ELT & Literary Studies

HarperCollins is proud to present its incredible range of best-loved, essential classics. Plato's Republic has influenced Western philosophers for centuries, with its main focus on what makes a well-balanced society and individual.

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'I said no one should ever try to recreate this. This is agony in its purest form.' Five women in Northern California lie outside on chaises longues and philosophise. But can you ever communicate what it feels like to be inside your own body? Annie Baker's play Infinite Life is a surprisingly funny inquiry into the complexity of suffering, and what it means to desire in a body that's failing. It was first produced in a co-production between the National Theatre, London, and Atlantic Theater Company, New York, and performed at both theatres in 2023, directed by James Macdonald.

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Woza Albert! is based on one dazzlingly simple idea - that the Second Coming of Jesus Christ should take place in present-day South Africa. This brilliant two-man show from the Market Theatre, Johannesburg, took the Edinburgh Festival then London by storm in September 1982, playing to standing ovations every night. It was also seen in Berlin, Los Angeles, San Francisco, Seattle, Philadelphia and twice on BBC TV. This edition contains a new introduction by Yvette Hutchison

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A definitive volume expanded and updated to do justice to the four decade career of one of the most important cultural and intellectual thinkers of the 21st century The renowned literary and cultural critic and political thinker Edward Said was one of our era's most provocative and important thinkers. This comprehensive collection of his work, expanded from the earlier Edward Said Reader, now draws from across his entire four-decade career, including his posthumously published books, making it a definitive one-volume source. The Selected Works includes key sections from all of Said's books, including his groundbreaking Orientalism; his memoir, Out of Place; and his last book, On Late Style. Whether writing of Zionism or Palestinian self-determination, Jane Austen or Yeats, or of music or the media, Said's uncompromising intelligence casts urgent light on every subject he undertakes. The Selected Works is a joy for the general reader and an indispensable resource for scholars in the many fields that his work has influenced and transformed.

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THE NUMBER ONE SUNDAY TIMES BESTSELLERThe world is messing with our minds.Rates of stress and anxiety are rising. A fast, nervous planet is creating fast and nervous lives. We are more connected, yet feel more alone. And we are encouraged to worry about everything from world politics to our body mass index.- How can we stay sane on a planet that makes us mad? - How do we stay human in a technological world?- How do we feel happy when we are encouraged to be anxious? After experiencing years of anxiety and panic attacks, these questions became urgent matters of life and death for Matt Haig. And he began to look for the link between what he felt and the world around him. Notes on a Nervous Planet is a personal and vital look at how to feel happy, human and whole in the twenty-first century.

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In one of the poorest cities in America – Reading, Pennsylvania – a group of factory workers struggle to keep their present lives in balance, ignorant of the financial devastation looming in their near future. Based on the playwright's extensive interviews with residents of Reading, Lynn Nottage's play Sweat is a tale of friends pitted against each other by big business, and a topical reflection of the present and poignant decline of the American Dream. The play premiered in Oregon in 2015, before being produced at the Public Theater, New York, in 2016, and the following year on Broadway, where it won the Pulitzer Prize for Drama. It received its UK premiere at the Donmar Warehouse, London, in 2018, directed by Lynette Linton, and went on to win Best Play at the 2019 Evening Standard Theatre Awards.

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This revised Student Edition includes an introduction by Bess Rowen, Assistant Professor at Villanova University, US, which looks in particular at the play's treatment of rape, vulnerable people, mental institutions (especially in connection to Williams's own family), sexuality and sexual desire. A Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from physical ugliness in decayed gentility, and her brutal brother-in-law Stanley Kowalski, Tennessee Williams dramatises his sense of the South's past as still active and often destructive in modern America. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: · A chronology of the play and the playwright’s life and work · An introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created · A succinct overview of the creation processes followed and subsequent performance history of the piece · An analysis of, and commentary on, some of the major themes and specific issues addressed by the text · A bibliography of suggested primary and secondary materials for further study

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Read Shakespeare’s plays in all their brilliance—and understand what every word means! Don’t be intimidated by Shakespeare! These popular guides make the Bard’s plays accessible and enjoyable.Each No Fear guide contains: The complete text of the original play A line-by-line translation that puts the words into everyday language A complete list of characters, with descriptions Plenty of helpful commentary

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Read Shakespeare’s plays in all their brilliance—and understand what every word means! Don’t be intimidated by Shakespeare! These popular guides make the Bard’s plays accessible and enjoyable.Each No Fear guide contains: The complete text of the original play A line-by-line translation that puts Shakespeare into everyday language A complete list of characters with descriptions Plenty of helpful commentary

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Shakespeare everyone can understand—now in this new EXPANDED edition of MACBETH! Why fear Shakespeare? By placing the words of the original play next to line-by-line translations in plain English, this popular guide makes Shakespeare accessible to everyone. And now it features expanded literature guide sections that help students study smarter. The expanded sections include: Five Key Questions: Five frequently asked questions about major moments and characters in the play. What Does the Ending Mean?: Is the ending sad, celebratory, ironic . . . or ambivalent? Plot Analysis: What is the play about? How is the story told, and what are the main themes? Why do the characters behave as they do? Study Questions: Questions that guide students as they study for a test or write a paper. Quotes by Theme: Quotes organized by Shakespeare’s main themes, such as love, death, tyranny, honor, and fate. Quotes by Character: Quotes organized by the play’s main characters, along with interpretations of their meaning.

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In its towering central characters, vast geographical and historical sweep, and its variety of style and mood, Anthony and Cleopatra is perhaps the most ambitious of Shakespeare's designs. Yet the degree and nature of its success remain surprisingly contentious, and performances of the play have seldom matched the extravagant expectations of its admirers. Michael Neill's wide-ranging introduction from a number of angles, including those of gender and race. He examines the sources and discusses the theatrical challenge presented by Shakespeare's technique, with its extraordinary tensions between rhetoric and action. A full stage history further illustrates its theatrical fortunes; both here and in the extensive commentary this edition illuminates the play's theatrical dimensions as well as the rich complexity of its poetic language. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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'The best book ever written' Nicholas Lezard, GuardianRobert Burton's labyrinthine, beguiling, playful masterpiece is his attempt to 'anatomize and cut up' every aspect of the condition of melancholy, from which he had suffered throughout his life. Ranging over beauty, digestion, the planets, alcohol, goblins, kissing, poetry and the restorative power of books, among many other things, The Anatomy of Melancholy has fascinated figures from Samuel Johnson to Jorge Luis Borges since the seventeenth century, and remains an incomparable examination of the human condition in all its flawed, endless variety.Edited with an introduction by Angus Gowland

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A striking and sharply funny reflection on the frailty of existence and the complex relationship between knowledge and love. Winner of the 1999 Pulitzer Prize for Drama. Vivian Bearing, Ph.D., a renowned specialist in the brilliantly difficult Holy Sonnets of John Donne, has been diagnosed with stage four metastatic ovarian cancer. Her approach to her illness is not unlike her approach to Donne: aggressively probing and intensely rational. But during the course of her illness – and her stint as a prize patient in an experimental chemotherapy programme – she comes to reassess her life and her work with profundity and an unbearably moving wry humour. Margaret Edson's Pulitzer Prize-winning Wit was first performed in 1995. It was filmed for TV by Mike Nichols in 2001, starring Emma Thompson (who also wrote the screenplay).

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The home of trusted English learner''s dictionaries for everyday language learning.Collins Easy Learning English Conversation: Book 2 is a unique guide to communicating in English. Building on the phrases and vocabulary learnt in Book 1, it has been specially designed for intermediate-level learners who want to communicate successfully and with confidence in everyday situations, at work, or when travelling or studying.The text consists of 14 units, each illustrating the language used in a particular situation. The topic-based units cover the language learners need in everyday situations, but also language for more formal situations, such as a seminar or business meeting.Each section contains a list of the most useful phrases, with information on where and when they should be used, and a short sample of a conversation, showing the learner how a typical conversation flows in English.An audio CD contains all the conversations from the book, and allows the user to practice what they have l

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This revised Student Edition of Ibsen’s popular play contains introductory commentary and notes by Sophie Duncan, which offer a contemporary lens on the play's gender politics and consider seminal productions and adaptations of the play into the 21st century. As well as the complete text of the play itself, this new Methuen Drama Student Edition includes a: · Chronology of the play and Ibsen’s life and work · Discussion of the social, political, cultural and economic context in which the play was originally conceived and created · Overview of the creation processes followed and performance history of the play, including recent performances such as a 2012 short film adaptation and a stage adaptation set in colonial Calcutta. · Analysis of some of the major themes and specific issues addressed by the play, such as whether it’s a feminist play and its author a feminist · Bibliography of suggested primary and secondary materials for further study Ibsen's 1879 play shocked its first audiences with its radical insights into the social roles of husband and wife. His portrayal of the caged 'songbird' in his flawed heroine Nora remains one of the most striking dramatic depictions of the late 19th century woman.

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Shakespeare everyone can understand—now in new DELUXE editions! Why fear Shakespeare? By placing the words of the original play next to line-by-line translations in plain English, these popular guides make Shakespeare accessible to everyone. They introduce Shakespeare’s world, significant plot points, and the key players. And now they feature expanded literature guide sections that help students study smarter, along with links to bonus content on the Sparknotes.com website. A Q&A, guided analysis of significant literary devices, and review of the play give students all the tools necessary for understanding, discussing, and writing about Merchant of Venice. The expanded content includes: Five Key Questions: Five frequently asked questions about major moments and characters in the play. What Does the Ending Mean?: Is the ending sad, celebratory, ironic . . . or ambivalent? Plot Analysis: What is the play about? How is the story told, and what are the main themes? Why do the characters behave as they do? Study Questions: Questions that guide students as they study for a test or write a paper. Quotes by Theme: Quotes organized by Shakespeare’s main themes, such as love, death, tyranny, honor, and fate. Quotes by Character: Quotes organized by the play’s main characters, along with interpretations of their meaning.

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Playwright and novelist Nigel Williams's stage adaptation of William Golding's story was first professionally produced by the Royal Shakespeare Company at Stratford-upon-Avon in July 1995. 'Remarkably true to the novel in spirit . . . the theatre lends itself particularly well to the ritualistic aspects of the story - chanting, dancing, marching, forming a circle round the victim, stamping out a fire . . . You end up feeling you have seen a fable of infinite implications enacted in a little room.' Sunday TelegraphThis special acting edition, particularly suitable for schools and amateur groups, contains the full playtext as well as notes on staging, a full properties list and lighting and sound cues.

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When an essay is due and dreaded exams loom, here's the lit-crit help students need to succeed! SparkNotes Literature Guides make studying smarter, better, and faster. They provide chapter-by-chapter analysis, explanations of key themes, motifs, and symbols, a review quiz and essay topics. Lively and accessible, SparkNotes is perfect for late-night studying and paper writing.

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In 1995 Sarah Kane's first full-length play Blasted opened. It became the cause celebre of the theatrical year, making front-page headlines and outraging critics with its depiction of rape, torture and violence in civil war. "sheer unadulterated brutalism" Evening Standard

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The translation of Beowulf by J.R.R. Tolkien was an early work, very distinctive in its mode, completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication. This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book. From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel’s terrible hand set under the roof of Heorot. But the commentary in this book includes also much from those lectures in which, while always anchored in the text, he expressed his wider perceptions. He looks closely at the dragon that would slay Beowulf ‘snuffling in baffled rage and injured greed when he discovers the theft of the cup’; but he rebuts the notion that this is ‘a mere treasure story’, ‘just another dragon tale’. He turns to the lines that tell of the burying of the golden things long ago, and observes that it is ‘the feeling for the treasure itself, this sad history’ that raises it to another level. ‘The whole thing is sombre, tragic, sinister, curiously real. The “treasure” is not just some lucky wealth that will enable the finder to have a good time, or marry the princess. It is laden with history, leading back into the dark heathen ages beyond the memory of song, but not beyond the reach of imagination.’ Sellic Spell, a ‘marvellous tale’, is a story written by Tolkien suggesting what might have been the form and style of an Old English folk-tale of Beowulf, in which there was no association with the ‘historical legends’ of the Northern kingdoms.

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JONATHAN BATE is Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works. He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as 'the best modern book on Shakespeare'. In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'. ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited volumes in both

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“Groundbreaking in its call to reconsider our approach to the slow rhythm of time in the very concrete realms of environmental health and social justice.” —Wold Literature TodayThe violence wrought by climate change, toxic drift, deforestation, oil spills, and the environmental aftermath of war takes place gradually and often invisibly. Using the innovative concept of "slow violence" to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the sensational, spectacle-driven messaging that impels public activism today. Slow violence, because it is so readily ignored by a hard-charging capitalism, exacerbates the vulnerability of ecosystems and of people who are poor, disempowered, and often involuntarily displaced, while fueling social conflicts that arise from desperation as life-sustaining conditions erode.In a book of extraordinary scope, Nixon examines a cluster of writer-activists affiliated with the environmentalism of the poor in the global South. By approaching environmental justice literature from this transnational perspective, he exposes the limitations of the national and local frames that dominate environmental writing. And by skillfully illuminating the strategies these writer-activists deploy to give dramatic visibility to environmental emergencies, Nixon invites his readers to engage with some of the most pressing challenges of our time.

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This is the Medea we have been waiting for. It offers clarity without banality, eloquence without pretension, meter without doggerel, accuracy without clumsiness. No English Medea can ever be Euripides', but this is as close as anyone has come so far, and a good deal closer than I thought anyone would ever come. Arnson Svarlien has shown herself exceedingly skillful in making Euripides sound Euripidean.--David M. Schaps, Bryn Mawr Classical Review

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In his 1932 classic dystopian novel, Brave New World, Aldous Huxley depicted a future society in thrall to science and regulated by sophisticated methods of social control. Nearly thirty years later in Brave New World Revisited, Huxley checked the progress of his prophecies against reality and argued that many of his fictional fantasies had grown uncomfortably close to the truth. Brave New World Revisited includes Huxley's views on overpopulation, propaganda, advertising and government control, and is an urgent and powerful appeal for the defence of individualism still alarmingly relevant today.

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This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come.

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What does it now mean to call yourself European? Who makes up this population of 750 million, sprawled from Ireland to Ukraine, from Sweden to Turkey? Who has always called it home, and who has newly arrived from elsewhere? Who are the people who drive our long-distance lorries, steward our criss-crossing planes, lovingly craft our legacy wines, fish our depleted waters, and risk life itself in search of safety and a new start?In a series of vivid, ambitious, darkly visceral but always empathetic portraits of other people’s lives, Ben Judah invites us to meet them. Drawn from hours of painstaking interviews, these vital stories reveal a frenetic and vibrant continent which has been transformed by diversity, migration, the internet, climate change, Covid, war and the quest for freedom.Laid dramatically bare, it may not always be a Europe we recognize – but this is Europe._____Praise for Ben Judah's This Is London:‘An epic work of reportage’ Guardian‘Eye-opening’ Sunday Times‘Opens readers’ eyes to the hardships experienced by many and ignored by most’ Independent‘Shares Orwell’s appetite for documenting parts of society that are easily overlooked’ Spectator‘Full of nuggets of unexpected information about the lives of others’ Financial Times

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Complete collection of Tolkien’s essays, including two on Beowulf, which span three decades beginning six years before The Hobbit to five years after The Lord of the Rings. The seven ‘essays’ by J.R.R. Tolkien assembled in this new paperback edition were with one exception delivered as general lectures on particular occasions; and while they mostly arose out of Tolkien’s work in medieval literature, they are accessible to all. Two of them are concerned with Beowulf, including the well-known lecture whose title is taken for this book, and one with Sir Gawain and the Green Knight, given in the University of Glasgow in 1953. Also included in this volume is the lecture English and Welsh; the Valedictory Address to the University of Oxford in 1959; and a paper on Invented Languages delivered in 1931, with exemplification from poems in the Elvish tongues. Most famous of all is On Fairy-Stories, a discussion of the nature of fairy-tales and fantasy, which gives insight into Tolkien’s approach to the whole genre. The pieces in this collection cover a period of nearly thirty years, beginning six years before the publication of The Hobbit, with a unique ‘academic’ lecture on his invention (calling it A Secret Vice) and concluding with his farewell to professorship, five years after the publication of The Lord of the Rings.

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This Wordsworth Edition includes an exclusive Introduction and Notes by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. As You Like It is one of Shakespeare’s finest romantic comedies, variously lyrical, melancholy, satiric, comic and absurd. Its boldly implausible plot generates a profusion of love-lorn men, a resourceful heroine in disguise, sexual ambiguity, sceptical philosophising, and finally a multiplicity of marriages. The ironic medley of pastoral artifice, romantic ardour and quizzical reflection has helped to make As You Like It perennially popular in the theatre. A recent production was deemed ‘fresh, funny, sexy and, when it matters, deeply touching’. As You Like It is part of the Wordsworth Classics’ Shakespeare Series, used in the workshops of the Royal Shakespeare Company. Every volume in the series has been newly edited by Cedric Watts, described by Edward Said as ‘a man for whom the enjoyment and enrichment of friends and students is the main consideration in what he does’.

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‘Every devotee of literature and art should read this rare, bright-lit, hard-won book, and every student of life — that is to say, everyone.' - Sebastian Barry In this contemplative short narrative, artist and acclaimed writer Sara Baume charts the daily process of making and writing, exploring what it is to create and to try to live as an artist. Elegantly encompassing images from a work-in-progress, handiwork offers observations that are at once gentle and devastating on grief, renewal, and the migration of birds. handiwork is Baume’s non-fiction debut, written with the keen eye for nature and beauty as well as the extraordinary versatility Sara Baume’s fans have come to expect.

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Based on an original new story by J.K. Rowling, John Tiffany and Jack Thorne, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. The play will receive its world premiere in London's West End on 30th July 2016.It was always difficult being Harry Potter and it isn't much easier now that he is an overworked employee of the Ministry of Magic, a husband, and father of three school-age children.While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.

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'A guide to the mind of one of the great English novelists of the last half-century' Guardian'Like hearing the voice of an old friend' Observer'Extraordinary . . . a quality of timelessness and prescience' New Statesman, Book of the Year'Magical . . . Here we meet not just Mantel the Cromwell-catcher, but Mantel the quill-sharp critic of contemporary life' The Times, Book of the YearAs well as her celebrated career as a novelist, Hilary Mantel long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of her writing was an integral part of how she thought of herself. 'Ink is a generative fluid,' she explains. 'If you don't mean your words to breed consequences, don't write at all.' A Memoir of My Former Self collects the finest of this writing over four decades. Mantel's subjects are wide-ranging. She discusses nationalism and her own sense of belonging; our dream life flopping into our conscious life; the mythic legacy of Princess Diana; the many themes that feed into her novels - revolutionary France, psychics, Tudor England - and other novelists, from Jane Austen to V. S. Naipaul. She writes about her father and the man who replaced him; she writes fiercely and heartbreakingly about the battles with her health she endured as a young woman, and the stifling years she found herself living in Saudi Arabia. Here, too, is a selection of her film reviews - from When Harry Met Sally to RoboCop - and, published for the first time, her stunning Reith Lectures, which explore the process of art bringing history and the dead back to life.From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, A Memoir of My Former Self reveals the shape of Hilary Mantel's life in her own dazzling words, 'messages from people I used to be.' Compelling, often very funny, always luminous, it is essential reading from one of our greatest writers.'A smart, deft, meticulous, thoughtful writer, with such a grasp of the dark and spidery corners of human nature' Margaret Atwood'Mantel was a queen of literature . . . her reign was long, varied and uncontested' Maggie O'Farrell

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Lorca's Blood Wedding is a classic of twentieth-century theatre. The story is based on a newspaper fragment which told of a family vendetta and a bride who ran away with the son of the enemy family. Lorca uses it to investigate the subjects which fascinated him: desire, repression, ritual, and the constraints and commitments of the rural Spanish community in which the play is rooted. Ted Hughes's version stays close in spirit and letter to the original Spanish. With marvellous directness, he fused Lorca's vision to his own, and the result is a powerful poetic text which captures all the violence and pathos of the play for an English-speaking audience.

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Peter Meineck and Paul Woodruff’s collaboration on this new translation combines the strengths that have recently distinguished both as translators of Greek tragedy: expert knowledge of the Greek and of the needs of the teaching classicist, intimate knowledge of theatre, and an excellent ear for the spoken word. Their Oedipus Tyrannus features foot-of-the-page notes, an Introduction, stage directions and a translation characterized by its clarity, accuracy, and power.

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_______________ A pocket-sized, unmissable essay on the importance of children's literature by the bestselling and award-winning author, Katherine Rundell. _______________ 'It’s a very short book but it packs a real punch... A real delight' - Financial Times 'Rundell is the real deal, a writer of boundless gifts and extraordinary imaginative power whose novels will be read, cherished and reread long after most so-called “serious” novels are forgotten' - Observer 'Rundell's pen is gold-tipped' - Sunday Times _______________ Katherine Rundell – Fellow of All Souls College, Oxford, and prize-winning author of five novels for children – explores how children’s books ignite, and can re-ignite, the imagination; how children's fiction, with its unabashed emotion and playfulness, can awaken old hungers and create new perspectives on the world. This delightful and persuasive essay is for adult readers.

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A true modern classic from one of the twentieth century's most significant writers, Long Day's Journey into Night is an intensely autobiographical, magnificently tragic portrait of the author's own family - a play so acutely personal that he insisted it was not published until after his death. One single day in the Tyrones' Connecticut home. James Tyrone Snr is a miser, a talented actor who even squanders his talent in an undemanding role; eldest son Jamie is an affable, whoremongering alcoholic and confirmed ne'er-do well; youngest son Edmund is poetic, sensitive, suffering from a respiratory condition and deep-seated disillusionment; and their mother Mary, living in a haze of self-delusion and morphine addiction. Existing together under this roof, and the profound weight of the past, they subtly tear one another apart, shred by shred. 'Set in 1912, the year of O'Neill's own attempted suicide, it is an attempt to understand himself and those to whom he was irrevocably tied by fate and by love. It is the finest and most powerful play to have come out of America' Christopher Bigsby Eugene O'Neill's play Long Day's Journey into Night was written in 1939-41, and first published in 1956 (after O'Neill's death in 1953). It was first performed at the Royal Dramatic Theatre, Stockholm, in February 1956, and had its first American production at Helen Hayes Theater, New York, in November that year. It won the Tony Award for Best Play, and O'Neill was posthumously awarded the 1957 Pulitzer Prize for Drama. This edition includes a full introduction, biographical sketch and chronology.

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The moving account of the life and early death of a young female activist, adapted from her own writings. Why did a 23-year old woman leave her comfortable American life to stand between an Israeli army bulldozer and a Palestinian home in the Gaza strip? Compiled from her letters, diaries and emails by Alan Rickman and Guardian journalist Katharine Viner, My Name is Rachel Corrie recounts, in her own words, her short life and sudden death. My Name is Rachel Corrie was first performed by Megan Dodds at the Royal Court Theatre, London, in April 2005, winning Best New Play at the 2006 WhatsOnStage Awards.

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A hugely-acclaimed black comedy exposing the dark side of the Midwestern American family. When the large Weston family is reunited in Oklahoma after the disappearance of their father, they let loose a maelstrom of repressed truths and unsettling secrets. Tracy Letts's play August: Osage County was first performed by Steppenwolf Theatre Company in Chicago in June 2007. It was first staged in the UK at the National Theatre in 2008. August: Osage County won the Pulitzer Prize for Drama, the Tony Award for Best Play and the Critics' Circle Award for Best Play.

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The classic collection of poetry from the author of I KNOW WHY THE CAGED BIRD SINGS.'A brilliant writer, a fierce friend and a truly phenomenal woman' BARACK OBAMAMaya Angelou's poetry - lyrical and dramatic, exuberant and playful - speaks of love, longing, partings; of Saturday night partying, and the smells and sounds of Southern cities; of freedom and shattered dreams.'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON

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‘A humane discourse on the fragility of our minds, of the bodies that give rise to them, and of the world they create for us. This book is filled with wonders’ – Daily Telegraph Oliver Sacks’ compassionate tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own minds. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians and everyday people – those struck by affliction, unusual talent and even, in one case, by lightning – to show not only that music occupies more areas of our brain than language does, but also that it can torment, calm, organize and heal. Always wise and compellingly readable, these stories alter our conception of who we are and how we function, and show us an essential part of what it is to be human.

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A FINANCIAL TIMES, PROSPECT MAGAZINE and GLOBE AND MAIL BEST BOOK OF THE YEAR 2023An Irish Times Best Book of 2023, as chosen by Sally Hayden and Mia Levitin'A murdered mother's fight for truth and justice lives on through the words of her youngest son' Angelina Jolie'Essential reading for anyone who cares about the future of democracy' Anne Applebaum, Pulitzer Prize-winning author of Twilight of Democracy and Red Famine'An unforgettable profile in courage . . . Riveting and inspiring' Bill Browder, bestselling author of Freezing OrderWhen Paul Caruana Galizia was at work in London, his eldest brother called to say their mother Daphne had just been assassinated. That day, he returned to their native Malta and, with his two brothers and their father, began a quest to discover who was responsible for Daphne's murder and who stood to profit from ending the life of a journalist whose courage and determination threatened the powerful with the truth. Two years later, they did.A Death in Malta is more than an investigation into the life and assassination of Daphne by her son Paul. It's an examination of the globalisation of corruption and what it has done to a modern European country; it's about that country's escape from colonialism to another kind of arrogant power; it's a personal history of writing when the stakes are high and the intimidation is violent. Above all, it's a universal homage to mothers and their sons.

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A beautiful and inspiring collection of poetry by Maya Angelou, author of I KNOW WHY THE CAGED BIRD SINGS and 'a brilliant writer, a fierce friend and a truly phenomenal woman' (BARACK OBAMA).'I write about being a Black American woman, however, I am always talking about what it's like to be a human being. This is how we are, what makes us laugh, and this is how we fall and how we somehow, amazingly, stand up again' Maya AngelouMaya Angelou's poetry - lyrical and dramatic, exuberant and playful - speaks of love, longing, partings; of Saturday night partying, and the smells and sounds of Southern cities; of freedom and shattered dreams. 'Her poetry is just as much a part of her autobiography as I Know Why the Caged Bird Sings and the volumes that follow.' Kirkus'It is true poetry she is writing . . . it has an innate purity about it, unquenchable dignity' M. F. K. Fisher

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A beautifully illustrated, celebratory anthology exploring sadness—and the transformative power of tears.When was the last time you cried? Was it because you were sad? Or happy? Overwhelmed, or frustrated? Maybe from relief or from pride? Was it in public or in private? Did you feel better afterwards, or worse? The reasons that we cry—and the circumstances in which we shed a tear—are often surprising and beautiful. Sad Happens is a collective, multi-faceted archive of tears that captures the complexity and variety of these circumstances. We hear from Mike Birbiglia on the role that grief and pain have in comedy; Jia Tolentino on how motherhood made her cry in both hormonal joy and fervent rage; and Hanif Abdurraqib on the intimacy of crying on planes. We hear from Phoebe Bridgers on poignant moments of departure and JP Brammer on the strange disappointments of success; Matt Berninger on becoming a crybaby in his adulthood and Hua Hsu on crying during a moment of public uncertainty. We also hear from everyday people in a range of professions: an actor on the tips she learned from drag queens about preserving a full face of makeup while crying; a zookeeper on mourning the animals who have died during her tenure; a bartender on crying in the walk-in; and a TV critic on the shows that have moved her. Brimming with humanity, this anthology is confirmation that sad happens—but so does joy, love, a sense of community, and a host of other emotions. By turns moving and affirming, Sad Happens is an emotional balm and visual delight.

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1964: Richard Burton, the firebrand Welsh actor, newly married to movie star Elizabeth Taylor, is to play the title role in an experimental new production of Hamlet under the exacting direction of John Gielgud. But as rehearsals progress, the collaboration between actor and director soon threatens to unravel. One of them is the most famous movie star in the world; the other, a patrician from an earlier age of theatre. The stage is set for two titans to collide. Jack Thorne's The Motive and the Cue is a fierce, funny play which offers a glimpse into the politics of a rehearsal room and the relationship between art and celebrity. This edition was published alongside the West End transfer in 2023, following its world premiere at the National Theatre, London, earlier that year. Originally commissioned and co-produced by Neal Street Productions, it was directed by Sam Mendes, and starred Johnny Flynn as Burton, Mark Gatiss as Gielgud and Tuppence Middleton as Taylor. It was named Best Play at the Evening Standard Theatre Awards in 2023.

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Henry V, the climax of Shakespeare's sequence of English history plays, is an inspiring, often comic celebration of a young warrior-king. But it is also a study of the costly exhilarations of war, and of the penalties as well as the glories of human greatness. Introducing this brilliantly innovative edition, Gary Taylor shows how Shakespeare shaped his historical material, examines controversial critical interpretations, discusses the play's fluctuating fortunes in performance, and analyses the range and variety of Shakespeare's characterization. The first Folio text is radically rethought, making original use of the First Quarto (1600). ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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