Art & Photography Books

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Book Synopsis'I first saw the Goetheanum as a fifteen-year-old through binoculars. I was fascinated and wanted to know more about this incredible building. What am I seeing? Why these forms? What happens in this building?' - Hans Hasler The Goetheanum in Dornach, Switzerland, was conceived as a visible expression of Rudolf Steiner's spiritual philosophy - a living experience of anthroposophy in the form of art. Whilst Steiner conveyed his ideas and concepts in many books and lectures, the Goetheanum - with its pioneering concrete forms built in the 1920s - is a manifestation of spirituality in architecture, painting and sculpture. This essential handbook, packed with colour photos and illustrations, gives a broad background to Rudolf Steiner's architectural masterpiece and the work that goes on within it. Hasler explains how the present Goetheanum was built, and describes its recently remodelled great hall and stage, with its painted ceiling and sculpted walls. He details the building's context and landscape design, the other significant structures in its vicinity, and gives a description of the first, wooden, Goetheanum and its destruction by fire. Today the Goetheanum's remarkable external contours house theatres and studios, laboratories, offices and libraries. Apart from its major stages for drama and eurythmy, it serves as the headquarters of the Anthroposophical Society and the School of Spiritual Science, with the latter's sections for medicine, agriculture, education, the arts, science, and so on. The Goetheanum is also home to numerous conferences, meetings and events. This book provides a marvellous visual and textual guide to one of the most original buildings of our time.

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Book SynopsisRudolf Steiner's architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new artistic conception based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings' paintings combined with the multicolored light emanating from the engraved glass windows. The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the 'complete work of art' that was the first Goetheanum burned down on New Year's Eve 1922 - so today we can only get an impression of the lost paintings and windows from Rudolf Steiner's pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner's draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983. HILDE RASKE, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. It is said that, in the course of the many years preparing the manuscript for The Language of Color in the First Goetheanum, she would remark: 'I can hear my paintings. And if I don't hear them, then they're just not quite right yet.'

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Book SynopsisIn Building A Low Impact Roundhouse Tony Wrench shares his many years of experience, his skills and techniques, his ups and downs, always in a witty and inspiring manner. The book covers the process of visualising and designing a house through to the practical side of lifting the living roof, infilling the walls, laying out rooms and adding renewable, autonomous technology. Building A Low Impact Roundhouse has become a classic text. Tonys home and lifestyle have attracted the interest of the media and he and his partner continue to inspire many individuals and communities to seek out ways of living more sustainably. Now in its fourth edition, with a fascinating 2014 update. Tony also includes sections on the physical design and writes about the lifestyle required for living in a roundhouse. He offers advice on roofs, floors, walls, compost toilets, wood stoves, kitchens, windows and on planning permission. There are additional photographs of life in and around the dwelling and illustrations from the construction plans for one of the UK's most unique of homes. This true and captivating story covers the realisation of a lifetime s dream as well as being a practical how to manual for anyone who loves the idea of low impact living and wants to self-build an affordable, organic home.Trade ReviewThis book is a description of the fascinating process that would lead through the design of the structure, the detailing, the construction and the fitting out. It is not a technical treatise in any sense, though the basic sketches could be used to build a similar structure. There are many good photos to back up the text, and they give a better sense of scale than the line illustrations. The book is well written with a good deal of wit and logical explanation, by a permie who is obviously in tune with living sustainably and willing to eschew much of the baggage we take for granted, but is still able to live simply and luxuriously. Highly recommended. Micheal Guerra, author of Compact Living

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Book SynopsisThe design of multiple housing was a major new area of activity for architects at the beginning of the twentieth century, and one that continues into the twenty-first century. This book features 87 of the most influential modern housing designs of the last 100 years by some of the best-known architects in the field. Each project is explained with a concise text and photographs and specially created scale drawings, including floor plans and site plans, sections and elevations where appropriate. The projects are organized in six roughly chronological chapters tracing the history of both public and private housing around the world.The detailed drawings allow each project to be analyzed in depth, which, alongside the author's authoritative text, will make this an invaluable resource for architects and students.

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Book SynopsisThis book offers students and those wishing to enter a career in textile design a basic grounding in its three main disciplinesprinted, woven, and mixed media. Using a wealth of imagery and case studies from designers and studios at work today, the book looks at the basic principles of design and production, and gives practical advice on creating a collection. Education and employment are also discussed, giving an insight into the industry and helpful adviceon finding a job.

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Book Synopsis"With a freshness and breadth of approach that sets the art in its context, this book explores why works were created and who commissioned the palaces, cathedrals, paintings and sculptures. It covers Rome and Florence, Venice and the Veneto, Assisi, Siena, Milan, Pavia, Genoa, Padua, Mantua, Verona, Ferrara, Urbino and Naples. Chapters are grouped into four chronological parts, allowing for a sustained examination of individual cities in different periods. ''Contemporary Scene'' boxes provide fascinating glimpses of daily life and ''Contemporary Voice'' boxes quote from painters and writers of the time. Innovative and scholarly, yet accessible and beautifully presented, this book is a definitive work on the Italian Renaissance. This revised edition contains around 200 new pictures and nearly all colour images ..."--

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Book SynopsisThe National Gallery’s second Artist in Residence is Ali Cherri (b. 1976), a Lebanon-born artist based in Beirut and Paris. Known for his sculptures, films and installations, Cherri is interested in the aesthetics, practices and politics associated with the museum classification and collecting of objects, animals, images, and their narratives. Cherri was recently awarded the Silver Lion at the 2022 Venice Biennale. The first survey of Cherri’s work in English, this book will give an overview of the artist’s archaeological approach to the heritage of objects by investigating their relationships to history, society and nature. It will introduce Cherri to a broad audience and document his journey from the beginning of his residency to the production and display of the final work at the National Gallery in the autumn of 2021, followed by the Herbert Art Gallery & Museum in spring 2022.Published by National Gallery Company/Distributed by Yale University Press

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Book SynopsisAn accessible introduction to American painter Winslow Homer, examining his work through the lens of conflict A fresh exploration of the work of iconic American painter Winslow Homer (1836–1910) through the lens of conflict, a recurring theme in his prolific career. A persistent fascination with struggle permeates Homer’s art⁠—from emblematic images of the Civil War and Reconstruction to dazzling tropical works and monumental marines⁠—and reveals his lifelong engagement with the charged subjects of race, nature, and the environment. This publication illuminates Homer’s preoccupation with the complex social and political issues of his era—war, slavery, imperialism—as well as his broader concerns with the fragility of human life and dominance of nature. These powerful themes are present in his earliest Civil War and Reconstruction paintings, which explore the effect of the conflict on the landscape, soldiers, and the formerly enslaved. They continue through his later images of rural life, dramatic rescues, and hunting⁠—paintings that grapple with the often uneasy relationship between humans and the natural world. Toward the end of his life, human figures were reduced to tiny, irrelevant presences, while the ocean acquired a pivotal role. This richly illustrated volume will be published to accompany a retrospective at the National Gallery, organized in collaboration with the Metropolitan Museum of Art, New York. Published by National Gallery Global/Distributed by Yale University Press Trade Review“The exhibition is accompanied by a publication by Yale University Press, highlighting the ‘issues of race, imperialism and enslavement’ — issues which, to the huge majority of Winslow Homer’s admirers, have never been discernible in his art.”—A.N. Wilson, Daily Mail

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Book SynopsisThe second book in the “Discover” series, this illuminating study explores Liotard’s little-known The Lavergne Family Breakfast (1754), widely regarded as a pastel masterpiece Jean-Etienne Liotard’s The Lavergne Family Breakfast, acquired by the National Gallery in 2019, is one of the Gallery’s most important eighteenth-century pictures and one of the artist’s largest and most ambitious pastel. Last exhibited in 1755, when Liotard brought the pastel from Lyon to London (an incredible feat in itself given the fragility of pastel), it has hardly been seen in public since. Exploring the pastel medium, Liotard’s itinerant career and the stories behind the objects he depicts, this catalogue puts Liotard and The Lavergne Family Breakfast in the spotlight. Liotard was a flamboyant artist and unusually well travelled for his time, spending four formative years in Constantinople and working at the courts of Vienna, Paris and London, as well as in commercial centres such as Lyon and Amsterdam, becoming a celebrity wherever he went. This beautifully illustrated publication offers readers a fresh perspective on the eighteenth century and an accessible introduction to a particularly idiosyncratic and gifted artist Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London (November 16, 2023–March 3, 2024)

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Book SynopsisThis catalogue introduces the little-known Renaissance artist Pesellino, exploring his exquisite miniatures, his narrative cassone panels, and grand altarpieces During his brief but varied career, Francesco Pesellino (c. 1422–1457) rose to notable heights, receiving prestigious commissions from the pope and becoming a favourite of Florence’s ruling Medici family. His death at the age of only 35 cut short a rising star of the early Renaissance. Praised as a painter of “cose picole” (small things), Pesellino was a remarkable draughtsman and miniaturist, excelling in fine details and the characterful depiction of animals. His works were not limited to those on a small scale, however: he was also an accomplished painter of grand altarpieces. This catalogue introduces Pesellino’s work to a wider audience and celebrates his extraordinary abilities. Beautifully illustrated essays explore his life and work, and the recent conservation of the Gallery’s painted cassone panels depicting the story of David and Goliath, where the artist’s skill as a storyteller is matched by his technical mastery. The first publication in English dedicated to Pesellino, it provides a comprehensive overview of the artist, as well as new insights into his work. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London (December 7, 2023–March 10, 2024)

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Book SynopsisThis autobiography includes the record of a sexual and spiritual quest, exploring the deepest recesses of the author's mind while narrating the farcical comedy of errors which was his life. P.N. Furbank is the author of "E.M. Forster: A Life".

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Book SynopsisThe painter and architect Giorgio Vasari (1511-74) was a pupil of Michaelangelo who worked mainly in Florence and Rome. He is famous today, however, as the author of LIVES OF THE PAINTERS, SCULPTORS AND ARCHITECTS, the work which effectively founded the study of art history and remains one of its greatest monuments. Vasari''s distinctive blend of biography and criticism has exerted an immeasurable influence on all subsequent historians, but its value for contemporary readers consists as much in the liveliness and piquancy of the stories his book contains, and the vivid light it casts on the great masters of early Italian painting.

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Book SynopsisBrick building came to the Midlands in the 15th century when its adoption reflected its prestige amongst the aristocracy and episcopacy. This study explores its wider acceptance and diffusion and describes the pattern and volume of a locally distinctive material. By 1780 its practical advantages saw its use in churches, chapels, gardens, estate buildings and early industrial factories. As 'hard' brick it was a significant factor in the development of industrial kilns. Based on documentary sources the text examines such factors as the technology of brickmaking, the price of bricks, building costs, the availability of other materials, the impact of fire and the social value attached to brick. It particularly emphasises the visual impact of brick on the landscape, for example in 1789 Lord Torrington recorded that 'At Grantham they leave of the stone and build with flaming red brick of which Newark is built and looks like a new town.'

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Book SynopsisWith an extraordinary array of ravishing interiors from 100 contemporary homes of all styles around the world, Dream Rooms is a sumptuous sourcebook that will spark countless new ideas for transforming any and every room in the home. From stylish ways to give a living-room a new lease of life to the fusion of practicality and clever design that makes a kitchen the hub of a house, this book offers a wealth of possibilities. More than 800 brand-new inspirational images by renowned photographer Andreas von Einsiedel showcase an astonishing range of beautiful bedrooms, living-rooms, dining-rooms, working areas, kitchens, halls and stairways, bathrooms and outdoor spaces, while Johanna Thornycroft pinpoints the key characteristics of each look. Clearly organized by room, and focusing on such themes as colour, pattern, furniture and lighting, this glorious book is the ultimate reference for anyone seeking to turn their vision for their favourite room into a gorgeous and abiding reality. AUTHOR: Andreas von Einsiedel has specialized in interiors photography for the past 20 years, and is a regular contributor to the World of Interiors, House & Garden, Architectural Digest and other titles in the United States, Australia and Europe. He has photographed subjects for more than 20 books. Johanna Thornycroft is a freelance writer and journalist who regularly contributes design features to newspapers and interiors magazines worldwide, and the author of several books. SELLING POINTS: . The latest dazzling companion to Merrell's bestselling Dream Homes, More Dream Homes and Dream Homes Country . Presents a multitude of decoration ideas to suit every taste . An essential reference for anyone wanting to transform any space in their home 800 colour

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Book SynopsisRich in symbolism and metaphor, and blessed with its own varied and dramatic palette, the garden has proved to be an extremely fertile source of artistic inspiration. In The Garden in Art, acclaimed art historian Debra N. Mancoff reveals the many different ways in which artists from all periods of history - from ancient Egypt to the present day - have employed the motif of the garden. Featuring more than 200 illustrations of both renowned and lesser-known works, the book approaches its subject thematically, exploring such topics as working gardens, the garden through the seasons and artists' gardens. Complete with a detailed timeline and a suggested list of gardens to visit, The Garden in Art is an absorbing and highly rewarding examination of the meaning and significance of the depiction of the garden.Trade Review'For a gardener it is a joy - ' - THE TIMES 'A tome so beautiful and appealing that even if you have no interest whatsoever in the subject matter, as an artist you will want to own it. The Garden in Art is not simply enticing because of the pictures, generously reproduced both in terms of size and clarity, but also because of how Debra N. Mancoff draws from such a variety of sources, in order to give a full account of how the garden has been depicted throughout the history of art. Mancoff writes with depth and enthusiasm on each image of the book.' - ARTISTS AND ILLUSTRATORS MAGAZINE 'This captivating and beautifully illustrated book will appeal to the armchair gardener and art lover alike.' - PERIOD HOMES AND INTERIORS MAGAZINE 'An expert in impressionism... Brief, intelligent essays... An added bonus is the list of suggested artists' gardens to visit at the end.' - ROYAL ACADEMY MAGAZINE 'I am going to relish this book and drink in every page' - VAL BOURNE, THE OXFORD TIMES 'Providing huge inspiration, The Garden in Art by Debra N. Mancoff - it is pure bliss!' - THE ENGLISH HOMETable of ContentsIntroduction Through the Seasons The Garden as a Metaphor Famous Gardens Pleasure Gardens Working Gardens Behind the Garden Wall Home and Garden Public Gardens Artists' Gardens Garden Favourites Notes Timeline Select Bibliography Gardens to Visit Picture Credits Index

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Book SynopsisA window provides access to two of life's essentials, light and air, but it is more than just a means to an end. Windows also have symbolic, expressive and architectural qualities that have for centuries inspired some of the world's greatest artists. In this engaging new study, Christopher Masters celebrates the multiple roles of the window in art through five key themes, from the window as a status symbol to its use as a provider of physical and spiritual illumination; from its employment as a literal window on the world outside the confines of a room to its function as a mirror, reflecting the emotions of the artist or the individuals depicted; and finally to the immense architectural variety of windows that animate interior and exterior scenes throughout Western painting. With superb reproductions of 90 works by major artists from Giotto to Banksy, and spirited analysis of the paintings' meanings, this is a remarkable exploration of an important but hitherto neglected subject in art history.Trade Review'thought-provoking and illuminating ... it offers an intriguing perspective on this often overlooked feature' - HOMES & GARDENS MAGAZINE 'Some very famous works have hidden windows and once the are pointed out we wonder how we missed them before so this volume becomes a window into the subject itself and one that enriches our looking. This is an intriguing subject and one not to be missed.' - THE YORKSHIRE PRESS

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Book Synopsis'Made in Japan' is a simple phrase, but one full of meaning. From kettles and cutlery to chairs, Japan creates some of the most innovative, elegant, whimsical and well-made objects in the world. Combining high aesthetic standards with cutting-edge technology, many of these designs turn everyday items into functional works of art that would look as good in a museum as on a kitchen counter. Made in Japan surveys 100 of the country's recent design triumphs, among them furnishings, utensils, gadgets, clothing, office equipment and even a silent guitar. While the book features mainly mass-produced objects, it also includes one-off prototypes and limited-edition items that are immensely popular in Japan. Created specifically for the Japanese consumer, these products reflect the way people live, work and play in a country that prizes highly both exceptional craftsmanship and industrial perfection.Trade Review'It's perfect for those searching high and low for ideal finishing touches, or anyone simply wishing to elevate everyday items into works of art.' - ESSENTIALS MAGAZINE 'Japan's excellent sense of style and workmanship is seen on every page.' - THINGS TO DO IN LA 'For those who worship at the altar of high design, Made in Japan is a compendium of products that reward a love of beauty and a faith in the future' - EDGE MAGAZINE 'Packs in innovative, whimsical products' - MIDWEST BOOK REVIEW 'These products are smart, inspiring and deeply human' - HANDFUL OF SALT

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Book SynopsisToday fashion is moving forward at a faster pace than ever before, with advancing technologies and new materials reinventing clothing as we know it. Futuristic garment designs are often inspired by surprising sources: biological science, climate change, space suits, artificial intelligence, genetic engineering and nanotechnology. Fashion Futures offers a fascinating survey of these new directions, charting the transformational products, design processes, maverick materials, and groundbreaking practitioners that are revolutionizing fashion. Design expert Bradley Quinn also explores radical retail operations, fashion forecasting, and the relationship between fashion and other disciplines. Featuring inspirational interviews with international trend forecasters and designers, and packed with illustrations of extreme designs and prototypes , Fashion Futures is a thought-provoking overview of how fashion will look, perform and be manufactured and purchased in the twenty-first century.Trade ReviewThe photos and cover design make this a great coffee table book but the insightful predictions and interviews with the most cutting edge designers, engineers and marketing executives working in the fashion industry also make this book a must-read for those interested in fashion. - BLOGCRITICS An intriguing look at the composition of fashion in the 21st century. - EDGE Fashion Futures offers an entirely new way of looking at the world of fashion. - NEW YORK JOURNAL OF BOOKS 'A thought-provoking overview.' - BESPOKE MAGAZINE

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Book SynopsisMarsden Hartley (1877-1943) was proud to call himself an American artist, but he dreamed of travel to Europe, believing instinctively that he would learn more there than would be possible in his home state of Maine or even in New York. In 1909 Alfred Stieglitz gave Hartley his first solo exhibition in New York, and a second successful show three years later enabled him to head to Europe, where he spent time in Paris, Berlin and Munich. His rise to prominence as a specifically American modernist was based largely on the visual ideas and influences that he encountered in these vibrant cities, which he then synthesized through his own New England point of view. Hartley, who was by nature something of a loner, never lost his wanderlust, and throughout his life found inspiration in many other landscapes and cultures, including in southern France, Italy, Bermuda, Mexico and Canada. Marsden Hartley: Adventurer in the Arts, published to coincide with an exhibition opening at the Vilcek Foundation in New York, offers a fresh appraisal of a pioneering modernist whose work continues to be celebrated for its spirituality, experimentation and innovation. Rick Kinsel's introduction provides an overview of the manifold ways in which Hartley's travels shaped his artistic vision, from experiencing the latest art in Paris and finding a mentor there in Gertrude Stein to meeting members of the Blaue Reiter group in Germany and developing an interest in both Prussian military pageantry and Bavarian folk art; from becoming fascinated with ancient Aztec and Mayan cultures while in Mexico to being inspired by the traditional pueblo life of the Native Americans of the Southwest. William Low surveys items from the Marsden Hartley Memorial Collection of Bates College Museum in Maine - including memorabilia from the artist's travels and artefacts reflecting his diverse spiritual interests - and explains how they aid our understanding of Hartley's motivation and passions. Among them are a photograph album tracing the course of Hartley's peripatetic life from 1908 to 1930 and a notebook of `Color Exercises', both of which are reproduced in full. Emily Schuchardt Navratil considers how Hartley's desire for escape was reflected in his love of the circus, a recurrent theme in his paintings, drawings and writings. He was enthralled by the spectacle and the nomadic existence, and he imagined circus performers to be members of his own wandering troupe. For fifteen years he worked on a book devoted to the subject, but it was left unfinished at his death; an 18-page typescript version is reproduced here in its entirety. Kinsel then explores Hartley's painting Canoe (Schiff), created in Berlin in 1915 as part of his Amerika series of brightly coloured works defined by imagery drawn from both Native American material culture and German folk art. For Hartley, these paintings represented a dual cultural identity. The main part of the book, by Navratil, features some 100 paintings, drawings, photographs and postcards, arranged into seven country- or state-themed sections, with a concluding section on Hartley's personal possessions, which - because he had no permanent home of his own - held extraordinary significance for him.

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Book SynopsisPublished to mark the reopening of the spectacular baroque interior of the Old Royal Naval College in Greenwich after a landmark conservation project, The Painted Hall is a wonderful celebration of what has been called `the Sistine Chapel of the UK’. The ceiling and wall decorations of the Painted Hall were conceived and executed by the artist Sir James Thornhill between 1707 and 1726 – years that witnessed the Act of Union during the reign of Queen Anne and Great Britain’s rise to become a dominant Protestant power in a predominantly Catholic Europe. The accessions to the throne of William III and Mary II in 1688 and George I in 1714 form the central narrative of a scheme that also honours Britain’s maritime successes and mercantile prosperity. The artist drew on a cast of around 200 figures – a mixture of historical, contemporary, allegorical and mythological characters – to tell a story of political change, scientific and cultural achievements, naval endeavours, and commercial enterprise against a series of magnificent backdrops. In the first part of the book, Dr Anya Lucas describes the history and architecture of the building and the background to Thornhill’s commission. The grandeur of his composition, which covers 40,000 square feet, reflects the importance of the space that the paintings adorn: the hall of the new Royal Hospital for Seamen. The Hospital was established in 1694 at Queen Mary’s instigation for men invalided out of the Navy, and was designed by Sir Christopher Wren and Nicholas Hawksmoor. The Painted Hall was originally intended as a grand dining room, but it soon became a ceremonial space open to paying visitors and reserved for special functions. The last naval pensioners left the site in 1869, when it became home to the Royal Naval College, an officers’ training academy. The passage of nineteen years from the start of the commission to its completion, and the need to navigate contemporary political events, meant that Thornhill was required to rethink the design of his paintings several times. His preparatory sketches for the Painted Hall reveal how carefully he experimented with and planned the content. When he had finished his work, Thornhill wrote An Explanation of the paintings, which was published by the Hospital directors and sold to visitors. This guide is the subject of the second part of our book, by Dr Richard Johns. Johns also explores image and meaning in Thornhill’s decorative scheme, which stretches across three distinct but connected spaces: the domed Vestibule, the long Lower Hall, and the Upper Hall, together presenting a vivid and compelling picture of Britain’s place in the world according to those who governed it at the start of the 18th century. During the last 300 years, smoke and dirt built up on the fragile painted surfaces of the Hall, and varnish layers fractured under the effects of heat and humidity. In the final part of the book, the specialist conservators Sophie Stewart and Stephen Paine consider historic restorations of the Painted Hall from the 18th century to the Ministry of Works campaign of the late 1950s. The spring of 2019 sees the completion of a ground-breaking conservation programme that has reversed decades of decay and ensured the long-term preservation of the paintings. Now that every inch of decorated surface has been lovingly cleaned and conserved, new photography brings the colour, clarity and vibrancy of Thornhill’s masterpiece to life.

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Book SynopsisBirds’ eggs are true wonders of the natural world: they are strong enough to protect the embryo as it grows and to withstand incubation by the parent, yet sufficiently fragile to allow the chick to hatch. Little wonder that the enormous diversity of avian eggs – the amazing range of shapes, sizes, colours, textures and patterns – has long fascinated us. Since boyhood, the renowned landscape photographer Colin Prior has had a passion for wild birds. For him, birds are the embodiment of nature, and fundamentally enrich the experience of being outdoors. This stunning new book presents Prior’s remarkable images of birds’ eggs side by side with his dramatic photographs of the birds’ natural habitats. At a time when many human influences are having an adverse impact on the environment, these habitats are equally fragile and vulnerable to change. Loss of habitat is, in turn, a major factor in the decline of wild bird populations. It has been illegal to take any birds’ eggs from the wild in Great Britain since 1954, and since 1982 it has been against the law to possess the egg of any wild bird. The eggs featured in this book belong to the National Museum of Scotland in Edinburgh, which holds one of the world’s largest collections of birds’ eggs. The eggs were collected legally during the late 19th and early 20th centuries and bequeathed to the museum by private collectors. Prior set up a studio at the museum and spent five weeks photographing more than 300 eggs using the latest digital technology. Each photograph is a compilation of between 40 and 80 separate exposures that were then blended into a single image using specialist software. The final image is an exquisite, almost three-dimensional rendition of the egg, pin-sharp from the front to the back. The eggs vary in size from that of the tiny goldcrest, the UK’s smallest bird, to that of the mute swan. In his introduction, Prior describes how his love of the natural world was nurtured by the endless hours he spent in the countryside around the Glasgow suburb where he grew up; how he overcame the technical challenges of photographing the eggs; how the featured eggs were selected from the museum’s collection; and how the photography of each bird’s habitat was completed. In his essay, the Scottish environmentalist Professor Des Thompson reflects on the state of nature and the relationship between nesting and habitats. In the main part of the book, the birds’ eggs are arranged into chapters according to the species found in a particular habitat, such as ‘Mountain and Moorland’ and ‘Seashore and Estuary’. The caption beneath each egg details the common and scientific name of the bird, the date the egg was collected, the size of the clutch, and the egg’s dimensions. Each egg is presented in a diptych with a photograph of the bird’s habitat, painstakingly captured at a time of year when the dominant colours of the landscape most closely resemble those of the egg. Fragile – the culmination of ten years’ work – not only showcases the inherent beauty of birds’ eggs, but also serves as a powerful reminder to protect the birds’ natural habitats and thereby the birds themselves.Table of ContentsIntroduction Essay by Prof. Des Thompson Moutain and Moorland Broadleaved Woodland Coniferous Forest Heathland Farmland Lochs, Rivers and Marshes Seashore and Estuary Sea Cliffs and Rocky Islands Photographic notes Comparative Egg Sizes Index

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Book SynopsisNo art form is more associated with the Native Americans of the Southwest than pottery. For centuries, Pueblo people have made beautiful pottery, often painted with intricate designs, for everyday activities such as cooking, food storage and gathering water, and for ceremonial use. Vessels of these types have been found at ancient sites including Chaco Canyon and Mesa Verde. The tradition of pottery-making continues to thrive among Pueblo communities in the Southwest, and while pottery is still made for practical purposes, it is also commonly produced for the art market. Since the time of the Ancestral Puebloans, pottery has been made predominantly by women. The pots are created from natural clay using a coil method; they are hand-painted and then fired outdoors. Designs vary from one Pueblo to another, but many symbols and motifs are shared by the Pueblos. An impressive survey of more than 100 pieces of historic Pueblo pottery, Grounded in Clay is remarkable for the fact that its content has been selected by Pueblo community members. Rather than relying on Anglo-American art historical interpretations, this book foregrounds Native American voices and perspectives. More than 60 participants from 21 Pueblo communities in the Southwest – among them potters and other artists, as well as writers, curators and community leaders – chose one or two pieces from the collections of the Indian Arts Research Center at the School of Advanced Research in Santa Fe, New Mexico, and the Vilcek Collection in New York. They were then given the freedom to express their thoughts in whichever written form they wished, prose or poem. Their lively, varied contributions reveal the pottery to be not only a utilitarian art form but also a powerfully intangible element that sits at the heart of Pueblo cultures. With magnificent photography throughout, Grounded in Clay showcases the extraordinary history and beauty of Pueblo pottery while bringing to life the complex narratives and stories of this most essential of Native American arts.Table of ContentsPreface by Elysia Poon Asserting Indigenous Intellect into the Collection: Grounded in Clay by Joseph 'Woody' Aguilar Clay Stories by Nora Naranjo Morse Map Catalogue Afterword by Rick Kinsel Biographies Acknowledgements Picture Credits Index

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Book SynopsisAs many parents know, decorating and furnishing a child’s room can be both a pleasure and a problem: you have somehow to find a balance between practicality, playfulness, comfort, safety, originality and making the most of the space available. Some of the world’s best-known designers and design companies have risen to the challenge of creating furniture and accessories specifically for children. Rather than being merely scaled-down adult designs, the best designs for children should respond to their express needs: as well as being durable, safe and easy to clean, they should nurture a child’s development and encourage creativity and the use of imagination. This stylish book presents some 250 designs for children, both iconic pieces of furniture, furnishings and toys and more recent creations based on the latest technological advances. From Charles and Ray Eames, Eero Aarnio and Nanna Ditzel through to Marcel Wanders and Javier Mariscal, and from Knoll and Artek to Alessi, MDF Italia and Magis, the biggest names in design have produced beds, tables, chairs, storage, rugs, cutlery and playthings that can be used from children’s earliest days through to the start of adolescence. With a fresh, appealing layout, the book is divided into three main sections – furniture, accessories and toys – within which the designs are further arranged into such categories as cribs and cots, bookcases, mirrors, mobiles and rocking horses. Throughout, concise descriptions are accompanied by colourful and lively illustrations. Whether you are a style-conscious parent seeking ideas for a functional yet fun nursery, bedroom, playroom or study, a design professional or simply a fan of contemporary design, this is an enchantingTable of ContentsIntroduction Furniture Chairs and Armchairs Stools Tables, Desks and Sets Newborn beds Shelves Storage Accessories Rugs Bean bags and pouffes Wallpapers Mirrors Lamps Mobiles Clocks Coat racks and hooks Tableware Toys Animals Dolls Rocking horses Dollhouses, teepees and tents Index

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Book SynopsisThe window is one of the most essential components of architecture, yet it rarely receives the detailed examination that it deserves. This new study explores the development of the window, showing how it transformed human experience by increasing access to light and air, and simultaneously changed our perception of architectural space. Christopher Masters celebrates the multiple roles of the window in architecture through thematic chapters that allow for spectacular visual comparisons, juxtaposing images from different cultures and historical periods. He provides engaging commentaries on over 80 exceptional buildings of all types, both ancient and modern, ranging from the Pantheon in Rome, Hagia Sophia in Istanbul, the Sainte-Chapelle in Paris and the Katsura Imperial Villa in Kyoto to Walter Gropius's Bauhaus in Dessau, Eero Saarinen's TWA Terminal in New York, Jean Nouvel's Louvre Abu Dhabi and Dorte Mandrup's Icefjord Centre in Greenland. Featuring more than 150 superb photographs, this is an intriguing and accessible survey of a formerly neglected subject in architectural history. AUTHOR: Christopher Masters is a London-based author specialising in art and architecture. SELLING POINTS: . A new survey of an integral but little-studied aspect of architecture across the centuries . With more than 80 buildings worldwide by architects from Palladio and Christopher Wren to Le Corbusier, Ludwig Mies van der Rohe, Santiago Calatrava, Rem Koolhaas and Zaha Hadid . A wide-ranging, informative text analyses the window as a central aesthetic and functional feature of architecture, and also considers key social and technological factors 150 colour illustrations

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Book SynopsisMade in Ibiza is both a visual treat and a fitting celebration of a dynamic creative scene that contributes so much to the vitality of this unique Mediterranean island.

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Book SynopsisBilly Colfer's Wexford Castles expands the IRISH LANDSCAPES series by taking a thematic approach, while still staying loyal to the central landscape focus. Rather than adapting a narrowly architectural approach, he situates these buildings in a superbly reconstructed historical, social, and cultural milieu. County Wexford has three strikingly different regions - the Anglo-Norman south, the hybridised middle and the Gaelic north - which render it a remarkable version in parvo of the wider island. Colfer's wide-angle lens takes in so much than the castles themselves, as he ranges widely and deeply in reading these striking buildings as texts, revealing the cultural assumptions and historical circumstances which shaped them. In this most cosmopolitan of counties, we range far and wide in search of the wide-spreading roots of its cultural landscape - from the Crusades and the Mani peninsula in Greece to the Bristol Channel, from Crac des Chevaliers to Westminster, from the Viking north and the cold Atlantic to the warm Mediterranean south. The book breaks new ground in exploring the long-run cultural shadow cast by the Anglo-Normans and their castles, as this appears in the Gothic Revival, in the poetry of Yeats and in the surprisingly profuse crop of Wexford historians and writers. While most books on a single architectural form can end up visually monotonous, creativity has been lavished on this volume in terms of keeping the images varied, fresh and constantly appealing. The result is a sympathetic and innovative treatment of the castles, understood not just as a mere architectural form, but as keys to unlocking the mentalite of those who lived in them. Wexford Castles: landscape, context and settlement is a worthy conclusion of Billy's Colfer's superb trilogy of landscape studies.Table of ContentsLocation and Landscape Continental Connections Castles in Europe Anglo-Norman Colonisation Thirteenth-century Castles: Conquest and Colony Ferns Castle The Shifting Frontier Social Turmoil Defending the Colony Fortified Churches Tower-House Economy Tower-House Landscapes Tower-House Architecture and Typology The Wexford Fortified Hall-House: Late Sixteenth-century Transitional Residences Endgame Legacy Gazetteer of Tower Houses with Surviving Fabric Appendix 1: Tower Houses: Condition and Documentation Appendix 2: Fortified hall-houses: Condition and Documentation Endnotes Figure sources and attributions Bibliography Index

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Book SynopsisHow will automated vehicles change our lives? Where are the opportunities and challenges? Future streets require planning today. This timely book envisions ways in which changes to urban mobility and technology will transform city streetscapes and, importantly, how cities can prepare. It is a reflection on the relationship between new technologies and urbanism, as well as an agile urban design manual with pictures illustrating potential spatial arrangements enabled by the new technologies. Two case studies in the central urban cores of London and Los Angeles will be presented to show how neighborhoods can be redesigned for the better and how to apply good urban design principles across towns and cities worldwide.Table of ContentsPart I: Cars, People and Urban Design1. Cars as Makers and Destroyer of Space2. Setting the Scene3. CAVs Principles for People Centric Urban DesignPart II: Visions for the Future4. London vs Los Angeles5. London6. Los Angeles7. A Way Forward

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Book SynopsisStudying architecture is hugely exciting and rewarding. It entails developing design skills, problem-solving abilities and tapping into creativity, as well as acquiring cultural, technical and professional knowledge. This book is the go-to guide for students throughout their architectural education. It introduces architecture students to all they need to know to get on an architecture course, thrive at school and be prepared for the realities of becoming a practising architect. Split into three main sections – Part I (BA or BSC in Architecture), Part II (Masters or Diploma) and Part III (Advanced Diploma in Professional Practice) – it offers direction on all aspects of an architectural education. These range from initial tutorials, the first crit and essay-writing through to the development of final project and thesis work. Covering all bases, it is a comprehensive guide for a student’s passage from university preparation through to undergraduate and graduate study and out into the profession. It features RIBA UK architecture schools and those validated overseas, as well as a short, final chapter on architectural education elsewhere in the world. Table of ContentsIntroduction Part 1: Undergraduate Chapter 1: Getting to School Chapter 2: The First Year Chapter 3: Second and Third Year Part 2: Postgraduate Chapter 4: Year(s) Out and Working in an Office Chapter 5: MArch and Part 2 Part 3: Part 3 Chapter 6: Studying Abroad Chapter 7: Finding a Job Post-Part 2 and Part 3

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Book SynopsisProfessionalism is not automatic with qualification. It is decided by the manner in which you carry out your professional life – the conduct and qualities that you bring to your role. In architecture, it is founded on the principles of honesty, integrity and competence, and a concern for the environment and others. As a trusted expert, it is essential that you gain respect for your skills and knowledge while maintaining veracity and transparency in your relationships and dealings with clients, end users, design and construction professionals and the wider public. With a focus on professional judgement, this book is a personal guide on how to be a self-aware and successful practitioner, aspiring to best practice.It will give you the confidence to create meaningful industry connections and handle contractual disputes, insurance and negligence claims while maintaining a high standard of conduct. By paying attention to business planning, financial processes, good management and effective communication, it will help you to protect your practice’s reputation and increase profitability and cashflow. Ultimately, it will enable you to not only avoid professional pitfalls but to benefit from positive working relationships.Table of ContentsChapter 1: An overview of professionalism Chapter 2: Professionalism at work with clients Chapter 3: Professionalism at work with money Chapter 4: Professionalism at work with the law Chapter 5: Professionalism at work with projects Chapter 6: Professionalism at work with people Chapter 7: Professionalism at work with insurance Chapter 8: Professionalism at work with professional conduct Chapter 9 Conclusion

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Book SynopsisWant to keep up with emerging design thinking and issues worldwide? Design Studio is a new thematic series that distils the most topical work and ideas from schools and practices globally. Everything needs to change. Every minute we pollute the air and rivers using resources that we cannot replenish. Each newly erected building aggravates by consuming additional materials and energy. Exploring architecture and the climate emergency, editors So­fie Pelsmakers (sustainable architect, educator and author of The Environmental Design Pocketbook) and Nick Newman (climate activist and Director of award-winning practice Studio Bark) are channelling the message of Greta Thunberg to inspire, enthuse and inform the next generation of architects. By including articles, building pro­files and design projects from a range of leading voices, it explores solutions to climatic, environmental and social challenges. It urges readers to radically rethink what it means to be an architect in an era of climate crisis, and what the role of the architect is or can be. Features: Goldsmith Street, Norwich; Kingsdale School, London; Upcycle Studios, Ørestad; Olympic Pavilion, Tokyo; School of Dancing Arches, Bhadran; Burwood Brickworks, Melbourne; UN17 Village, Copenhagen, and more. Discover how by using local materials and working with nature, radical design processes and transformative learning, infused with activism, hope can be found in the burning world.The cover has been designed in four unique fluorescent colours - green, pink, red or yellow - and delivered at random. Together, we can force change for a more sustainable and equitable tomorrow.Table of ContentsEditor's Note Creating Change with Impact: An Architect’s Manifesto By Dorte Mandrup Not Opposites: A Conversation with Hiroshi Sambuichi on Architecture and Nature By Andrew Barrie Think Before You Build By Kari Kytölä, Paulina Sawczuk and Satu Huuhka Movement Building: Activism in an Age of Crisis By Tom Bennett The Sponge City: Planning, Design and Political Design By Kongjian Yu Contesting the Architect's Role Through Radical Participatory Design: A Discussion with Al Borde and raumlabor By Mario Kolkwitz and Elina Luotonen Transforming Education in a Climate Emergency By Architects Climate Action Network (ACAN) Architectural Learning for a Sustainable Future By Elizabeth Donovan, Urszula Kozminska, Nacho Ruiz Allen and Thomas R. Hilberth Hope in the Burning World By Kasia Nawratek Towards a Zero Carbon Architecture: Clay Field, Suffolk, UK; Goldsmith Street, Norwich, UK; Housing for City of York, UK By Mikhail Riches Radical Sustainable Architecture: Kingsdale School, London, UK By Alex de Rijke at dRMM Co-housing Project: Vindmøllebakken, Stavanger, Norway By Siv Helene Stangeland at Helen & Hard Architects Implementing Sustainability: Upcycle Studios, Ørestad, Denmark; Resource Rows, Ørestad, Denmark; Olympic Pavilion, Tokyo, Japan; UN17 Village, Copenhagen, Denmark By Anders Lendager at Lendager Group A Choreography of Bricks: School of Dancing Arches, Bhadran, India By Samira Rathod Adaptation Out of Necessity: Cuba By Anyana Zimmerman and Fabián Rodriguez Izquierdo Sustainability is Not Enough: SBRC, University of Wollongong, Australia; Burnwood Brickworks, Melbourne, Australia; The Paddock, Castlemaine, Australia By Stephen Choi Final Word

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Book SynopsisHow should we train? What should we learn? What is our value? Disruptive technologies have increased speculation about what it means to be an architect. Innovations simultaneously offer great promise and potential risk to design practice. This volume identifies the game-changing trends driven by technology, and the opportunities they provide for architecture, urbanism and design. It advocates for an approach of intelligent control that transforms practice with specialist knowledge of technological models and systems. It features new developments in automation, generative design, augmented reality, videogame urbanism, artificial intelligence and robotics, as well as lived experiences within a continually shifting landscape. Showcasing evolving research, it discusses the cultural, social, environmental and political implications of various technological trajectories. In doing so it speculates upon future urban, spatial, aesthetic and formal possibilities within architecture. The future is already here. Now is the time to act. Features: Austrian Institute of Technology AiT - City Intelligence Lab CiT, Bryden Wood, Mollie Claypool, Soomeen Hahm, Hawkins\Brown, LASSA Architects, The Living, Danil Nagy, Odico Construction Robotics, Stefana Parascho, Luke Caspar Pearson, SHoP Architects, Kostas Terzidis, Mette Ramsgaard Thomsen and Sandra Youkhana.Table of ContentsAbout the Editor’s Acknowledgements Editor’s Note Articles Complex Urban Futures: Design Science for Flux Territories by Ulysses Sengupta, Eric Cheung., Solon Solomou, Sigita Zigure, Mahmud Tantoush, May Bassanino, Rob Hyde, Manchester School of Architecture The Allegorithmic Utopia of Videogame Urbanism by Sandra Youkhana and Luke Caspar Pearson Evolving Design: From Computer Tools to Generative Design Partners by Danil Nagy Entering a Bio-Based Material Paradigm: Probing Advanced Computational Methods for a Shift in Material Thinking by Mette Ramsgaard Thomsen Home Position: Reflecting on Disciplines, Discontinuities and Design Spaces by Stefana Parascho Automation, Architecture and Labour by Mollie Claypool Augmenting Human Designers and Builders: Augmentation Discussed in Architectural Design Research by Soomeen Hahm Profiles An Intelligent Framework for Resilient Design (Infrared) by Austrian Institute of Technology AiT - City Intelligence Lab CiT Disrupting Design(ers) Through Automation by Bryden Wood Scaling Construction Robotics by Odico Construction Robotics Natural Intelligence: Designing with Living Materials by The Living Case Studies Research by Design: The Gantry by Hawkins\Brown Digital Constructivism: Democratising the Digital by Theo Sarantoglou Lalis, LASSA Architects Panels, Polygons and Pixels: How Data Informs Supertall Tower Design by SHoP Architects Final Word by Kostas Terzidis

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Book SynopsisThe Crystal Palace was built in Hyde Park to house the treasures of the world for the Great Exhibition of 1851. It became a microcosm of Victorian life, industry and leisure, reflecting every aspect of its age. Designed by Joseph Paxton as a temporary structure its success meant that when it closed it was moved to Sydenham and rebuilt.Trade Review... widely regarded as the most authoritative book written about the history of the famous glass Crystal Palace ... * Kentish Times *

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Book SynopsisFrom the mid-16th century the rich and successful usually had a London house, and often a country estate; but more important in many ways was the suburban house within easy reach of London, where they could send their families for the summer and from which they could keep in contact with their business or the court. This book is the first to address the history of these houses, concentrating on those that still exist, while giving some indication of the major lost ones as well. Includes plans and images of most houses listed. Includes information on owners, architects, landscape design, building materials and styles. The area covered by this book extends from London to the M25, which sliced through the country round London in the late 20th century.

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Book SynopsisThe neon, pastels, bows, and vibrant prints of Tokyo's fashion tribes are unmistakable, outrageous, and fun. Recognized around the world, with huge online followings, the city's style icons are photographed here against white backgrounds, revealing a new dimen-sion of personality and emotion in these remarkable individuals. Portraits include fashion icon Kumamiki--the vision behind the Party Baby movement and clothing brand--who has a growing global online following.

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