ELT & Literary Studies Books

Book SynopsisDavid Bordwell reveals how crime fiction, plays, and films made unconventional narrative mainstream. A sweeping, kaleidoscopic account written in a lively, conversational style, Perplexing Plots offers an ambitious new understanding of how popular culture has evolved over the past century.Trade ReviewDavid Bordwell has a brain I envy, one that makes connections and associations about books, film, and the arts that are breathtakingly unorthodox and exactly correct. I learned so much from reading Perplexing Plots about how crime narratives are situated in the larger literary and cinema spheres, and rejoiced in how much pleasure Bordwell's criticism provided, once more and always. -- Sarah Weinman, author of Scoundrel: How a Convicted Murderer Persuaded the Women Who Loved Him, the Conservative Establishment, and the Courts to Set Him FreeMy favorite of David Bordwell’s many important books, this is an engrossing tour of crime and mystery storytelling in literature high and low, with asides on film, theater, and other media. I’m in awe of its encyclopedic reach, erudition, analytic brilliance, clarity, and wit. It’s wonderfully instructive and fun. -- James Naremore, author of More than Night: Film Noir in Its ContextsPerplexing Plots is the most illuminating study of narrative technique that I’ve read. David Bordwell’s investigation of popular storytelling benefits from his exceptional breadth of knowledge and analytic skills. But what is especially impressive is his ability to present information and insights so persuasively—and so readably. An admirable achievement. -- Martin Edwards, author of The Life of Crime: Detecting the History of Mysteries and their CreatorsBordwell's is the first-ever-historical poetics of cross-media storytelling in which inventions and conventions, the new and the old, the brainy and the brainless are considered not as successive stages of, as Mandelstam called it, a "boring bearded development," but as complementary components of a creative symbiosis. -- Yuri Tsivian, author of Approaches to Carpalistics: Movement and Gesture in Art, Literature and FilmPerplexing Plots is a must. Rare is scholasticism this engaging — you’ll put it down with more than a handful of authors to discover, not to mention the movies adapted from them. * Boulder Weekly *Bordwell’s work is exceptionally well-researched and offers fascinating examinations of plot devices, patterns, and structure in crime fiction. This book is sure to be enjoyed by fans of crime fiction and film noir. * Hometowns to Hollywood *[Bordwell's] voluminous work on film underpins his sensitivity to questions of narrative voice, points of view and misdirection in novel-writing. Better yet, his writing radiates an enthusiasm that will please both genre fans and literary scholars. The book is readable and very entertaining. * Sight and Sound *An engaging study of how twentieth- and twenty-first-century storytellers across literature, film, radio, and stage have coaxed audiences along as collaborators in the narrative process . . . reading Perplexing Plots is a hell of a lot of fun. * Noir City Magazine *[A] terrific book. -- Michael Dirda * Washington Post *Perplexing Plots is unfailingly rich and fascinating, and Bordwell’s exegeses on popular narrative will be central to studies of the concept far into the future. * New Review of Film and Television Studies *Wildly illuminating. * The Film Stage *A highly recommended title. * Popcultureshelf.com *Like the great detectives he writes about, Bordwell shows off his encyclopedic knowledge and his dazzling analytic powers, laying out his case with an abundance of evidence. . . . Highly recommended. * Choice Reviews *Bordwell, America’s finest film scholar, has connected the dots between movies and popular detective stories . . . for a thrilling X-ray of genre. -- Phillip Lopate * The Millions *Highly recommended. * Journal of Popular Culture *[A] brilliant book . . . Bordwell has been one of the great exponents of precise formal analysis for whom methods of narration are never to be taken for granted. His writing is at once impeccably scholarly and acutely sensitive to the human use of stories and the part they play in people’s lives . . . I was exhilarated by Bordwell’s multiple demonstrations of the pleasures of deflection and distraction, shapely detours and sidewise turns, in the service of what he calls the “playful experience of form.” -- Geoffrey O’Brien * New York Review of Books *Table of ContentsAcknowledgmentsIntroduction: Mass Art as Experimental StorytellingPart I1. The Art Novel Meets 1910s Formalism2. Making Confusion Satisfactory: Modernism and Other Mysteries3. Churn and Consolidation: The 1940s and AfterPart II4. The Golden Age Puzzle Plot: The Taste of the Construction5. Before the Fact: The Psychological Thriller6. Dark and Full of Blood: Hard-Boiled Detection7. The 1940s: Mysteries in Crossover Culture8. The 1940s: The Problem of Other Minds, or Just OnePart III9. The Great Detective Rewritten: Erle Stanley Gardner and Rex Stout10. Viewpoints, Narrow and Expansive: Patricia Highsmith and Ed McBain11. Donald Westlake and the Richard Stark Machine12. Tarantino, Twists, and the Persistence of Puzzles13. Gone Girls: The New Domestic ThrillerConclusion: The Power of LimitsNotesIndex

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Book SynopsisYiannis Gabriel is Professor Emeritus of Organizational Theory at the University of Bath, UK, and Visiting Professor at Lund University, Sweden. He is author of Music and Story: A Two-Part Invention (2022), Myths, Stories, and Organizations: Premodern Narratives for Our Times (2004) and Storytelling In Organizations: Facts, Fictions, and Fantasies (2000).

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Book Synopsis''A tremendous sentimental education of a book ... scholarly discernment mixed with a wild-card flair ... an exceptional anthology, fascinating and unignorable'' Kate Kellaway, Observer (Poetry Book of the Month)Elegy is among the world''s oldest forms of literature. Born in Ancient Greece, practised by the Romans, revitalized by the poets of the Renaissance and continuing down to the present day, it speaks eloquently and affectingly of the experience of loss and the yearning for consolation. It gives shape and meaning to memories too painful to contemplate, and answers our desire to fix in words what would otherwise slip our grasp.In The Penguin Book of Elegy, Andrew Motion and Stephen Regan trace the history of this tradition, from its Classical roots in the work of Theocritus, Virgil and Ovid down to modern compositions exploring personal tragedy and collective grief by such celebrated voices of the twentieth and twenty-first centuries as Dylan Thomas, Elizabeth Bishop, Linton Kwesi Johnson and Denise Riley.The only comprehensive anthology of its kind in the English language, The Penguin Book of Elegy is a profound and moving compendium of the fundamentally human urges to remember and honour the dead, and to give comfort to those who survive them.

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Book SynopsisFrom the Sunday Times bestselling author of Storyland and Wild, comes a sweeping new legendary of miracles, magic, human frailty and heroic strength. Illustrated with over thirty original paper cutouts by the author.''Jeffs writes beautifully, erring just on the right side of florid, and her linocut prints make for attractive illustrations . . . This gorgeous book should live on the bookshelves in every house that cares about the idea of Britain, what is was and where it came from'' The Times on Storyland''I have fallen so completely in love with this book; Storyland, by Amy Jeffs, just one of the finest, most covetable things around'' Katherine RundellSaints'' legends suffused medieval European culture. Their heroes'' suffering and wonder-working shaped landscapes, rituals and folk beliefs. Their tales spoke of men raised by wolves, women communing with flocks of birds and severed h

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First published in French in 1907, Henri Bergsonâs LâÃvolution crÃatrice is a scintillating and radical work by one of the great French philosophers of the nineteenth and twentieth centuries. This outstanding new translation, the first for over a hundred years, brings one of Bergsonâs most important and ambitious works to a new generation of readers.A sympathetic though critical reader of Darwin, Bergson argues in Creative Evolution against a mechanistic, reductionist view of evolution. For Bergson, all life emerges from a creative, shared impulse, which he famously terms Ãlan vital and which passes like a current through different organisms and generations over time. Whilst this impulse remains as forms of life diverge and multiply, human life is characterized by a distinctive form of consciousness or intellect. Yet as Bergson brilliantly shows, the intellectâs fragmentary and action- oriented nature, which he likens to the cinematograph, means

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Book SynopsisProvides a deeper understanding of the comforts of reading literatureTrade Review"In his remarkably informed and sensitive study, J rgen Pieters proposes an exceptional long-term perspective on the diverse uses of literature throughout centuries and this allows us to understand on a deeper level how and why contemporary literature can now claim what could be called a new consoling turn." -William Marx, Coll ge de France

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Book Synopsis** Shortlisted for the @CrimeFest H.R.F. Keating Award **'A smart and highly entertaining portrait of a literary powerhouse'- THE TIMES BOOKS OF THE YEAR'A riveting portrait' - GUARDIAN BOOKS OF THE YEAR***'Christie lovers should read this biography for the same reason they read her novels.' - The Times'A model of how to combine biographical information, analysis and literary criticism into a propulsive narrative' - Daily Telegraph'Worsley's book excels in bringing a broader historical perspective to Christie's life and work, and her enthusiasm is infectious.' - ObserverMs Worsley herself writes engagingly... She combines an almost militant support for her subject with a considered analysis of her books and plays.' - Economist'Nobody in the world was more inadequate to act the heroine than I was.'Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why - despite all the evidence to the contrary - did Agatha present herself as a retiring Edwardian lady of leisure? She was born in 1890 into a world which had its own rules about what women could and couldn't do. Lucy Worsley's biography is not just of an internationally renowned bestselling writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman. With access to personal letters and papers that have rarely been seen, Lucy Worsley's biography is both authoritative and entertaining and makes us realise what an extraordinary pioneer Agatha Christie was - truly a woman who wrote the twentieth century.Trade ReviewAgatha Christie was a modernist, an iconoclast, and a groundbreaker, according to this excellent biography from historian Worsley. Worsley offers close readings of Christie's work and presents a careful reframe of the novelist's famous 1926 disappearance. Drawing on personal letters and modern criticism, Worsley manages to make her subject feel fresh and new. This is a must-read for Christie fans. * Publishers Weekly, (starred review) *One brilliant woman writing about another: an irresistible combination. * Antonia Fraser *This is a warm, intelligent book, which does justice , both to Agatha Christie's character, and to her distinctive genius as a writer of plays and novels. Someone once said that the greatest character Agatha Christie ever invented was Agatha Christie herself. If that's true, she was waiting for the perfect biographer to bring her back to life, and she has found her in Dr Lucy Worsley. * A.N. Wilson *Lucy Worsley brings Agatha Christie back to life, revealing a strong, pioneering, highly intelligent woman whose detective novels rank among the best ever written. Worsley shows us Christie's faults and flaws in the context of her time; she evokes her houses, clothes and the central mystery of her life in spritely sentences with a sharp ear for dialogue. Reading Worsley is as enjoyable as reading Christie herself. * Ruth Scurr *Lucy Worsley's biography of Agatha Christie is as unputdownable as any of the novels by the Queen of Crime herself. Gripping, revealing, and ultimately extremely moving, Agatha Christie is a wonderful tribute to one of the best-loved writers of the 20th century. * Amanda Foreman *Fascinating, seductive, incisive, this beautiful exploration into Christie, her life and times, is full of unique insight, eye opening detail, sharp analysis. Lucy Worsley is a brilliant detective into the letters, the emotion, the drive of Christie, the ambition. Gripping. * Kate Williams *'In the best biography of Agatha Christie ever written, Lucy Worsley gets to the soul - the complex, troubled, but big soul - of our greatest whodunnit writer with laser-like precision. There will not now need to be another biography of the queen of the detective story written for decades.' * Andrew Roberts, author of ‘Napoleon the Great’ and ‘Churchill: Walking with Destiny’ *'Gosh this is BRILLIANT. Read it at one sitting. It's frothy and fast and properly, subtly, furious.' * Annie Gray *'Reading Lucy Worsley's biography is like sharing Agatha Christie's favourite drink: cream. Rich, hearty and extremely satisfying, this book fills the void and, more than that, shows us with much brio and charm why Christie remains a writer for our times' * Dr Daisy Dunn, author of Not Far From Brideshead *Lucy Worsley is simply unparalleled as a biographer who couples historical insight with riveting storytelling. She proves it once again by capturing the life of the elusive Agatha Christie in a book so full of sensitive interpretations and surprising revelations that you won't want to put it down. * Devoney Looser *'Entertaining and authoritative, shining a light on just what an extraordinary pioneer Christie was.' * Belfast Telegraph *'(An) authoritative and entertaining biography.' * Irish Independent *Written with the cooperation of the Christie family and all of Lucy Worsley's trademark wit and wisdom, Agatha Christie emerges from the page as a thoroughly modern woman, full of light and shade and a world away from the cosy little old lady that she's so often perceived to be. * Red *Paint(s) an intriguing picture of Christie as an upper-middle-class Victorian and Edwardian child whose life, then and later, encompassed significant losses and reversals of fortune, * Guardian *With great affection, Worsley masterfully maneuvers her way through Christie's life and prolific oeuvre. * Kirkus (Starred Review) *Ms Worsley herself writes engagingly, with a smattering of racy phrases (Archie Christie, that adulterous first husband, is said to have been "incredibly hot"). She combines an almost militant support for her subject with a considered analysis of her books and plays-making the case that, in her themes and formal innovation, Christie was much more than a writer of formulaic potboilers. * Economist *Presenting Christie in a stimulating new light... the book is a model of how to combine biographical information, analysis and literary criticism into a propulsive narrative. Christie would have hated it, as she would have hated all biographies, but even so she might have saluted the skill of an author who shares her gift for supreme readability. * Jake Kerridge, Daily Telegraph *What makes this biography so fascinating is the way Worsley demonstrates how "everything Agatha experienced became copy". An irreverent historian, she sets in context the events of her subject's life with great skill, then shows how Christie reflected them in her work... Christie lovers should read this biography for the same reason they read her novels: they "address dark, uncomfortable feelings. They address the darkness that can lurk within even normal, respectable people. People like your own spouse." Worsley not only makes you want to reread them all over again, she actually makes you love the talented yet tormented woman who wrote them. * Mark Sanderson, The Times *The first significant biography of Christie since Laura Thompson's... Worsley's book excels in bringing a broader historical perspective to Christie's life and work, and her enthusiasm is infectious. * Stephanie Merritt, Observer *Provocative new biography... the narrative is buoyed by colourful details about Christie's fondness for surfing, fast cars and drinking glasses of neat cream. She certainly emerges as a more subversive figure than is generally realised. * Business Post *Worsley is refreshingly down to earth, and her passion for her subject is palpable... What a shame she never met her heroine - they would have got on like a house on fire. * Irish Examiner *A superlative biography of the Queen of Crime, Worsley's page-turning volume is a fitting tribute to Christie's extraordinary life. * Waterstones Weekly, Best New Literary Biographies *Agatha Christie fans intrigued to learn where the queen of crime gained her real-life inspiration will enjoy Lucy Worsley's new biography. * Yours *Fascinating... A wonderful tribute to one of our most brilliant national treasures. * Best *

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Book SynopsisFour popular novelists of the same generation each wrote a novel inspired by a holiday that the author spent in France. In the nineteen-fifties, Rumer Godden based The Greengage Summer on her recollections of her family’s 1923 battlefield-tour manqué in the Champagne region. Margery Sharp’s 1936 holiday in Southern France led to ‘Still Waters’ and The Nutmeg Tree: both the short story and the novel are set in and around the region of Aix-les-Bains. In 1955, Daphne Du Maurier first visited the department of Sarthe to research French family history; the novel The Scapegoat was the immediate result of the holiday. And in 1966, Stella Gibbons’ last trip to the continent took the form of a visit to an old friend in her summer home near Grenoble. The stay is obliquely reflected in The Snow-Woman, in which a similar holiday leads a never-married septuagenarian to experience a renaissance of sorts.Trade Review"This is a very original literary study of the work of four British writers who, though still remembered today, are not as celebrated or read as much as they deserve to be. Through the prism of visits to France in the novels and stories of these writers, Anne Hall explores the delicate and subtle interplay of relations between those two nations in fiction. It is elegantly written, illuminating and informative. There is some fascinating original scholarship here, but, above all, Four French Holidays is highly entertaining and tempts you to go and read for yourself (if you haven’t already) or re-read the works under consideration." Reggie Oliver, nephew and biographer of Stella Gibbons

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Book SynopsisA TOP BOOK FOR 2024 IN: THE OBSERVER, INDEPENDENT, SUNDAY TIMES AND BOOKSELLER''He understands only the women he invents the others not at all''Thomas Hardy is one of the most beloved and most-read British authors. His influence on literature and the minds of his readers is singular. But how is it that the novelist who created some of the most memorable and modern female characters in literature had such troubled relationships with real women?In this highly innovative book, acclaimed biographer Paula Byrne re-examines Hardy's life through the eyes of the women who made him mother, sisters, girlfriends, wives, muses. The story veers from shocking scenes such as his obsession with the sight of a woman hanged, to poignant vignettes of unfulfilled passion, to fascinating details of working women's lives in the nineteenth century.Hardy Women is the story of how the magnificent fictional women he invented would not have been possible without the hardship and hardiness of the real ones who Trade Review EARLY PRAISE FOR HARDY WOMEN ‘Absorbing… a treat for Hardy fans and unhappy wives’ The Times ‘Novelist and poet Thomas Hardy created some of literature’s most enduring female characters . . . but it is the real women who shaped the life of the tortured genius that a book vividly reanimates’ Independent 'By turns infuriating and inspiring, but always fascinating, this page-turner of a book offers a genuinely fresh perspective on one of Victorian Britain’s most famous writers' Gareth Russell, author of The Palace ‘A fascinating re-examination of the life of Thomas Hardy through the eyes of the women who profoundly influenced him-his mother, his sisters, girlfriends, wives and muses. Drawing on access to some neverbefore-seen passages in Hardy's journals, she shows that it is through these hardy women that we can truly appreciate his much-loved works’ The Bookseller, Editor’s Choice

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Book SynopsisObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a labyrinth of oil fields, pipelines, and manufacturies, it tends to be known only through its magical effects: the thrill of the road, the euphoria of flight, and the metamorphic allure of everything from vinyl records to celluloid film and synthetic clothing. Michael Tondre shows how hydrocarbon became today's pre-eminent power. How did oil come to structure selfhood and social relations? And to what extent is oil not only a commercial product but a cultural onesomething shaped by widely imagined

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Book SynopsisA collection of J. M. Barrie's Peter Pan stories--from his first appearance in The Little White Bird to the final version of the Peter Pan play we know today.Table of ContentsThe Little White Bird Anon: A Play Peter and Wendy Scenario for a Proposed Film of Peter Pan Peter Pan Appendix 1: On the Acting of a Fairy Play Appendix 2: When Wendy Grew Up: An Afterthought Appendix 3: The Blot on Peter Pan Appendix 4: Captain Hook at Eton Notes

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Book SynopsisFollowing the narratives explored in Hominescence, Incandescent and The Bough, Michel Serres continues and concludes his ''grand story'' of humanity and humanism. This book weaves together and condenses the overriding philosophical narratives of the previous books and reflects upon Serres'' own humanist theoretical system. With characteristic breadth and imagination, in telling the story of humanity, Serres also tells us why Orpheus lost his friend Euridyce; why Eve was really tempted in the garden of Eden, the history of Fetishism and how human being learned to think. The book offers a challenge to the reader: a challenge to live in the fullness of one''s humanity.

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Book SynopsisThe New York Times Book Review Editors' Choice • In his centenary year, this volume of the Pulitzer Prize winner and former poet laureate’s poems celebrates the indispensable artistry of a writer who faced the history of his era with a “clear-eyed mercy toward human weakness” (The New York Times Book Review) and was hailed in his day as “the best poet writing in English” (Joseph Brodsky).This volume brings together for the first time all of the poems that appeared in Anthony Hecht’s seven trade collections, from A Summoning of Stones of 1954 through to The Darkness and the Light of 2001; it adds the remarkable work contained in his posthumously issued Interior Skies: Late Poems from Liguria of 2011; and it rounds this out with the best of the many poems which were left uncollected at the time of his death in 2004, the earliest dating from 1950 and the latest from 2001. Including the w

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Book SynopsisSecond Lieutenant Wilfred Owen was twenty-four years old when he was admitted to the newly established Craiglockhart War Hospital for treatment of shell shock. A nascent poet, trying to make sense of the terror he had witnessed, he read a collection of poems from a fellow officer, Siegfried Sassoon, and was impressed by his portrayal of the soldier’s plight. One month later, Sassoon himself arrived at Craiglockhart, having refused to return to the front after being wounded during battle.Over their months at Craiglockhart, each encouraged the other in their work, their personal reckonings with the morality of war, and their treatment. Therapy provided Owen, Sassoon, and their wardmates with insights that allowed them to express themselves better, and for the 28 months that Craiglockhart was in operation, it notably incubated the era’s most significant developments in both psychiatry and poetry.Soldiers Don’t Go Mad tells for the first time the story of the soldiers and doctors who struggled with the effects of industrial warfare on the psyche. As he investigates the roots of what we now know as PTSD, Glass brings historical bearing to how we must consider war’s ravaging effects on mental health, and the ways in which creative work helps us come to terms with even the darkest of times.Trade Review'A marvellous and very moving book' - Allan Massie, The Scotsman

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Book SynopsisJames Joyce''s Ulysses is filled with all sorts of references that can get in the way of many of its readers. This volume, with over 12,000 individual annotations (and more than double the word count of Ulysses itself), explains these references and allusions in a clear and compact manner and is designed to be accessible to novices and scholars alike.The annotations cover the full range of information referenced in Ulysses: a vast array of literary allusions, such as Shakespeare, Aristotle, Dante, Aquinas, slang from various eras and areas, foreign language words and phrases, Hiberno-English expressions, Catholic ritual and theology, Irish histories, Theosophy, Freemasonry, cricket, astronomy, fashion, boxing, heraldry, the symbolism of tattoos, horse racing, advertising slogans, nursery rhymes, superstitions, music-hall songs, references to Dublin topography precise enough for a city directory, and much more besides.The annotations reflect the latest scholarship and have been thoroughly reviewed by an international team of experts. They are designed to be accessible to first-time readers and college students and will also serve as a resource for Joycean specialists. The volume includes contemporaneous maps of Dublin to illustrate the cityscape''s relevance to Joyce''s novel. Unlike previous volumes of annotations, almost every note includes documentation about sources.Trade Reviewcomprehensive, incisive and indispensable * Colm Tóibín, The Irish Times, Best Books of 2022 *One of the best books ever devoted to the classic. This heroically researched [book] is twice as long as its subject text - and well worth it...here at last is a volume that not only explains places but directs the reader to hundreds of further sources. The result is a kind of short story behind most of the footnotes, of a kind which Joyce (I guess)would have approved...simply one of the best [books] ever devoted to Ulysses. * Declan Kiberd, The Irish Times *Among the flurry of publications celebrating the centenary of the publication of Joyce's classic novel, this massive, 1,420-page guide, though hardly portable, is an outstanding addition to the scholarship on Ulysses. * W. Baker, CHOICE *The range of cultural references, encompassing the gamut from popular forms like advertising and general knowledge to Irish history, religion, music and 'high-brow' literature, is as astonishing as the exactitude of urban details relating to Dublin's streets as they existed in 1904 and Annotations records them with intelligence and prudence. * Sean Sheehan, Scottish Left Review *...monumental, exhaustive and thoroughly engrossing volume, edited by an unsurpassed team of scholars...a towering, epochal achievement... * Anne Fogarty, James Joyce Broadsheet *Annotations to James Joyce's Ulysses by Sam Slote, Marc Mamigonian and John Turner takes on board all the research and scholarship done since Don Gifford's groundbreaking Notes for Joyce. ... Joyce the untiring chronicler of detail has met his match in the compilers of these annotations * Colm Tóibín, London Review of Books *The new Annotations to James Joyce's Ulysses has a great deal to teach to this Joyce buff. The scholarly work here offers insights into Joyce's intentions and tracks the precise movements of his supple, monumentally well-stocked mind. [...] I offer thanks to these gifted scholars for their meticulous research and concise writing. * Robert Seidman, co-author of 'Ulysses' Annotated, James Joyce Quarterly *Even after scores of readings and minute research, I have found that no other literary evocation rewards me as much as Ulysses does... And thank you, informed, insightful, tireless trio-Sam Slote, Marc A. Mamigonian, and John Turner-for the richness of your work. * James Joyce Quarterly 60.4 *Table of ContentsAbbreviations On the Uses and Disadvantages of Annotations for Ulysses A Note on Dublin Topography and Toponyms A Note on Irish History since 1800 A Note on Currency A Note on Annotations Past A Note on Editions of Ulysses A Note on Joyce's Notes and Manuscripts A Note on the Ulysses Schemata A Note on the Title Ulysses A Note on the Present Project and Acknowledgements 1: 'Telemachus' 2: 'Nestor' 3: 'Proteus' 4: 'Calypso' 5: 'Lotus Eaters' 6: 'Hades' 7: 'Aeolus' 8: 'Lestrygonians' 9: 'Scylla and Charybdis' 10: 'Wandering Rocks' 11: 'Sirens' 12: 'Cyclops' 13: 'Nausicaa' 14: 'Oxen of the Sun' 15: 'Circe' 16: 'Eumaeus' 17: 'Ithaca' 18: 'Penelope' Appendix: Paraphrases of the Opening and Closing of 'Oxen of the Sun' Bibliography

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Book Synopsis'A writer of genius' - William Dalrymple'Remarkable' - Kwame Anthony Appiah'Utterly captivating' - Anthony DoerrCan anyone really own a culture? This magnificent account argues that the story of global civilisations is one of mixing, sharing, and borrowing.It shows how art forms have crisscrossed continents over centuries to produce masterpieces. From Nefertiti's lost city and the Islamic Golden Age to twentieth century Nigerian theatre and Modernist poetry, Martin Puchner explores how contact between different peoples has driven artistic innovation in every era - whilst cultural policing and purism have more often undermined the very societies they tried to protect.Travelling through Classical Greece, Ashoka's India, Tang dynasty China, and many other epochs, this triumphal new history reveals the crossing points which have not only inspired the humanities, but which have made us human.Trade Review'Eminently readable ... The book's great strength lies in its ability to swoop deftly and lightly between things that may be familiar to us in themselves, but which we might be tempted to separate out in our attempts to form a picture of the world.' -- Edward Wilson-Lee * The Times Literary Supplement *'A breakneck, utterly captivating survey of threads of cultural transmission-how ideas, stories, and songs-survive, change, vanish, get borrowed, refined, coopted, and grafted through time ... I underlined sentences on every page.' -- Anthony Doerr'Compellingly written' * Financial Times *'A remarkable book.' -- Kwame Anthony Appiah'Martin Puchner has exceptional and invaluable gifts: intellectual fearlessness, dazzling erudition, trenchancy tempered by breadth of mind, and a humanist's eye for minute evidence that illumines huge problems.' -- Felipe Fernandez-Armesto'Well written, nuanced and light in style, spinning a series of historical narratives in an erudite and engaging way' -- Marguerite Johnson * The Conversation *'Fearless and exhilaratingly erudite, Martin Puchner's panoramic tour of human culture across the millennia is a riveting page-turner.' -- Amy Chua'A writer of genius' -- William Dalrymple'Elegantly written and full of erudite lore, this vibrant history illuminates the inveterate human yearning for expression.' * Publishers Weekly *'A thoughtful, generous vision of human creativity across centuries of culture.' * Kirkus *'Fluent and engaging.' -- Boyd Tonkin * Wall Street Journal *'A mighty, polymathic work . . . [by] a master storyteller -- Chris Vognar * Boston Globe *'A forceful rebuke to those who argue that culture can be owned by groups, nations, religions or races. . . . [by] an adept storyteller.' -- Ismail Muhammad * New York Times *'Jaunty and readable but never lacking in depth, Culture hops through countries and eras to deliver a resonant argument.' -- Lauren Puckett-Pope * Elle *'Cultures develop by sharing, borrowing, and collaborating--but also by conquest, appropriation, and theft. Martin Puchner's timely book takes us on a breathtaking tour of world history, reminding us that as we judge the past, one day we, too, will be judged, and that when we ignore or try to erase our cultural heritage, we are only impoverishing ourselves' -- Louis Menand * Pulitzer Prize-winning author of The Metaphysical Club *'Puchner creates a perfectly balanced and incisively abridged version of the story of human culture. Ultimately, this is an examination of the making and transport of ideas, which is always an interaction between old and new. Each chapter builds a new layer, adding to the depth and complexity, while Puchner also provides a global who's who of cultural diffusion' * Booklist *'So many books these days are described as being 'sweeping histories'; Culture, which promises in its subtitle to take us from our most primitive artistic impulses all the way to the machinery of modern-day fandom. But what intrigues me most about Puchner's latest isn't its scope - it's its driving question: 'What good are the arts?' In my more hopeless moments, this question bubbles up inside me, and I'm chomping at the bit to hear Puchner's answer, grounded in history and informed by cultures around the world' -- Sophia Stewart

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Book SynopsisXenophon's Memorabilia and Apology provide a passionate defence of Socrates against the charges brought against him that lead to his execution. The two texts together provide a moving account of what happened immediately before, during, and after his trial.Table of ContentsPreface Introduction Note on the Greek Texts Select Bibliography Abbreviations Chronology Maps MEMORABILIA Book 1 Book 2 Book 3 Book 4 APOLOGY Explanatory Notes Glossary of Greek Terms

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Book SynopsisJohn Geometres’s Life of the Virgin Mary, a work of outstanding theological sophistication animated by deeply felt devotion to the Mother of God, remains largely unknown today. This new edition of the Byzantine Greek text and the first complete translation in a modern language presents a masterpiece of early Marian writing to new audiences.

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Book SynopsisCompleting Juliette Wells' groundbreaking trio of books on Austen's readers, this latest volume revolutionizes our understanding of how Austen came to be viewed as the world's greatest novelist. Wells shows that Austen's global reputation was established not by British scholars, as is commonly believed, but by visionary American writers and collectors, working largely outside academia.Drawing on extensive research, Wells weaves together colorful, compelling case studies of men and women who, from the 1880s to the 1980s, helped readers appreciate Austen's novels, persuasively advocated for her place in the literary canon, and preserved artifacts vital to her legacy.Engagingly written and abundantly illustrated, A New Jane Austen will inform and delight scholars and Austen fans alike.Trade ReviewWells's recovery and championship of these American enthusiasts is descriptive, laudatory and accessible in style ... She gives space and a second hearing to voices and approaches whose love for all things Austen, she believes, has much to teach us. * Times Literary Supplement *If you thought you knew how Jane Austen came to be viewed as the world’s greatest novelist, think again. Wells’s meticulously researched and beautifully written book introduces a fascinating group of individuals whose contributions to Austen studies have long been obscure. After reading this book, I came to care as much about Alberta Burke and Oscar Fay Adams as I do about many of Austen’s characters. -- Professor Jennie Batchelor, University of Kent, UKAn insightful, illuminating and meticulously researched book. Wells animates her subjects with skill, energy and affection in a study that significantly deepens our understanding of early Austen experts and enthusiasts and their contribution to the field. * Lizzie Dunford, Director, Jane Austen's House, UK *Table of ContentsIntroduction Chapter 1: Austen for Americans, and for the world: Oscar Fay Adams, critical editor and biographer Chapter 2: Canonizing “the giant Jane”: William Dean Howells, interpreter and advocate Chapter 3: Topaz crosses plus treasures of another kind: Charles Beecher Hogan, collector and keeper of reading journals Chapter 4: A labor of love and friendship: Alberta H. Burke, Averil G. Hassall, and the building of a transatlantic Austen archive Afterword: Jane Austen Anew Bibliography

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Book SynopsisTrade ReviewWonderfully inspiring. A delightful spell in the company of one of our greatest and most thoughtful actresses * Daily Mail, Books of the Year *A magical love letter to Shakespeare * Kenneth Branagh *A wonderful mixture of appreciation and anecdote * Financial Times, Books of the Year *It’s a mark of Dench’s impish genius and O’Hea’s deftness that it genuinely feels like you’re sitting at her kitchen table with her. It’s companionable and compelling – if you love Judi Dench or Shakespeare (and most of us do), look no further * Guardian *Gorgeous flows of recollection * Literary Review *An utterly delightful book…there can be few higher pleasures in civilised life than hearing Judi Dench recite the poetry of Shakespeare. What emerges is a wealth of unpretentious horse sense – Shakespeare from a great actor’s perspective – that repeatedly strikes to the heart of the matter with a sharp instinctive intelligence that puts fancy-pants literary critics to shame * Telegraph *This is a gloriously entertaining tour through the canon in the company of perhaps the most experienced living Shakespearean actor; reading it feels like a chat with an old friend. * Observer *The book is pure enchantment. It swirls and dances with brilliance and mischief, so forget traditional Shakespearean criticism and analysis. Sack the Eng. Lit. professors. As never before, this book brings the subject to wild, authentic life. * Daily Mail *A wonderful ode to the bard * I *Riveting, revealing and witty * Gazette and Herald *

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Book SynopsisThe second volume of The Ethics of Narrative completes the project of bringing together nearly all of Hayden White''s uncollected essays from the last two decades of his life, including articles, essays, and previously unpublished lectures. As in the first volume, volume 2 features White''s trenchant articulations of his influential theories, as well as his explorations of a wide range of ideas and authors at the frontiers of critical theory, literature, and historical studies. These include the concept of utopia in history, modernism and postmodernism, constructivism, the conceptualization of historical periods such as the Sixties and the Enlightenment, the representation of the Holocaust in scholarly and literary writing, as well as essays on Frank Kermode, Saul Friedländer, and Krzysztof Pomian.

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Book Synopsis'A smart and highly entertaining portrait of a literary powerhouse'- THE TIMES BOOKS OF THE YEAR'A riveting portrait'- GUARDIAN BOOKS OF THE YEAR***'Worsley's sparkling biography brings a fresh eye to Christie's life and work, firmly busting the myth that she, or her novels, were cosy.' Daily Mail'Every Christie fan should read this' - The Times'Shows the Queen of Crime in a new light.' - Daily Telegraph'Worsley's book excels in bringing a broader historical perspective to Christie's life and work, and her enthusiasm is infectious.' - Observer'Nobody in the world was more inadequate to act the heroine than I was.'Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why - despite all the evidence to the contrary - did Agatha present herself as a retiring Edwardian lady of leisure? She was born in 1890 into a world which had its own rules about what women could and couldn't do. Lucy Worsley's biography is not just of an internationally renowned bestselling writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman. With access to personal letters and papers that have rarely been seen, Lucy Worsley's biography is both authoritative and entertaining and makes us realise what an extraordinary pioneer Agatha Christie was - truly a woman who wrote the twentieth century.Trade ReviewEvery Christie fan should read this. * The Times *Shows the Queen of Crime in a new light. * Daily Telegraph *Worsley's sparkling biography brings a fresh eye to Christie's life and work, firmly busting the myth that she, or her novels, were cosy. * Daily Mail *

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Book SynopsisThe first complete collection of A. A. Milne's short fiction for grown-ups, including several newly discovered stories

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Book SynopsisConversations with Dostoevsky presents a series of fictional conversations taking place between November 2018 and Spring 2019 in the narrator''s Glasgow apartment and elsewhere in the city. At the beginning of the conversations, the narrator has been reading Dostoevsky''s story A Gentle Spirit, which concludes with a dramatic statement of protest atheism. This statement suggests that love is not possible in a purely mechanical universe in which all living beings are condemned to death and ultimate extinction. The conversations spell out Dostoevsky''s response to this view and his advocacy of faith in God, Christ, and immortality. The themes discussed include suicide, truth and lies, guilt, determinism, literature, the Bible, Mary, Christ, Dostoevsky and film, ''the woman question'', nationalism, war, the Church, the Jewish question, immortality, and God. In addition to conversations between the narrator and Dostoevsky, we drop in on a dinner party at which Dostoevsky is discussed from

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Book Synopsis

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Book Synopsis

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Book SynopsisAngelica Garnett may truly be called a child of Bloomsbury. Her Aunt was Virginia Woolf, her mother Vanessa Bell, and her father Duncan Grant, though for many years Angelica believed herself, naturally enough, the daughter of Vanessa''s husband Clive. Her childhood homes, Charleston in Sussex and Gordon Square in London, were both centres of Bloomsbury activity, and she grew up surrounded by the most talked-about writers and artists of the day - Leonard and Virginia Woolf, Roger Fry, the Stracheys, Maynard Keynes, David Garnett (whom she later married), and many others. But Deceived with Kindness is also a record of a young girl''s particular struggle to achieve independence from that extraordinary and intense milieu as a mature and independent woman. With an honesty that is by degrees agonising and uplifting, the author creates a vibrant, poignant picture of her mother, Vanessa Bell, of her own emergent individuality, and of the Bloomsbury era.Trade ReviewPassionate, lucid, risky, rash, hard to put down and impossible to forget -- Hilary Spurling * Observer *Beautifully written and admirably honest... Refreshing and surprising -- Fiona MacCarthy * The Times *

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Book SynopsisThe prolific scholar-poet Callimachus of Cyrene spent his career at the royal court and great Library at Alexandria. Creatively reworking the language and generic properties of his predecessors, Callimachus developed a distinctive style, learned and elegant, that became an important model for subsequent poets both Greek and Roman.

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Book SynopsisMoroccan Other-Archives investigates how histories of exclusion and silencing are written and rewritten in a postcolonial context that lacks organized and accessible archives. The book draws on cultural production concerning the “years of lead”—a period of authoritarianism and political violence between Morocco’s independence in 1956 and the death of King Hassan II in 1999—to examine the transformative roles memory and trauma play in reconstructing stories of three historically marginalized groups in Moroccan history: Berbers/Imazighen, Jews, and political prisoners. The book shows how Moroccan cultural production has become an other-archive: a set of textual, sonic, embodied, and visual sites that recover real or reimagined voices of these formerly suppressed and silenced constituencies of Moroccan society. Combining theoretical discussions with close reading of literary works, the book reenvisions both archives and the nation in postcolonial Morocco. By producing other-archives, Moroccan cultural creators transform the losses state violence inflicted on society during the years of lead into a source of civic engagement and historiographical agency, enabling the writing of histories about those Moroccans who have been excluded from official documentation and state-sanctioned histories. The book is multilingual and interdisciplinary, examining primary sources in Amazigh/Berber, Arabic, Darija, and French, and drawing on memory studies, literary theory, archival studies, anthropology, and historiography. In addition to showing how other-archives are created and operate, El Guabli elaborates how language, gender, class, race, and geographical distribution are co-constitutive of a historical and archival unsilencing that is foundational to citizenship in Morocco today.Table of ContentsPreface | ix Note on Transliteration | xiii List of Abbreviations | xv Introduction | 1 1. (Re)Invented Tradition and the Performance of Amazigh Other- Archives in Public Life | 26 2. Emplaced Memories of Jewish- Muslim Morocco | 63 3. Jewish- Muslim Intimacy and the History of a Lost Citizenship | 89 4. Making Tazmamart a Transnational Other- Archive | 115 5. Other- Archives Transform Moroccan Historiography | 150 Conclusion | 177 Acknowledgments | 189 Notes | 193 Bibliography | 253 Index | 281

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Book SynopsisEmily Bronte is known as a novelist, but she was first and equally a poet. Before during and after writing Wuthering Heights, she wrote poetry. Indeed, she wrote virtually nothing else for us to read -- no other work of fiction or correspondence. Her poems, however, fill this void. They are varied, lyrical, intriguing, and innovative, yet they are not well known. This book brings an unjustifiably marginalised poet out of the shadows and presents her poetry in a way that enables readers, even those who shy away from poetry, to appreciate her work. Unlike any other collection of Bronte's poetry, this volume arranges selected poems by thematic topic: nature, mutability, love, death, captivity and freedom, hope and despair, imagination, and spirituality. It provides literary and biographical information on each topic and interpretations, explanations, and insights into each poem. Fans of Wuthering Heights wanting more from Emily Bronte will discover that her poetry is as memorable and powerful as her novel. This book is for all who appreciate poetry, especially from the golden age of 19th century verse. The exploration of Emily Bronte's poetic world allows a greater and different understanding of Wuthering Heights and insights into Bronte's fascinating mind.

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Book Synopsis'A fine biography...Rogers has done a wonderful job' Daily Telegraph J. L. Carr was the most English of Englishmen: headmaster of a Northamptonshire school, cricket enthusiast and campaigner for the conservation of country churches. But he was also the author of half a dozen utterly unique novels, including his masterpiece, A Month in the Country, and a publisher of some of the most eccentric - and smallest - books ever printed. Byron Roger's acclaimed biography reveals an elusive, quixotic and civic-minded individual with an unswerving sympathy for the underdog, who led his schoolchildren through the streets to hymn the beauty of the cherry trees and paved his garden path with the printing plates for his hand-drawn maps, and whose fiction is quite remarkably autobiographical. Much more than the life of a thoroughly decent man, The Last Englishman is a comic and touching anatomy of the best kind of Englishness. 'Conveying the significance of the author of Carr's Dictionary of Extraordinary Cricketers to anyone unfamiliar with his books, or what may now fairly be called his myth, was always going to be difficult. Somehow, Roger's has managed it' D. J. Taylor, Sunday Times 'A great success, and more life-affirming than F. R. Leavis's entire output' Independent on Sunday

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Book SynopsisIlluminations contains the most celebrated work of Walter Benjamin, one of the most original and influential thinkers of the 20th Century: 'The Work of Art in the Age of Mechanical Reproduction', ‘The Task of the Translator’ and 'Theses on the Philosophy of History', as well as essays on Kafka, storytelling, Baudelaire, Brecht's epic theatre, Proust and an anatomy of his own obsession, book collecting.This now legendary volume offers the best possible access to Benjamin’s singular and significant achievement, while Hannah Arendt’s introduction reveals how his life and work are a prism to his times.Trade ReviewFrom the evidence of this book I would suggest that Benjamin was one of the great European writers of this century * Observer *He explained the modern with an authority that fifty years of unpredictable change have not vitiated * New York Review of Books *Like Baudelaire, Benjamin brings the very new into shocking conjunction with the very old … He is in search of a surrealist history and politics, one which clings tenaciously to the fragment, the miniature, the stray citation, but which impacts these fragments one upon the other to politically explosive effect, like the Messiah who will transfigure the world completely by making minor adjustments to it

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Book SynopsisA practical approach to breaking through the barriers of restraint and incomprehension when faced with Shakespeare. Taking many of the techniques explored in her international bestseller Freeing The Natural Voice, in this companion volume Kristin Linklater shows how to apply them to the exploration and speaking of Shakespeare’s language. Beginning with exercises designed to break long-held habits and allow an emotional rather than intellectual relationship to Elizabethan language, she analyses Shakespeare's strategies for creating character, story and meaning through figures of speech, iambic pentameter, rhyme and the alternation of verse and prose. Using copious examples from the plays, Linklater offers her readers the tools to increase understanding and make Shakespeare's words their own.

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Book SynopsisTheology through mythology J. R. R. Tolkien was many things: English Catholic, father and husband, survivor of two world wars, Oxford professor, and author. But he was also a theologian. Tolkien's writings exhibit a coherent theology of God and his works, but Tolkien did not present his views with systematic arguments. Rather, he expressed theology through story. In Tolkien Dogmatics, Austin M. Freeman inspects Tolkien's entire corpus--The Hobbit, The Lord of the Rings, and beyond--as a window into his theology. In his stories, lectures, and letters, Tolkien creatively and carefully engaged with his Christian faith. Tolkien Dogmatics is a comprehensive manual of Tolkien's theological thought arranged in traditional systematic theology categories, with sections on God, revelation, creation, evil, Christ and salvation, the church, and last things. Through Tolkien's imagination, we reencounter our faith.

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Book SynopsisA glorious treasury of literary curiosities for every night of the year. Bedside Companion for Book Lovers contains an eclectic mix of fact and fiction, letters, diaries, essays and dedications, all suffused with the joys of books and reading. The perfect gift for the bibliophile in your life, it contains snippets from some of the greatest writers and book collectors from throughout history, including: Charles Dickens on the smell of books Maya Angelou on the pleasures of reading aloud Virginia Woolf on finding space for writing Nick Hornby on reading for pure enjoyment and much more. Along the way, you’ll find advice on how to look after your most precious volumes, what to do when books start taking over your home, and where to find the most atmospheric libraries and bookshops around the world. Keep this beautifully illustrated book by your bedside and wander into a magical world of books every night of the year.Trade Review‘This would be a much-loved and treasured gift for bookworms! From fact and fiction, to letters and diaries, be greeted by the beauty of the written word’ Love Reading ‘The perfect gift for any book lover, with a mix of letters and diaries, both fact and fiction’ Prima ‘This is the perfect book for any bookworm… a real classic in the making’ Miranda Mills YouTubeTable of ContentsJanuary: An Illimitable Choice 10February: Frivolous and Idle Books 46March: A Stroke of the Pen 78April: Something Sensational to Read 112May: Encouraging Early Bookishness 146June: The Poet and the Dreamer 182July: I Always Took a Book 216August: Bibliomania, or Book-madness 252September: In an Elbow-chair at Ease 288October: The Art of Bookbinding 324November: An Abundant Library 358December: The Craft of Genius 394Index: 430Acknowledgements 444

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Book SynopsisThough as yet little known in English-speaking countries, Rainer Maria Rilke (1875-1926) is the finest German poet of this century and one of the greatest lyrical writers in the history of Western literature. A major figure in the modernist movement, with some affinities to Yeats, Rilke had a profound influence on other 20th century poets such as Pasternak and Akhmatova. He is a master of vivid and breathtakingly original imagery in which difficult ideas are made directly apprehensible to the reader and new worlds of experience are opened up. This selection includes poems from all stages of his career, beginning with the delicate works of his early years, through the extraordinary poems he wrote in French (which he used like a first language) and concluding with his mature masterpieces: the SONNETS TO ORPHEUS and the DUINO ELEGIES. Also included are Rilke's prose LETTERS TO A YOUNG POET in which he counsels a younger colleague and expounds his own literary ideal. This is by far the most comprehensive selection from this poet in English and forms an ideal introduction to this work.

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