ELT & Literary Studies Books

Book SynopsisTimothy Morton explores the foundations of the ecological crisis to reestablish our ties to nonhuman beings and rediscover playfulness and joy. Dark ecology puts us in an uncanny position of radical self-knowledge, illuminating our place in the biosphere and our belonging to a species in a sense that is far less obvious than we like to think.Trade ReviewIn often witty and humorous language, Timothy Morton provides a kind of affective atlas for the human era. The book calls for scholars to recognize the structures of entwinement between (the human) species and ecological phenomena and to develop modes of thought for accommodating them. -- Kate Marshall, University of Notre DameDark Ecology is a brave, brilliant interrogation of the presumptions that have driven our approach to the ecological and environmental challenges of our era. Anyone who is willing to ride the rollercoaster of ideas on which Morton takes us will reach the end brimming with new conceptual and intellectual energies with which to face up to our present limits and failures and to shape an alive and joyful future. -- Imre Szeman, University of AlbertaMorton is a master of philosophical enigma. In Dark Ecology he treats us to an obscure ecognosis, the essentially unsolvable riddle of ecological being. Prepare to be endarkened! -- Michael Marder, author of The Philosopher's Plant and PyropoliticsMorton commands readers' attention with his free-form style.... [Dark Ecology] extends his previous work to offer a seismically different vision of the future of ecology and humankind. * Publishers Weekly *With touches of humor, bits of information drawn from literature (ancient Latin and Greek), and plenty of philosophy, Morton takes readers on a strongly philosophical and semantic tour of 'the darkness and light' of human interrelatedness with the biosphere. * Choice *A playful, poetic parsing of our era's environmental crisis. * Rice Magazine *A rewarding hike. * Library Journal *Timothy Morton's new work by turns fascinates, mystifies, stuns, confuses, and excites...Readers who seek new vocabularies for thinking about the Anthropocene and the vexed relation between human society and biological life will find a lot to work with. * British Society for Literature and Science *[A] radical vision of what ecological thought can be. * Los Angeles Review of Books *Morton’s provocative book urges the reader to braid, to twist, or to play cat’s cradle with its looping logic. * Critical Inquiry *Morton disrupts the customary assumption that industrialization is the root cause of ecological crisis, such crisis being already contained in the agrilogistic drawing of a sharp boundary between human and nonhuman worlds. -- Charlene Elsby * The Canadian Society for Continental Philosophy *Table of ContentsAcknowledgmentsBeginning After the EndThe First ThreadThe Second ThreadThe Third ThreadEnding Before the BeginningNotesIndex

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Book SynopsisThis book explains how and why our brains think in stories. Angus Fletcher, an expert in neuroscientific approaches to narrative, identifies this capacity as “storythinking.”Trade ReviewFletcher’s done it again. His polymathic erudition and word-wizardry elegance pull off the equivalent of a Copernican revolution in our understanding of storytelling—in all its resplendent iterations. With Storythinking he invites us on an extraordinary odyssey that enriches understanding of our deep, instinctive impulse to create stories as makers and transformers of our world. Storythinking is nothing less than a cosmological paradigm shift that puts story making and thinking at the center of all that we do. -- Frederick Luis Aldama, award-winning author and Jacob & Frances Sanger Mossiker Chair in the Humanities, UT AustinAngus Fletcher explains why effective narrative prioritizes the unique, shifts viewpoints, and encourages conflict. Not for their own sake. It makes a writer create and clarify more thoughtful ideas and leads readers to intuit and retain the message. Both revelatory and pragmatic, and so gracefully explained. -- Shane Greenstein, author of How the Internet Became Commercial: Innovation, Privatization, and the Birth of a New NetworkStorythinking is absolutely excellent: a much-needed reminder of and expansion on the transformative power of story, story as an enriched form of learning and as a valid epistemology. The book is a lovely, readable addition to academic and public life. I am eager to see the use of story resurrected! -- Lisa Miller, Ph.D., Professor & Founder, Spirituality Mind Body Institute, Teachers College, Columbia UniversityStory is a basic mental operation. Most of our experience, knowledge, and thinking is formed and organized by story: prediction, evaluation, planning, explanation, agents and actors, processes, goals. Story is an indispensable element of creativity. Human beings project from story to story and blend stories to create new concepts, new proposals, new science. How can we push the cognitive science of story forward? Fletcher, in this captivating and inspiring new book, leads the way. -- Mark Turner, author of The Literary Mind: The Origins of Thought and LanguageThe quickest way to elicit a scoff from 'serious thinkers' is to mention 'story'. But as someone who has built a career as a science communicator, who consistently straddles the line between art and science, and whose work is grounded in neuroscience, I know intuitively that storytelling is fundamental to how we think. Finally, Angus Fletcher brings his deep understanding of narrative together with his keen scientific mind to explain why we think in stories, why embracing story structure is the way forward, and how stories provide an architecture to thought as powerful and important as logic. Read this book. -- Indre Viskontas, Cognitive Neuroscientist, University of San Francisco[Storythinking] is a most unusual book, plumbing the depths of history to find where philosophy went off the rails, examining neurobiology for insight into creativity, and festooned with stories about great characters all the way through. I can honestly report I’ve never read anything like it. And that’s a good thing. * The Straight Dope *Table of Contents1. Story2. Story and Thinking3. The Origin of Story4. Why Our Schools Teach Logic, Not Story5. The Limits of Logic—or Why We Still Need Storythinking6. The Brain Machinery of Storythinking7. Improving Storythinking8. Storythinking for Personal Growth9. Storythinking for Social Growth10. Story’s Answer to the Meaning of LifeCoda: Conversations with a StorythinkerNotesIndex

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Book SynopsisSelected by the Modern Library as one of the 100 best nonfiction books of all time A book about romantic love, Eros the Bittersweet is Anne Carson's exploration of the concept of "eros" in both classical philosophy and literature. Beginning with, "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her," Carson examines her subject from numerous points of view, creating a lyrical meditation in the tradition of William Carlos Williams's Spring and All and William H. Gass's On Being Blue. Epigrammatic, witty, ironic, and endlessly entertaining, Eros is an utterly original book.Trade Review"Anne Carson is a rare talent, brilliant and full of wit, passionate and also deeply moving."—Michael Ondaatje "What we learn from Eros the Bittersweet while being spun alive by its brilliance is that its author is a philosopher of much cunning and an agile reader, a scholar with a mind as fresh as a spring meadow, no dust anywhere on her."—Guy Davenport

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Book SynopsisQueer Cambridge recounts the untold story of a gay community living, for many decades, at the very heart of the British Establishment. Making effective use of chiefly forgotten archival sources ? including personal diaries and letters ? the author reveals a network that was in equal parts tolerant and acerbic, and within which the queer Fellows of Cambridge University explored bold new forms of camaraderie and relationship. Goldhill examines too the huge influence that these individuals had on British culture, in its arts, politics, music, theatre and self-understanding. During difficult decades when homosexuality was unlawful, gay academics ? who included celebrated literary and scientific figures like E. M. Forster, M. R. James, Rupert Brooke and Alan Turing ? lived, loved, and grew old together, bringing new generations into their midst. Their remarkable stories add up not just to an alternative history of male homosexuality in Britain, but to an alternative history of Cambridge itself.

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Book Synopsis'Utterly fascinating' Daisy Goodwin, Sunday TimesBenjamin Franklin took daily naked air baths and Toulouse-Lautrec painted in brothels. Edith Sitwell worked in bed, and George Gershwin composed at the piano in pyjamas. Freud worked sixteen hours a day, but Gertrude Stein could never write for more than thirty minutes, and F. Scott Fitzgerald wrote in gin-fuelled bursts - he believed alcohol was essential to his creative process. From Marx to Murakami and Beethoven to Bacon, Daily Rituals by Mason Currey presents the working routines of more than a hundred and sixty of the greatest philosophers, writers, composers and artists ever to have lived. Whether by amphetamines or alcohol, headstand or boxing, these people made time and got to work.Featuring photographs of writers and artists at work, and filled with fascinating insights on the mechanics of genius and entertaining stories of the personalities behind it, Daily Rituals is irresistibly addictive, and utterly inspiring.Trade ReviewI just can't recommend this book enough -- Lena DunhamA trove of entertaining anecdote and thought-provoking comparison -- Toby Lichtig * Daily Telegraph *A chance to see what great lives look like when the triumphs, dramas, disruptions and divorces have been all but boiled away. It will fascinate anyone who wonders how a day might best be spent, especially those who have wondered of their artistic heroes, as a baffled Colette once did of George Sand: how the devil did they manage? * Guardian *Utterly fascinating -- Daisy Goodwin * Sunday Times *Mason Currey has carefully compiled the daily habits and personal foibles of 161 great writers, artists, scientists and thinkers, including one who stood on his head to cure creative block. By the end of this book, our carpet-glue habit looks normal -- DBC Pierre * Guardian *A fascinating little book * Financial Times *An utterly fascinating compendium . . . This book is the ultimate retort to the flaneurs who dream about the novel/screenplay/painting they would create if only they had the time. Its message is that serious artists make the time, and most of them make it at the same time every day -- Daisy Goodwin * Sunday Times *A thoroughly researched, minutely annotated and delightful book, full of the quirks and oddities of thehuman comedy . . . Its main lesson can be summed up simply enough: get up, have a cup of coffee, sit at your desk and begin * Literary Review *Some of the world's greatest minds had routines they stuck to to produce their works of genius. In DailyRituals, Mason Currey reveals their more bizarre habits * Daily Mirror *Fascinating . . . it also interestingly reveals that there is no universal formula to greatness, so in essence, it's a celebration of individuality and quirkiness * Huffington Post *

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Book SynopsisAlice Birch's new play is scored like a piece of music ... It is an extraordinary echoing text, full of pain and strange beauty. The three stories play out simultaneously on stage, the dialogue from one scene overlapping with the other two in a manner that borders on the choral ... Birch has provided a text that explores these ideas in a formally invigorating way. The StageThree generations of women. For each, the chaos of what has come before brings with it a painful legacy.A powerful, unflinching look at a family afflicted with severe depression and mental illness. Presented as a triptych of plays performed side by side, this groundbreaking play reverberates with audiences and readers. Published for the first time in Methuen Drama''s Modern Classics series, this edition features a brand new introduction by Ava Davies.Trade ReviewWhat determines our character? Nature or nurture? Genetic inheritance or social environment? It is an age-old debate, and Alice Birch now adds to it with this startling theatrical triptych about three generations of mothers and daughters... Birch’s progress as a writer has been fascinating to watch... On the evidence so far, I would say Birch has a gift for radical experiment in the style of Caryl Churchill and Sarah Kane. In her new play we are confronted by three women, Carol, Anna and Bonnie, who we learn are mother, daughter and granddaughter. They exist in three different time zones but the story of their lives is told simultaneously. As Birch herself says, the text has been scored and can be read, or viewed, horizontally... I can, in fact, think of few exact parallels to this play. * Michael Billington, The Guardian *The way conversations overlap, intersect, even chime exactly, as if words are echoing down the decades, is a compositional marvel... [any] vague misgivings pale beside the essential bravery and daring of it all: anyone who has experienced the nightmare of handed-on familial sadness, let alone the horror of suicide, will surely find in this a therapeutic-cathartic release. * Telegraph *What a fiercely uncompromising, clinically emotional two hours this is Alice Birch, darling of the film world after her stark and powerful script for Lady Macbeth, returns in triumph to her home ground of the theatre for an unflinching examination of three generations of women in one family... an intricately interwoven work in which three separate scenes often play out simultaneously. * Evening Standard *

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Book SynopsisThis guide helps make Shakespeare's play more accessible. It contains a complete text of the original work, along with a line-by-line modernisation and plenty of helpful commentary.

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Book SynopsisThe second part of The History of The Lord of the Rings, an enthralling account of the writing of the Book of the Century which contains many additional scenes and includes the unpublished Epilogue in its entirety.The Treason of Isengard continues the account of the creation of The Lord of the Rings started in the earlier volume, The Return of the Shadow.It races the great expansion of the tale into new lands and peoples south and east of the Misty Mountains: the emerence of Lothlorien, of Ents, of the Riders of Rohan, and of Saruman the White in the fortress of Isengard.In brief outlines and pencilled drafts dashed down on scraps of paper are seen the first entry of Galadriel, the earliest ideas of the history of Gondor, and the original meeting of Aragorn and Eowyn, its significance destined to be wholly transformed.The book also contains a full account of the original map which was to be the basis of the emerging geography of Middle-earth.This series of fascinating books has now bee

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Book SynopsisDo lobsters feel pain? Did Franz Kafka have a sick sense of humour? What is John Updike''s deal anyway? And who won the Adult Video News'' Female Performer of the Year Award the same year Gwyneth Paltrow won her Oscar? David Foster Wallace answers these questions and more in his new book of hilarious non-fiction. For this collection, David Foster Wallace immerses himself in the three-ring circus that is the presidential race in order to document one of the most vicious campaigns in recent history. Later he strolls from booth to booth at a lobster festival in Maine and risks life and limb to get to the bottom of the lobster question. Then he wheedles his way into an L.A. radio studio, armed with tubs of chicken, to get the behind-the-scenes view of a conservative talkshow featuring a host with an unnatural penchant for clothing that only looks good on the radio. In what is sure to be a much-talked-about exploration of distinctly modern subjects, one of the sharpest minds of oTrade ReviewHe is eloquent, scathing, precise and very funny * INDEPENDENT ON SUNDAY *Wallace's voice comes zinging off the page, reinforcing the school of thought that says he's some type of maybe-genius doing something they haven't invented a word for yet * SUNDAY TELEGRAPH *A writer of virtuostic talents who can seemingly do anything * NEW YORK TIMES *Wallace is a superb comedian of culture . . . his exuberance and intellectual impishness are a delight * James Woods, GUARDIAN *

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Book SynopsisThe Discourses/Fragments/Enchiridion''I must die. But must I die bawling?''Epictetus, a Greek Stoic and freed slave, ran a thriving philosophy school in Nicopolis in the early second century AD. His animated discussions were celebrated for their rhetorical wizardry and were written down by Arrian, his most famous pupil. The Discourses argue that happiness lies in learning to perceive exactly what is in our power to change and what is not, and in embracing our fate to live in harmony with god and nature. In this personal, practical guide to the ethics of Stoicism and moral self-improvement, Epictetus tackles questions of freedom and imprisonment, illness and fear, family, friendship and love.Translated and Edited with an Introduction by Robert DobbinTable of ContentsEpictetusIntroductionFurther ReadingNote on the TranslationThe DiscoursesFragmentsEnchiridionGlossary of NamesNotes

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Book SynopsisHarperCollins is proud to present its new range of best-loved, essential classics.Our consciousness rarely registers the beginning of a growth within us any more than without us: there have been many circulations of the sap before we detect the smallest sign of the bud.'Set in the agricultural town of Raveloe in the English countryside, Silas Marner is a tragic figure. Exiled from a religious community because of a wrongful accusation of theft, he works from day to day as a weaver, saving his money and living a lonely life as a recluse.It is only when his money is stolen and a small orphan girl, Eppie appears in his life that Silas's fortunes begin to change and he truly begins to learn what it means to regain his faith in life.

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Book SynopsisHarperCollins is proud to present its range of best-loved, essential classics.''It''s a poor sort of memory that only works backward.''In Carroll''s sequel to Alice''s Adventures in Wonderland, Alice once again finds herself in a bizarre and nonsensical place when she passes through a mirror and enters a looking-glass world where nothing is quite as it seems. From her guest appearance as a pawn in a chess match to her meeting with Humpty Dumpty, Through the Looking Glass follows Alice on her curious adventure and shows Carroll''s great skill at creating an imaginary world full of the fantastical and extraordinary.

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Book Synopsis"The seven 'essays' by J.R.R. Tolkien assembled in this paperback were with one exception delivered as general lectures on particular occasions; and while they mostly arose out of Tolkien's work in medieval literature, they are accessible to all. Two of them are concerned with Beowulf, including the well-known lecture whose title is taken for this book, and one with Sir Gawain and the Green Knight, given to the University of Glasgow in 1953. Also included in this volume is the lecture English and Welsh; the Valedictory Address to the University of Oxford in 1959; and a paper on invented languages delivered in 1931, with exemplification from poems in the Elvish tongues. Most famous of all is On Fairy-stories, a discussion of the nature of fairy-tales and fantasy, which gives insight into Tolkien's approach to the whole genre. The pieces in this collection cover a period of nearly thirty years, beginning six years before the publication of The Hobbit, with a unique 'academic' lecture on

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Book SynopsisJoe Sacco, one of the world's foremost cartoonists, is widely hailed as the creator of war-reportage comics. He is the author of Palestine, Safe Area Gorazde, The Fixer, Notes from a Defeatist and Footnotes in Gaza, all published by Jonathan Cape.Trade ReviewA political and aesthetic work of extraordinary originality, quite unlike any other in the long, often turgid and hopelessly twisted debates that have occupied Palestinians, Israelis, and their respective supporters... With the exception of one or two novelists and poets, no one has ever rendered this terrible state of affairs better than Joe Sacco -- Edward SaidThe bar is set extremely high when it comes to graphic books and the Middle East: one thinks of Joe Sacco's Palestine * Observer *Palestine is a unique take on the Isreali/Palestinian conflict… The illustrator/reporter provides a unique perspective: there is an intimacy to Sacco’s interviews that cannot be translated into photography and text. His drawings make his subjects relatable to in a way that I think is difficult to achieve with a photograph. * Bleeding Cool *Palestine is utterly compelling, and as affecting as the work of any war photographer or poet. -- Annie Forbes * Varsity *

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Book SynopsisA Midsummer Night's Dream is perhaps the best loved of Shakespeare's plays. It brings together aristocrats, workers, and fairies in a wood outside Athens, and from there the enchantment begins. In the introduction to this edition, Peter Holland pays particular attention to dreams and dreamers, and to Shakespeare's construction of a world of night and shadows. Both here and in his commentary he explores the play's extensive performance history to illustrate the wide range of interpretations of which it is capable.Trade ReviewThe commentary is admirably lucid and undogmatic on textual variants ... The introduction is of the kind that ponders and explores. Holland's method is to take each aspect or element of the play and consider it in the light of earlier traditions ... his critical position emerges unobtrusively but persuasively from the attested facts. * M.M. Mahoud, YES, 27, 1996 *

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Book SynopsisHysterical Laughter: Four Ancient Comedies about Women exhibits many of the interdisciplinary qualities that characterize teaching in the Classics. It is an innovative text that takes two important subfields of Classics-literature and gender studies-and brings them together into a new synthesis that provides instructors with a new and creative way to explore key issues into each of these disciplines. Instructors who teach courses in ancient comedy or drama are looking for ways to show students the social and cultural dimensions of theater. And instructors who teach courses on women or sexuality in the ancient world will want to use one of the most important sources we have from the classical world-comedy-as a way to show students how gender roles were constructed in ancient societies. There are many anthologies of Greek and Roman drama. There are many translations of say, Lysistrata, one of the most famous comedies of the ancient world. There are several books that examine women in antiquity. But Christenson''s is the first volume that uses a literary genre--comedy--as a vehicle to explore another field (women/gender/sexuality). The results are immensely creative and open up new teaching avenues for instructors. Christenson''s volume provides all new translations (all translated by Christenson) of four ancient comedies, two Greek and two Roman, that question classical stereotypes about women and challenge configurations of gender in ancient society. Lysistrata (Aristophanes), Samia (Menander), Casina (Plautus), and Hecyra (Terence)-each regarded as among the finest classical comedies-illustrate the possibilities of theater as an agent for gender awareness and expose traditional feminine roles in real life as social constructions, asking students to assess the cultural and historical position of theater in ancient society.Trade ReviewHysterical Laughter features four classic Greek and Roman plays - Lysistrata, Samia, Casina, and Hecyra each starring strong female characters. Each play is an excellent example of these great playwrights' work, and juxtaposing them brings out both similarities and differences in their ideas and their stagecraft. As the author demonstrates, each play challenges its society's ideas about women and gender roles, using hilarious comic techniques. The translations are close, but very lively, boldly including the originals' vulgarity and even obscenity; they ought to be staged as well as read. The introductions, informed by the latest scholarship, provide information about women in the ancient world and the original performance conditions; the notes are succinct and helpful, the bibliographies excellent. This book will be ideal in classical studies, history, theater, and women's studies classes. * Mary-Kay Gamel, University of California, Santa Cruz *Table of ContentsTable of Contents: ; About The Translator ; Preface ; Introduction ; DT Greek Old Comedy ; DT Greek New Comedy ; DT Roman Comedy ; DT Women In The Ancient World ; Aristophanes' Lysistrata ; Lysistrata ; Menader's Samia ; Samia. ; Plautus' Casina ; Casina ; Terence's Hecyra ; Hecyra ; Appendix: Olympian Deities

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Book SynopsisHarperCollins is proud to present its new range of best-loved, essential classics.

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Book SynopsisWhen an essay is due and dreaded exams loom, this book offers students what they need to succeed. It provides chapter-by-chapter analysis, explanations of key themes, motifs and symbols, a review quiz, and essay topics. It is suitable for late-night studying and paper writing.

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Book SynopsisThis volume offers excellent value by bringing together four of the most popular, most frequently studied and performed, city comedies by Thomas Dekker, Thomas Middleton, Ben Jonson and their contemporaries. Each of the plays features tradesmen - a shoemaker, goldsmith, merchant, shop-keepers - and depicts bustling city life.Table of ContentsThe Shoemaker's Holiday ; Eastward Ho ; Every Man In His Humour ; The Roaring Girl

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Book SynopsisThe 50th Anniversary edition of the ground-breaking, worldwide bestselling feminist tract.The Female Eunuch retains that power of transformation; it asserts the possibility of creativity within female experience' GuardianA worldwide bestseller, translated into over twelve languages, The Female Eunuch is a landmark in the history of the women's movement.Drawing liberally from history, literature and popular culture, past and present, Germaine Greer's searing examination of women's oppression is at once an important social commentary and a passionately argued masterpiece of polemic.Probably the most famous, most widely read book on feminism ever.Trade Review‘A dazzling tract, erudite, outrageous, funny.’Cosmopolitan ‘Brilliantly written, quirky and sensible, full of bile and insight…The best feminist book so far’New York Times ‘A dazzling combination of erudition, eccentricity and eroticism.’Newsweek ‘Intelligent, funny and beautifully written’Vogue ‘Germaine Greer in THE FEMALE EUNUCH converted me to Women’s Lib, as much by her bawdy sense of humour as by the bite of her polemic’ Kenneth Tynan, Observer ‘A fine, continuous flow of angry power…terrific polemical force’ Listener

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Book SynopsisWhen an essay is due and dreaded exams loom, this book offers students what they need to succeed. It provides chapter-by-chapter analysis, explanations of key themes, motifs and symbols, a review quiz, and essay topics. It is suitable for late-night studying and paper writing.

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Book SynopsisPiece together one of Jay Gatsby's notorious parties, where figures both real and fictional from Fitzgerald's life and work are hidden among the enigmatic guests. Find Daisy Buchanan weeping over a pile of silk shirts, Gatsby gazing towards the green light of his dreams, Ernest Hemingway working at his typewriter and the all-seeing eyes of Doctor T. J. Eckleburg surveying the wreckage as you puzzle towards the story's tragic conclusion.PART OF THE WORLD OF JIGSAW PUZZLE SERIES which immerse puzzlers in the worlds of their favourite writers and works.FEATURING AN ORIGINAL ILLUSTRATION packed with detail and a large poster with an introduction to the novel by Kirk Curnutt, executive director of the F. Scott Fitzgerald SocietyA GOOD-SIZED PUZZLE that measures 48.5 x 68 cm (19 x 27 in.) when completed.

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Book SynopsisWrite clearer business documents more efficientlyThis brand new self-study book is the ideal way for business people to refine and perfect their written English. It is aimed particularly at executives who communicate in written English frequently or work in foreign or multinational companies.Collins English for Business is a new series of self-study skills books which focus on the language you really need to do business in English wherever you are in the world. Each title includes tips on how to communicate effectively and how to communicate inter-culturally. Other titles in the series: Speaking and Listening.Powered by COBUILD using the real language of business EnglishContents: Twenty 4-page units featuring key areas, such as Getting the Right Tone, Linking Ideas, Writing Quickly and Simply, Dealing with Difficult Issues and Editing the Language.Each unit contains:- Exercises focused on written texts, vocabulary or key structures- Grammar tips- Key phrasesReference section with keyTrade ReviewBEBC Book of the month: This new 124-page book aims to help business students write clear documents and is full of sound advice. ‘Writing’ certainly provides a wealth of relevant tasks: it is especially good for self-study. The ‘best practice’ section on email etiquette is excellent, and the many ‘cultural tips’ boxes are useful. One nice feature is the inclusion of memorable quotes about writing that introduce each unit. Recommended. (Reviews by Pete Sharma for the Bournemouth English Book Centre) ‘Finally, modern, well-written and practical Business English texts that are perfect for reference and/or classroom use.’ Peter A. Lewis-Watts, Certified ESL Instructor, Barrie, Ontario, Canada.

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Book SynopsisIn the two decades following the fall of the Berlin Wall, global capitalism became entrenched in its modern, neoliberal form. Its triumph was so complete that the word "capitalism" itself fell out of use in the absence of credible political alternatives. But with the outbreak of financial crisis and global recession in the twenty-first century, capitalism is once again up for discussion. The status quo can no longer be taken for granted.As Eric Hobsbawm argues in his acute and elegant introduction to this modern edition, in such times The Communist Manifesto emerges as a work of great prescience and power despite being written over a century and a half ago. He highlights Marx and Engels's enduring insights into the capitalist system: its devastating impact on all aspects of human existence; its susceptibility to enormous convulsions and crises; and its fundamental weakness.Trade ReviewAs a force for change, its influence has been surpassed only by the Bible. As a piece of writing, it is a masterpiece. * Guardian *[T]he best possible explanation of what the world was about that I had ever read. It pointed out that the real conflicts in the world were not between black and white, men and women, Muslims, Christians and Jews, Americans, Russians and Chinese; it was about the conflict of economic interest between 95 per cent of the population of the world, who create the world's wealth, and the 5 per cent who own it. I think of Marx as a prophet: the last of the Old Testament prophets. And we should think of him as a teacher ... Karl Marx discovered it all long before I did, and I am very grateful to him. -- Tony Benn * The New Statesman *

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Book SynopsisMacbeth may well be the most terrifying play in the English language, but it hasn’t always been seen that way. It has divided critics more deeply than any other Shakespearian tragedy – and the argument, in essence, has been about just how terrifying the play really is and about how we should react, or do react, to Macbeth himself. No Shakespearian tragedy gives as much attention to its hero as Macbeth. With the exception of Lady Macbeth, there is much less emphasis on the figures round the hero than there is in Hamlet or Othello. Unlike King Lear, with its parallel story of Gloucester and his sons, Macbeth has no sub-plot. And its imagery of sharp contrasts – of day and night, light and dark, innocent life and murder – adds to the almost claustrophobic intensity of this most intense of plays. So why are critics so divided about Macbeth? Why is it so disturbing? Why do we feel compelled to admire its hero even as we condemn him? How reassuring is the last scene, when Macbeth is killed and Malcolm becomes king? Do we see this as the intervention of a divine providence, a restoration of goodness after all the evil? Or do we see instead signs that the whole cycle of violence and murder could be about to begin all over again? And what does the play really tell us about good and evil? In this book Graham Bradshaw answers these questions, and shows how it is only in recent years that the extent of Shakespeare’s achievement in Macbeth, and the nature of his vision in the play, has really been grasped.

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Book SynopsisThe Arabic culinary tradition burst onto the scene in the middle of the tenth century, when al-Warraq compiled a culinary treatise titled al-Kitab al-Tabikh (The Book of Dishes), containing over 600 recipes. However, it would take another three centuries for cookery books to be produced in the European continent. For centuries to come, gastronomic writing would remain the sole preserve of the Arab-Muslim world, with cooking manuals and recipe books being produced from Baghdad, Aleppo and Egypt in the East, to Muslim Spain, Morocco and Tunisia in the West. A total of nine complete cookery books have survived from this time, containing a total of nearly four thousand recipes. The Sultan''s Feast by the Egyptian Ibn Mubarak Shah in the fifteenth century is one such book. Reflecting the importance of gastronomy in Arab culture, this culinary treatise features more than 330 recipes - from bread-making and omelettes, to sweets, pickling and aromatics - and tips on a range of topics, from ess

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Book SynopsisNow Tintinologists have the opportunity to better understand the complex and sometimes dark personality of Tintin's creator and his carefully crafted public persona.Trade ReviewIn this enthralling, deeply considered synthesis, brimming with anecdotes and perceptions, [Peeters] has enhanced our understanding and appreciation of the creator, the creation, and above all, the man. -- Paul Gravett The Comics Journal Model of economy and grace, mixing meticulous detail and stylized tableaux in perfect proportion so that the story is neither generic nor bogged down by excessive rendering. Slate Verdict: Carefully researched (there are extensive endnotes) and well written and translated, this fine study is most appropriate for sophisticated readers or dedicated Tintin fans. Library Journal Herge is a granular biography that pingpongs back and forth between the artist and his art, looking to build bridges of epiphany and exposition between the ideas expressed and the life lived. Washington Post Well, Blistering Barnacles!, as Captain Haddock would say. The great merit of Herge, Son of Tintin is that Georges Remi is allowed to emerge in three dimensions as what he in fact was: not an intellectual, not an activist, not a saint, but an ordinary man of his times. -- Cullen Murphy New York Times Book Review A 'must' for any TinTin or Herge fan. Midwest Book Review Why should readers consider another book on Georges Remi (Herge), the creator of Tintin? Because this one was written by a comics writer himself, a man who knows the medium from both its theory and practice, who interviewed Herge and those close to him, and who had access to a trove of vital letters, papers, and notebooks. ChoiceTable of ContentsIntroductionPart I: Georges Remi1. White2. Gray3. BlackPart II: Le Petit Vingtième4. The Doorway to Le Vingtième Siècle5. The Birth of Tintin6. A Young Man on the Page7. The Conqueror8. Under the Sign of Kih-OskhPart III: Chinese Ink (1934-1940)9. Another World10. Learning the Story11. Counterfeit Money12. History on the Spot13. The West, Always the WestPart IV: Spoils of War (1940– 1944)14. The Street-Singer's Career15. Here We Are, Captain!16. An Unlucky Star17. The Color War18. This Castle Is No Longer for Sale19. AnxietiesPart V: Intermittences (1944– 1953)20. The Hangover21. The Launch of Tintin22. The Forty-Year Alarm23. The Terrible Year24. Hergé Has Disappeared!25. Asking for the Moon26. A Black Hole27. ChillsPart VI: The Boss (1953– 1959)28. The Middle Years29. Fanny30. "International Tintin"31. The Demon of PurityPart VII: Monsieur Hergé (1960– 1983)32. The Final Bouquet33. The Studio Trap34. Another Life35. Building the Myth36. A Time of Pretenses37. The Alpha and the OmegaEpilogue: An Impossible LegacyAppendix: Character Names in French and EnglishNotesBibliographyIndex of NamesIndex of Works by Hergé

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Book SynopsisWhen an essay is due and dreaded exams loom, this title offers students what they need to succeed. It provides chapter-by-chapter analysis, explanations of key themes, motifs, and symbols, a review quiz and essay topics. It is suitable for late-night studying and paper writing.

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Book SynopsisMany definitions of postmodernism focus on its nature as the aftermath of the modern industrial age when technology developed. This book extends that analysis to postmodernism by looking at the status of science, technology, and the arts, the significance of technocracy, and the way the flow of information is controlled in the Western world.Table of ContentsForeword by Frederic JamesonIntroduction1 The field: knowledge in computerized societies2 The problem: legitimation3 The method: language games4 The nature of the social bond: the modern alternative5 The nature of the social bond: the postmodern perspective6 The pragmatics of narrative knowledge7 The pragmatics of scientific knowledge8 The narrative function and the legitimation of knowledge9 Narratives of the legitimation of knowledge10 Delgitimation11 Research and it legitimation through performativity12 Education and its legitimation through performativity13 Postmodern science as the search for instabilities14 Legitimation by paralogyAppendixNotes Index

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Book SynopsisThe great Athenian philosopher Plato was born in 427 BC and lived to be eighty. Acknowledged masterpieces among his works are the Symposium, which explores love in its many aspects, from physical desire to pursuit of the beautiful and the good, and the Republic, which concerns righteousness and also treats education, gender, society, and slavery.

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Book SynopsisHarperCollins is proud to present its new range of best-loved, essential classics.Now he found out a new thing namely, that to promise not to do a thing is the surest way in the world to make a body want to go and do that very thing.'An idyllic snapshot of a boy's childhood along the banks of the Mississippi River, Twain's The Adventures of Tom Sawyer is the author's work that comes closest to his boyhood experiences of growing up in Hannibal in the 1840s.Mischievous and full of energy, Tom enjoys childish pranks and pastimes with his friends, Huck Finn, the town outcast and Joe Harper, his best friend. However, at the town graveyard, Huck and Tom witness a murder, carried out by local vagabond Injun Joe. They vow never to tell a soul about what they have seen and so begins their journey into adulthood as Tom wrestles with his own morality, guilt and anxiety.A coming of age' tale, it is through Tom's adventures and relationships with others that he becomes more responsible and more aw

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Book Synopsis''The best book on the subject I''ve read. Quite brilliant'' Tony Jordan, creator/writer, Life on Mars, HustleWe all love stories. But why do we tell them? And why do all stories function in an eerily similar way? John Yorke, creator of the BBC Writers'' Academy, has brought a vast array of drama to British screens. Here he takes us on a journey to the heart of storytelling, revealing that there truly is a unifying shape to narrative forms - one that echoes the fairytale journey into the woods and, like any great art, comes from deep within. From ancient myths to big-budget blockbusters, he gets to the root of the stories that are all around us, every day.''Marvellous'' Julian Fellowes ''Terrifyingly clever ... Packed with intelligent argument'' Evening Standard ''The most important book about scriptwriting since William Goldman''s Adventures in the Screen Trade'' Peter Bowker, writer, Blackpool, Occupation, Eric Trade ReviewBrimmingly insightful ... fresh, enlightening and accessible ... a gripping read from beginning to end -- Robert Collins * Sunday Times *Terrifyingly clever ... Packed with intelligent argument * Evening Standard *So detailed and engaging is his methodology that any consumer of books, plays, TV or films will find the experience enhanced; and scriptwriters themselves will find useful guidance - because when you know the why, the how is natural -- Robert Epstein * Independent on Sunday *This is a marvellous analysis of screenwriting and, with any luck, should help a great many people achieve their dreams -- Julian Fellowes, writer/creator of Downton AbbeyAnother book on screenwriting! Oh, how I wanted to hate it! I didn't. I loved it. Much of it was fresh to me. And always interesting, always intelligent and, for a writer, always rewarding -- Jimmy McGovern, screenwriter, The Street and The AccusedIn an industry full of so called script gurus and snake oil salesmen, at last there's a book about story that treats writers like grown ups. This isn't about providing us with an ABC of story or telling us how to write a script by numbers. It's an intelligent evaluation into the very nature of storytelling and is the best book on the subject I've read. Quite brilliant -- Tony Jordan, screenwriter, Life on Mars and HustleEven for a convinced sceptic, John Yorke's book, with its massive field of reference from Aristotle to Glee, and from Shakespeare to Spooks, is a highly persuasive and hugely enjoyable read. It would be hard to beat for information and wisdom about how and why stories are told -- Dominic Dromgoole, Artistic Director, The Globe TheatreThis book is intelligent, well written, incisive and, most of all, exciting. It is the most important book about scriptwriting since William Goldman's Adventures in the Screen Trade -- Peter Bowker, screenwriter, Blackpool, Occupation and Eric & ErniePart 'How-to' manual, part 'why-to' celebration, Into The Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises ... exciting and thought-provoking -- Emma Frost, screenwriter, The White Queen and ShamelessInto The Woods is an amazing achievement. It has a real depth and understanding about story, a fantastically broad frame of reference and it's interesting and absorbing throughout. Full of incredibly useful insights, every TV writer should read the first chapter alone -- Simon Ashdown, series consultant, EastEndersTesting the adage that "in theory there's no difference between theory and practice but in practice there is", this is a love story to story -- erudite, witty and full of practical magic. It's by far the best book of its kind I've ever read. I struggle to think of the writer who wouldn't benefit from reading it -- even if they don't notice because they're too busy enjoying every page -- Neil Cross, creator/writer of Luther, Crossbones and writer of Dr Who, MI5Books on story structure are ten a penny but Mistah Yorke's is the real deal -- Kathryn FlettAll script-writers will want to read Into The Woods. All plots and archetypes BUSTED -- Caitlin MoranGot to say Into The Woods by John Yorke is marvellous. The prospect of another screenwriting book made me yawn, but its terrific ... It's a great read, wise and cogent, and a must for all screenwriters -- David EldridgeA mind-blower ... an incredibly dense but very readable tome about the art of storytelling ... Really worth a read -- Lenny Henry * The Independent *I don't always enjoy books on writing, but Into the Woods by John Yorke is brilliant on story structure. -- Ken Follett, author of 'The Pillars of the Earth'In his brimmingly insightful, stimulating study of how stories work, Yorke compellingly unpicks how a whole range of films, plays, novels and fairy tales all display the same archetypal structures . . . His book, in telling scores of stories in such a fresh, enlightening and accessible manner, is a gripping read from beginning to end * Sunday Times *The best book on the subject [of storytelling] I've read, tells us everything we need to know about it. Yorke's analysis is superb * London Evening Standard *A mightily impressive opus, both hugely informative and highly educational. I love the way it's populated with so many examples - the many combinations of both mass market and the slightly more esoteric giving a something-for-everyone feeling. A brilliant work -- Peter James, best-selling author of NOT DEAD ENOUGH and LOOKING GOOD DEADYorke sets out to analyse the patterns behind storytelling, explaining why the fundamentals of narrative have remained the same from Aristotle to Aaron Sorkin. A great starting point for anyone wanting to create a story * Stuff Magazine *I've just read a book about professional writing which has genuinely helped me. It's for those who are serious about avoiding bad 'How To' books and want to raise their game, and it's more intelligent than most of the others. John Yorke's Into The Woods: How Stories Work And Why We Tell Them is a genuine game-changer and has helped me put past bad habits to rest -- Christopher Fowler, Author of Bryant and MayInto The Woods is utterly brilliant -- Ed Cumming * Daily Telegraph *Love storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopaedic knowledge. Guaranteed to send you back to your writing desk with newfound excitement and drive -- Chris Chibnall, creator and writer of Broadchurch and The Great Train RobberyInto The Woods is brilliant. One of the best books on script writing out there . . . I loved the book. Inspiring -- Dominic Mitchell, creator and writer of In The FleshThere is no end of books that instruct us on how to write the perfect screenplay, but few that delve more deeply into the art of storytelling than this erudite volume * Financial Times *Its strength is Yorke's acute perception of the wellsprings of universal narrative structures relevant to all artistic activities * The Times *Terrific . . . It's a great read, wise and cogent, and a must for all screenwriters -- David Eldridge, writer of Festen and In BasildonIt's a great read. It makes me smile and say 'Yes!' aloud. Only this and PG Wodehouse do that -- Lucy Gannon, writer/creator of Soldier Soldier, Peak Practice, Frankie, The Best Of MenNot How 2 Write them but how stories work. John Yorke's Into the Woods: A 5 Act Journey into Story is brilliant, illuminates & explains -- Susan Hill, Author, The Woman In Black, I’m The King Of The CastleI'm only 70 pages into John Yorke's Into the Woods but it's already helped me crack two stories -- Andy Diggle, former editor of 2000AD, comic book writer for Marvel, DCHighly recommended reading * Huffington Post *Yorke is aware that the world is not suffering for lack of prescriptive screenwriting manuals. Instead, with Into the Woods, he takes a scalpel to narrative structure - dissecting protagonist, antagonist, inciting incident, crisis and so on - before asking how and why this underlying shape still holds audiences spellbound like a fairytale witch. "A story is like a magnet dragged through randomness," Yorke writes, but while he elegantly untangles the deepest roots of storytelling, he also honours the human need for truth and sense with some more superficial questions: why do series tend to "jump the shark" round about season three, for example, or why is clunky exposition - particularly in medical dramas - so appallingly comical? Sit comfortably, then begin * Guardian *I absolutely love this book. It's incredible and so well written. I keep trying to find fault but so far no joy - It's so good -- Matt Charman, writer Bridge of Spies (dir Stephen Spielberg); Black Work (ITV)[John Yorke's] writing book is arguably possibly almost as good as mine, all right it's loads better shut up -- David Quantick, Author of HOW TO WRITE EVERYTHINGProbably, in the hackneyed phrase, "the last book on screenwriting you'll ever need." He is very good at debunking the claims of some screenwriting gurus, all of whom are busy trying to sell you their own particular brand of snake oil. It's truly excellent -- Tim Adler * Daily Telegraph *Of all the books I've read about story construction and the art of fiction, this one is the most comprehensive and concise -- John Collee, writer on 'Master And Commander', 'Happy Feet', 'Creation', 'Walking With Dinosaurs'

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Book SynopsisArthur Machen is a significant figure in supernatural and horror literature, in the genre of 'weird fiction'. This collection brings together his best horror tales with a full contextual introduction and which helps to illuminate Machen's place in the literary and cultural milieu of 1890s Britain.Trade ReviewThis is a must-have collection of landmark tales of horror. * Publisher's Weekly *Table of ContentsIntroduction Note on the Text Select Bibliography A Chronology of Arthur Machen The Lost Club The Great God Pan The Inmost Light The Three Impostors The Red Hand The Shining Pyramid The Turanians The Idealist Witchcraft The Ceremony Psychology Midsummer The White People The Bowmen The Monstrance N The Tree of Life Change Ritual Explanatory Notes

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Book SynopsisThe legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.Trade ReviewOver a thousand pages in length, with some five hundred articles surveying the survival, transmission, and reception of the cultures of Greek and Roman antiquity, The Classical Tradition is a low-cost Wunderkammer, a vast cabinet of curiosities… The Classical Tradition should rightly evoke…gratitude. This is a book whose long, learned, and witty essay on Rome could stand alone as a surprisingly comprehensive guide to that city’s ancient relics, but that also has time for entries on Armenian Hellenism, Hunayn ibn-Ishaāq, and Gandhara; carpe diem, deus ex machina, and the translatio imperii; the Society of Dilettanti, the Grand Tour, and Fascism. It is possible to get pleasantly lost in these pages, as in the internal courtyards of Pompeii, and not emerge for hours. -- Stephen Greenblatt and Joseph Leo Koerner * New York Review of Books *A heady, hefty new single-volume reference… This is a browser’s paradise… While Greece and Rome are no longer the foundation of education, classical scholarship has never been richer. -- Steve Coates * New York Times Book Review *Entries of commendable clarity and range include those on Homer, on pastoral, on Catullus, and on the Argonauts. This is a valuable reference work, especially for those new to the classical world. -- Victoria Moul * Times Literary Supplement *The Classical Tradition is a guidebook of great erudition that is notably well written and unexpectedly compelling. It definitely is not another of those solemn introductions to ‘the glory that was Greece and the grandeur that was Rome.’ Instead it is a lively compendium of the manifold ways in which the enduring creations of the classical tradition, and the Greek and Latin classics, have been imitated, adulated, denounced and misunderstood—or understood all too well—over the past two millennia… Each article brings some unexpected insight or little known fact into the discussion, to illuminating effect… The scholarship is impeccable, but there is a donnish drollery in many of the articles… [A] marvelous guide. -- Eric Ormsby * Wall Street Journal *Now here is a fabulous book—and a bargain to boot. Harvard has produced this gigantic volume, packed with color plates and essays by some of the greatest scholars alive, for the price of a couple of hardback thrillers. Better still, while The Classical Tradition may look like a work of reference, it’s actually one of the best bedside books you could ask for. I know because I’ve been browsing around in it with immense pleasure… Certainly anyone even mildly interested in the Western cultural heritage will find The Classical Tradition a necessary purchase… [It] shows us how deeply the stories, iconic figures and ideas of antiquity succor our imaginations and still suffuse the world we live in. -- Michael Dirda * Washington Post *[The Classical Tradition’s] catalogue of contributors is a who’s who of classical scholarship and includes some of the best known scholars writing for an educated non-specialist public, such as Ingrid Rowland, Simon Goldhill, Mary Beard and Glen Bowersock… [The editors] have sourced not so much anodyne entries on set-piece subjects—the staple of any encyclopedia—as stories brightly told that move through time to relate, for example, the achievements of the Roman poet Horace as they were seen in the ancient world, followed by an assessment of his immediate influence on Latin poetry, and his considerable impact on subsequent poets from Petrarch to Joseph Brodsky, with a slight pause over the case of Byron, who loathed Horace after their encounters in school… The publication of this Harvard guide not so much to the classical past as to the uses we have made of it—its various metamorphoses—is in itself a cultural event. Consider it one among many markers of a contemporary re-attachment to the classical past. -- Luke Slattery * Australian Literary Review *If, as some classicists say, our minds, bodies, government, law, medicine, arts, and fill-in-the-blank are unintelligible without an understanding of the Greco-Roman heritage, then do not waste another minute in ignorance and read this massive work, or at least selections of it, with urgency. A team of distinguished scholars—rivaling the number of warriors in the Battle of Thermopylae—dispenses knowledge and opinions on every imaginable topic under the Classical sun, connecting us to our ancient bloodline. -- Christopher Benson * First Things *Eclectic rather than exhaustive, the compendium is less an encyclopedia than a buffet, in alphabetical order, of topics and glosses. There is, fortunately, no ideological consistency or purpose. The harvesting academics bring home a bumper crop to remind and instruct the reader of how the Classics are still central to the civilized intelligence; food for thought and primers of the imagination. -- Frederic Raphael * Literary Review *Anthony Grafton’s entry on Historiography is as elegant and learned as everything he does. So elegant and learned, in fact, that I wanted to read each and every essay he had written in The Classical Tradition… Being lost in this book can be invigorating. -- Brendan Boyle * New Criterion *Make no mistake, The Classical Tradition is exceedingly delightful… An esoteric tool for the scholar on the face of it, The Classical Tradition turns out to be a guide for living here, now, in the 21st century as we find it. -- Morgan Meis * The Smart Set *A stunningly wonderful compilation… Massive in length and unimpeachable in scholarship, it nonetheless manages to be endlessly absorbing, and often quietly entertaining into the bargain… I’ve pored over this book like a madman ever since setting hands on it and I’ve devoured enough to be certain that it’s a masterpiece of concision, knowledge, judgment and dedication. It’s clearly going to be a companion for life, and all the better for being well-nigh inexhaustible. -- Bradley Winterton * Taipei Times *This absorbing and endlessly browsable compendium, edited by Anthony Grafton, Glenn W. Most, and Salvatore Settis, explores the richness of our classical legacy through scores of essays, alphabetically arranged by subject, that illuminate our past, our present, and probably our future as well. * Barnes and Noble Review *This magnificent compendium explicates the outsized influence Greek and Roman society, literature and myth has had on the medieval and modern European ages that followed, and in turn on the imperial culture exported around the world. The Greek gods and their attributes—from wise Athena and fierce Ares to bibulous Dionysus—are key elements in a worldview we still look back on, at once alien and familiar. A wonder of research and writing that connects both casual browser and scholar to centuries of learning. * Barnes and Noble Review *Whether priced by the pound or the page, this hefty compendium is quite a bargain. Lead editor Grafton…is perhaps the perfect captain for an ambitious work that attempts to capture, as the preface indicates, the ‘reception of Graeco-Roman antiquity in all its dimensions in later cultures.’… More than 150 color images only add to the browsing pleasure. -- B. Juhl * Choice *

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Book SynopsisIn the stories in this volume Dostoevsky explores both the figure of the dreamer divorced from reality and also his own ambiguous attitude to utopianism, themes central to many of his great novels. In White Nights the apparent idyll of the dreamer''s romantic fantasies disguises profound loneliness and estrangement from ''living life''. Despite his sentimental friendship with Nastenka, his final withdrawal into the world of the imagination anticipates the retreat into the ''underground'' of many of Dostoevsky''s later intellectual heroes. A Gentle Creature and The Dream of a Ridiculous Man show how such withdrawal from reality can end in spiritual desolation and moral indifference and how, in Dostoevsky''s view, the tragedy of the alienated individual can be resolved only by the rediscovery of a sense of compassion and responsibility towards fellow human beings. This new translation captures the power and lyricism of Dostoevsky''s writing, while the introduction examines the stories in relation to one another and to his novels. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade ReviewThe new translations read smoothly, and Professor William Leatherbarrow's introductory essay is helpfully informative. * Sunday Telegraph *Table of ContentsWhite Nights ; A Gentle Creature ; The Dream of a Ridiculous Man

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Book SynopsisThe official book on Ian Fleming and James Bond by the bestselling author of Agent ZigzagTrade Review'A marvellously entertaining and informative book ... deserves to fly off the shelves every bit as quickly as Devil May Care' Spectator 'Thrilling' Sunday Times 'Everything that makes Bond interesting with relation to the real world, in fact, is explored here. Ben Macintyre's skill, in this entertaining mix of history, espionage, biography, and post-war sociology, is to make you see clearly where Ian Fleming's world ended and the fantasy of James Bond began' Tom Fleming, Literary Review 'Fleming, a journalist like Macintyre, would have approved of Macintyre's fast, witty and informative style, and this is the perfect starting place for anyone wanting to find out more about Bond and his creator' Mail on Sunday

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Book SynopsisWhen an essay is due and dreaded exams loom, this book offers students what they need to succeed. It provides chapter-by-chapter analysis, explanations of key themes, motifs and symbols, a review quiz, and essay topics. It is suitable for late-night studying and paper writing.

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Book SynopsisWhen an essay is due and dreaded exams loom, this book offers students what they need to succeed. It provides chapter-by-chapter analysis, explanations of key themes, motifs and symbols, a review quiz, and essay topics. It is suitable for late-night studying and paper writing.

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Book SynopsisA rich collection that brings the great Sufi poet Hafiz to Western readers, from bestselling poet Daniel Ladinsky Perhaps more than any other Persian poet, it is Hafiz who most fully accesses the mystical, healing dimensions of verse. Acclaimed poet Daniel Ladinsky has made it his life’s work to create modern, inspired renderings of the world’s most profound spiritual poetry. Through Ladinsky’s renderings, Hafiz’s voice comes alive across the centuries, singing his timeless message of love. With this stunning collection, Ladinsky has once again succeeded brilliantly in capturing the essence of one of Islam’s greatest poetic and spiritual voices. “Ladinsky is a master who will be remembered for finally bringing Hafiz alive in the West.” —Alexandra Marks, The Christian Science Monitor

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