Description

In the summer of 1964, twenty-one-year-old Gillies MacBain arrives in Dublin off the ferry from England with only his bicycle, a suitcase and a tent to his name. Young, handsome and charismatic, he begins work as a footman in one of the houses of the `dying aristocracy'. Thus begins his foray into the upper echelons of Irish society. The Adventures of an Irish Footman is an irresistible narrative which describes a fading part of Irish society that MacBain subverts with wry humour. MacBain finds himself in a precarious niche: the borderland in between `upstairs' and `downstairs'. Here, he rubs shoulders with a cast of characters from the bohemian socialites to the chancer `Sketchly' and the hippes with their dewy-eyed `morals'. MacBain's memoirs run the gamut of Irish social classes, from his friendship with County Monaghan small farmers and tenants, to working with a dubious cast of actors and producers on a film set at Castle Leslie, to eventually marrying into the circle of the `idle rich'. An irresistible story told by a charming storyteller, this memoir sheds light on an era of Irish domestic industry, and Irish social history, that has all but been forgotten.

The Last Footman

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Paperback / softback by Gillies Macbain

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Description:

In the summer of 1964, twenty-one-year-old Gillies MacBain arrives in Dublin off the ferry from England with only his bicycle,... Read more

    Publisher: The Lilliput Press Ltd
    Publication Date: 31/10/2019
    ISBN13: 9781843517658, 978-1843517658
    ISBN10: 1843517655

    Number of Pages: 256

    Non Fiction , Biography

    Description

    In the summer of 1964, twenty-one-year-old Gillies MacBain arrives in Dublin off the ferry from England with only his bicycle, a suitcase and a tent to his name. Young, handsome and charismatic, he begins work as a footman in one of the houses of the `dying aristocracy'. Thus begins his foray into the upper echelons of Irish society. The Adventures of an Irish Footman is an irresistible narrative which describes a fading part of Irish society that MacBain subverts with wry humour. MacBain finds himself in a precarious niche: the borderland in between `upstairs' and `downstairs'. Here, he rubs shoulders with a cast of characters from the bohemian socialites to the chancer `Sketchly' and the hippes with their dewy-eyed `morals'. MacBain's memoirs run the gamut of Irish social classes, from his friendship with County Monaghan small farmers and tenants, to working with a dubious cast of actors and producers on a film set at Castle Leslie, to eventually marrying into the circle of the `idle rich'. An irresistible story told by a charming storyteller, this memoir sheds light on an era of Irish domestic industry, and Irish social history, that has all but been forgotten.

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