Comic book and cartoon artwork Books

Book SynopsisValerian and Laureline take a break from adventuring and go on a cruise, but Valerian feels uncomfortable among the idle and the powerful. He's not bored for long, though, because when a quartet of mercenaries board the cruise ship to kidnap the son of the Caliph of Iksaladam, they end up taking Laureline as well. With the almighty Caliph offering a massive reward for his son's return, Valerian's quest to rescue his girl is suddenly hindered by every bounty hunter in the galaxy...

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Book SynopsisQuentin Blake is a collaboration between Tate and the House of Illustration, published to coincide with the gallery's inaugural exhibition; Inside Stories, a landmark show by Quentin Blake. Quentin Blake is one of the best-known and highly-regarded illustrators of our time. Internationally celebrated for his partnership with Roald Dahl he has also, in a career of fifty years, had extended collaborations with other authors such as Russell Hoban, John Yeoman and Michael Rosen; created children's books of his own; and illustrated adult classics by Cervantes, Cyrano de Bergerac, Voltaire and La Fontaine. In recent years his work has appeared extensively on the walls of museums, hospitals, and other public spaces. Joanna Carey's writes a brilliant survey of Blake's oeuvre, at once intimate, perceptive and illuminating, and written with a brio and elan which matches that of her subject.

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Book SynopsisPrint has always been an art form for everyone - relatively cheap to produce and easy to distribute, and intended to be accessible to all. It links to painting, and creative autographic expression, as well as to a tradition of satire and protest, both social and political. Above all, prints are a means of communication and cultural exchange and, in the context of Africa and the African diaspora, these qualities have had a particular resonance. The book covers the period from 1960, presenting and interpreting a variety of visual images from the V&A collections in terms of their political and social context, while also addressing their identity as art and design. It includes prints by Uzo Egonu, Carrie Mae Weems and Chris Ofili among others, as well as overtly political work, such as posters attacking the Apartheid policies of South Africa and material produced by American Black Power organizations.Table of ContentsSo Much Things to Say: Prints from Africa and the Diaspora, Gill Saunders and Zoe Whitley -- Place -- History -- Memory -- Identity -- Protest -- Glossary -- Acknowledgements -- Index of artists and works -- Picture Credits

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Book SynopsisFace is a magical autobriography about identity, the escape of oneself towards love and the fight to fit in and be 'normal' in our society'.

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Book SynopsisBlack Jack, the mysterious and charismatic young genius surgeon continuues his adventures in this second volume of the Tezuca's famous manga work.

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Book SynopsisThe life of Adolf Hitler told through two young men - both named Adolf - by the legendary Osuma Tekuzsa.

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Book SynopsisAn anthology of the Lowbrow Reader's greatest articles - ideal for those who understand the comic genius of Joan Rivers and Adam Sandler.

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Book SynopsisLearning the true essentials of the german languageFrom Besserwisser to Schnapsidee After experimental musician and visual artist Mazen Kerbaj moved with his family from Beirut to Berlin, he found himself confronted with a new language, a new culture. He decided to learn German in his very own way: one new word per day, illustrated with a related self-portrait. The resulting 365 drawings are framed by Arabic, English and German words, making the book a language- learning toolalbeit an unconventional onebut also an open diary that lets us in the intimacy of the artist's day- to-day life. Day after day, word after word, we follow Mazen Kerbaj through his learning process, getting to know his family, his friends, his passions, his habits, and even his political opinions. The drawings are often funny, but also sad and touching at times; they rarely simply illustrate the words, but rather answer them with Kerbaj's signature satirical counterpoints, ultimately reiterating the story of a

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Book SynopsisPicturing the Game showcases the gifted, forward-thinking graphic journalists throughout hockey’s history whose bold aesthetic and deft draughtsmanship could always make the butt of their satire look perfectly asinine. Their work embodied a truly acerbic spirit that was nothing short of groundbreaking, and the game is better for it.Trade Review“Inside these pages is not just an illustrated chronicling of hockey in Canada by historically renowned illustrators. It’s also a raw view of the game’s most iconic and evolutionary moments as seen through the art of some of the crankiest, most wretched trolls in journalism: editorial cartoonists. What’s not to like?” Bruce MacKinnon, cartoonist, The Chronicle Herald“Picturing the Game takes readers on a wonderful journey that tells the history, the histrionics, and the hilarity of our storied game. It’s a treasure.” Roy MacGregor, author of The Home Team: Fathers, Sons & Hockey and Wayne Gretzky’s Ghost: And Other Tales from a Lifetime in Hockey“What an insightful and mischievous romp through Canada’s national sport! Loaded with stories and details and animated with painfully smart drawings of unflinching irreverence. After all, hockey players and cartoonists strive for the same goal, that perfect shot!” Susan Dewar, cartoonist, Postmedia“Don Weekes has caught a truly rare glimpse of game play. Rigorously sourced, the narrative is punctuated with illustrations and editorial cartoons that are both entertaining and thought-provoking, some dating to Lord Stanley’s time. Bravo, Don! I loved this book!” Kevin Shea, author of The Hall: Celebrating Hockey’s Heritage, Heroes and Home and Barilko: Without a Trace“Cartoons are a handy shortcut that helps us understand history. Don Weekes has put together a brilliant collection of drawings and other graphic material on hockey. In the process he has helped increase our populist knowledge of the game.” Terry Mosher (Aislin), cartoonist, The Montreal Gazette“A fascinating look at our shared history through a unique lens. Undoubtedly this will bring back countless memories for hockey fans.” Ryan Kennedy, editor-in-chief, *The Hockey News *“There are books which are just wonderful to hold in your hands and flip through the pages. Picturing the Game: An Illustrated Story of Hockey by Don Weekes is one of those books.” Yorkton This Week“Please read this overdue look at editorial cartooning in hockey from the irreverent artists’ viewpoint, vividly reproduced from a century of newspapers, magazine covers, adverts and game programs.” Lance Hornby, The National Post“An ideal gift for your favourite hockey fan.” The Winnipeg Free Press“This book is a trip to the Hockey Hall of Fame, the National Gallery of Canada, and the Toronto Reference Library all without having to leave the comfort of your couch on a snowy winter morning. It’s a significant piece of scholarship worthy of a Ph.D, yet it’s highly entertaining and very readable.” Policy Magazine“Picturing the Game is an incisive, comprehensive, sometimes hilarious, and sometimes heartbreaking retelling of the history of the game as seen not through the camera lens but through pens and pencils. There are so many gorgeous illustrations that it’s easy to forget there is a narrative here and a powerful one. Weekes has always been able to put together a solid hockey book, but he has outdone himself. The writing is up to the quality of the work of cartoonists like Aislin and Michael de Adder and that’s a high compliment.” Jack Todd, The Montreal Gazette

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Book SynopsisSince the founding of the republic, cartoonists have both made an important contribution to and offered a critical commentary on our society. This book demonstrates the limits of cartooning from the courtroom to the newsroom. It examines the reasons for the declining state of the art and the implications for all of us.Trade ReviewThe insightfully selected cartoons alone are worth the book. -- Kathleen Hall Jamieson Lamb's research, however, pays off in his enlightening history of cartooning, loaded with entertaining incidents beyond the well-known. -- James Poniewozik Bookforum If political cartoonists were to draw Chris Lamb, it might be as their knight, charging into battle. -- Nina C. Ayoub Chronicle of Higher Education [Lamb's] book is passionately argued...and the dozens of reproductions are fantastic. Financial Times A book that will serve as a wake-up call to those who refuse to acknowledge the diminution of freedom of expression and democratic ideals in the U.S...Essential Choice A thoughtfully composed and well-illustrated investigation of the role of those who serve as society's watchdogs. ForeWord Magazine An important step forward for scholarship concerning editorial cartooning. -- David W. Park Political Communication Lamb's book is a welcome look at a type of journalism that is given extraordinary latitude. -- H.J. Kirchhoff Globe and MailTable of ContentsAcknowledgments 1. "You Should've Been in the World Trade Center!" 2. "President Bush Has Been Reading Doonesbury and Taking It Much Too Seriously" 3. "No Honest Man Need Fear Cartoons" 4. "McCarthyism" 5. "Second-Class Citizens of the Editorial Page" 6. "We Certainly Don't Want to Make People Uncomfortable Now, Do We?" 7. "That's Not a Definition of Libel; That's a Job Description" 8. "Comfort the Afflicted and Afflict the Comfortable" Notes Index

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Book SynopsisExplores the creation and circulation of political caricatures in early US history. Includes a catalog of caricature prints published between 1789 and 1828.Trade Review“Stagg’s description of the social nature of caricatures [is] fascinating. . . . [She] does excellent historical detective work in tracking down America’s earliest caricaturists.”—Jonathan Den Hartog Current“Thoroughly engaging with a well-crafted narrative, Prints of a New Kind is a long-awaited study filling a significant void in the history of American print culture. Allison Stagg sets the stage for a modern and popularized notion of political satire. This elegantly written book, lavishly illustrated, places the American tradition of caricature as separate from its European origins, with its own merits and history worthy of detailed examination.”—Nancy Siegel,author of Along the Juniata: Thomas Cole and the Dissemination of American Landscape Imagery“Prints of a New Kind contributes fresh awareness and understanding of early US political caricature from an art historical perspective. By doggedly tracing the locations of early caricatures in numerous archives on both sides of the Atlantic, Stagg has uncovered previously unknown examples and made new discoveries about the making and circulation of political caricatures in the early American Republic.”—Nan Wolverton,Vice President for Programs and Director of Fellowships, American Antiquarian Society“By highlighting the surprisingly robust market for caricatures, and intense competition for readership among publications in the Early Republic, this book is a welcome addition to the canon.”—Flora Khoo American JournalismTable of ContentsList of IllustrationsAcknowledgementsIntroduction1. Caricature in the United States, 1789–18202. James Akin’s Career Before Caricature3. America’s First Caricaturist4. The Business of Caricature in the 1810s5. Copperplate to Lithography, 1820–1830Conclusion: “The First Will Grumble and the Last Will Laugh”Appendix: Catalogue of Caricatures Published in America Between 1780 and 1828NotesBibliographyIndex

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Book SynopsisSlipcased limited edition signed by S., R., and A. Crumb, including a signed print: a groundbreaking work of striking originality that charts a young artist's life through her own drawingsfrom toddlerhood to motherhood.

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Book SynopsisUntangle the complex web of philosophical dilemmas of Spidey and his worldin time for the release of The Amazing Spider-Man movie Since Stan Lee and Marvel introduced Spider-Man in Amazing Fantasy #15 in 1962, everyone's favorite webslinger has had a long career in comics, graphic novels, cartoons, movies, and even on Broadway. In this book some of history's most powerful philosophers help us explore the enduring questions and issues surrounding this beloved superhero: Is Peter Parker to blame for the death of his uncle? Does great power really bring great responsibility? Can Spidey champion justice and be with Mary Jane at the same time? Finding your way through this web of inquiry, you'll discover answers to these and many other thought-provoking questions. Gives you a fresh perspective and insights on Peter Parker and Spider-Man's story lines and ideas Examines important philosophical issues and questions, such as: What is it to Table of ContentsACKNOWLEDGMENTS xi INTRODUCTION 1 PART ONE THE SPECTACULAR LIFE OF SPIDER-MAN? 1 Does Peter Parker Have a Good Life? 7 Neil Mussett 2 What Price Atonement? Peter Parker and the Infinite Debt 22 Taneli Kukkonen 3 “My Name is Peter Parker”: Unmasking the Right and the Good 37 Mark D. White PART TWO RESPONSIBILITY-MAN 4 “With Great Power Comes Great Responsibility”: Spider-Man, Christian Ethics, and the Problem of Evil 55 Adam Barkman 5 Does Great Power Bring Great Responsibility? Spider-Man and the Good Samaritan 70 J. Keeping 6 With Great Power Comes Great Culpability: How Blameworthy Is Spider-Man for Uncle Ben’s Death? 86 Philip Tallon PART THREE SPIDER-SENSE AND THE SELF 7 Why Is My Spider-Sense Tingling? 103 Andrew Terjesen 8 Red or Black: Perception, Identity, and Self 119 Meaghan P. Godwin 9 With Great Power: Heroism, Villainy, and Bodily Transformation 131 Mark K. Spencer PART FOUR ARACHNIDS “R” US: TECHNOLOGY AND THE HUMAN, ALL TOO HUMAN 10 Transhumanism: Or, Is It Right to Make a Spider-Man? 145 Ron Novy 11 Maximum Clonage: What the Clone Saga Can Teach Us about Human Cloning 159 Jason Southworth and John Timm PART FIVE YOUR FRIENDLY NEIGHBORHOOD SPIDER-MAN 12 Justice versus Romantic Love: Can Spider-Man Champion Justice and Be with Mary Jane at the Same Time? 177 Charles Taliaferro and Tricia Little 13 Love, Friendship, and Being Spider-Man 188 Tony Spanakos 14 Spidey’s Tangled Web of Obligations: Fighting Friends and Dependents Gone Bad 200 Christopher Robichaud PART SIX THE AMAZING SPEAKING SPIDER: JOKES, STORIES, AND THE CHOICES WE MAKE 15 The Quipslinger: The Morality of Spider-Man’s Jokes 217 Daniel P. Malloy 16 The Sound and the Fury behind “One More Day” 231 Mark D. White 17 Spider-Man and the Importance of Getting Your Story Straight 243 Jonathan J. Sanford CONTRIBUTORS 257 INDEX 263

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Book SynopsisContextualizes Lucian’s comedic performances in the intellectual life of the second century CE Roman East broadly, including philosophy, early Christian thought, and popular culture. His texts are analysed as providing a window onto non-elite attitudes and experiences.Trade ReviewAn erudite, exciting, and methodologically sophisticated book that explores the variety of methodological issues that readers of Lucian need to grapple with. It will be essential for anyone interested in religion, philosophy, intellectual performance, or humor in the Roman Empire, or anyone interested in Lucian’s narrative voices or personae." —Pamela Gordon, University of Kansas"A systematic, sophisticated examination of Lucian’s treatment of the gods and religion across his corpus. Combining impressive scholarship and excellent writing, Kuin offers a markedly different approach from her main non-English predecessors to the surprisingly under-studied subject of religion in Lucian." —Kendra Eshleman, Boston College"Today, humor and religion can be a dangerous combination. It was different in antiquity, although the combination often puzzles modern students. Inger Kuin convincingly shows how Lucian uses humor and laughing to critique the gods, their worshipers, and the ongoing philosophical conversations. A highly readable and timely book!" —Jan N. Bremmer, University of Groningen, Netherlands"The gods function, by turns, as Lucian’s comic allies, satirical targets, or characters for contemplation. Kuin’s lively book offers the first comprehensive study of Lucian’s multifarious deployment of the gods as central figures in his comic fictions, revealing their literary complexity and the surprisingly varied forms of laughter they elicited from audiences then as now. This is an erudite but accessible study that will be essential reading for anyone interested not only in Lucian and Roman Imperial literature, but in all forms of comic writing." —Ralph M. Rosen, University of PennsylvaniaTable of Contents Acknowledgments Introduction: Unquenchable Laughter Chapter 1: Lucian in Performance: No More Hedgehogs Chapter 2: Laughter-loving Gods: Anthropomorphism, Imitation, and Morality Chapter 3: Rituals: Sacrificing to Hungry Gods Chapter 4: Passions: Worship and Desire Chapter 5: Politics: Cities of Gods and Men Chapter 6: Mediations: Oracles, Seers, and Sorcerers Conclusion: If There Are Gods… Note on Abbreviations Bibliography Index Locorum Index Rerum

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Book SynopsisCelebrates play, plasmatic possibility, and the life of images in cartoons, comics, and cinema. This book begins with Winsor McCay's Little Nemo in Slumberland to explore how and why the media of comics and cartoons captured a playful, rebellious energy characterized by hyperbolic emotion, physicality, and imagination.Trade Review"Delightfully Chestertonian... Bukatman shows the marvelous animated poetics of visual media... Essential." -- T. Lindvall, Virginia Wesleyan College ChoiceTable of ContentsList of Illustrations Appreciations Introduction: The Lively, the Playful, and the Animated 1. Drawn and Disorderly 2. The Motionless Voyage of Little Nemo 3. Labor and Anima 4. Disobedient Machines 5. Labor and Animatedness 6. Playing Superheroes Notes Bibliography Index

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisThe Complete Guide to Self-Publishing Comics is the first book of its kind to help readers make sense of it all and take control of their comics-making destinies. It provides would-be creators with a definitive guide to the tools needed for breaking into modern comics via self-publishing.Trade Review“Comfort and Adam have created a step-by-step guide filled with pro-level suggestions and helpful hints. If you are cooking up a self-published comic, you found the right recipe book. Bon appétit!” -—Jeff Smith, cartoonist of the self-published comics Bone, RASL, and Tuki Save the HumansTable of Contents1. Concept 5 What Are You Making and Why? 6 Research 10 Designing Characters 13 Designing Your Setting 21 2. Writing 27 Anatomy of a Comics Script 28 The Writing Process 31 The Writer’s Trinity: Plot, Story, and Character 36 How to Write Dialogue 46 Life as a Writer 49 3. Drawing 57 Anatomy of a Comics Page 58 The Drawing Process 62 Creating Interesting Pages 66 Bringing Characters to Life 76 Life as an Artist 82 4. Coloring 89 Introduction to Color Theory 90 Getting Comfortable with Photoshop 95 Coloring the Page 101 Special Effects 113 Life as a Colorist 125 5. Lettering 131 Understanding Lettering 132 Getting Comfortable with Illustrator 136 How to Letter a Page 141 Sound Effects 155 Life as a Letterer 167 6. Publishing 171 The Modern World of Publishing 172 Print Publishing 178 Digital Publishing 188 Distribution 194 7. Marketing 199 You Are Your Product 200 Targeting Your Audience 203 Mastering Your Web Presence 207 Conventioneering 214 Afterword 225 Thanks and Gratitude 227 The Adventure Continues Online 229 Index 230

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Book SynopsisFans and scholars have long regarded the 1980s as a significant turning point in the history of comics in the United States, but most critical discussions of the period still focus on books from prominent creators. This volume offers a more complicated and multivalent picture of this robust era of ambitious comics publishing.

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Book SynopsisWith a focus on media forms through which southern identity gets articulated and questioned - including horror movies, Swamp Thing comics, and popular music - The Dirty South probes the sustained fascination with southern dirtiness while reflecting on its causes and consequences since the end of the civil rights era.Trade ReviewA unique and multilayered analysis of what and who makes the South legible in its modern iterations, The Dirty South offers some new language and approaches to push back against the lazy assertions of the region being a singularly white, conservative, and monolithic experience. . . . It's a helluva read." - Regina N. Bradley, author of Chronicling Stankonia: The Rise of the Hip-Hop South

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Book SynopsisFor over seventy-five years, Archie and the gang at Riverdale High have been America’s most iconic teenagers, delighting generations of readers with their never-ending exploits. But despite their ubiquity, Archie comics have been relatively ignored by scholars—until now.Twelve-Cent Archie is not only the first scholarly study of the Archie comic, it is an innovative creative work in its own right. Inspired by Archie’s own concise storytelling format, renowned comics scholar Bart Beaty divides the book into a hundred short chapters, each devoted to a different aspect of the Archie comics. Fans of the comics will be thrilled to read in-depth examinations of their favorite characters and motifs, including individual chapters devoted to Jughead’s hat and Archie’s sweater-vest. But the book also has plenty to interest newcomers to Riverdale, as it recounts the behind-the-scenes history of the comics and analyzes how Archie heTrade Review"Fascinating" * New York Magazine *"Archie gets, at last, academic and theoretical consideration in Bart Beaty's wildly readable Twelve-Cent Archie." * PopMatters *"Whether you’re interested in the differences between Harry Lucey’s Archie and Bob Montana’s, or simply haunted by the signifying structure that is Betty Cooper’s ponytail, there’s something here for everyone who’s ever read an Archie comic." -- Scott Bukatman * author of The Poetics of Slumberland: Animated Spirits and the Animated Spirit *"Funny, insightful, and perfectly paced, this is a highly enjoyable volume of criticism, one that would be equally at home in the ivory tower or by the porcelain throne." * Quill and Quire *"For readers interested in the history and form of comics as art, Beaty offers analyses of visual humour, borderless panels and the central authors and illustrators of this era. Twelve-Cent Archie will satisfy cultural critics, Archie fans and comics fans more broadly ... This book is as fun and satisfying as reading an Archie digest." * Alberta Views *"In its analytical vignettes on such a wide variety of topics, Twelve-Cent Archie attempts - and succeeds - not in ending our questions about Archie, but in showing us how many more questions we ought to be asking." * Children's Literature Association Quarterly *"exciting and often deeply funny" -- Neale Barnholden * English Studies in Canada *Table of ContentsThe Twelve-Cent Archie 3 How to Write (Archie) Comics 8 Story Length 11 The Archie Hierarchy 12 Archie Andrews 16 How Well Does Archie Speak French? 19 Bowling 19 Harry Lucey’s Rhythm 21 Veronica Lodge 26 Riverdale, USA 29 The Daily Strip 31 Footnote 33 “Why Is It Always between Archie and Reggie?” 34 Archie’s Jalopy 37 It’s as Easy as A-B-V 38 United Girls Against Jughead 41 Archie Giant Series 43 Invisible Paint 44 Archie Comics versus Art 46 Betty Cooper 49 Riverdale’s Racial Problem 52 Fashion 55 Betty’s Ponytail 56 Self-Plagiarism 57 Archie’s Sweater Vest 61 Jughead Jones 63 Beatniks, Hippies, and Other Undesirables 66 Dilton Doily 68 Moose 69 Reggie Mantle 70 Jealousy 73 “Are You Familiar with Shakespeare, My Young Ignoramus?” 76 “I Never Squeaked a Pip, Either!” 78 Jughead’s Hat 79 Fantastic Elements 82 Archie’s Joke Book 83 Often Imitated, Never Duplicated 84 The Historical Archie 88 Mutually Assured Destruction 90 Betty = Veronica 91 Head over Heels 92 Mr. Weatherbee 94 Caveman Archie 95 Life with Archie 99 What Is the Zip Code for Riverdale? 102 Cover Art 103 Fairy Godmothers 106 Dan DeCarlo’s Foreground Portraits 107 Archie as an Adventure Comic 108 Text Pieces 111 Previously on Archie 113 Notes for the Norton Anthology 115 Archie : Arch :Archiekins 118 Eep! Omigosh! And Other Unusual Contributions to the Language of Comics 119 Archie’s Black Book 121 Laugh and Pep: The Residual Titles 122 Pureheart the Powerful 124 Errors 127 Midge 128 You Can Take the Boy Out of Riverdale . . . 130 Archie Club News 132 Veronica’s Mother 133 Mr. Lodge 133 Betty’s Parents 137 Jingles 137 Li’l Jinx 139 Archie’s Gender Politics 140 Should Archie Marry Betty or Veronica? 143 Big Ethel 145 The Mayor of Riverdale 148 Worst. Archie. Story. Ever. 149 Archie the Klutz 150 Celebrity Culture 153 Jughead’s Dipsy Doodles 154 Imitation Is the Lowest Form of Flattery 156 Surf and Ski 158 Samm Schwartz’s Art 160 Self-Referential Metafictions 163 Riverdale High 166 Who Cut Veronica’s Hair? 167 Little Archie 169 Credits 173 Juvenile Delinquency 174 Teenese 176 The Archies 177 Pop Tate’s Choklit Shoppe 182 Unusual Panels 184 Smithers 185 The Archie Archive 186 Fads and Fashions 189 Borderless Panels 190 A Comic About Nothing 192 Fred (and Mary) Andrews 195 The Banjo in Archie Comics 196 Wordless Stories, or Nearly So 197 Hot Dog 201 Dan DeCarlo’s Split-Horizon Girl 203 The (Nearly) Perfect Archie Story 206 The Myth of Archie 209 Archie and Me 210 Index 213

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Book SynopsisFor over seventy-five years, Archie and the gang at Riverdale High have been America’s most iconic teenagers, delighting generations of readers with their never-ending exploits. But despite their ubiquity, Archie comics have been relatively ignored by scholars—until now.Twelve-Cent Archie is not only the first scholarly study of the Archie comic, it is an innovative creative work in its own right. Inspired by Archie’s own concise storytelling format, renowned comics scholar Bart Beaty divides the book into a hundred short chapters, each devoted to a different aspect of the Archie comics. Fans of the comics will be thrilled to read in-depth examinations of their favorite characters and motifs, including individual chapters devoted to Jughead’s hat and Archie’s sweater-vest. But the book also has plenty to interest newcomers to Riverdale, as it recounts the behind-the-scenes history of the comics and analyzes how Archie heTrade Review"Archie gets, at last, academic and theoretical consideration in Bart Beaty's wildly readable Twelve-Cent Archie." * PopMatters *"Fascinating" * New York Magazine *"Whether you’re interested in the differences between Harry Lucey’s Archie and Bob Montana’s, or simply haunted by the signifying structure that is Betty Cooper’s ponytail, there’s something here for everyone who’s ever read an Archie comic." -- Scott Bukatman * author of The Poetics of Slumberland: Animated Spirits and the Animated Spirit *"Funny, insightful, and perfectly paced, this is a highly enjoyable volume of criticism, one that would be equally at home in the ivory tower or by the porcelain throne." * Quill and Quire *"For readers interested in the history and form of comics as art, Beaty offers analyses of visual humour, borderless panels and the central authors and illustrators of this era. Twelve-Cent Archie will satisfy cultural critics, Archie fans and comics fans more broadly ... This book is as fun and satisfying as reading an Archie digest." * Alberta Views *"In its analytical vignettes on such a wide variety of topics, Twelve-Cent Archie attempts - and succeeds - not in ending our questions about Archie, but in showing us how many more questions we ought to be asking." * Children's Literature Association Quarterly *"exciting and often deeply funny" -- Neale Barnholden * English Studies in Canada *"Archie gets, at last, academic and theoretical consideration in Bart Beaty's wildly readable Twelve-Cent Archie." * PopMatters *"Fascinating" * New York Magazine *"Whether you’re interested in the differences between Harry Lucey’s Archie and Bob Montana’s, or simply haunted by the signifying structure that is Betty Cooper’s ponytail, there’s something here for everyone who’s ever read an Archie comic." -- Scott Bukatman * author of The Poetics of Slumberland: Animated Spirits and the Animated Spirit *"Funny, insightful, and perfectly paced, this is a highly enjoyable volume of criticism, one that would be equally at home in the ivory tower or by the porcelain throne." * Quill and Quire *"For readers interested in the history and form of comics as art, Beaty offers analyses of visual humour, borderless panels and the central authors and illustrators of this era. Twelve-Cent Archie will satisfy cultural critics, Archie fans and comics fans more broadly ... This book is as fun and satisfying as reading an Archie digest." * Alberta Views *"In its analytical vignettes on such a wide variety of topics, Twelve-Cent Archie attempts - and succeeds - not in ending our questions about Archie, but in showing us how many more questions we ought to be asking." * Children's Literature Association Quarterly *"exciting and often deeply funny" -- Neale Barnholden * English Studies in Canada *Table of ContentsThe Twelve-Cent Archie 3 How to Write (Archie) Comics 8 Story Length 11 The Archie Hierarchy 12 Archie Andrews 16 How Well Does Archie Speak French? 19 Bowling 19 Harry Lucey’s Rhythm 21 Veronica Lodge 26 Riverdale, USA 29 The Daily Strip 31 Footnote 33 “Why Is It Always between Archie and Reggie?” 34 Archie’s Jalopy 37 It’s as Easy as A-B-V 38 United Girls Against Jughead 41 Archie Giant Series 43 Invisible Paint 44 Archie Comics versus Art 46 Betty Cooper 49 Riverdale’s Racial Problem 52 Fashion 55 Betty’s Ponytail 56 Self-Plagiarism 57 Archie’s Sweater Vest 61 Jughead Jones 63 Beatniks, Hippies, and Other Undesirables 66 Dilton Doily 68 Moose 69 Reggie Mantle 70 Jealousy 73 “Are You Familiar with Shakespeare, My Young Ignoramus?” 76 “I Never Squeaked a Pip, Either!” 78 Jughead’s Hat 79 Fantastic Elements 82 Archie’s Joke Book 83 Often Imitated, Never Duplicated 84 The Historical Archie 88 Mutually Assured Destruction 90 Betty = Veronica 91 Head over Heels 92 Mr. Weatherbee 94 Caveman Archie 95 Life with Archie 99 What Is the Zip Code for Riverdale? 102 Cover Art 103 Fairy Godmothers 106 Dan DeCarlo’s Foreground Portraits 107 Archie as an Adventure Comic 108 Text Pieces 111 Previously on Archie 113 Notes for the Norton Anthology 115 Archie : Arch :Archiekins 118 Eep! Omigosh! And Other Unusual Contributions to the Language of Comics 119 Archie’s Black Book 121 Laugh and Pep: The Residual Titles 122 Pureheart the Powerful 124 Errors 127 Midge 128 You Can Take the Boy Out of Riverdale . . . 130 Archie Club News 132 Veronica’s Mother 133 Mr. Lodge 133 Betty’s Parents 137 Jingles 137 Li’l Jinx 139 Archie’s Gender Politics 140 Should Archie Marry Betty or Veronica? 143 Big Ethel 145 The Mayor of Riverdale 148 Worst. Archie. Story. Ever. 149 Archie the Klutz 150 Celebrity Culture 153 Jughead’s Dipsy Doodles 154 Imitation Is the Lowest Form of Flattery 156 Surf and Ski 158 Samm Schwartz’s Art 160 Self-Referential Metafictions 163 Riverdale High 166 Who Cut Veronica’s Hair? 167 Little Archie 169 Credits 173 Juvenile Delinquency 174 Teenese 176 The Archies 177 Pop Tate’s Choklit Shoppe 182 Unusual Panels 184 Smithers 185 The Archie Archive 186 Fads and Fashions 189 Borderless Panels 190 A Comic About Nothing 192 Fred (and Mary) Andrews 195 The Banjo in Archie Comics 196 Wordless Stories, or Nearly So 197 Hot Dog 201 Dan DeCarlo’s Split-Horizon Girl 203 The (Nearly) Perfect Archie Story 206 The Myth of Archie 209 Archie and Me 210 Index 213

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Book SynopsisSerial Selves considers how female, queer, disabled, and minority artists use autobiographical comics to make their experiences not only legible, but visible as well. Fusing methods from literary and visual studies, it explores how these artists on the margins challenge both the narrative conventions of autobiography and the norms of pictorial self-representation.Trade Review"In this engrossing and tremendously insightful book, Køhlert deftly analyzes comics as a visual form with the precision of a surgeon’s scalpel, paying close attention to the myriad ways comics authors use the formal elements unique to comics to express meaning and embody their intentions. By discussing these five authors in concert, Køhlert not only sheds new light on their individual works, but he also points to the potential for the medium to serve as a powerful vehicle to represent issues around the body. This is an invaluable text for anyone teaching comics." -- Nick Sousanis * author of Unflattening *"Serial Selves leaps past the existing scholarship on autobiographical comics, bringing a fuller sense of context and more diverse corpus. Persistently, and brilliantly, Køhlert reminds us that the choice between formal rigor and social engagement is a false one, and that comics studies at its best achieves both. Synthesizing a tremendous range of research—from autobiography theory, trauma theory, gender studies, disability studies, and other fields—he approaches neglected or misunderstood works, asks tough questions, and, in every case, uses close formal analysis to unpack issues of subjectivity and identity formation. A watershed work." -- Charles Hatfield * author of Hand of Fire: The Comics Art of Jack Kirby *"Acutely attuned to the formal properties of autobiographical comics, Frederik Byrn Køhlert argues that the drawn 'I' produces new knowledge about trauma, bodies, temporality, power, and resistance. Serial Selves persuasively demonstrates the complexity of autobiographical comics and their undeniable importance as a cultural and autobiographical form." -- Leigh Gilmore * author of Tainted Witness: Why We Doubt What Women Say About Their Lives *"This book offers a rich and varied set of positions through which this new revolution can be understood and celebrated, and should be of value and interest to readers approaching it from disparate positions." * The European Journal of Life Writing *"A lovely, insightful, and markedly entertaining read as well as a promising place for scholars interested in marginalized identities and autobiographical comics to begin. The blend of context, formal critique, intersectional scholarship, and intentionally limited scope is an admirable accomplishment." * Inks: The Journal of the Comics Studies Society *"The possibilities of comics as an avenue for visibility and accurate representation are repeated themes throughout Køhlert’s deep and thoughtful analysis of each author-artists’ work in Serial Selves. The result is a book written with the enthusiasm of pop culture lovers and underground comics fans, but useful in fields and interests beyond those boundaries." * Communication Booknotes Quarterly *"Analyzes the ways in which minority artists create illustrations, and the context and messaging behind the images created in a broader sense....Graduate students, scholars and professionals interested in comics and the media might find this book to be a helpful tool." * Communication Booknotes Quarterly *"Serial Selves contributes to a now established scholarly field of life writing within comics studies....Through detailed formal analysis, Kohlert's work carefully examines the highly visual nature of living in a marginalised body. The book brings attention to the various ways in which authors engage directly with their visual selves and challenge conventional representational schemes." * Journal of Graphic Novels and Comics *"Køhlert has a very clear and accessible writing style, advantageous in discussing the theory associated with the various case studies, rendering the complex readily explicable. He covers the work of the major comics thinkers in a seamless fashion, so that when it comes to the discussion of the authors in their case studies, the reader is fully prepared in terms of the overarching theoretical framework. Køhlert impresses further in each of the case studies, as he is also able to address the theory relating to disability, feminist and queer issues amongst others. He moves easily from theory to the analysis of the detail of the comics he studies in a clear and lucid way." * European Comic Art *Table of ContentsContents Acknowledgments Introduction: Serial Selves 1 Female Grotesques: The Unruly Comics of Julie Doucet 2 Working it Through: Trauma and Visuality in the Comics of Phoebe Gloeckner 3 Young, Queer, and Female: Ariel Schrag’s High School Comic Chronicles 4 Staring at Comics: Disability and the Body in Al Davison’s The Spiral Cage 5 Stereotyping the Self: Toufic El Rassi’s Arab in America Conclusion: Making an Issue of Representation Notes Bibliography Index

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Book SynopsisThis first book-length critical study of Saul Steinberg's art and its relation to literature, explores his complex literary roots, particularly his affinities with modernist aesthetics and iconography. The Steinberg who emerges is an artist of far greater depth than has been previously recognised.

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Book SynopsisThe first book-length critical examination of the political and social impact of the political cartoonist Herbert Block - popularly known as Herblock. Working for the Washington Post, Herblock played a central role in shaping, propagandizing, and defending the ideals of postwar liberalism.

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Book SynopsisPresents some of the most outstanding and hilarious examples of Jewish dialect humour drawn from the five books Milt Gross (1895-1953) published between 1926 and 1928 - "Nize Baby", "De Night in de Front from Chreesmas", "Hiawatta", "Dunt Esk", and "Famous Fimmales".Trade ReviewIs Diss a System? brings back Milt Gross with a bang. Artist, tongue-twisting language humorist, Gross was a great figure of American popular culture in the first half of the twentieth century, sadly forgotten . . . until now! Kelman has given us all a gift by selecting, annotating and celebrating a multiculturalism that rings with humor, humanism and a spirit we all need as much as ever. Hurrah! -- Paul Buhle,editor of Jews and American ComicsMilt Gross is a lost wonder of the American literary funhouse. A blessing on the head of Ari Y. Kelman for bringing him, roaring, back to mad and vivid life. -- Michael Chabon,author of The Yiddish Policemen’s Union: A NovelNearly thirty years before my birth, Milt Gross had already turned the kind of English that I heard every day into great and significant art, delighting kids like me as much as he offended the Pecksniffian alte kakers who sought to purge American Jewish culture of every trace of real Yiddish and real Yiddish life. Gross was the bomb under Molly Goldbergs tukhes. Is Diss a System?, a book that needs to be spoken as much as it needs to be read, makes some of his best work available to an audience that might never have suspected what its been missing. -- Michael Wex,author of Born to Kvetch and Just Say NuIt is Grosss good fortune, and ours, that a most recent generation of Americans has reclaimed him as its own or, at the very least, brought his talents to the fore once more. Is Diss a System? A Milt Gross Comic Reader is a case in point, a showcase of his many gifts. . . . In his championing of Milt Gross, Kelman assumes his rightful place as a cultural archaeologist of American Jewrys vernacular culture. He belongs, in fact, to a new generation of American Jewish intellectuals who are determined to recoverand to celebratewhat their forbears had consigned to the attic or dismissed as a curiosity. * The New Republic *Table of ContentsAcknowledgmentsIntroductionGeeve A. Lesten and Ari Y. KelmanNize Baby (1926) (Excerpts)Dunt Esk! (1927) De Night in de Front from Chreesmas (1927)Hiawatta (1926)Famous Fimmales (1928)Assorted Milt Gross Images BibliographyAbout the Editor

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Book SynopsisA nuanced and richly detailed study that examines the development of Turkish national identity from the 1908 constitutional revolution to the inclusion of Alexandretta in 1939, using the lens of contemporary political cartoons.

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Book SynopsisA nuanced and richly detailed study that examines the development of Turkish national identity from the 1908 constitutional revolution to the inclusion of Alexandretta in 1939, using the lens of contemporary political cartoons.

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Book Synopsis

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Book SynopsisStudying the relationship of the Mexican state to its civil society from the 1930s to the 1970s, through comic books and their producers, readers, and censors, this book shows how these tales of adventure reveal about Mexico's cultural nationalism to direct social change. It is for those interested in Mexican history and Latin American studies.Trade Review“This is a very interesting study which from an unusual angle reveals a lot about Mexican, as well as Latin American, culture and politics.”—Erick D. Langer, Georgetown University“With this study Anne Rubenstein breaks new ground in Mexican cultural history, giving comic books the political and social importance they deserve in the making of Mexican national society and PRI hegemony after 1940. Her gendered analysis is refreshing and exemplary.”—Mary Kay Vaughan, University of Illinois at Chicago

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Book SynopsisThis study offers a critical examination of the work of Gilbert and Jaime Hernandez, Mexican-American brothers whose graphic novels are highly influential.

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Book SynopsisExplores the lived experience of illness and disability through original texts, images, and the dynamic interplay between the two. The essays and autobiographical comics in this collection respond to the medical humanities’ call for different representations of illness and disability than those found in conventional medical discourse.

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Book SynopsisWhether you provide reference services and readers’ advisory, handle programming, or teach in the classroom, this book from manga expert Rudes will show you how to connect young readers to manga for entertainment, empowerment, and literacy.Trade ReviewNotably, Rudes dedicates a substantial portion of the book not only to the value of extracurricular manga programming, but to proactively using manga as part of a contemporary school curriculum in order to support varied learning styles, cultivate SEL skills, and to provide students with positive representations of characters who reflect their own identities and experiences ... VERDICT: A businesslike and comprehensive defense of manga in today’s library and classroom that requires no prior knowledge of the format and will provide library professionals the framework to develop a manga collection, program, or course from scratch."— School Library JournalTable of ContentsAcknowledgments Introduction: Why Manga? Chapter 1 Manga 101 Chapter 2 Manga Collection Development Chapter 3 Representation in Manga Chapter 4 Social-Emotional Learning and Manga Chapter 5 Manga Programming Chapter 6 Teaching with MangaConclusion: Manga Sparks Joy Appendixes Appendix A Manga in Libraries Webinars Appendix B Manga Book Lists Index

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Book SynopsisAn engaging look at the philosophical underpinnings of Earth''s Mightiest Heroes Avengers assemble! Tackling intriguing dilemmas and issues that no single great philosopher can withstand, this powerful book enlists the brainpower of an A-list team of history''s most prominent thinkers to explore the themes behind the action of Marvel Comics'' all-star superhero team. Arms you with new insights into the characters and themes of The Avengers Deepens your appreciation both of The Avengers comics and the Joss Whedon movie adaptation Answers the philosophical questions you''ve always had about Earth''s Mightiest Heroes, including: Can a reformed criminal become a superhero? Can an android love a human? If a hero beats his wife, is he still a hero? Helps you think differently about the members of the superhero teamCaptain America, Iron Man, Thor, and the others This thought-provoking book will help you understand Table of ContentsIntroduction: Earth’s Mightiest Philosophers 1 Part One What Would An Avenger Do? 1 Superhuman Ethics Class with the Avengers Prime 5 Mark D. White 2 Shining the Light on the Dark Avengers 18 Sarah Donovan and Nick Richardson 3 The Avengers: Earth’s Mightiest Family 28 Jason Southworth and Ruth Tallman Part Two Who Is An Avenger? 4 Superhero Identity: Case Studies in the Avengers 43 Stephen M. Nelson 5 I Am Made of Ink: She-Hulk and Metacomics 57 Roy T. Cook 6 The Self-Corruption of Norman Osborn: A Cautionary Tale 71 Robert Powell Part Three Should the Avengers Do More Than Avenge? 7 Forgivers Assemble! 83 Daniel P. Malloy 8 Gods, Beasts, and Political Animals: Why the Avengers Assemble 98 Tony Spanakos 9 Cap’s Kooky Quartet: Is Rehabilitation Possible? 113 Andrew Terjesen Part Four Do the Avengers Ever Go Too Far? 10 Fighting the Good Fight: Military Ethics and the Kree-Skrull War 131 Christopher Robichaud 11 Secrets and Lies: Compromising the Avengers’ Values for the Good of the World 142 Louis P. Melançon 12 The Avengers and S.H.I.E.L.D.: The Problem with Proactive Superheroics 154 Arno Bogaerts Part Five What Kind of World Do The Avengers Live In? 13 Can Kang Kill His Past Self? The Paradox of Time Travel 171 Andrew Zimmerman Jones 14 “No Other Gods Before Me”: God, Ontology, and Ethics in the Avengers’ Universe 183 Adam Barkman 15 Love Avengers Style: Can an Android Love a Human? 194 Charles Klayman 16 The Way of the Arrow: Hawkeye Meets the Taoist Masters 204 Mark D. White Aooendix: Why Are There Four Volumes of Avengers? 217 Contributors: Avengers Academy 221

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Book SynopsisHighlights the unique relationship between popular culture and international relationsTrade Review"[A] novel and provocative analysis about how the figure of the 'nationalist superhero' reflects, consolidates, and propels the nationalistic metaphors and narratives that are inextricable elements of the modern nation-state and of the modern, self-governing citizen... Dittmer's tome is theoretically informed and sophisticated. It makes a compelling case for the position that the ways that a people entertains itself, its popular culture, are fertile sites for analyses of how that people comes to know itself and others. Summing Up: Highly recommended."--ChoiceTable of ContentsAcknowledgments 1 Introducing Nationalist Superheroes 2 Gendered Nation-state, Gendered Hero 3 Embodying Multiculturalism 4 Origins 5 Narratives of Continuity and Change 6 Grounding the Nation-state 7 Geopolitical Orders 8 Alternate Worlds 9 Parody and Subversion Afterword Notes References Index

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Book SynopsisThis engaging collection explores the multi-media intersections of comics, film, television, and popular culture over the last century, ranging from Felix the Cat to Black Panther.Trade Review"This is an indispensable contribution to scholarship on comic books, film, and the synergetic nature of adaptation." * CHOICE *"A rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies." * New Books in Film *"[Comics and Pop Culture’s] 19 contributors deftly sidestep the ‘Are superhero movies cinema?’ debate – which usually leads to pointless semantic hair-splitting – and instead focus on diverse examples (from American Splendor, to Modesty Blaise and Scott Pilgrim) to illustrate the two mediums’ complex intersections." * Film International *"Grant and Henderson have collected a fascinating and novel group of essays that challenge conventional notions of adaptation and raise interesting questions for the future of adaptation studies...The variety of subject matter makes this a wonderful read for those interested in comics, film, pop culture, or adaptation theory." * Journal of Graphic Novels and Comics *"Comics and Pop Culture is an unapologetic celebration of the historical, cultural, and processual affect of comics and film by academics who are fans of the subjects of which they write…it provides a wonderful start to a conversation that other scholars may pick up to investigate in other ways. In that aspect, it proves itself to be a valuable resource for the ongoing scholarship around the things we love to study: comics, film, and pop culture." * Popular Culture Studies Journal *Table of Contents Acknowledgments Introduction (Barry Keith Grant and Scott Henderson) Part One. Issues and Debates The Crossroads of Infinity, or Universum Incognitum (Scott Bukatman) From Adaptation to Extension: A History of Comics Adapting Films, 1976–2015 (Blair Davis) Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production (Liam Burke) Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues (Chris Reyns-Chikuma) Genre and Superhero Cinema (Aaron Taylor) Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives (Miriam Kent) Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation (Jason Rothery and Benjamin Woo) “We Roller Coaster Through . . .”: Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies (Julian Hoxter) Adaptation and Seriality: Comic Book to Television Series Adaptations (Sherryl Vint) Part Two. Panels and Frames Felix in—and out of—Space (J. P. Telotte) A Comic Book Life/Style: World Building in American Splendor (Matt Yockey) The Extraordinary Career of Modesty Blaise (James Chapman) Authenticity and Judge Dredd on Film (J. Mark Percival) CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? (James C. Taylor) Scott Pilgrim’s Precious Little Texts: Adaptation, Form, and Transmedia Co-creation (John Bodner) Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero’s Night of the Living Dead (Aviva Briefel) Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist (Scott Henderson) Black Panther: Aspiration, Identification, and Appropriation (Jeffrey A. Brown) Contributors Index

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Book Synopsis

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Book SynopsisCollects new essays on the work of the creator of the immensely popular Peanuts comic strip. Despite Schulz's celebrity, few scholarly books on his work and career have been published. This collection serves as a foundation for future study not only of Charles Schulz (1922-2000) but, more broadly, of the understudied medium of newspaper comics.

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Book SynopsisCham, real name Count Amédée de Noé, may have been the epitome of a célèbre inconnu, a famous unknown. He is one much deserving, at last, of this first account of his huge oeuvre as a caricaturist. This book concentrates on his mastery of the important newcomer to the field of caricature, which we call comic strip, picture story, and graphic novel.

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Book SynopsisPresents ten essays that explore the point where social justice meets the Justice League. Ranging from comics to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change.

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