Description
Book SynopsisHysterical Laughter: Four Ancient Comedies about Women exhibits many of the interdisciplinary qualities that characterize teaching in the Classics. It is an innovative text that takes two important subfields of Classics-literature and gender studies-and brings them together into a new synthesis that provides instructors with a new and creative way to explore key issues into each of these disciplines. Instructors who teach courses in ancient comedy or drama are looking for ways to show students the social and cultural dimensions of theater. And instructors who teach courses on women or sexuality in the ancient world will want to use one of the most important sources we have from the classical world-comedy-as a way to show students how gender roles were constructed in ancient societies. There are many anthologies of Greek and Roman drama. There are many translations of say, Lysistrata, one of the most famous comedies of the ancient world. There are several books that examine women in antiquity. But Christenson''s is the first volume that uses a literary genre--comedy--as a vehicle to explore another field (women/gender/sexuality). The results are immensely creative and open up new teaching avenues for instructors. Christenson''s volume provides all new translations (all translated by Christenson) of four ancient comedies, two Greek and two Roman, that question classical stereotypes about women and challenge configurations of gender in ancient society. Lysistrata (Aristophanes), Samia (Menander), Casina (Plautus), and Hecyra (Terence)-each regarded as among the finest classical comedies-illustrate the possibilities of theater as an agent for gender awareness and expose traditional feminine roles in real life as social constructions, asking students to assess the cultural and historical position of theater in ancient society.
Trade ReviewHysterical Laughter features four classic Greek and Roman plays - Lysistrata, Samia, Casina, and Hecyra each starring strong female characters. Each play is an excellent example of these great playwrights' work, and juxtaposing them brings out both similarities and differences in their ideas and their stagecraft. As the author demonstrates, each play challenges its society's ideas about women and gender roles, using hilarious comic techniques. The translations are close, but very lively, boldly including the originals' vulgarity and even obscenity; they ought to be staged as well as read. The introductions, informed by the latest scholarship, provide information about women in the ancient world and the original performance conditions; the notes are succinct and helpful, the bibliographies excellent. This book will be ideal in classical studies, history, theater, and women's studies classes. * Mary-Kay Gamel, University of California, Santa Cruz *
Table of ContentsTable of Contents: ; About The Translator ; Preface ; Introduction ; DT Greek Old Comedy ; DT Greek New Comedy ; DT Roman Comedy ; DT Women In The Ancient World ; Aristophanes' Lysistrata ; Lysistrata ; Menader's Samia ; Samia. ; Plautus' Casina ; Casina ; Terence's Hecyra ; Hecyra ; Appendix: Olympian Deities
