Choral music Books
Hal Leonard Corporation Old American Songs: Complete
Book Synopsis
£9.98
Boydell & Brewer Ltd Karl Straube (1873–1950): Germany’s Master
Book SynopsisThe first thorough examination of the most renowned and influential organist in early twentieth-century Germany and of his complex relationship to his country's tumultuous and shifting sociopolitical landscape. In the course of a multifaceted career, Karl Straube (1873-1950) rose to positions of immense cultural authority in a German musical world caught in unprecedented artistic and sociopolitical upheaval. Son of a German harmonium-builder and an intellectually inclined English mother, Straube established himself as Germany's iconic organ virtuoso by the turn of the century. His upbringing in Bismarck's Berlin encouraged him to develop intensive interests in world history and politics. He quickly became a sought-after teacher, editor, and confidante to composers and intellectuals, whose work he often significantly influenced. As the eleventh successor to J. S. Bach in the cantorate of St. Thomas School, Leipzig, he focused the choir's mission as curator of Bach's works and, in the unstable political climate of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed. Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.Trade ReviewThe definitive work in any language. The research is impeccable. More than just a biography of an organist, this book puts the reader in the world of German culture and church music from the 1880s to the middle of the 20th century. Highest recommendation. * AMERICAN ORGANIST *Written with sensitivity, [Anderson's book] goes into factual matters in fine detail but also gives a satisfying sense of [Straube as a] person. Straube's activities during the Third Reich are laid out with care, avoiding both hagiography and [negative] polemics. * MUSIC UND KIRCHE *[This book's] utterly stunning quantity of information from primary sources... makes it an outstanding reference point not merely in debates around [Straube's] life and work ..., but also for interpreting Reger or for understanding Leipzig's musical history. * ARS ORGANI *A thorough exploration of the life and work of Karl Straube,...a musician of the highest order [whose] solo organ playing was considered revolutionary. If you want to know a lot more about the life of this extraordinary musician...I would wholeheartedly recommend this book. * ORGANISTS' REVIEW *Table of ContentsAcknowledgements List of Abbreviations Introduction Part I. Berlin 1873-1897 1. Headwaters 2. Mentors 3. Liftoff Part II. Wesel 1897-1902 4. New beginnings 5. Reger 6. "I'd like finally to get on with it!" Part III. Leipzig 1903-1918 7. A Berliner in (little) Paris 8. Off the organ bench 9. Trouble in paradise 10. "In my naïveté" 11. Emmi Leisner 12. Deaths and transfigurations Part IV. Intermezzo: Leipzig 1918-1920 13. Decision point 14. Portraits in ambivalence Part V. Leipzig 1920-1929 15. On the road and at the negotiating table 16. Politics I 17. "When the days of darkness come" 18. Colleagues 19. The treadmill 20. Movements in time 21. "God preserve Karl Straube" Part VI. Leipzig 1930-1939 22. Bach on air 23. Politics II 24. Praeceptor Germaniae 25. The spring of our discontent 26. Beyond the Rhine 27. Deceptive cadence 28. Tempelreinigung Part VII. Leipzig 1940-1950 29. The Franciscan way 30. Perils 31. Götterdämmerung 1943 32. Gone with the wind 33. Reckonings 34. "Like sand through the fingers" Epilogue: Musical Offering Bibliography Index
£128.25
Hal Leonard Corporation Choral Reflections: Insights from American Choral
Book Synopsis
£23.99
Hal Leonard Publishing Corporation Dalcroze Eurhythmics in the Choral Classroom
Book Synopsis
£34.00
Hal Leonard Corporation Pop Warm-Ups and Work-Outs for Tenor/Bass
Book Synopsis
£22.49
Wilfrid Laurier University Press Music-Making in U.S. Prisons: Listening to
Book SynopsisThe U.S. incarceration machine imprisons more people than in any other country. Music-Making in U.S. Prisons looks at the role music-making can play in achieving goals of accountability and healing that challenge the widespread assumption that prisons and punishment keep societies safe. The book’s synthesis of historical research, contemporary practices, and pedagogies of music-making inside prisons reveals that, prior to the 1970s tough-on-crime era, choirs, instrumental ensembles, and radio shows bridged lives inside and outside prisons. Mass incarceration had a significant negative impact on music programs. Despite this setback, current programs testify to the potency of music education to support personal and social growth for people experiencing incarceration and deepen social awareness of the humanity found behind prison walls. Cohen and Duncan argue that music-making creates opportunities to humanize the complexity of crime, sustain meaningful relationships between incarcerated individuals and their families, and build social awareness of the prison industrial complex. The authors combine scholarship and personal experience to guide music educators, music aficionados, and social activists to create restorative social practices through music-making.Trade Review“Music-Making in U.S. Prisons is an important work that demonstrates the power of collaborative musical art-making within prisons with an illustrative collection of examples from many locations and across timespans. This book is grounded in humanity, both an incarcerated individual’s understanding of their own humanity, and society’s perception of it within incarcerated people. I believe it will spark the imagination of many practitioners and could encourage more dramatic change in the prison-industrial complex through the mechanisms described: connecting people inside to the community outside and reinforcing the humanity and dignity of everyone involved.” —Robert Pollock, Prison Writing Program Manager, PEN America “At just the right moment—as art is increasingly recognized as a potent weapon in the ongoing fight against mass incarceration—this thoughtful, artful, humanizing analysis of music’s role as an agent of healing and collective action is critical reading.” —Dr. Baz Dreisinger, author of Incarceration Nations: A Journey to Justice in Prisons Around the WorldTable of Contents 1: Why Music-Making in Prisons? 2: “Might Is Not Always Right”: Historical Reflections of Music-Making in U.S. Prisons 3: “In Encourage Everyone to Step Out of Their Comfort Zone”: Developing Agency in Instrumental Music Education in Prisons 4: “Their Singing Saved Me”: Social Awareness through Choral Singing 5: Dynamic Nature of Songwriting in Prisons: Interactions among Singers, Prison Staff, and Audience Members 6: “So Much More”: Pedagogies that Support Human Dignity and Social Responsibility for Musical Communities Working toward Abolition of the Prison Industrial Complex
£31.46
Omnibus Press Hear My Words Ye People (New Engraving)
Book Synopsis
£6.04
Omnibus Press Missa Rigensis
Book Synopsis(Choral). A striking setting of the Mass by Latvian composer Praulins.
£10.56
Omnibus Press The Novello Book of Music for Lent & Easter:
Book Synopsis
£16.14
Hal Leonard Europe Limited Vespers (All Night Vigil) op. 37
Book Synopsis
£17.99
Boydell & Brewer Ltd Piety and Polyphony in Sixteenth-Century Holland:
Book SynopsisStudy of musical manuscripts from the fifteenth and sixteenth centuries, opening a window on piety, liturgy and musical life in late medieval society. The musical culture of the Low Countries in the early modern period was a flourishing one, apparent beyond the big cathedrals and monasteries, and reaching down to smaller parish churches. Unfortunately, very few manuscripts containing the music have survived from the period, and what we know rests to a huge extent on six music books preserved from St Peter's Church, Leiden. This book describes the manuscripts, their provenance, history and repertory, and the zeven-getijdencollege, the ecclesiastical organisations which ordered the music books, in detail. These organisations have their roots in fifteenth-century piety, founded on the initiative of individuals and townadministrators throughout Holland, principally to ensure that prayers and Masses were said for those in the afterlife. Music, both chant and polyphony, played an important part in these commemorative practices; the volume also looks at the choristers and choirmasters, and how such services were organised. ERIC JAS is a lecturer in music at the university of Utrecht.Trade ReviewThis fascinating account of the contents and function of the choirbooks of St Peter's church in Leiden has resonance far beyond the usual somewhat narrow focus of musicological studies of this period...this volume provides an important glimpse into some of the many treasures of music (as well as art) that fell victim to the religious zeal and, on occasion, the filching fingers of the Reformers of sixteenth-century Europe. As a study of the vibrancy and richness of the spiritual and musical life of the Catholic Netherlands at the time of the Reformation it is of great value. * THE CONSORT *Piety and polyphony in Sixteenth-Century Holland is a work that should appeal to anyone working in Renaissance history. . . . [A]n overall magnificent book. . . .As Jas states in his introduction, the musical life of Leiden almost certainly has many more secrets to yield to scholarly investigation, and musicologists and historians could do nothing better to prepare themselves for that journey than spending time with this admirable and impressive study. -- Graham Freeman * CANADIAN JOURNAL OF NETHERLANDIC STUDIES *Engaging reading for all who work on singing in the late medieval and early modern Low Countries and beyond. * EARLY MUSIC HISTORY *Extremely detailed and informative. * EARLY MUSIC *Table of ContentsIntroduction The zeven-getijdencolleges The seven hours in St Peter's Church at Leiden The choirbooks of St Peter's Church The repertoire of the choirbooks Epilogue Appendix: Archival Documents Appendix: Descriptions and Inventories of hte choirbooks Bibliography
£60.00
Boydell & Brewer Ltd The Choral Foundation of the Chapel Royal, Dublin
Book SynopsisThe first investigation into the choral foundation of the Chapel Royal, Dublin Castle. The Chapel Royal, Dublin Castle, was the place of worship of the British monarch's representative in Ireland from 1814 until the inception of the Irish Free State in 1922. It was founded and maintained by the joint efforts of church and state, and thus its history provides valuable insights into how the relationship between religion and politics shaped Irish society and identity. The Dublin Chapel was established in imitation of the Chapel Royal of St James's Palace, London, and was served by a staff of clergy and musicians. Its musical foundation was a formal and independent entity, with its own personnel and performance traditions. Its distinctive repertoire included music from the English and Irish cathedral traditions, as well as works written by composers associated directly with the Chapel. This study investigates the Chapel's constitution, liturgy and music through an examination of previously unexplored primary material. Discussion of the circumstances of the Chapel's founding and its governance structures situates the institution in the context of the church-state relationship that existed following the Union of 1800. Further, by exploring architecture, churchmanship and musical style, O'Shea demonstrates how the Chapel was part of a wider aesthetic and liturgical tradition. The choral foundation is brought to life with accounts of the Chapel's clergy, organists, boy choristers and gentleman singers, which provide insights into Dublin's social history during a period of significant change. This book reflects on the Dublin Chapel Royal's legacy a century after its closure and offers a new perspective into a forgotten corner of Irish cultural, religious and political history.Table of ContentsIntroduction 1. Precedents, Polity and Politics 2. Clergy 3. Churchmanship, Furnishings and Functions 4. The Musical Foundation 5. The Chapel Royal Music Collection 6. Singing the Liturgy 7. Organs 8. Boy Choristers 9. Gentleman Singers 10. Organists and Composers 11. The Chapel Royal's Legacy Conclusion Appendix A: Lords Lieutenant, 1801-1922 Appendix B: Clergy of the Chapel Royal Appendix C: Extant Chapel Royal Music Volumes (Rcb Ms 1113) Appendix D: Boy Choristers of the Chapel Royal Appendix E: Gentlemen Singers of the Chapel Royal Appendix F: Organists of the Chapel Royal Appendix G: Fragment of a Juvenile Chant by C. V. Stanford Bibliography Index
£76.00
Boosey & Hawkes Music Publishers Ltd Motets
Book Synopsis
£15.29
Boosey & Hawkes Music Publishers Ltd Jazz Missa Brevis
Book Synopsis
£9.99
Springtime Books Ar Lan y Môr
Book Synopsis
£3.99
Kevin Mayhew Ltd Anthems Of Malcolm Archer
Book Synopsis
£18.04
Hal Leonard Europe Limited Novello Close Harmony Book 1: Smoke Gets in Your
Book Synopsis
£10.44
Omnibus Press Richard Rodney Bennett Four American Car Unison
Book Synopsis
£6.60
Serenissima Music O Praise the Lord with One Consent, HWV 254: Vocal score
£10.76
Petrucci Library Press Vesperae solennes de confessore, K.339: Vocal score
£11.59
Serenissima Music Requiem, K.626: Vocal score
£11.59
Serenissima Music Requiem, Op.48: Vocal score
£11.58
Serenissima Music Symphony No.8: Vocal score
£17.95
Fred Bock Music Company IPA Alphabet The Vocal Music Resource for
Book Synopsis
£15.72
Rutgers University Press Black Space: Negotiating Race, Diversity, and
Book SynopsisProtests against racial injustice and anti-Blackness have swept across elite colleges and universities in recent years, exposing systemic racism and raising questions about what it means for Black students to belong at these institutions. In Black Space, Sherry L. Deckman takes us into the lives of the members of the Kuumba Singers, a Black student organization at Harvard with racially diverse members, and a self-proclaimed safe space for anyone but particularly Black students. Uniquely focusing on Black students in an elite space where they are the majority, Deckman provides a case study in how colleges and universities might reimagine safe spaces. Through rich description and sharing moments in students’ everyday lives, Deckman demonstrates the possibilities and challenges Black students face as they navigate campus culture and the refuge they find in this organization. This work illuminates ways administrators, faculty, student affairs staff, and indeed, students themselves, might productively address issues of difference and anti-Blackness for the purpose of fostering critically inclusive campus environments. Trade Review“Sherry Deckman has written an important volume about how space, place, and identity are racialized through campus life that is truly a gift. People should read, reflect, and hopefully struggle with the complexity presented in this study because of its implications for how we work towards diversity, equity, and inclusion in higher education.” -- W. Carson Byrd * Faculty Director of Research Initiatives, National Center for Institutional Diversity, University of Michigan *"Deckman’s treatment of cultivating safe Black space in an elite, predominately white university context is masterful and instructive. As it turns out, mission, commitment, transparency, respect, care, and most importantly, love comprise the necessary chords to maintain a racially safe space for Black students that centers blackness and where non-Black students may also choose to participate. How much better off our schools and universities would become if only they embodied the lessons that Deckman beautifully conveys." -- Keffrelyn D. Brown * Suzanne B. and John L. Adams Endowed Professor of Education *“Sherry Deckman has written an important volume about how space, place, and identity are racialized through campus life that is truly a gift. People should read, reflect, and hopefully struggle with the complexity presented in this study because of its implications for how we work towards diversity, equity, and inclusion in higher education.” -- W. Carson Byrd * Faculty Director of Research Initiatives, National Center for Institutional Diversity, University of *"Deckman’s treatment of cultivating safe Black space in an elite, predominately white university context is masterful and instructive. As it turns out, mission, commitment, transparency, respect, care, and most importantly, love comprise the necessary chords to maintain a racially safe space for Black students that centers blackness and where non-Black students may also choose to participate. How much better off our schools and universities would become if only they embodied the lessons that Deckman beautifully conveys." -- Keffrelyn D. Brown * Suzanne B. and John L. Adams Endowed Professor of Education *Table of ContentsForeword by Richard J. Reddick Introduction: How Do You Lift Every Voice? Prelude: (Un)Safe Space and Racial Diversity in the Ivory Tower Verse I: Being Black Verse II: Staying Black Bridge: Non-Black Members in the Black Choir Chorus: Learning to Care Coda: Lessons from the Safe Black Space Appendix A: Interview Participants Appendix B: Note on Methods Acknowledgments Notes Selected Bibliography Index
£25.19
Rutgers University Press Black Space: Negotiating Race, Diversity, and
Book SynopsisProtests against racial injustice and anti-Blackness have swept across elite colleges and universities in recent years, exposing systemic racism and raising questions about what it means for Black students to belong at these institutions. In Black Space, Sherry L. Deckman takes us into the lives of the members of the Kuumba Singers, a Black student organization at Harvard with racially diverse members, and a self-proclaimed safe space for anyone but particularly Black students. Uniquely focusing on Black students in an elite space where they are the majority, Deckman provides a case study in how colleges and universities might reimagine safe spaces. Through rich description and sharing moments in students’ everyday lives, Deckman demonstrates the possibilities and challenges Black students face as they navigate campus culture and the refuge they find in this organization. This work illuminates ways administrators, faculty, student affairs staff, and indeed, students themselves, might productively address issues of difference and anti-Blackness for the purpose of fostering critically inclusive campus environments. Trade Review“Sherry Deckman has written an important volume about how space, place, and identity are racialized through campus life that is truly a gift. People should read, reflect, and hopefully struggle with the complexity presented in this study because of its implications for how we work towards diversity, equity, and inclusion in higher education.” -- W. Carson Byrd * Faculty Director of Research Initiatives, National Center for Institutional Diversity, University of Michigan *"Deckman’s treatment of cultivating safe Black space in an elite, predominately white university context is masterful and instructive. As it turns out, mission, commitment, transparency, respect, care, and most importantly, love comprise the necessary chords to maintain a racially safe space for Black students that centers blackness and where non-Black students may also choose to participate. How much better off our schools and universities would become if only they embodied the lessons that Deckman beautifully conveys." -- Keffrelyn D. Brown * Suzanne B. and John L. Adams Endowed Professor of Education *“Sherry Deckman has written an important volume about how space, place, and identity are racialized through campus life that is truly a gift. People should read, reflect, and hopefully struggle with the complexity presented in this study because of its implications for how we work towards diversity, equity, and inclusion in higher education.” -- W. Carson Byrd * Faculty Director of Research Initiatives, National Center for Institutional Diversity, University of *"Deckman’s treatment of cultivating safe Black space in an elite, predominately white university context is masterful and instructive. As it turns out, mission, commitment, transparency, respect, care, and most importantly, love comprise the necessary chords to maintain a racially safe space for Black students that centers blackness and where non-Black students may also choose to participate. How much better off our schools and universities would become if only they embodied the lessons that Deckman beautifully conveys." -- Keffrelyn D. Brown * Suzanne B. and John L. Adams Endowed Professor of Education *Table of ContentsForeword by Richard J. Reddick Introduction: How Do You Lift Every Voice? Prelude: (Un)Safe Space and Racial Diversity in the Ivory Tower Verse I: Being Black Verse II: Staying Black Bridge: Non-Black Members in the Black Choir Chorus: Learning to Care Coda: Lessons from the Safe Black Space Appendix A: Interview Participants Appendix B: Note on Methods Acknowledgments Notes Selected Bibliography Index
£107.20
Rutgers University Press A History of the Rutgers University Glee Club
Book SynopsisFounded in 1872, the Glee Club is Rutgers University’s oldest continuously active student organization, as well as one of the first glee clubs in the United States. For the past 150 years, it has represented the university and presented an image of the Rutgers man on a national and international stage. This volume offers a comprehensive history of the Rutgers Glee Club, from its origins adopting traditions from the German Männerchor and British singing clubs to its current manifestation as a world-recognized ensemble. Along the way, we meet the colorful and charismatic men who have directed the group over the years, from the popular composer and minstrel performer Loren Bragdon to the classically-trained conductor Patrick Gardner. And of course, we learn what the club has meant to the generations of talented and dedicated young men who have sung in it. A History of the Rutgers University Glee Club recounts the origins of the group’s most beloved traditions, including the composition of the alma mater’s anthem “On the Banks of the Old Raritan” and the development of the annual Christmas in Carol and Song concerts. Meticulously researched, including a complete discography of the club’s recordings, this book is a must-have for all the Rutgers Glee Club’s many fans and alumni.Table of ContentsForeword Introduction Chapter 1 Early History The Männechor Tradition and the English Catch Clubs The Glee Club of London Collegiate Glee Clubs in America The Rutgers College Glee Club Birth of the Rutgers College Glee Club Composition of “On the Banks of the Old Raritan” (1873) Sidebar – Howard Newton Fuller (1854-1931) 1872-1879 – Fits and Starts 1880-1895 – Stable Leadership Loren Bragdon’s Leadership in the 1890s Sidebar – Loren Bragdon (1856-1914) Sidebar – The Rutgers Songbook (Songs of Rutgers) Sidebar – Alma Mater Chapter 2 – New Directions George W. Wilmot (Musical Director/Leader, 1895-1906) Raymond W. Smith (Leader, 1906-1915) Collaborative Efforts Merger New Leadership Chapter 3 The Modern Era – Rutgers at 150 Howard D. McKinney, ’13 as Director World War I Sidebar – Paul Leroy Robeson, ’19 (1898-1976) Peacetime Pursuits – The Development of the Musical Clubs Sidebar- The Jazz Bandits – Success after Rutgers Rutgers University Chapter 4 - Change in Focus The Demise of the Mandolin Club and the Rise of The Musical Clubs Leadership from Within The Assistant Director – F. Austin Walter, ’32 World War II – An Unwelcome Detour Sidebar – Glee Club Discography – From the Vicissitudes of War to European Tours Post-War Sidebar – Lake Minnewaska – An Idyllic Location for Work and Recreation Chapter 5 – Prestige and Travel The 1950s – The University Choir Sidebar – Howard Decker McKinney (1889-1980) The 1960s – International Travel Sidebar – Glee Club on the Road – Sixty Years of International Travel Sidebar – Glee Club and the Gridiron – Early Involvement and a Continuing Tradition Sidebar – Soup Bowl – A Modern Glee Club Tradition – 1967-Present The 1970s – The Centennial Year (1972) The 1980s – Walter’s retirement – New Directors and Directions Sidebar – Francis Austin “Soup” Walter (1910-2000) Sidebar – Frederic Hugh Ford Chapter 6 – Into the New Millennium Sidebar – Patrick Gardner (b. 1953) Patrick Gardner – 1993-Present The New Millennium The 2010s 2020 – the Glee Club in the Year of Covid-19 Beyond to the 150th Anniversary Celebration Sidebar – Christmas in Carol and Song – A Rutgers Tradition for Over 100 years Sidebar – Student Leadership – A Glee Club Hallmark Epilogue Index
£26.59
Evangelische Verlagsanstalt Bach-Jahrbuch 2020
Book Synopsis
£36.56
Bohlau Verlag Ruth Berghaus Und Paul Dessau: Komponieren -
Book Synopsis
£42.44
Schott Musik International GmbH & Co KG Carols of the World International Christmas Songs
Book Synopsis
£19.19
Schwabe Verlagsgruppe AG Kontrafakturen Im Kontext
Book Synopsis
£57.95
Edition Peters Missa Solemnis in D Op. 123 Vocal Score
Book SynopsisFrom the heart - may it return to the heart. Beethoven''s inscription on a copy of the Missa Solemnis indicates the personal nature of the project which would be one of his final and greatest masterpieces. Classic Kurt Soldan edition from Edition Peters. Vocal Score, contains piano reduction of the orchestral accompaniment.Missa solemnis D-Dur op. 123 (Klavierauszug)Vokalpartitur für Beethovens Messe In D Missa Solemnis Op.123, komponiert für SATB mit Klavierbegleitung.
£10.92
Edition Peters 8 Geistliche Gesange Op.138 Eight Sacred Songs
Book SynopsisMax Reger''s 8 Geistliche Gesänge Op.138 (8 Sacred Songs) arranged for SATB choir.8 Geistliche Gesänge op. 1388 Geistliche Gesänge op.138 für gem Chor a cappella.
£9.98
Edition Peters 10 Sacred Choruses Motets
Book SynopsisA collection of 10 of Anton Bruckner''s Sacred Choruses, including the works Ave Maria, Offertorium, Pange Lingua, Locus iste, Tota pulchra, Os justi, Christus factus est, Ecce sacerdos, Virga Jesse and Vexilla regis.10 geistliche Chöre (Motetten)Eine Sammlung von 10 geistlichen Chören von Anton Bruckner, einschließlich der Werke Ave Maria, Offertorium, Pange Lingua, Locus iste, Tota pulchra, Os justi: Christus factus est, Ecce sacerdos, Virga Jesse und Vexilla regis.
£10.92
Edition Peters Messiah
Book SynopsisGeorge Frideric Handel''s most famous work, The Messiah in English. Comprises 11 versions, 1742-1754 (main text 1752) with keyboard reduction by Kurt Soldan and revised by Donald Burrows. The work is divided into three sections based on biblical texts. The first section deals with Old Testament prophecies of the birth of Christ, the second deals with the life of Jesus and the third part deals with redemption and resurrection.Messiah (Der Messias) HWV 56 (Klavierauszug)Georg Friedrich Händels berühmtestes Werk Der Messias, engl. Messiah, wurde 1742 in Dublin zu einer Wohltätigkeitsveranstaltung uraufgeführt und erfreut sich dank ihrer prachtvollen Gestaltung bis heute größter Beliebtheit. Das Werk teilt sich auf in drei Abschnitte, die auf biblischen Texten basieren. Der erste Abschnitt befasst sich mit alttestamentarischen Prophezeiungen der Geburt Christi, der zweite handelt vom Leben Jesu und der dritte Teil von Erlösung Auferstehung.
£14.20
Edition Peters 11 Volkslieder
Book Synopsis11 Volkslieder by German composer and pianist, Max Reger, is a collection of short folk songs in German for mixed choir.11 Volkslieder von Max Reger, ist eine Sammlung kurzer Volkslieder für gemischten Chor.
£8.17
Edition Peters Petite Messe Solennelle Vocal Score
Book SynopsisRossini never distinguished himself by composing sacred works. But the Petite Messe Solenelle represents his last major sacred work after Rossini''s retirement from the opera. The original instrumentation consists of only two pianos and a harmonium, as the work had its premiere in Count Pillet-Will''s house chapel. Nowadays the second piano part is integrated into the first, including in this edition.Petite Messe solennelleDurch die Komposition geistlicher Werke ist Rossini nie hervorgetreten. Doch die Petite Messe Solenelle stellt nach Rossinis Rückzug aus der Oper sein letztes großes geistliches Werk dar. Die Originalbesetzung besteht nur aus zwei Klavieren und einem Harmonium, denn das Werk hatte seine Uraufführung in der Hauskapelle des Grafen Pillet-Will. Die zweite Klavierstimme wird heutzutage in die erste integriert, so auch in dieser Ausgabe.
£14.20
Edition Peters Messe solennelle St Cecilia Mass Vocal Score
Book SynopsisThe appearance of the Messe Saint-Cécile caused a kind of shock. This simplicity, this grandeur, this serene light which rose before the musical world like a breaking dawn, troubled people enormously. . . . at first one was dazzled, then charmed, then conquered. So wrote Camille Saint-Saëns after hearing the premiere of Gounod''s ''Messe solennelle en l''honneur de Sainte-Cécile'' on St Cecilia''s day, 22 November 1855. Classic Edition Peters Vocal Score edited by Roland Erben. Contains a piano reduction of the orchestral accompaniment.Messe solennelle St Cecilia MassDie Messe solennelle en lhonneur de Saint-Cécile ist eine der wenigen Orchestermessen Gounods. Sie begründete seinen Ruhm als Kirchenkomponist und weicht ab von dem nüchternen Stil der frühen Messen durch die üppige Besetzung mit Chor, Solisten, großem Orchester und Orgel. Die erfolgreiche Uraufführung fand am 22. November 1855 an Saint-Eustache in Paris statt. Wenige Jahre zuvor hatte Goun
£14.20
Edition Peters Stabat Mater
Book SynopsisRossini''s Stabat Mater for SATB and Piano. Vocal ScoreStabat Mater (Klavierauszug)Rossinis Stabat Mater für SATB und Klavier.Klavierauszug
£12.30
Edition Peters Gloria in D RV 589 Vocal Score
Book SynopsisVivaldi''s international renown came about largely as a result of his concertos, which were collated, and, of course performed, throughout the courts of Europe. Quite unlike the concertos, Vivaldi''s voluminous output of sacred works was hardly known beyond the purlieus of their original performance. Following the composer''s death they became increasingly unknown and even today it is difficult to say how many pieces of church music Vivaldi composed.As few of Vivaldi's church compositions can be dated on the basis of written or stylistic evidence, the origins of the Gloria In D remain shrouded with conjecture.Rather than being conceived aspart of a larger Mass setting, the Gloria is an independent work, a cyclical composition of broad design consisting of twelve self-contained movements. Stylistically, it closely resembles a concertante Mass.This Urtext edition of Vivaldi's ever-popular work provides you with an accurate realisation of the composer's original in
£7.95
Edition Peters Mass in G D167 Vocal Score
Book Synopsis
£7.95
Edition Peters Elias Elijah Op. 70
Book SynopsisIn this new Urtext edition, Klaus Burmeister builds on our 1929 edition by Kurt Soldan. The piano part has been revised for consistency alongside our new full score, supplying instrument cues and supporting accompaniment in a cappella passages, while retaining rehearsal letters and measure numbers.Elias op. 70 (Klavierauszug)Revidierte Neuausgabe (Urtext) nach den Quellen Ersetzt die bisherige, 1929 von Kurt Soldan vorgelegte Peters-Ausgabe. Moderner Klavierauszug mit großzügigem und übersichtlichem Notensatz Neue Seitenaufteilung unter Beibehaltung der traditionellen Taktzahlen und Studierbuchstaben Klaviersatz neu durchgesehen, optimiert und mit Instrumentenhinweisen.
£16.10
Edition Peters A Cradle Song
Book SynopsisA Cradle Song by William Blake (1757-1827) depicts a mother's love for her child. In his choral setting, Fredrik Sixten creates a bright-sounding piece full of affection and atmospheric warmth. The piece was commissioned by Helsingborgs Vokalensemble.A Cradle Song von William Blake (1757-1827) handelt von der Liebe einer Mutter zu ihrem Kind. Fredrik Sixten schafft in seiner Chorvertonung ein eindrucksvolles sowie emotionales Arrangement. Das Stück wurde vom Helsingborgs Vokalensemble in Auftrag gegeben.
£5.30
Edition Peters Ave Verum Op. 63 No. 1
Book SynopsisFlor Peeters was a renowned 20th-century organist, composer, and teacher from Belgium, whose music was influenced by Renaissance polyphony. This beautiful 4-part a cappella motet with an organ for rehearsal is easily prepared and performed by church choirs and is on many state education lists in the USA. Its liturgical text by Innocent VI is in Latin.
£5.69
Edition Peters Ave Maria Op. 63 No. 2
Book SynopsisFlor Peeters was a renowned 20th-century organist, composer, and teacher from Belgium, whose music was influenced by Renaissance polyphony. This beautiful 4-part a cappella choral work with an organ for rehearsal is easily prepared and performed by church choirs. Its liturgical text is in Latin.
£5.69
Edition Peters Nocturne
Book SynopsisNocturne is composed by Jocelyn Hagen for SATB (divisi) and French horn. Using a text by regular collaborator Todd Boss, this piece gently unfurls as a clock ticks through the night. Premiered by VOCES8 and Melissa Morey in 2022.Duration: 4.5 minutes. Level of difficulty: medium.
£6.41
Edition Peters Evening Prayer
Book SynopsisFeatured on Northern Lights (issued by Chandos, featuring the Phoenix Chorale), Evening Prayer features an improvised saxophone part, an improvised piano part (here transcribed from Ola''s improvisation on the recording) and choir.Evening Prayer für Chor SATB, Tenorsaxophon-Improvisation und Klavier.
£5.30
Edition Peters Hear the Angels Sing
Book SynopsisHear the Angels Sing is a collection of 24 Christmas carols composed and arranged by Jonathan Rathbone for choir and small orchestra. Primarily intended for choral society carol concerts, the selection includes both concert pieces and classic congregation/audience-participation carols. Requiring only minimal rehearsal, this collection provides a highly practical means of delivering a full choir and orchestra carol concert or service within a sensible budget. 24 arrangements of favourite carols Scored for SATB and small orchestra (minimum 13 players), including woodwind, brass, percussion and strings Can also be performed with piano or organ accompaniment Orchestral scores and parts available separately for hire. Hear the Angels Sing: 24 Carols for Concerts (Klavierauszug)Hear the Angels Sing ist eine Sammlung von 24 Weihnachtsliedern, die Jonathan Rathbone für gemischten Chor und Kammero
£17.58
