Biography Books

Book Synopsis'I was so absorbed by her writing it was unreal . . . I find myself hungry to find the next morsel of who Jenny was and what her life was like' EMILIA CLARKE (on Why Didn't You Just Do What You Were Told?)Jenny Diski's attempt to keep still and mentally idle resulted in a year in which she travelled to New Zealand, spent two months almost alone in a cottage in the country and visited the Sámi people of Lapland. Diski fails to keep still and, like the philosopher Montaigne, keeps a record of her ramblings both mental and physical hoping as he did in time to make her mind ashamed of itself. Interspersed with ill-tempered descriptions of these trips are digressions on the subject of her sore foot; her childhood desire for 'a condition', thoughts about growing older, spiders, fundamentalism and the problems of keeping warm.Trade ReviewWhile much of the collection revolves around Diski's attempt to exercise her stupor to its fullest degree, there is nothing lazy about her writing. Combining philosophy with travelogue and personal memoir - in particular, memories of her difficult childhood - On Trying to Keep Still is unflaggingly engaging. It is also very funny * Sophie Ratcliffe in the New Statesman *Sometimes, as though she can't help it, Diski slips very enjoyably into a travel-writer mode, but On Trying to Keep Still is really a voyage round the author's head. It's a brave and moving admission of a way of life that society isn't geared up to cope * The Herald *Diski epitomises the pleasure of travelling alone... She seeks a mental inertia yet her book proves that, even when idling, the mind is always at work, remembering, recording, revising * Mark Sanderson, Sunday Telegraph *This is unique, and wholly wonderful * Stephanie Cross, Daily Telegraph *

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Book SynopsisHaving Irvine Welsh as one of your best mates was not without its problems. Sandy Macnair and Irvine Welsh were friends long before fame and fortune arrived by train, and their adventures and Welsh's novels have obvious parallels. Their adventures were certainly extraordinary. Irvine Welsh was always the instigator, the free spirit who would act on a whim and deal with the consequences later. Sandy Macnair was his loyal wing man, there to enjoy the ride and to help pick up the pieces when things, as they usually did, went wrong. In "Carspotting", Sandy Macnair now presents an affectionate portrayal of their adventures together and the highs and lows of the rollercoaster ride that was their late teens and twenties. As well as a highly entertaining read, Sandy also reveals nuggets that will fascinate all Irvine Welsh fans, like the real role model for Begbie, the true Gorgie/Dalry Oyster Bar, the real location of various scenes from Trainspotting and the story behind Marabou Stork Nightmares that none of the critics spotted, which makes this a fascinating and entertaining account of one of our best-loved authors.

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Book SynopsisThe poet and musician Anthony Joseph met and spoke to Lord Kitchener just once, in 1984, when he found the calypso icon standing alone for a moment in the heat of Port of Spain’s Queen’s Park Savannah, one Carnival Monday afternoon. It was a pivotal meeting in which the great calypsonian, outlined his musical vision, an event which forms a moving epilogue to Kitch, Joseph’s unique biography of the Grandmaster.Lord Kitchener (1922 - 2000) was one of the most iconic and prolific calypso artists of the 20th century. He was one of calypso’s most loved exponents, an always elegantly dressed troubadour with old time male charisma and the ability to tap into the musical and cultural consciousness of the Caribbean experience. Born into colonial Trinidad in 1922, he emerged in the 1950s, at the forefront of multicultural Britain, acting as an intermediary between the growing Caribbean community, the islands they had left behind, and the often hostile conditions of life in post War Britain. In the process Kitch, as he was affectionally called, single handedly popularised the calypso in Britain.Kitch represents the first biographical study of Aldwyn Roberts, according to calypso lore, christened Lord Kitchener, because of his stature and enthusiasm for the art form. Utilising an innovative, polyvocal style which combines life-writing with poetic prose, the narrative alternates between first person anecdotes by Kitchener’s fellow calypsonians, musicians, lovers and rivals, and lyrically rich fictionalised passages. By focussing equally on Kitchener’s music as on his hitherto undocumented private and political life, Joseph gets to the heart of the man behind the music and the myth, reaching behind the sobriquet, to present a holistic portrait of the calypso icon.

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Book SynopsisA window into a life of insatiable desire and uninhibited sex - this is Parisian art critic Catherine M.'s account of her sexual awakening and her unrestrained pursuit of pleasure. From the glamorous singles clubs of Paris to the Bois de Boulogne, she describes her erotic experiences in precise and beautiful detail. A phenomenal bestseller throughout Europe, The Sexual Life of Catherine M., like Fifty Shades of Grey, breaks with accepted ideas of sex and examines many alternative manifestations of desire. Told in spare, elegant prose, her story will shock, enlighten and liberate you.Trade ReviewElegantly written and extraordinarily frank. Here is a book so rich in sexual revelation that it could feed five tabloids for a year and still have something left for Channel 5 * Independent on Sunday *Millet is the new icon of highbrow pornography * Guardian *The author writes like a connoisseur who is perfectly at ease with her subject... A brilliant testimony of a life spent at the sexual front line -- James Harkin * Independent on Sunday *This is the most explicit book about sex ever written by a woman, though it is far from pornographic. Catherine Millet sets about coolly and rationally exploring her insatiable appetites - and she has lived to tell the tale that is the opposite of lurid. It is a comprehensive and elegant performance -- Edmund WhiteI don't approve of The Sexual Life of Catherine M. But I am grateful she has written it -- Lynne Truss * The Times *She proves again that Catholicism and filthy sex go together like salt beef and rye * Independent on Sunday *Readers may find this book disturbing or repellent, but they are unlikely to find it dull. I thought that it was the most honest book I had ever read on the subject of sex -- Rowan Pelling * Daily Telegraph *Her fans are now citing her as a feminist sexual crusader * Observer *Millet's achievement is that she curates or, more accurately, catalogues her sexual adventures with no sense of shame or remorse -- Deborah Levy * Independent *Is this the most original novel of the year? -- JG Ballard * Guardian *You are amazed at her honesty as you are by her exploits. Some of what she does and says mirror your own thoughts and fantasies -- Marcelle D’Argy Smith * Daily Express *It is Millet's subversive achievement to describe pleasure for its own sake * New Statesman *This bestseller shocked Europe and looks set to become controversial here * Daily Mirror *Her descriptions are laced with a laconic frankness which veers between intelligent reflection and willed self-objectification -- Michael Fishwick * Economist *Millet diverts the tradition of erotic writing by French women such as Pauline Reage and Alina Reyes firmly into the realm of non-fiction, with this account of her sexual encounters, tastes and unconventional morality... Millet writes extremely well, describing her recollections vividly, and investing her physical largesse with a queenly magnanimity... Millet's sexual aesthetic is a literary one, invoking Sade, Reage and Proust... a work of libertine philosophy' -- Lisa Hilton * Times Literary Supplement *Millet's implicit mission is to write about her own desire with absolute candour and a fierce refusal to consider her audience's needs or sensibilities -- Kathryn Hughes * Literary Review *Explicit and honest * Dazed & Confused *Pornography must have been a challenge, but Catherine M has risen to it in a way that will have Descartes encoring from Beyond... Catherine M writes with the enthusiasm of one who invented multiple-partner sex even though she no longer practises the intercourse that she writes about... Genuine free-love requires a level of trust and honesty few of us are prepared to bring into our dealings with others. Catherine M. might be said to be a genuine innocent -- Ron Butlin * Sunday Herald *The unabashed erotica of The Sexual Life of Catherine M... salutes the Marquis de Sade in a straight-talking romp through dozens of one-night stands catalogued with savage wit by a Parisian intellecual -- Katrina Dixon * Scotsman *She has recorded her numerous sexual encounters in disarming detail and an alluring style of cool detachment... They make for extraordinarily compulsive reading. Some may think her honesty gratuitous, others will identify with it and find it inspiring * Good Book Guide *The investigation of one's woman sexuality is still, by its nature, unique -- Nick Hasted * Uncut *For those unfamiliar with the female body, it's also illuminating! -- Simon Lovat * Gay Times *An aloof, gracefully crystilline style as elegant as any French pornography since Sade * Vogue USA *Graceful, thoughful, oddly charming, and profoundly pornographic. A bold, intelligent, pioneering tour de force * Kirkus Reviews *The porn most likely to be read by those who wouldn't be seen dead clutching a sweaty copy of Fiesta is The Sexual Life of Catherine M. ... Fine observations and precise prose style... She fits neatly into a category of literary outrage -- Big Issue * Tina Jackson *An ideal languorous holiday read * Diva *Do not read this unless you have a wildly satisfying sex life * Sleazenation *Highly literary, and beautifully, reverently, precisely descriptive -- Morgan Falconer * Ham & High *Millet's unashamed approach to sex is certainly refreshing and admirable -- Anna Carey * Sunday Tribune *By reclaiming sexual morality as a highly personal matter outside any kind of political control Millet lets sex take revenge on politics -- Jane Cornwell * Weekend Australian *

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Book SynopsisAt the beginning of the 1990s, Linda Grant's mother, Rose, was diagnosed with Dementia. In Remind Me Who I Am, Again Linda Grant tells the story of Rose's illness and tries to reconstruct the history of their Jewish immigrant family, stalking them from Russia and Poland to New York and London. Writing with humour and great tenderness, Grant explores profound questions about memory, autonomy and identity, and asks if we can ever really know our parents.

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Book SynopsisOn 22 February 2006, £53 million was stolen from a cash warehouse belonging to the Securitas company in Tonbridge, Kent. In terms of value, the robbery puts previous British capers, such as the Great Train Robbery, in the shade. This was a crime notable for its audacity, carried out by an unlikely crew of players that included a used car salesman, two Albanian casual workers and a roofer. Five men were convicted at the Old Bailey in January 2008, which attracted nationwide media coverage. A sixth man, Paul Allen, was sentenced in October 2009 for his part. Having become close to the Tonbridge gang and the police during three years of research, Sounes relates a classic crime caper in irresistible, almost forensic detail. After the robbery comes the exciting, sometimes comical story of the getaway. Money is found and arrests are made but key characters slip out of the country, and millions of pounds are still missing. Heist, the definitive account of these compelling events, is wildly entertaining, and a must for all fans of well-written true crime. Trade Review'Cleverly constructed, full of good ideas and rarely less than entertaining . . . [Sounes] is a fount of good stories and interesting insights' -- Marcus Berkmann * Daily Mail *

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Book SynopsisFirst published in 1993, this book brings together Muriel Spark's writings on the Bronte sisters, including a selection of their letters and a selection of Emily Bronte's poems.

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Book SynopsisA 2.4-mile swim, a 112-mile bike ride and a 26.2-mile run make up the Ironman triathlon. It's not for the faint-hearted. What possesses an overweight, thirty-something librarian who can't swim, doesn't own a bike and has two dodgy knees to take on the hardest one-day endurance race in the world? Can't Swim, Can't Ride, Can't Run is the story of Andy Holgate's inspirational, epic and life-changing journey to become an Ironman. Lubricant, alligators, rubber suits, blisters, pirates, extreme weather, Elvis, tragedy, romance, flesh-eating amoebas, crashes, hospital visits and perhaps the most unusual stag weekend in history all play a part in this amusing and moving tale of one normal bloke's quest to arrive at his wedding intact. Oh yeah, that's right, Andy is due to get married seven days after the biggest physical challenge of his life. Will he make it down the aisle in one piece?Trade Review"A great book! Andrew Holgate claims he 'Can't Swim, Can't Ride, Can't Run', but he can certainly write. His book is filled with terrific lessons on living life to its fullest. I would argue that he can swim, can ride and can run very well indeed!" --Dean Karnazes, New York Times best-selling author and ultra-marathon legend; "What really comes to the fore in Andy's book is that no matter what level of triathlon you are involved in, the motivations, discipline, rewards and love of the sport are universal. Andy's book dispels many of the reservations that can initially prevent people from taking up any form of physical activity and shows us how sport can not only be a positive step towards physical well-being but also can be rewarding for the mind and soul." --Catriona Morrison, Multiple Ironman Champion; "I thoroughly enjoyed it. The ability of sport to change people's lives, like Andy's story, is not something I've considered. It was a real eye-opener. Trying to be as fit and as fast as you can all the time it is very easy to get wrapped up in your own little world so it was nice to be given a wider sense of the sport and be reminded of the real reason and power of sport; to inspire enjoyment in activity. Thanks for a great read." --Alistair Brownlee, ITU World Triathlon Champion; "Anyone new to tri, considering the leap to ironman or just after a mental boost should check out this autobiographical account of one overweight librarian's first forays into multisport. In an inspirational story Andy recounts how he was enticed to take part in Cockerham's annual triathlon, and bitten by the endurance bug. If you want to roll your eyes and chuckle conspiratorially at another newbie's mistakes and triumphs, tuck in." --220 Triathlon Magazine; "Best for Inspiration! If he can do it... Holgate's ironman journey is an uplifting insight into the power of taking on a challenge. He tells his story with an irreverent sense of humour and packs the book with useful information. If you're thinking of doing an ironman this book is just the thing to convince you that you are up for the challenge." --Triathletes World Magazine; "Loved reading Can't Swim, Can't Ride, Can't Run. He is able to make you laugh as he turns his depressing situation around to a wonderful, fulfilling life. This is not just a story for triathletes, it's a great book for anyone struggling with life and looking for some sunlight." --MissTriathlon.com; "A great read which shows that it's more about the taking part and enjoyment of any sport. Having little knowledge of ironman I became interested immediately when reading Can't Swim, Can't Ride, Can't Run! It shows the efforts from a 'grass roots level'. I enjoyed the journey of how Andy accomplished his goal and how he enjoyed himself in doing so, finding time for laughs; and as you will read, he never takes himself too seriously." --Huw Bennett, Ospreys & Wales; "This book shows the reality that triathlon is accessible to anyone. This story would make a great television show as well as being a great book." --The Simon Gowen Triathlon Show; "Andy Holgate's honest and real-life writings set this book above the rest. A heart-warming and inspiring story of one man's personal challenge - try reading this book without wanting to put on a wetsuit. I have Andy to blame for having to get up early and go out training on these cold winter mornings." --The Fitness Blogger; "Andy Holgate is the Bill Bryson of the Triathlon World. Quite simply, I LOVED this book." --TriCrowd.com; "A really fascinating story." --Talk Radio Europe; "An inspiration to us all." --Lancaster Guardian; "An inspirational story." --North West Evening Mail

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Book SynopsisTHE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills As an actor at any level – whether you are doing theatre studies at school, taking part in youth theatre, preparing for drama-school showcases, or attending professional acting workshops – you will often be required to prepare a duologue with a fellow performer. Your success is often based on locating and selecting a fresh, dynamic scene suited to your specific performing skills, as well as your interplay as a duo. Which is where this book comes in. This collection features twenty-five fantastic duologues for two women, almost all written since the year 2000 by some of our most exciting dramatic voices, offering a wide variety of character types and styles of writing. Playwrights featured include Alexi Kaye Campbell, Helen Edmundson, Vivienne Franzmann, Sam Holcroft, Anna Jordan, Chloë Moss, Rona Munro, Lynn Nottage, Evan Placey and Jessica Swale, and the plays themselves were premiered at the very best theatres across the UK including the National Theatre, Manchester Royal Exchange, Shakespeare's Globe, and the Almeida, Bush, Soho, Royal Court and Tricycle Theatres. Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James equips each duologue with a thorough introduction including the vital information you need to place the piece in context (the who, what, when, where and why) and suggestions about how to perform the scene to its maximum effect (including the characters' objectives). The collection also features an introduction on the whole process of selecting and preparing a duologue, and how to present it to the greatest effect. The result is the most comprehensive and useful contemporary duologue book of its kind now available. 'Sound practical advice... a source of inspiration for teachers and students alike' Teaching Drama Magazine on The Good Audition Guides

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Book SynopsisAlex Clare-Young, the first out transgender minister in the United Reformed Church, says:Transgender Christian Human is the story of my life as a transgender child and adult. Trans is an imperfect label but labels are, to some extent, necessary especially when we choose them for ourselves. For me, being trans means moving towards a gender that varies from my sex assigned at birth. It also means moving between genders and critiquing the rigidity of gendered systems. I believe that we are called to live in relationship and continual, open conversation not only with those who mirror us but also with those who are other to us. As a trans person, I have experienced that call as both blessing and curse; both injury and cure. I have lived through the pain of feeling that there is no one quite like me and I have lived in the joy of sharing differences and similarities with those who are open to talk about their amazingly diverse life stories. Parts of this book are incredibly sad. Others are full of joy. Some are even pretty funny. I hope that the result is an honest and authentic reflection of being transgender, Christian and human. I have included resources and activities at the end of each chapter to encourage individuals and groups to explore the subject. I hope the book helps you to understand yourself and your friends, colleagues and family a little better and that it acts as a mirror to reflect a different way of being. In Transgender Christian Human Alex Clare-Young achieves that rare thing: making space for a reader to encounter a story which is both intimate and theologically potent. This book is not only timely and necessary, it is potentially life-saving. Clare-Young's voice is wise, generous and fresh. A must-read for anyone interested in the intersections between faith, gender and the possibility of hope. Canon Rachel MannAuthor of Dazzling Darkness

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Book SynopsisIf anyone has ever wondered what happens in the engine room when the Captain on the bridge rings 'Full Ahead' on the telegraph then this book will enlighten the reader. This is a story of one man's life at sea, from his beginnings as a lowly cadet to his qualification as a Chief Engineer. There are many anecdotes about his experiences - some amusing and some terrifying - together with pen portraits of a few of his fellow seafarers and the places he visited. In the Treacle Mine starts in the 1960s when steam power was still the preferred option for larger and more powerful ships but over the following decade, the availability of ever more powerful and more fuel-efficient, diesel engines sounded the death knell for steam propulsion. Now there are only a few preserved steamships left as a reminder of how things used to be down below in the 'treacle mine', which was how Geordie marine engineers described the engine-room. Despite the fact that steam power has disappeared from everyday use, there are still a great many enthusiasts from all walks of life who are prepared to give up their spare time to ensure that steam lives on. This dedication means that heritage steam railways, steam traction engines and even the occasional preserved steamship, can continue to operate and give pleasure to millions of visitors every year. One whole chapter is devoted to a voyage with an 'up and downer' (a steam reciprocating engine) and although the remaining steamers were all turbine vessels which may lack the same visual appeal, there will still be much that will be of interest to any steam enthusiast. Following his experiences with steam, the author eventually began working on motor ships but these were also not without incident and there is much in this book that will spark the interest of anyone who enjoys stories of the sea and seafarers.

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Book SynopsisBarbara Hulanicki tells the story of the rise and fall of the tiny, energetic boutique that grew into a vast emporium and epitomised Swinging London. The Biba store was to become an icon of hip '60s and '70s London and a hangout for artists, film stars and rock musicians, including the Rolling Stones, David Bowie, Twiggy, Brigitte Bardot and Marianne Faithful. But in the early 1970s, Hulanicki and her husband Stephen Fitz-Simon lost control after a series of bitter boardroom struggles and for Barbara, Biba was lost. This lively autobiography evokes the adventurous spirit of the 1960s and describes an extraordinary life with clarity and wit.

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Book SynopsisFamed as a wit and bon viveur, Oscar Wilde lived up to his reputation. This selection of plays, poems and prose writings, introduced by Terry Eagleton, includes "The Importance of Being Earnest", "Lady Windermere's Fan", "The Picture of Dorian Gray", "The Critic as an Artist", Apologia", "The Soul of a Man Under Socialism", "Letter to Robert Ross", "Requiescat" and "The Ballad of Reading Goal". Terry Eagleton is the author of "Criticism and Ideology", "Marxism and Literary Criticsm" and "Literary Theory: An Introduction".

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Book SynopsisPraise for Luke and Ryan Hart's memoir:'A powerful, searing account from incredible brothers and an important contribution to our understanding of domestic abuse' Victoria Derbyshire'... a courageous account of domestic abuse and the devasting impact it has on families' Jeremy Corbyn MP'Relevant and inspiring' Chris Green, White Ribbon UKOn 19 July 2016, Claire and Charlotte Hart were murdered, in broad daylight, by the family's father. He shot his wife and daughter with a sawn-off shotgun before committing suicide.REMEMBERED FOREVER is the shocking story of what led to this terrible crime. Luke and Ryan Hart, the family's two surviving sons, lived under the terror of coercive control. Their father believed that his family members were simply possessions, never referring to them by their names ... just as Woman, Boy, Girl. Written by the boys, but laced with the voices of Claire and Charlotte, this gripping and moving account brings deeper understanding to the shocking crime of domestic abuse and homicide.Luke and Ryan Hart have become spokespeople for the victims who are so often silenced but must never be forgotten.Trade ReviewIn the words of the great Angela Davis, "I'm no longer accepting the things I cannot change, I'm changing the things I cannot accept", and it is with this boldness that Luke and Ryan have used their own experience of domestic abuse to help others. - Jeremy Corbyn MP, Leader of Labour PartyA powerful, searing account from incredible brothers and an important contribution to our understanding of domestic abuse. - BBCA determination to create light from darkness. - Suzanne Jacob OBE, Chief Executive SafeLivesI have been working at Refuge for 35 years, yet I am humbled by the sheer courage and sense of righteousness Luke and Ryan have shown since their mother and sister were brutally killed at the hands of their father. - Sandra Horley CBE, Chief Executive RefugeWhat Luke and Ryan have achieved by writing their memoir is to give their mother and sister a voice. Luke and Ryan Hart become the lighthouse in this book, courageously sending out their warning signal about the danger of coercive control and why it must always be taken seriously. - Katie Ghose, Chief Executive Women's AidI knew that their story was one which millions should hear. It is the most relevant and inspiring account that I have heard in the 15 years I have been active in challenging men's abuse and violence towards women and girls. - Chris Green OBE, Founder White Ribbon UK

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Book SynopsisLike its three predecessors, this fourth instalment of Trinity Tales gathers together recollections of a decade at Trinity College Dublin. This time, the story is taken up by 1990s graduates– those who passed through its gates as the twentieth century drew to a close–and, through the forty individual voices assembled here, a vivid portrait emerges of student life during those transformative years. Trinity students at the decade’s end had email, mobile phones and the vast resources of the Internet at their disposal. In addition, they were relatively debt-free (undergraduate tuition fees having been abolished in 1996) and every bit as likely to stay and find work in Ireland as to get on the first flight to London or New York. Reflecting this sense of rapid growth, new buildings started springing up around campus, most notably the Samuel Beckett Centre and Goldsmith Hall, and as the millennium approached, the college was expanding in all directions. Contributors encompass the worlds of science, the arts and everything in between, and include actors Dominic West and Mario Rosenstock, writers and journalists Turtle Bunbury, Claire Kilroy and Belinda McKeon, eminent scientists such as Austin Duffy, and sportsman Mark Pollock. Those who arrived at Trinity in the nineties are the generation that came of age in an Ireland caught between the grim, recession-ridden 1980s and the brash, moneyed millenials, an almost unfathomable transition eclipsed only by that between the analogue and digital eras. As with previous volumes, royalties from the book go to the Long Room Library fund.

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Book SynopsisIn the summer of 1964, twenty-one-year-old Gillies MacBain arrives in Dublin off the ferry from England with only his bicycle, a suitcase and a tent to his name. Young, handsome and charismatic, he begins work as a footman in one of the houses of the `dying aristocracy'. Thus begins his foray into the upper echelons of Irish society. The Adventures of an Irish Footman is an irresistible narrative which describes a fading part of Irish society that MacBain subverts with wry humour. MacBain finds himself in a precarious niche: the borderland in between `upstairs' and `downstairs'. Here, he rubs shoulders with a cast of characters from the bohemian socialites to the chancer `Sketchly' and the hippes with their dewy-eyed `morals'. MacBain's memoirs run the gamut of Irish social classes, from his friendship with County Monaghan small farmers and tenants, to working with a dubious cast of actors and producers on a film set at Castle Leslie, to eventually marrying into the circle of the `idle rich'. An irresistible story told by a charming storyteller, this memoir sheds light on an era of Irish domestic industry, and Irish social history, that has all but been forgotten.Trade ReviewThe Last Footman, is a very funny, often bizarre account of life above and below stairs in some of Ireland’s great houses in the 1960s and 1970s. -- Orna Mulcahy * The Irish Times *

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Book SynopsisAs I step out of the conservatory facing North, supported by my pusher, the first that catches my eye is the dying Sycamore which escapes death every year by producing a healthy crop of leaves, but it looks so decrepit that surely it can't pull that trick yet again. -1 April, 2020 In his eighty-eighth year, John Boorman uses his time in lockdown to reflect on the splendour of the surrounding nature of County Wicklow. Coccooning with his daughter and son among the hills of Annamoe, Boorman chronicles his daily walks and observations of the trees on his estate, writing with heightened appreciation of the beauties of his eyrie using only one eye and one finger. Poetry flows from his pen as he sits chairbound among his trees and flora: sycamores, limes, beech, oak, redwood, shrubs and flowers, birdsong and shifting skies are luminously recorded as the world falls silent. With illustrations by Susan Morley, this slim but meditative volume is a remarkable narrative by the creator of The Emerald Forest, Excalibur and Deliverance - a swansong like no other.Trade ReviewReading each entry, a meditative calm descends, and I can almost feel the bark of the twin oak he so lovingly strokes when he visits it, as if greeting an old friend, before sitting on the bench beneath to drift in and out of ruminations and dreaming. -- Susan McKeever * Books Ireland *Reading each entry, a meditative calm descends, and I can almost feel the bark of the twin oak he so lovingly strokes when he visits it, as if greeting an old friend, before sitting on the bench beneath to drift in and out of ruminations and dreaming. -- Susan McKeever * Books Ireland *Delicate, insightful, rich and meditative. -- Hilary A. White * The Independent *

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Book SynopsisOn Dangerous Ground is the revolutionary period memoir of Republican Máire Comerford (1893–1982). This striking memoir, one of the last of its era, includes Comerford’s original text, written mainly in the 1940s and ’50s, and new material unearthed from her extensive archive that also contains a wealth of photographs and memorabilia from the period. The memoir begins with Comerford’s recollection of Sunday strolls to Avondale, former home of Charles Stewart Parnell, who was a neighbour of her father, the mill owner James Comerford. As a young woman, she experiences a ‘political awakening’ at the hands of a fierce Unionist woman in a secretarial college in London. Máire Comerford (the only Catholic in the class) begins to engage with Irish history books to counterbalance this brush with religious sectarianism. On her return to County Wexford to live with her mother’s people – a move necessitated by the family’s change of fortune – she re-enters the genteel world of fox hunting and luncheon parties. The memoir paints an intriguing picture of rural life of the time heralding the arrival of the motorcar, social and economic conditions, the rise of the Gaelic League, debates about Home Rule, and the First World War. While the description of her surroundings as a young adult is intriguing and often charming, change is in the air in Ireland and a sharp and wide-ranging political analysis is ever present throughout her writing. Following Comerford’s witness account of Dublin during the 1916 Rising, she begins a life of political engagement, joining Cumann na mBan, Sinn Féin and the Gaelic League. In 1919, she moves permanently to Dublin to live with and work for renowned historian and nationalist, Alice Stopford Green. There, she becomes immersed in Republican politics and the War of Independence. Comerford’s memoir gives voice to the experience of Republican women during revolutionary times, highlighting the immense contribution of women in the struggle for an Irish Republic. She works all over the country, moving arms, carrying dispatches, finding safe houses, researching atrocities and working assiduously for Ireland. She experiences raids, prison vigils, funerals of her comrades and dangers of all kinds, but nothing cuts as deep as the sense of utter betrayal following the signing of the Treaty in 1922. Comerford takes the anti-Treaty side, is imprisoned a number of times and endures a 27-day hunger strike. Following her release, she leaves Ireland on a tour of east coast American cities to raise funds for the Republican cause at the behest of de Valera. She returns to a harsh, poverty-stricken and lonely existence, eking out a living on a hilltop poultry farm in Wexford. But while her memoir ends in bleak times, her overarching vision suggests an unquenchable optimism – and that the fight will go on. An epilogue by the editor chronicles the years between 1927 and her death.Trade ReviewDescribed as the last comprehensive witness account of the revolutionary period, it is an absorbing read. In 1923, a Daily Mail report called her the Jeanne d’Arc of the Republican cause, the most daring woman working for the Republican movement. -- Mary Burke * The Tuam Herald *This first-hand account includes Comerford’s original text, written mainly in the 1940s and ’50s, and new material unearthed from her extensive archive. * The Journal *This is a fascinating diary written by a republican ‘true believer’. -- J. Anthony Gaughan * The Irish Catholic *In this decade of centenaries, some of those who made their mark 100 years ago have had their lives and contributions critically examined. However, there has also been an acceptance that a number of women who lived through those times had not heretofore been recognised for their contributions. Máire Comerford is one such woman and her recently published memoir is probably the last first-person account we are likely to see written by a witness and participant in extraordinary times. -- The Mick Clifford Podcast * Irish Examiner *This book does something important: it adds new insights and understanding to events in Ireland, 1916-mid 20s, the most analysed and described epoch in modern Irish history. -- John Kirkaldy * Books Ireland *Máire Comerford’s words are truly inspiring and no Republican home should be without this book. * An Phoblacht *Comerford’s memoir places the reader in the lived reality of the time, showing how ordinary lives crossed over with history. Editor Hilary Dully not only has access to original documents, photos and stories, but can also see the direct personal impact Comerford has on the lives of people around her. While Máire’s memoir ends in bleak times, her overarching vision suggests an unquenchable optimism. * Wexford Local *Having access to original documents, photos and stories, Hilary also knows directly personal impact Comerford had on the lives of people around her. -- Cathy Lee * The Independent *These memoirs took more than forty years to be published and are well written and most interesting for any student of Irish history. -- Eva Ó Cathaoir * National Graves Association *'Meticulously edited by Hilary Dully from the original typescript, it’s a terrific read, a page-turner … illustrated with richly evocative photos … Of all the first-person memoirs I’ve read, this is by far the most inspiring. Comerford has an unforgettable, idiosyncratic voice, her language rich with imagery, full of physical movement. Both astute and tender, she feels modern. I could identify with her. Was it her sense of humour? Her honesty? Her lack of self-aggrandisation? Her intense love for animals? I was certainly drawn to all of these qualities. And her characters hum with life.' Martina Evans, Irish Times

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Book SynopsisThis, the fifth and final volume in the Trinity Tales series, completes a cycle that began with tales from the 1960s. It invites readers to step into the world of Trinity College as it was in the first decade of this century through the reflections of students who attended the university during those years. Within its pages lie the stories of twenty-eight graduates from a mix of diverse backgrounds whose experiences may dispel the myths of what it means to be a ‘Trinity student’. The collection reveals the rapidly changing world of the early 2000s. This was a time of the internet revolution, when social media first affected student life, when mobile phones and laptops became ubiquitous, when handwritten work was passing into history, when The Buttery closed its doors – and all this coming against the backdrop of an overheating then imploding Irish economy. This kaleidoscope of recollections captures a student body in transformation and features stories of personal discovery and achievement against the odds. For some it proved a life-changing era when sexual, racial or class barriers were confronted. This volume concludes a remarkable half-century journey, portraying the lives of others, and of ourselves.

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Book SynopsisArt honours the world, and criticism honours art, even – perhaps especially – when the critic sets out to destroy. The bad review is hardly ever written out of mere spite. In most cases, the motivation is disappointed idealism. Critics are people who love art and who hate to see it traduced. Hence the critic’s sempiternal cry: You’re doing it wrong. What the critic wants is for you to do it better. Since 2008, acclaimed novelist Kevin Power has reviewed almost three hundred and fifty books. Power declares, ‘Even now, cracking open a brand-new hardback with my pencil in my hand, I feel the same pleasure, and the same hope. That’s the great secret: every critic is an optimist at heart.’ Art that thinks and feels at the same time – ‘good art’ – requires explication. The writing of criticism in response to such art is an activity that has taken place since Aristotle first sat down to figure out what made tragedy work. It is in the pursuit of this question – what makes good art ‘good’ – that Kevin Power found his vocation. During a ten-year stint as a regular freelance reviewer for the Sunday Business Post, Power fell in love with the writing of criticism, and with the reading of it, too, particularly by talented novelists who review books on the side. His conclusion is that criticism is absolutely an art. But it is never more so than when practiced by an actual artist. These pieces, ranging from reviews of Susan Sontag to the meaning of Greta Thunberg, apocalyptic politics, and literary theory, represent a decade’s worth of thinking about books; a record of the author’s attempts to honour art, and through art, the world. In The Written World, Power explains how he became a critic and what he thinks criticism is. It begins and ends with a long personal essays, ‘The Lost Decade’, written especially for this collection, about his mental and writing block after publishing Bad Day in Blackrock and his decade-long journey to White City. The pieces gathered by Power are connected by a theme – this is a book about writing, seen from various positions, and about growth as an artist and a critic.Trade ReviewPower is a writer's writer, and this collection of essays and reviews captures his sharp wit and incisive, fair critical eye like no other Dubray Staff Choice (Luke – Dubray Grafton Street, Dublin)Hot Press Book of the Year a remarkably perceptive literary critic and essayist ... The Written World is a testament to Power’s well-deserved status as one of Ireland’s most reliably engaging writers. Oh, and did I mention he’s often hilarious, too? Luke Warde Totally DublinEvery essay here is a pleasure to read ... The light touch with which Power deploys his wide and deep reading is illustrated by his extensive quotation, from the Roman dramatist Terence to Hannibal Lecter. It is a masterclass in and of itself ... his book is metropolitan and cosmopolitan in word and spirit, enlightening and amusing, and across its pages art is happening too. Tom Hennigan, Dublin Review of BooksIn this smart and funny collection of essays and reviews, Kevin Power doles out praise but isn’t afraid to put the boot in ... It should come as no surprise to anyone who has read either of his novels to hear that Power the critic embodies all these qualities — intelligence, good taste, humour and common sense — and that The Written World is criticism worth reading, for enjoyment above any other consideration. Pat Carty, Irish Independent [The Written World] contain[s] essays on criticism itself, authors and their work, society and crises. All are delivered in beautifully wrought sentences, along with a healthy dose of Power's own personal thoughts and experiences ... a joy to read ... His warmth, humour, humanity and intellectual rigour should ensure that this collection finds its place not just on the dusty bookshelves of Trinity College's English Department – but also in the hands of ordinary readers on the 46A bus. Sunday Business PostPrefaced by an unsettlingly frank account of artistic and personal breakdown after the success of his first novel, this glorious collection follows the triumphant publication last year of his second. It marks Power as one of the best, a writer to depend upon. I will read every word he writes. Sunday IndependentHis book reviews are zingy and readable, with a knack for a killer opening ... tremendous fun. Irish Timessearingly honest ... the depth and breadth of Power's scholarship is immense, but it's the fluency and grace of his pen that keeps you reading, even when you disagree with him ... he is one of the country's brightest literary stars. Anne Cunnigham, Meath ChronicleIn prose that glistens with style and intelligence, Power draws on the breadth of his reading and elegantly marshals his arguments … At his best, he proves as adept and illuminating guide through the world of literary criticism. Brendan Daly, Irish ExaminerPower’s logic, his thought-processes, are in general as sumptuously balanced as his sentences, which manage to accommodate some unsettled and unsettling issues without knocking a single word out of place. His piece on Literary Theory (vs. Liberal Humanism) is a masterclass of intellectual poise … [He is] a critic of high integrity. Harry Cochrane, The London MagazineHe delivers punchy, witty and considered opinions on an array of subjects from Greta Thunberg to Norman Mailer. The opening essay on failure, a meditation (sharing personal experience) on how it is hardwired into a writer’s life, should be mandatory reading for anyone hoping to be published. Martina Devlin, Irish IndependentIrish Independent Best Book of 2022Reviewing books at the same time as [Kevin Power] is a very frustrating business because he’s so bloody good at it. Pat Carty, Hot Press

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Book SynopsisThis edition gathers all the articles and essays that Behan published in newspapers from 1951 to his death in 1964.The articles reveal a serious writer capable of great comic set pieces and amusing yarns as well as thoughtful reflections on cultural and historical issues.

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Book SynopsisRembrandt Harmensz. van Rijn (c.1606-1669) was the most talked-about painter of the 17th-century - and quite possibly of the following centuries too. His prodigious talent, extraordinary emotional truth, and reckless disregard of artistic convention astonished, delighted and often dismayed his contemporaries; and the full gamut of these reactions is revealed in the three early biographies published here for the first time in their entirety in English. Sandrart, a German painter and writer on painting, actually knew Rembrandt in Amsterdam; Baldinucci, also an artist contemporary with Rembrandt, was one of the greatest early connoisseurs of prints; and Arnold Houbraken, who studied under some of Rembrandt's pupils, wrote the earliest major biographical account of the artists of Holland. These extraordinary documents give a vivid picture of Rembrandt's shattering impact on the art world of his time - not only as a painter, but as a supremely successful manipulator of the market, a dangerous example to the young, and an unavoidable challenge to any sense of decorum and rule-giving. Rooted firmly in the 17-century realities of Rembrandt's life, they bring into sharper focus the qualities of originality and psychological acuity that remain Rembrandt's trademark to this day. The introduction by Charles Ford situates these biographies in the context of 17th-century appreciation of art, and the trajectory of Rembrandt's career. The translations have been specially prepared for this edition by Charles Ford, aided by Ulrike Kern and Francesca Migliorini, and in part following the work of Tancred Borenius.Trade Review"The London publishing house Pallas Athene has come up with the very welcome and worthwhile project of assembling English translations of early biographies of artists in an easily accessible publication." - Historians of Netherlands Art Reviews

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Book SynopsisA collection of absurdities, many online, gleefully collected by the editor and bibliophile Jim McCue, best known for his edition (with Christopher Ricks) of Eliot's poetry. Elegantly presented and an ideal small Christmas present.

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Book SynopsisFashion model, UN ambassador and courageous spirit, Waris Dirie was born into a family of tribal desert nomads in Somalia. She told her story - enduring female circumcision at five years old; running away through the desert; being discovered by Terence Donovan and becoming a top fashion model - in her book, the worldwide bestseller, DESERT FLOWER. In DESERT DAWN she wrote about becoming a UN Special Ambassador against FGM (female genital mutilation) and returning to her family in Somalia. DESERT CHILDREN tells us how she and the journalist Corinna Milborn have investigated the practice of FGM in Europe - they estimate that up to 500,000 women and girls have undergone or are at risk of FGM. At the moment, France is the only European country in which offenders are convicted and no European country officially recognises the threat of genital mutilation as a reason for asylum. Here are the voices of women who have felt encouraged and emboldened by Waris Dirie''s courage. They speak out fo

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Book SynopsisBy the age of six, Nicolai Lilin had been given his first 'pike knife' by an uncle, and by the age of twelve, he had been convicted of attempted murder . . . Nicolai Lilin gained his 'education' as a member of the Siberian Urkas - a small and tight-knit community of 'honest criminals' in a forgotten corner of Eastern Europe . . . Siberian Education is his tale of an extreme childhood - exotic, violent and completely unique.Trade ReviewLilin's astonishing account of his life takes you into some very strange worlds; frightening, violent and yet with spirited moments of redemption which both offer hope and keep you reading . . .a breath-taking memoir. -- Misha Glenny * * Mail on Sunday * *Terrifying, fascinating, horrific and violent - Lilin's memoir is an eye-opening and gripping account of a childhood spent in the brutal Siberian underworld. -- Simon Sebag-Montifiore, author of Young StalinForce yourself to forget about categories of good and evil, you have to just be there and read . . . produces a thrill of pleasure that is hard to forget. -- Roberto Saviano, author of GomorrahLilin's tale pulls no punches...a highly recommended account. * * Sunday Business Post * *Nicolai Lilin's Siberian Education (Norton) paints a phantasmagorical picture of Transnistria, a former Soviet region where a subculture of "honest criminals" has long flourished. Lilin writes of this ritualized, xenophobic, gun-and-cross-toting milieu, "Our philosophy of life has a close relation to death; children are taught that taking someone else's life or dying are perfectly acceptable things, if there is a good reason. -- Lisa Shea * * Elle * *With its exhaustive descriptions of ritual and tradition, Siberian Education at times resembles a work of cultural anthropology . . . Lilin has constructed Siberian Education as a Russian nesting doll, with stories unfolding inside of other stories, which yield yet more stories. -- Joshua Yaffa * * Wall Street Journal * *

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Book SynopsisThis book is the fulfilment of my promise to Allah, the One that heard, answered, and released that eight-year-old-girl from the hospital. It contains the most challenging encounters from my life with physical disabilities. It delves into the struggles that I faced both externally and internally, and how I coped. It delves into the reality of how we all face adversities and the beauty that can be found within these hardships. It uncovers lessons that will allow us to appreciate life on a whole different level. This book contains the hidden gems and treasures unearthed from the trials in our lives. The attainment of these treasures may be painful, but it ultimately provides comfort and hope. It allows us to discover strengths that we never thought we had, and to eventually have a more enriched experience. It is a source of encouragement to remain hopeful. It is a reminder to never give up, just like the chosen examples before us. This boo

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Book SynopsisThis is an accessibly written, illustrated biography of Venetian painter Rosalba Carriera (1673-1757), one of the most famous women artists in 18th-century Europe. It presents an overview of her life and work, considering Carriera's miniatures alongside her better-known, larger-scale works.Focusing on interpretation of her paintings in the historical context of her life as a single woman in Venice, the book offers an easy guide through Carriera´s life, the people she met, her clients and her artistic approach. The author's new iconographic analysis of some of Carriera's works reveals that she was an erudite painter, drawing on antiquity as well as the work of Renaissance virtuosos such as Leonardo da Vinci and Paolo Veronese. Table of ContentsAcknowledgements; Chapter 1: Venice at the Dawn of the Eighteenth Century and the Beginning of Carriera's Artistic Career; Chapter 2: An Independent Single Female Painter; Chapter 3: Carriera, the First Female Trendsetter in Technique and Style; Chapter 4: Invitations Abroad and Carriera's International Network; Chapter 5: Pastel Painting: Carriera's Greatest Success; Chapter 6: An Exceptional Life Comes to an End; Notes; Bibliography; Index

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Book SynopsisConsidered by John Singer Sargent to be the best British draughtsman since the Renaissance, Augustus John was the first of the British ‘Post-Impressionists’. Such was his importance that Virginia Woolf declared in 1921 that by 1908 ‘The age of Augustus John was dawning,’ and Wyndham Lewis would dub the ten years leading up to 1914 ‘the Augustan decade'. Handsome, unconventional and full of brilliant promise and Bohemian spirit, John was the man almost every young British art student wanted to emulate. This book reveals why, telling his extraordinary story from his birth in south Wales in 1878 through to the end of his youth in the closing stages of the First World War. Interweaving his biography are the personalities who surrounded John, and the book looks at their influence on him, and his upon them. They include his fellow students at the Slade School of Art – his sister Gwen John and future wife Ida Nettleship, and his friends William Orpen, Ambrose McEvoy, Spencer Gore and Percy Wyndham Lewis – all of whom would become prominent artists in their own right. This book is a long overdue, new interpretation of this singular figure, who was both at the heart of the British artistic milieu, and yet set apart from its movements and manifestos.Table of ContentsAcknowledgements; Preface; 1 Wales; 2 The Slade; 3 New Arrivals; 4 Rivals and Lovers; 5 Paris; 6 First Fruits; 7 The Rising Generation; 8 New Friendships; 9 Seeking a Remedy; 10 Gifted and Interested; 11 Men Who Have Failed; 12 Brilliant Destiny; 13 New Beginnings; 14 1907-8: The Realities of Life; 15 The Way Down to the Sea; 16 War to the Palette-Knife; 17 The Influencer; 18 Losing his Way; 19 The War Years; 20 Aftermath; Bibliography

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Book SynopsisIn the spring of 1895 the life of Constance Wilde changed irrevocably. Up until the conviction of her husband, Oscar, for homosexual crimes, she had held a privileged position in society. Part of a gilded couple, she was a popular children's author, a fashion icon, and a leading campaigner for women's rights. A founding member of the magical society the Golden Dawn, her pioneering and questioning spirit encouraged her to sample some of the more controversial aspects of her time. Mrs Oscar Wilde was a phenomenon in her own right. But that spring Constance's entire life was eclipsed by scandal. Forced to flee to the Continent with her two sons, her glittering literary and political career ended abruptly. Having changed her name, she lived in exile until her death. Franny Moyle now tells Constance's story with a fresh eye and remarkable new material. Drawing on numerous unpublished letters, she brings to life the story of a woman at the heart of fin-de-siècle London and the Aesthetic movement. In a compelling and moving tale of an unlikely couple caught up in a world unsure of its moral footing, she uncovers key revelations about a woman who was the victim of one of the greatest betrayals of all time.Trade ReviewPraise for Desperate Romantics Franny Moyle's book on the Pre-Raphaelites:'An utterly gripping read' * Sunday Express *'Riveting' * Independent on Sunday *Moyle's book captures all the sex, madness and addiction, making modern-day sagas seem downright dull! * Glamour *Constance Wilde is the subject of one of this year's most heartbreaking biographies...Moyle vindicates a remarkble and courageous woman whose loyalty to her husband was unfailing. While focusing on Constance, the book sheds new light on Wilde as a fond, endearing and surprisingly domesticated family man * Sunday Times, Books of the Year *

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Book SynopsisKenneth Williams was the stand-out comic actor of his generation. Beloved as the manic star of Carry On films and as a peerless raconteur on TV chat shows, he was also acclaimed for serious stage roles. Born Brilliant will include much previously unseen material from Williams's candid daily journal and also draw on rare in-depth interviews with friends and colleagues. Since the publication of edited extracts from his diaries, much controversy has surrounded Williams's personal and professional lives. This biography traces the complex contradictions that characterised an extraordinary life and presents the first full portrait of a star who was born brilliant.Trade ReviewChristopher Stevens's diligent biography offers illuminating insights into Kenneth Williams's work and inner life. Underpinned by a warm sympathy, Born Brilliant is often revealing and . . . well-written * Sunday Telegraph *The book does something interesting and necessary. There is a danger with any book on Williams of just further nailing down the received wisdom: that he was entirely morbid, socially inadequate and consumed by guilt. What Stevens manages to do, even as he throws out all the examples of The Fear, is retune the accepted facts a little and tell the story not just of the melancholia but also of the happiness * Herald *Christopher Stevens has written a solid, workmanlike, authorised biography of this least solid or workmanlike or authorised of figures * Mail on Sunday *Stevens adeptly captures the mercurial temperament and frequent malice. For all his flaws, however, Williams remains lovable, to his devoted friends and fans, as well as to Stevens' readers * Metro *Stevens has done a grand job of reconciling the public and private Williamses * Daily Telegraph *Williams gets the biography he deserves: impeccably researched, compelling and, despite everything, sympathetic * Scotsman *a portrait far more sympathetic than the ascerbic one conjured by Williams' edited diary extracts in l993 * Independent *Excellent biography * Choice *Stevens has unearthed a great deal of new material * TLS *

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Book SynopsisFrom SAS To Blood Diamond Wars is the story of an outstanding warrior, even by SAS standards.On the point of being demobbed from the SAS, Fred Marafono was recruited by David Stirling for his private security company. After Stirling's death, Fred found himself in the midst of Sierra Leone's Blood Diamond wars, and formed an unbreakable bonding with the country's champion of democracy, Chief Hinga Norman, whose leadership and tragic death are integral to the story.Fred was recruited by Simon Mann for the finest of all private military companies in Africa, Executive Outcomes. Fewer than two hundred of them defeated the rebels in their strongholds. Through political weakness, Executive Outcomes were made to leave the country, and chaos ensued. Committed men like Hinga Norman and British High Commissioner Peter Penfold saw that, in the absence of military commitment from the west, only highly professional former soldiers could spearhead the fight to restore democracy. Three of these veterans kept a vital air bridge open. Fred's final action was supporting the SAS in their brilliant hostage release, Operation Barras.Peter Penfold sums it all up in the book's foreword, writing of the, 'confidence, trust and admiration I have for this remarkable man. '

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Book SynopsisA memoir about grief, nature and what a small community in the Welsh valleys can teach us about life.'A beautiful and poetic meditation on loss, nature, and what matters in life.' - Nigel WarburtonFrom the BAFTA award-winning writer of The New Yorker short film, Heart Valley Kiran Sidhu never thought she could leave London, but when her mother passes away, she knows she has to walk out of her old life and leave her toxic family behind. She chooses fresh air, an auditorium of silence and the purity of the natural world - and soon arrives in Cellan, a small, remote village nestled in the Welsh valleys. At first, the barrenness and isolation is strange. But as the months wear on, Kiran starts to connect with the close-knit community she finds there; her neighbour Sarah, who shows her how to sledge when the winter snow arrives; Jane, a 70-year-old woman who lives at the top of a mountain with three dogs and four alpacas; and Wilf, the farmer who eats the same supper every day, and teaches Kiran that the cuckoo arrives in April and leaves in July. Tender, philosophical and moving, I Can Hear the Cuckoo is a story about redefining family, about rebirth and renewal, and respecting the rhythm and timing of the earth. It's a book about moving through grief and the people we find in the midst of our sadness - and what this small community in the Welsh countryside can teach us about life.

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Book SynopsisThis is the first full-scale biography of Osip Mandelstam to combine an analysis of his poetry with a description of his personal life, from his beginnings as a young intellectual in pre-revolutionary Russia to his final fate as a victim of Stalinism.The myth has grown up that Mandelstam was a gloomy, miserable figure; Dutli deconstructs this, stressing Mandelstam's enjoyment of life. There are several underlying themes here. One is Mandelstam's Jewish background in pre-1914 Russia, which he rejected as a young man, but reaffirmed in later life. Another is the inescapable impact of Russia's political and social transformation.His evolution as a poet naturally occupies a large place in the biography, which quotes many of his most famous poems, including his devastating anti-Stalin epigram. He produced wonderful poetry before the October Revolution, but did not reach his full poetic stature until the 1930s when in exile in Voronezh. He was never an official Soviet poet, and it was only thanks to the intervention of Bukharin that he was brought back from utter impoverishment.The biography gives full weight to his emotional life, beginning with his friendship with two other Russian poets, Marina Tsvetaeva and Anna Akhmatova, followed by love and marriage to Nadezhda Khazina."One of the century's greatest lyric poets." - Elaine Feinstein, Sunday Times"Mandelstam's poems are both bold and delicate. His imagery can seem both profoundly startling yet entirely natural". - Robert Chandler"Mandelstam was a tragic figure. Even while in exile in Voronej, he wrote works of untold beauty and power. And he had no poetic forerunners. In all of world poetry, I know of no other such case. We know the sources of Pushkin and Blok, but who will tell us from where that new, divine harmony, Mandelstam's poetry, came from?" - Anna Akhmatova"Russia's greatest poet in the twentieth century." - Joseph BrodskyTrade ReviewA timely reminder of both the long history of repression in Russia and the powerful role that literature can play. Dutli's rounded portrait of a Russian poet unafraid to speak truth to power brings to life the man and his time. -- Carl Wilkinson, Best Books of the Year * Financial Times *Likely to become the standard reference work for the English reader ... enlightening -- Donald Rayfield * Literary Review *Deftly examines [Mandelstam's] literary legacy and explains why, in the opinion of the Nobel laureate Joseph Brodsky, [he] can be considered the greatest Russian poet of the 20th century -- John Thornhill * Financial Times *[Dutli's] understanding of his subject is profound and his assessments informed ... his sympathetic grasp of Mandlestam's artistic genius should yet be enough to encourage readers to explore some of the greatest poetry of the 20th century. -- Mark Glanville * Jewish Chronicle *Compelling ... [Dutli] provides a vibrant, deeply informed guide to the life, the writing and the tumultuous age that shaped them. -- Clare Cavanagh * Times Literary Supplement *The author, Ralph Dutli, approaches the poet unobtrusively and sensitively. He deconstructs the myths that have surrounded him, such as the notion that he was a restless ascetic who never put down any roots or settled anywhere. It was sheer necessity that forced him to move from place to place. Dutli brings out the sensual and witty side of Mandelstam, who was full of the joys of life. -- Marion Lülte * Die Tageszeitung *This biography crowns Dutli's work as editor of the poet's oeuvre. Thanks to Ralph Dutli, the German public now have the best conceivable access to Mandelstam's work. Dutli hasn't just told the story of Mandelstam's life; he has included in an appendix a range of comments by other poets, the most remarkable of them being that by Pasolini. -- Christoph Bartmann * Süddeutsche Zeitung *This is a biography written with insight and precision, which can be recommended unreservedly. The aim of the book is to explain how Mandelstam managed to retain his enjoyment of life and clarity of vision despite all his suffering. This is a successful biography written with empathy, sobriety and a wealth of information. -- Renate Wiggershaus * Frankfurter Rundschau *A model biography by Dutli, who is better qualified than anyone else to do this, because he has a precise knowledge of every facet of the poet's life and work. He corrects the picture presented by Celan, whose translations overemphasised the tragic, elegiac aspect of Mandelstam's poetry. -- Ulrich M. Schmid * Neue Zürcher Zeitung *The details of the road that led to Mandelstam's death have never been presented to the German public so precisely and with so much tact, as here. Dutli's language is muscular, warm and colourful. -- Andreas Isenschmid * Die Zeit *Dutli is able to illuminate the interaction between the poet's life and his work in a masterly fashion, without reducing his poems to a mere reflection of aspects of his biography. -- Michael Braun * Deutschlandfunk *

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Book SynopsisIn 2012, the joyful hopes of the democratic Egyptian Revolution were tempered by revelations of mass sexual assault in Tahrir Square in Cairo, the revolution's symbolic birthplace. This is the story of the women and men who formed Opantish - Operation Anti-Sexual Harassment - who deployed hundreds of volunteers, scouts rescue teams, and getaway drivers to intervene in the spiraling cases of sexual violence against women protesters in the square. Organized and led by women during 2012-2013 - the final, chaotic months of Egypt's revolution - teams of volunteers fought their way into circles of men to pull the woman at the center to safety. Often, they risked assault themselves. Journalist Yasmin El-Rifae was one of Opantish's organizers, and this is her evocative, aching account of their work, as they raced to develop new tactics, struggled with a revolution bleeding into counter-revolution, and dealt with the long aftermath of assault and devastation. Told in a daring, hybrid narrative style drawn from years of interviews and her own, intimate experience, it is a story of overlapping circles: the circles of male attackers activists had to break through, the ways sexual violence can be circled off as "irrelevant" to political struggle, and the endless repetitive loops of living with trauma. Introducing a powerful new voice, a writer whose searchingly beautiful, spare prose cuts to the core of a story ever more urgent and relevant: of women's resistance when all else has failed.Trade ReviewA remarkable book which penetrates into the heart of feminist political activism without neglecting its roots in the complex lives of women or the harsh dynamics which can unfold in the midst of emancipatory struggle. -- Jacqueline Rose * New Statesman *This book is one of the most powerful reports on rescue work done in a revolutionary war zone that I have ever read; and the fact that it is work done by women on behalf of other women who've been sexually harassed (to put it mildly) not by the enemy but by their fellow revolutionaries makes it all the more gripping. I wish Radius a long life, with dazzling reviews and an ever-increasing readership. -- Vivian Gornick, author of Taking a Long LookAn intimate and revealing account of the post 2011 mosaic of contentious politics in Egypt. Rifae's narrative reveals important intersections between gender politics, collective organizing, and processes of becoming. -- Lina Attalah, founding editor of Mada MasrI devoured this book in one sitting. A must read not just for its gripping and complex depiction of feminist resistance during the Egyptian revolution from an organizer who was on the ground, but for those of us who care about feminism and radical movement-building all over the world. -- Katie J.M. Baker, award-winning investigative reporter and national correspondent at The New York TimesRadius fearlessly dives into the violent, disastrous omnishambles that transpired in Cairo in 2013 ... an urgent and timely study of what it means to lead, partake in and witness a revolution in the Middle East -- Mariam Elnozahy * Times Literary Supplement *Readers won't soon forget El-Rifae's captivating book; essential reading for feminists and historians. -- Library JournalPowerful testimony of the Egyptian Revolution destroying itself and the courageous people who hoped to save it. * Kirkus *The writing is beautiful and clean, carrying readers through harrowing and heartbreaking moments....This account of a brave, generous, and largely unacknowledged enterprise is not only an essential record of modern Egyptian history; it's a testament to what women are capable of, to what can be achieved through passionate collective action. -- Ursula Lindsey * New York Review of Books *A powerful book -- Amina Abdel-Halim * Egyptian Streets *A tapestry of trauma, revolution, healing, catharsis, and pain, replicating the spectrum of emotions unleashed by present-day activism in the Middle East...Calling out the patriarchy in the Arab world without succumbing to imperialist and racist tropes projected onto the Middle East is a fine balancing act, one that El-Rifae accomplishes in Radius. -- Tareq Baconi * Baffler *A unique account of a feminist revolutionary moment from the inside. Yasmin El-Rafae somehow manages to convey in graphic detail the inspirational struggle to protect women from the sexual violence that erupted at the heart of the Arab Spring, while remaining true to the difficulties and pain that can arise within any such movement, the whole story framed by her own first steps into the no less complex reality of motherhood. Beautifully negotiating the terrain between public and private worlds for women, Radius is a feminist manifesto for our times. -- Jacqueline Rose, author of The PlagueTable of ContentsIntroductionPart ICh 1-13Part IICh 14-17Part IIICh 18-25Part IVCh 26-38

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Book SynopsisEmily Dickinson is regarded as one of the greatest poets of all time, but she has come to us as an odd and helpless woman living a life of self imposed seclusion. Lyndall Gordon sees instead a volcanic character living on her own terms and with a steely confidence in her own talent; a woman whose family feuded over a hothouse of adultery and devastating betrayal and a woman who had her own secret. After her death the fight for possession of Emily and her poetry became the feud's focus.'Lives Like Loaded Guns has cracked one of poetry's most enduring enigmas . . . It rescues Dickinson from the image of the passive, heart-broken recluse. It is a worthy monument to a poet even more extraordinary than we realised' Olivia Cole, Financial TimesFrom the acclaimed biographer of Mary Wollstonecraft, T.S. Eliot, Charlotte Bronte, Virginia Woolf and Henry James.

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Book SynopsisMany female journalists came to the fore during the first and second world wars, and their perspective was very different to that of their male peers, who were reporting from the field. Specifically, they often wrote about war from the perspective of those left at home, struggling to keep the household afloat. And with 'How it feels to be forcibly fed' (1914) by Djuna Barnes, one of the world's very first experiential, or 'gonzo' journalists, came a new age of reporting.Since then, women have continued to break new ground in newspapers and magazines, redefining the world as we see it. Many of the pieces here feel almost unsettlingly relevant today -- the conclusions Emma 'Red' Goldman drew in her 1916 'The social aspects of birth control', Maddy Vegtel's 1930s article about becoming pregnant at 40, Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's Beauty Myth brought feminism to a new generation; Helen Fielding's Bridget Jones caused a media revolution; Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candour and a host of imitators; and when two iconic women come face to face, we have at one end Dorothy Parker on Isadora Duncan (1928) and at the other Julie Burchill on Margaret Thatcher (2004). This collection of superlative writing, selected by the Sunday Times's most senior female editor, brings together the most influential, incisive, controversial, affecting and entertaining pieces of journalism by the best women in the business. Covering: War; Crime; Politics & Society; Sex & Romance; Body Image & Health; Family, Friendship & Birth; Emancipation & Having it All; Hearth & Home; Icons & Interviews. Including: Lynn Barber, Djuna Barnes, Julie Burchill, Angela Carter, Marie Colvin, Jilly Cooper, Joan Didion, Margaret Drabble, Helen Fielding, Zelda Fitzgerald, Kathryn Flett, Martha Gellhorn, Nicci Gerrard, Emma Goldman, Germaine Greer, Nicola Horlick, Erica Jong, Jamaica Kincaid, India Knight, Christina Lamb, Daphne du Maurier, Nancy Mitford, Suzanne Moore, Camille Paglia, Sylvia Pankhurst, Dorothy Parker, Allison Pearson, Ruth Picardie, Erin Pizzey, Eleanor Roosevelt, Zadie Smith, Susan Sontag, Gloria Steinem, Martha Stewart, Mary Stott, Jill Tweedie, Rebecca West, Zoe Williams, Jeanette Winterson, Naomi Wolf.

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Book SynopsisFollowing the critical and commercial success of A Literary Tour of Italy, acclaimed novelist Tim Parks presents a new selection of his latest essays on Italian literature, offering a lively, accessible and stimulating diorama of the cultural landscape of Italy.Containing pieces on major figures such as Dante, Machiavelli, Leopardi and Manzoni, as well as articles on some of Italy's best-known modern authors from Pirandello and Pavese to Pasolini, Levi and Calvino, through to more recent writers such as Camilleri, Saviano and Ferrante this book will delight and interest any lover of Italian culture, and confirms Tim Parks as one of the finest and most perceptive essay writers of his generation.

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Book SynopsisA fascinating examination of the life of Thomas Clarke, a member of the Fenians and was a key leader of the Irish Republican Brotherhood in 1916.

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Book SynopsisIn 1995, Adam Gopnik, his wife, and their infant son left the familiar comforts and hassles of New York for the urbane glamour of Paris. Charmed by the beauties of the city, Gopnik set out to experience for himself the spirit and romance that has so captivated American writers throughout the twentieth century. In the grand tradition of Stein and Hemingway, Gopnik planned to walk the paths of the Tuilleries, to enjoy philosophical discussion in cafes - in short, to lead the fabled life of an American in Paris. Of course, there was also the matter of raising a child and carrying on with everyday, not-so-fabled life.Trade ReviewA conscientious, scrupulously savvy American husband and father meets contemporary France, and fireworks result, lighting up not just the Eiffel Tower - John Updike * John Updike *The finest book on France in recent years - Alain de Botton, New York Times Book Review * New York Times *

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Book SynopsisMike Carney was born on the Great Blasket Island in 1920 in that unique, isolated Irish-speaking community. Mike left in 1937 to seek a better future in Dublin and eventually settled in Springfield, Massachusetts, with other former islanders. The death on the island of his younger brother set off a chain of events that led to its evacuation, in which Mike played a pivotal role. This is the story of his life and his efforts to promote Irish culture in America, to preserve the memory of The Great Blasket, to respect roots left behind and to set down roots in a new land. Written as Mike approached the age of 93, this memoir is probably the last of a long line of books written by Blasket Islanders. * Similar to: An Irish Navvy - the Diary of an Exile and The Hard Road to KlondikeTrade Review"A treasure." * Irish Echo *"Heartfelt account in a simple, charming style." * Irish Examiner *"Spellbinding memoir." * Irish Independent *"Effervescent memoir." * Sunday Business Post *

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Book SynopsisDazzling Darkness is a true story about searching for one's authentic self in the company of the Living God. Rachel Mann has died many deaths' in the process, not the least of which was a change of sex, as well as coming to terms with chronic illness and disability. Through these experiences she has discovered that darkness is as much a positive place as a negative one, inhabited by the Living God the Dark God, the Hidden God. This is the God that many of us, because we try to make our lives safe and comfortable, are too afraid to meet. This is the God who is most alive in those things we commonly associate with the Dark failure, loss and brokenness. The Christian church has legitimated certain ways of talking about God male, fatherly, monarchical and so on. Many believe these descriptors tell the exhaustive truth about God. In accepting the complexity of her sexuality and identity, Rachel Mann has been able to explore with a greater freedom what God might look like to an unconventional creature' like her. This second edition of Rachel's passionate, celebrated and nuanced book has been thoroughly revised and extended, with new chapters which re-examine what it means to live with ill-health and being trans nearly a decade on from the original publication of Dazzling Darkness. Rachel Mann is an Anglican priest, poet, scholar and broadcaster. The author of eleven books, her work has been shortlisted for the international Michael Ramsey Prize, and has been called exceptional' (Rowan Williams) and astonishing' (Michael Symmons Roberts). She regularly broadcasts on BBC Radio 2 and 4.

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Book Synopsis

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