Description

First published in French in 1907, Henri Bergsonâs LâÃvolution crÃatrice is a scintillating and radical work by one of the great French philosophers of the nineteenth and twentieth centuries. This outstanding new translation, the first for over a hundred years, brings one of Bergsonâs most important and ambitious works to a new generation of readers.

A sympathetic though critical reader of Darwin, Bergson argues in Creative Evolution against a mechanistic, reductionist view of evolution. For Bergson, all life emerges from a creative, shared impulse, which he famously terms Ãlan vital and which passes like a current through different organisms and generations over time. Whilst this impulse remains as forms of life diverge and multiply, human life is characterized by a distinctive form of consciousness or intellect. Yet as Bergson brilliantly shows, the intellectâs fragmentary and action- oriented nature, which he likens to the cinematograph, means

Creative Evolution

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    A Paperback by Henri Bergson

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      Publisher: Taylor & Francis
      Publication Date: 12/23/2024
      ISBN13: 9781032319216, 978-1032319216
      ISBN10: 1032319216

      Description

      First published in French in 1907, Henri Bergsonâs LâÃvolution crÃatrice is a scintillating and radical work by one of the great French philosophers of the nineteenth and twentieth centuries. This outstanding new translation, the first for over a hundred years, brings one of Bergsonâs most important and ambitious works to a new generation of readers.

      A sympathetic though critical reader of Darwin, Bergson argues in Creative Evolution against a mechanistic, reductionist view of evolution. For Bergson, all life emerges from a creative, shared impulse, which he famously terms Ãlan vital and which passes like a current through different organisms and generations over time. Whilst this impulse remains as forms of life diverge and multiply, human life is characterized by a distinctive form of consciousness or intellect. Yet as Bergson brilliantly shows, the intellectâs fragmentary and action- oriented nature, which he likens to the cinematograph, means

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