Description

Published in association with Luxembourg + Co. on the occasion of their 2019 exhibition Reconstructing Cezanne, this catalogue features in-depth analyses of Cezanne’s works on paper by Fabienne Ruppen, based on DNA examination of the papers he used for his watercolours and drawings, as well as extensive commentary on new horizons in Cezanne scholarship by expert Walter Feilchenfeldt, co-author of the artist’s online catalogue raisonné.

At the core of this exploration are two watercolours that Cezanne produced from a large sheet of paper, which he divided into two sections for the purpose of capturing different landscapes: the Courtauld Gallery’s renowned La Montagne Sainte-Victoire, from 1885–87, and a Paysage Provençal in private ownership. Reconstructing Cezanne reunites these two works for the first time.

This publication follows the decision of the Société Paul Cezanne and the family of the artist to spell the artist’s name without an acute accent.

Reconstructing Cezanne: Sequence and Process in Paul Cezanne’s Works on Paper

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Hardback by Fabienne Ruppen , Walter Feilschenfeldt

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Short Description:

Published in association with Luxembourg + Co. on the occasion of their 2019 exhibition Reconstructing Cezanne, this catalogue features in-depth... Read more

    Publisher: Ridinghouse
    Publication Date: 01/01/2015
    ISBN13: 9781909932555, 978-1909932555
    ISBN10: 1909932558

    Number of Pages: 80

    Non Fiction , Art & Photography

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    Description

    Published in association with Luxembourg + Co. on the occasion of their 2019 exhibition Reconstructing Cezanne, this catalogue features in-depth analyses of Cezanne’s works on paper by Fabienne Ruppen, based on DNA examination of the papers he used for his watercolours and drawings, as well as extensive commentary on new horizons in Cezanne scholarship by expert Walter Feilchenfeldt, co-author of the artist’s online catalogue raisonné.

    At the core of this exploration are two watercolours that Cezanne produced from a large sheet of paper, which he divided into two sections for the purpose of capturing different landscapes: the Courtauld Gallery’s renowned La Montagne Sainte-Victoire, from 1885–87, and a Paysage Provençal in private ownership. Reconstructing Cezanne reunites these two works for the first time.

    This publication follows the decision of the Société Paul Cezanne and the family of the artist to spell the artist’s name without an acute accent.

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