Art & Photography Books

Book Synopsis “[A] gorgeous anthology of fashion images … Leibovitz is nothing less than America’s greatest living photographic portraitist … she has changed fashion photography forever.” – Anna Wintour Legendary photographer Annie Leibovitz’s surprising account of her encounters with fashion over five decades. This luxury edition is presented in a beautiful and elegant slipcase. 'Looking back at my work, I see that fashion has always been there,' Annie Leibovitz observes in the preface to Wonderland. 'Fashion plays a part in the scheme of everything, but photography always comes first for me. The photograph is the most important part. And photography is so big that it can encompass journalism, portraiture, reportage, family photographs, fashion ... My work for Vogue fueled the fire for a kind of photography that I might not otherwise have explored.'Includes 350 extraordinary images (many of them previously unpublished) featuring a wide and diverse range of subjects: Nicole Kidman, Serena Williams, Pina Bausch, RuPaul, Cate Blanchett, Lady Gaga, Matthew Barney, Kate Moss, Natalia Vodianova, Rihanna, Chimamanda Ngozi Adichie, Karl Lagerfeld, Nancy Pelosi. With a foreword by Anna Wintour.Trade Review“The visually arresting images in Wonderland … may be her strongest work.” – New York Times“Wonderland showcases Leibovitz’s powerful portraits . . . “ – Vanity Fair“Enchanting.” – Vogue"Leibovitz is not simply among our foremost image-makers. She has essentially created a new form of portraiture for our time." – Sherri Geldin, director of the Wexner Center for the Arts"Whether she's photographing the famous and powerful - or simply the woman next door - Annie always captures something unexpected and deeply personal." – Oprah Winfrey"Getting your photograph taken by Annie is one of the great totems of success in America." – Graydon Carter, former editor-in-chief, Vanity Fair"Annie Leibovitz is one of the most aesthetically gifted photographers alive." – Guardian“Gathers [Leibovitz’s] most enchanting fashion imagery.” – Vogue“340 shots capture the fantasy and character that fill every frame [Leibovitz] snaps.” – Globe and Mail"A compendium of her greatest hits ... Her pictures are big, colorful, beautifully composed, egregiously luxuriant, loaded with detail, and nearly always contain some kind of implied narrative. " – The New York Times Book Review“The coffee table book to gift this year.” – Glamour“Will delight any photography lover .. every page is enchanting” – Heather Reisman, CEO at Indigo“A visual feast of realism and fantasy.” – Detroit Free Press

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Book SynopsisTrade ReviewThrough her wonder and her doubt Kristeva sets forth a compelling account of the sacred and of the intimate visionary capacity of the human soul. -- Joshua Paetkau The Ecclesial University Blog The Severed Head is a reminder that art can be the best teacher, particularly when the topic is an uncomfortable one. -- Patricia Contino New Pages.com This beautifully written and richly layered meditation on mortality and representation will undoubtedly appeal to those readers interested in semiotic and psychoanalytically informed readings of art. -- Jonathan Patkowski Library Journal XPress Reviews The Severed Head considers a remarkable a remarkable range of representations of the severed head in art historical, religious and mythological contexts. TLS

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Book SynopsisAs featured in The New York Times, T Magazine, and The Tonight Show Starring Jimmy Fallon The phenomenally creative musician and filmmaker David Byrne presents new artwork that explores daily life in surprising ways, with unique reflections on shared human experiences - a book for our time from a highly influential artist Through striking and humorous figurative drawings, the iconic artist and musician David Byrne depicts daily life in intriguing ways. His illustrations, created while under quarantine, expand on the dingbat, a typographic ornament used to illuminate or break up blocks of text, to explore the nuances of life under lockdown and evoke the complex, global systems the pandemic cast in bright light. Edited and designed by Alex Kalman in close collaboration with Byrne, this unique book reflects on shared experiences and presents history as a story that is continually undergoing revision.Trade Review'Quirky and moving.' – Publishers Weekly 'Whimsical … an accessible escape from daily drudgery.' – Forbes 'Striking ... Will cheer you up.' – BBC World Service 'A playful yet poignant meditation … radiating from the pages… is Byrne's buoyant vision for the new world.' – The Marginalian, Maria Popova 'Playfully illustrated.' – Open Culture

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Book SynopsisImaging Culture is a sociohistorical study of the meaning, function, and aesthetic significance of photography in Mali, West Africa, from the 1930s to the present.Trade ReviewKeller divides her splendidly illustrated book into, first, a history of photography in Mali in the twentieth century and, second, a deep inquiry into the social values, old and new, that Malians have expressed in their visual imagery. -- Diana Wylie * H-Africa *Keller's devotion to her subject led her to spend eighteen years exploring Malian cultures. As her rich footnotes reveal, she consulted archives in France and Mali, commanded the rich scholarly literature on Mali as well as local proverbs, and studied the Bamanankan language. -- Diana Wylie - Boston University * H-Net (Africa) *Table of ContentsAcknowledgementsIntroductionDevelopment of Photography in Mali1. Photography and Urbanization (1890–1940s)2. Heyday of Black and White (1950s–1980s)Imaging Culture3. Photography as Social Agency4. Visual Griots—Photographic Artistry and Invention5. Portraiture and Mande Aesthetics6. Ja and Metaphysical Dimensions of Photography7. Contemporary Practice and International Market (1990s–Present)PlatesBibliographyIndex

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Book Synopsis"... a gorgeous compilation of interiors from the homes of famous artists past and present as a way of exhibiting each creator's 'power and legacy' - Publishers Weekly An inspiring collection of the extraordinary private spaces of 250 of the world's most creative people, past and present Life Meets Art presents an unparalleled, global, behind-the-scenes tour through 250 beautiful interiors from the homes of the most creative people in art, architecture, design, fashion, literature, music, film and theatre. These inspiring, unique spaces show us the spaces where the greatest creatives in history lived their lives, honed their crafts and, in many cases, produced some of the world's most celebrated masterpieces - providing an intimate and insightful perspective on the masters that define artistic history. Organized alphabetically by artist, each interior features a color photograph and a short descriptive text, including details on whether the house is open to the public or private. This book will inspire everyone fascinated by stylish living, creative interior design, and the myriad possibilities for home décor, as well as those fascinated by the personal and professional lives of their cultural heroes. Life Meets Art includes homes from creative masters of past centuries such as artists da Vinci, Raphael and Rubens, composers Handel, Lizst, and Verdi and writers Dickens, Byron, and Coleridge. The book also showcases the extraordinary interiors of many twentieth century stars and epoch-defining talents such as architects Frank Lloyd Wright, Eileen Gray, Le Corbusier, and Walter Gropius, artists Pablo Picasso, Marc Chagall, and Henry Moore, writers Ernest Hemingway, William Faulkner, and Agatha Christie and musicians Louis Armstrong, Frank Sinatra, and Elvis Presley. Homes from some of the most celebrated talents of today are also featured, including artists Francisco Clemente, Cornelia Parker, and Gilbert and George, fashion designers Alexander McQueen, Marc Jacobs, and Diane von Furstenberg, designers Marc Newson and Es Devlin and musicians Moby, Jimmy Page, and David Bowie.Trade Review"Life Meets Art, a new book by Phaidon, takes readers inside the homes of 250 prominent creatives throughout history to provide visual inspiration for interior design, decor and stylish living." – DuJour"Fascinating ... interior styles range from baroque, classical, and arts-and-crafts to romantic, minimal, maximal, and modernist, spanning the 15th century to the present, offering inspiration for myriad tastes." – Publishers Weekly"...a gorgeous compilation of interiors from the homes of famous artists past and present as a way of exhibiting each creator’s 'power and legacy.' This inspired and aesthetically pleasing survey is perfect for anyone seeking interior design inspiration."– Publishers Weekly"It's only natural when moseying around an art fair to imagine how the works on show might look in your house. For inspiration, have a leaf through Life Meets Art – a book that invites you to peer inside the homes of some of the most creative folk in the fields of art, architecture, fashion, music and design." – The Modern House"A global photographic tour." – Art Mag

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Book Synopsis ‘Jens Quistgaard is a designer’s book, tightly focused on materials and construction details. This is apparent from the moment you pick it up.’ – The New Yorker The first authoritative monograph on the life and work of the celebrated Danish-American designer Jens Quistgaard – an unsung hero of Danish Modern and Mid-century Modern design Jens Quistgaard (1919–2008), considered one of the founders of Scandinavian Modern style, spent 30 years as chief designer at the American company Dansk Designs, resulting in more than 4,000 products. His design philosophy – that utilitarian, everyday items should function harmoniously – influenced his approach to everything from spoons and pans to crockery and pepper mills, and is as relevant today as it was half a century ago. Quistgaard’s work is represented at major museums in Europe and the USA, including Design Museum Denmark, MoMA, New York, and the British Museum, London, with many of his designs still in production to this day. With never-before-seen sketches, archival photography, case studies, ephemera, and an illustrated inventory of his designs, this book delves deep into Quistgaard’s life and work to reveal his critical contribution to design history.Trade Review‘Jens Quistgaard is a designer’s book, tightly focused on materials and construction details. This is apparent from the moment you pick it up.’ – The New Yorker‘Aims to bring him out from under the corporate shadow.’ – New York Magazine, Curbed‘The story of the man whose innovations made Dansk products essential to so many American homes.’ – 1stDibs Introspective‘From its cover.. to its extensive visual timeline, the handsomely designed book is now the bible among the Dansk team.’ – Food52, Christine Muhlke‘lluminating! After twenty years spent gaining the trust and friendship of this reclusive genius, Stig Guldberg's timely monograph is a triumph.' – Dan Tolson, International Director, Modern Decorative Art + Design, Bonhams'Guldberg’s lifelong passion for Quistgaard’s design universe and the writer’s enormous knowledge of his subject makes the book a well written, entertaining and eye opening portrait of one of Denmark’s great designers.’ – Holger Reenberg, Director, HEART, Herning Museum of Contemporary Art (DK)'While the book is rich with photography, it is certainly much more than a picture book. Most importantly, I am finding it to be truly interesting. I think this book may be now one of the most attractive in my design library.’ – Paul Thonis, Former Director of design at Dansk International Designs and at Lenox‘With a lifelong admiration for Quistgaard's extraordinary talent, I am delighted to experience such a handsome and comprehensive work as Stig Guldberg's book on one of Denmark's absolute greatest designers.’ – Thomas Schlosser Svendsen, CEO of KLASSIK Copenhagen

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Book SynopsisWith over 200 full-color photographs of traditional pottery around the world, Global Clay is sure to become a classic for all who love art and pottery and all who are intrigued by the human commonalities revealed through art.Trade ReviewWhile researchers and educators may find individual chapters useful for discussions about pottery's relationship to people, communities, animals, religion, and the afterlife, the text as a whole is an enjoyable and quick read, with numerous beautiful illustrations that a general audience would also appreciate. * The Journal of American Folklore *Ambitious in scope and successful in describing the central role that works of clay have played preserving common cultural narratives . . . Essential. All readers. * Choice Reviews *Table of ContentsAcknowledgmentsIntroduction1. International Folk Pottery: A Brief Primer2. Monuments to Clay: Public Markers of Craft Identity3. The Human Image: Face Jugs and Other People-Pots4. The Sincerest Form of Flattery: Cross-Cultural Imitations5. A Clay Menagerie: The Animal World in Ceramics6. Idols with Feet of Clay: Ceramics and World Religions7. Returning to Clay: Death and the Afterlife8. The Last Folk Potters?: Prognosis for the FutureSuggested ReadingIndex

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Book SynopsisExplore the vibrant history and profound cultural resonance of feminist art from Korea and the diaspora

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Book SynopsisSold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books.Catrin Welz-Stein's work is characterised by a sense of whimsy and wonder, as can be seen in this moonlit vision. The fantasy landscape illuminated by twinkling stars shows a fresh, green world from which the moon can be pulled closer. The image evokes a feeling of nostalgia for bedtime stories, full of characters who could make anything possible.

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Book SynopsisSold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradeable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example features the Bodleian Libraries' 'High Jinks Bookshelves' design.

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Book SynopsisSold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example features Gustav Klimt's Poppy Field. With a high horizon, the foreground dominates this oil painting, creating a sense of a vast expanse of poppies. Although this subject was explored by Claude Monet (1840–1926) and Auguste Renoir (1841–1919), stylistically it is extremely different from Impressionism. The tightly packed poppies provide detail, while the elevated view displays the whole landscape.

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Book SynopsisExamines a series of powerful artifacts traditionally associated with King Solomon, largely via extra-canonical textual sources--Solomon’s ring, bottles to contain evil forces, the so-called Solomon’s knot, a shamir, and a flying carpet--and traces their varying cultural resonances.Trade Review“Whether or not King Solomon was a real historical figure, he has left an imprint on the collective imagination of Jews, Christians, and Muslims—a physical imprint in the form of special rings, bottles, carpets, and other objects thought to manifest the king’s legendary magical powers. Iafrate’s study illumines the ancient and medieval history of these various magical objects, but more than that, it is a model of how to combine historical inquiry into the Bible's reception with sophisticated study of material religion. This book has much to teach those with an interest in the religious origins of magical symbols, but it is also a marvelously innovative study of the history of biblical interpretation that shows what we can learn by thinking of the Bible three-dimensionally.”—Steven Weitzman,author of Solomon: The Lure of Wisdom“Iafrate nimbly maneuvers among the Jewish, Christian, and Muslim literatures on Solomon as well as between the canonical and non-canonical texts of these three religions. She also expressly and sensitively considers the materiality of the objects taken from Solomon’s ‘cabinet,’ carefully tracing their literary emergence and transformations, allowing literary imaginations to develop material features, real in a quite different way. Through case studies in the polysemic appreciation of cultural objects, this work becomes a guidebook on how historical cultural objects sustain multiple meanings across time and cultures.”—David J. Collins, S.J.,editor of The Sacred and the Sinister: Studies in Medieval Religion and Magic“A pioneering attempt to write a material history of magical objects. Training her sights on a well-curated collection of items associated with the magical powers of King Solomon, Iafrate traces with exquisite care the ‘biographies’ of these devices as they move through time and between cultures. Beyond documenting the many symbolic and material permutations of these Solomonic objects across Jewish, Christian, and Islamic traditions, she also demonstrates how integral—even essential—their material, morphological, and aesthetic properties are to their ritual efficacy.”—Ra‘anan Boustan,author of From Martyr to Mystic: Rabbinic Martyrology and the Making of Merkavah Mysticism“After her Wandering Throne of Solomon, Allegra Iafrate continues her exciting investigations by studying five ‘Solomonic magical objects’: the ring used to control demons; the bottles in which he was said to constrain them; the so-called Solomon’s knot; the shamir, a mythical object, known for its ability to cut through stone; and the flying carpet. This breathtaking study confirms the talent of one of the brightest historians of medieval art of her generation.”—Jean-Patrice Boudet,Université d'OrléansTable of ContentsList of IllustrationsAcknowledgments Solomon’s Cabinet of Curiosities: Objects from an Uncanonical Collection1. Magical Objects and Where to Find Them2. The Signet Ring3. Bottles for the Demons4. Much Ado About Knotting5. The Metamorphic Shamir 6. Carpets and Other Flying DevicesConclusion: “Of the Cosmopolitan Destiny of Magical Objects”NotesBibliographyIndex

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Book SynopsisSold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradeable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example features Turkish Wall Tiles.

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Book SynopsisSold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books.Born in Kent, Annie Soudain spent her early childhood years in Truro, Cornwall, where her interest in plants and nature began. Now settled by the sea in Sussex, much of her work continues to be inspired by the beautiful landscapes surrounding her. This colourful linoprint was created using the reduction method, which involves progressively cutting, inking up, and printing from the same block.

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Book SynopsisExamines sixty-eight women artists in early modern Bologna, revealing how they obtained public commissions and expanded beyond the portrait subjects to which women were traditionally confined. Uses new methodological models for considering gender and art in early modern Italy.Trade Review“This book is a monumental contribution to a rapidly growing body of studies on pioneering women artists. It will galvanize this field with fresh topics of discussion and a rich harvest of new archival findings.”—Sheila Barker,Founding Director, Jane Fortune Research Program on Women Artists“This important study by Babette Bohn, a seasoned art historian and expert on early modern Bologna, presents a comprehensive, in-depth picture of ‘the Bolognese phenomenon,’ i.e., the unusual surge of successful women artists in that Renaissance city. Bohn’s book will be a valuable resource for scholars and students of art history and gender studies, and it is likely to become a methodological model for the study of women artists in other Renaissance cities.”—Mary Garrard,author of Brunelleschi’s Egg: Nature, Art, and Gender in Renaissance Italy“There is no doubt that Babette Bohn’s much-anticipated book analyzing the place of creative women in early modern Bologna will change the way we understand and teach early modern art. Building on several decades of scholarship on Bolognese women artists, and women artists more broadly, as well as her own earlier publications on this and related topics, Bohn assembles the strongest evidence to date explaining why the city of Bologna was such a centre for these women.”—Jaqueline Marie Musacchio Renaissance and Reformation“Based on many years of archival research, Bohn’s book summarizes and completes her previous studies on the subject, while also providing new information and fresh interpretations.”—Patrizia Cavazzini Burlington Magazine“By not limiting herself to the famous and successful in making her basic census . . . and including many names to which no works are yet attached, [Bohn] aligns her approach with significant recent developments in the broader social history of Seicento Italian art. Effecting a quiet revolution, these approaches were unfamiliar even to feminist scholars searching for unknown women artists fifty years ago.”—Elizabeth Cropper Oxford Art Journal

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Vincent van Gogh. In a letter to his sister Wilhemina, Van Gogh wrote: 'Often it seems to me night is even more richly coloured than day.' In this night painting, the sky is Prussian blue, ultramarine and cobalt, with sparkling yellow gaslights and stars. The spot depicted is in Arles, close to the Yellow House he famously rented.

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Vincent van Gogh. Demonstrating influence from Impressionism and Japanese prints, Almond Blossom was painted in response to the birth of Vincent van Gogh’s nephew. Motivated by the occasion and moved by his brother Theo naming the child after him, Van Gogh painted Almond Blossom as a gift in celebration of the event. He had previously been greatly inspired by flowering trees, and appreciated their power as symbols of rebirth.

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Book SynopsisExplores the history and meanings of ilanot, diagrammatic representations of the Divine as a Porphyrian tree in Jewish mysticism and kabbalistic manuscripts.Trade Review“A monumental achievement that will be valuable to scholars and general readers interested in Judaism, religion, and art history.”—starred review Library Journal“A superb accomplishment.”—Richard Smoley Quest“The Kabbalistic Tree is a carefully curated and richly interpreted visual resource.”—Avinoam J. Stillman Jewish Review of Books“A feast for the eyes and for the mind, The Kabbalistic Tree should be essential reading for all of us eager to imagine a Judaism for the future.”—Micha Odenheimer Haaretz“This beautifully produced work provides an unprecedented study of the pictorial representations of the ten sefirot, divine emanations, as imagined by the Kabbalists over the centuries. . . . This is a thoughtful, learned, and wise study.”—S. T. Katz Choice“The outcome of a decennial work by Yossi Chajes and his collaborators, this volume indeed constitutes the first collection and systematic study of a forgotten genre – the ilanot, or kabbalistic “trees” – and can therefore legitimately aspire to become a milestone of research in Jewish studies.”—Maurizio Mottolese Jewish Matter“Chajes’s book is bound to become a classic, not just because it is the first and most comprehensive survey of the history and development of kabbalistic trees but also because its attention to detail, both graphic and written, makes it an invaluable tool for further research and discoveries in this often neglected area of Jewish thought.”—Mordechai Beck The Christian Century“Chajes has made these trees of ink on parchment and paper sing out loud and clear, redeeming them from obscurity and thus simultaneously enriching the fields of the history of visual aesthetics and the history of Jewish culture.”—Marc Michael Epstein,author of Skies of Parchment, Seas of Ink: Jewish Illuminated Manuscripts“J. H. Chajes’s spectacular book offers a comprehensive and fascinating study of the diagrammatic visualization of Kabbalistic knowledge. Chajes’s meticulous study of the arboreal Kabbalistic diagrams is an outstanding contribution to the study of Kabbalah, early modern and modern Jewish history, and Jewish visual culture.”—Boaz Huss,author of Mystifying Kabbalah: Academic Scholarship, National Theology, and New Age Spirituality“Until this volume there has been no work that endeavours to provide scholars and laypeople with a broad overall and particular description of the ilanot in all of their varieties, twists, and turns. This enterprise is fascinating and truly illuminating, and no one to this day has touched even a fraction of what the book has to offer.”—Richard I. Cohen,co-author of Samuel Hirszenberg, 1865–1908: A Polish Jewish Artist in Turmoil “A tour de force! A brilliant analysis of an astonishing object. Dense with texts and drawings, these Kabbalistic scrolls finally receive the scholarly attention they so deserve. In his analysis of these cosmological visualizations, Chajes treats image and text as an inseparable totality. The result is a model for the analysis of ‘iconotexts.’ A richly illustrated work of great erudition and intellectual imagination and a fascinating read.”—Barbara Kirshenblatt-Gimblett,Chief Curator of the Core Exhibition at POLIN Museum of the History of Polish Jews“Late in the Middle Ages—mysteriously, graphically, and in a strikingly abstract, yet concrete fashion—Kabbalistic trees began sprouting from Judaism’s alphabet-saturated ground. J. H. Chajes’s magnificent study takes us for the first time into the history of their emergence and burgeoning, where visual and verbal vectors align, and the ‘double-helix of Kabbalah’ is revealed. This is a path-breaking book, years in the making and thrilling to read.”—Peter Cole,author of The Poetry of Kabbalah: Mystical Verse from the Jewish TraditionTable of ContentsAcknowledgementsAbbreviations and Notes to the ReaderIntroduction: A First History of a Forgotten Genre1. The Emergence of the Kabbalistic Tree2. Classical Ilanot3. Visualizing Lurianic Kabbalah4. Ilanot 2.0: The Emergence of the Lurianic Ilan5. Luria Compounded6. Ilan Amulets7. The Printed IlanConclusionAppendix: Catalogue of the Gross Family Ilanot CollectionCollector’s Afterword, by William GrossNotesBibliographyIndex

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Vincent van Gogh. Van Gogh painted a series of pictures depicting sunflowers, having first been inspired by the yellow flowers in Paris when he saw them growing in the gardens of Montmartre. Sunflowers were symbolic of life and hope to the artist, and could also be associated with his concept of the sun – glowing, yellow and hopeful.

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Vincent van Gogh. In this painting the brightly lit café radiates with warmth and inviting light, becoming a beacon of yellow set against the rich, dark blue of a night sky, which in turn is illuminated by myriad bright stars. Van Gogh attached the colour yellow to feelings of religious inspiration, light and happiness.

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring Rudyard Kipling's The Cat that Walked by Himself. Rudyard Kipling’s story ‘The Cat that Walked by Himself’ was collected in the Just So Stories and was illustrated by Kipling himself. The story starts: ‘Originally all the tame animals were wild, but especially the Cat: he walked by himself and all places were alike to him.’

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Edvard Munch. Munch's most famous painting exemplifies Norwegian Expressionism. The angst-ridden human condition has never been so superbly and unassailably conveyed as by the figure emitting a cry from the heart. Life, love and death are the themes which Munch endlessly explored in his paintings.

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Book SynopsisA full translation of Camillo Leonardi’s Speculum Lapidum, with an introduction and annotations. Examines the role that medical astrology and astral magic played in the life of an Italian court in the early modern period.

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Claude Monet All of a sudden,’ Monet would one day recall, ‘I had the revelation of the enchantment of my pond. I took up my palette…’ And the rest is art-history. Again and again – well over 200 times, and often working on an enormous scale – Claude Monet would return to water lilies as his subject.

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Book SynopsisAn examination of Pierre Huyghe''s post-apocalyptic Untitled (Human Mask), which asks whether our human future may be one of remnants and mimicry.Pierre Huyghe''s 2014 film Untitled (Human Mask) combines images of a post-apocalyptic world (actual footage of deserted streets close to the Fukushima Daiichi nuclear disaster of March 2011) with a haunting scene of a monkey working in an empty restaurant wearing a human mask and a wig. She''s a girl! The flat, emotionless almost automaton state of the mask and the artificial glossy hair topped even with a child''s bow, suggests that she, the monkey, might be a character from Japanese Noh theatre. But there''s no music. Instead Huyghe''s film evinces the terrifying possibility that our own, human, future might just be one of remnants and mimicry; that the deserted streets of Fukushima and the monkey''s recognizable, alienating chimeric performance is all that might survive us. Untitled (Human Mask) presents a pluperfect world with extinction the endgame for a civilization that cared little for the present, dreaming only of a future that inevitably and necessarily could not include it.

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Book SynopsisAn illustrated exploration of Helen Chadwick?s erotic, playful, and fierce 1986 installation.In 1986 the Institute of Contemporary Arts in London showed a new commission by the artist Helen Chadwick (1954?1996). What Chadwick conceived for the ICA exhibition explored her characteristic themes?the female body (her own), the aesthetics of pleasure, the material variety and wonder of phenomena?but took them in a new, flamboyant direction. In this illustrated volume, Marina Warner examines one part of Chadwick?s installation, The Oval Court. This work was erotic, playful, and fierce; it showed imaginative ambition on an exceptional scale and a unique, piquant sensibility, both raunchy and delicate.Despite the work?s recognition as a feminist monument of rare intensity, it has rarely been shown or discussed since the author?s catalogue essay for the original exhibition. Warner here reconsiders Chadwick?s influence as an artist who helped to shift conventional aesthetics and transvalue despised, even abominated forms. Exploring the work?s richly layered composition in light of intervening years, Warner shows how Chadwick?s imagination has shaped many artists? ideas and ethics, and emboldened their adventures with materials.

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Book SynopsisThis is the first full biography of two of Scotland's most eminent Architects, James Miller and John James Burnet. While born just three years apart into very different circumstances - Burnet was the son of a wealthy Glasgow architect and Miller a farmer's son - their careers and lives became intertwined as they competed for work and eventually the role of Scotland's leading architect. Born in 1857 and 1860 respectively, one inherited and the other established successful practices in Glasgow at the zenith of that city's wealth in the late 19th century. John James Burnet, who was educated at the Ecole des Beaux Arts in Paris, and led his profession in Glasgow in the latter years of the 19th and early years of the 20th centuries, produced many of the city's finest buildings. These include The Athenaeum on Buchanan Street; Charing Cross Mansions; numerous city-centre commercial buildings such as Waterloo Chambers and Atlantic Chambers and the Townhouses on University Avenue. After moving to London, his work included the extension of the British Museum, The Daily Telegraph Building on Fleet Street and Adelaide House by London Bridge. Burnet was knighted and awarded the RIBA's Gold Medal in 1923 and is recognized as one of Scotland's finest architects. James Miller is simply Scotland's most prolific architect. During his long career he designed The Empire Exhibition of 1901, Glasgow Royal Infirmary, Glasgow Central Station, Wemyss Bay Station, St Enoch's Underground Station, Turnberry Hotel, Peebles Hydro Hotel, Gleneagles Hotel, the interiors of the SS Lusitania and SS Aquitania, Hampden Park, Forteviot Model Village, the Institution of Civil Engineers in Westminster, numerous banks, commercial buildings and churches in Glasgow and beyond as well as schools, country houses, factories and town halls. Despite this extraordinary output and his considerable architectural contribution to Scotland's heritage, he has received relatively little acclaim, until now. This is a fascinating double biography, the story of Burnet and Miller's parallel lives and work, set against the background of the booming Empire's 'Second City'.

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Book SynopsisEdinburgh Weavers was one of the most important textile companies of the twentieth century. Alastair Morton, visionary art director of the company, commissioned a remarkable series of textiles from leading British artists, including Ben Nicholson, Barbara Hepworth and Elisabeth Frink, as well artist-designers, such as Marion Dorn, Ashley Havinden and Lucienne Day. Morton was also a gifted artist, textile designer and weaver in his own right. This long overdue study traces his wide-ranging career and records the history of Edinburgh Weavers and the glorious textiles it produced. Drawing on the V&A's extensive archive this impressive book features over 300 images of artists' textiles unparalleled in quality and scope and is an invaluable resource.

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Book SynopsisVideogames explores the design and culture of videogames since the mid-2000s, investigating the ground-breaking contemporary design work, creative and rebellious player communities and the political conversations that contribute to the defining genre of our time. A star-studded cast of contributors consider the wide spectrum of gaming life, from blockbusters The Last of Us and Overwatch through to cultural phenomena such as Minecraft, and alongside less mainstream productions like Consume Me.Trade Review"Visitors to the Victoria & Albert Museum gallery will be able to immerse themselves in the Game of Thrones land of Westeros while watching people splatter each other with ink when a video games exhibition opens this year. Announcing details of the show on Friday, Tristram Hunt, director of the V&A, said video games were "one of the most important design disciplines of our time". He added that he was confident the museum's founding director, Henry Cole, would also have staged the show. "Contemporary video games are strikingly innovative, uniquely creative and commercially successful - making a huge social and cultural impact across the globe," Hunt said." The Guardian The V&A exhibition will focus on video game design from the mid-2000s, [...] there will be plenty [...] to feast the eyes on, from concept art to moving footage, prototypes, character design sketches, and interactive installations. Highlights will include glimpses into the creative process Nintendo's Splatoon (2015), and of The Last of Us (2013) - a breathtaking post-apocalyptic marvel from Naughty Dog (a sequel is currently in the works). Also on view will be the painstakingly accurate recreation of the continent of Westeros from Game of Thrones in Minecraft, and a section exploring DIY arcade games and grassroots gaming culture." Wallpaper.com "Game Of Thrones and the art of Magritte are among the unlikely inspirations behind hit videogames explored in a new exhibition at the Victoria & Albert Museum. Director Tristram Hunt said it was "the right time" for the museum to be looking at a global business that reaches 2.2 billion people across the world." Evening Standard "From September the world famous V&A will be giving gamers a rare glimpse into the creative process of developing games such as The Last of Us to Kentucky Route Zero including original prototypes, early character designs, and notebooks." Mirror "Now the controversial world of videogames is to be at the centre of a major exhibition at the Victoria & Albert Museum. The exhibition, to open next September, will examine all aspects of videogames - from ground breaking contemporary design to `player communities' and the imbalance between the male dominated industry and the growing numbers of women gamers. Large scale installations and hands-on interactive experiences will allow visitors to explore the rapidly changing design and technology of today's videogames." TelegraphTable of Contents006 DIRECTOR'S FOREWORD, Tristram Hunt 010 INTRODUCTION, Marie Foulston and Kristian Volsing 012 THE ROAD TO JOURNEY, Jordan Erica Webber 032 STREET STYLE IN SPLATOON, Gita Jackson 044 STORYTELLING ON SUMMONER'S RIFT, Philippa Warr 058 PUSHING BUTTONS, Marie Foulston 066 A POUND OF FLESH, Seth Killian 080 CONSIDER THE GUNSHOT, Pippin Barr 088 THE REALTIME ART MANIFESTO: 12 YEARS LATER, Auriea Harvey and Michaël Samyn 098 HOW TO GET LOST IN A CAVE, Jake Elliot, Tamas Kemenczy and Ben Babbitt 112 TO THE EDGE OF THE UNIVERSE: THE LAST OF US AND THE POST-APOCALYPSE, Darran Anderson 126 SKIN IN THE GAME, Evan Narcisse 138 PROTOTYPING PERSONAL EXPERIENCE, Jenny Jiao Hsia 148 A CONVERSATION ON SEX AND INTIMACY IN GAMES, Nina Freeman and Robert Yang 160 WHO WATCHES THE OVERWATCHMEN, Kat Brewster 170 MADE IN MINECRAFT, Alex Wiltshire 188 SCI-FI DREAMS AND PROCEDURAL WORLDS, Kristian Volsing 204 CONTRIBUTORS / ACKNOWLEDGEMENTS

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Book SynopsisThe Italian Renaissance was a golden age for bronze sculpture, both on a grand scale-such as Ghiberti's Gates of Paradise, or Cellini's Perseus-and more intimate statuettes and small-scale functional objects. Bronze, being both costly and luxurious, embodied power, authority, and eternity and emulated the classical past. Yet it was one of the easiest materials to recycle, especially at a time when the need for artillery was ever-present. Drawing on the latest research, and including some 200 superb images, The Culture of Bronze explores the material and making of bronzes and the interrelationships and collaboration between sculptor, foundry, and owner. Encompassing works made for domestic, religious, and civic environments, the book studies the symbolism of bronze, and the bronzes themselves, within their broader societal context. Features works from sculptors including Pier Jacopo Alari Bonacoisi (Antico), Benvenuto Cellini, Donatello, Adriano Fiorentino, Lorenzo Ghiberti, Giambologna, Bertoldo di Giovanni, Leone Leoni, Barthelemy Prieur, Benedetto da Rovezzano, Adriaen de Vries and Agostino ZoppoTrade Review"Everything you need to know about Renaissance bronzes' might be an alternative title for this carefully cogitated and well-written volume." -- Charles Avery, Burlington Magazine, 162, February 2020Table of ContentsForeword -- Introduction -- Author's notes -- Map of Italy -- Chapter 1, The Metal and Its Magic -- Chapter 2, Modelling, Moulding and Manufacture -- Chapter 3, Forging Identity -- Chapter 4, Sculptors and Founders -- Chapter 5, The Small Bronze and Its Context -- Chapter 6, An International Taste -- Chapter 7, Connections and Conclusions -- Appendix -- Endnotes -- Bibliography -- Acknowledgements -- Picture credits -- Index

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Book SynopsisThe Georgian spa of Bath and the medieval cathedral city of Wells are deservedly famous, each the finest of its kind in the country. This is a companion to the architecture of one of England's most rewarding regions. It includes a separate section that covers the port of Bristol, with its rich and confident buildings of every period and type.

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Book SynopsisIt was during the Renaissance period that sculptors’ models, together with drawings, were first assembled by avid collectors fascinated by the tangible evidence of the creative process of the artist. This fully illustrated collection of essays, by distinguished scholars and experts in the field, focuses on the process of sculptural design in fifteenth- and sixteenth-century Europe. The publication arises from a 2017 conference, and is the third and final Robert H. Smith Renaissance Sculpture volume.

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Book SynopsisHans Holbein's famous portrayal of Sir Thomas More is one of the artist's greatest and most popular portraits. In the opening piece of this appealing new volume, "A Letter to Thomas More, Knight", award-winning author Hilary Mantel vividly imagines the background to the creation of this extraordinary portrait, giving it both historical perspective and immediacy. An insightful, concise, scholarly essay by Xavier Salomon grounds it in the art-historical world. Hans Holbein (1497/98-1543) painted Sir Thomas More in 1527, having been a guest in More's house when he first arrived in England. He brilliantly renders his sitter's rich fabrics and unshaven face with sympathy and perception. Frick Diptychs, a new series of small books to be co-published by GILES with The Frick Collection, New York, pairs masterworks from the Frick with critical and literary essays. The novelist Hilary Mantel will be followed by the filmmaker James Ivory on Vermeer's "Mistress and Maid" and the artist and author Edmund de Waal on a pair of porcelain and bronze candlesticks by the 18th-century French metalworker Pierre Gouthiere.Trade ReviewTasty Twosomes. The Frick Collection in association with the publishing house D Giles Ltd will be launching a series of books in April 2018 called Frick Diptychs. Each book will be a 56-page paperback that presents a single work from the collection accompanied by an essay by its curator and a reflection by a well-known contemporary writer. The first volume will present Hans Holbein's portrait of Sir Thomas More (1527), with an essay by Xavier Salomon, the Frick's chief curator, and an article by Hilary Mantel, the novelist whose books, Wolf Hall and Bring Up the Bodies, won the Booker Prize in 2009 and 2012 respectively. Future titles will include Johannes Vermeer's Mistress and Maid (1666-67) by the Frick's associate research curator Peggy Iacono in conjunction with James Ivory, the film director, writer and producer. Another will be a pair of porcelain and gilt-bronze candlesticks (1782) by Pierre de Gouthiere discussed by Charlotte Vignon, the museum's decorative arts curator, and Edmund de Waal, author of The Hare with Amber Eyes and The White Road. Donald Lee, The Art NewspaperTable of ContentsDirector's Foreword; Acknowledgments; A Letter to Thomas More, Knight by Hilary Mantel; Holbein's Sir Thomas More by Xavier F. Salomon; Bibliography; Index

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Book SynopsisAn authoritative re-definition of the social, cultural and visual history of the emergence of the avant-garde in Paris and LondonTrade Review“If you haven’t any space on your shelves, we suggest making some - and sharpish…Radical Art and the Formation of the Avant-Garde…focuses on a group of people looking forward rather than back. Taking the artistic vanguard as his starting point, author David Cottington looks to two cities - Paris and London - in his exploration of the meaning of modernity and 20th-century European culture.”—Inigo.com ‘There is no more sophisticated and compelling historian of the avant-garde now at work than David Cottington. This is a sustained, elegant, and erudite account of its subjects, wide-ranging, unfailingly insightful, and certain to be the standard work.’ – David Peters Corbett, The Courtauld Institute of Art‘A subtle and multifaceted exploration of how early twentieth-century avant-gardes coalesced in the distinctive cultural and political circumstances of pre-World War I London and Paris, Cottington’s wide-ranging book makes a groundbreaking contribution to our understanding of critically important episodes in the history of art.' – Nancy J. Troy, Stanford University‘Cottington’s new and unparalleled study lays bare the social conditions that led to the rise of the radical artistic avant-garde. A formidable book indispensable to all readers interested in the social history of modern art.’ – Sascha Bru, University of Leuven

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Book SynopsisThis personal and well informed selection and description of the most interesting towns and individual buildings and archaeological sites in Turkey is the definitive guidebook for the discerning traveler. The author has been visiting Turkey for nearly fifty years and is the perfect companion for those who want to know about more than the obvious attractions. This book will immeasurably enhance any thoughtful traveler's visit, but can also be read at home as an aid to planning, or recalling, a trip, or simply as a guide to the astonishing and multi-faceted artistic and architectural riches of that most fascinating country.

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Book SynopsisVintage photographs celebrate the lost freedom of children playing in British streets.

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Book SynopsisA revealing new look at modernist architecture, emphasizing its diversity, complexity, and broad inventivenessTrade Review“Showcases the breadth of architectural modernism while shining the spotlight on some truly exceptional buildings.”—Cajsa Carlson, V&A MagazineChoice Outstanding Academic Title 2022

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Book SynopsisRhododendrons are seen from a very different perspective in this beautiful new book from the Royal Botanic Garden Edinburgh. Rhododendron Dissected features photographs that capture the macro and micro floral and leaf characteristics of rhododendrons, essential for botanical identification, making the images both highly diagnostic and are visually stunning.

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Book Synopsis‘North-east the Firth, a bracelet merging with mist; south-west the Pentlands, sharply defined. Directly opposite, the Castle. A sudden gust makes me lose my footing. Gulls slip past, eyeing us disdainfully.’ – from From Arthur’s Seat The history and character of Edinburgh infuse every piece in Stewart Conn’s new collection. Stewart’s poems, paired with John Knight’s beautifully detailed illustrations evoke the spirit of the city and its unique aspects. Knight’s pieces are not simply illustrative. The poems and illustrations complement and enhance each other, showing us how the essence of the city infuses every stone.Trade Review“It is a book to slip into your pocket as you ramble around. It recalls the motto of the great Everyman Library of pocket-sized classics: ‘Everyman, I will go with thee, and be thy guide...”—John Ross Maclean, Broughton Spurtle“A book for lovers of Edinburgh.”—Billy Kay, author of Scots: The Mither Tongue,“Everyone who loves Edinburgh will cherish this book.”—Edinburgh Old Town Association

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Book SynopsisScenes of New York City celebrates the promised gift of 130 works from the Elie and Sarah Hirschfeld Collection to the New-York Historical Society. The Hirschfeld promised gift is at once a collection of individual works by talented artists from the 19th and 20th centuries, a series of vivid "snapshots" of the iconic city, and a tapestry weaving a narrative of Gotham's vibrant history. These fascinating celebrations of New York City-paintings, watercolours, drawings, prints, and sculpture whose strength lies in the 20th century-include 113 works by 82 American and European artists not currently represented in the collection. They expand the Museum's holdings in the modern era and help to diversify them, adding numerous works by pivotal artists including Isabel Bishop, Marc Chagall, Fernand Leger, George Grosz, Keith Haring, Franz Kline, WIllem de Kooning, Jacob Lawrence, Louise Nevelson, Mark Rothko and Andy Warhol among many others. The catalogue features an introductory essay covering the sweeping history of New York City, an interview with the collector Elie Hirschfeld, 110 scholarly entries about the 130 works, and comparative material that illuminates the history of the City and the artistic contributions in the works of art

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