Classic poetry / poems
Hackett Publishing Co, Inc Complete Poems and Fragments
Book Synopsis"In this expanded edition of his distinguished Sappho: Poems and Fragments (2002), Stanley Lombardo offers over 100 fragments not included in the original edition, as well as the new poems discovered in 2004 and 2014. His translation of this latter material yields fresh insights into Sappho's representations of old age, two of her brothers, and her special relationship with Aphrodite. Pamela Gordon’s engaging, balanced, and informative Introduction has been revised to incorporate discussion of the new fragments, which subtly alter our previous understanding of the archaic poet’s corpus. Complete Poems and Fragments also offers a useful updated bibliography, as well as a section on 'Elegiac Sappho' that presents the reception of the Lesbian poet in later Greek and Latin elegiac poems. A wonderful find for any Greekless reader searching for a complete and up-to-date Sappho. —Patricia A. Rosenmeyer, Department of Classics, University of Wisconsin–MadisonTrade Review"Very good indeed to have a complete and up-to-date Sappho for the non-specialist reader, and especially one with such an intelligent and helpful Introduction to the poet herself." —Jenny March, in The Reading Room, classicsforall.org.uk
£39.09
Hackett Publishing Co, Inc Purgatorio
Book SynopsisLike his groundbreaking Inferno (Hackett, 2009) and Paradiso (Hackett, 2017), Stanley Lombardo's Purgatorio features a close yet dynamic verse translation, innovative verse paragraphing for reader-friendliness, and a facing-page Italian text. It also offers judicious headnotes and notes by Ruth Chester and an Introduction by Claire E. Honess and Matthew Treherne.Trade Review"Fresh, lively, and reliable, Stanley Lombardo's Purgatorio easily earns its place in the great tradition of English-language renderings of Dante. Excellent introductory material and footnotes help to make this a version that will appeal to scholars, students, and general readers alike." —Steven Botterill, Associate Professor of Italian Studies, University of California, Berkeley"To read Dante is to be triply overwhelmed: by his vast classical and biblical erudition, by the ingenuity and innovation of his narrative conception, by the constant allure of his diction. The cumulative effect is almost too much to take. This is where Stanley Lombardo comes in. As Virgil guided Dante himself, so Lombardo's lucent translations guide the English-language reader through the labyrinthine magnificence of the Divine Comedy. Ma qui la morta poesì resurga, ‘here let poetry rise from the dead,' prays the narrator Dante: a wish richly fulfilled in Lombardo's renderings, whose unprepossessing dignity and clarity give an authentic sense of the enduring beauty of the Tuscan original. This new translation of the Purgatorio continues the project that was so splendidly launched by Lombardo's Inferno. As before, the translation itself is presented with the original text in facing pages, and is accompanied by clear-headed introductory material and helpful notes. And Hackett once again delights the eye with elegant layout and exquisite typeface. All in all, this central panel of Dante's immortal triptych is superlatively presented." —John T. Kirby, Professor of Classics, University of Miami"With the arrival of Lombardo's distinguished translation of the Purgatorio, the second installment of Dante's grand tour of the afterlife becomes a viable option in literature surveys—and in more specialized undergraduate courses as well. Dante is no longer the Inferno alone when it is a question of reaching typical undergraduate audiences. Lombardo's flowing verse is supple and highly readable, and Ruth Chester's explanatory notes are abundant, lucid, and very useful. And not the least of the attractions of Lombardo's Purgatorio is the presence of the Italian text on facing pages, a valuable tool for readers whose Italian is adequate or at least at the "working" level." —Nathaniel Wallace, South Carolina State University"A musical Purgatorio that asks to be read aloud in the classroom, where it will undoubtedly enchant. The Introduction, by Claire Honess and Matthew Treherne, provides an insightful overview to the myriad issues of Purgatorio that is well aimed at a general reader. The notes by Ruth Chester are both informative and measured in their stance. Lombardo straddles a middle ground, in this case of technical accuracy and colloquial verve, that lends an eminently readable air to his work. With an easy diction and a limpid style, he opens the text up to a new generation of readers and asks all of us, scholars and students alike, to bring this text alive with our voices.” —Akash Kumar, in Speculum"Purgatorio is the central volume in Stanley Lombardo’s complete facing-page verse translation of the Comedy, with advice, introductory matter and detailed notes provided by eminent Dantists, following the pattern set in his Inferno volume (2009), and now completed in his Paradiso (2017). Lombardo, a classical scholar known for his versions of Homer and Virgil, not only provides a solid explanatory text, but offers a poetic experience based on a creative approach which he sets out in an interesting Translator’s Preface, foregrounding elements such as sound, performability, communication. . . . The voice in Lombardo’s Purgatorio strikes a steady, moderate note, unpretentious in its vocabulary choice, unassuming in its elegant deviations. . . . Lombardo provides a valuable addition to the range of English Dantes. . . . The book’s apparatus is first-rate. An elegant and substantial introduction outlines the diverse doctrinal foundation of Purgatory, showing how Dante found the freedom to shape his own bespoke mountain. The life-affirming morality of the canticle is expounded, with its subtle account of human motivation based on inclinations rather than outcomes. Other topics include the pressures of time, prayer and penitance, the links between local chaos and world disorder, the central importance of poetry, and the continuity of hope that binds purgatory to paradise. Ruth Chester’s contribution is discreet, informative, and lively. Often linking scenes and episodes to other moments in the Commedia, her notes help readers to grasp the poem as a whole. Points of beauty and emotion are quietly highlighted; we are prompted, rather than pushed, to appreciate what’s happening."—Cormac Ó Cuilleanáin, Trinity College Dublin, in Italian Studies
£18.89
Hackett Publishing Co, Inc Paradiso
Book SynopsisLike his groundbreaking Inferno (Hackett, 2009) and Purgatorio (Hackett, 2016), Stanley Lombardo's Paradiso features a close yet dynamic verse translation, innovative verse paragraphing for reader-friendliness, and a facing-page Italian text. It also offers an extraordinarily helpful set of notes and headnotes as well as Introduction—all designed for first-time readers of the canticle—by Alison Cornish.Trade Review"Lombardo makes Dante's verses come alive in so many ways that this crowning achievement stands on its own as inspired poetry, readily comprehensible and reliably attentive to the many different registers that the Florentine poet incorporates in his text. Despite its reputation as the most challenging of the three canticles, the Paradiso, in Lombardo's dramatically charged version, becomes remarkably transparent. . . . As is characteristic of his previous translations, Lombardo addresses his version of Paradiso not only to readers but also to listeners and succeeds in recreating the various stages on which the Comedy was originally received and presented: private readings at home and more public oral performances either for small, intimate groups within the palazzo walls or before large crowds in the town square. . . . In her fine Introduction, instructive headnotes to individual cantos, and extensive explanatory endnotes, Alison Cornish provides all the information necessary for a profitable reading of the Paradiso. . . . This handsome bilingual edition is a welcome addition to the large and ever increasing number of annotated translations of Dante's Comedy." —Christopher Kleinhenz, Carol Mason Kirk Professor Emeritus of Italian, University of Wisconsin–Madison"The distinctive combination of Lombardo's lucid rendering of Dante's poem with Cornish's judicious commentary will make this volume a remarkable resource for both new and seasoned readers. It not only provides the necessary coordinates to comprehend Dante's daring description of eternity but also offers new insights about the work’s relation to its historical, philosophical, and literary contexts." —Martin Eisner, Associate Professor of Romance Studies, Duke University"This translation and commentary are an essential contribution to Dante's reception in English. Stanley Lombardo's translation is accurate, elegant, and transparent, a mirror of the original text. Alison Cornish's commentary is lucid, graceful, and precise, with just the right level of detail; it penetrates and opens the Paradiso's philosophical, scientific, and theological dimensions with authority, balance, sensitivity, and simplicity. Perhaps now more readers will follow Dante to Paradise." —Christian Moevs, Associate Professor of Italian, University of Notre Dame
£49.29
Hackett Publishing Co, Inc Horace: Odes: & Carmen Saeculare
Book SynopsisHorace's Odes enjoys a long tradition of translation into English, most famously in versions that seek to replicate the quantitative rhythms of the Latin verse in rhymed quatrains. Stanley Lombardo, one of our preeminent translators of classical literature, now gives us a Horace for our own day that focuses on the dynamics, sense, and tone of the Odes, while still respecting its architectonic qualities. In addition to notes on each of the odes, Anthony Corbeill offers an Introduction that sketches the poet's tumultuous political and literary careers, highlights the Odes' intricate construction and thematic breadth, and identifies some qualities of this work that shed light on a disputed question in its reception: Are these poems or lyrics? This dual-language edition will prove a boon to students of classical civilization, Roman literature, and lovers of one of the great masters of Latin verse.Trade Review"Yet again, Stanley Lombardo has produced a superb translation, this time of the Odes of Horace. The greatest virtue of his translation is that he represents the stanzas of Horace’s lyric stanzas with his own poetic version, closely hewing to the stanzas of the Horatian original. The translation, with the Latin text facing—the first time he has given us the original language in a translation from classical antiquity—will instantly become the go-to text for courses in translation and will also be a resource for anyone interested in Rome’s greatest lyric poet." —Richard F. Thomas, George Martin Lane Professor of the Classics, Harvard University"One important feature of this volume is the facing page Latin text. Lombardo's translation, wherever possible and nearly always with clear and idiomatic English, tidily conforms clause by clause to the shape and sense of each of Horace's stanzas. Additionally, the translations generally flow well in almost Horatian rhythm, and occasionally sound devices add to the poetic quality of the English. Corbeill's Introduction to Horace's life and political context is the ideal length and level for its audience. This Introduction will effectively equip readers to begin their voyage into the Odes and the Carmen Saeculare. New readers will find Corbeill's succinct notes at the end of the book to be useful guides to each ode. An excellent choice as an entry point into Horace's poetry." —Blanche Conger McCune, Baylor University, in The Classical Review
£17.09
Hackett Publishing Co, Inc Horace: Odes: & Carmen Saeculare
Book SynopsisHorace's Odes enjoys a long tradition of translation into English, most famously in versions that seek to replicate the quantitative rhythms of the Latin verse in rhymed quatrains. Stanley Lombardo, one of our preeminent translators of classical literature, now gives us a Horace for our own day that focuses on the dynamics, sense, and tone of the Odes, while still respecting its architectonic qualities. In addition to notes on each of the odes, Anthony Corbeill offers an Introduction that sketches the poet's tumultuous political and literary careers, highlights the Odes' intricate construction and thematic breadth, and identifies some qualities of this work that shed light on a disputed question in its reception: Are these poems or lyrics? This dual-language edition will prove a boon to students of classical civilization, Roman literature, and lovers of one of the great masters of Latin verse.Trade Review"Yet again, Stanley Lombardo has produced a superb translation, this time of the Odes of Horace. The greatest virtue of his translation is that he represents the stanzas of Horace’s lyric stanzas with his own poetic version, closely hewing to the stanzas of the Horatian original. The translation, with the Latin text facing—the first time he has given us the original language in a translation from classical antiquity—will instantly become the go-to text for courses in translation and will also be a resource for anyone interested in Rome’s greatest lyric poet." —Richard F. Thomas, George Martin Lane Professor of the Classics, Harvard University
£49.29
Carcanet Press Ltd Pearl
Book SynopsisJane Draycott's translation of Pearl reissued as a Carcanet Classic. A Poetry Book Society Recommended Translation. In a dream landscape radiant with jewels, a father sees his lost daughter on the far bank of a river: `my pearl, my girl’. One of the great treasures of the British Library, the fourteenth-century poem Pearl is a work of poetic brilliance; its account of loss and consolation has retained its force across six centuries. Jane Draycott in her new translation remakes the imaginative intensity of the original. This is, Bernard O’Donoghue says in his introduction, `an event of great significance and excitement’, an encounter between medieval tradition and an acclaimed modern poet.Trade Review'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review
£999.99
Caitlin Press The Brightest Thing
Book SynopsisIn her first full-length collection, award-winning poet Ruth Daniell offers work that is both earnest and hopeful, even in the face of trauma. In formally exquisite and lyrical poems, The Brightest Thing tells the story of a young woman who is raped by her first boyfriend and her struggle afterwards to navigate her fairy-tale expectations of romantic love. This contemporary story of hurt and healing is paired with poems that give voice to silenced princesses from fairy talesincluding Rapunzel, Donkeyskin, The Little Mermaids sister and the princess who feels the pea beneath two hundred mattresses. At turns heartbreaking and joyful, with an unabashed eye for beauty and an unapologetic hope for love, Daniell questions the pursuit of happily ever after, and probes deep into darkness while looking for the light.
£11.39
U Press Beowulf - The Tragedy of a Hero: A Reading
Book Synopsis
£30.02
HarperCollins Elektra
Book SynopsisOrestes has returned to his homeland intent on exacting a bloody vengeance upon its rulers: his mother Klytemnestra and his step-father Aegisthus, who together murdered Orestes' father, Agamemnon. The prince's sister, Elektra, has long awaited his return, fueding with Klytemnestra over her mother's moral justifications for killing Agamemnon.
£9.37
HarperCollins Publishers Inc The Battle of Maldon
Book SynopsisThe first-ever standalone edition of one of J.R.R. Tolkien’s most important poetic dramas, that explores timely themes such as the nature of heroism and chivalry during war, featuring previously unpublished and never-before-seen texts and drafts.In 991 AD, Vikings attacked an Anglo-Saxon defense-force led by their duke, Beorhtnoth, resulting in brutal fighting along the banks of the river Blackwater, near Maldon in Essex. The attack is widely considered one of the defining conflicts of tenth-century England, due to it being immortalized in the poem, The Battle of Maldon.Written shortly after the battle, the poem now survives only as a 325-line fragment, but its value to today is incalculable, not just as a heroic tale but in vividly expressing the lost language of our ancestors and celebrating ideals of loyalty and friendship.J.R.R. Tolkien considered The Battle of Maldon “the last surviving fragment of ancient English heroic minstrelsy.” It would inspire him to compose, during the 1930s, his own dramatic verse-dialogue, The Homecoming of Beorhtnoth Beorhthelm’s Son, which imagines the aftermath of the great battle when two of Beorhtnoth’s retainers come to retrieve their duke’s body.Leading Tolkien scholar, Peter Grybauskas, presents for the very first time J.R.R. Tolkien’s own prose translation of The Battle of Maldon together with the definitive treatment of The Homecoming of Beorhtnoth and its accompanying essays; also included and never before published is Tolkien’s bravura lecture, “The Tradition of Versification in Old English,” a wide-ranging essay on the nature of poetic tradition. Illuminated with insightful notes and commentary, he has produced a definitive critical edition of these works, and argues compellingly that, Beowulf excepted, The Battle of Maldon may well have been “the Old English poem that most influenced Tolkien’s fiction,” most dramatically within the pages of The Lord of the Rings.
£22.50
Oxford University Press Algernon Charles Swinburne
Book SynopsisThis volume in the 21st-Century Oxford Authors series offers students and readers a comprehensive selection of the work of Algernon Charles Swinburne (1837-1909). This authoritative edition presents students with a new, more complete, more challenging, but also more credible Swinburne than ever before. This edition presents the first rigorous scholarly edition of a substantial selection of Swinburne''s work ever produced. Swinburne was one of the most brilliant and controversial poets of the nineteenth century: a republican; a scorner of established Christianity; a writer of sexual daring; a poet of loss and of love. Yet he is also the most misunderstood poet of the Victorian period. This new edition, with substantial editorial material, presents a new and convincing portrait of a man sharply different from what is usually said of him. Beginning with his unpublished ''Ode to Mazzini'' (1857) and ending with his last major critical work on The Age of Shakespeare (1908), this edition offers Swinburne in the round--a man of astonishing consistency whose formal innovations and critical penetration remain persistently engaging as well as provocative. A major introduction explores Swinburne''s complicated reaction to the scandal of his first major collection, Poems and Ballads (1866); his life-long commitment to radical voices (Blake, Hugo, Landor, Shelley); his permanent hostility to tyranny; his sense of literature as a living form and of the heroic personality of the artist; his dazzling art criticism and adroit analysis of Renaissance and modern literature; his exceptional elegies for dead friends; his burlesques and richly atmospheric fiction and drama. The edition draws on rich contemporary sources, manuscripts, and the diverse print culture of Swinburne''s day, as well as moving through ancient and modern languages that Swinburne wrote with fluency.Explanatory notes and commentary are included to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life of Swinburne.Trade ReviewWith a lively introduction, expertly chosen selections, and a commanding scholarly apparatus, this volume presents a vital poet to a new generation of scholars and students. The full range of Swinburne's long and never-boring career is represented in bursts of poetry and criticism, from the unspeakably beautiful and fearsomely inventive to the politically confused and aesthetically derivative-all of them, for different reasons, fascinating. This definitive edition will help readers know the fullest version of our most enduring literary iconoclast. * Nathan K. Hensley, Georgetown University *Francis O'Gorman's excellent edition is the ideal introduction to Swinburne, presenting a generous representative selection of his poetry and prose that includes his best-known work along with some less familiar but significant texts. Meticulously edited and contextualized, this is an edition that will be of enormous value to established scholars and new students alike. * Catherine Maxwell, Queen Mary University of London *O'Gorman's handsome tome is an editorial feat that gives proportinate representation to all Swineburne's phases from the 1850s to the Edwardian period. ... The edition samples iconic poems and pivotal essays whilst recalibrating the Swinburne canon by including obscure yet fascinating work. The mixing of genres according to a rough chronological order offers a panoramic view of Swinburne's development and thematic concerns. * Notes and Queries *Table of ContentsINTRODUCTION NOTE ON THE TEXT Ode to Mazzini Of the birth of Sir Tristram, and how he voyaged into Ireland (Queen Yseult) Letter to the Editor of The Spectator, 7 June 1862 (pp.632-3) [on George Meredith s Modern Love, and Poems of the English Roadside, with Poems and Ballads] Charles Baudelaire, Les Fleurs du mal (The Spectator, 6 September 1862) Dead Love (1859) Atalanta in Calydon (1865) from Preface to A Selection from the Works of Lord Byron (1866) from Poems and Ballads (1866) Laus Veneris The Triumph of Time Les Noyades Itylus Anactoria Hymn to Proserpine Hermaphroditus The Leper Before the Mirror Dolores The Garden of Proserpine Dedication, 1865 from Mr Arnold s New Poems (1867) From Chapter 2, Lyrical Poems , William Blake: A Critical Essay (1868) from Notes on Designs of the Old Masters at Florence (1868) from Notes on the Royal Academy Exhibition, 1868 (1868) from The Poems of Dante Gabriel Rossetti (1870) from Songs Before Sunrise (1871) Super flumina Babylonis Mentana: First Anniversary The Litany of Nations Hertha Before a Crucifix Tenebræ Cor Cordium In San Lorenzo On the Downs An Appeal from Simeon Solomon: Notes on his Vision of Love and Other Studies (1871) Tristram and Iseult: Prelude of an Unfinished Poem (1871) from Victor Hugo s L Année terrible (1872) from Bothwell (1874) from Songs of Two Nations (1875) from Diræ Celæno A Choice The Augurs A Counsel from Report of the First Anniversary Meeting of the Newest Shakespeare Society (1876) from Note of an English Republican on the Muscovite Crusade (1876) The Sailing of the Swallow (1877) from Poems and Ballads, Second Series (1878) The Last Oracle A Forsaken Garden Relics Ave Atque Vale: In Memory of Charles Baudelaire Memorial Verses on the Death of Théophile Gautier Sonnet (With a Copy of Madamemoiselle de Maupin) In Memory of Barry Cornwall Inferiae Cyril Tourneur A Ballad of François Villon, Prince of All Ballad-Makers A Vision of Spring in Winter The Epitaph in Form of a Ballad, which Villon made for Himself and his Comrades, Expecting to Hanged along with them' From A Study of Shakespeare (1880) from Songs of the Springtides (1880) Thallasius On the Cliffs from Specimens of Modern Poets: The Heptalogia or The Seven Against Sense: A Cap with Seven Bells (1880) The Higher Pantheism in a Nutshell Nephelidia Poeta Loquitur (c.1880n) from Studies in Song (1880) After Nine Years Evening on the Broads By the North Sea Emily Brontë (1883) from A Century of Roundels (1883) In Harbour Plus Ultra The Death of Richard Wagner Plus Intra The Roundel Wasted Love Before Sunset A Flower-piece by Fantin To Catullus Insularum Ocelle from A Midsummer Holidayand Other Poems (1884) IX. On the Verge Lines of the Monument of Giuseppe Mazzini Les Casquets In Sepulcretis On the Death of Richard Doyle A Solitude Clear the Way! from Poems and Ballads, Third Series (1889) March: An Ode To a Seamew Neap-Tide In Time of Mourning The Interpreters To Sir Richard F. Burton (On his Translation of the Arabian Nights) A Reiver s Neck-Verse The Tyneside Widow Recollections of Professor Jowett (1893) from Astrophel and Other Poems (1894) A Nympholept Loch Torridon: To E.H. Elegy 1869-91 Threnody October 6, 1892 A Reminiscence Hawthorn Dyke The Ballads of the English Border from A Channel Passage and Other Poems (1904) The Lake of Gaube In a Rosary Trafalgar Day Cromwell s Statue On the Death of Mrs Lynn Linton Russia: An Ode Carnot The Transvaal Dedication of ACS s Poems (London: Chatto & Windus 1904) from The Age of Shakespeare (1908) Christopher Marlowe EXPLANATORY NOTES FURTHER READING
£25.99
Penguin Putnam Inc Paradise Lost
Book Synopsis
£17.92
New Directions Publishing Corporation The Selected Poems of Tu Fu
Book SynopsisA new and substantially expanded version of Hinton’s landmark translation of Tu Fu, published on the thirtieth anniversary of that original edition Shortlisted for the Lucien Stryk Asian Translation PrizeTrade Review"Hinton's translation of The Late Poems of Wang An-shih is one of my favorite books of poetry, period, so when I saw that New Directions would be releasing a new edition of Hinton's translations of Tu Fu, I knew I wanted to read it. Tu Fu's poems arrive in soft, elemental couplets, serene and powerful. Hinton's language register is fluid, simple, vivid, and elegant. I also find his language to be remarkably timeless and precise. In "Plum Rains," "All day long, dragons delight: swells coil/and surge into banks, then startle back out"—so visceral and reptilian are these sensations that I imagine sharing the same Autumn rainy sky with Tu Fu. I texted the husband the following couplet from the poem "Out in the Boat," to urge him to take me canoeing before it gets too cold: "Today, my wife and I climb into a little river-boat. Drifting,/skies clear, we watch our kids play in such crystalline water." In the images of this vivid verse, I see Tu Fu's life—as a refugee, as a Buddhist, as a devoted family member." -- Gina Balibrera Amyx - Literati Bookstore"Hinton’s austerely beautiful translations assume that Chinese classical poetry cannot be severed from philosophy. His translations have always gone against the grain. He has been building, translation by translation, an English language for a Chinese conceptual world. His versions get closest to what makes Du Fu sublime for Chinese readers." -- Madeleine Thien - New York Review of Books"David Hinton is the best English-language translator of classical Chinese poetry we have, and have had for decades. A magician’s grace glows through all of the poems, a grace and ease uncommonly found,uncommonly masterful." -- Citation from the Thornton Wilder Lifetime Achievement Award (American Academy of Arts and Letters)"Tu Fu said ‘A poet's ideas are noble and simple.’ But Tu Fu does not seem so simple to us. His richly-layered work is well represented in these crisp translations. The background notes are invaluable. One of the world's finest poets is made available here." -- Gary Snyder"Tu Fu is the greatest non-epic, non-dramatic poet who has survived in any language." -- Kenneth Rexroth
£14.24
Modern Humanities Research Association Gavin Douglas The Aeneid 1513 Volume 1 Introduction Books I VIII Mhra Tudor Stuart Translations
£32.41
Amazon Digital Services LLC - Kdp Red Head A Reparation for Cruelty
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LEGARE STREET PR The Wind Among the Reeds
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