Electronic music Books
Bloomsbury Publishing Plc Morton Feldman
Book SynopsisMorton Feldman: Friendship and Mourning in the New York Avant-Garde documents the collaborations and conflicts essential to the history of the post-war avant-garde. It offers a study of composer Morton Feldman's associations and friendships with artists like John Cage, Jackson Pollock, Philip Guston, Frank O'Hara, Charlotte Moorman, and others. Arguing that friendship and mourning sustained the collective aesthetics of the New York School, Dohoney has written an emotional and intimate revision of New York modernism from the point of view of Feldman''s agonistic community.Trade ReviewThe book bears powerful testament to his proposal that in writing about friendships mediated through painting, poetry and music one can derive new insights into that painting, poetry and music. * Tempo *The book bears powerful testament to his proposal that in writing about friendships mediated through painting, poetry and music one can derive new insights into that painting, poetry and music. * Tempo *Dohoney’s graceful and affecting meditation on the plexus of Feldman’s relationships compellingly surveys Feldman’s dedication—and his dedications—to his friends, his love for poetry, painting, and for their makers, and the mourning and melancholy that ultimately tied them together. Feldman’s music becomes increasingly concerned, in Dohoney’s vivid account, with what survives, what endures, and what can still be heard, even as it ebbs. * Martin Iddon, Professor of Music and Aesthetics, University of Leeds, UK *Dohoney’s graceful and affecting meditation on the plexus of Feldman’s relationships compellingly surveys Feldman’s dedication—and his dedications—to his friends, his love for poetry, painting, and for their makers, and the mourning and melancholy that ultimately tied them together. Feldman’s music becomes increasingly concerned, in Dohoney’s vivid account, with what survives, what endures, and what can still be heard, even as it ebbs. * Martin Iddon, Professor of Music and Aesthetics, University of Leeds, UK *Ryan Dohoney's book distinctively illuminates and contextualizes Morton Feldman's modernist music. It is an account of Feldman's relationships, in particular, with the poet and art writer Frank O'Hara and the visual artist Philip Guston. Two large themes emerge, friendship and death. This is a new kind of musicology, with much detailed historical research that also finds emotional elements central to understanding the music, an affective account of what Feldman would call his life in art. It puts together the personal and what we have "out there," the music. * Christian Wolff, composer and Jacob H. Strauss 1922 Professor of Music, Emeritus, Dartmouth College, USA *Ryan Dohoney's book distinctively illuminates and contextualizes Morton Feldman's modernist music. It is an account of Feldman's relationships, in particular, with the poet and art writer Frank O'Hara and the visual artist Philip Guston. Two large themes emerge, friendship and death. This is a new kind of musicology, with much detailed historical research that also finds emotional elements central to understanding the music, an affective account of what Feldman would call his life in art. It puts together the personal and what we have "out there," the music. * Christian Wolff, composer and Jacob H. Strauss 1922 Professor of Music, Emeritus, Dartmouth College, USA *Ryan Dohoney's fantastic book on Morton Feldman points to a Copernican turn within studies of the social life of the arts: trapped for decades in the domain of theme and anecdote, friendship here emerges instead as the infrastructure or medium it in fact is. Friendship thus does not "contextualize" Feldman's music from the outside, but rather enables and structures it from within, like the charged gaps between his notes. * Lytle Shaw, Professor of English, New York University, USA *Ryan Dohoney's fantastic book on Morton Feldman points to a Copernican turn within studies of the social life of the arts: trapped for decades in the domain of theme and anecdote, friendship here emerges instead as the infrastructure or medium it in fact is. Friendship thus does not "contextualize" Feldman's music from the outside, but rather enables and structures it from within, like the charged gaps between his notes. * Lytle Shaw, Professor of English, New York University, USA *Table of ContentsList of Illustrations Introduction 1. Spontaneity, Intimacy, and Friendship in the 1950s 2. “Élan vital … and how to fake it” Intermission: The Necessary Other 3. The Elegiac Science 4. “We broke up because of style” Conclusion: Friendship’s Silence Acknowledgments Bibliography Index
£21.84
Pan Macmillan Party Lines: Dance Music and the Making of Modern
Book SynopsisA Guardian Guide Cultural Book of the Year 2023An Irish Times Music Book of the Year 2023'A deep, engrossing history' The Observer'A fascinating deep dive' Jeremy DellerFrom the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988, to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built.Taking in the Victorian moralism of the Thatcher years, the far-reaching restrictions of the Criminal Justice Act in 1994, and the resurgence of illegal raves during the Covid-19 pandemic, Party Lines charts an ongoing conflict, fought in basement clubs, abandoned warehouses and sunlit fields, between the revolutionary potential of communal sound and the reactionary impulses of the British establishment. Brought to life with stunning clarity and depth, this is social and cultural history at its most immersive, vital and shocking.____'Excellent' The Sunday Times'Reminds us why the dance floor matters . . . fascinating' TelegraphTrade ReviewEd Gillett’s excellent history of UK dance culture, moves beyond the saucer-eyed clichés of the raver’s epiphany and towards a sharper sort of revelation . . . the politics of dancing expertly laid bare. * Sunday Times *A fascinating deep dive into dance music's uneasy relationship with the establishment. -- Jeremy DellerEngrossing history . . . a wide and deep undertaking -- Book of the Week * Observer *[A] well-researched, meaty account of dance music in the UK . . . an engrossing piece of modern social history. -- Books of the Month * Independent *A deeply-researched and engaging new understanding of the interwoven soundtrack to the turbulence of modern Britain. -- Luke Turner, author of Out of the Woods and Men at WarReminds us why the dance floor matters . . . fascinating. * Telegraph *A truly thrilling journey through the politics, culture and successive social revolutions of British dance music: a landmark book, and a reminder that the dancefloor is always political. -- Dan Hancox, author of Inner City PressureEssential reading. * Spectator *A passionately argued and intensively researched addition to the ever-evolving narrative of UK dance music culture. -- Matthew Collin, author of Altered StateIt has undoubtedly set a very high standard for other authors looking to write historical stories born out of the euphoria of rave and dance culture. * Louder than War *
£17.00
Collective Ink Babbling Corpse – Vaporwave and the
Book SynopsisIn the age of global capitalism, vaporwave celebrates and undermines the electronic ghosts haunting the nostalgia industry. Ours is a time of ghosts in machines, killing meaning and exposing the gaps inherent in the electronic media that pervade our lives. Vaporwave is an infant musical micro-genre that foregrounds the horror of electronic media's ability to appear - as media theorist Jeffrey Sconce terms it - "haunted." Experimental musicians such as INTERNET CLUB and MACINTOSH PLUS manipulate Muzak and commercial music to undermine the commodification of nostalgia in the age of global capitalism while accentuating the uncanny properties of electronic music production. Babbling Corpse reveals vaporwave's many intersections with politics, media theory, and our present fascination with uncanny, co(s)mic horror. The book is aimed at those interested in global capitalism's effect on art, musical raids on mainstream "indie" and popular music, and anyone intrigued by the changing relationship between art and commerce.
£9.49
Reaktion Books Transatlantic Drift
Book SynopsisThe emergence, evolution and global spread of nightclubs and electronic dance music.
£11.69
Velocity Press Coming To Berlin: Global journeys into an
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£13.49
Velocity Press Ears to the Ground
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£13.49
Velocity Press The Radio Phonics Laboratory
Book SynopsisThe Radio Phonics Laboratory delves into the intersection of technology and creativity that shaped the sonic landscape of the 20th century. This fascinating exploration unravels the intricate threads of telecommunications, from the invention of the telephone to the advent of global communication networks. At the heart of the narrative is the evolution of speech synthesis, a groundbreaking innovation that not only revolutionised telecommunications but also birthed a new era in electronic music. Tracing the origins of synthetic speech and its applications in various fields, the book unveils the pivotal role it played in shaping the artistic vision of musicians and sound pioneers. This is the story of how electronic music came to be, told through the lens of the telecommunications scientists and composers who helped give birth to the bleeps and blips that have captured the imagination of musicians and dedicated listeners around the world.
£13.49
Velocity Press Tough Luck
Book SynopsisStep into the vibrant and pulsating world of nightlife through the lens of Tough Luck, the Instagram account that has become the heartbeat of contemporary club and rave photography. Through the lenses of their talented photographers, they unfold the stories of the night, spotlighting clubs, festivals, and the diverse characters shaping nocturnal culture. While many rave photography books reminisce about the past, You Out Tonight? offers a fresh, contemporary experience. As you flip through the pages, you''ll find yourself immersed in the kaleidoscope of lights, colours, and emotions that define the modern clubbing experience. Whether you''re a seasoned partygoer or a curious observer, Tough Luck invites you to experience the magic, the chaos, and the indescribable beauty of the night. Prepare to be transported into a world where time stands still, and the only currency is the rhythm of the music.
£21.25
Velocity Press Close The App Make The Ting
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£24.00
Disco Pogo Ltd Aphex Twin
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£27.00
Penguin Books Ltd Kraftwerk Future Music from Germany
Book SynopsisThe story of the phenomenon that is Kraftwerk, and how one band revolutionized the cultural landscape of our time.'We are not artists nor musicians. We are workers.' Ignoring nearly all rock traditions, experimenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation--even human and machine--to change the course of modern music. What they created changed the course of pop music forever, influencing artists as diverse as Björk, Joy Division, David Bowie, and Kanye West. This is the story of Kraftwerk the cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.Trade ReviewA highly stimulating critical biography. Written from a European perspective, Kraftwerk is a pleasure to read. -- Jon Savage * New Statesman *An engaging critical introduction to the band ... you can see them everywhere: most fascinatingly in hip-hop, most obviously in techno music, but also in the chrome-helmeted anonymity of Daft Punk, in the industrial philosophy of Factory Records and the Haçienda nightclub, and, ultimately, in the general trajectory of pop music ever since Kraftwerk's run of great albums between 1974 and 1981. -- Karl Whitney * The Guardian *As the music of the 20th century fades from our ears, Kraftwerk's sound is still moving. -- Jay Elwes * The Spectator *I read Uwe Schütte's fascinating new book, and became convinced again of Kraftwerk's peculiar genius ... They remain revolutionary because they have given modern music its primitive pulse. -- Jude Rogers * Prospect *Schütte proposes that Kraftwerk was, in effect, a redemptive project, a reclamation of pre-war modernism and its aims ... This book is the German take on the German pop phenomenon. -- John Quin * The Quietus *Read Schütte's entertaining and meticulously-researched history of the band and it's hard not to conclude that Kraftwerk demand equivalence at least with the Fab Four. * The Herald *Fascinating ... Highlights just how innovative and influential they are. Kraftwerk didn't just beam themselves into the future, they invented it. -- Chris Harvey * The Scotsman *Born in Germany but based in the UK, Schutte is able to assess Kraftwerk from both the German and non-German perspective. This is a lucid, accessible, authoritative and indispensable account of the Düsseldorf group once mocked for their Teutonic 'otherness', who went on to lay the foundations for modern electronic music. -- David Stubbs, author of Future Days: Krautrock and the Building of Modern GermanySchutte positions Kraftwerk not merely as a popular music phenomenon but as the embodiment of our transition from the uncertainty and hope of post-war Europe through to 21st century techno-hyperreality. A forensic analysis of Kraftwerk's socio-political roots and their ongoing cultural effect. Schutte sees beyond the regular band trivia to show a deeper understanding of the impact of Kraftwerk on all aspects of popular culture which enclose us. -- Dr Stephen Mallinder, founding member of Cabaret Voltaire and WranglerSchütte follows the foundational electropop group that inspired David Bowie's alienist late 1970s adventures and a multitude of electrovariations. He charts how they were a surprising European component in the emergence of hip-hop, as much through their sung-spoken words as their machine-made rhythms ... The book functions nicely as an introduction for newcomers to Kraftwerk's history. -- Paul Morley * Financial Times *
£10.44
Orion Publishing Co Futuromania
a huge range and FREE tracked UK delivery on ALL orders.
£11.69
Oxford University Press John Williams
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£25.49
Disco Pogo Ltd Its Just A Big Disco
a huge range and FREE tracked UK delivery on ALL orders.
£28.00
Manchester University Press Studio Electrophonique
Book SynopsisStudio Electrophonique tells the story of the Sheffield home studio that helped launch the careers of some of the biggest names in British pop: The Human League, Heaven 17, Pulp, ABC and more. -- .
£12.99
Transworld Publishers Ltd How To DJ Properly
Book SynopsisBill Brewster and Frank Broughton are the authors of the hugely successful definitive history of the DJ, 'Last Night a DJ Saved My Life', as well as writing for magazines and newspapers including I-D, The Face and the Guardian.Trade ReviewA truly comprehensive tome, aimed at both beginners and inermediates: in other words, a truly vast international market... Young musicians, as well as aspiring DJs, could learn a trick or two -- Jah Wobble * Independent on Sunday *I love this book - it's helped me set many guidelines for my longterm dream of starting a DJ Academy -- Danny TenagliaWith so many books and courses available to the beginner now, it's great to find one that gets it spot on. In future isf anyone asks me for tips on DJing, I'll simply tell them to read this -- Rocky, X-Press 2
£18.00
Velocity Press Join The Future: Bleep Techno and the Birth of
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£13.49
Disco Pogo Ltd A Disco Pogo Tribute To LCD Soundsystem
£24.00
Orion Publishing Co Strange Things Are Happening
a huge range and FREE tracked UK delivery on ALL orders.
£11.69
Bloomsbury Publishing Plc Aphex Twin's Selected Ambient Works Volume II
Book SynopsisExtravagantly opaque, willfully vaporous — Aphex Twin’s Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise. Faithful to Brian Eno’s definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, “ambient” has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.Trade ReviewMarc Weidenbaum packs a lot into these 130 pages: a mini-biography of a ground-breaking artist, a capsule history of ambient music, and an example of how digital technology determines how we hear and interpret music. -- Stephen M. Deusner * Pitchfork *Weidenbaum ... is a lucid listener. His book offers deep insights into what makes the individual tracks so startling. * The Wire *Weidenbaum avoids an obvious track-by-track breakdown, instead focussing on creating a narrative of the album’s history and reception through the book’s seven chapters. Nevertheless there are several highly compelling accounts of tracks from the album, providing the attentive and imaginative readings that form the book’s backbone. ... Weidenbaum is at his best when he writes about the non-musical issues of the album ... [His] journalistic tone leads the reader effortlessly through his carefully constructed narratives, always respectful of Aphex’s artistry without ever falling into uncritical hagiography. ... One of the biggest appeals of SAW II lies in the invitation to find meaning in it and Weidenbaum’s account is the perfect vehicle to do this, helping the listener to connect up the disentangled sonic fragments and re-assemble them in a personal way. * Dancecult: Journal of Electronic Dance Music Culture *It's not easy writing about ambient music. It is hard to describe how it sounds, and it is also hard to describe how it makes you feel. Weidenbaum avoids these problems by writing about the track listing, the names of the songs, the circumstances of the creation of the album, the reception of the album, and how it was used in movies...Some of Weidenbaum's approaches to discussing the album are illuminating. He explains how SAW Vol II was developed for chill out rooms at raves when people were coming down from long hours of dancing and drugs, and they needed something both restful and energizing. -- Christian Perring * Metapsychology Online Reviews *Mentioned on LineOut. * The Stranger.com *If you're already a fan of Aphex Twin, you'll revel in Weidenbaum's deep dive into one of the artist's signature works. If not, you'll be surprised to learn that you've likely already heard his music in one form or another. -- S.T. Vanairsdale * The City (SacTownMag.com) *the ‘extravagantly opaque, willfully vaporous’ chillout room masterpieces of electronic composer Richard D. James, aka Aphex Twin -- basically what everyone in the 1990s listened to as they swept up/came down after the rave -- get the business from incisive SF writer and archivist Marc Weidenbaum. And really, the pairing couldn't be any more delicious. -- Marke B. * San Francisco Bay Guardian *Like all good critical studies, Aphex Twin’s Selected Ambient Works Volume II doesn’t provide the illusion of closure; rather, it expands minds, fostering the creation of textual meaning. I can offer no higher praise. -- Caught in the Carousel * Paul Gleason *Table of ContentsThere Is No Volume I Background Beats A Chill-out Room of One's Own Synesthetic Codex Transcribing Vapor Embedding Vapor Selected Ambient Works Volume III Thanks and Acknowledgments
£9.49
Omnibus Press Kraftwerk
Book SynopsisUpdated to include details of the group's recent concerts under the direction of Ralf Hutter. David Buckley examines the cult enigma that is Kraftwerk, including their beginnings in the avant-garde musical terrain of late-Sixties Germany and their Anglo-American breakthrough with Autobahn in 1975, as well as their astonishingly prescient work, which drew the musical template for techno, ambient, dance and all manner of electronic pop.Includes an interview with former member Wolfgang Flur.The inner workings of this most secretive of bands are revealed through interviews with friends and close associates, whilst the story of their incredible impact on modern music is traced up to the present day using interviews with a host of musicians, from original electro pioneers such as Gary Numan, the Human League, OMD and John Foxx, to contemporary acts still in awe of the original Man Machines.Trade Review'...manages to get to the clockwork heart of the group, working out what makes them tick.' Record Collector ****
£15.26
Velocity Press Club Commons
£13.49
Oxford University Press Inc Laurie Andersons Big Science Oxford Keynotes
Book SynopsisIn Laurie Anderson's Big Science, S. Alexander Reed dives into the wonderfully strange making and meanings of this singular album and of its creator's long artistic career, offering scrupulous new research, reception history, careful description, and dizzying creativity.Trade ReviewAs for this classic album, Reed's three-dimensional excavation and explication of the musical and conceptual components of every song, made the end result even more impressive. * Jeremy Shatan, anearful blog *[Reed] also doesn't shy away from musicological dissection when it seems useful, but always provides a way in for the uninitiated, using musical examples that almost everyone will know. * Jeremy Shatan, Anearful *Reed's fascinating multi-perspectival account of Big Science is a carefully argued and much needed exposition of this enigmatic work. Historical, contextual, and textual insights deftly examine the intersecting personal, cultural and philosophical themes Anderson explores, both in Big Science and in her work leading to and from it. * Sean Albiez, Ph.D., Co-editor of Brian Eno: Oblique Music and Kraftwerk: Music Non Stop *Table of ContentsI. FINDING THE NOW IN BIG SCIENCE II. TOO BIG TO FAIL --- III. DESCRIBING SIDE 1 IV. FLIPPING THE RECORD V. DESCRIBING SIDE 2 --- VI. NEW MUSIC vs. NEW WAVE VII. THE GENDERED MAKING OF UNGENDERED STYLE VIII. BIGNESS AS USUAL Acknowledgements Works Cited
£18.16
Oxford University Press Inc Four Ways of Hearing Video Game Music
Book SynopsisFour Ways of Hearing Video Game Music offers a novel account of the ways in which video games invite us to hear and listen to their music. By taking a phenomenological approach to characterize music in video games, author Michiel Kamp asks what it is we hear in the music when we play a game. Drawing on past phenomenological approaches to music as well as studies of music listening in a variety of disciplines such as aesthetics and ecological psychology, Kamp explains four main ways of hearing the same piece of music--through background, aesthetic, ludic, and semiotic hearing. As a background, music is not attended to at all, but can still be described in terms of moods, affordances, or equipment. Aesthetic hearing is a reflective attitude that invites hermeneutic interpretation; ludic hearing on the other hand invites playing along to the music, either through embodied movement, or in response to the music''s cinematic or theatrical connotations. Finally, in semiotic hearing, Kamp argu
£999.99
Oxford University Press Inc Korngold in America
Book SynopsisKorngold in America offers new ways of listening to the film scores and post-Hollywood concert works of Erich Wolfgang Korngold (1897--1957), a Viennese-raised Austro-Hungarian composer who left Europe for Hollywood in the mid-1930s to write for Warner Bros. It reassesses Korngold's place in twentieth-century music historiography and dismantles many of the myths that have obscured a proper understanding of his work. Drawing on previously unpublished archival materials, Korngold in America reveals Korngold's commercial and artistic relationships with studio processes and staff, highlights aspects of his compositional practice, and traces the way in which he adapted his skills as a musical dramatist and experienced opera composer to the demands of film. The book presents a more complete picture of Korngold's artistry than has hitherto been possible, showing both the important role played by his music in the Hollywood films of which it is a part and the importance in turn of Hollywood fil
£25.99
Cambridge University Press Hidden Music
This Element explores the intersection of data sonification and musical composition. It offers an original model and insights for composers and science communicators. It explores techniques, models, translation, data fidelity, analogic and symbolic mapping, temporality, and listener experience, and how sonification can enrich composition.
£17.00
Cambridge University Press The Cambridge Companion to Electronic Music Second Edition Cambridge Companions to Music
Book SynopsisMusicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrÃte and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of techTable of Contents1. The origins of electronic music Andrew Hugill; 2. Electronic music and the studio Margaret Schedel; 3. Live electronic music Nicolas Collins; 4. A history of programming and music Ge Wang; Artists' statements I: Laurie Spiegel, Yasunao Tone, John Oswald, Mathias Gmachl (Farmers Manual), Erdem Helvacioglu, Pauline Oliveros, Chris Jeffs, Rodrigo Sigal, Mira Calix, Seong-Ah Shin, Carsten Nicolai, Warren Burt, Max Mathews; 5. Interactivity and live computer music Sergi Jordà; 6. Algorithmic composition Karlheinz Essl; 7. Live audiovisuals Amy Alexander and Nick Collins; 8. Network music Julian Rohrhuber; 9. Electronic music and the moving image Julio d'Escriván; Artists' statements II: Kevin Saunderson, Kanta Horio, Donna Hewitt, Alejandro Viñao, Bubblyfish Barry Truax, Lukas Ligeti (Burkina Electric), Christina Kubisch, Murat Ertel, Adina Izarra, CybOrk, Francis Dhomont, David Behrman, Kevin Blechdom (Kristin Erickson) Karlheinz Stockhausen, George E. Lewis; 10. Computer generation and manipulation of sounds Stefania Serafin; 11. Trends in electroacoustic music Natasha Barrett; 12. Electronic sound art and aesthetic experience Adinda van 't Klooster; 13. DIY and maker communities in electronic music John Richards; 14. Extending the instrumental sound world using electronics Monty Adkins; 15. The analysis of electronic music Mary Simoni; Artists' statements III: Éliane Radigue, Daniel Miller, Ikue Mori, Chris Carter and Cosey Fanni Tutti, Holly Herndon, Vince Clarke, Ralf Hütter, Hasnizam Abdul Wahid, Elsa Justel, Beatriz Ferreyra.
£26.99
Bloomsbury Publishing Plc Iannis Xenakiss Persepolis
Book SynopsisAram Yardumian is Assistant Professor at Bryn Athyn College, USA, specializing in the nexus connecting the Caucasus, Middle East, and South Asia. He has conducted fieldwork and research at multiple sites in these regions and has travelled worldwide. His publications include surveys of molecular genetics and ancient history, as well as intellectual history and critical reviews of arts and culture.Table of ContentsAcknowledgments Dramatis personae Preface Introduction: 'Signal' 1. The Voice of the Resistance 2. Paris, 1947 3. The Voice of the Avant-garde 4. The Voice of Cyrus 5. Shiraz, 1967–69 6. Paris, 1971 7. Persepolis, 1971 8. The Voice of Khomeini 9. Afterlife Endnotes Index
£18.00
Quercus Publishing Liminal
Book SynopsisA thrilling, filmic immersion into Berlin's legendary club scene - a skillfully told novel about the fragility of life.Berlin, Görlitzer Park: The body of a young woman in a white wedding dress floats in the canal. Who is she, and where does she come from? Suspended drugs investigator Tommy trawls Berlin's clubs and criminal clans to uncover the woman's story.On his odyssey through the city, he meets survivors and fighters, the lost and stranded from all over the world: from the Japanese tattoo master to the Indian fire-eater. Wide awake and dead tired, suspended between a dreamscape and reality, Tommy dives deeper and deeper into the Berlin underworld and into his own past. A breathless noir novel that is as hard-hitting as it is emotional, exploring the fragility of life and our longing for community.PRAISE FOR One Clear, Ice-cold Morning at the Beginning of the Twenty-first Century"A highly original and often hypnotic work . . . exactly the type of book that readers in search of striking European voices should embrace" John Boyne (author of THE BOY IN THE STRIPED PYJAMAS), Irish Times"A brilliantly kaleidoscopic morality tale"- Eileen Battersby, Financial Times"A magnificent achievement, a novel of terrific originality" - Charlie Connelly, New European"The exhilarating narrative is wonderfully concise, and the imagery is intensely cinematic" - Barry Forshaw, GuardianTranslated from the German by Jamie BullochTrade ReviewTells an unaffected, gritty, exciting story that you can immediately imagine as a film -- Felix Mueller * Berliner Morgenpost *The panorama of characters is intoxicating -- Margarete Affenzeller * Der Standard *Schimmelpfennig the novelist, like the playwright, succeeds in making his characters lively and believable with just a few strokes -- Monika Wolting * literaturekritik.de *A restless novel written in clear language by a dramatist used to condensing events into vivid scenes. -- Anne Fritsch * Munich Feuilleton *An intoxicating sequence of scenes, with the sober realization that nothing can end well here -- Maike Schiller * Hamburger Abendblatt *A breathless noir novel full of fragile characters, an a powerfully compelling read - the pages practically turn by themselves -- Angelika Grabher-Hollenstein * APA *
£9.49
Velocity Press Ukrainian Field Notes
£13.49
Velocity Press Daft Punk's Discovery: The Future Unfurled
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£13.49
Velocity Press Super Sharp Shooter: A Spectral Photographic
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£32.00
Velocity Press Drumz of the South
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£34.12
Velocity Press Techno Is Boring
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£24.00
Wayne State University Press Techno Rebels The Renegades of Electronic Funk
Book SynopsisAn history of techno music, dealing with its roots in Detroit. It focuses on Detroit's role in the birth of techno and takes readers on an insider's tour of techno's past, present, and future in an account filled with firsthand anecdotes, interviews, and artist profiles. It examines the underground 1980s party scene in Detroit.
£19.96
Bloomsbury Publishing (UK) Eyeliners Buy Now
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£16.99
Cherry Red Books Journey To A Plugged In State Of Mind: Electronic
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£13.49
Velocity Press Knowledge Magazine 25 Year Anniversary
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£21.25
Bloomsbury Academic The Beat the Scene the Sound
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£18.58
HarperCollins Publishers Inner City Pressure The Story of Grime
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£15.00
Oxford University Press Nortec Rifa Electronic Dance Music from Tijuana to the World Currents in Latin American and Iberian Music Currents in Iberian and Latin American Music
Trade ReviewIn this brilliant study of a local culture's transnational dynamics and dimensions, Alejandro Madrid reveals how radical changes in contemporary commerce and culture are imbuing old identities, borders, and boundaries with new meanings. * George Lipsitz, author of Footsteps in the Dark *The Nortec Collective stands astride the US/Mexico border creating an art of hope and adaptation. This music represents all that is possible along the new frontier, and it has fomented a movement of art and film and literature that is unique in the world. Alejandro Madrid's masterful study of this brilliant hybrid stands as one of the important texts in the history of the new, shining, borderlands. Nortec sings, 'Tijuana makes me happy.' This work makes us happy to be alive. * Luis Alberto Urrea, author of The Devil's Highway and The Hummingbird's Daughter *Alejandro Madrid is an amazing thinker. His fresh theoretical insights are synthesized from a broad base of knowledge and disciplines. This work will appeal to anyone interested in border studies and contemporary societal trends, as well as those with an interest in contemporary music and activism through music. * Brenda M. Romero, Associate Professor of Musicology and Ethnomusicology, University of Colorado *Alejandro Madrid has brilliantly captured Nor-tec's burst into the twenty-first century. This is an innovative book that effectively balances traditional with virtual fieldwork, musical analysis with a cultural-oriented approach, and theoretical reflections with empirically grounded investigations. Madrid's critical mind and analytical skills meet the ingenuity and eloquence of the Nortec Collective. * Helena Simonett, Vanderbilt University, author of Banda: Mexican Musical Life across Borders *Nor-tec has spawned audio imitators, Volvo ads, t-shirts, and indie films, popped up everywhere from art installations to MTV and HBO, and now Tijuana's first-next-big-global-thing finally has its own full-scale scholarly book that lends a critical ear to border beats. With a focused and serious mix of theory, interviews, and lots of listening during long nights in Tijuana clubs, Madrid has done the music and the scene a great service by unraveling its histories and dissecting its meanings for fans and scholars alike. * Josh Kun, University of Southern California, author of Audiotopia: Music, Race, and America *Table of ContentsList of Figures ; List of Music Examples ; Acknowledgements ; Introduction: Nor-tec and the Borders ; 1. Origins Revisited. Myth and Discourse in the Nortec Collective ; 2. Tradition, Style, Nostalgia, and the Kitsch ; 3. Getting the Word Around ; 4. "Where is the Donkey Show Mr. Mariachi?" Reterritorializing TJ ; 5. Producers, DJs, Fans, and the Performance of Nor-tec ; 6. Dancing with Desire ; 7. Nor-tec and the Postnational Imagination ; Bibliography
£33.24
Oxford University Press Special Sound
Book SynopsisSpecial Sound traces the fascinating creation and legacy of the BBC''s electronic music studio, the Radiophonic Workshop, in the context of other studios in Europe and America. The BBC built a studio to provide its own avant-garde dramatic productions with experimental sounds neither music nor sound effect. Quickly, however, a popular kind of electronic music emerged in the form of quirky jingles, signature tunes such as Doctor Who, and incidental music for hundreds of programs. These influential sounds and styles, heard by millions of listeners over decades of operation on television and radio, have served as a primary inspiration for the use of electronic instruments in popular music.Using in-depth research in the studio''s archives and papers, this book tells the history of the many engineers, composers, directors, and producers behind the studio to trace the shifting perception towards electronic music in Britain. Combining historical discussion of the people and instruments in theTrade Reviewimmaculately researched. * Mark Brend, Record Collector *excellent ... [Neibur] draws on specially undertaken and published interviews with key participants, as well as a treasure trove of written material from the BBC Written Archives Centre, and original programmes. * Timothy Boon, British Journal for the History of Science *Niebur's research into this early history of the BBC Radiophonic Workshop is wickedly illuminating * David Toop, Times Higher Education *Louis Niebur delves illuminatingly into a hitherto untold story to throw a deserved spotlight on the creative talents involved. * Michael Quinn, Editor's Choice for 2011, Classical Music Magazine *Table of ContentsABOUT THE COMPANION WEBSITE; ENDNOTES; APPENDIX: TRANSCRIPTIONS; BIBLIOGRAPHY; INDEX
£40.84
Oxford University Press Listening Through the Noise The Aesthetics of Experimental Electronic Music the Aesthetics of Experimental Electronic Music
Book SynopsisContemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.Trade Reviewa thought-provoking and significant contribution to our understanding of the aesthetics of electronic music. * Peter Manning, Music and Letters *Table of ContentsACKNOWLEDGEMENTS; INTRODUCTION; PART 1. SIGN; PART TWO: OBJECT; PART THREE: SITUATION; CONCLUSION; NOTES; GLOSSARY; BIBLIOGRAPHY; DISCOGRAPHYTATES
£109.25
Oxford University Press Listening through the Noise The Aesthetics of Experimental Electronic Music
Book SynopsisListening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.Trade Reviewa thought-provoking and significant contribution to our understanding of the aesthetics of electronic music. * Peter Manning, Music and Letters *Table of ContentsAcknowledgements Introduction Part One: Sign Chapter One: Listening to Signs in Post-Schaefferian Electroacoustic music Chapter Two: Material As Sign In Electronica Part Two: Object Chapter Three: Minimal Objects In Microsound Chapter Four: Maximal Objects in Drone Music, Dub Techno, and Noise Part Three: Situation Chapter Five: Site in Ambient, Soundscape, and Field Recordings Chapter Six: Genre, Experimentalism, and the Musical Frame Conclusion Notes Glossary Bibliography Discography
£36.09
Oxford University Press The Synthesizer A Comprehensive Guide To
Book SynopsisElectronic music instruments known as synthesizers have been around since the 1950s, but the past few decades have seen their capabilities expand exponentially and their forms shape-shift from room-filling grandeur to sophisticated applications that run on pocket-sized phones and MP3 players. This book reveals the history, basics, forms, and uses of this astonishing instrument.Trade ReviewSynthesizers are wonderful musical instruments that cover a very wide range of implementations and uses. Mark Vails The Synthesizer is a must-read for anyone who has interest in learning about these engineering marvels. It is a great introduction if you are new to synths, but also very informative and up-to-date for the seasoned synth player. * Dave Smith, Dave Smith Instruments *A hugely detailed, exhaustively researched and splendidly idiosyncratic work which nails its extensive subject matter. Mark Vail enthusiastically charts the development of the synthesizer from the Trautonium to the latest software instruments, and also gives us valuable insights and tips from leading electronic composers, including legendary synth pioneer Wendy Carlos. * Dave Stewart, Keyboardist *In the past few decades, the synthesizer has finally come of age. Mark Vail's extensive work documents this journey from its austere and rarified beginnings to its present technologically sophisticated state. His well-illustrated book is filled with anecdotes and insights, amazing successes and ridiculous flops, expert advice on how to roll your own, lots of commentary on artists, their gear and their methodology, and finally, a guide to recording and disseminating your own musical masterpieces. Stash this volume where its easy to get to; you'll be using it a lot. * Don Buchla, Composer and Instrument Designer, Berkeley, California *Mark Vail is the best explainer and historian of music synthesizers that I know. I highly recommend this book, which is a whole lot of fun to read. * Roger Linn, Roger Linn Design *Table of ContentsForeword by Michelle Moog-Koussa ; Preface ; About the Companion Website ; 1. Trendsetting All-Stars ; 2. Acoustics & Synthesis Basics ; Real-World Acoustics ; Types of Synthesis ; Audio Sources: Oscillators, Noise, & More ; VCAs, Envelopes, & LFOs ; Envelope Followers & Pitch-to-Voltage Converters ; Filters ; EQs & Filter Banks ; Analog Sequencers ; Arpeggiators ; Reverb ; Analog Delay ; Digital Delay ; Loopers ; Other Effects ; 3. Choosing Your Synthesizer(s) ; What's Your Budget? ; Musical Tastes & Goals ; Hardware vs. Software ; Portability & Power ; Programmability: Pros & Cons ; Expandability ; As Others Have Done ; Perspective ; Modular Synthesizers in the 21st Century ; An Overview ; Modular Synth Shopping ; More on Eurorack Modular ; More on FracRak Modular ; More on Serge Modular ; Connectivity ; Convincing Analog & MIDI Synths to Coexist ; MIDI-to-CV Conversion ; CV-to-MIDI Conversion ; Controllers ; Synths & Controllers with Keyboards ; Alternative Controllers ; Wind Controllers ; Touch Controllers ; Hand-Held Controllers ; Struck Controllers ; Controllers for Microtonal Tunings ; 4. Composition, Programming, & Performance Techniques ; Composition ; Scoring to Picture ; Composing for Living Art ; Following Through on a Thought ; Sage Advice from a Master ; Scoring with Intent, Even When Intimidated ; Patching, a.k.a. Programming ; Encouraging Synthesists' Creativity ; When & How to Experiment with Sounds ; The Good & Bad of Non-Programmability ; Programming for Progress ; Fun with Modular Synths ; Layering Synth Sounds ; Programming for Expression ; Performance ; Tools of the Trade ; Dependence on the Tried & True, but Moving Forward ; Modular Apparitions ; Defying the Dependence on Visuals ; 5. Recording the Synthesizer ; As It Was & How It's Become for the Switched-On Innovator ; Serial vs. Random-Access Media ; Strategies for Recording Film & TV Scores ; Harnessing the Power of Modular Synths with Ableton Live ; Automated Mixing ; Outboard Processing: Preparing Audio for Recording ; Recording Direct & Expanding for Surround-Sound ; Appendix: Selected Bibliography, Museums & Films, Manufacturers, Blogs, Dealers & Stores ; Index
£45.59
Oxford University Press Assimilate A Critical History Of Industrial Music
Book SynopsisIn Assimilate, S. Alexander Reed provides the first ever critical history of industrial music. Through a series of revealing explorations of works spanning the entirety of industrial music's past, and drawing on extensive interviews, Reed paints a thorough historical picture that includes not only the bands, but the structures that supported them, and the scenes they created.Trade ReviewAssimilate succeeds in providing an absorbing and extensive introduction to the industrial scene. * Rob Upton, University of Nottingham, Music and Letters *Well-written and impeccably researched, Assimilate is worth a look not only by music fans looking to learn about this industrial wall of sound, but also by scholars of pop culture wondering why the kids feel the way they do. * Electric Review *Table of ContentsIntroduction ; 1. A Fading Vision Lost in Time ; 2. The Pan-Revolutionary ; 3. The "I"-Word ; Part 1: Technology and the Preconditions of Industrial Music ; I. Italian Futurism ; 1. Industry ; 2. The Aesthetics of the Machine ; 3. Crash ; II. William S. Burroughs ; 1. Junkie ; 2. The Control Machines ; 3. Brainwashing and the Conflation of Authority ; 4. Mediatic Verses ; 5. The Cut-Up ; 6. Process as Composition ; 7. Media ; 8. Techno-Ambivalence ; III. Industrial Music and the Avant-Garde ; 1. Noise and Revisionism ; 2. The Revolutionary Class ; Part 2: Industrial Geography ; IV. Northern England ; 1. Progress in Hell ; 2. The Original Sound of Sheffield ; 3. Meatwhistle and ClockDVA ; 4. Throbbing Gristle ; 5. Manchester in the Shadow of War ; V. Berlin ; 1. An Island Out of This Planet ; 2. Strategies Against Architecture ; 3. German-ness ; 4. Ingenious Dilettantes ; 5. West Germany Beyond Berlin ; VI. San Francisco ; 1. Madness in Any Direction, at Any Hour ; 2. Monte Cazazza and Self-Propaganda ; 3. Z>'ev and Survival Research Laboratories ; 4. Factrix and Chrome ; VII. Mail Art, Tape Technology, and the Network ; 1. Fluxus and UFOs ; 2. A History of Tape Trading ; 3. Taping as a Political Act ; 4. The Eternal Network ; 5. A Virtual Scene ; Part 3: Industrial Music as Music ; VIII. The Tyranny of the Beat: Dance Music and Identity Crisis ; 1. Those Heady Days of Idealism Are Over ; 2. Irony ; 3. Technology and Rhythm ; 4. Futurist Pop ; 5. Pleasure ; 6. Industrial Identity ; IX. <"After Cease to Exist>": England 1981-1985 ; 1. The Mission is Terminated ; 2. London ; 3. Beyond London ; X. Body to Body: Belgian EBM 1981-1985 ; 1. A Satellite State ; 2. Luc Van Acker ; 3. Front ; 4. Musical Order ; 5. Bodily Order ; XI. Industrial Music as a Theatre of Cruelty ; 1. Artaud-Damaged ; 2. Theatricalities of All Kinds ; XII. "She's a Sleeping Beast": Skinny Puppy and the Feminine Gothic ; 1. From Pop to Puppy ; 2. Vancouver's Fertile Ground ; 3. Disrupting Maleness ; 4. The Feminine Gothic ; Part 4: People and Industrial Music ; XIII. Wild Planet: WaxTrax! Records and Global Dance Scenes ; 1. Industrial Music and the Mainstream ; 2. The Beginnings of WaxTrax! ; 3. Ministry ; 4. Mixing and Merging ; 5. The Business of Chaos ; 6. Clubbing and Participatory Culture ; 7. New Beat ; 8. The WaxTrax! Heyday ; XIV. Q: Why Do We Act Like Machines? A: We Do Not. ; 1. Pretty Hate Machine ; 2. Industrial Harmony ; 3. Language, the Self, and Gender ; 4. Get Me an Industrial Band ; 5. Resembling the Machine ; XV. Death ; 1. Death as Event ; 2. Death as Metaphor ; 3. Death as Fashion ; 4. New Life ; XVI. Wonder ; 1. Covenant and the Ubiquitous Sublime ; 2. Apoptygma Berzerk and the Spontaneous Sublime ; 3. VNV Nation and the Unthinkable Sublime ; 4. The Futurepop Backlash ; 5. Clubbed to Death ; 6. The Longevity of Industrial Bands ; 7. Industrial Music Is Dead? ; Part 5: Meaning and Revolution ; XVII. Back and Forth: Industrial Music and Fascism ; 1. Extremism as the Norm ; 2. Silent Politics ; 3. Loud Apolitics ; 4. The Effects of Fascism's Spectre ; 5. Fascist Assimilation ; 6. The Hidden Reverse ; XVIII. White Souls in Black Suits: Industrial Music and Race ; 1. Whiteness ; 2. The Inheritance of Blues, Jazz, and Dub ; 3. Exotica, Caricature, and the Techno-Oblivious ; 4. Technology and Racial Engagement ; 5. Black and White ; 6. Repetition and the English Ballad ; XIX. Is There Any Escape for Noise? ; 1. Unpalatable Truths ; 2. The First Two Options ; 3. Transgression as Law ; 4. The Future Happened Already ; 5. Pleasure, Flag Planting, and Revolution ; 6. The Third Mind
£30.87
Oxford University Press Inc Refining Sound A Practical Guide to Synthesis and Synthesizers
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£133.00
Oxford University Press Refining Sound
Book SynopsisRefining Sound is a practical roadmap to the complexities of creating sounds on modern synthesizers. As author, veteran synthesizer instructor Brian K. Shepard draws on his years of experience in synthesizer pedagogy in order to peel back the often-mysterious layers of sound synthesis one-by-one. The result is a book which allows readers to familiarize themselves with each individual step in the synthesis process, in turn empowering them in their own creative or experimental work. The book follows the stages of synthesis in chronological progression, starting readers at the raw materials of sound creation and ultimately bringing them to the final polishing stage. Each chapter focuses on a particular aspect of the synthesis process, culminating in a last chapter that brings everything together as the reader creates his/her own complex sounds. Throughout the text, the material is supported by copious examples and illustrations as well as by audio files and synthesis demonstrations on a related companion website. Each chapter contains easily digestible guided projects (entitled Your Turn sections) that focus on the topics of the corresponding chapter. In addition to this, one complete project will be carried through each chapter of the book cumulatively, allowing the reader to follow - and build - a sound from start to finish. The final chapter includes several sound creation projects in which readers are given types of sound to create as well as some suggestions and tips, with final outcomes is left to readers'' own creativity. Perhaps the most difficult aspect of learning to create sounds on a synthesizer is to understand exactly what each synthesizer component does independent of the synthesizer''s numerous other components. Not only does this book thoroughly illustrate and explain these individual components, but it also offers numerous practical demonstrations and exercises that allow the reader to experiment with and understand these elements without the distraction of the other controls and modifiers. Refining Sound is essential for all electronic musicians from amateur to professional levels of accomplishment, students, teachers, libraries, and anyone interested in creating sounds on a synthesizer.Trade ReviewShepard employs an inviting and accessible writing style to explain advanced topics in a way that is easy to understand. This book demystifies many of the topics of synthesis that can be confusing to people. * VJ Manzo, Assistant Professor of Music Technology, Worcester Polytechnic Institute, and author of Max/MSP/Jitter for Music *Refining Sound is an approachable introduction to the secrets of synthesis. The companion website is chock full of tutorials, making this well organized book a handy reference for either self-study or in a course. * Mary Simoni, Ph.D., Professor Emerita, University of Michigan, Dean, Rensselaer Polytechnic Institute *In Refining Sound, Brian Shepard provides a deeply valuable and sorely needed resource for the musician seeking to understand sound design. In clear language, he thoroughly explains and illustrates concepts that could be tedious and overwhelming for most readers, and does so from the perspective of the musician rather than the mathematician or physicist. I'm sure we will use this book as the primary text in our synthesis classes for years to come. * Scott L. Phillips, PhD, Co-director of Music Technology, The University of Alabama at Birmingham *Brian K. Shepard's book on synthesizers and synthesis is one of those rare volumes which is comprehensive in its explanations of the history of synthesizers and electronic music in general that makes for a jolly good read. For enthusiasts and professionals alike, this book is the best I've read in years. Thoroughly recommended. * J. Peter Robinson, Composer *Table of ContentsForeword ; Preface ; Acknowledgements ; About the Companion Website ; Introduction: Getting the Most Out of This Book ; 1: Synthesis and Synthesizers: Digging Beneath the Surface of Your Synthesizer ; 2: Oscillators: Mining the Raw Materials of Your Synthesizer ; 3: Oscillator Combinations: Creating Exotic Compounds from Your Raw Materials ; 4: Amplitude Envelope Generators: Shaping Your Sounds ; 5: Audio Filters: Refining the Color of Your Sounds ; 6: Internal Modulation Sources: Dynamic Shaping of Your Sounds ; 7: External Control Sources: Shaping Your Sounds with Playing Techniques ; 8: Effects Processors: Polishing Your Sounds ; 9: Putting It All Together: Creating and Refining Your Own Synthesized Sounds ; Appendix I: Further Reading and Information ; Appendix II: Suggestions for the Instructor ; Index
£45.59
