Decorative woodwork Books

Book SynopsisWarning: your workshop is about to be invaded by dinosaurs! Once you get started making these clever dinosaur puzzles, you won't be able to stop. Whether you share them with a special child in your life, sell them at craft shows or keep them for yourself, these ingenious designs will bring enjoyment to all.Beginning and intermediate scroll sawers alike will enjoy creating and assembling these prehistoric puzzles. Basic information is provided about safety precautions, cutting, sanding, finishing and equipment.Thirty-eight patterns are divided by level of difficulty and include all of the most popular dinosaur species, such as Velociraptor, Brontosaurus, Stegosaurus, Tyrannosaurus Rex and many more.A detailed Triceratops puzzle project features new step-by-step colour photos. New patterns are also provided for easy-to-cut dinosaur toys that are completely safe for little children.

Read more less

Book SynopsisDiscover the secrets of intarsia--the art of making beautiful three-dimensional picture mosaics that combine the natural colors and textures of wood. Intarsia legends Judy Gale Roberts and Jerry Booher provide all the inspiration and information readers need to cut, shape, and piece stunning wood inlay wildlife portraits. The authors explain how to choose wood--by judging its size, thickness, color, and grain--and provide expert instruction in shaping and sanding techniques. Three complete step-by-step projects are provided for creating dramatic raised images of a Bald Eagle, a Wild Mustang, and a Bull Moose. Eleven additional patterns feature a cross-section of North America's most popular wild animals. Wildlife Intarsia, Second Edition also features full-sized patterns and a colorful new photo gallery of inspiring projects.

Read more less

Book SynopsisCreate your own interlocking building blocks and remember the childhood days when you sat on your living room floor playing with stacking toy blocks. Through 109 color images and diagrams, illustrated step-by-step directions tell you how to make the blocks from the first cut through assembling an entire city. Learn to make wall, roof, window, and door blocks, as well as blocks for the walkways, streets and the grounds that will surround the buildings. Soon you will be on your way to having a fun new hobby. It's also a perfect activity for parents and children to share together. Chapters include tools and materials, methods for making the blocks, and instructions for working with them. Let the building begin!

Read more less

Book SynopsisOutdoor Carpentry is the first tool you need to fulfill all your dreams for a large terrace, a flowerbox, an outdoor kitchen, a fence, a shed, a small bench, an entire carport, or a whole array of other projects for the yard. The projects are presented with over 300 inspiring and illustrative color photographs as well as clear, close-up drawings and construction details. In the basic information section of the book, the home woodworker will learn all about materials, rules and regulations, joining and finishing, and tips and tricks for laying foundations. The 65 projects outlined here have varying levels of difficulty, so it doesn't matter if you are a beginner or a practiced hobby woodworker: this book is perfectly suited for those who enjoy working with their hands, creative and practical projects, and the satisfaction of beautifying their surroundings themselves.

Read more less

Book SynopsisFrom an auto repair shop at one end of the street to a movie theater and a building under construction at the other, this book depicts downtown USA during the Great Depression, through the eyes of 29 of North America''s top caricature carvers. The Caricature Carvers of America (CCA) present the 1930s street scene, complete with 11 buildings and over 100 original caricature carvings. In their newest project, CCA members offer their approach to developing ideas, building models, carving, painting, and finishing techniques through photos, patterns, and text. The book includes a step-by-step chapter on carving a piece from the scene as well as patterns and details for many of the original carvings.

Read more less

Book SynopsisNot sure what to do with that old, dilapidated chair that has been sitting in your garage or down your basement? How about turning it into a decorative piece of art for everyday use or for a seasonal decoration? In this new DIY book, master painter Sammie Crawford takes you through, step-by-step, seven chair-painting projects: the rose, sunflower, tiger lily, frog, butterfly, rooster, and, just in time for Christmas, the Santa chair. With color photographs and patterns, as well as lists of supplies and color palettes provided, use this book to follow along with the projects or gain inspiration for your own creative ideas. This book is perfect for painters of all skill level.

Read more less

Book SynopsisI am interested in your personal hang-ups: Not your lifetime neuroses but your (ideal) hat, coat and/or clothes tree or hanger, wall hooks, free standing pole, rack, stand or small wall system. With this invitation Gail M. Brown, an independent curator, challenged artists to create inventive forms for an exhibition at The Center for Art in Wood in Philadelphia. The resulting sculptures by 38 artists ranged from a straightforward coat rack to a four-foot apartment house riding on a fish, from a scepter-like paean to Joan Miro to a four eyes nun-backed chair, and from a bird house to a wall-mounted seat and desktop. The artists used a wide range of woods, from the ordinary to the exotic, as well as rubber, steel, and gold-plated brass. The works project grace, intelligence, whimsy, humor, and serious craft.

Read more less

Book Synopsis

Read more less

Book SynopsisFor the economical do-it-yourselfer who wants to build his or her own skiff, this instruction manual relies on simple techniques and hand-powered tools and shows how to make a boat in a minimum amount of time. Start your flatiron skiff in the spring and be on the water by summer. Boat-building instructor K. D. Jones explains his Thoreau Approach, which involves learning to trust your instincts like craftsmen of centuries past as you use your eyes and hands to build simple, elegant, functional boats. The book includes lists of recommended tools and accessories, design variations, instructional photographs and drawings, and a little history about this under-appreciated type of boat, named for its resemblance in shape to an antique cast-iron press. The use of these traditional methods and of local materials not only reduces construction costs but also prevents exposure to toxic adhesives and solvents.

Read more less

Book SynopsisThis UK author transforms a classic craft into an art form that expresses contemporary style. This title examines the methods for burning tribal and celtic designs, animal prints like zebra and leopard, as well as delicate floral and leaf motifs. It includes photos of the author's gorgeous work that are enough to make anyone want to try their hand at this surprisingly easy craft. Simon Easton's brand of woodburning is hip, edgy, modern. He's transformed a classic craft into an art form that expresses contemporary style. The beautifully-photographed guide teaches readers how to draw with fire - otherwise known as pyrography, or woodburning. They'll learn how to make basic marks, like wavy lines and dots and how shading and repetition creates richly textured patterns. Easton calls his creations 'wood tattoos,' because each finished piece has a distinctive story to tell. The end result is the kind of decorative items you'd be proud to display on a mantel, hang on a wall, or give as a personalised gift. Projects include funky bangle bracelets, a beautiful wall clock and a decorated plate, as well as coasters, key rings, a door sign and more.Trade ReviewSimon Easton leads you through the basics of our craft with an in-depth exploration of tool styles, pen tip styles and even how to create your own wire tips. His deep understanding of the art theory used in pyrography design is clearly shown through a series of wonderful sample burns and his illustrations that reflect his approach to executing any pyro project . "Woodburning with Style" is not so much a how-to book as a why-to book that will teach the beginning pyrographer as well as the advanced new ways of thinking about how to turn any design into an exciting wood burning adventure. This is a book that you will read thoroughly and then return to often as you grow in your craft of pyrography.I am so chuffed I can't describe it!! A fellow Moderator, Simon Easton on the Crafts Forum was asked to write a book on how to get started in Pyrography and asked for non wood crafters for help to show the diversity of wood burning and that it could be combined with other crafts. So, naturally I offered my services and Si burned the initials H and S into two wooden discs so I could make Hayley and Stephens Wedding Card. I don't think I blogged it when I made it (doh) but here you can see it in print: I also asked Si to make a tooth box so that the tooth fairy could keep all Samuel's tiny baby teeth in together. Samuel likes dinosaurs and I wanted his name on the box and left the rest to Si. And here you can see how he made the design - IN HIS BOOK!!!!! Samuel's name has been burned into the wool in the style of bones. I am so pleased with the box to the extent that I am looking forward to Jacob loosing his baby teeth! So, the book is called Woodburning with Style and is by Simon Easton. It's published by Fox Chapel Publishing and is not yet available to buy - but I've got one!! It's packed full of useful tips and projects and basically everything you need to know about woodburning. The only downside, and I hope you take note of this Si, is that it should come with a scratch and sniff page as the smell of burning wood is the best in the world! You can actually pre-order it on Amazon via this link - and its a really good book to have! Both my boys have looked through it and have asked lots of questions on how it is all done. Beautiful photos and a lovely writing style that will appeal to anyone! Go buy!!!!It was many months ago that I first heard Simon Easton was writing a book. At the time it seemed such a distant completion date and such a monumental task that I admired Si's dedication in 'sticking with it'. For as long as I have been a member of the Crafts Forum I have admired Si's work. So when he asked for ways in which pyrography could be incorporated into other arts and crafts, as well as pictures he could work with, I am sure he was inundated with offers - I certainly stepped forward! The result is a seriously impressive book. Woodburning with Style is beautiful in its own right and could happily grace any coffee table whether you are into pyrography or not. The presentation style is very accessible, a comprehensive guide for beginners and more experienced pyrographers. Chock full of tips and techniques that walk you through 'how to achieve a look' but not so structured that you would not be able to develop your own style After all inspiration is flattering but outright copy catting is unfair and nasty. When someone makes a craft look easy it's testament to their skill not that it is easy! Simon manages to impart technical expertise in a way that, if you follow his guidance, you would achieve a pleasing result too. On the Craft Forum Simon has always been very generous with his knowledge and this book is no exception. Some authors give you enough to 'be getting on with' but not so much that you feel confident, but Woodburning with Style is not like that, which makes a refreshing change. Just why am I writing about a book that has nothing to do with glass? Well, Simon kept CF folk posted with his progress along the way and made everyone feel part of his project even though he alone was putting in ALL the legwork while the rest of us ooohed, ahhhed and urged him to keep up the good work! On top of that, I recognise some of his pieces and it's fun to see familiar names through the book of other virtual friends. There is even an armadillo and that chess board is stunning! Lastly, a photo of mine made it into Si's book which I am very chuffed about. The step by step project based on the photo is awesome and truly showcases Simon's expertise and willingness to share his skill in 'drawing with fire'. Wednesday, 14 July 2010My thoughts on Woodburning with Style by Simon Easton It was many months ago that I first heard Simon Easton was writing a book. At the time it seemed such a distant completion date and such a monumental task that I admired Si's dedication in 'sticking with it'. For as long as I have been a member of the Crafts Forum I have admired Si's work. So when he asked for ways in which pyrography could be incorporated into other arts and crafts, as well as pictures he could work with, I am sure he was inundated with offers - I certainly stepped forward! The result is a seriously impressive book. Woodburning with Style is beautiful in its own right and could happily grace any coffee table whether you are into pyrography or not. The presentation style is very accessible, a comprehensive guide for beginners and more experienced pyrographers. Chock full of tips and techniques that walk you through 'how to achieve a look' but not so structured that you would not be able to develop your own style. When someone makes a craft look easy it's testament to their skill not that it is easy! Simon manages to impart technical expertise in a way that, if you follow his guidance, you would achieve a pleasing result too. On the Craft Forum Simon has always been very generous with his knowledge and this book is no exception. Some authors give you enough to 'be getting on with' but not so much that you feel confident, but Woodburning with Style is not like that, which makes a refreshing change. Just why am I writing about a book that has nothing to do with glass? Well, Simon kept CF folk posted with his progress along the way and made everyone feel part of his project even though he alone was putting in ALL the legwork while the rest of us ooohed, ahhhed and urged him to keep up the good work! On top of that, I recognise some of his pieces and it's fun to see familiar names through the book of other virtual friends. There is even an armadillo and that chess board is stunning! Lastly, a photo of mine made it into Si's book which I am very chuffed about. The step by step project based on the photo is awesome and truly showcases Simon's expertise and willingness to share his skill in 'drawing with fire'. I wish Simon all the success he deserves! Also it's highly recommended that you go and get a copy before they all sell out! Perhaps on AmazonSimon Easton's brand of woodburnlng is hip, edgy, and modem. He's transformed a classic craft into an art form that expresses contemporary style. With the author's new book, Woodbuming with Style, anyone can convey a unique personal flair. This 208-page guide teaches readers how to "draw with fire" using a simple toot that's a cross between a pencil and a curling iron. Even new crafters can easily decorate any wooden surface and discover how to easily embellish objects with rich texture, patterns, and motifs.As a child, I took a brief stab at woodburning. My brother had received a kit as a birthday present and was willing to share. I don't know what happened to that artwork of my youth, but wow, woodburning (formally pyrography) has come a long way. A few weeks ago, a new book arrived at my desk. One look at the cover and I was hooked on woodburning all over again. Now, it's classy, even contemporary. After browsing through "Woodburning with Style" by Simon Easton, I bought a woodburning kit the following weekend. The way Easton presents his subject matter is simple and well presented in words and pictures. He starts with the basics: what tools you need and how to use them safely. Then come simple projects, with how-to photos and tips all along the way. He gradually sees us through making coasters, key rings, clocks, door signs and plaques. Planning, drawing, using patience, trying new objects, patterns and subjects. The book wraps up with color techniques, eye-catching Celtic patterned border plates and appendices: types of wood, texture and pattern samples and resources. Thank goodness for "resources," because I was wondering where to get those bangle bracelets shown off on the book cover. I'm planning on turning some out for Christmas presents this year. Recently I purchased a couple of wood blanks in a local crafts store and sat down with Easton's book to give it a try. What I learned is I have a long way to go, and eventually I'll have to spring for that pricey pen. But all this inspired me to contact Easton by e-mail about his terrific new book and get the scoop about woodburning as art. Were you born into pyrography? I first experienced pyrography at a young age but I certainly don't consider myself to be young now! I remember using a pyrography kit in Design and Technology lessons at school to make a games board when I was 11 or 12. I then didn't touch any woodburning equipment again for another 15 years or so. Did you take a lot of art classes? I have always loved art and design subjects, and I worked in a wide range of media during my studies at all levels. These included fine art, ceramics, photography, graphic design, printing, sculpture and many more. I eventually realized that I gained the most enjoyment from working with solid materials such as wood, glass, metal and plastics. I studied (for) a bachelor of arts degree in three-dimensional design in which I focused more on wood and metal. All of the designs that I produced featured a decorative or textural element, and pyrography has been the next step in my hunt for ways to adorn a wooden surface. Why this book? Why now? I decided to buy myself a pyrography kit back in 2007 for purely recreational reasons -- to give me something to do when not at work which was creative and rewarding. I really enjoyed using it and started making a massive range of different items and designs. I joined the UK Crafts Forum (craftsforum.co.uk) and started to learn about ways to promote and sell handmade items. Within a year, I had a website, was selling online and was exhibiting at crafts fairs. I became a moderator on the Forum and offer my experience to others starting out. I received an e-mail from Fox Chapel Publishing out of the blue one day, stating that they had seen my pyrography work and liked my individual style. I was asked if I wanted to write a book on the subject and I leapt at the opportunity, as I've always dreamt of being an author since I was a child. I believe that my style adds a new contemporary take on the art of pyrography, both complementing and adding to the talent of other woodburning artists producing great designs today. I also think that there is a substantial rise in the appeal of handcrafted gifts in the current economic climate: I believe that people are looking to get more for their money, and unique or personalized handmade designs are definitely becoming more popular due to this. You've also received awards for your woodturning, silversmithing and pewterware work. What's your favorite? Did one lead to another? It was a real honor to receive recognition for my designs from both the Worshipful Company of Goldsmiths and the Worshipful Company of Pewterers, but the most rewarding success for me was my involvement in the "onetree" project which stemmed from a single oak tree felled in 1998. All parts of it were saved and distributed to artists, craftspeople and manufacturers to make a huge range of beautiful and useful pieces. All of the work formed a major touring exhibition across Great Britain in 2001-2002, accompanied by a book with a foreword from Prince Charles. My design for a turned wooden oak bowl with a spun pewter insert was accepted for inclusion, which was a real honor as I believe I was the only student to successfully submit a design. (Editor's note: For more information, visit onetree.org.uk; for the book, visit amazon.co.uk.) What's your next project? I'm working on updating my website (woodtattoos.com) as well as a number of commissions for customers. I'm also in the early stages on development for further books: I'm working on a visual reference book of designs I've come up with, and I would also like to make a further book of pyrography projects for budding woodburners to experiment with. Anything else you'd like to add? Pyrography is such an individual art and I hope that my book helps people of all ages and skill levels to pick up a kit and enjoy using it. People can get in touch with me through my website or at facebook.com/woodtattoos if they would like to keep updated with my latest creations.It is only necessary to glance at the three pages devoted to nib shapes in this book to realise how the craft of pyrography has changed over the past few years. Pyrography i. - and will always remain - an artform. But the craft that gives rise to this art has developed in a manner that is sure to encourage many who might have previously thought it too difficult to achieve worthwhile results. This book is clearly aimed at ensuring that aspirants are given the knowledge and guidance they need to embark upon their personal journey in pyrography. Woodburning with Style begins with a short Introduction describing the equipment and materials commonly used. Chapter 1 deals with Simple Mark Making shOWing the kind of work that can be performed with the 'four essential nib shaPe::s'. There is also a page on troubleshootmg for those who may have difficulty achieving the marks shown in the illustrations relevant to each nib. The second Chapter explores Basic Decoration Techniques and the third, the subject of Silhouettes. In Chapter 4, the author introduces the notion of Drawing with Fire - freehand sketching using a pyrographic pen. The next three chapters provide the information necessary for the reader to refine the techniques that are used when 'Drawing with Fire' - the creation of textures and patterns, the formation of lettering and the drawing of portraits. In addition to the instructional material, the book contains projects designed to test the developing skills of the reader. These include Decorative Key Rings, a Hanging Wall Clock, Landscape Artwork, a Door Sign, Tattoo Bracelets and a Patterned Border Plate. Woodburning with Style is easy to read and well illustrated. The layout and content of the book show that it is intended as a comprehensive course in pyrography but any of the hints and tips it contains would be of value even to those who are reasonably experienced in the craft.With his contemporary flair and use of pattern, Easton takes you on a journey from the concepts and basics of woodbuming to tips and techniques that encourage your creativity and the development of style. Step-by-step projects such as coasters, key rings, and a wall dock are mixed in with lessons on everything from making slniple marks to texturing and lettering. Easton's teaching style imparts guidance while letting you find your own creative niche with the art form. If you are a beginner, this book will have you wanting to learn more, and if you are an experienced pyrographer you wlll be inspired by Easton's designs.In 2000, a single oak tree was distributed root and branch to a select number of British artisans in a project called the onetree project. Simon Easton had just finished his design degree (with Honours) and was nominated because he had already won the respect of his artisan peers. Simon created a turned wooden bowl with a spun pewter insert and titled his piece Wish, Hope, Dream, Everything. Woodburning with Style reveals Simon's passion for wood tattoos and his prodigious talents as an artist as well as artisan. Simon's fresh and vital approach to the art of pyrography leaps out of every one of the 207 pages of this inspirational tome. The book is divided up into eight informative chapters, each ending with a project. The instructions and illustrations given are clear and concise, building skills and confidence in what really is a series of master classes in the art of woodburning. Chapter one introduces basic skills through the creation of a coaster. The following chapters run on the themes of decorating techniques, silhouettes, landscapes, texture and pattern, lettering and portraits. The project at the end of the chapter on Landscape Artwork is a perspective exercise in crafting a rendered perspective of a castle. The final chapter showcases Simon's Wood Tattoo creations and ends with a step-by-step lesson on how to craft the beautiful Celtic pattern featured on the cover of the book. Simon has generously poured his creative talents into producing a wonderful tour-de-force on the art of burning wood with a pyrographic pen.The craft of woodburning, or pyrography, has been greatly aided in recent years by improvements in the pens and nibs (points) used for burning. Easton, an expert woodturner and metalsmith, discusses basic mark making and decoration techniques using purchased and homemade nibs and applies them to practice projects using designs copied from many sources. There are not many books available on the craft, and this will be welcome in general collections.I will admit, I'm not a pyrography genius. In fact the last time I used a woodburning tool, it was Christmas Day and I was about five years old. It didn't go well. A lot has changed since then. The tools have improved, there is a large and growing group of woodburning artists and there are great books to show you the basics and inspire you to pick up the art of pyrography. Woodburning with Style is the perfect book if you're just learning. Not only will it teach you about the equipment available, it covers decorative techniques, lettering, portraits and more, before providing a chapter of inspirational projects and photographs to really get your imagination going. Pyrography is an art in itself but can also be used in conjunction with turnings, carvings or furniture making.I'm really quite an amateur when it comes to the art of woodburning. I played with it as a child, forgot about it, and became interested in it again a few years ago. This book was a real find. It covers everything, from selection of tools to basic techniques to complex designs. No matter what your level of expertise, you'll likely find something new somewhere in this book. There seem to be two basic tool choices available for those who want to try their hand at pyrography: the solid point tools that most children use - inexpensive, but less adaptable; and the hot wire machines - MUCH more expensive, but capable of real artistry. The patterns in this book can be realized with either tool. I'm not yet to the point where I can justify the expense of a hot wire machine, so my experiments with the patterns in this book were all done with a solid point tool. Bottom line: if you do the practice exercises included in each chapter of this book, you will GREATLY improve your technique. I was amazed at how much more comfortable I became with the pen. Each chapter also contains a project (or two) that utilizes the techniques you just practiced. Get yourself some scrap wood and just go for it. Chapters 1 and 2 are fairly basic. Chapter 3 starts to get more complicated, but even here, the project, a clock face decorated with silhouettes of trees and stags, is fairly simple, and the author provides sufficient instruction for the student to complete the project using their own choice of subject. Part of what turned me off woodburning as a child was the overemphasis on wildlife subjects. You won't have that problem with this book. Chapter 4's project takes you from a photograph to pyrographic art. It's complex, yes, but the author's step-by-step layering of techniques makes it doable even for someone like me. (I'll try to post a photo my version of this exercise later ) Each chapter provides the opportunity for the student to try new techniques, and perhaps look at woodburning in a new way. The appendices include information about different kinds of wood and pattern samples -- all good stuff. This is definitely one of the better books of its kind out there. I've started looking round my house for things to embellish with burn marks -- and I've been pouring over internet sites that offer things made of wood. This is going to keep me busy for quite awhile, I think.There are some great tips and exercises, which every carver will find useful.

Read more less

Book SynopsisCreate your own one-of-a-kind functional artwork that will be cherished for years to come with this treasury of 135 classic gunstock carving patterns. You're sure to find the best carving pattern here for your next project, from basic checkering to dramatic hunting-related scenes. Excellent choices are provided for every skill level, from beginner to expert, so you can start with a basic pattern and tackle more intricate designs as your experience in gunstock carving grows.

Read more less

Book SynopsisIf you've ever wanted to take up the creative art of pyrography, here's the perfect place to start. Big Book of Pyrography Projects is packed with tips, tricks and inspiration. All you need is this big book and an inexpensive woodburning tool to start adorning wood, paper, gourds and more with beautifully burned images and patterns.Leading pyrography artists and authors show you how to complete 23 of their favourite projects, from realistic portraits and landscape scenes to stylized frames, platters, boxes, bowls and birdhouses. Applications in both fine and decorative art are presented in traditional designs as well as modern innovations.Whether you're a complete beginner or an accomplished pyrographyartist, you're bound to find exciting ideas in this book. You'll also find helpful advice inside on choosing a woodburning system, creating your own patterns, making practice boards, staying safe and keeping your woodburner clean. A full-colour gallery presents a stunning array of projects from international artists to stir your imagination and spark your creativity.

Read more less

Book SynopsisThe first-ever comprehensive guide to creating wooden jewelry, learn and practice several woodworking skills - including jointing, turning, steaming, polishing, staining, painting, beveling, inlaying, and more - to discover a brand new art perspective! Combining wood with other media, from silver to silicon, you'll learn 10 techniques and create 14 beautiful and accessible jewelry projects that are fresh and modern, going beyond metal. Author and renowned artist jeweler Sarah King works with materials, form, and structure to make sculptural, contemporary, and feminine jewelry. Her work has been sold in department stores, design stores, boutiques, and galleries, including Barney's, Liberty of London, The Conran Shop, and more. She has won many awards, such as the Association of Contemporary Jewelry Prize, and is one of only 50 international contemporary jewelers invited to show at the LOOT exhibition at the New York Museum of Arts and Design. With Creating Wooden Jewelry, you'

Read more less

Book SynopsisA must-have project guide for chip carvers of any skill level, Functional Chip Carving Designs for the Home features a compilation of 36 original projects from the archives of Woodcarving Illustrated. Useful as they are decorative, carve a collection of achievable chip carved designs for your home and everyday life! From bowls, boxes, and beard combs to Christmas decorations, coasters, coffee scoops, and so much more, each original project includes detailed step-by-step instructions, coordinating photography, full-size chip carving patterns, complete supplies and tools lists, and expert tips.

Read more less

Book SynopsisScroll a collection of 25 simple and adorable animal family puzzles! From sloths, koalas, and kangaroos to cats, unicorns, and more, each freestanding scroll saw project is made up of no more than 10 pieces and only take about 20 minutes to cut. Opening with a helpful section on basic instructions and a step-by-step tutorial, this compilation of nesting animal family patterns are fun to make, great for kids to play with, and beautiful to display! Author and scroll saw artist Jaeheon Yun of Yangpyeong is known for his whimsical puzzles, which he cuts from hardwoods and seals with child-safe finishes and an occasional splash of color. Minimalist and modern, Adorable Animal Family Puzzles in Wood is the perfect addition to every scroll saw library!

Read more less

Book SynopsisCovering a technique popularised by master woodturner, Ray Allen, this manual moves beyond basic woodturning with the segmented woodturning technique. This creative approach is demonstrated in one complete step-by-step project that effectively guides woodturners through the complicated process of creating geometric, repeating patterns with a South-western feel. Detailed, illustrated instructions make this seemingly elaborate technique approachable. Additional information on common problems helps avoid mistakes along the way. A full-colour photograph gallery provides inspiration for future projects.Trade ReviewRay Allen was a master of segmented bowl turning who favored Southwest Indian Motifs in his designs. He died in 2000. but not before laying the groundwork (with Nish) for this interesting guide to his favorite pasttime. You might want to start in the middle of this book, where a 56-page gallery of Allen's finished work could inspire you to try your hand at this intricate craft. Then go back to the beginning to get the lowdown on tools and equipment you'll need, how to formulate and cut your segments, and how to draw up a blueprint for your own design. next, work through the photo-illustrated 95-step process to create your own vessel, which involves some advanced turning techniques. There are 11 additional plans for alternate designs. The softcover book sells for $25.95 and is 137 pages long. www.FoxChapelPublishing.comTable of ContentsTable of Contents: About the Artist vi Introduction 1 Chapter One: Tools and Equipment 3 Chapter Two: Drawing Blueprints 9 Chapter Three: Turning a Segmented Bowl

Read more less

Book SynopsisThe basics of box-making are covered in this manual for the scroll saw, including designs for hinged and lift-off lids, boxes with drawers, and laminated boxes. Patterns are provided for 30 eye-catching variations of such items as recipe and tissue boxes, knitting trays, desk organizers, jewelry boxes, and boxes embellished with stacked wood to create checkerboard, diamond, pinwheel or pie-segmented effects. Full-sized patterns for box, lid, and lid insert are presented for all projects and an introductory chapter covers wood selection, lining material, tools, adhesives, and color photos with clear instructions to make this an informative guide for all scroll saw techniques.

Read more less

Book SynopsisFirst invented in Switzerland in 1796, music boxes have long been decorated using time-consuming hand-carving methods, but this new and revised edition of a popular scroll-saw woodworking manual offers designs that make the job much faster and more fun. Updated with 250 line drawings, the instructions include steps for cutting the base, frame, and turntable for a music box; a guide to assembling the pieces; tips on inserting the musical works; and shop-tested patterns for 100 intricate scroll-work turntable toppers with both Christmas and Victorian themes.Trade ReviewIf I had to rate this book on a scale from 1 to 10 I would have to give it a full 10. This is the nicest pattern book I have...my first impression was WOW. This is a very impressive pattern book. I own about 35 pattern books and this one is among the best.Table of ContentsABOUT THE AUTHORS..............................................................iv INTRODUCTION.........................................................................1 GETTING STARTED.....................................................................2 Safety tips............................................................................2 Copying the pattern.............................................................2 Preparing the surface...........................................................3 Transferring the pattern.......................................................3 Selecting the materials.........................................................3 Selecting the blade.............................................................4 Squaring the blade.............................................................4 Creating and auxiliary table.................................................5 Drilling blade entry holes.................................... ................5 Veining............................................................ ..................5 Cutting the frame................................................................6 Cutting the feet...................................................................7 Stack cutting......................................................................8 Sawing thin woods.............................................................8 Music box movement kit.....................................................9 Assembly for veritcal turntable projects...............................9 Assembly for horizontal turntable projects..........................10 Finishing techniques..........................................................10 Customizing your project..................................................10 PROJECTS...................................................................................11 Angels.............................................................................11 Children...........................................................................27 Christmas.........................................................................41 Mother's Day and Father's Day.........................................76 Religious..........................................................................90 Romance.......................................................................105 Victorian................................................ .......................149 Interchangeable.................................... ........................170

Read more less

Book SynopsisWoodworkers, carvers and turners of all skill levels will discover 15 fantastic and unique walking stick projects that range from a basic pine staff to a sophisticated brass-adorned turned cane. Complete with step-by-step instructions, detailed patterns and in-depth coverage of shaping, turning and finishing techniques, this book also includes a valuable guide to woods and an impressive gallery of works from the private collection of Albert LeCoff, executive director of the Wood Turning Centre in Philadelphia.Trade ReviewLarge, clear photos are linked to excellent explanatory text in this beautiful book on walking sticks, canes and staffs. Fifteen individual projects are described step by step, from a simple pine branch to flat walking sticks to carved patterns from Lora S. Irish. Directions are also given for a laminated, bent-handled cane. Self describes sevral different kinds of screw fasteners for joining canes and staffs made in sections, and covers what hardware is available, from screw-on handles to hame knobs. He even suggests decorative hardware from found items such as upholstery tacks or brass jacket buttons. Many of the canes represented are lathe-turned, but others are made from sticks with bark remaining, or root pieces selected for bent handles. The author goes into detail about tools needed for shaping and sanding, and is careful to discuss tools, adhesives, and safety-related issues. One section is devoted to sample color swatches of forty different hardwoods with their range of availability, relative cost, and workability. It would be nice to know you can acquire a wood locally, look it up in Mr. Self's list to see its grain and color patterns, then read about its durability and how well is stands up to drying and carving. A great feature of this book is a gallery presentation of the cane collection of Albert LeCoff, founder of The Woodturning Center in Philadelphia. The canes were gifts from accomplished woodturners, in appreciation of Mr. LeCoff's contribution to the field. Many are quite imaginative, and an inspiration to lead into the various projects.Large, clear photos are linked to excellent explanatory text in this beautiful book on walking sticks, canes and staffs.by Charles Self includes step-by-step instructions for making 15 different walking sticks. These projects range from a simple pine branch cane to a brass-handled and stylishly turned two-piece cane. The book includes info on what woods to use, the tools and hardware needed, and construction and finishing techniques. Also included is an inspirational section exhibiting the canes in the private collection of Albert LeCoff, the executive director of the Wood Turning Center in Philadelphia.Table of ContentsINTRODUCTION: A FEW GOOD STICKS.....viii GALLERY: ALBERT LeCOFF'S RACK OF CANES.......1 PART 1: GETTING STARTED.......11 Woods for Walking Sticks, Canes, and Staffs...13 Wood species...14 Purchasing wood...15 Using found wood...15 Harvesting roots...15 A Stick Maker's Guide to Hardwoods...16 Storing wood...24 Bending wood...24 Sizing walking sticks and canes...25 Adhesives, Hardware, and Fasteners...27 Clamps...31 Mechanical fasteners...34 Tools for Walking Sticks, Canes, and Staffs...41 Measuring tools...42 Hand tools...44 Power tools...50 Eye, hearing and lung safety...55 Finishes for Walking Sticks, canes, and Staffs...57 The finishing process...58 PART 2: WALKING STICK, CANE AND STAFF PROJECTS.....65 Flat Walking Sticks...67 Flat Walking Stick in White Oak...68 Flat Walking Stick in Sycamore...70 Flat Walking Stick in Sycamore with Hame Ball...72 Flat Walking Stick in Mesquite...74 Bark-On Sticks and Canes...77 Pine Branch Cane...78 Maple Stick...80 Sumac Stick...82 Willow Sticks...85 Willow Stick with Natural Hoof Handle...86 Willow Stick with Ball Handle...90 Patterns for Carved sticks, Canes and Staffs...93 Turned Walking Sticks...109 Cherry Walking Stick and Camera Stand...110 Two-Piece Cherry Cane...116 Cherry and Rosewood-Handled Cane...122 Sassafras and Mesquite Two-Piece Cane...126 Sassafras Cane with One-Piece Shaft...130 Laminated Canes...135 Laminated Cherry and Oak Cane...136 INDEX AND RESOURCES...141

Read more less

Book SynopsisFeaturing clear language and appealing full-colour illustrations, this intermediate-level manual shifts the focus to a survey of interesting special techniques that are seldom seen together in one volume - including chucking, turning spindles, drilling, forming round objects and multi-axis turning. Projects in this guidebook include chucking a spoon, creating a ring and turning a sculpture of a tree from a block of wood. Many of these tricks are shown to come from the long history of woodturning and a number of old engravings and other materials are presented to give historical depth to the discussion.

Read more less

Book Synopsis

Read more less

Book SynopsisThis ultimate, comprehensive guide explains how to make a wide range of traditional walking sticks, market sticks and crooks. Includes sourcing and seasoning wood, adapting material, shaping handles, fitting collars, decorating, and finishing.

Read more less

Book SynopsisThis stunning book will be on the wish-list of any woodworker and is must-have for any wood-artist's library. As the first book to catalogue the preeminent collection of American studio furniture owned by the Smithsonian's Renwick Gallery, "Studio Furniture" is a beautifully photographed chronicle of one of the most important movements in modern craft - the Studio Furniture movement. Featuring a Who's Who of American furniture making, it features 84 stunning pieces and provides fascinating insight into each maker's professional training, artistic techniques and inspirations. Among those included are Sam Maloof, Tage Frid, Wharton Esherick, Wendall Castle and other artists whose work is unsurpassed for its functionality, creativity and fine craftsmanship.Trade ReviewOscar P. Fitzgerald's Studio Furniture of the Renwick Gallery (Fox Chapel Publishing, $35) serves as vital analysis of contemporary American studio furniture through the 84 examples from the museum's permanent collection. The catalog chronicles the history of the Smithsonian American Art Museum's Renwick Gallery, documenting each piece with a large full-color image and a brief accompanying artist biography. In all, this is a can't miss text for any collector of American studio furniture. See the original review here.The best thing about museum collections is that the pieces are all actually there, to be experienced in person. That's also the problem with collections: that the pieces must actually be there. So any collection that purports to be representative of a major movement ends up hamstrung by logistical realities. I'm guessing here, but the seminal piece or piece must not be available in many cases. In this beautiful, wide-format soft cover, Oscar Fitzgerald does an admirable job of describing each maker's importance to the movement, but the book is only as good as the collection itself, and time and again, I found a maker's signature pieces missing. Garry Knox Bennett, John Dunnigan, Wharton Esherick, Michael Hurwitz, Kristina Madsen, Jere Osgood, the names are right but the pieces weren't. The curators had better luck with some than others. Wendell Castle and Sam Maloof got full justice. And I was exposed to wonderful pieces and makers I had never seen before. On the other hand, recent artists were included whose work is, frankly, mediocre. I saw a blasé version of a Windsor chair, a bad knockoff of a Maloof rocker, and a mediocre children's chair by someone who was briefly a student and apprentice and then left the field. And some true heavyweights were left out: David Lamb and Terry Moore, with their unmistakably contemporary but always sure handed takes on period furniture; Brian Newell and Michael Puryear, who do the same thing with Asian and African motifs, respectively. Check past back covers of Fine Woodworking for others. I came away thinking that the way to do a definitive book on the studio furniture movement is not to base it on one exhibit, even one at the nation's greatest museum. Why be at the mercy of a curator's whimsy and the realities of collection when all you need are photos of the pieces, not the pieces themselves? I'll forward that thought to our books department here at the Taunton Press. Maybe they'll take up the mantle.Art, architecture, and design meet function in this stunning book. Studio Furniture documents and celebrates the masters of the craft while offering a historical retrospective of American furniture practice. A terrific resource for the collector, student or layperson.Fitzgerald offers a long-overdue portfolio showcasing the Renwick Gallery's entire 84-piece collection of crafted American furniture. This critical resource will serve as a foundation for the study and historic preservation of 20th-century American furniture makers' work. Fitzgerald's perspective lends a deeper understanding of the craftsmen's unique personal expression, experience, and cultivated vision in this genre. His artist biographies and bibliographies highlight these individuals' ambitions and idiosyncratic development, which extends to areas including pop culture. Many adhere to traditional wood furniture craft yet incorporate new approaches in their one-of-a-kind works of art. Readers will gain further insight into functional and physical communication from the conceptual, historiographical, and narrative commentary. This comprehensive review of 50 years of modern American furniture practice recognizes furniture design's close alignment with architecture, the decorative arts, and culture. Contributing to the historical perspective are 115 color photographs highlighting the significant contributions furniture designers have made to the culture of the last century. Summing Up: Highly recommended. 3 STARS. Upper-division undergraduates through professional/practitioners; general readers.About the Author: Oscar P. Fitzgerald earned his M.A. and Ph.D. in history from Georgetown University and served as director of the Navy Museum in Washington, D.C., until he decided to pursue full time his passion as a furniture historian and decorative arts consultant. He is currently on the faculty of the Smithsonian Institution/Corcoran School Master's Program in the Decorative Arts, where he developed and teaches a core course on the studio furniture movement.His book Four Centuries of American Furniture, which includes coverage of the studio furniture movement, is the standard reference work in the field. In 2004 he was awarded a prestigious James Renwick Research Fellowship, which funded research for an essay published in the 2005 issue of Furniture Studio. About the Book: The 84 pieces of studio furniture owned by the RenwickGallery of the Smithsonian American Art Museum constitute one of the largest assemblages of American studio furniture in the nation. Three former administrators-Lloyd Herman, Michael Monroe and Kenneth Trapp-amassed a seminal collection that samples studio furniture's diversity. From the carefully crafted stools ofTage Frid to the art deco chest painted by Rob Womack, from the one-of-akind Ghost Clock sculpture by Wendell Castle to the limited production stool by David Ebner, the collection highlights the astonishing variety of the American studio furniture movement. In this catalogue, author Oscar P. Fitzgerald documents each piece of furniture in a descriptive, illustrated entry. He also recounts the history of the collection's formation in an introductory essay, which illuminates the rationale and aesthetic choices of each curator and notes various donors and support organizations. Finally, Fitzgerald's statistical analysis of the collection, formulated from detailed interviews with the surviving artists, casts new light on workshop practices,marketing concerns and other aspects of the contemporary studio furniture movement. A foreword by noted scholar and curator Paul Greenhalgh gives readers a brilliant overview of the studio furniture field and the intimate role furniture plays in daily life.This catalog aimed at students, collectors, and furniture enthusiasts features the collection of American studio furniture at the Renwick Gallery of the Smithsonian American Art Museum in Washington, D.C., which consists of 84 pieces - clocks, chairs, stools, tables, benches, chests, music stands, and other pieces by artists such as Tage Frid, Rob Womack, Wendell Castle, and David Ebner. Fitzgerald, a furniture historian, decorative arts consultant, and teacher with the Smithsonian Institution, describes each piece, which is shown in a color photo, and provides a history and statistical analysis of the collection. The latter is based on interviews with the surviving artists and details workshop practices, marketing concerns, aesthetic influences, design approaches, and other aspects of the contemporary studio furniture movement. (Annotation 2009 Book News Inc. Portland, OR)Studio Furniture of the Renwick Gallery provides historical look at modern American furniture making Studio Furniture of the Renwick Gallery published by Fox Chapel is a beautifully designed catalogue of the Renwick Gallery's collection of American studio furniture. Inside, author Oscar P. Fitzgerald documents each of the 84 pieces, and provides intimate interviews with many of the surviving artists, who share their inspirations, workshop practices, and more. Appreciated for its careful craftsmanship, beautiful wood, sculptural form, and narrative nature, the studio furniture collection on permanent display at the Smithsonian American Art Museum constitutes one of the largest assemblages of American studio furniture in the nation. From the one-of-a-kind Ghost Clock sculpture by Wendell Castle to the rocking chairs from Sam Maloof, the collection highlights the astonishing variety of the studio furniture movement. Studio Furniture of the Renwick Gallery provides a vital resource for the history of modern American furniture makers and chronicles how the collection was amassed by the former administrators of the Renwick Gallery. A foreword by noted scholar and curator Paul Greenhalgh gives readers a brilliant overview of the studio furniture field. No student, collector, or furniture enthusiast should be without this coffee-table style book, available in hard or soft-cover that so beautifully illustrates such an important movement in modern craft.The wide variety of landmark furniture pieces, no matter the style, is what makes this book so visually stunning. That, and the fact that all of the 84 pieces that comprise the collection are beautifully photographed and a short description about each maker and piece is included. Many of the great makers from the last 100 years are covered - Sam Maloof, Wendell Castle, Tage frid, George Nakashima - as well as many lesser known makers. If you read this book one hundred years from now, i'm sure it would be as thought provoking as it is today. These are 84 great pieces, and this is one great book.Table of Contents7 Foreword Paul Greenbalgh 10 Acknowledgments 13 Building the Collection 31 The Collection 205 A Statistical Snapshot of the Collection 217 Bibliography

Read more less

Book SynopsisWritten directly from transcribed audiotapes recorded during a week-long interview with the master woodworker, this tribute to Bob Stocksdale reveals his life experiences, philosophies and often replicated turning methods, all in his own words. Stocksdale's lifelong quest for the perfect bowl is chronicled, while select step-by-step, how-to tips for fellow craftsmen are detailed. Featuring a gallery of beautiful, never-before-seen photographs sure to inspire artists, this unique biography provides the master's advice on tools - including lathes, band saws and jointers - sharpening devices and wood selection, as well as his business tips for pricing, selling and shipping finished pieces. A portrait of a beloved and respected artisan, this guide offers the first in-depth look at the man behind the perfect wooden bowl.Trade ReviewI have always regarded Bob Stocksdale as the consummate craftsman, the epitome of old world craftsmanship in "the new world." During the time that the studio woodturning movement was developing within American craft, Bob was already long established as a highly successful and respected professional woodturner, in a league all his own. My professional relationship with Bob began in 1978 when our work was exhibited, along with that of my father and Ed Moulthrop, in a show at the Renwick Gallery, the first exhibition of studio woodturning held by a major museum. The following year, I met Bob for the first time when The Elements Gallery in New York gave us a two-person show. It was an honor to show with him at that time as it is now to have my work appear alongside his in the collections of many museums. Bob was unphased by the new attention being focused on woodturning, and unswayed by the new generation's impatience with the traditions of craftsmanship. Throughout his long career, he maintained the same focus and pure vision, producing bowls whose form and grace hold their own against the backdrop of contemporary innovation and stylistic exploration."I came to know Bob and Kay during the decade I was managing del Mano Gallery and my wife and I would drive up to visit them often. In the years since, I've found that the aesthetic embraced by Bob and his fellow pioneering woodturners has given way to works that are overly tricky and clever. Although I'm a fan of a lot of the sculptural work being created today, I feel that something has been lost in the move away from fine bowl forms in beautiful woods and believe that we'll see a "neo-classical" movement in the woodturning field in the future, that celebrates Bob's aesthetic and brings balance to the field."As far as I am concerned, Bob Stocksdale was the father of American woodturning.His work in bowl turning set a standard that all turners look up to today: Excellence is where you begin.Bob Stocksdale (1913-2002) is arguably the dean of American woodturners. His selection of material, masterful technique, and attention to detail set the gold standard for wood turning excellence from the early 1970's onward. An intimate look at the turner, his approach to wood turning, and his life long quest to turn the perfect bowl.A few weeks ago, I wrote about drawing inspiration for my woodturnings from the work of Bob Stocksdale, one of the most influential woodturning artisans of the past 50 years. No less a luminary than Sam Maloof says, "As far as I'm concerned, Bob Stocksdale was the father of American woodturning." A new book, scheduled to be published soon by Fox Chapel Publishing, offers up an in-depth view of Stocksdale, his work, and his approach to craft. To Turn the Perfect Wooden Bowl (paperback, $24.95), by Ron Roszkiewicz, is based largely on lengthy interviews the author taped with Stocksdale in 1987. Roszkiewicz writes that his objective "is to provide a snapshot of a few days in the studio of an American original and to hear him describe his life and work in that comfort zone." Born and raised in Indiana, Stocksdale turned his first bowl during WWII when, as a conscientious objector, he was detained in a work camp in Michigan. After the war he settled in Berkeley, California, where he lived and worked until he died in 2003. Among his first clients were Gump's, the legendary upscale San Francisco giftware store; Nieman Marcus, equally legendary and equally upscale; and Georg Jensen and Bonnier's, stores that did much to popularize Scandinavian design in this country after WWII. To Turn the Perfect Wooden Bowl reproduces letters to Stocksdale from those stores, and describes in considerable detail how Stocksdale chose his wood, roughed it out with chain saw and band saw, and how he worked at the lathe. But for me the most valuable part of the book is the photography--some 50 examples of his work. The "perfect" bowl of the title may not be among them, but you can quickly see what shapes and curves obviously captivated Stocksdale, because they occur repeatedly. What's also striking to me is how carefully Stocksdale shaped his bowls so that the wood grain and figure had maximum impact. That's no accident. Roszkiewicz writes: "Bob Stocksdale's approach to bowl making was workmanlike and efficient. Wiith each cut, new wood emerged and he often stopped to calculate the effect of continuing on the current path or altering the design." To Turn the Perfect Wooden Bowl won't teach you woodturning technique. But the inspiration and insight it does provide are worth it all. --------------------------------------------------------------------------------Bob's life is a microcosm of the contemporary woodturning movement. In the early 1970s, he switched from making functional salad bowls to creating decorative bowls made from exotic woods. A similar trend was happening in the craft fair circuit, and indeed many woodturners were copying Bob's bowl designs. "In addition to being known for his turning excellence and his gift for finding the best wood, Bob had a wonderful work ethic and managed to balance his work and his personal life well. As Kay [Bob's wife] explained, 'Bob is very disciplined. He's there at 9 a.m. and out by 3:30 p.m. and he never works on the weekends. That's the way it has been." I met Bob in the early 1990s. He was from Indiana and while visiting family, he stopped by to say hello. It wasn't long before two very interesting chunks of wood made their way into Bob's hands. I had no doubt that he would do them proper justice. Bob could orient a bowl in a piece of wood better than anyone. He has few equals, even today. For everyone who is interested in turning a better bowl, this book is a must.Many consider Bob Stocksdale to be the father of American Woodturning, and this book is about his lifelong quest to turn the perfect bowl. Bob Stocksdale never wrote a "how to turn" book in his lifetime and was one of the few big name turners who never did. The only other contemporary turner in the same league with Stocksdale is David Ellsworth, who had never put his techniques and philosophies into book form until his recent publication. Bob Stocksdale's work was one of the first I was able to recognize by sight. His classical forms were perfectly executed and flawlessly finished, and they left no doubt as to who made the vessel. Working mostly by himself - there weren't a lot of other turners when he started - and using primarily exotic timbers, he helped lead the way to the woodworking and woodturning renaissance that was underway in the mid-1980s. I don't get a lot of time to just sit down and enjoy a book, and usually devote my Christmas holiday vacation time to doing just that. I buy different paperback and hardcover books during the year, and those that haven't been read come with me. I got this book just prior to my trip and was looking forward to reading it on the beaches of Jamaica. BOOK FORMAT The book is basically a series of interviews that the author had with Stocksdale, while following him for a few days in 1987. The book's objective was to "provide a snapshot of a few days with an American original, and to hear him describe his life and work in that comfort zone." The book was originally planned to be released in 1987; however, the sale and subsequent resale of the original publishing house doomed the book. The book sat on the author's shelf until it was pitched to its current publisher. The book starts out with a biography of Stocksdale and how began his woodworking career using a pocket knife at age six, to when and how he came to be a turner while in the Conscientious Objector (CO) camps during WW11. It follows his life from the time he was released from those CO camps at the end of the war, until 1987, when the material for this book was collected. Included in this chapter are various letters sent to Bob and different newspaper clippings that provide a bit of insight into his life. The next section is a 30+ page gallery of his work. Stocksdale made functional pieces from exotics and domestic hardwoods, and was one of the first turners I became aware of who made use of what came to be called "natural edge." The vessels are beautiful and chronicled a lifetime of work. Those photos alone are worth the price of the book. The next chapter, done in a question-and-answer format, covers Stocksdale's philosophies on his chosen medium. Included are his views on various topics, ranging from procuring wood to drying methods, fixing defects, wood selection, burls, and decorating his work. The next chapter is basically a tour through Stocksdale's shop. The different stationary tools he used are discussed and insights that led to the way his turning tools were developed are also given. He, along with Jerry Glaser, pioneered many of the tools and techniques we take for granted today. A short section on sharpening follows, before the reader is taken through Stocksdale's processes for turning both a bowl and a platter. Step-by-step photos are provided along with a description of the process from start to finish. This is followed by a section on sanding and finishing. The last section discusses the "business of woodturning" and how he developed his pricing system, packed the vessels, and how he cultivated sales to retail outlets and collectors. Also discussed is the influence that James Prestini had on Stocksdale's work. FINAL THOUGHTS I absolutely enjoyed the book. When I started woodturning, Stocksdale was one of the premier artists of the time, and a lot of turners emulated his style and forms. Though he didn't teach or write articles or books, he managed to influence an entire contingent of budding turners during the time turning was making its comeback - and I am one of those people. I'm disappointed that I was never able to include one of Stocksdale's peices in my collection. I recommend the book to anyone who is interested in the history of woodturning and wants to look into the daily life of one of the true masters of the lathe. I read a prepublication copy of the book and the price was unknown at the time. I am looking forward to its publication date, because this book with definately be added to my library.Perfect bowl forms have been Bob Stocksdale's quest and this small sized book is an understated introduction into his aims, methods and artistic achievements. Sam Maloof calls him the father of American woodturning and the author reveals that Stockdale's innate knowledge of the material are matched with simple but refined techniques. This book is 'a snapshot of a few days in the workshop'. Roszkiewicz documents in black and white images Stockdale's process as he turns a bowl and a platter. The accompanying text is in conversational question and answer type format. There are numerous colour images of Stockdale's work to enjoy. Recommended for the turner who is serious about the essence of good form.Roszkiewicz, Ron. To Turn the Perfect Wooden Bowl: The Lifelong Quest of Bob Stocksdale. Fox Chapel. 2009. c.160p. illus. ISBN 978-1-56523-388-1. pap. $24.95. ART INSTRUCTION Born on an Indiana dirt farm in 1913, Bob Stockdale was a pioneer in the art of fine wooden bowls, legendary for his exotic woods, unique shapes, and sumptuous finishes. Stockdale described his methods in a Q&A format to author Roszkiewicz before his death in 2003 at the age of 89. Valuable for those who make or love crafts.About the Author: Ron Roszkiewicz began his career in the woodworking industry 30 years ago with Woodcraft Supply. He became an integral figure in advancing woodturning in the United States by discovering and importing much of the innovative turning tools relied upon by woodturners today. He has also written The Woodturner's Companion and TheWoodturner's Art. About the Book: During the woodturning renaissance of the 1970s, one man emerged as the inspiration for scores of newwoodturners.His namewas Bob Stocksdale. Extraordinarily talented, Stocksdale began turning bowls in the 1940s andwas a master at finding the natural beauty in wood. This unique talent, combined with his gifted use of simple tools, became the trademark of his work. With pieces in the Smithsonian and the Metropolitan Museum of Art, he became an unassuming celebrity who set the standard for woodturning excellence. In 1987, author Ron Roszkiewicz had the once in-a-lifetime opportunity to spend a week in Stocksdale's homeworkshop to hear him describe his life and his work. With text transcribed directly from audiotapes and neverbefore- seen photographs, this book illustrates more than just how a turning legend shapes, sharpens and finishes- it's a snapshot of an American original.Roszkiewicz, an independent author, spent a week in 1987 with master woodturner Bob Stocksdale in order to document his life and work, and this illustrated volume was transcribed directly from the audiotapes of the original interviews. The author includes dozens of photographs to illustrate Stocksdale's methods for turning wooden bowls into unique works of art that have been shown in such places as the Smithsonian and the Metropolitan Museum of Art. Step-by-step instructions from the artist are designed to help woodworking novices and carpenters "find the natural beauty in the wood," and newspaper clippings and personal correspondence from the artist are also included. (Annotation 2009 Book News Inc. Portland, OR)I have always been a book kind of guy and on many subjects I would almost as soon read about it as do it. There are dozens of books in my home on many topics of interest, but as you can imagine, woodworking and turning are two of my favorites. I was cleaning out a few books a while back and came across an old favorite from some years ago. It was published by the National Geographic Society in 1975 as part of a series on many different topics. This one is called "The Craftsman in America" (now out of print) and as I thumbed back through it I realized that much of what I love to work on and really admire springs from this book. In the introduction, Gilbert M. Grosvenor captures what I think may be the feelings of every craftsman in the world: "Every morning when I dress for work, I smile smugly at the quiet, smooth way my chest of drawers opens and closes at a slight touch of a fingertip. The early sun's rays reflect the warm matched grain and the rich color of the wood. My pleasure goes beyond mere ownership, for I built that chest myself from teak I imported from Burma and carefully aged in my basement workshop for two years." I know exactly what he meant. I have a table I made at the back door, a lamp table in the den, a clock in the hall and another on the mantle, all of which I made with these two hands and enjoy every day. Bowls I make for sale sit in my dining room so I can see and touch them every day and sometimes I consider keeping all of them. Would you sell your children? In the National Geographic book from 1975, they featured Sam Maloof, who died only recently after a long career in woodworking. We should all be so good; that was 35 years ago and he was well known even then. Of course there were many other craftsmen in the book, among them, Bob Stocksdale, wood turner extraordinaire. In fact, in the picture of Maloof's furniture, the bowls on the table were by Bob Stocksdale, taken in trade for some Maloof furniture. What a deal on either side of that exchange! I bought a book at Highland last week about Bob Stocksdale and it is quite well done. The title is Turn the Perfect Wooden Bowl, the Lifelong Quest of Bob Stocksdale by Ron Roszkiewicz. It is a perfectly delightful little book, full of color photos of bowls plus many other photos of Stocksdale at work. Apparently he was not always a very social fellow; he just wanted to work in his shop and not be bothered by guests, students or writers. He collected wood from all around the world and when he passed away a few years ago, his shop was filled with literally tons of wood. Some of it was good and some of it was not and some of it was good firewood. That didn't bother him, because as he explained, he had two fireplaces. I like that. Another book I really enjoy is Ellsworth on Woodturning, subtitled "How a Craftsman Creates Bowls, Pots & Vessels" by David Ellsworth. This is a big glossy book by another master of the craft. Ellsworth is the inventor of the eponymous Ellsworth Signature Gouge, which is one tool I have not managed to purchase yet, but I admit I am intrigued by it after reading this book. This is more a reference book than some you see, and I intend to make this a step-by-step instruction book on hollow forms - the next step in my turning education. Besides that, how can you pass up a book with a whole chapter on proper exercises before beginning work? Ellsworth starts his turning classes with everyone stretched out flat on their backs on the floor. He also has a small trapeze in the ceiling of his shop which he uses to hang by his hands several times a day to keep loose and flexible when he is working at the lathe. And I don't think I have ever seen instruction on how to plant your feet versus your elbows and hands while holding the tool at the lathe. Who would've thought? I think the main thing I get out of books like these is "possibility." Somehow I can fool myself into thinking that if those guys can do it, then I can do it. Seeing it broken down into steps and watching someone do it just opens up all those possibilities to me, and I am empowered to start. Once started, I find that I can usually get better and then off I go. I promise not to buy a book on brain surgery.This book is based on the story of Bob Stocksdale who emerged as the inspirational figure for many new woodturners during the woodturning renaissance of the 1970s. Stocksdale became known for his wooden bowls and was a master at finding the natural beauty in wood. The book, written by Ron Roszkiewicz was written following a one week stay in Stocksdale's home workshop. It describes his life and works, and also features never-before-seen photographs and interviews. Another great feature of To Turn the Perfect Wooden Bowl is the step-by-step instructions supplied by Bob Stocksdale and his excellent advice on how best to turn a bowl and platter, as well as sharpening tools, sanding and finishing tips. This is a very unusual book and is perfect if you are looking to learn more about Bob Stocksdale himself.When I picked this book for the book review this month I wasn't sure what I was going find. I don't do much on a lathe (pens and mice, actually) and I have never attempted to make a bowl. I wasn't 100% sure that this was going to be a great book for me. What a pleasant surprise I received! Right from the start the author had my interest - and I mean from the start! The foreword, the behind the book story, was just as fascinating as the book itself. Once I started reading I simply didn't want to put it down. To Turn the Perfect Wooden Bowl is basically an interview with Bob Stocksdale, one of the bowl-turning gurus of all times. Within the pages of the book, we get to know Bob almost on a personal level. We are painted the picture of his childhood, his relationship with wood, and, for those bowl-turners out there, his tips and tricks to turn that perfect bowl. In one of the quotes, Mr. Stocksdale says that he tries to bring out the inner beauty of the wood. Perhaps this is what makes him an exceptional artist. Throughout the pages of the book, we see one example after another where he seems to be connected with the wood, knowing what lies within the outer layers. As I read the book I was reminded of Michelangelo saying that, with his statue of David, he just chipped away anything that wasn't David! That special connection that an artist has with the material he is working with takes a beautiful piece of work and makes it exceptional. Here at LumberJocks.com our members share their personal journeys of attaining this level of connection with wood. Some of us may never reach that pinnacle but will definitely enjoy the journey, especially when we are inspired by such work as that of Bob Stocksdale and books such as To Turn the Perfect Wooden Bowl. My Ratings of The Book Layout and Appearance: Wonderful balance of photographs, interview questions, and quotes from letters and news clippings. Thumbs Up! Instructions: Lots of tidbits of information tucked away in the interview. Thumbs Up! Inspiration: "in leaps and bounds". Thumbs Up! Overall: Thumbs Up!This book shares the life and work of Bob Stocksdale, an artist who led a quiet revolution in the field of contemporary craft. The impact the artist has had on tile field of contemporary woodturning is undeniable and this small volume will undoubtedly make his approach accessible to future generations of woodtuners. The home and srudio Stocksdale shared with his wife, fibre artist Kay Sekimachi, was a testament to both his work ethic and embrace of a modest lifestyle. Every morning, following breakfast, the two would "go to work" - she to her light-filled loft and he to his basement workshop, with catacomblike areas stacked with chunks of trees, rough turned bowls and planks of wood on which to display his completed works. The small format of To Tum the Perfect Wooden Bowl, which measures 8" square, perfectly reflects Bob Stocksdale's humble approach. Radler than striving to promote the artist with flashy reproductions, presented in a weighty coffee-table book, it remains faithful to who Stocksdale was as a man and an artist. His approach was straightforward and consistent - creating simple bowl forms which best displayed the natural beauty of a particular piece or variety of timber. Purposely limited to simple bowl and platter forms, his works showcased subtle differences - a slight variation in the bowl's foot or in tlle curve of a bowl's profile, combined with a wide range of both domestic and exotic woods, led to an impressively varied body of work. The majority of the artist's works were modest in scale but had a quiet beauty, much like the book. Stocksdale was a connoisseur on the subject of wood and his bowls always featured, along with his signature and date, the variety of timber and where the tree grew. When collectors visited his studio, they would be told the stories of the pieces of raw material stacked behind and in his workshop. He would share the characteristics of a particular timber, where it had grown and often the history of how it came to grow in that area. Most importantly, Stocksdale knew what was within a seemingly unimpressive slab of wood and how to bring it out. In some respects, the book seems to have come from another time, from the use of the almost archaic term "wooden" in the title, to the black-and-white process photos. There are two reasons for this. The first is that the interview and photographs date back to 1987, when the idea for the book was greenlighted by Scribner's, only to have that firm bought by Macmillan, a company that in turn experienced a hostile business takeover and restructuring which left the book project in limbo. Perhaps more importantly, by 1987, Stocksdale was already an "old school" craftsman, and the field of woodturning was expanding rapidly into mixed media and sculptural approaches. Yet, the artist's approach is timeless and a number of practitioners have chosen to follow a similar path today, showing promise of a neo-traditionalist movement in woodturning which Stocksdale would have surely appreciated. To Tum the Perfect Wooden Bowl is a book that will be of value to collectors and curators, as it shares the artist's story through biographical details, copies of letters and memorabilia. Yet, the book is largely designed for the growing market of amateur woodturners who can learn from Stockdale's techniques for turning bowls and sharpening tools, as well as his marketing savvy. It also provides a continuum in the field of contemporary craft, celebrating those who came before. The Foreword by Sam Maloof, who is considered the dean of woodworking in the US and was Stocksdale's best friend, is touching. The fact that Maloof died earlier this year underlies the sense that this is a book from another time - one generation reaching out to the future and sharing its passion and vision.TO TURN THE PERFECT WOODEN BOWL: THE LIFELONG QUEST OF BOB STOCKSDALE, by Ron Roszkiewicz, is a unique look at the life of the late Bob Stocksdale, a pioneer in the wood art movement. Using never-before-seen photographs and interviews transcribed from audiotape, the author gives us a glimpse into the life and work of a man many consider the father of woodturning and the person who helped elevate woodturning to an art form. Using an interview-style question-and-answer format, Stocksdale explains how he stored and selected wood, shares techniques, and much more.For the carvers among you that like to dabble with turning, then take a look at this book, based on the story of Bob Stocksdale who emerged as the inspirational figure for many new woodturners during the 1970s. Stocksdale became known for his wooden bowls,and was a master at finding the natural beauty in wood. The pages reveal an in-depth look at the life and works of this great artist, with neverbefore-seen photographs and interviews; plus step-by-step instruction and excellent advice on how best to turn a bowl and platter, as well as how to sharpen tools, sanding and finishing tips. This is a very unusual publication and is perfect if you are looking to learn more about the Father of American woodturning.

Read more less

Book SynopsisThis is an exciting new collection of wooden puzzle patterns based on the astrological signs of the Zodiac. It features 30 projects accompanied by patterns, photographs and information about each astrological sign. It is suitable for all levels of abilities and will appeal to an array of different crafters. This book provides crafters and scrollers with inspiration from the stars with an exciting new collection of wooden puzzle patterns based on the astrological signs of the Western and Chinese Zodiac. With 2 complete projects for Capricorn and Year of the Horse, new scrollers will get step-by-step guidance from start to finish. Once they've mastered the techniques, readers will be ready to move on to more than 22 zodiac patterns, plus an additional 6 bonus patterns for other constellations, like the Big Dipper and Orion. Each project includes fascinating information about the astrological sign and it's corresponding calendar dates. Patterns are provided in a detailed cutting version and a solid silhouette version - making these patterns adaptable for all craft mediums - from scrolling and painting to needlework and woodburning. Each pattern also includes a photo of the original design inspiration allowing artists to see the transformation of each pattern, from it's conception to creation. This book is perfect for the crafter who wants to make fun items for the next craft fair or for their family and friends.Trade ReviewI promise that this book will not be the Genesis of a new astrological forecasting feature for woodworkers in our ShortCuts columns. However, this book may be an inspiration for those woodworkers that are reliant upon the stars to guide them. What a fun book the Paterson's have put together. They have put together close to 100 pages of 30 really great zodiac puzzles. They include both Eastern and Western zodiac symbols that also include the constellations. The latter includes Cassiopeia and Andromeda while you can find patterns for the dragon and the rat in the Eastern zodiac, Capricorn to Sagittarius in the Western zodiac. The authors provide the sawyers information not only on recommended wood types and grain direction but also on the patterns themselves. Scrollers will love this book.Perfect for the crafter who wants to make fun items for the next craft fair, or for their family and friends. Projects are included for beginner to experienced s.croll saw artists. Each project indudes fascinating information about the astrological sign. Patterns are provided in a detaiied cutting version and a solid silhouette veriion. making these patterns adaptable for ail craft mediums, from scrolling and painting to needlework and woodburning.Table of ContentsTable of Contents Introduction...4 About the Authors...8 Preface...9 Chapter 1: The Western Zodiac...11 Capricorn Step-by-Step...12 Western Zodiac Patterns...22 Chapter 2: The Eastern Zodiac...44 Year of the Horse Step-by-Step...46 Eastern Zodiac Patterns...52 Chapter 3: Constellations...74 Appendix Tools & Techniques...89 Practice Pattern...93 Pattern Inspiration...94 Chinese Years...94 Index...95 Pattern Index...95

Read more less

Book Synopsis

Read more less

Book SynopsisFrom David Springett, the author of Woodturning Wizardry, comes the resource that experienced turners need to expand their skills. The fascinating projects in this book will leave you stunned -- and includes mind-bending geometrical shapes, twisted polygons, puzzles, gravity-defying clocks and other unusual, challenging pieces. Close up photography guides the woodturner through each and every project.

Read more less