Biography, Literature and Literary studies Books

Book SynopsisExplodes the myth that Lewis was a misogynist and shows how his approach to women is pertinent to contemporary culture.Trade Review“A remarkably fine tribute to C.S. Lewis.” -- Walter Hooper, literary advisor to the C.S. Lewis Estate, United Kingdom“Thanks! Someone needed to write this book.” -- Eric Metaxas, New York Times best-selling author of Miracles, Bonhoeffer, 7 Men, and others.“Excellent for both fans of Lewis and for scholars. Rich in truth and wisdom for the twenty-first century. A most welcome contribution to closure on the vital question of Lewis’ views on gender.” -- Dr J. Stanley Mattson, Founder and President, The C.S. Lewis Foundation, Redlands, California.“This book brings new light, thought, and perception to the subject of women in C.S. Lewis’ life and writings. These essays are full of shared wisdom and cogent argument that will challenge your perceptions of Lewis and his world.” -- Brian Sibley, writer and broadcaster known for his highly acclaimed BBC serializations of The Chronicles of Narnia and The Lord of the Rings."Finally, here is a book that properly places Lewis in his socio-cultural setting for a thorough and positive examination of nearly every aspect in which women touched his life – from created literary characters, professional acquaintances, familial relationships, literary references, to the deep marital love that so blessed his life with Joy. This collective work of prominent Lewis scholars is an extraordinary and vital read for any Lewis enthusiast.” -- Deborah Higgens, PhD, former Director of the C.S. Lewis Study Centre, Oxford; Professor of Medieval Literature, La Sierra University, California; author of Anglo-Saxon Community in J.R.R. Tolkien’s The Lord of the Rings.Table of ContentsContentsAcknowledgments 11INTRODUCTIONSWas C.S. Lewis sexist? Is he relevant today?Carolyn Curtis 13Not mere mortalsDr Mary Pomroy Key 21SECTION ONELewis, the man – and the women in his life 27Chapter OneThe enduring influence of Flora LewisDr Crystal Hurd 31Chapter TwoWhat do we make of Lewis’ relationship with Mrs Moore?Paul McCusker 41Chapter ThreeHelen Joy Davidman (Mrs C.S. Lewis) 1915–1960: a portraitDr Lyle W. Dorsett 53Chapter FourFire and Ice: why did Lewis marry Joy Davidman rather thanRuth Pitter?Dr Don W. King 65Chapter FiveThe Divine Comedy of C.S. Lewis and Dorothy L. SayersDr Crystal L. Downing 73Chapter SixOn Tolkien, the Inklings – and Lewis’ blindness to genderDr Alister McGrath 79Chapter SevenC.S. Lewis and the friends who apparently couldn’t really havebeen his friends, but actually wereColin Duriez 85SECTION TWOLewis, the fiction author – how girls and women areportrayed in his novels 93Chapter OneAre The Chronicles of Narnia sexist?Dr Devin Brown 95Chapter Two“The Abolition of Woman”: gender and hierarchy in Lewis’Space TrilogySteven Elmore 109Chapter Three“She is one of the great ones.” The radical world of The Great DivorceDr Joy Jordan-Lake 121Chapter FourThe Pilgrim’s Paradox: female characters in The Pilgrim’s RegressDr David C. Downing 127Chapter FiveNew perspectives: Till We Have Faces, The Four Loves, and other worksAndrew Lazo 135SECTION THREELewis, the poet – surprises from his poetry 145Chapter OneSetting the man–woman thing to rightsBrad Davis 147Chapter TwoBridging the chasm between usKelly Belmonte 155Chapter ThreeGetting our goddesses together: Lewis and the feminine voicein poetryRevd Dr Malcolm Guite 161SECTION FOURLewis, the influencer – how his life and literature impact thetwenty-first century discussion about women 169Chapter OneJack, the “old woman” of Oxford: sexist or seer?Dr Monika B. Hilder 173Chapter TwoA generation longing for C.S. LewisBrett McCracken 187Chapter ThreeFrom feminist to mere ChristianDr Mary Poplin 191Chapter FourLewis as teacher and servant… and my respectful disagreementon women as priestsRevd Dr Jeanette Sears 199Chapter FiveOn women’s roles in the church: Lewis’ letters to me as a child litmy wayKathy Keller 209Chapter SixC.S. Lewis on love and sexDr Holly Ordway 217Chapter SevenMistress for pleasure or wife for fruit?Dr Michael Ward 223Chapter EightDorothy L. Sayers and C.S. Lewis: comrades against the zeitgeistKasey Macsenti 233SECTION FIVELewis, the mentor – how his views on women impact mine 243Chapter OneLewis inspired me to speak out for womenRandy Alcorn 245Chapter TwoOn being the father of immortals: lessons from “The Weight of Glory”John Stonestreet 253Chapter ThreeMore than a fairy princess: what Narnia teaches about being strong,courageous womenChristin Ditchfield 261CONCLUSIONWhat do Lewis’ life and literature reveal for today’s culture?Carolyn Curtis 265Questions for Reflection and Discussion 276Endnotes 278

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Book SynopsisThis Element analyses the relationship between gender and literary letterpress printing from the early 20th century to the beginning of the 21st. Drawing on examples from modernist writer/printers of the 1920s to literary book artists of the early 21st, it offers a way of thinking about the feminist historiography of printing as we confront the presence and particular character of letterpress in a digital age. This Element is divided into four sections: the first, ''Historicizing'' traces the critical histories of women and print through to the twentieth and twenty-first centuries. The second section, ''Learning,'' offers an analysis of some of the modes of discourse and training through which women and gender minorities have learned the craft of printing. The third section, ''Individualizing'' offers brief biographical vignettes. The fourth section, ''Writing,'' focuses on printers'' own written reflections about letterpress. This title is also available as Open Access on Cambridge CoTable of ContentsPreface; 1. Historicizing; 2. Learning; 3. Individualizing; 4. Writing; Coda: Letterpress at a Distance; Glossary.

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Book SynopsisThe third edition of Writing Short Stories has been revised and updated to provide a complete guide to the craft of writing short stories. It emphasizes the importance of voice as a foundation for work on characterization, imagery, dialogue and pace, as readers move from their first sketches to working on more complex narrative structures.Ailsa Cox guides readers through key aspects of the craft, providing a variety of case studies of classic and contemporary core texts. The wide range of writers discussed include Edgar Allan Poe, Katherine Mansfield, Angela Carter, Alice Munro, Ali Smith, Iphgenia Baal, Octavia E. Butler and William Gibson. The diversity and flexibility of the short story genre is highlighted throughout, along with the specific challenges the writer faces. The book considers a range of genres, such as fantasy, science fiction, horror, autobiography, romance, comedy and satire. The new edition also includes extra insights into getting published, includ

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Book SynopsisBeckett and Buddhism undertakes a twenty-first-century reassessment of the Buddhist resonances in Samuel Beckett''s writing. These reverberations, as Angela Moorjani demonstrates, originated in his early reading of Schopenhauer. Drawing on letters and archives along with recent studies of Buddhist thought and Schopenhauer''s knowledge of it, the book charts the Buddhist concepts circling through Beckett''s visions of the ''human predicament'' in a blend of tears and laughter. Moorjani offers an in-depth elucidation of texts that are shown to intersect with the negative and paradoxical path of the Buddha, which she sets in dialogue with Western thinking. She brings further perspectives from cognitive philosophy and science to bear on creative emptiness, the illusory ''I'', and Beckett''s probing of the writing process. Readers will benefit from this far-reaching study of one of the most acclaimed writers of the twentieth century who explored uncharted topologies in his fiction, theatre,Trade Review'Readers interested in the transmission of Eastern thought in modernist texts will find this exploration of the congruence of Beckett's texts with Buddhist thought useful and informative … Recommended.' J. S. Baggett, Choice Connect'Moorjani is a scholar doing a scholar's work, and the results are exhilarating' Jean-Michel Rabaté, University of Pennsylvania'… the study [goes] a long way toward illuminating things that have previously and notoriously puzzled readers of Beckett, from the paradoxical style to the seeming pessimism that pervades his works. … Moorjani's study deserves to be known to readers not only in twentieth-century literary studies but also in world literature, comparative literature, and beyond.' Lidan Lin, Modern Language Quarterly'… this impressive monograph not only continues Moorjani's long career of path-breaking contributions to Beckett studies, but it achieves a mastery of material and persuasiveness of exposition that few researchers can ever hope to attain.' Douglas Atkinson, The Beckett CircleTable of ContentsIntroduction: Buddhism, Schopenhauer, Beckett: Influence Affinity, Relay?; 1. Schopenhauer's Buddhism Revisited: Recent Archival Evidence; 2. East-West Dialogue via Schopenhauer; 3. Buddhist and Mystic Threads in the Early Fiction; 4. Beckett's Paradoxical Logic through Buddhist and Western Lenses; 5. The Coincidence of Contraries and Noh Drama; 6. The No-Self Staged and Voices from Elsewhere; 7. Rebirth and the Buddhist Unborn in the Fiction and Drama; 8. Dreaming 'all away' in the Final Texts.

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Book SynopsisA new take on the origins of the Southern Literary Renaissance, Reviewing the South shows how book reviewing played a vital role in shaping an image of the South in the American national consciousness during the interwar years.Trade Review'Gardner, one of America's leading literary historians, offers strikingly fresh insights into the South and the nation between the World Wars. In shifting our focus from authors to the commercial book industry, Gardner reveals a world of reviewers, readers, and publishers, a culture that has remained largely hidden until now. This book will shape our understanding of American literary history for years to come.' Jonathan Daniel Wells, University of Michigan'Sarah Gardner's lively and, at times, provocative Reviewing the South locates the origins of the Southern Renaissance in the joint efforts of publishers, daily newspapers, and weekly journals (both inside and outside the South), and, of course, book reviewers and critics. Her treatment of the intersection of the Harlem Renaissance with the Southern Renaissance is particularly fresh and revealing, while her categories of analysis – realism, traditionalism, and the genre of the grotesque and gothic – will be of great help to future students of the territory that Gardner has so skilfully mapped here. Reviewing the South is a must-read for literary historians and intellectual historians of the South, and should prove invaluable for anyone interested in Southern and American cultural history.' Richard King, Emeritus Professor, University of Nottingham'Gardner has produced a fascinating analysis of the role of the south in the American imaginary during the interwar years based on a sophisticated and nuanced exploration of the role of reviewers and their reviews of a wide range of southern fiction in the mainstream press during those years.' Michael Winship, University of Texas, Austin'Gardner begins this cultural-historical study of the southern literary renaissance - a rebirth in and new direction for literature from the southern US after WWI - with a review of the roles that book publishers and reviewers played in steering readers to worthwhile books. … A central, intriguing idea underlying Gardner's analysis is that the line between meeting a demand and creating that demand in the first place is sometimes hard to trace. The book looks at how southern renaissance writers including Julia Peterkin, Jean Toomer, Ellen Glasgow, Erskine Caldwell, and William Faulkner rejected sentimentality and nostalgia, offering instead a more realistic view of Jim Crow. Analysis of reviews, readers' replies, and advertisements demonstrates why these writers' works gained attention between the wars, how readers responded to them, and why Margaret Mitchell's Gone with the Wind outsold them all. … Recommended. Upper-division undergraduates through faculty.' C. A. Bily, ChoiceTable of ContentsIntroduction: from Renaissance to reformation; 1. The world the reviewers made; 2. The cultural economy of reading in the interwar years; 3. The South meets Harlem; 4. Confronting Jim Crow; 5. Away down South in the land of problems; 6. A class of burden bearers; 7. The most audacious book ever written by Southerners; 8. Fiction fights the Civil War; Epilogue.

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Book SynopsisFifteen leading scholars and practitioners of theatre systematically explore, from a variety of perspectives, contemporary adaptations of Greek tragedy. The volume offers both a survey of recent developments and much-needed theoretical grounding in what is an increasingly dynamic approach to an ancient dramatic genre.Trade Review'… this is a volume that is broad in its aims and encompasses vast swathes of intellectual enquiry, political event, and theatrical activity. It will be especially useful for teachers of Greek tragic reception, and of interest to wider audiences too.' Lucy Jackson, Bryn Mawr Classical ReviewTable of ContentsIntroduction; Prelude: Adapting Greek Tragedy: A Historical Perspective Vayos Liapis; Part I: Adapting Greek Tragedy: Definitions, Conceptual Foundations, Ethics: 1. Definitions: Adaptation and Related Modalities Katja Krebs; 2. Forsaking the Fidelity Discourse: The Application of Adaptation Peter Meineck; 3. Translation and/as Adaptation Lorna Hardwick; 4. Adaptation as a Love Affair: The Ethics of Directing the Greeks Avra Sidiropoulou; Part II: Adaptation on the Page and on the Stage: Re-inscribing the Greek Classics: 5. Interlude: Speaking Up: Theatre Practitioners on Adapting the Classics; 6. The View from the Archive: Performances of Ancient Tragedy at the National Theatre, 1963–1973 Adam Lecznar; 7. Compromise, Contingency, and Gendered Adaptation: The Case of the Malthouse's Antigone Jane Montgomery Griffiths; 8. Technology, Media and Intermediality in Contemporary Adaptations of Greek Tragedy Peter Campbell; 9. Violence in Adaptations of Greek Tragedy Simon Perris; 10. Adaptations of Greek Tragedies in non-Western Performance Cultures Erika Fischer-Lichte; 11. Cultural Identities: Appropriations of Greek Tragedy in Post-colonial Discourse Elke Steinmeyer; 12. Trapped between Fidelity and Adaptation? On the Reception of Ancient Greek Tragedy in Modern Greece Anastasia Bakogianni; 13. Adaptation and the Transtextual Palimpsest: Anne Carson's Antigonick as a Textual/Visual Hybrid Vayos Liapis.

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Book SynopsisCriticism of the work of David Foster Wallace has tended to be atomistic, focusing on a single aspect of individual works. A Companion to the Work of David Foster Wa ll ace is designed as a professional study of all of Wallace's creative work. This volume includes both thematic essays and focused examinations of each of his major works of fiction.Trade Review"A Companion to David Foster Wallace Studies' academic rigour is a welcome contribution to the study of this most influential of contemporary U.S. writers." - 49th Parallel "A major collection on the work of David Foster Wallace, with essential contributions on his place in American literary history. Boswell and Burn present a stellar line-up of Wallace specialists, some of whom finally tackle issues such as gender and the importance of the Midwest." - Luc Herman, Professor of Literature, University of Antwerp, Belgium "Incisive and wide-ranging, this volume assembles some of the best critics at work today for a fascinating analysis of David Foster Wallace's writing. Alternating between fresh readings of individual texts and provocative meditations on the subjects that so occupied Wallace himself, these essays testify to Wallace's brilliance and profound influence on contemporary literature. Burn and Boswell have assembled a collection essential for anyone - from the beginning student to the serious scholar - who wants to understand more about Wallace's remarkable literary achievement." - Timothy Melley, Professor of English and Director of the Miami University Humanities Center, USA and author of The Covert Sphere: Secrecy, Fiction, and the National Security StateTable of ContentsPreface 1. Almost a Novel: The Broom of the System ; Patrick O'Donnell 2. A Fiction of Response: Girl with Curious Hair in Context; Kasia Boddy 3. David Foster Wallace and the Mathematics of Infinity; Roberto Natalini 4. "Webs of Nerves Pulsing and Firing': Infinite Jest and the Science of Mind; Stephen J. Burn 5. Location's Location: Placing David Foster Wallace; Paul Quinn 6. Mediated Immediacy in Brief Interviews with Hideous Men ; Mary K. Holland 7. '…': Language, Gender, and Modes of Power in the Work of David Foster Wallace; Claire Hayes-Brady 8. 'The Constant Monologue Inside Your Head': Oblivion and the Nightmare of Consciousness; Marshal Boswell 9. 'The Chains of Not Choosing': Free Will and Faith in William James and David Foster Wallace; David H. Evans 10. The Pale King , or, The White Visitation; Brian McHale 11. The Novel After David Foster Wallace; Andrew Hoberek

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Book SynopsisThe first extensive study of gay and lesbian historical fiction, this book demonstrates how the highly popular sub-genre helps us understand gay and lesbian history. It shows not only why the sub-genre should be taken more seriously by historians but also how it implicitly works to ameliorate divisions between Christianity and homosexuality.Trade Review"Considered the first full-length study of its kind, Norman W. Jones's Gay and Lesbian Historical Fiction defends its subject matter from criticisms of anachronisms, like including gay characters before such terms existed . . . Jones's study is a foundational step in the right direction." - Modern Fiction Studies"An astute reader, prodigiously well-read, Jones discovers inside queer historical novels the powerful ghosts of Christianities pronounced dead - ghosts who guard still the mysteries of articulate desire.He urges us not to exorcise them.He shows instead how to coax such scorching angels with the riddles of re-imagined memories." - Mark D. Jordan, Asa Griggs Candler Professor of Religion at Emory University; Author of The Invention of Sodomy in Christian Theology and The Ethics of Sex "This book succeeds splendidly on several different fronts. Jones has internalized every arcane turn in queer studies of the past fifteen years, yet writes with scrupulous clarity. More than an engaging and incisive analysis of gay and lesbian historical fiction, it is an original and significant contribution to gay and lesbian histories, and even to religious studies, Jones brilliantly uncovering the intimate interconnections between coming-out and conversion narratives. The result is a transdisciplinary and post-theoretical tour de force." - Stephen D. Moore, Author of God s Gym: Divine Male Bodies of the Bible and God s Beauty Parlor: And Other Queer Spaces in and around the BibleTable of ContentsCan We Talk? Spot the Homo: Definitions Revisionist Histories from Mysterious Hauntings Coming-Out Stories as Conversion Narratives Chosen Communities: Familiar Stories from Strange Bedfellows Romancing the Past: The Uses of Identification

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Book SynopsisThis book exposes the ways in which ostensibly normative sexualities depend upon queerness to shore up their claims of privilege. Through readings of such classic texts as The Canterbury Tales and Eger and Grime , Tison Pugh explains how sexual normativity can often be claimed only after queerness has been rejected.Trade Review"Adventurous, accessible, and fun, Pugh's study certainly qualifies as a must read for any medievalist interested in issues of sexuality and gender." - Speculum "Sexuality and Its Queer Discontents in Middle English Literature is an excellent, groundbreaking book and a major contribution to the ongoing project of recuperating the queer in medieval literature. Pugh's primary concern is with constructions of heterosexual masculinity, and the ways in which such constructions are enabled by the intercession of the queer. This has always been one of the main projects of Queer Theory, and Pugh's book serves as a demonstration of the power of Queer Theory to address pre-modern representations, as well as being an important intervention in the study of medieval literature itself." - Robert Sturges, Professor of English, Arizona State University and author of Chaucer's Pardoner and Gender Theory and Dialogue and Deviance "Pugh s attention to questions of genre and narrative structure in the book is consistently engaging" - Studies in the Age of ChaucerTable of ContentsSexuality and Its Queer Discontents in Middle English Literature Abandoning Desires, Desiring Readers, and the Divinely Queer Triangle of Pearl Queering Harry Bailey: Gendered Carnival, Social Ideologies, and Masculinity under Duress in the Canterbury Tales 'He Nedes Moot unto the Pley Assente': Queer Fidelities and Contractual Hermaphroditism in Chaucer's Clerk's Tale From Boys to Men to Hermaphrodites to Eunuchs: Queer Formations of Romance Masculinity and the Hagiographic Death Drive in Amis and Amiloun Queer Castration, Patriarchal Privilege, and the Comic Phallus in Eger and Crime Compulsory Queerness and the Pleasures of Medievalism

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Book SynopsisGiacomo Casanova (1725-1798) was born the son of a moderately poor acting family at a time when the stage carried enormous social stigma. Yet in his own lifetime he achieved celebrity across Europe, rubbing shoulders with numerous of the eighteenth century's greatest men and women, from Frederick the Great to Catherine the Great, from Voltaire to Albrecht von Haller, from Pope Benedict XIV to Pope Clement XIII. It was a fame that had little to do with his romantic exploits. This was to come later, following upon the posthumous publication of his magnificent History of My Life. An adventurer and a man of learning, his was an extraordinary career whose story was intertwined with the story of eighteenth-century Europe. Casanova's Life and Times, the first book of this two-volume project, concentrates on what it was like to live in the eighteenth century. This second book, Casanova & Enlightenment, now turns to Casanova's intellectual development within the context of the Enlightenment,

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Book SynopsisIn London in the mid-1980s, over late nights and early mornings, Nigel Newton and David Reynolds came up with a plan: the establishment of a major independent publishing company, fuelled by ground-breaking, ambitious ideas. In 1987, their plans came to fruition with the announcement of Bloomsbury Publishing. For all the ambition embedded in Bloomsbury's DNA from its inception, no one could have envisaged the 35 years that would follow, years that saw Bloomsbury grow into the UK s largest independent publisher.

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Book SynopsisThe surrealist antics of Gary Barwin will run the predictability of your universe through a particle accelerator. Watch as your right eyebrow turns into you as a child. Watch Jeff connect the mower to the Internet to cut other people's lawns. Hear the sploosh as Barwin drops some extra syllables in Basho's frog pond. Funny, smart and as unexpected as the Spanish Inquisition, Raising Eyebrows is divided into four mind-boggling sections - dirty dogs, my life in the salad spinner, ukiah poems: frogments from the frag pond, and bassoon throng blues. Raising Eyebrows will make you do just that.

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Book Synopsis‘Imagined Sound’ is a unique cartography of the artistic, historical and political forces that have informed the post-World War II representation of Australian landscapes. It is the first book to formulate the unique methodology of ‘imagined sound’, a new way to read and listen to literature and music that moves beyond the dominance of the visual, the colonial mode of knowing, controlling and imagining Australian space. Emphasising sound and listening, this approach draws out and re-examines the key narratives that shape and are shaped by Australian landscapes and histories, stories of first contact, frontier violence, the explorer journey, the convict experience, non-Indigenous belonging, Pacific identity and contemporary Indigenous Dreaming. ‘Imagined Sound’ offers a compelling analysis of how these narratives are reharmonised in key works of literature and music. Trade Review‘These essays take us closer to a recognition of the role of sound in the formation of national identity, a far more complex dynamic than simplistic celebrations of, for example, “national” musics. They reveal the contradictions and fissures in the bland generalisations that have generally underpinned representations of Australian identity.’ —Bruce Johnson, Professor, University of Technology Sydney, Australia; University of Turku, Finland; and University of Glasgow, UK"Imagined Sound offers listening as a powerful vehicle through which we can understand the events, people and landscapes we think we know. Listening, Joseph Cummins says, needs to be practised and is always open to improvement. His scholarly approach and diversity of subject choices have resulted in an erudite and persuasive book, one that fosters listening and puts a focus on imagination, something even Albert Einstein considered more important than knowledge. — Loretta Bernard, Loudmouth, May 2021"Table of ContentsPreface; Acknowledgements; Introduction – Imagined Sound; Part One: Listening to the Continent; 1. Reimagining ‘the centre’: Francis Webb’s ‘Eyre All Alone’ and David Lumsdaine’s Aria for Edward John Eyre; 2. Midnight Oil: Sounding Australian Rock around the Bicentenary; 3. Sound and Silence: Listening and Relation in the Novels of Alex Miller; Part Two: Listening to Islands and Archipelagos; 4. An Archipelago of Convicts and Outsiders: The Songs of The Drones and Gareth Liddiard; 5. Echoes between Van Diemen’s Land and Tasmania: The Space of the Island in Richard Flanagan’s Death of a River Guide and Carmel Bird’s Cape Grimm; 6. A Sonic Passage Between Islands: Mutiny Music by Baecastuff; Part Three: Listening to the Continental Archipelago; 7. Noisy Songlines in the Top End; Coda; Notes; Works Cited; Index.

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Book SynopsisExactly when Matisse and Picasso first met is open to debate. Their earliest encounter may have taken place during the Matisse retrospective at Galerie Druet right before the 1906 Salon des Indépendants. The latter marked the first time all the Fauves exhibited together. The centerpiece was Matisse’s monumental Le bonheur de vivre. Leo Stein bought the painting while the Salon was still running, regarding it as “the most important work of our time.” This opinion undoubtedly annoyed Picasso. Jealousy of the other man’s success goaded him to greater innovations. In his view, the new art would have to match the sense of endless discovery that science and technology were offering. The 1900 “Exposition Universelle” had already shown the latest marvels in engineering. If painting wanted to keep the public’s attention, instead of merely reproducing what the eye saw, it had to generate its own reality on the surface of the canvas, a reality more vivid than, and bearing only the mostcursory resemblance to, anything found in nature. Matisse was also a catalyst in that he was the one who introduced Picasso to African sculptures. Max Jacob recalls: “Matisse took a black, wooden statuette from a table and showed it to Picasso. It was the first piece of Negro wooden art. Picasso held onto it all evening. The next morning, when I arrived at the studio, the floor was strewn with sheets of paper, and on each sheet was drawn the head of a woman; all of them were more or less the same: one eye, an oversized nose attached to the mouth, and a lock of hair on the shoulders. Cubism was thus born” (cited in Janine Warnod, Washboat Days [New York: Grossman Publishers Warnod, 1972, p. 128]).

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Book SynopsisThe autobiography of well-known character, Goronwy Evans, who has served as a minister for fifty years, and who is one of Lampeter''s unique characters.

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Book SynopsisRecognised as the Italian capital of noir, Bologna (Emilia-Romagna, Northern Italy) continues to produce striking writers. This book introduces Marilu Oliva, defined by Maurizo de Giovanni and Matteo Strukul as the most incisive voice of noir in Italy.

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Book SynopsisMarking the centenary of Ireland’s – and possibly the world’s – most famous novel, this joyful introductory guide opens up Ulysses to a whole new readership, offering insight into the literary, historical and cultural elements at play in James Joyce’s masterwork. Both eloquent and erudite, this book is an initiation into the wonders of Joyce’s writing and of the world that inspired it, written by Daniel Mulhall, Ireland’s ambassador to the United States and an advocate for Irish literature around the world. One hundred years on from that novel’s first publication, Ulysses: A Reader’s Odyssey takes us on a journey through one of the twentieth century’s greatest works of fiction. Exploring the eighteen chapters of the novel and using the famous structuring principle of Homer’s Odyssey as our guide, Daniel Mulhall releases Ulysses from its reputation of impenetrability, and shows us the pleasure it can offer us as readers.Trade ReviewI can take heart from Dan Mulhall, Ireland’s ambassador to the US, whose Ulysses: A Reader’s Odyssey is just published. He takes a practical approach: if some bits of the book prove just too baffling, simply bin them and skip on a few pages. -- Jude Webber * Financial Times *Powerfully, [Mulhall] argues that Joyce and Ireland for him are indissociable and that he retains a burning relevance today. -- Anne Fogarty * The Irish Times *....an excellent guide through daunting terrain. -- Pat Carty * Hot Press *...releases the great masterpiece from its reputation of impentrability. An affectionate, accessible tribute. -- JP O'Malley * Sunday Independent *Ambassador Mulhall cleverly decodes all 18 episodes of the novel, providing personal and funny insights that contextualize and illuminate Joyce’s text, making you want to pick up "Ulysses" again. -- Ted Smyth * Irish Central *An informed, enjoyable guide, it homes in on Ulysses’ emotional core […] A convivial companion to help navigate Joyce’s masterpiece. -- Dermot Bolger * Irish Independent *Never has a visit to the attic proven so educational. -- Dermot Keyes * Waterford News and Star *This book is a delightful, chatty introduction to the wonderful world of James Joyce’s Ulysses -- Felix M. Larkin * The Irish Catholic *James Joyce’s magnus opus remains in need of chaperones. This is certainly one of the better ones available — highly readable, personable and well researched. -- Kevin Power * The Times (UK) *‘In this genial, largely first-person narrative, based on Mulhall’s experience of discussing Ulysses .. during his international postings, he argues that Joyce is a significant asset for the “soft power” of the Irish state.’ -- Emer Nolan * The Times Literary Supplement *Mulhall brings a historian’s eye to Joyce’s text, rather than that of a literary critic, and he writes about Ulysses with exuberance and evident enjoyment. -- David Blake Knox * Dublin Review of Books *

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Book SynopsisA modern sensibility suffused with urban sophistication. In everyday scenes he shows us what's most noble in human relationships, alongside the basest fears and anxieties. Irony and sarcasm somehow never seem to obscure the warmth of Karlis's voice and his attention to intimate details. This book represents Karlis at the peak of his poetic power: gripping, vivid and not a little romantic. Karlis himself says: "I try to say something that I would like to present as beautiful or, on the contrary, something that can not and must not be taken as beautiful."Table of ContentsKo tur liegties / Why Deny It; Dharmas lauka / In the Dharma Field; Engelis / Angel; Status quo / Status Quo; Jauna dzive / New Life; Ka bilde / Picture Perfect; Velejumies / Wish; Lietus / Rain; Kailgliemei / Slugs; Erglim / To the Eagle; Ganins / Shepherd; Pasaka par zelta jumpravu / Tale of the Golden Maiden; Vestule / Letter; Ieksejas kartibas noteikumi / Internal Rules of Conduct; Gramata / Book; Prezidente / President; Es ceru uz pulksteni... / I hope for a clock...; Kada izrade / At a Performance; Laika zinas / Weather Forecast; Remonts / Renovation; Filma / Film; Mutes / Mouths; Upes par manas zemes vaigu... / Rivers over the face of my country...; Nakts Pardaugava / Night in Pardaugava; Mes / We; Es / I; Karaviri / Soldiers; Zimes / Signs; Sniegavirs / Snowman; Metals / Metal; Atminas no tautiska laikmeta / Memories from the Age of National Awakening : Magnata atminas / Memories of a Tycoon; Islandiesu majsaimnieces atminas / Memories of an Icelandic Housewife; Retorika atminas / Memories of a Rhetorician; Karala Ibi atminas / Memories of Ubu Roi; Sanco Pansas atminas / Memories of Sancho Panza; Doktora Vatsona atminas / Memories of Dr. Watson Live; Kambariti aiz biologijas... / In the closet behind the biology lab...; Jauna viela / New Material; Pec daiem gadiem aizbraucu... / After a few years had passed...; Pasaka par filologi Sintiju / Tale of Philologist Cynthia; Problemas / Problems; Mamin, man ir plans! / Mommy, I Have a Plan!; Daugavas kreisaja krasta / On the Left Bank of the Daugava; Pavasaris Pardaugava / Spring in Pardaugava; Raideris / Rider; Roka / Hand Savas kartas patiksana / Enjoying My Class; Sals / Salt; Televizors / TV; Udens malki / Drops of Water; Meli / Lies; Uzvara / Victory; Labu apetiti / Bon appetit!; Puteklus slaukot / Dusting; Jus / You; Zentralfriedhof Munster; Pieaugusie / Adults; Labvakar, musu mazo draudzin... / Good evening, little darling...

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Book SynopsisIn 1986, Susan Campbell made the chance discovery of a hitherto unknown garden diary. She spent the next 35 years researching its background before writing this book. The diary was written between 1838 and 1865 by the father of Charles Darwin, Doctor Robert Darwin and after his death in 1848 it was continued by his sister, Susan. It describes the horticultural and domestic activities at The Mount, a large house with extensive, beautiful gardens and pastures on the banks of the River Severn, in Shrewsbury. It was the home of the Darwin family from 1800 until Susan's death in 1866 and, in 1809, it was Charles's birthplace. Apart from revealing that Doctor Darwin made his garden available for several of Charles's early horticultural experiments (1838-1841) the diary describes all the plants that grew in this garden, whether ornamental and exotic, utilitarian or edible, as well as the keeping of cows and pigs, the exchanges of plants with neighbours and family, and occasional events of local importance.

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Book Synopsis

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Book Synopsis

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Book Synopsis

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Book Synopsis

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Book SynopsisThis volume is a study of human entanglements with Nature as seen through the mode of haunting. As an interruption of the present by the past, haunting can express contemporary anxieties concerning our involvement in the transformation of natural environments and their ecosystems, and our complicity in their collapse. It can also express a much-needed sense of continuity and relationality. The complexity of the question—who and what gets to be called human with respect to the nonhuman—is reflected in these collected chapters, which, in their analysis of cinematic and literary representations of sentient Nature within the traditional gothic trope of haunting, bring together history, race, postcolonialism, and feminism with ecocriticism and media studies. Given the growing demand for narratives expressing our troubled relationship with Nature, it is imperative to analyze this contested ground.“Chapter 6” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.Trade Review“Haunted Nature vitally adds to the ever-evolving theoretical landscape of the eco-gothic. … Blazan’s volume in particular offers fascinating exploration of nonhumans in human ideological constellations. … this collection of essays uniquely invents a revolutionary microscope for us to envision both the visible and invisible horrors to create a new approach. … Comprised of unconventional, popular speculative frictions, Haunted engages the reader with the serious, pressing and yet seemingly familiar environmental changes of the creepy-crawly 21st century.” (Rebecca Jordan, Journal of Ecohumanism, Vol. 2 (1), January, 2023)Table of Contents1.Haunting and Nature: An Introduction.-2. Microgothic: Microbial Aesthetics of Haunted Nature.-3. Black Mold, White Extinction: I Am the Pretty Thing That Lives in the House, The Haunting of Hill House, “Gray Matter,” and H. P. Lovecraft’s “The Shunned House”.-4.Vegetomorphism: Exploring the Material Within the Aesthetics of the EcoGothic in Stranger Things and Annihilation.-5. An Ecology of Abject Women: Frontier Gothicism and Ecofeminism in Shirley Jackson’s We Have Always Lived in the Castle.-6. Alligators in the Living Room: Terror and Horror in the Capitalocene.-7. Haunted Technonature: Anthropocene Coloniality in Ng Yi-Sheng’s Lion City (2018).-8. Haunted Nature, Haunted Humans: Intelligent Trees, Gaia, and the Apocalypse Meme.-9.The Global Poltergeist: COVID-19 Hauntings

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Book SynopsisThis book provides an overview of some of the most important critics of “Enlightenment rationalism.” The subjects of the volume (including, among others, Pascal, Vico, Schmitt, Weber, Anscombe, Scruton, and Tolkien) do not share a philosophical tradition as much as a skeptical disposition toward the notion, common among modern thinkers, that there is only one standard of rationality or reasonableness, and that that one standard is or ought to be taken from the presuppositions, methods, and logic of the natural sciences. The essays on each thinker are intended not merely to offer a commentary on that thinker, but also to place the person in the context of this larger stream of anti-rationalist thought. Table of Contents1. Introduction2. Conservatism and Social Criticism: Pascal on Faith, Reason, and Politics3. Giambattista Vico and Democratic Pluralism: Lessons for Deliberative Democracy4. A Modest Spinozist: George Eliot and the Limits of Rationalism5. Projections Upon the Void: Irving Babbitt’s Critique of Naturalism6. Carl Schmitt's Exceptional Critique of Rationalism7. Moral Man in a Morally Irrational World: Max Weber and the Limits of Reason8. The Moral Personality of Mikhail Bulgakov9. Nec Spe Nec Metu: Philosophic Catharsis in Karl Löwith’s Meaning in History10. Metaphor, Meaning, and Mind: Knowledge and Imagination in Owen Barfield11. Rings and Rationalism: Tolkien’s Tales Against Domination12. Shedding the Shackles of Rationalism13. Beautiful Minds: Gregory Bateson on Ecology, Insanity, and Wisdom14. Robert Nisbet: Art, History, and the Anti-Rationalism of Sociological Methodology15. Elizabeth Anscombe on Rationalism16. A.C. Graham on Rationalism, Irrationalism, and Anti-Rationalism (“Aware Spontaneity”)17. Intention, Intellect, and Imagination: Stuart Hampshire’s Pluralism18. Rationality and Tradition in Roger Scruton’s Thought19. A Counter-Enlightenment of the Present: A Defense of John Grays' Modus Vivendi Liberalism

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Book SynopsisThis book reconstructs the lines of nihilism that Walter Benjamin took from Friedrich Nietzsche that define both his theory of art and the avant-garde, and his approach to political action. It retraces the eccentric route of Benjamin's philosophical discourse in the representation of the modern as a place of “permanent catastrophe”, where he attempts to overcome the Nietzschean nihilism through messianic hope. Using conventions from literary criticism this book explores the many sources of Benjamin's thought, demonstrating that behind the materialism which Benjamin incorporates into his Theses on the Concept of History is hidden Nietzsche's nihilism. Mauro Ponzi analyses how Benjamin’s Arcades Project uses figures such as Baudelaire, Marx, Aragon, Proust and Blanqui as allegories to explain many aspects of modernity. The author argues that Benjamin uses Baudelaire as a paradigm to emphasize the dark side of the modern era, offering us a key to the interpretation of communicative and cultural trends of today. Table of ContentsIntroduction.- Chapter 1: Capitalism as Religion.- Chapter 2: Organizing Pessimism.- Chapter 3: Nietzsche: Work’s editions and interpretations.- Chapter 4: The Cry of Marsyas. History as place of permanent catastrophe.- Chapter 5: Hidden Refusal.- Chapter 6: The Dream Space.- Chapter 7: Baudelaire.- Chapter 8: The Order of the Profane.- Select Bibliography.- Index.

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Book SynopsisDarauf haben Interessierte und Kenner gewartet: Kindlers Literatur Lexikon neu aufgelegt. Von den ersten schriftlichen Zeugnissen der Menschheit bis zur Gegenwart versammelt das epochale Nachschlagewerk rund 13.000 Werke aus allen Literaturen der Welt. Völlig neu bearbeitet und um eine Fülle von Einträgen ergänzt, erschließt das Werklexikon in 17 Bänden und einem Registerband Belletristik, Briefe, Tagebücher und Memoiren, Populär-, Kinder- und Jugendliteratur sowie Sachtexte vielfältiger Disziplinen. Neu: Einleitende Biogramme (biografische Kurzinformationen) skizzieren die zentralen Lebensdaten der Autoren. Eine Vielzahl zusätzlicher Werkgruppenartikel eröffnet kompakte Einblicke in das Gesamtwerk einzelner Schriftsteller. Die komplett überarbeiteten Literaturangaben schaffen mit Hinweisen auf die wichtigsten weiterführenden Werke eine fundierte wissenschaftliche Basis. Rund 600 anonyme Werke und Artikel zu Stoffen der Weltliteratur runden das Lexikon ab. Ein unentbehrlicher und einzigartiger Wissensfundus.

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Book SynopsisDarauf haben Interessierte und Kenner gewartet: Kindlers Literatur Lexikon neu aufgelegt. Von den ersten schriftlichen Zeugnissen der Menschheit bis zur Gegenwart versammelt das epochale Nachschlagewerk rund 13.000 Werke aus allen Literaturen der Welt. Völlig neu bearbeitet und um eine Fülle von Einträgen ergänzt, erschließt das Werklexikon in 17 Bänden und einem Registerband Belletristik, Briefe, Tagebücher und Memoiren, Populär-, Kinder- und Jugendliteratur sowie Sachtexte vielfältiger Disziplinen. Neu: Einleitende Biogramme (biografische Kurzinformationen) skizzieren die zentralen Lebensdaten der Autoren. Eine Vielzahl zusätzlicher Werkgruppenartikel eröffnet kompakte Einblicke in das Gesamtwerk einzelner Schriftsteller. Die komplett überarbeiteten Literaturangaben schaffen mit Hinweisen auf die wichtigsten weiterführenden Werke eine fundierte wissenschaftliche Basis. Rund 600 anonyme Werke und Artikel zu Stoffen der Weltliteratur runden das Lexikon ab. Ein unentbehrlicher und einzigartiger Wissensfundus.

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