Art & Photography Books
Jacaranda Books Art Music Ltd Fashion Africa
Book SynopsisA visual overview of contemporary African fashion, Fashion Africa is a comprehensive guide compiled with an ethical perspective.Jacqueline Shaw promotes Africa as a place not just for sourcing materials, but with the potential to be a vital epicentre of trade within the global marketplace. This guide is the first of its kind to bring together designers, design companies, ethical manufacturers and more, all with an African connection.Fashion Africa is a comprehensive guide to the designers, materials, and sustainable practices available on continental Africa, and provides an excellent resource in conjunction for the very vibrant growing industry already in existence.Trade ReviewDecked out with fine illustrations, photographs, interviews and critical analysis; Shaw does well to explore all aspects of the African fashion field. * Amy Iheakanwa, Haute Fashion Africa *Jacqueline Shaw's visual ode to African fashion... grabs the eyes with bold colours and an almost encyclopaedic approach to the nuts of bolts of making and sustaining fashion on the African continent. * Words of Colour *
£23.99
Four Corners Books 20,000 Leagues Under The Sea
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£19.99
Four Corners Books Posters From Paddington Printshop
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£15.00
Four Corners Books Flag Waves: House Flags From The National
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£20.00
Four Corners Books Treasure Island
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£20.00
Four Corners Books Loncraine Broxton
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£15.00
Granta Magazine Granta 167
Book SynopsisThe spring issue of Granta is on the theme of extraction, which looks at the global effort to dig up new materials for the Green transition. Writers featured include Camilla Grudova, Carlos Fonseca, Eka Kurniawan, Anjan Sundaram, Will Atkins, Bathsheba Demuth, James Pogue, Laleh Khalili and Christian Lorentzen.From freemining in the Forest of Dean to the policies underpinning the Green transition, the history of energy in Israel to the repressed desires behind boredom, the spring issue ofGrantaexamines a practice as old as human history: Extraction.With reportage from James Pogue and Anjan Sundaram, and pieces from Thea Riofrancos, Laleh Khalili, Nuar Alsadir among others, the non-fiction in this issue moves across time and place to uncover the confrontations that break out in the face of extraction. Fiction follows a similar theme, and the issue also includes a new story from Camilla Grudova, featuring a clinic where patients learn to physically expel their unrequited desires, as well as stories by Rachel Kushner, Benjamin Kunkel, Carlos Fonseca, Christian Lorentzen and Eka Kurniawan.
£13.49
Bradwell Books Bradwell's Images of the Cotswolds
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£6.23
Signal Books Ltd River Effra: South London's Secret Spine
Book SynopsisLondon was once a city awash with watercourses. Most of these streams and small rivers have long since disappeared underground and their void has been filled by myth, legend and an enduring yet uncertain fascination. The River Effra was one of these vanishings. In its earlier existence above ground it could only ever have been a modest tributary of the Thames, but through a vivid subterranean afterlife it has continued to impose itself on South London's development history and local mythology. Once fringed by willows and water meadows, it was the haunt of salmon, eels and herons until it fell victim to the unregulated development of suburban South London. The Victorian housebuilder and his tenants enthusiastically transformed it from a small river into a large sewer until finally in desperation it was covered up. Yet it still flows...and occasionally floods.River Effra: South London's Secret Spine is the first comprehensive account, beginning with its underlying geology and pre-history and continuing through to the river's ongoing significance today.The machinations of medieval landowners seeking to divert its course are uncovered along with some of the more absurd legends concerning Canute, Queen Elizabeth and others. For the Victorians it was a public health disaster in waiting and its ignominious disappearance underground into London's main drainage system in the 1860s was seen as a triumph of nineteenth-century civil engineering. In the twenty-first century its legacy is being approached anew.Richly illustrated with archival images and crisp contemporary black and white photographs, which combine to reveal its vanished stream, River Effra combines geography and geology with social, environmental and engineering history and sets this alongside a detailed walker's itinerary for anyone needing to follow the ghost of this watercourse from Norwood, through Herne Hill, Dulwich and Brixton to Kennington and Vauxhall.
£10.79
Ridinghouse Reconstructing Cezanne: Sequence and Process in
Book SynopsisPublished in association with Luxembourg + Co. on the occasion of their 2019 exhibition Reconstructing Cezanne, this catalogue features in-depth analyses of Cezanne’s works on paper by Fabienne Ruppen, based on DNA examination of the papers he used for his watercolours and drawings, as well as extensive commentary on new horizons in Cezanne scholarship by expert Walter Feilchenfeldt, co-author of the artist’s online catalogue raisonné. At the core of this exploration are two watercolours that Cezanne produced from a large sheet of paper, which he divided into two sections for the purpose of capturing different landscapes: the Courtauld Gallery’s renowned La Montagne Sainte-Victoire, from 1885–87, and a Paysage Provençal in private ownership. Reconstructing Cezanne reunites these two works for the first time. This publication follows the decision of the Société Paul Cezanne and the family of the artist to spell the artist’s name without an acute accent.
£19.80
John Walmsley The Queens Silver Jubilee
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£10.00
John Walmsley Repertory Theatre
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£10.00
Red Hare Publishing Robert Gillmor's Norfolk Bird Sketches
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£999.99
MA BIBLIOTHEQUE YES, I AM A DESTROYER - Mira Mattar
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£14.99
Anomie Publishing David Batchelor – Concretos
Book SynopsisThroughout his international career spanning more than thirty years, artist and writer David Batchelor has long been preoccupied with colour. ‘Colour is not just a feature of [my] sculpture or painting,’ he notes, ‘but its central and overriding subject.’ This new publication is devoted to an ongoing series of sculptures titled Concretos. First made in 2011, Concretos combine concrete with a variety of brightly coloured – and often found – materials.The publication features a text by Batchelor charting the origins and development of Concretos. He reveals that the first Concreto was made after encountering coloured glass shards embedded in a concrete wall in the back streets of Palermo. Over time these Concretos, their title a nod to the Latin American art movement to which Batchelor’s work is much indebted, have become more complex adventures in layering, pattern and process. Elements such as acrylic plastic, spray and household gloss paint, steel, fabric and found objects all find themselves set in a concrete base. The most recent works, titled Extra-Concretos (2019–) retain much of the simplicity of the early pieces while working on a much larger scale.In an essay commissioned for the publication, curator Eleanor Nairne considers Concretos in light of their material possibilities. Nairne’s vivid text draws connections between the sculptures and a wide range of art historical and literary references. Some of the playful and sensual characteristics of Batchelor’s artistic vocabulary are considered in relation to floral bouquets, sewing-machines, ice cream and poetry.Architectural historian Adrian Forty’s essay discusses concrete’s physical qualities and relationship with modernity. He notes that the imperfect nature and apparent neutrality of the material is key to its enduring place within architecture, design and in Batchelor’s case, contemporary sculpture. ‘In the Concretos,’ asserts Forty, ‘concrete plays a necessary part in allowing colour to be itself. Present, but at the same time part of the barely noticed, half-invisible infrastructure of the city, concrete’s very neutrality performs an unexpectedly active part in these works.’The publication is edited by David Batchelor and Matt Price, designed by Hyperkit, printed by Park, London, and published by Anomie, London. The publication coincides with the first large-scale survey exhibition of Batchelor’s work taking place at Compton Verney, Warwickshire in 2022. The publication has been supported by Goldsmiths’ College, University of London, and Arts Council England.David Batchelor was born in Dundee in 1955 and lives and works in London. In 2013, a major solo exhibition of Batchelor’s two-dimensional work, ‘Flatlands’, was displayed at Fruitmarket Gallery, Edinburgh and toured to Spike Island, Bristol. Batchelor’s work was included in the landmark group exhibition ‘Adventures of the Black Square: Abstract Art and Society 1915–2015’ at Whitechapel Gallery, London. ‘My Own Private Bauhaus’, a solo exhibition of sculptures and paintings by Batchelor was presented by Ingleby Gallery during the Edinburgh Art Festival, 2019. Between 2017 and 2020 a large-scale work by Batchelor was displayed in the collection of Tate Modern. He is represented by Ingleby Gallery, Edinburgh, and Galeria Leme, São Paulo. Batchelor’s portfolio also includes a number of major temporary and permanent artworks in the public realm including a chromatic clock titled ‘Sixty Minute Spectrum’ installed in the roof of the Hayward Gallery, London.‘Chromophobia’, Batchelor’s book on colour and the fear of colour in the West, was published by Reaktion Books (2000), and is now available in ten languages. His more recent book, 'The Luminous and the Grey' (2014), is also published by Reaktion. In 2008 he was commissioned to edit ‘Colour’ an anthology of writings on colour from 1850 to the present published by Whitechapel/MIT Press.
£17.00
Anomie Publishing Anna Freeman Bentley – Make Believe
Book SynopsisAnna Freeman Bentley’s paintings use architectural imagery to explore the emotive potential of space. Grounded in an interest in the baroque her source material includes junk shops, restaurants, private members clubs, flea markets and designed interiors. Central to her work is an investigation into surface, tension and the atmosphere evoked by these different interior surroundings. The spaces she depicts are empty, yet visual signifiers point to evidence of people and social happenings.This, Freeman Bentley’s third publication to date, is centred on the relationship between painting and cinema and is divided into sections dedicated to major paintings on canvas and panel, and a number of works on paper (all works 2021–22). Freeman Bentley’s work here is focused on sets from 'The Colour Room' (2021), a film that tells the story of the early career of celebrated British ceramicist Clarice Cliff (1899–1972).The foreword to the book is written by Rollo Campbell and Matt Incledon of Frestonian Gallery. An essay by writer and critic Thomas Marks draws out the importance to her work of historic and contemporary cinema and temporary architecture. Marks notes a change in palette in these new paintings, with Freeman Bentley embracing pastels and tracing parallels between the artist herself and Cliff. An interview with Georgie Paget, co-founder of Caspian Films, production company for 'The Colour Room', meanwhile, provides insight into the artist’s particular interest in the artifice of film props and of the film set as a layered space ‘steeped in meaning, purpose and potential.’ The two discuss the reciprocity of painting and cinema in detail, recounting Freeman Bentley’s experiences on the film’s sets and discussing her working processes, beginning with taking photographs on set, through to oil sketches and the later development of large-scale canvases.The publication is edited by Matt Incledon and Matt Price. It is designed by Joe Gilmore, printed and bound by Gomer, Wales, and co-published by Frestonian Gallery, London, and Anomie Publishing, London. The publication coincides with the second solo show by Anna Freeman Bentley at Frestonian Gallery, by whom the artist is represented. The exhibition, also titled ‘make believe’ is divided between two sites: the 2022 Armory Show, New York, and Frestonian Gallery, London.Anna Freeman Bentley studied Painting at Chelsea College of Art, Kunsthochschule Berlin Weissensee and the Royal College of Art. Awards and residencies include Palazzo Monti Residency, Brescia, Italy, 2019; The Elizabeth Greenshields Foundation Grant 2019 and 2017, and Artist in Restaurant residency at Michelin-starred restaurant Pied à Terre, London, 2012. Selected exhibitions (* denotes solo) include DENK Gallery, Los Angeles, 2019*, Ahmanson Gallery, Irvine, 2018*; Space K, Seoul, 2017; 68projects, Berlin, 2017; the East London Painting Prize 2014 and 2015; Workshop Gallery, Venice, 2012*; MAC Birmingham, 2011; Prague Biennale, 2011, and the Bloomberg New Contemporaries, 2009. Her work is part of the Hotel Crillon collection, Paris; Saatchi Collection, London; Hogan Lovells Collection, London; the Ahmanson Collection, California, and numerous private collections worldwide.
£21.25
Anomie Publishing Kathryn Maple – a Year of Drawings
Book SynopsisKathryn Maple (b. 1989, Canterbury) is an artist specialising in drawing and painting. Her large-scale paintings feature urban, suburban and rural landscapes which are frequently populated by human figures. Her work is distinctive for its use of intensely layered mark making, lending the work both urgency and intimacy. The places and people depicted, rendered in a range of painting and drawing materials, are frequently afforded a sense of wildness or mystery by dint of their colour palette, collage-like compositions and recurring motifs such as wind-blown trees and winding pathways.This, her first monograph, features 379 images, many of which are reproduced for the first time. These include the presentation of her recent major series of oil pastel on paper works 'A Year of Drawings', alongside reproductions of her mixed media works on paper, as well as large oils on canvas.An essay by Kathryn Lloyd, writer, artist and Contemporary Art Editor at The Burlington Magazine, offers insight into Maple’s impulse to explore the world around her through her work. Large-scale paintings, replete with dense layers of marks, are constructed by means of personal encounter, memory and imagination. Details of man-made objects, tree bark and human skin, for instance, become composite, crucial in capturing fleeting experiences of place and of people. Lloyd brings out the symbolism of Maple’s work, making art historical comparisons while connecting these to the specific local characteristics of Maple’s familiar South London landscapes and the importance of walking to the artist’s practice.An interview with independent curator and critic Anneka French is focused on 'A Year of Drawings', a series of 365 drawings made daily since January 2022 outside the artist’s studio. They discuss the process, materials and art historical and literary influences upon Maple’s work, with a focus on how her drawing and painting strands of work impact each other. Their conversation provides an insight into the thinking of the artist at a crucial stage in Maple’s career.Taking its title from the lyrics of The Cure’s A Forest (1980), Editor Matt Price’s essay 'Into the Trees' offers an introduction to, and an overview of,' A Year of Drawings', discussing examples of the works and considering aspects of the series ranging from art historical precedents to themes, recurring motifs and interpretation.The monograph is published to coincide with the exhibitions: Under a Hot Sun, by Kathryn Maple, Walker Art Gallery, Liverpool, 11 February – 30 April 2023 and Kathryn Maple: A Year of Drawings, Lyndsey Ingram Gallery, London, 1–17 March 2023. It has been edited by Matt Price, designed by Anomie Studio, printed by Mixam, Watford, and published by Anomie, London.Kathryn Maple was born in Canterbury in 1989, and lives and works in South London. She graduated in 2011 with a degree in fine art printmaking from the University of Brighton, before undertaking a postgraduate programme at the Royal Drawing School in 2012–13. Maple has featured in exhibitions at venues including Barber & Lopes at the British Art Fair, London, The Royal Academy, London, Beers London, Messums Wiltshire, Flowers Gallery, London, Frestonian Gallery, London, Christies New York, Kristin Hjellegjerde Gallery, London, and Drawing Room, London. Maple was the winner of the Times Watercolour Competition 2014 and 2016, and The John Moores Painting Prize 2020. Her exhibition Under the Hot Sun at the Walker Art Gallery, Liverpool, 2023, was awarded to Maple as part of her prize for winning the latter.
£20.40
Anomie Publishing In The Gaze Of Medusa
Book SynopsisA publication dedicated to the life and work of the artistphilosopher Louis de Wet (19302018). Authored by his wife, Gabrielle Drake, the book brings together de Wet's works with detailed biographical information and recollections from those who knew and worked with him, including Vivien Bellamy, Andrew Arrol and Christophe Voros.
£40.00
Anomie Publishing Tom De Freston – I Saw This
Book SynopsisTom de Freston (born 1983) is a British artist and writer, living and working in Oxford. De Freston’s multimedia art tackles themes of trauma, humanity and intimacy across paintings, films and performance. He builds rich visual narratives, drawing on literature, art history and social issues. He graduated from Cambridge University in 2007 and since 2008 has exhibited his work in over twenty shows to date. A prolific author, Granta published de Freston’s debut non-fiction book, Wreck, in 2022 and his second will be released in 2024. Julia and the Shark (Hachette, 2021), created with his wife Kiran Millwood Hargrave, won the Waterstones Children’s Gift of the Year and was shortlisted for the Wainwright Prize for Children's Writing on Nature and Conservation. De Freston was chosen to illustrate the twenty-fifth-anniversary edition of David Almond’s Skellig, published in 2023.I Saw This was born out of a collaboration between de Freston, filmmaker Mark Jones and Dr Ali Souleman after de Freston was introduced to the academic in 2017. The paintings and mixed-media works that resulted from the project are an exploration into Souleman’s experiences of terrorism, displacement and war in Syria and ruminate on how art can attempt to represent suffering and terror. In 1996, a bomb explosion in Damascus on New Year’s Eve nearly killed Souleman and left him blind. A sensitive and highly-charged topic, Souleman explained to de Freston the importance of engaging with what is happening in Syria. Disembodied mouths, hands and feet appear frequently in the works. Circles recur as a motif, which bear an uncomfortable resemblance to eyes and eye sockets. In the Mirror paintings which stand upright in black boxes, de Freston embeds ash, screws, thick glue, dirt and bits of wood into the canvas. They are corporeal and volcanic, visceral and abstract. The sense of molten heat in the paintings was compounded by a fire in de Freston’s studio in 2020, which was simultaneously destructive while giving the artist and the collaboration new momentum.The singular artistic process between the three men involves de Freston describing the paintings to Souleman through words and touch. Souleman brings fresh meaning to the works by reading them in new ways, grounding them in his psychological landscape. Mark Jones captures these interactions in striking photographs and film footage. The collaborators’ close relationships, with each of their practices feeding into the others’, shine through.Habda Rashid, Senior Curator of Modern and Contemporary Art at Kettle’s Yard and the Fitzwilliam Museum, introduces I Saw This and considers the challenges and significance of incorporating elements from real life. Journalist Yasmina Floyer’s contribution describes her reaction to de Freston’s work at his From Darkness exhibition at No 20 Arts, where she found that the sooty-black feet stencils and inky circles depicted resonated with her own experience of child loss. The moving text shows how de Freston’s art carries both specific and universal meanings. Editor Matt Price elaborates on the collaborative process and identifies layers of symbolism across the project, structuring his essay with fascinating quotes from Abu al-Ala al-Ma’arri, the eleventh-century blinded Arab philosopher. Crucially, de Freston, Jones and Souleman’s voices are present in the book, with each shedding light on their part in the project. De Freston’s art is rooted in empathy and I Saw This is a culmination of this, successfully translating Souleman’s world of memory and metaphor.
£24.00
Anomie Publishing Gideon Rubin – Look Again
Book SynopsisGideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubin’s subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythologies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubin’s expressive mark-making, muted palette and understated use of negative space and raw canvas.Look Again is Gideon Rubin’s second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences – Balthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holman’s expansive essay touches on Rubin’s cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin’s work, both in his faceless portraits and in Black Book – a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf. Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; ‘a log keeping him afloat in the middle of the sea’, as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father’s side, it was largely his mother’s academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin’s imagination.Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUS&Co., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubin’s work has been featured in publications such as Artribune, San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Südostschweiz Newspaper and Elephant among others. The publication has been supported by Galerie Karsten Greve, who represent Rubin’s work in Paris, Cologne and St. Moritz.
£32.00
Anomie Publishing Susie Hamilton
Book SynopsisSusie Hamilton?s dynamic practice is concerned with a wide range of subjects but often focuses on solitary people in impersonal public spaces or natural wildernesses. From the heroic, isolated exploits of astronauts and Arctic explorers to lone shoppers in supermarkets, all subjects are equal under her gaze. Other works turn attention towards crowds on beaches and in hotel dining rooms, who, as in Hamilton?s paintings of single figures, are invaded by blooms and veils of paint.Comprising over 300 paintings in oil and acrylic and numerous works on paper, Hamilton?s work is here divided into thematic sections that bring insight to her research. As critic and broadcaster Charlotte Mullins observes, "Hamilton often uses literature as a springboard for her work. Her paintings draw out the ambiguities of Shakespeare, the fragmentary chaos of TS Eliot, the melancholy of Andrew Marvell." From the power of her transmutative, barely human figures presented at the Ferens Art Gallery (2002), to the more recent progression of Hamilton?s solitary forms which move across desert, tundra, and forests under attack from natural and unknown forces, her often otherworldly figures remain resilient.As Mullins reflects in her introduction, however, Hamilton?s work is not all "pain and suffering." Nor is it solely concerned with the human figure. Mullins writes, "There is joy too, particularly when she turns her probing eye to the natural world. She captures the quizzical gaze and lightning speed of monkeys, white paint splattering the surface as they race through salt flats. We see the lethal precision of a shark in the depths, the pale camouflage of an owl in a snowstorm, the perfect balance of an ape as it leaps from vine to vine."The development of Hamilton?s work further unfolds in an enlightening interview with writer and broadcaster Louisa Buck, from the night-time desolation of motorways and petrol stations to an evolving interest in human and animal figures. Buck?s in-conversation also details Hamilton?s series "Plumpers" and "Mutilates", uneasy figures who border categories of abstraction and representation.Writer, editor, and international curator Anna McNay, in her eight-part extended essay commissioned for the publication, discusses Hamilton?s literary influences in detail, drawing out the ways that Hamilton?s own biography shapes the work and informs her perspectives on landscapes, people and animals.Designed by Hyperkit and edited by Anneka French, the publication has been produced by Hurtwood and published by Anomie, London.
£36.00
Anomie Publishing Joy Labinjo
Book SynopsisA powerful exploration of race, identity, and community through vibrant figurative paintings that blend personal and historical imagery with contemporary Black culture.Joy Labinjo (b.1994) is a British-Nigerian artist based in London. Bringing together paintings made between 2017 and 2024, this monograph coincides with her institutional solo exhibition We Are Briefly Gorgeous at Southwark Park Galleries, London, which opened in July 2024.Labinjo uses the human figure as a vehicle to explore topics such as storytelling, identity, and race, and how they intersect with wider social, cultural, and political contexts. Her work is informed by her experiences growing up as both a Londoner and as part of the African diaspora. Her large-scale figurative paintings often depict Black bodies from the past and present??both real and imagined. Working from personal and archival imagery, including family photographs, found images, and historical material, she captures scenes of joy, leisure, and perseverance in everyday life. As a painter fundamentally concerned with people?s stories, she expands the dialogue around contemporary Black culture.For We Are Briefly Gorgeous, Labinjo produced a new body of work in response to the multicultural area of Southwark in South London. Rendered in her distinctive style of flat layers of color and graphic patterning, the paintings capture families, friends, and individuals in Southwark Park and Bermondsey. Developed from site visits and taken and found photographs, the intimate scenes document the physical, social, and lived experiences of local communities.Alongside installation views and reproductions of the exhibited paintings, the book documents Labinjo?s works from 2017 onwards. Organized thematically, it explores the artist?s interests in ?Family, Friends and Community?, ?Social Criticism?, ?Historical Animation?, and ?Self-portraiture?. The paintings grouped together in the second section mark the beginning of the artist?s more satirical, politically engaged approach, instigated by the COVID-19 pandemic and the murder of George Floyd in 2020. ?Historical Animation? compiles Labinjo?s paintings of Black historical figures, such as Sarah Forbes Bonetta, Olaudah Equiano, Francis Barber, and Charles Ignatius Sancho. In this series, the artist explores the histories of British portraiture, and the erasure of Black identities through the white gaze.An introduction by Dr Christine Checinska, the inaugural Senior Curator of African and Diaspora Textiles and Fashion at the Victoria & Albert Museum, London, contextualizes Labinjo?s figurative practice in relation to a lineage of Black British painters, including Claudette Johnson and Lubaina Himid. An essay by curator and writer Dr Jareh Das expands on this, unpacking the artist?s recent works and analyzing her ability to represent stories that connect cultural identities across time and geographies. An interview between Labinjo and Adelaide Bannerman, the Curatorial Director at Tiwani Contemporary, takes an in-depth look at the artist?s methodology, political themes, and approach to nude self-portraiture.Edited by Bannerman, Martina Mei and Matt Price, designed by Hyperkit, produced by Hurtwood and published by Tiwani Contemporary and Anomie Publishing, London, the book has been generously supported by the A. G. Leventis Foundation.
£32.00
Anomie Publishing Anna Freeman Bentley Complete Reality
Book SynopsisA publication dedicated to Anna Freeman Bentley's latest series of paintings, Complete Reality, which she created after spending time on a film set in Jeddah.
£28.00
Anomie Publishing SUMMER
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£21.25
Hato Press Fear of Freedom Makes Us See Ghosts
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£31.50
Persephone Books Ltd The Waters under the Earth
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£16.00
Persephone Books Ltd Two Cheers for Democracy: A Selection
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£16.00
Royal Academy of Arts A Little History of the Royal Academy
Book SynopsisFrom the eighteenth century to the twenty-first, the Royal Academy of Arts in London has occupied a prominent, occasionally controversial and always individual position in the art world. Its Annual Exhibitions, now known as the Summer Exhibitions, have seen artistic reputations rise and fall, and its enduringly popular international loan exhibitions have helped to shape the public's appreciation of the visual arts. Packed with illustrations, this brief introduction to the Academy's 250-year story considers how its homes and some of its characters have made it what it is.
£8.95
GOST Books The Shipping Forecast
Book SynopsisThe UK shipping forecast covers the waters of Western Europe and separates them into 31 sea areas encompassing the UK, from Dover to Southeast Iceland to German Bight— of which Power photographed all of them, over a period of four years. Each image is captioned with the 0600hr forecast on the day they were taken. This newly edited and revised second edition includes over 100 previously unpublished images. ‘The shipping forecast, of course, exists to save lives. It warns those at sea, or about to put to sea, of approaching storms. But for the majority of us, in Britain at least, its strange, rhythmic language is unashamedly romantic and oddly reassuring, despite forming an image of an island nation perpetually buffeted by wind and waves. It manages to do all this while remaining virtually incomprehensible: the general synopsis at 0 1 00. Low, Southeast Iceland 995 moving slowly southwest, filling 1 00 7 by 0 1 00 tomorrow. Low, Biscay 958, expected Wales 1 00 5 by the same time. Low, Trafalgar 1 00 3, moving slowly east, losing its identity.'
£47.50
GOST Books Water
Book SynopsisThe photographs in the book illustrate the dichotomy of our relationship with water—the role it has in ancient religious rituals and in building communities, to its exploitation and the devastating result of too little or too much water. They depict Hindus bathing in the Ganges, shellfish-gatherers in coastal Spain; polluted sea surrounding oil infrastructure in Baku, Azerbaijan; fishermen in Greenland navigating melting ice in the ocean; landscapes transformed to dustbowls by drought in South Africa and to villages made into islands by flooding in Bangladesh. It is was not Berry’s intention to make a political book, nor an authoritative catalogue of mans’ interactions with water, but instead to share the most memorable stories from his assignments that illustrate how water shapes our lives and what the future may hold.
£42.75
September Publishing Concrete Poetry: Post-War Modernist Public Art
Book SynopsisConcrete Poetry is the first photographic survey of Modernist sculpture within the Brutalist context.Trade Review'Gems of British Brutalism and Modernism are under threat from time and tide, as much as the wrecking ball – luckily, photographer Simon Phipps has been documenting these harsh beauties for his book, Concrete Poetry . . . From the Denys Wilkinson Building to the Blackwall Tunnel's ventilation shafts, the UK is studded with post-war concrete odes to a better tomorrow. For those of us who don't have the time to trot around the country, ticking these pioneering structures off their list, Phipps' book is an essential coffee-table tour.' Wired magazine
£17.00
Slimvolume Jess Power: UFOs
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£12.80
Hoxton Mini Press Sisters
Book SynopsisAn intimate exploration of sisterhood through portrait photography.
£13.46
Hoxton Mini Press East London Photo Stories
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£16.96
Hoxton Mini Press London's Square Mile: A Secret City
Book SynopsisStreet photographs that shed light on modern life in the heart of London's historic financial district.
£16.16
Hoxton Mini Press Launderama: London's Launderettes
Book SynopsisA colourful homage to the capital's much-loved but fading launderettes.
£13.46
Hoxton Mini Press London Underground 1970-1980
Book SynopsisNostalgic photographs that capture unexpected moments of intimacy and humour on the Underground.
£15.26
Hoxton Mini Press Butlin's Holiday Camp 1982
Book SynopsisNostalgic colour photographs of Britain's most famous holiday camp.
£15.26
Hoxton Mini Press Portrait Of Humanity Vol 2: 200 photographs that
Book SynopsisA new volume of the best portraits from around the world, to accompany a world-touring exhibition.
£19.51
Hoxton Mini Press One Hundred Years: Portraits From Ages 1-100
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£16.16
Hoxton Mini Press When We Were Young: Memories of Growing Up in
Book SynopsisAnonymous family photos from Britain in the 50s to 80s provide an emotional glimpse of past lives.
£17.06
Hoxton Mini Press Single Dad
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£16.16
Hoxton Mini Press Portrait Of Humanity Vol 3
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£19.51
SelfMadeHero Klimowski Poster Book
Book Synopsis“He leads the field by a very long furlong, out on his own, making his own weather. He is Klimowski, unafraid.”—Harold Pinter, Nobel Prize-winning playwright In the mid-1970s, Andrzej Klimowski's fearlessly original artwork caught the eye of leading Polish theater and film companies, for whom he designed some of the period's most iconic posters. The London-born artist, who moved to Poland at a time when many East Europeans dreamed of going West, went on to create posters for works by filmmakers and playwrights from Scorsese to Altman, Beckett to Brecht. Drawing on folk art and Polish Surrealism, Klimowski uses techniques including photomontage and linocut to create posters that are filled with metaphor, drama, and originality. Trade Review“I savor everything about the Klimowski Poster Book by Andrzej Klimowski… Of course, I admire the freedom of poster conception, particularly the reinterpretations of mid-1970 (and after) American films, such as The Godfather, Nashville, Taxi Driver and Stranger Than Paradise, among many others.” Steven Heller, Print Magazine online “The Klimowski Poster Book is perfect for film buffs and design enthusiasts alike, highlighting the artist’s techniques including photomontage and linocut to create posters that are filled with metaphor, drama, and originality.” Graphic Design USA
£13.49
NMSE - Publishing Ltd Age of Oil: Artwork by Sue Jane Taylor
Book Synopsis This book is based on the artwork of Sue Jane Taylor. She is no stranger to extreme working environments, having worked for over thirty years recording the lives of workers in the North Sea oil industry on sites such as Piper Alpha, Piper B, Forties platforms and recently Murchison in the Northern Seas. Her work now extends to the offshore renewable energy industry. The book brings a unique perspective to the relationship between art, environment and industry while revealing a relatively alien way of life on board a North Sea oil platform. Among other themes it will consider the future of energy in Scotland. The book has an introductory essay by Elsa Cox, Senior Curator of Technology at National Museums Scotland, illustrated by relevant objects from the collections in the National Museum. This is followed by Sue Jane Taylor's artwork, with extended captions.Table of ContentsAcknowledgements/Foreword by Dr Xerxes Mazda, Introduction by Elsa Cox and Alison Taubman/Oil and gas - Aberdeen Harbour, The Murchison Field, The Brent Field/Renewable energy - European Marine Energy Centre, Beatric Wind Farm Demonstrator Project/About the artist Sue Jane Taylor
£14.24
Merlin Unwin Books My Wood
Book SynopsisAward-winning photographer Stephen Dalton, famed for his pioneering fast-shutter shots, photographs his 8-acre woodland through the seasons, showcasing the stunning diversity of plants, trees, insects, birds and animals that live there.
£13.49
Ashmolean Museum Plum Blossom and Green Willow: Japanese Surimono
Book SynopsisSurimono poetry prints are among the finest examples of Japanese woodblock printmaking of the late eighteenth and early nineteenth centuries. Consisting of witty poetry combined with related images, surimono were often designed by leading print artists and were exquisitely produced using the best materials and most sophisticated printing techniques. Unlike the ukiyo-e prints of actors, courtesans and landscapes that were being commercially published around the same time, surimono were never intended for sale to the general public. Instead they were privately published in limited editions by members of poetry clubs, to present to friends and acquaintances on festive occasions, especially at the New Year. This book introduces over forty surimono in the collection of the Ashmolean Museum and provides readers with an insight into the refined and cultivated Japanese literati culture of the early nineteenth century. As well as exploring the customs, legends, figures and objects depicted, it presents new translations of the humorous poems (kyoka) that lie at the heart of surimono, and highlights the intricate relationship that existed between the poetry and accompanying images. This will be the first time that the Ashmolean's collection of surimono, mostly from the Jennings-Spalding Gift and containing a number of rare and previously unpublished prints, has ever been catalogued.
£14.25
Ashmolean Museum Jeff Koons: At the Ashmolean
Book Synopsis"I couldn't think of a better place to have a dialogue about art today and what it can be" - Jeff Koons Curated by Koons himself, together with guest curator Norman Rosenthal, this show features seventeen important works, fourteen of which have never been exhibited in the UK before. They span the artist's entire career and his most well-known series, including Equilibrium, Statuary, Banality, Antiquity and his recent Gazing Ball sculptures and paintings. This exhibition will provoke a conversation between his creations and the history of art and ideas with which his work engages. Jeff Koons burst onto the contemporary art scene in the 1980s. He has been described as the most famous, important, subversive, controversial and expensive artist in the world. From his earliest works Koons has explored the 'ready-made' and 'appropriated image', using unadulterated found objects and creating painstaking replicas of ancient sculptures and Old Master paintings which almost defy belief in their craftsmanship and precision. Throughout his career Koons has pushed at the boundaries of contemporary art practice, stretching the limits of what is possible. This publication accompanies an exhibiton, running from February to June, 2019 at the Ashmolean. Koons will be in conversation with Martin Kemp at the Sheldonian Theatre, Oxford, in May 2019. Contents: Director's Foreword; interview with Jeff Koons (by Xa Sturgis); Jeff Koons and the Sheen and Shine of Time (Sir Norman Rosenthal); catalogue entries; Jeff Koon biography.Table of ContentsContents: Director's Foreword; interview with Jeff Koons (by Xa Sturgis); Jeff Koons and the Sheen and Shine of Time (Sir Norman Rosenthal); catalogue entries; Jeff Koon biography.
£14.25
