Art & Photography Books

Book SynopsisPostwar French works that register disturbing truths about loss and regret, and violence and history, through aesthetic refinement anchor this exquisite, image-filled rumination on efforts to capture fleeting moments and comprehend the incomprehensible.Trade Review"Carol Mavor has developed a unique way of responding to images and to their uses by artists and writers: with appetite and fastidious delicacy, she brings the full sensorium synaesthetically into play. Black and Blue is a highly wrought montage, an original attempt to open up the meanings of visual objects in relation to experience, and a startlingly daring account of a symbolic field. It resonates with—and pays tribute to—such key art historical works as Aby Warburg's Mnemosyne Atlas and William Gass's prose poem, On Being Blue."—Marina Warner, author of Stranger Magic: Charmed States and the Arabian Nights"In Black and Blue, Carol Mavor lives with the wounding memories of Hiroshima, the Holocaust, and the regime of hate in American racial history. She looks at herself through a kaleidoscope of texts and images whose pain her own writing seeks to alleviate. The reader witnesses conflicted emotions circulating within a gallery of figures defining the melancholic tenor of critical and creative labors of the last three decades. As a testament and a symptom, Black and Blue belongs to a growing number of first-person accounts that have coped with the years 1939–46 and after, including those by Sarah Kofman (Rue Ordener, rue Labat) and Jean-Luc Godard (Histoire(s) du cinéma), in which the 'author' deals with his or her own relation with the past, from a highly autobiographical standpoint. What makes Black and Blue stand out is its movement to and from a theoretical critical canon, through an impressive body of films, texts, and images, which literally punctuate the book."—Tom Conley, author of An Errant Eye: Poetry and Topography in Early Modern France“Black and Blue is only partly, though brilliantly, about the colours of its title. It’s avowedly indebted to novelist-philosopher William H. Gass’s extraordinary 1976 essay On Being Blue: A Philosophical Inquiry, and shares that book’s super-subjective love of lists and tendency to intuitive digressions.... Black and Blue has a poetic logic of mourning, and its rage to make too much sense.” -- Brian Dillon * Art Review *“It is impossible to make sense of and represent catastrophes—Hiroshima, the Holocaust, loss of memory, death—and these are all approached in an oblique way that makes one ponder the concept. This reviewer would answer in the affirmative Mavor’s indirect question when she seems to wonder if she ‘effectively’ ‘combines catastrophe with frivolity as the text moves between the public and the private, in an effort to make sense.’ This well-maintained tension is the underlying thread that makes the reader watch, read, and think more deeply. Recommended. Upper-division undergraduates, graduate students, researchers, faculty, general readers.” -- E. A. Vanborre * Choice *“The overall effect is hypnotic, aided by the stunning visual affect of the book, tis elegant typesetting and the variety of the images that litter the text. . . . a joy to read . . . a veritable feast for the eyes.” -- Lucy Scholes * TLS *“Mavor succeeds in producing a truly hybrid work: image and text, art criticism and self-analysis come together almost seamlessly, culminating in an impressively phenomenological approach to the subject of memory. . . . [H]er keen attention to etymology and intellectual history succeeds in opening the text, the field of play: the films she discusses function just as Proust’s madeleine, describing but not finally demystifying Mavor’s memory, involuntary in its movement between present and past, research and experience, art and life.” -- Andrew Marzoni * Rain Taxi *“Black and Blue is an unabashedly first person, nonprescriptive account from one such reader-viewer, one that seeks to combine 'catastrophe with frivolity' in its quest to reveal something of the link between private and public affect by staging a struggle between them.” -- Dylan J. Montanari * Los Angeles Review of Books *“Black and Blue is a thought-provoking belletristic work. At times the style reaches the heights of Mavor’s beloved Barthes and Farber. Also, many of the contemporary artists discussed will be unfamiliar to readers within film studies, and will no doubt provide additional ways of thinking and angles of inquiry. It’s also worth noting that Black and Blue is beautifully presented, with ample screenshots taken from the films, and colour plates of the other artworks Mavor discusses.” -- John A. Riley * Scope *“[A] beautiful book, a book that asks art historians and cultural theorists to weigh the merits and limitations of affect as a methodological approach to the image broadly. This passion, Mavor shows everywhere, may be at times blinding but it also has the illuminating force of the sun.” -- Peggy Phelan * Photography and Culture *"In her chapters on La Jetée and Sans soleil she aligns a series of ostensibly unrelated circles. . . . Such associations are not only evocative, efficiently subtending history’s temporal habits and causal relations, they also train the reader to look as thoughtfully and creatively as Mavor does." -- Jane Blocker * Art History *“As I read this book, I lost myself in the writing, floating through a dream of images of rolling marbles, landscapes of ash, on the smile of an auntie in an old photograph, of a blue washcloth in a bathtub. The artwork that colors the text is charged with emotions of motherhood, of death, of race and of coming to terms with events in life out of our control. I wandered back and forth between the essays recalling black milk, black rain and black ink, carried away in the melancholy mixed with delicacy.” -- Jessica Cline * New York Public Library *“Carol Mavor does not write conventional works of art and literary criticism. Yet (or perhaps because of this) she can open up image and text in fascinating ways. . . . Black and Blue will be seen as a moving dramatization of the art of memory and forgetting and a Proustian and surrealist refiguring of post-war French culture. I was moved.” -- Max Silverman * French Studies *"Mavor is a learned scholar whose encyclopedic knowledge allows her to unearth deft connections between texts and figures whose distance from each other may have seemed immense." -- Anderst * Film Criticism *Table of ContentsAcknowledgments ix Abbreviations xi Introduction. First Things: Two Black and Blue Thoughts 1 Author's Note I. A Sewing Needle inside a Plastic and Rubber Suction Cup Sitting on a Watch Spring; or, An Object for Seeing Nothing 17 1. Elegy of Milk, in Black and Blue: The Bruising of La Chambre claire 22 2. "A" is for Alice, for Amnesia, for Anamnesis: A Fairy Tale (Almost Blue) Called La Jetée 53 3. Happiness with a Long Piece of Black Leader: Chris Marker's Sans soleil 77 Author's Note II. She Wrote Me 111 4. "Summer Was inside the Marble": Alain Resnais's and Magurite Duras's Hiroshima mon amour 114 List of Illustrations 161 Notes 169 Index 191

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Book SynopsisWhat We Made presents a series of fifteen conversations in which contemporary artists who create activist, participatory work discuss the cooperative process. Colleagues from fields including architecture, art history, urban planning, and new media join the conversations.Trade Review“These conversations by key practitioners and thinkers are a snapshot of thinking around the emergence of social and collaborative art, which seeks to improve society and address social issues. Finkelpearl ably situates collaborative and participatory art within the chronology of American art history.” -- Toro Castaño * Library Journal *"What What We Made does, perhaps better than anything I’ve read so far about this particular kind of art, is utterly refrain from arriving at singular summaries or judgments. Instead, the conversations foreground the nuanced and complex social relations tied up in any artwork, but particularly collaborative artwork that draws on communities operating largely outside of the arts marketplace. And the projects Finkelpearl has chosen to discuss and feature by and large demonstrate real possibilities for genuine exchange across networks and communities." -- Alexis Clements * Hyperallergic *“What We Made is a good sourcebook of art that tackles politics through participation and collaboration. The author’s introduction provides a useful overview of the situation in contemporary America. . . .” -- Sally O’Reilly * Art Monthly *“What We Made brings together the stars of the social practice world Rick Lowe, Tania Bruguera, Mierle Laderman Ukeles, Harrell Fletcher, and more in conversations with urban planners, educators, and each other, to create a fluid and interdisciplinary dialogue about social practice and its complicated, beautiful and necessary implications in the world.” -- Katie Bachler * The Art Book Review *“Finkelpearl has provided his readers with a rich description of a particular, influential movement in the art museum world. This book illustrates his own commitment to social collaboration. By presenting the conversations that make up the core of this volume, he brings this aspect of the art museum world to a larger public.” -- George E. Hein * Curator *Table of ContentsPreface ix 1. Introduction The Art of Social Cooperation: An American Framework 1 2. Cooperation Goes Public Consequences of a Gesture and 100 Victoria/10,000 Tears 51 Interview: Daniel Joseph Martinez, artist, and Gregg M. Horowitz, philosophy professor Chicago Urban Ecology Action Group 76 Follow-Up Interview: Naomi Beckwith, participant 3. Museum, Education, Cooperation Memory of Surfaces 90 Interview: Ernesto Pujol, artist, and David Henry, museum educator 4. Overview Temporary Coaltions, Mobilized Communities, and Dialogue as Art 114 Interview: Grant Kester, art historian 5. Social Vision and a Cooperative Community Project Row Houses 132 Interview: Rick Lowe, artist, and Mark Stern, professor of social history and urban studies 6. Participation, Planning, and a Cooperative Film Blot Out the Sun 152 Interview: Harrell Fletcher, artist, and Ethan Seltzer, professor of urban studies and planning Ride Out the Sun 174 Follow-up Interview: Jay Dykeman, collaborator 7. Education Art Catedra Arte del Conducta 179 Interview: Tania Bruguera, artist Catedra de Conducta Follow-up Interview: Claire Bishop, art historian 8. A Political Alphabet 219 Interview: Wendy Ewald, artist, and Sondra Farganis, political scientist 9. Crossing Borders Transnational Community-Based Production, Cooperative Art, and Informal Trade Networks 240 Interview: Pedro Lasch, artist, and Teddy Cruz, architect 10. Spirituality and Cooperation Unburning Freedom Hall and The Packer School Project 269 Interview: Brett Cook, artist, and Mierle Laderman Ukeles, artist The Seer Project 301 Interview: Lee Mingwei, artist 11. Interactive Internet Communication White Glove Tracking 313 Interview: Evan Roth, artist White Glove Tracking 335 Follow-up Interview: Jonah Peretti, contagious media pioneer Conclusion: Pragmatism and Social Cooperation 343 Notes 363 Bibliography 373 Index 381

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Book SynopsisExamining the relationship between emotional intensity and difficulty in works of avant-garde art, Jennifer Doyle seeks to develop a critical language for understanding affectively charged contemporary art.Trade Review“Jennifer Doyle’s Hold It Against Me offers us a powerful and challenging new voice. The difficulty she describes emerges in work that turns to face us. . . .Doyle has opened up a critical and much needed space for this work and these experiences. She demands that we consider the political and historical stakes in ourselves, to embrace what is intimate and fraught — and that is no easy feat.” -- Laura Fried * Los Angeles Review of Books *“Doyle blends scholarly critique with personal experience, producing a deep and broad analysis which is as much a critique of contemporary art criticism as contemporary art.” * Publishers Weekly *“This treatise argues that emotion makes artworks harder, more interesting, more difficult, and yet ultimately more rewarding for their complexity. Though aimed at scholars of performance and visual culture, this densely complex book will reward tenacious readers interested in understanding some of the most moving (and difficult) contemporary art of our time." -- Toro Castaño * Library Journal *“In this rich, thought-provoking, and very readable work of scholarship, Doyle poses questions about works of art that cannot be easily described, that bring complicated personal and political subject matter to the fore, and that often evoke strong emotional reactions in the audiences that view them.” -- Alexis Clements * Hyperallergic *"Doyle’s book is both an endorsement for and an example of what might happen once we venture away from the assurance of that cool scholarly detachment and into the less transparent but perhaps more revealing terrain of affective response. What Doyle discovers in that realm of feelings is not only personal sentiment, but also a complex site where ideology, aesthetics, social convention, and political possibility intersect." -- Catherine Zuromskis * Postmodern Culture *“Doyle captures unnerving moments of unease, anxiety, even extreme pain. These images and Doyle’s compelling discussion of their difficulty stay with the reader long after closing the book’s covers. Perhaps that is what is so successful about Doyle’s study. While the actual works explored are many of them fleeting performances, or done by artists who have by now succumbed to the AIDS virus, or are representations of the dead, they persist. They fight. They move us.” -- Sarah E. Cornish * Rocky Mountain Review *Table of ContentsPreface ix Acknowledgments xxi I. Introducing Difficulty 1 Hard Feelings 5 Patrolling the Border between Art and Politics 9 Vocabulary Shift: From Controversy to Difficulty 15 Difficulty's Audience 21 2. Three Case Studies in Difficulty and the Problem of Affect 28 A Blank: Aliza Shvarts, Untitled (2008) 28 Theater of Cruelty: Thomas Eakins, The Gross Clinic (1875) 39 Touchy Subjects: Ron Athey, Incorruptible Flesh: Dissociative Sparkle (2006) 49 3. Thinking Feeling: Criticism and Emotion 69 What Happened to Feeling? 69 The Difficulty of Sentimentality: Franko B's I Miss You! (2003) 73 The Strange Theatricality of Tears: Nao Bustamante's Neapolitan (2009) 83 Relational Aesthetics and Affective Labor 89 4. Feeling Overdetermined: Identity, Emotion, and History 94 The Difficulty of Identity 94 James Luna's The History of the Luiseño People (Christmas, La Jolla Reservation 1990) (1990–1996, 2009) 98 Difficulty and Ideologies of Emotion 106 Carrie Mae Weems's From Here I Saw What Happened and I Cried (1995–1996) 112 Conclusion 126 David Wojnarowicz's Untitled (Hujar Dead) (1988–1989) 126 Notes 147 Bibliography 183 Index 193

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Book SynopsisWritten by one of the foremost scholars of African art and featuring more than 125 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960.Trade Review“As a book that documents the trajectory of colonial and post-colonial states of visual arts in Nigeria, Okeke-Agulu’s Postcolonial Modernism is no doubt a compact scholarly work that highlights the dynamics of the past and politics of a period that could have been the Nigerian renaissance in the post-independence era.” -- Tajudeen Sowole * The Guardian (Lagos) *“Through contemporary documentation, such as the magazine Black Orpheus, which published criticism, reviews, portfolios, and well-chosen illustrations, Okeke-Agulu offers thorough formalist and analytical readings of works of art. Knowledge of Nigerian artists Aina Onabolu, Bruce Onobrakpeya, Demas Nwoko, Simon Okeke, Yusuf Grillo, El Anatsui, and Jimo Akolo, as well as those who supported and promoted their work, such as Ulli Beier and Kenneth Murray, is broadened without delving into the minutiae of biography. … Recommended. All levels of undergraduates and above.” -- M. R. Vendryes * Choice *“The book unfolds dramatically, tracing the trajectory of Nigerian history from the colonial era through the euphoric independence years to the tragic aftermath of the post-independence period. Its seven chapters constitute an engrossing page-turner and offer a cathartic crescendo which climaxes when the author invokes Mbari--ephemeral, elaborate earthen monuments to the lgbo goddess Ala in its final pages. . . . One of this text's greatest accomplishments is the way in which it calls attention to ... under-appreciated work, while carefully situating it within a larger, sociopolitical context.” -- Carol Thompson * Art Papers *“Chika Okeke-Agulu’s thoroughly researched and beautifully illustrated Postcolonial Modernism significantly advances an understanding of modern African art. …[A] major contribution to the fields of modern African art and global modernisms. For readers unfamiliar with modern Nigerian art, it serves as a comprehensive introduction. For those who study modern Nigerian and African art, the figures, movements, and artistic concerns will be largely familiar, but Okeke-Agulu examines them with unprecedented depth and complexity, while situating them within a broader global context.” -- Rebecca Wolff * CAA Reviews *"The book is an enormously valuable contribution to our understanding of Nigerian art history, both in its text and its 127 illustrations, many of which will be new to many scholars.... It is a book that belongs in the library of every scholar interested in African art history, Nigeria, modernism, and postcolonial studies." -- Jean M. Borgatti * International Journal of African Historical Studies *"With textured analyses of artworks from unpublished archives, Okeke-Agulu’s research enriches the field of art history by offering the Nigerian experience of modernism as impetus to seek out other modernisms from the Global South. Informative for scholars in the field of African studies, this book is equally legible for undergraduate and graduate courses, or even for nonspecialists who are searching for meaningful ways to rethink the existing, incomplete narratives concerning modernity and Africa." -- Joseph L. Underwood * Art Journal *"When I first picked up this handsome book, a sense of wonder swept over me.... Readers will surely take from this wonderful book a new appreciation for twentieth-century Nigerian art and its role in postcolonial modernism." -- Monica Blackmun Visonà * Art Bulletin *"Chika Okeke-Agulu’s book on art and decolonization is an extensive and highly detailed investigation of the emergence of artistic modernism in Nigeria from the late 1950s to the civil war in 1967. . . . The book is without doubt a significant contribution to the study of mid- to late twentieth-century Nigerian art. However, it is important to recognize Postcolonial Modernism has the potential to appeal not only to scholars, but also to a broader audience." -- Fred Smith * H-AfrArts, H-Net Reviews *"This book offers readers a complex study into the development of Nigerian modernism within a wider political, cultural, and artistic context of decolonization. Chika Okeke-Agulu successfully achieves a delicate balancing act, keeping the individual artists and their work at the center of this critical enquiry while also analyzing how they were connected to a wider art world context." -- Helena Cantone * African Studies Quarterly *Table of ContentsList of Illustrations ix Acknowledgments xiii Introduction. Postcolonial Modernism 1 1. Colonialism and the Educated Africans 21 2. Indirect Rule and Colonial Modernism 39 3. The Academy and the Avant-Garde 71 4. Transacting the Modern: Ulli Beier, Black Orpheus, and the Mbari International 131 5. After Zaria 183 6. Contesting the Modern: Artists' Societies and Debates on Art 227 7. Crisis in the Postcolony 259 Notes 291 Bibliography 313 Index 327

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Book SynopsisIn essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography.Trade Review"Solomon-Godeau shines when applying deconstructive feminist analysis to broader questions of representation in visual culture, and the market forces that collude to elevate an artist’s reputation to master status." -- Wendy Vogel * Camera Austria *"With its refusal to separate photography from power and patronage, Abigail Solomon-Godeau's Photography After Photography arrives at an auspicious moment.. . . Bringing a wealth of information to bear on photographic meaning, Solomon-Godeau explores her topics in historical context. In doing so, she demonstrates that the way many photographs are understood today has little to do with the circumstance of their creation, or the manner in which they were originally distributed and viewed." -- Dore Bowen * Art in America *"While Solomon-Godeau’s overarching goal is to offer a feminist critique of the art world — particularly of critical discourse around art — in some of her essays she also discusses topics that fall outside this lens, such as the role of desire in photography and images of torture. In this sense, the anthology reflects the range of Solomon-Godeau’s practice and interest as an art critic and scholar." -- Ela Bittencourt * Hyperallergic *"Solomon-Godeau’s essays are lucid and make for captivating reading. . . . It is fitting for Solomon-Godeau to present a collection that spans such a broad range of topics in a manner that is cohesive, challenging, and attentive to photography’s complex formal and cultural history." -- Will Carroll * ASAP/Journal *Table of ContentsList of Illustrations vii Preface. May the Bridges We Burn Light the Way / Sarah Parsons ix Introduction 1 1. Inside/Out (1995) 10 2. Written on the Body (1997) 27 3. The Family of Man: Refurbishing Humanism for a Postmodern Age (2004) 43 4. Torture at Abu Ghraib: In and Out of the Media (2007) 61 5. Harry Callahan: Gender, Genre, and Street Photography (2007) 77 6. Caught Looking: Susan Meiselas's Carnival Strippers (2008) 94 7. Framing Landscape Photography (2010) 107 8. The Ghosts of Documentary (2012) 123 9. Inventing Vivian Maier: Categories, Careers, and Commerce (2013) 141 10. Robert Mapplethorpe: Whitewashed and Polished (2014) 156 11. Body Double (2014) 171 12. The Coming of Age: Cindy Sherman, Feminism, and Art History (2014) 189 Notes 207 Bibliography 237 Index 249

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Book SynopsisSuspended between likeness and strangeness, portraiture can identify an individual only at the moment of its advancement and withdrawal. Examining 36 portraits across two millennia, Nancy shows how, despite photograph’s ubiquity, the forms of appearing that define the portrait continue to mark the bodies and representations that dominate our world.Table of ContentsPreface to the English- Language Edition vii Introduction: The Subject of the Portrait 1 Jeffrey S. Librett The Look of the Portrait The Autonomous Portrait 13 Resemblance 21 Recall 29 Look 36 The Other Portrait L’altro ritratto 47 Character 51 The Eye 54 Visageity 56 Mimesis 59 Withdrawn Presence 63 Ipseity 67 Theophany 72 Revelation 76 Divine Abandonment 81 Dis- figuration 84 Eclipse 89 Infinite Detachment 93 Coda I 99 Coda II 101 Coda III 104 Notes 109 List of Figures 125

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Book SynopsisThe boys love (BL) genre was created for girls and women by young female manga (comic) artists in early 1970s Japan to challenge oppressive gender and sexual norms. Over the years, BL has seen almost irrepressible growth in popularity. Queer Transfigurations is the first detailed examination of the BL media explosion across Asia.

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Book SynopsisFrancisco J. Ricardo, Ph.D., is an art theorist and filmmaker born in Cuba in 1962. His work focuses on new media art and artists. Formerly affiliated with the University Professors of Boston University, he is co-founder of the Digital Video Research Archive, and has taught digital media theory in the Digital+Media Department at the Rhode Island School of Design.Trade ReviewHow does each specific application of new technology reflect outward, to the broader dynamics of an electronically networked society? Are we talking about form or experience? Digital art draws upon both visual art and literature to establish a new medium that is simultaneously posited as a breakdown of those very boundaries. What results is often both work and event, realized by the audience in the process of reception. The essays in this timely book explore these ambiguities from multiple perspectives, asserting digital art as a significant paradigm shift, even rupture, yet structurally rooted in earlier traditions. Martha Buskirk, Professor of Art History and Criticism, Montserrat College of ArtLiterary Art in Digital Performance charts an expansive range of human/machine topologies, both local and distributed, while negotiating a highly relevant set of informed perspectives and critical positionings. The ever-expanding contextual potentials of this exciting field are clearly reflected here, pointing to a rich landscape of performative literary domains. This book is a must for those interested in new media/literary critical theory as it relates to a set of unique examples of contemporary media practice. William Seaman, Professor Visual Studies of Duke Univ. and Founding Chairman of Dept. of Digital Media, RISDNew technologies like videogames, interactive installation, digital literature and data visualization are used by artists and writers before critical theory can catch up with them. Now this important collection of essays on how we "read" the new media of the day elucidates the underlying meanings of these media through the lens of contemporary criticism. Each of these insightful essays on a specific work of art is made all the more useful by the discerning post essay conversations Ricardo has with the authors. George Fifield, Founder of the Boston Cyberarts FestivalTable of Contents1. Introduction: Juncture and Form in New Media Criticism, Francisco J. Ricardo; 2. What is and Toward What End do We Read Digital Literature?, Roberto Simanowski.

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Book SynopsisStates that where prayer is concerned, it is simply a matter of trying to turn to God as honestly as the person you are in the circumstances you find yourself in. This book offers a biographical sketch about being a nun and at the same time one of the art world's most acute and revered commentators and a TV personality.Trade Review"'While the idea is simple it is by no means simplistic. Her point is that people with little time for prayer can nevertheless be prayerful, and for people who live busy lives, that is very reassuring to hear.' Elena Curti, The Tablet 'a beautifully produced book, laid out in a way that makes the content accessible to readers who might otherwise be daunted by the subject.' Revd Peter McGeary, Church Times"Table of ContentsIntroduction - Sister Wendy; Biographical introduction - David Willcock; Section 1 'The Practice of Prayer'; Section 2 'Prayer and Belief'; Section 3 'Prayer and Personality'.

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Book Synopsis''Most people who journal use words. But words come from the left brain, which interprets experiences through our learned beliefs and expectations. As this breakthrough book demonstrates, there is a more effective way to journal---using images. Simple drawings, crayon art, even doodles and stick figures can help anyone---even those who believe they can''t draw---move beyond thought into deep reaches of feeling and intuitive knowing. Barbara Ganim and Susan Fox have developed their Visual Journaling technique into an acclaimed workshop. This book, beautifully illustrated with black and white and color drawings from the journals of students in their workshops, makes this enjoyable tool for personal exploration accessible to everyone. A six-week plan of exercises and interpretive activities teaches readers a lifelong practice that can reduce stress, explore conflicts, and overcome obstacles. Its simple techniques can help everyone gain access to soul-based inner wisdom.

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Book SynopsisA collection of 100 unparalleled photographs of African wildlife and the indigenous communities who live alongside them by one of the world s best-known sports personalities.

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Book SynopsisDesigner Beth Webb is beloved for her ethereal, light-filled rooms. Her second book features projects from across the country, from the Gulf coast of Florida to Kiawah Island, Jackson Hole, and Hermosa Beach, California. A feast of sophisticated simplicity, Webb s book enchants, instructs, and inspires.

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Book SynopsisA photographic celebration of the landscapes that have inuenced some of America s most important nature writers from John Muir to Terry Tempest Williams to Barbara Kingsolver.

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Book SynopsisSpecializing in the most-prized gemstones, from Colombian emeralds to sapphires found in the remote hills of Kashmir, David Morris celebrates color, flawless craftsmanship, and unique creativity in jewelry design. This is the jewelry house s first major book.

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Book SynopsisA look at the most signicant architectural and territorial projects by the world-renowned Chilean architect, a leader in the 'geopoetic' methodology in architecture.

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Book SynopsisA seductive, stylish, compelling, and authoritative assembly of vanguard small-scale houses that tread very lightly in nature, leading the way for architects, homeowners, and dreamers to rethink ways we can live, reside, and flourish. Architects have sought more and more to integrate residences into their settings minimally disturbing nature, with houses that float on the water or up in the trees. This book reveals 51 designs that bring their residences into nature, even allowing the natural setting to enter the very walls, with priority given to sustainability and carbon footprint.Each of the book's homes is carefully chosen for its innovative and seductive design, approachable scale, and stunning location, whether cocooned within the earth itself or soaring high amongst the treetops, surrounded by cooling waters, or resisting the desert heat. Considerations of energy consumption can dictate a green roof in some cases, while blending ever more fully into the environment gives the

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Book SynopsisThe second Rizzoli publication dedicated to an important member of the Mexican and Latin American architectural vanguard, celebrating exceptional craftsmanship and rened sophistication, and guided by the ideals of Mexican modernism.

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Book SynopsisAn extraordinary monograph created by Christian Louboutin, renowned for his beautifully crafted handmade shoes, in particular his elegantly sexy stilettos. This stunning volume, with a fanciful and intricate pop-up, an elaborate foldout cover, and dramatic still-life photography, evokes the artistry and theatricality of Louboutin's shoe designs.Celebrated for his vertiginously high stilettos with their signature lacquer-red soles, Louboutin has achieved cult status with celebrities as well as fashionistas. His eclectic and exotic designs, often incorporating feathers, beads, and sequins, are a constant and dramatic presence on the red carpet and in nightclubs and restaurants the world over.Louboutin's first book, this monograph highlights the extraordinary range of his couture, from his iconic and glamorous creations to his fetishistic pieces, including his collaborations with David Lynch, meant more for the bedroom than the street. New photography captures LouboutTrade Review-- "Louboutin's book will have you craving for another scarlet-soled pair in no time." ~Plastik"A stunning volume, it features a 5-piece fold-out cover, a binding of pink faux-leather, a magical interior pop-up, as well as gilded pages. With five chapters—A Life; The Shoes; Fetish; The Places; and Twenty Years—this elegant monograph reveals the artistry and theatricality of Louboutin’s shoe designs, from his iconic stilettos to his fetishistic pieces and everything in between." ~FashionWindows.net

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Book SynopsisThis expansive survey of the art and culture of the American West presents richly diverse works by more than 35 distinct Native American nations considered alongside non-Native artists from the late eighteenth to early twentieth centuries.

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Book SynopsisCullman & Kravis, an AD100 Hall of Fame design firm, creates interiors in a fresh traditional style that celebrates color, unique furnishings and finishes, vibrant modern art, and the best antiques. This is their most comprehensive book in many years and celebrates a renowned firm working at the peak of its forty-year practice.

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Book SynopsisAn ideal introduction to the National Gallery of Art, this book highlights fty paintings, sculptures, works on paper, photographs, and more from the museum s collection.

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Book SynopsisAfficianados of Spanish Style architecture recognize Santa Barbara as a mecca, the influence of which continues to be felt nationwide. This book is an invitation to revisit this Eden and explore not just the Spanish, but a variety of period revival styles found throughout the region. The doors of many of these hidden homes have never been opened to the public?till now.With new photographs of houses steeped in the period revival tradition, from 1838 to today, not since Rizzoli?s Santa Barbara Style (2001) has a book so eloquently captured the distinctive splendor of this seaside paradise.Known worldwide for the Santa Barbara style, the town epitomizes a type of building at once elegant and suffused with poetry. At its heart is the historic downtown, featuring white-washed Mediterranean-style stucco buildings with tile roofs and the iconic Santa Barbara Mission of 1786, whose austere beauty set the tone for all that followed. From its earliest days, the influence of this place has been felt and has since radiated across the sunbelt; it continues to be a model of emulation and inspiration. But it is the houses and the dream of living in Santa Barbara and its sister communities of Ojai, Carpinteria, Summerland, Goleta, and Montecito that casts the most profound spell.Featuring a wide range of these houses, estates, and gardens?from the landmarked Rancho Santa Clara del Norte (1838) to the traditionally styled Villa Corbeau (2006)?the book is a celebration of America?s Riviera.

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Book SynopsisA comprehensive consideration of the architecture and interiors of the great contemporary Brazilian architect, designer, and filmaker.

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Book SynopsisA presentation of contemporary houses that demonstrates how domesticity can be beautiful and still help the planet. Have we passed a tipping point beyond which we can no longer reverse a course of action that was charted several decades ago Sustainable: Houses with Small Footprints argues that we can indeed detach our dwellings from a dependence on many external systems and resources and adopt other building practices. What is known as living off the grid is possible, and Sustainable presents forty-five houses that demonstrate how architects have implemented sustainable design concepts around the world. These projects show us what time-tested vernacular design principles—including local materials, natural ventilation strategies, and earth shelter construction—can teach us, as well as how the latest cutting-edge technologies—such as indoor farming and living walls made of plant material—can make truly sustainable design possible. The variety and ingenuity of the

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Book SynopsisFrom India Hicks, a beautifully illustrated guide to achieving her famously undone, gloriously bohemian decorating style. Born from British and design royalty, India Hicks has forged a design empire from her family’s enclave in the Bahamas. In India Hicks: Island Style, she invites readers into her world, offering never-before-seen imagery and irresistible behind-the-scenes stories. Beginning with an uproarious reflection on India’s own design odyssey, the heart of the book is an in-depth exploration of her style. Timeless and under-decorated, her rooms combine carefree Caribbean culture with British colonial form and formality. In ten chapters, India walks the reader through the basics of capturing the look: the subtle palette of island life; the miracle of tablescaping; the warm anarchy of a family kitchen; the pleasure of porches; the drama of entertaining; bedrooms as places of self-expression; the more is more style of living with collections; the importance of repurposing; and creating spaces of sanctuary. Witty, richly prescriptive, beautifully photographed, this book will enchant readers with a glimpse of decorating in paradise.Trade Review"What makes India and this book so unique is how openly she invites us into her life via the pages. It is written from a very personal perspective, sharing her passion for scrapbooking, the importance of building collections, lovely details about her family life and her absolutely wonderful tips on design, living and entertaining." -Life in A Venti Cup"India inspires me to let a love of life show through in my decorating. If you're looking for a book that's equal parts transportative and invigorating, Island Style is for you." -MarthaStewart.com

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Book SynopsisMarks believes a home must reflect the way its inhabitants want to live, their unique perspective, how they approach their lives. Trained in England, Marks has long had a deep and profound architectural crush on the British vernacular, which creates a pleasing interplay with his Southern California roots. The homes explored in the book include his 1925 beach cottage in Montecito; a clean Bahamian compound open to the azure seas with design drama, color, and romance at every turn; a working Los Angeles horse farm; and his new family home in Greenwich, Connecticut. Along the way Marks shares key bits of advice for creating the looks. Casual comfort is key performance fabrics, cotton and natural fiber rugs, blues pulled from the outdoors as is a sense of theater, accomplished with antiques and dramatic lighting. The results are homes that feel layered and dramatic, but always comfortable and ready to be lived in.

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Book SynopsisThe first book from interior designer Bromley, whose rooms brim with a welcoming sensibility that reveal her fresh, colourful, pattern-filled take on traditional design.

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Book Synopsis

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Book Synopsis

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Book SynopsisThe second volume of legendary photographer Patrick Demarchelier’s sublime portraits of iconic Dior haute couture looks, from Christian Dior to Raf Simons. From the moment Christian Dior unveiled his famed New Look collection in Paris on February 12, 1947, women’s fashion changed forever. Still one of the most revered names in fashion, Dior is known today for its unique couture dresses. This gorgeous volume continues the homage paid by famed photographer Patrick Demarchelier to one of the most important and influential fashion houses in the world. Working closely with the House of Dior, Demarchelier showcases the extraordinary gowns made in the Dior ateliers from 1947 to today. Alongside dresses designed by Dior himself, creations by the designers who succeeded him show the continuity of the house’s rich heritage up to the absolute modernity of Raf Simons’s designs. Sumptuously illustrated and beautifully designed, this book—a must for every fashion libra

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Book SynopsisHailed by Architectural Digest as a firm that is able to capture a desired mood or ambiance emphatically, this incredibly exciting design duo presents its most intriguing domestic projects in this eagerly awaited debut.

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Book SynopsisNew York?based modernist interior design firm TORREY delivers its first signature monograph showcasing a decade in design.Growing up in America?s heartland, Kansas, and hitting New York City at age twenty-one, the young designer Andrew Torrey brought his big dreams, ambition, and strong work ethic with him. The self-taught Torrey took the leap and founded his eponymous firm in 2013.This first monograph showcases twenty-three of the designer''s extraordinary projects, from vibrant Manhattan and sun-soaked Miami to London, Los Angeles, and Cabo San Lucas. This debut book explores Torrey?s distinctive approach: a seamless blending of cool, clean, modern designs with opulent finishes, sumptuous materials, and a reverence for the historical and vintage. A passion for contemporary art and an approach combining modern glamour with effortless charm also define Torrey?s signature.This volume features photographs by Manolo Yllera, Douglas Friedman, and Tim Lenz, among others.

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Book SynopsisInspired by the South Central Los Angeles neighborhood that the artist and her family have lived in for generations, Halsey?s expansive practice teems with the signs and symbols that populate that urban landscape and celebrates the community?s vitality and a creative form of resistance to advancing gentrification and the threat of erasure.The artist?s important work centers the on Black community, both aesthetically and materially. Halsey gathers icons of pride, autonomy, initiative, and resilience from local vernacular sources recontextualizing and reinterpreting them for her utopic fantasies of the city. Both celebrating Black cultural expressions and archiving them, her work?which includes wall works, massive multiroom installations, and immersive outdoor environments?is a potent reminder of the importance of community and home.Beyond the signs and symbols of contemporary South Central, Halsey employs the iconography of ancient Egypt as a means to reclaim lost legacies, drawing inspiration from Afrofuturism?a transcultural movement blending science fiction with aspects of Black art and culture?and the utopian architecture proposed in the 1960s by Archigram and Superstudio.

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