H EN TAI*S *CEPMO*P*U*LAI*S MA*YH (*b) Grammar 5. Demonstrative Adjectives 6. Interrogative and Indefinite Pronouns, Adjectives, and Adverbs Readings OI *PEP*SAI TA *U*PEP *CEPMO*P*U*L*WN *STENA AIPO*U*SIN Classical Greek: Theognis New Testament Greek: Luke 10.30-37: The Good Samaritan (concluded) 15. H EN THI *SA*LAMINI MA*YH (a) Grammar 1. Athematic 2nd Aorists 2. More 3rd Declension Nouns with Stems in -*e*S- Readings Aeschylus's Persae New Testament Greek: Luke 2.1-14: The Birth of Jesus H EN THI *SA*LAMINI MA*YH (*b) Grammar 3. Contract Verbs in -o- 4. Contract Nouns of the 2nd Declension 5. More Numbers 6. U ses of )W*S and Its Compounds Reading OI *PEP*SAI TA*S A*CHNA*S AIPO*U*SIN 16. META THN EN THI *SA*LAMINI MA*YHN (a) Grammar 1. The Passive Voice Reading The Athenian Empire META THN EN THI *SA*LAMINI MA*YHN (*b) Grammar 2. Verbs with Athematic Presents and Imperfects: *D)yvaµa*i, K*e*i.µa*i, and )E*P)I*S*taµa*i Readings O *XEP*XH*S *PPO*S THN A*SIAN ANA*Y*WPEI Classical Greek: Sappho: Love's Power Classical Greek: Simonides New Testament Greek: Luke 2.15-20: The Birth of Jesus (concluded) Verb Charts Syllables and Accents Enclitics and Proclitics Forms Forms of Definite Article, Nouns, Adjectives, and Pronouns Laid Out in Case Order N, V, A, G, D Index of Language and Grammar Greek to English Vocabulary English to Greek Vocabulary General Index Acknowledgments

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Book SynopsisAeschylus is the first of the great Greek playwrights, and the four plays in this volume demonstrate the remarkable range of Greek tragedy. Persians is the only surviving tragedy to draw on contemporary history, the Greeks'' extraordinary victory over Persia in 480 BC. The Persians'' aggression is inhuman in scale, and offends the gods, but while celebrating the Greek triumph, Aeschylus also portrays the shock of the defeated with some compassion. In Seven Against Thebes a royal family is cursed with self-destruction, in a remorseless tragedy that anticipates the grandeur of the later Oresteia. Suppliants portrays the wretched plight of the daughters of Danaus, fleeing from enforced marriage; as refugees they seek protection, and must plead a moral and political case to gain it. And in Prometheus Bound, Prometheus is relentlessly persecuted by Zeus for benefitting mankind in defiance of the god.Christopher Collard''s highly readable new translation is accompanied by an introduction that sets the plays in their original context, and together with the notes considers theatrical and poetic issues, as well as details of content and language. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade ReviewExcellent...as scholarly and reliable as anyone could wish for...clear and judicious. * Mark Griffiths, Times Literary Supplement *Table of ContentsIntroduction ; Note on the Text ; Bibliography ; Chronology ; PERSIANS ; SEVEN AGAINST THEBES ; SUPPLIANTS ; PROMETHEUS BOUND ; Maps ; Explanatory Notes ; Index

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Book Synopsis'Hitchens presents a George Orwell fit for the twenty-first century.' --Boston Globe In this widely acclaimed biographical essay, the masterful polemicist Christopher Hitchens assesses the life, the achievements, and the myth of the great political writer and participant George Orwell. True to his contrarian style, Hitchens is both admiring and aggressive, sympathetic yet critical, taking true measure of his subject as hero and problem. Answering both the detractors and the false claimants, Hitchens tears down the façade of sainthood erected by the hagiographers and rebuts the critics point by point. He examines Orwell and his perspectives on fascism, empire, feminism, and Englishness, as well as his outlook on America, a country and culture toward which he exhibited much ambivalence. Whether thinking about empires or dictators, race or class, nationalism or popular culture, Orwell's moral outlook remains indispensable in a world that has undergone vast changes in the seven decades since his death. Combining the best of Hitchens' polemical punch and intellectual elegance in a tightly woven and subtle argument, this book addresses not only why Orwell matters today, but how he will continue to matter in a future, uncertain world.

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Book SynopsisProfessional English in Use Finance is the latest exciting addition to the bestselling English Vocabulary in Use titles.

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Book SynopsisWhat Maisie Knew (1897) represents one of James''s finest reflections on the rites of passage from wonder to knowledge, and the question of their finality. The child of violently divorced parents, Maisie Farange opens her eyes on a distinctly modern world. Mothers and fathers keep changing their partners and names, while she herself becomes the pretext for all sorts of adult sexual intrigue. In this classic tale of the death of childhood, there is a savage comedy that owes much to Dickens. But for his portrayal of the child''s capacity for intelligent `wonder'', James summons all the subtlety he devotes elsewhere to his most celebrated adult protagonists. Neglected and exploited by everyone around her, Maisie inspires James to dwell with extraordinary acuteness on the things that may pass between adult and child. In addition to a new introduction, this edition of the novel offers particularly detailed notes, bibliography, and a list of variant readings. ABOUT THE SERIES: For over 100

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Book SynopsisThe third edition of The Oxford Companion to Classical Literature is the complete and authoritative reference guide to the classical world and its literary heritage. It not only presents the reader with all the essential facts about the authors, tales, and characters from ancient myths and literature, but it also places these details in the wider contexts of the history and society of the Greek and Roman worlds. With an extensive web of cross-references and a useful chronological table and location maps (all of which have been brought fully up to date), this volume traces the development of literary forms and the classical allusions which have become embedded in our Western culture. Extensively revised and updated, the Companion includes more thematic entries - medicine, friendship, science, the concept of freedom, and sexuality. These topical entries provide an excellent starting point to the exploration of their subjects in classical literature. The Companion contains extensive biogrTrade ReviewReview from previous edition 'useful and enjoyable... a miniature encyclopedia of the Graeco-Roman world' * Listener *a standard reference book for the forseeable future * Contemporary Review *a volume for all seasons... indispensable * Times Educational Supplement *will be the vade mecum of schoolchildren and undergraduates for generations to come * Sunday Telegraph *A necessity for any seriously literary household. * History Today *Table of ContentsPREFACE; A-Z ENTRIES; CHRONOLOGICAL TABLE; MAPS

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Book Synopsis''The story goes that a sow who had delivered a whole litter of piglets loudly accosted a lioness. How many children do you breed? asked the sow. I breed only one, said the lioness, but it is very well bred!''The fables of Aesop have become one of the most enduring traditions of European culture, ever since they were first written down nearly two millennia ago. Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?This new translation is the first to represent all the main fable collections in ancient Latin and Greek, arranged according to the fables'' contents and themes. It includes 600 fables, many of which come from sources never before translated into English. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade Review'Laura Gibbs has recently brought out a splendid translation with a very helpful introduction of the bulk of the fables in the Oxford World's Classics.' * Gabriel Josipovici, TLS *Table of ContentsAesop, the Popular Favourite ; The Fables ; Aetiologies, Paradoxes, Insults and Jokes

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Book SynopsisTells the story of an epic voyage in which Aeneas crosses stormy seas, becomes entangled in a tragic love affair with Dido of Cathage, descends to the world of the dead - all the way tormented by the vengeful Juno, Queen of the Gods - and finally reaches Italy, where he will fulfil his destiny: to found the Roman people.Trade ReviewAfter his best-selling Iliad and Odyssey, today's top-dog classical translator hits the triefecta with Virgil's epic about the founder of Rome * Newsweek *Fagles illuminates the poem's Homeric echoes while remaining faithful to Virgil's distinctive voice * The New Yorker *

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Book SynopsisHarperCollins is proud to present its new range of best-loved, essential classics. Here is one of Thomas Hardy's most popular novels, soon to be released as a major motion picture in May 2015.I shall do one thing in this life one thing certain that is, love you, and long for you, and keep wanting you till I die'Independent and spirited, Bathsheba Everdene owns the hearts of three men. Striving to win her love in different ways, their relationships with Bathsheba complicate her life in bucolic Wessex and cast shadows over their own. With the morals and expectations of rural society weighing heavily upon her, Bathsheba experiences the torture of unrequited love and betrayal, and discovers how random acts of chance and tragedy can dramatically alter life's course.The first of Hardy's novels to become a major literary success, Far from the Madding Crowd explores what it means to live and to love.

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Book SynopsisA working father whose life no longer feels like his own discovers the transforming powers of great (and downright terrible) literature in this laugh-out-loud memoir.Andy Miller had a job he quite liked, a family he loved and no time at all for reading. Or so he kept telling himself. But, no matter how busy or tired he was, something kept niggling at him. Books. Books he'd always wanted to read. Books he'd said he'd read, when he hadn't. Books that whispered the promise of escape from the 6.44 to London. And so, with the turn of a page, began a year of reading that was to transform Andy's life completely.This book is Andy's inspirational and very funny account of his expedition through literature: classic, cult and everything in-between. Crack the spine of your unread Middlemarch', discover what The Da Vinci Code' and Moby-Dick' have in common (everything, surprisingly) and knock yourself out with a new-found enthusiasm for Tolstoy, Douglas Adams and The Epic of Gilgamesh'. The Year ofTrade Review‘Like nothing else I have ever read – a combination of criticism and memoir that is astute, tender, funny and often wickedly ironic’ Peter Conrad, Observer ‘Very funny … this is “High Fidelity” for bookworms’ Christian House, Daily Telegraph ‘Brilliant. All these books should count themselves lucky to have been read by Andy Miller’ Stewart Lee ‘A readable, often funny account … This is much more than a succession of verdicts on famous books. It’s also an autobiography told through books … reminiscent both in style and perceptiveness of Nick Hornby. Miller’s theme is that books aren’t separate from life … Perhaps one book never changed anyone’s life; but 50 of them can.’ Brandon Robshaw, Independent ‘Hilarious and touching … If you don’t like to read, this book is probably not for you, but Dan Brown remains on sale’ Jenny Colgan, author of ‘Welcome to Rosie Hopkins’ Sweetshop of Dreams’ ‘I loved this book … challenging, controversial and very funny’ David Nobbs, author of ‘The Fall and Rise of Reginald Perrin’ ‘Andy Miller is a very funny writer. And this hymn to reading is a delight. The chapter on Herman Melville and Dan Brown had me howling with pleasure. PS. It will also make you feel a bit well-read’ Matt Haig, author of ‘The Humans’ ‘Brilliant’ Lucy Mangan, author of ‘My Family and Other Disasters’ ‘Andy Miller was leading a normal life of quiet desperation when he discovered that he was no longer reading with any plan or pleasure. Usually books about books as therapy are resistible but “The Year of Reading Dangerously” is a sweet exception. Amiable, circumstantial, amusing, charming’ The Times ‘A witty self-help guide to managing one’s bookshelves’ TLS ‘Like Bill Bryson being locked in the British Library for his own good, “The Year of Reading Dangerously” is clever, inspiring and – shh! – laugh-out-loud funny’ Neil Perryman, author of ‘Adventures with the Wife in Space’ ‘By turns witty and profound’ Daily Telegraph

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Book SynopsisA pitch-perfect memoir, brilliantly funny, wise and moving, of family, friends and political life over the last sixty yearsTrade Review'Hard to beat. I could read this sort of book for ever' Stephen Fry, Independent 'Reading this book actually makes you feel perceptibly happier and buoyed up' Evening Standard 'An unadulterated joy Every page is shot through with anecdote and wit, so that the whole experience feels like being at a peculiarly wonderful dinner party Funny, astute and clever' Observer 'A loving, lyrical, life-filled memoir' Guardian

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Book SynopsisA personal essay on exposure, auto-fiction, internet feminism and the anxiety epidemic. Last year Olivia Sudjic published Sympathy, a novel about surveillance and connection in the internet age. If a debut novel is written by a woman, it is often read and discussed as if it were a memoir. Suddenly Sudjic found herself shoved under the microscope, subject to same surveillance apparatus she had dissected in her novel. In this incisive personal essay, Olivia Sudjic draws on her experience to examine the damaging expectations that attend any young female artist, as well the strategies by which they might be evaded.

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Book SynopsisThe Elizabethan age was a tumultuous time, when long-cherished certainties were crumbling and life was exhilaratingly uncertain. Shakespeare''s Restless World uncovers the extraordinary stories behind twenty objects from the period to re-create an age at once distant and yet surprisingly familiar. From knife crime to belief in witches, religious battles to the horizons of the New World, Neil MacGregor brings the past to life in a fresh, unexpected portrait of a dangerous and dynamic era.''Fascinating ... filled with anecdotes and insights, eerie, funny, poignant and grotesque ... another brilliant vindication of MacGregor''s understanding of physical objects to enter deep into our forefathers'' mental and spiritual world'' Christopher Hart, Sunday Times''Enjoyable and intriguing, an absorbing evocation ... he draws us into the minds of the Elizabethan and Jacobean audience. Next time you see one of the plays reading this book will make th

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Book SynopsisTrade ReviewWinner of the 2015 James Russell Lowell Prize, Modern Language Association Winner of the 2016 Dorothy Lee Award for Outstanding Scholarship in the Ecology of Culture, Media Ecology Association One of Flavorwire's 10 Best Books by Academic Publishers in 2015 "Challenging and original."--Michael Wood, London Review of Books "This impressive, innovative book connects art and politics by way of forms."--Andrew Sturgeon, Flavorwire, from "10 Must-Read Academic Books of 2015" "Levine proposes a fresh way to think of formalism in literary studies... To illustrate her methodology, Levine turns her sights in many directions, from 19th-century classics by writers such as Dickens to contemporary television (The Wire). Throughout, Levine's prose is lucid and engaging."--Choice "Forms is a genuinely interdisciplinary book, and Levine exhibits considerable ambition and intellectual dexterity in her integration of different disciplinary perspectives."--Gregory Tate, Review of English StudiesTable of ContentsPreface ix Acknowldgements xv I Introduction The Affordances of Form 1 II Whole 42 III Rhythm 49 IV Hierarchy 82 V Network 112 VI The Wire 132 Notes 151 Index 169

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Book SynopsisSeamus Heaney''s poetic career has been one of constant development and expansion, and his place among the world''s greatest literary figures is universally acknowledged. When it first appeared in 1986, Neil Corcoran''s A Student''s Guide to Seamus Heaney was immediately recognized as the clearest and most thorough account of his work so far, and it has not been rivalled since. The new edition, which like the original has had the advantage of Seamus Heaney''s own cooperation and unstinted access to the poet''s papers, follows the same pattern, adding a chapter apiece on the major collections of poems published since 1986, as well as separate discussions of Heaney''s work as a translator and essayist. The published chapters have also been revised. In consequence, this not only remains the most useful introduction to a singularly varied and important body of work, but is the most up-to-date as well.

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Book SynopsisYork Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.Table of Contents Part 1: Introduction Part 2: The Text Part 3: Critical Approaches Part 4: Critical History Part 5: Background Further Reading Literacy Terms

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Book SynopsisYork Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students, introducing them to more sophisticated analysis, a range of critical perspectives and wider contexts.Table of Contents Part 1: Introduction Part 2: The Text Part 3: Critical Approaches Part 4: Critical History Part 5: Background Further Reading Literacy Terms

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Book SynopsisThe Iliad has had a far-reaching impact on Western literature and culture, inspiring writers, artists and classical composers across the ages. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by classicist, writer and broadcaster Natalie Haynes, author of A Thousand Ships and host of her own BBC Radio 4 show, Natalie Haynes Stands up for the Classics.Paris, a Trojan prince, wins Helen as his prize for judging a beauty contest between three goddesses, and abducts her from her Greek husband Menelaos. The Greeks, enraged by his audacity, sail to Troy and begin a long siege of the city. The Iliad is set in the tenth year of the war. Achilles – the greatest Greek warrior – is angry with his commander, Agamemnon, for failing to show him respect. He refuses to fight any longer, which is catastrophic for the Greeks, and results in personal tragedy for Achilles, too. With themes of war, rage, grief and love, The Iliad remains powerful and enthralling more than 2,700 years after it was composed.This edition is translated into prose by Andrew Lang, Walter Leaf and Ernest Myers.Trade ReviewThe final book of The Iliad has to be regarded, for my money, as the first great work in Western literature -- Ranjit Bolt * Guardian *The granddaddy of all classics -- Luke Slattery * Sydney Morning Herald *All we read today would be unwritable without the ‘love,’ ‘death’ and ‘dark’ that come to us in the first book of The Iliad * The New York Times *

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Book SynopsisTable of ContentsPensées; The Art of Persuasion; Writings on Grace

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Book SynopsisTable of ContentsIphigenia among the Taurians ; Bacchae ; Iphigenia at Aulis ; Rhesus

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Book SynopsisIn his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with uniqueinsight the relationship between an elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement,and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence.

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