Art & Photography Books

Book SynopsisThe Renaissance, now in its third edition, engages with earlier and current debates about the Renaissance, especially concerning its âmodernityâ, its elitism and gender bias and its globalism. This new edition has been revised to include a discussion of Venice, Rome, Naples and Florence and their relationship with surrounding courts and smaller provincial towns. Brown provides a fresh insight into some of the main themes of the Renaissance, with humanism now being explored in relation to gender, the position of women and the response of religious reformers to the new ideas. The broad geographical scope, concluding with an examination of diffusion through trade with Constantinople, Portugal and Spain, allows students to fully explore how the Renaissance transformed into a global movement. Key themes, such as humanism, art and architecture, Renaissance theatre and the invention of printing, are illustrated with quotations and exempla, making this book an invaluable source for students of the Renaissance, early modern history and social and cultural history.Table of ContentsPART ONE: INTRODUCTION 1. The Problem of Interpretation 2. The Concept of Revival 3. Earlier Renaissances, 800-1300 PART TWO: CONTEXT: POLITICS AND RELIGION 4. Italian Communes and City-States, c. 1300 5. The Rise of Lordships and the Black Death 6. Florence, Venice and Naples 7. Rome and the Papacy PART THREE: RENAISSANCE PASSIONS 8. Petrarch: self-love and the love of books 9. New Schools 10. Liberty and Republicanism 11. Art and Architecture 12. Man the Measure of all things: humanism and gender 13. Religion ancient and modern PART FOUR: SOCIETY AND THE CIRCULATION OF NEW IDEAS 14. Commerce and the Classics in Europe and the East 15. Portugal, Spain and the New World 16. The Invention of Printing 17. Representation and the Renaissance Theatre PART FIVE: ASSESSMENT 18. Globalism and the Renaissance PART SIX: DOCUMENTS

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Book SynopsisThis beautifully produced survey of over a thousand years of Western art and architecture introduces the reader to a vast period of history ranging from ancient Rome to the age of exploration. The monumental arts and the diverse minor arts of the Middle Ages are presented here within the social, religious, and political frameworks of lands as varied as France and Denmark, Spain and Turkey. Marilyn Stokstad also teaches her reader how to look at medieval art-which aspects of architecture, sculpture, or painting are important and for what reasons. Stylistic and iconographic issues and themes are thoroughly addressed with attention paid to aesthetic and social contexts.Table of ContentsArt in the First Centuries of the Christian EraThe Art of the Triumphant Christian ChurchThe Golden Age of ByzantiumBarbarian ArtCarolingian ArtArt Outside the Carolingian EmpireThe Imperial Tradition: Ottonian and Romanesque Art in the Holy Roman EmpireRomanesque Art in Western EuropeThe Origins of the Gothic StyleHigh Gothic Art in FranceNational Style in Gothic ArtLate Gothic Art

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Book SynopsisThis book presents an evidence-based approach to landscape planning and design for urban blue spaces that maximises the benefits to human health and well-being while minimising the risks. Based on applied research and evidence from primary and secondary data sources stemming from the EU-funded BlueHealth project, the book presents nature-based solutions to promote sustainable and resilient cities.Numerous cities around the world are located alongside bodies of water in the form of coastlines, lakes, rivers and canals, but the relationship between city inhabitants and these water sources has often been ambivalent. In many cities, water has been polluted, engineered or ignored completely. But, due to an increasing awareness of the strong connections between city, people, nature and water and health, this paradigm is shifting.The international editorial team, consisting of researchers and professionals across several disciplines, leads the reader through theoretical aspecTable of ContentsForeword Michael Depledge Introduction Simon Bell, Lora E. Fleming and James Grellier PART ONE: Water, blue space and health and well-being: The evidence base and how to use it CHAPTER 1: Blue space as an essential factor in environment and health George P. Morris, Himansu S. Mishra and Lora E. Fleming CHAPTER 2: Potential benefits of blue space for human health and well-being Mathew P. White, Lewis R. Elliott, Mireia Gascon, Bethany Roberts and Lora E. Fleming CHAPTER 3: Co-design with local stakeholders Mart Külvik, Mireia Gascon, Marina Cervera Alonso de Medina, Lewis R. Elliott, Jekaterina Balicka, Frederico Meireles Rodrigues and Monika Suškevičs PART TWO: Tools, indicators and models for planning and design CHAPTER 4: Generating evidence in support of site planning and design: The BlueHealth toolbox James Grellier, Himansu S. Mishra, Lewis R. Elliott, Susanne Wuijts and Matthias F. W. Braubach CHAPTER 5: Assessing the land-water environment Himansu S. Mishra, Katrin Saar and Simon Bell CHAPTER 6: Observing behaviour for site planning and design Peeter Vassiljev, Cristina Vert and Simon Bell CHAPTER 7: Capturing affordances for health and well-being at the city scale Gloria Niin, Peeter Vassiljev, Tiina Rinne and Simon Bell CHAPTER 8: Assessing city-wide and local health and wellbeing benefits Lewis R. Elliott, Matthew P. White, Wilma Zijlema, Cristina Vert and Peeter Vassiljev CHAPTER 9: A decision support tool for optimising blue space design and management for health Arnt Diener, Marco Martuzzi, Francesco Palermo, Laura Mancini, Giovanni Coppini and Matthias F. W. Braubach PART THREE: Inspirational practice for planning and design CHAPTER 10: Reviewing the evidence for good planning and design Himansu S. Mishra, Simon Bell, Jekaterina Balicka and Anna Wilczyńska CHAPTER 11: Urban river revitalisation Friedrich Kuhlmann, Jekaterina Balicka and Anna Wilczyńska CHAPTER 12: Seafronts, beaches, lakeside, and promenades Simon Bell, Himansu S. Mishra, Anna Wilczyńska and Jekaterina Balicka CHAPTER 13: Urban wetlands and storm water management Himansu Mishra, Simon Bell, Anna Wilczyńska and Jekaterina Balicka CHAPTER 14: Docklands, harbours and post industrial sites Simon Bell, Anna Wilczyńska and Jekaterina Balicka CHAPTER 15: Tactical urbanism, urban acupuncture and small-scale projects Jekaterina Balicka, Joanna Tamar Storie, Friedrich Kuhlmann, Anna Wilczyńska and Simon Bell CHAPTER 16: Future outlook studies: the use of scenarios to create healthy blue cities Judith Hin and Susanne Wuijts APPENDIX: A blue space typology

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Book SynopsisThe British Archaeological Association Conference held at Peterborough in 2015 provided a welcome opportunity for a new analysis of the cathedral's architecture, sculpture and artistic production, and a reassessment of the relationship between the former abbey, the city and its institutions, and the Soke over which it held sway.This ambitious volume casts new light on the Roman occupation of the Nene valley, and the rich Anglo-Saxon sculptural and manuscript context that preceded the construction of the present cathedral, as well as exploring the vital Romanesque tradition of the Soke and the essential contribution of the Barnack quarries.But inevitably the most exciting new disclosures concern the church: its high-quality building campaigns during the 12th to 16th centuries, its abbots' tombs and the reconstruction of the lost 14th-century High Altar screen from descriptions and loose fragments. Peterborough has attracted the attention of antiquarian scholars since itTable of ContentsPreface; 1. Roman Buildings in the Lower Nene Valley (STEPHEN G. UPEX); 2. A relief depicting two dancing deities and other Roman stonework from Peterborough cathedral (PENNY COOMBE, KEVIN HAYWARD, AND MARTIN HENIG); 3. The Anglo-Saxon Abbey of Peterborough: A Review of the Evidence (RICHARD GEM); 4. Anglo-Saxon Sculpture of Peterborough and its Region (ROSEMARY CRAMP); 5. Contexts of Discovery of Roman and Anglo-Saxon Stone (Jackie Hall); 6. The ‘Missal’ of Robert of Jumièges and Manuscript Illumination at Peterborough c.1015-1035 (T. A. HESLOP); 7. Potestas Petri: Barnack and Peterborough in the Middle Ages (PAUL EVERSON AND DAVID STOCKER); 8. Abbey and Town: Post-Conquest Topography and Lay Access (JACKIE HALL); 9. Peterborough Abbey: the Norman Church (ERIC FERNIE); 10. Architecture during the rule of Abbot Benedict (1177‒94) (PETER FERGUSSON); 11. Coming and Going: The Great Gate of Peterborough Abbey as a Zone of Interaction (HARRIET MAHOOD); 12. The Figure Sculpture of the West Front of Peterborough Cathedral and Its Setting (JULIAN LUXFORD); 13. What Is the Subject Carved on the Socle in the West Doorway of Peterborough Abbey? (CATHERINE OAKES); 14. A Few Ancient Recumbent Effigies of Abbots, Not One of Which Occupies Its Original Position (RON BAXTER); 15. The 14th-Century Great Altar Screen of Peterborough Cathedral (STUART HARRISON); 16. The Trinity Chapel at Peterborough Cathedral (LISA REILLY); 17. The Palm Sunday Procession, from the Peterborough Abbey Consuetudinal, as a Source for Topographical Identification (BROTHER SIMON OF YARWELL WITH INTRODUCTION, TRANSLATION AND NOTES BY T. M. HALLIDAY); 18. The New Building at Peterborough: Questions of Attribution, Date and Status (FRANCIS WOODMAN); 19. ‘Valuable Matter’ versus ‘Local Twaddle’: Peterborough Cathedral and Architectural Expertise in the Nineteenth Century (ALEXANDRINA BUCHANAN); 20. Peterborough Cathedral in the Late Victorian Period: The Central Tower and West Front Controversies (CLAUDIA MARX); Index

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Book SynopsisIn this thoughtful and revelatory book, Wood explores enduring and powerful theories on art, creativity, and what Jung called the creative spirit in order to illuminate how artists can truly understand what it means to be a creator.By bringing together insights on creativity from some of depth psychology's most iconic thinkers, such as C.G. Jung, James Hillman, and Joseph Campbell, as well as featuring a selection of creators who have been influenced by these ideas, such as Martha Graham, Mary Oliver, Stanley Kunitz, and Ursula K. Le Guin, this book explores archetypal thought and the role of the artist in society. This unique approach emphasizes the foundational need to understand and work with the unconscious forces that underpin a creative calling, deepening our understanding of the transformational power of creativity, and the vital role of the artist in the modern world.Acting as a touchstone for inquiries into the nature of creativity, and of the soul, this enligTrade ReviewThe Archetypal Artist is a long-awaited offering to the fields of creativity and depth psychology. Scholars, students, artists, ecologists, and activists will find revelation here – it’s an accessible yet intricately woven map of Jungian and archetypal concepts and their relationship to artistic expression. Dr. Mary Wood at once honors the great mystery within the soul of every artist, while leaving no stone unturned in the pursuit of deeper understanding. Kim Krans, artist and NY Times bestselling author of The Wild Unknown TarotMary Wood's fine book, carefully researched and presented, draws on her talents as artist, depth psychologist, and scholar. With a keen historical sense and marshalling a wide range of sources, it leads us to recover and reconceptualize the high purpose and calling of the artist as a conduit for the creative depths of the psyche and the expression of soul. Dr. Keiron Le Grice, professor of depth psychology at Pacifica Graduate Institute, CaliforniaDr. Mary Wood’s creative vision that inspires The Archetypal Artist is fiercely and delightfully expansive and deep, measured, but not without a tincture of wildness. Her calling to revision the creative spirit in each of us implies that creativity is a spiritual practice—a way of being enthused to sense the world’s sacredness anew. Dennis Patrick Slattery, Ph.D., Distinguished Professor Emeritus in Mythology at Pacifica Graduate InstituteIn an exciting and provocative transformation of Jungian and Archetypal Studies, The Archetypal Artist shifts the center of gravity of depth psychology to the artist, rather than the therapist. For surely those conducting images into being through art-making are individuating for the world as well as themselves? By bringing Jung, post-Jungians, Hillman, soul-making and myth into depth psychology’s re-connection of shaman to artist, Wood restores art to its ancestral homes in medicine, religion, divination and magic. Modernity split the psyche, so reducing art into soul-less artifacts. The Archetypal Artist restores the art of life. It shows artworks as a living medium for the soul. This book is soul-juice for anyone who wants to find authenticity in the urge to create. It is essential reading for all who seek for the art of living, as well as for those driven to fashion life into the in-spirited matter of art. Susan Rowland, Ph.D., Depth Psychology, Creativity, and Humanities Professor at Pacifica Graduate InstituteWood has created a magnificent homage to James Hillman; reminding us of his vibrant mind and presence and simultaneously she introduces new generations to a true genius whose creativity continues to evolve in ways that are timeless. Her superbly researched volume unfolds, in very readable ways a comparative study of the meaning of the soul in the world, an idea much needed in our time of loss and disorientation. She helps clinicians bring to the foreground the profound value of art, aesthetics, and creativity as the combined essence of healing. This book provides the backdrop for understanding the "depth" of "depth psychology." Linda Carter MSN, Jungian Analyst, CS, IAAPTable of ContentsIntroduction 1. An Archeology of Soul, Creativity, and Transformation 2. C.G. Jung: Reluctant Artist, Servant of The Creative Spirit 3. A Thousand Voices: Inflections and Interpretations of Jung’s Creative Vision 4. Archetypal Creativity: Image, Imagination, and Instinct 5. Image Making and Soul-making 6. Mythopoesis: The Archetypal Ancestors of the Modern Creator 7. The Soul, the Creative, and the Archetypal Artist 8. Epilogue as Testament and Talisman

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Book SynopsisThis innovative book poses two, deceptively simple, questions: what is a sculpture garden, and what happens when you give equal weight to the main elements of landscape, planting and artwork? Its wide-ranging frame of reference, including the USA, Europe and Japan, is brought into focus through Tremenheere Sculpture Garden, Cornwall, with which the book begins and ends. Effectively less than 15 years old, and largely the work of one man, Tremenheere affords an opportunity to examine as work-in-progress the creation of a new kind of sculpture garden. Including a historical overview, the book traverses multiple ways of seeing and experiencing sculpture gardens, culminating in an exploration of their relevance as ''cultural ecology'' in the context of globalisation, urbanisation and climate change. The thinking here is non-dualist and broadly aligned with New Materialisms and Material Feminisms to explore our place as humans in the non-human world on which we depend. ETrade Review‘What happens if you take landscape, art and planting as equals in the Sculpture Garden?’ This is the question, ‘deceptively simple’, with which editor Penny Florence sets out. Essays ebb and flow around these common themes, arranging objects and ideas like Lee Ufan’s ‘tapestries of intimate breathing’. Gay Watson writes that the Buddhist philosophy of complementarity and the promotion of awareness was a ‘core intention’ of the Cornish Tremenheere Sculpture Garden – this book’s touchstone. Rippling the contradictory opposition of categories that has patterned western discourse on site-specificity and nature-culture relation so far, the intention of this ‘other’ mode of thinking-writing-breathing is to change consciousness. It’s a wonderful achievement with a beautiful structure, pace and energy. Quite unlike any other book on sculpture gardens I know!Jane Rendell, author of The Architecture of Psychoanalysis (2017) and Site-Writing (2011) is Professor of Critical Spatial Practice at the Bartlett School of Architecture, UCL.This book is a delight: at once sharply focussed and diffused, it draws together some of the foremost theorists and practitioners of garden design, and invites us to rethink our understanding not just of sculpture in gardens but of gardens as the sculpting of experience. A hybrid volume exploring hybridity, Florence’s book combines intense insights and compelling overviews as it ranges from the established excitements of Little Sparta and the Louisiana Sculpture Park to the ongoing creation of Cornwall’s Tremenheere, and from the Mono-Ha school to the betweenness of Bernard Lassus.Professor Stephen Bending, University of SouthamptonTable of ContentsAcknowledgementsContentsi.​ Note on Method: Diffracting The Sculpture Gardenii. Introduction. The GroundPart I Tremenheere Sculpture Garden Tremenheere: Place of the Long Stones. Art, Plants, Landscape​. Penny Florence The Seed in the Stone: Peter Randall-Page’s Exploration of Energetic Structure. Penny Florence Mono-ha: Paying Attention. Japanese Art in/of the Garden Gay Watson Part II Placing History in/of the Garden4. Sculpture Gardens and Sculpture in Gardens. John Dixon Hunt5. The Garden: Art Object. Bernard Lassus 6. From Pedestal to Place. David Leatherbarrow7.Little Sparta and the Neo-Classical Re-Arming of the Sculpture Garden. Patrick Eyres8. How to Make a Path. The Swiss Way Project 1991 Georges DescombesPart III​ ​Return to Tremenheere9. ​Landscape, Art, Plant, Event Penny Florence ​10. ​Thinking the Sculpture Garden Penny FlorenceAppendix. Tremenheere Lists and Map.Author Biographies

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Book SynopsisThis book critiques modern museologies and curatorial practices that have been complicit in emerging existential crises. It confidently presents novel, more-than-human curatorial visions, methods, frameworks, policies, and museologies radically refiguring the epistemological foundations of curatorial, museological thinking, and practice for a habitable planet.Modern curatorial and museological practices are dominated by modern humanism in which capital growth, social, technological advancement, hubris, extraction, speciest logics, and colonial domination predominate, often without reflection. While history, science, and technology museums and their engagement with non-human worlds have always been ecological as an empirical reality, the human-centred frameworks and forms of human agency that institutions deploy tend to be non-cognizant of this reality. Museum Practices and the Posthumanities: Curating for Planetary Habitability reveals how these practices are ill-equipTrade Review'There is now no doubt regarding the epochal, world-shaping significance of the curatorial practices of late eighteenth and nineteenth century museums. With a matching boldness of vision, Fiona Cameron now calls on museums to play a world-saving role by “curating for planet habitability.” Better still, in identifying the intellectual and institutional challenges this entails, she also shows how these might best be met. A timely manifesto for the contribution museums might make to addressing the crises produced by our relations to the more-than-human worlds that press upon us with increasing force.'Tony Bennett, Emeritus Professor, Social and Cultural Theory, Institute for Culture and Society, Western Sydney University, Australia'This book offers a timely posthumanist provocation for students of, and practitioners in, museums. A fierce critique of humanist museum practices and theories, the book challenges us to take account of emerging practices in museums in the 21st century. Neither what museums are nor what they are becoming remain the same after its reading. With a deep commitment to more-than-human worlds, the book offers theoretical grounding for museum activism in the face of climate and planetary crisis. This book is a testament to Fiona Cameron’s longstanding engagement with difficult topics in museums and provide researchers, practitioners, and students alike with new tools for analyses and action.' Brita Brenna, Professor of Museology, University of Oslo, Norway'Museum Practices and the Posthumanities: Curating for Planetary Habitability is a deeply felt plea and argument for the need to get beyond our human centered approaches for dealing with ecological crisis. Museums, Cameron argues, are institutions that were central to the humanist project that produced the current ecological crisis. They are therefore also central to undoing that project. Doing so involves a radical rethinking of the central categories of thought that underpin modern society. In doing so, this book opens an alternative future by showing us what we need to overcome and how to go about it. Using the concept of viral contagion as both idea and reality, Cameron opens the possibility that we might be able to move beyond our humanist centered perspectives and productively deal with current threats to planetary wellbeing. This book is a magnificent tour de force in how museums might become part of a viral contagion that works to undo our current understandings of our place on this planet.'Andrea Witcomb, Alfred Deakin Professor, Faculty of Arts and Education, Deakin University, Australia'There is now no doubt regarding the epochal, world-shaping significance of the curatorial practices of late eighteenth and nineteenth century museums. With a matching boldness of vision, Fiona Cameron now calls on museums to play a world-saving role by 'curating for planet habitability.' Better still, in identifying the intellectual and institutional challenges this entails, she also shows how these might best be met. A timely manifesto for the contribution museums might make to addressing the crises produced by our relations to the more-than-human worlds that press upon us with increasing force.'Tony Bennett, Emeritus Professor, Social and Cultural Theory, Institute for Culture and Society, Western Sydney University, Australia'This book offers a timely posthumanist provocation for students of, and practitioners in, museums. A fierce critique of humanist museum practices and theories, the book challenges us to take account of emerging practices in museums in the 21st century. Neither what museums are nor what they are becoming remain the same after its reading. With a deep commitment to more-than-human worlds, the book offers theoretical grounding for museum activism in the face of climate and planetary crisis. This book is a testament to Fiona Cameron’s longstanding engagement with difficult topics in museums and provides researchers, practitioners, and students alike with new tools for analyses and action.' Brita Brenna, Professor of Museology, University of Oslo, Norway'Museum Practices and the Posthumanities: Curating for Planetary Habitability is a deeply felt plea and argument for the need to get beyond our human centered approaches for dealing with ecological crisis. Museums, Cameron argues, are institutions that were central to the humanist project that produced the current ecological crisis. They are therefore also central to undoing that project. Doing so involves a radical rethinking of the central categories of thought that underpin modern society. In doing so, this book opens an alternative future by showing us what we need to overcome and how to go about it. Using the concept of viral contagion as both idea and reality, Cameron opens the possibility that we might be able to move beyond our humanist centered perspectives and productively deal with current threats to planetary wellbeing. This book is a magnificent tour de force in how museums might become part of a viral contagion that works to undo our current understandings of our place on this planet.'Andrea Witcomb, Alfred Deakin Professor, Faculty of Arts and Education, Deakin University, AustraliaTable of Contents1. Introduction: Curating for planetary habitability 2. Technospheric heritage: Curating more-than-digital heritages in and for planetary durations 3. Collections and eco-curating human-non-human climates 4. Museums, climate policy frameworks, and the problem of humanist-driven solutions 5. Communitarian design: Eco-curating climate change in attunement 6. Viral museologies: Curating human-species-viral worlds in sympoiesis 7. Curating sustaining practices in and for more-than-human worlds 8. Conclusion: More-than-human museologies

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Book SynopsisGIS and Housing: Principles and Practices discusses one of the challenges that has not been addressed by Geographic Information Science thus far: how can we use GIS to deal with the complex issues underlying the housing crisis? This book provides GIS technicians and analysts with an overview of US housing challenges and examples of how to effectively integrate spatial thinking to address housing policy questions, while simultaneously introducing housing policy analysts to advanced GIS concepts and techniques to create livable neighborhoods that include housing alternatives beyond the single family. Through numerous examples, the authors advocate for a collaborative approach that encourages professionals, policymakers, and analysts, across different ideological and political perspectives, to confront the multifaceted housing crisis.Features:Examines the historical aspects of housing provision, societal attitudes, demographic shifts, and government policiesTrade ReviewSilos keep advocates, philanthropy, and government from pursuing housing and development policies that meet the needs of historically disadvantaged communities in Black and Latinx neighborhoods. GIS for Housing offers advocates and policy makers a spatial analysis framework to guide the development of a just and equitable city for all. Maria Cabildo Director, Housing and Economic Opportunity, California Community Foundation In development, all markets are local. Other words, know and understand the location before undertaking development. If you don’t understand location, money will be lost. Location is geographic. The authors of GIS and Housing explain the importance of geographic data related to location. Geographic data is not only physical, (what physically is at that location and surrounding areas) but cultural (who’s there; explaining population and its attributes). Developers need that information. Scott Lefaver Owner/Managing Member, Cabouchon Properties, LLC This book explores both the evolution and current state of housing issues, such as availability and affordability and offers important guidance on why an understanding of spatial relationships is vital when developing strategies for mitigating these concerns. The authors explore the capabilities of geographic information systems (GIS) concepts, tools, and methods and how they can be leveraged to manage, analyze, visualize, and communicate actionable knowledge that supports decision making and policies related to housing. This book is a valuable resource for housing researchers, analysts, and policymakers. Kevin Mickey Director, Professional Development and Geospatial Technologies Education, The Polis Center The authors supply a critical missing angle in America’s fractious national and local debates about housing: visual data. Through detailed graphs and charts interspersed with historical photos and maps, they elegantly capture historic changes in how we live, where we live, who we live with, in how much space, and how much it costs -- and also explain how we may use this information to decide how to live in the future. Nicole Gelinas Senior Fellow, Manhattan Institute GIS and Housing is a highly-readable, solutions-oriented book that uses a geo-spatial lens to grapple with the connections between US housing crises and broader socio-economic trends. Further, it encourages the use of GIS as a tool for housing data analysis and meaningful community engagement in policy development and implementation Oksana Mironova Senior Policy Analyst, Community Service Society of New York Table of Contents1. Why Geography Matters in Housing 2. Social, Demographic, and Technological Shifts and Their Impacts on Housing 3. Contemporary Design Adaptations and Policy Interventions 4. Data for Housing Research 5. GIS Analysis and Visualization 6. Directions for Future Research 7. Conclusions

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Book SynopsisThis updated third edition of Studio Television Production and Directing introduces readers to the basic fundamentals of studio and control room production.Accessible and focused, readers of this updated third edition will learn about essential studio and control room terminology and the common technology package. This book is your back-to-the-basics guide to common technologyincluding principles of directing, assistant directing, technical directing, playback, audio ops, basic studio lighting, an introduction to set design, camera ops, floor directing, story types (VO, VO/SOT, PKG), basic engineering, and more.Whether an established professional or a student, this book provides readers with the technical expertise to successfully coordinate live or recorded multicamera production.In this new edition, author Andrew Hicks Utterback offers an expanded glossary and new material on visualization walls, alternative camera mounts, basic engineering, and news naTrade Review"Updated with the latest digital technologies, terms, and workflows, Studio Television Production and Directing provides clear explanations and images of professional television studio environments. From camera and audio to producing and directing, Utterback prepares students for working in the industry by showing what to expect, and what is expected of them, in the studio and control room." – Dr. Michael Grabowski, Manhattan CollegeTable of ContentsDedicationsAcknowledgements Overview of Equipment and Positions: The Studio and the Control Room Audio Technical Directing Lighting and Sets Studio Cameras & Floor Directing Newsroom Computer Systems, Prompter, Graphics, Playback, Remotes, Engineering Rundowns, Scripts, Video Clip Information Assistant Directing and Directing Glossary

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Book SynopsisAs a cultivated form of invention, product design is a deeply human phenomenon that enables us to shape, modify and alter the world around us for better or worse. The recent emergence of the sustainability imperative in product design compels us to recalibrate the parameters of good design in an unsustainable age. Written by designers, for designers, the Routledge Handbook of Sustainable Product Design presents the first systematic overview of the burgeoning field of sustainable product design. Brimming with intelligent viewpoints, critical propositions, practical examples and rich theoretical analyses, this book provides an essential point of reference for scholars and practitioners at the intersection of product design and sustainability. The book takes readers to the depth of our engagements with the designed world to advance the social and ecological purpose of product design as a critical twenty-first-century practice. Comprising 35 chapters across 6 thematic parTrade Review‘Brimming with intelligent viewpoints, critical propositions, practical examples and rich theoretical analyses, this book provides an essential point of reference for scholars and practitioners at the intersection of product design and sustainability.’ - John Thackara, founder, Doors of Perception'To profoundly understand something, you need to study it from all possible angles. This impressive volume does exactly this. With contributions by leading scholars from a diverse range of backgrounds, it brings us the multidisciplinary perspective on sustainable product design that designers, academics, and – ultimately – the world so desperately need.' - Paul Hekkert, Professor, Department of Industrial Design, Delft University of Technology'The case against mindless design has never been made more effectively. Chapman brings together an amazing assembly of contemporary design researchers to discuss one of our greatest challenges: making the world safe for future inhabitants. Whatever you are designing, you may want to keep this book close to remind you of all the exciting new possibilities for sustainable design.' - Dr. Conny Bakker, Associate Professor, Design for Sustainability / Circular Product Design, TU Delft‘Product design is at a crossroads with product designers now a fractured constituency. The difference can be viewed in three ways: retaining the historically established focus on the object, be it so often bonded to the unsustainable; redeeming the object by attempting to make it ‘sustainable’; or lastly, abandoning, eliminating or dematerialising it. This collection of essays gives the discerning reader the opportunity to make an informed decision on the most appropriate path design and designing should take.’ - Professor Tony Fry, Director, Studio at the Edge of the World‘An utmost intriguing and extensive multi-angled journey through the constructed world we live in. Design lies at the core of the errors in our system and can only be solved by rethinking it all from the start. This handbook makes clear how we can realise this necessary transformation towards intelligent products with healthy upcyclable materials. When we understand where we come from and are aware of the beneficial alternatives for today’s tomorrow, we can define our future positively.’ - Michael Braungart, CEO EPEA Internationale Umweltforschung, Co-founder Cradle to Cradle'Chapman offers an authoritative view on sustainable product design through the collective understanding of key protagonists in the field. Sometimes they agree, sometimes they don’t, but the breadth of writing and analysis of key concerns frames the social and ecological agency of design and its role in our material future. It will become essential reading for anyone working in product design and its associated practices.' - Dr Matt Malpass, University of the Arts London: Central Saint Martins'Drawing from his experience exploring our emotional relationship with objects, Jonathan Chapman gathers and frames a vital and plural collection of texts on sustainability from the key thinkers in the field. Chapman and his co-authors ably illustrate that the problem is a political one, confounded by our conflicting notions of progress, and reliant upon the psychological frailties of consumer behavior and the appetite for organizational change.' - Tim Parsons, Chair of Designed Objects Programs, The School of the Art Institute of ChicagoTable of ContentsIntroduction Part 1: The Made World 1. A Brief History of (Un)sustainable DesignDamon Taylor 2. The Half-Life of a Sustainable Emotion: Searching for meaning in product usage Gerald Cupchik 3. A Renaissance of Animism: A meditation on the relationship between things and their makers Michael Leube 4. The Object of Nightingales: Design values for a meaningful material culture Stuart Walker 5. Challenges of the Cultural Differentiation of Technology Petran Kockelkoren 6. Sustainable Product Design: An Oxymoron? Clive Dilnot Part 2: Agents of Change 7. Sustainable Thinking Aaris Sherin 8. Engaging Designers in Sustainability Vicky Lofthouse 9. Design for Sustainable Behaviour Debra Lilley & Garrath Wilson 10. Mending Broken Promises in Sustainable Design Alex Lobos 11. Sharing, Materialism and Design for Sustainability Russell Belk 12. A Journey of Two Designers Yorick Benjamin Part 3: Materials and Processes 13. Conflict Minerals and the Politics of Stuff Colin Fitzpatrick 14. Materially Yours Elvin Karana, Elisa Giaccardi & Valentina Rognoli 15. Mediating Matters Nick Gant 16. Print to Repair: 3D printing and product repair Miles Park 17. Unmaking Waste Robert Crocker Part 4: User Experience 18. Emotional Sustainability Deana McDonagh 19. Pleasant Experiences and Sustainable Design Juan Carlos Ortiz Nicolás 20. Surprising Longevity Silvia Grimaldi 21. Design for Sustainable Use using Principles of Behaviour Change Casper Boks & Johannes Zachrisson Daae 22. Hacking the Probehead: Manipulations for social sustainability Otto von Busch 23. Transitions in Sociotechnical Conditions that afford Usership: Sustainable Who? Cameron Tonkinwise Part 5: Systems and Services 24. Product Service Systems and the Future of Design Tracy Bhamra & Ricardo Hernandez 25. A Consumer’s Perspective on the Circular Economy Ruth Mugge 26. Designing Circular Possessions Weston Baxter & Peter Childs 27. Longer-Lasting Products and Services Tim Cooper 28. How about Dinner? Concepts and methods in designing for sustainable lifestyles Annelise de Jong & Ramia Maze 29. The Sustainable Energy for All Design Scenario Carlo Vezzoli and Elisa Bacchetti Part 6: Design Futures 30. From Good to the Greater Good Anna Pohlmeyer & Pieter Desmet 31. Plans and Speculated Actions: Design, behaviour and complexity in sustainable futures Dan Lockton & Veronica Ranner 32. From Products to Relations: Adding ‘jeong’ to the metadesigner’s vocabulary John Wood 33. Products Of the Open Design Context Paul Micklethwaite 34. Promoting Sustainability through Mindful Design Kristina Niedderer 35. Design for Social Innovation and new Product Contexts Nicola Morelli Index

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Book SynopsisThe Routledge Companion to Art and Politics offers a thorough examination of the complex relationship between art and politics, and the many forms and approaches the engagement between them can take.The contributors - a diverse assembly of artists, activists, scholars from around the world discuss and demonstrate ways of making art and politics legible and salient in the world. As such the 32 chapters in this volume reflect on performing and visual arts; music, film and new media; as well as covering social practice, community-based work, conceptual, interventionist and movement affiliated forms.The Companion is divided into four distinct parts: Conceptual Cartographies Institutional Materialities Modalities of Practice Making Publics Randy Martin has assembled a collection that ensures that readers will come away with a wider view of what can count as art and politics; where they mightTrade Review"The Routledge Companion to Art and Politics is well suited for libraries working with artists, scholars, curators of contemporary art, and gallery professionals. Summing Up: Recommended."- J. Decker, Rochester Institute of Technology in CHOICETable of ContentsIntroduction Part One: Conceptual Cartographies Introduction 1. On the Zoopolitics of the Voice and the Distinction Between Nature and Culture Ana María Ochoa 2. The Aesthetic Subject and the Politics of Speculative Labor Marina Vishmidt 3. Art and the Politics of Time-as-Substance John Roberts 4. The Choreopolitical: Agency in the Age of Control André Lepecki 5. Thinking Contradictory Thoughts: On the Convergence of Aesthetic and Social Factors in recent Sociologies of Art Eduardo de la Fuente 6. Becoming Revolutionary: On Russian Suprematism Boris Groys 7. Failure Over Utopia Lisa Le Feuvre 8. What Did You Hear? Another Ten Theses on Militant Sound Investigation Ultra-Red Part Two: Institutional Materialities Introduction 9. Institutional Critique Redux Steve Kurtz 10. Social Turns: In Theory and Across the Arts Shannon Jackson 11. The Politics of Contemporary Curating: A Technological Perspective Joasia Krysa 12. Perverse Joy: The Paradoxes of Censorship Svetlana Mintcheva 13. Art Is Garbage Toby Miller 14. Grass Stage’s Theater of Precarity in China Mark Driscoll 15. Evangelism and the Gay Movement in Singapore: Witnessing and Confessions Through Masks Keng Sen Ong 16. A Transformative Initiative for Achieving Cultural Equity: Community Arts University Without Walls Marta Moreno Vega 17. Hapticality in the Undercommons, or From Operations Management to Black Ops Stefano Harney Part Three: Modalities of Practice Introduction 18. Charming for the Revolution: Pussy and Other Riots Jack Halberstam 19. The Yes Men Jacques Servin 20. 16 Notes on Collectivism and Dark Matter Gregory Sholette 21. Some Notes About Art, Code and Politics Under Cloudy Empire(s) Ricardo Dominguez 22. The Aesthetics of Algorithmic Experience Ned Rossiter and Soenke Zehle 23. Computational Aesthetics in the Practices of Art as Politics Patricia Ticiento Clough 24. Toward Participatory Aesthetics Claire Bishop with David Riff and Ekaterina Degot 25. The Politics of Popular Art in India Swati Chattopadhyay Part Four: Making Publics Introduction 26. Living Politics: The Zapatistas Celebrate Their 20th Anniversary Diana Taylor27. Carnival, Radical Humor, and Media Politics Robert Stam 28. Dynamic Encounters and the Benjaminian Aura: Reflections on the New Media, Next Media, and Connectivity Wafaa Bilal 29. Seeking a Theater of Liberation Dudley Cocke 30. By Any Means Necessary Jan Cohen Cruz 31. If You Really Care About Change, Why Devote Your Life to Art and Culture? Reflections of a Cultural Organizer Caron Atlas 32. Pedagogies in the Oakland Projects Suzanne Lacy

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Book SynopsisGames for Actors and Non-Actors is the classic and bestselling book by the founder of Theatre of the Oppressed, Augusto Boal. It sets out the principles and practice of Boal's revolutionary method, showing how theatre can be used to transform and liberate everyone actors and non-actors alike! This new third English edition includes recently uncovered interviews and essays from the 1970s, some of which featured in the earliest Portuguese edition of this book, and a new essay by the theatre director Sergio de Carvalho, which looks at Boal's work in the context of Brazilian theatre and politics over the past fifty years.This is a vital handbook for theatre makers and activists of all kinds who want to deepen their understanding of the theory and practice of Boal's Theatre of the Oppressed. It is also an excellent introduction for those new to the system.Trade Review'This is an inspiring and powerful book, a lucid account that will be of substantial use to people already using Theatre of the Oppressed. It should also act as an excellent introduction for those new to the system.' —Artscene'This is a useful handbook for those who want to explore Boal's Theatre of the Oppressed and, as such, is greatly to be welcomed. Boal's work deserves and demands emulation.' —Theatre Research International'You have achieved what Brecht only dreamt of and wrote about: making a useful theatre that is entertaining, fun and instructive. It is a different kind of theatre – a kind of social therapy. It focuses the mind, relaxes the spirit and gives people a new handle on their situations.' —Richard SchechnerTable of Contents1 Theatre of the Oppressed in Europe 2 The Structure of the Actor’s Work 3 The Arsenal of Theatre of the Oppressed 4 The Early Forms of Forum Theatre 5 Forum Theatre: Doubts and Certainties: Incoprporating a New Method of Rehearsing and Devising a Forum Theatre Model 6 First Experiences with Invisible Theatre 7 Artistic Creation and Divine Madness: A Meditation on Art and the Miraculous 8 Interview for the Portuguese Edition (1977) 9 To the People, the means of Theatrical Production: Interview with Émile Copferman 10 Specialisation and Profession, Vocation and Language

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Book SynopsisGames for Actors and Non-Actors is the classic and bestselling book by the founder of Theatre of the Oppressed, Augusto Boal. It sets out the principles and practice of Boal's revolutionary method, showing how theatre can be used to transform and liberate everyone actors and non-actors alike! This new third English edition includes recently uncovered interviews and essays from the 1970s, some of which featured in the earliest Portuguese edition of this book, and a new essay by the theatre director Sergio de Carvalho, which looks at Boal's work in the context of Brazilian theatre and politics over the past fifty years.This is a vital handbook for theatre makers and activists of all kinds who want to deepen their understanding of the theory and practice of Boal's Theatre of the Oppressed. It is also an excellent introduction for those new to the system.Trade Review'This is an inspiring and powerful book, a lucid account that will be of substantial use to people already using Theatre of the Oppressed. It should also act as an excellent introduction for those new to the system.' —Artscene'This is a useful handbook for those who want to explore Boal's Theatre of the Oppressed and, as such, is greatly to be welcomed. Boal's work deserves and demands emulation.' —Theatre Research International'You have achieved what Brecht only dreamt of and wrote about: making a useful theatre that is entertaining, fun and instructive. It is a different kind of theatre – a kind of social therapy. It focuses the mind, relaxes the spirit and gives people a new handle on their situations.' —Richard SchechnerTable of Contents1 Theatre of the Oppressed in Europe 2 The Structure of the Actor’s Work 3 The Arsenal of Theatre of the Oppressed 4 The Early Forms of Forum Theatre 5 Forum Theatre: Doubts and Certainties: Incoprporating a New Method of Rehearsing and Devising a Forum Theatre Model 6 First Experiences with Invisible Theatre 7 Artistic Creation and Divine Madness: A Meditation on Art and the Miraculous 8 Interview for the Portuguese Edition (1977) 9 To the People, the means of Theatrical Production: Interview with Émile Copferman 10 Specialisation and Profession, Vocation and Language

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Book SynopsisAn Introductory Guide to Qualitative Research in Art Museums is a practice-based guide that is designed to introduce qualitative research to established and upcoming museum professionals and increase their confidence to conduct this type of research.Highlighting the work of researchers who are studying museums around the world, the book begins by explaining why there is a need for qualitative research in museums. Rowson Love and Randolph then go on to provide guidance, including theories and frameworks, on how to envision a qualitative research project that facilitates meaningful interpretation of visitor experiences. Chapters in the methodology section begin with descriptions of featured qualitative methodologies and will assist readers as they determine which are most appropriate for their projects and as they advocate for their research. The final section will prepare readers still further by demonstrating data analysis and reporting using the examples in the book.<

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Book SynopsisThe One-Hour Shakespeare series is a collection of abridged versions of Shakespeare’s plays, designed specifically to accommodate both small and large casts. This volume, The Tragedies, includes the following plays: Hamlet, Julius Caesar, Macbeth, Othello and Romeo and Juliet.Table of ContentsAcknowledgements 1. Introduction 2. One-Hour projects in performance: money-saving suggestions to consider with a minimal budget 3. Lesson Plan and Editing Exercise 4. Cross-gender casting suggestions 5. Hamlet 6. Hamlet: suggested cast list and character assignments for a small cast 7. Julius Caesar 8. Julius Caesar: suggested cast list and character assignments for a small cast 9. Macbeth 10. Macbeth: suggested cast list and character assignments for a small cast 11. Othello 12. Othello: suggested cast list and character assignments for a small cast 13. Romeo and Juliet 14. Romeo and Juliet: suggested cast list and character assignments for a small cast

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Book SynopsisNow in its sixth edition, this seminal textbook examines key debates in photographic theory and places them in their social and political contexts. Written especially for students in further and higher education and for introductory college courses, it provides a coherent introduction to the nature of photographic seeing.Individual chapters cover:â Key debates in photographic theory and historyâ Documentary photography and photojournalismâ Personal and popular photographyâ Photography and the human bodyâ Photography and commodity cultureâ Photography as art.This revised and updated edition includes new case studies on topics such as: Black Lives Matter and the racialised body; the #MeToo movement; materialism and embodiment; nation branding; and an extended critical discussion of landscape as genre. Illustrated with over 100 colour and black and white photographs, it features work from Bill Brandt, Susan Derges, Rineke Dijkstra, Fran Herbello, Hannah HÃch, Mari Katayama, Sant Khalsa, Karen Knorr, Dorothea Lange, Susan Meiselas, Lee Miller, Ingrid Pollard, Jacob Riis, Alexander Rodchenko, Andres Serrano, Cindy Sherman and Jeff Wall. A fully updated resource information, including guides to public archives and useful websites, full glossary of terms and a comprehensive bibliography, plus additional resources at routledgetextbooks.com/textbooks/9780367222758/ make this an ideal introduction to the field.Trade Review"More than 20 years after its original publication, Photography: A Critical Introduction remains a key go-to text for photography students. This new edition sees canonical case studies such as Dorothea Lange’s Migrant Mother joined by new material on #MeToo and Black Lives Matter securing the book’s place as an important resource for students interested in exploring photography in its social and political contexts."Sally Miller, Senior Lecturer Photography, University of Brighton, UK"In its sixth edition, the Critical Introduction remains at the top of any booklist for students of photography. True to its aim, it introduces the principal concepts and debates for photography history, theory and practice, with plenty of examples and accessible analyses. Updated for a photography that has thoroughly assimilated digital technology, it provides insightful and critical overviews of the developing approaches to understanding and using photography in response to its ubiquitous availability and to changes in theoretical thinking."Jane Tormey, Author of Routledge Companion to Photography Theory; Cities and Photography; Photographic Realism: late twentieth-century aestheticsPraise for previous editions:"Liz Wells’ book provides an excellent point of entry into the complex theoretical terrain of photography studies, guiding students through critical debates towards an informed understanding of key domains of photographic practice. First published in the 1990s, Photography: A Critical Introduction has established itself as an essential introduction; written in an accessible style, it consolidates the critical literature on photography that has emerged over recent decades, and helps the reader to navigate this extensive and growing field of study." Darren Newbury, Professor of Photographic History, University of Brighton, UK"The boundaries of contemporary photography are becoming difficult to define while its past is becoming more complicated than we ever imagined. Wells' book is an extraordinary attempt to hold it all together and guide us through." David Campany, Reader in Photography, University of Westminster, UK"Bravo to Liz Wells who has done it again with her new edition. It is a must for both educators and students." Ann Chwatsky, photographer and educator, New York University, USA"A brilliantly designed book. It provides a much-needed conceptual perspective, so lacking in other histories of photography, and with the new material on photojournalism [the book] is even stronger." Ulrich Keller, University of California at Santa Barbara, USA"Bravo to Liz Wells for putting together such a comprehensive critical introduction. Lucid, smart and well illustrated, this will be a "must read" for every serious student of the medium." Deborah Bright, Professor of Photography and Art History, Rhode Island School of Design, USA"An essential purchase. It raises awareness of the main contemporary issues related to photographic practice."Howard Riley, Swansea Institute of Higher Education, UK"A timely revision of a great book. It is invaluable in setting the stage for critical research in photography...A substantial contribution to the critical study of photography." Professor Lynne Bentley-Kemp, Rochester Institute of Technology, USA"Precisely the kind of book I have been yearning to see appear for a long time. Carefully structured, it fulfils the need for a critical theory text for FE, HE and introductory college courses." Nicky West, University of Northumbria at Newcastle, UK"Ideal for stimulating discussions on the critical use of photographic images and their evaluation. It is ideal for teaching this part of my BTEC Media and BTEC Art and Design courses." Ken Absalom, Gwent Tertiary College, UK"Well structured – each chapter is thorough and relevant. The quality of the finish is superb – lovely photos and good use of margin notes." Richard Swales, Roade School, Northampton, UKTable of ContentsIntroduction ; 1. Thinking about photography: debates, historically and now ; 2. Surveryors and surveyed: photography out and about ; 3. 'Sweet it is to scan...': personal photographs and popular photography ; 4. The subject as object: photography and the human body ; 5. Spectacles and illusions: photography and commodity culture ; 6. On and beyond the white walls: photography as art ; Afterword ; Glossary ; From analogue to digital ; Photography archives ; Bibliography

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Book SynopsisEnvironmental and Architectural Psychology: The Basics is a jargon-free and accessible introduction to the relationship between people and their natural and built environment.Exploring everything from the effectiveness of open plan offices to how people respond to life-threatening disasters, the book addresses issues around sustainability, climate change, and behaviour, and is grounded in theory and ideas drawn from psychology, geography, and architecture. Author Ian Donald introduces both the theoretical underpinnings and the applications of environment-behaviour research to solving real world problems, encouraging readers to reflect on the role of design and policy in shaping the environments in which they live and work. With chapters considering the impact of environment on identity, wellbeing, crime, and spatial behaviour, Donald shows us not only how people shape and affect the environment, but also in turn how the environment shapes and affects peopleâs thoughts, feelings, and behaviours. Addressing some of the most important questions of our time, including how behaviour drives climate change, and what we can do about it, this is the ideal book for anyone interested in the interactions between architecture, the environment, and psychology. Trade Review"It is really exciting to see this book. At a time when environmental psychology is moving more towards addressing important and challenging issues of sustainability some of the fields critical contributions to architectural psychology can sometimes be left behind. This book brings some of the key concepts, models and theories within the field of Architectural Psychology into the 21stcentury and shows that these are still key concepts with significant importance in today’s world – both from a scientific and practical perspective. This book is an important read for psychologists, architects, designers and environmentalists alike. I will certainly recommend it as essential reading to our Environmental Psychology masters and PhD students." - Professor Birgitta Gatersleben, Professor of Environmental Psychology, Director of Environmental Psychology Research Group, Programme Leader for MSc Environmental Psychology, University of Surrey, UK"This book provides the ingredients for understanding human behaviour in its broadest social and spatial dimensions. The author draws on his years of accumulated scientific experience, presenting environmental psychology’s interpretation of human behaviour in many settings. Each topic opens a conversation in which the meanings of spatial behaviour in different contexts are discussed. In doing this, the reader is given a harmonious, pertinent and challenging analysis of current environmental and urban issues. This is an expertly constructed reference book for both present and future generations of environmental psychologists." - Professor Ricardo García Mira, Professor of Social Psychology, Leader of the People-Environment Research Group, Universidade da Coruña, Spain. University of Bath, in the United Kingdom, for the period 2016-2020Table of ContentsPrefaceChapter 1. Introduction and Brief History of Environmental and Architectural PsychologyChapter 2. Place, Place Identity, and Place AttachmentChapter 3. Spatial Behaviour: Crowding, Privacy, Personal Space, and TerritorialityChapter 4. Behaviour During Disasters and EmergenciesChapter 5. Crime, Environment, and Geographical ProfilingChapter 6. Therapeutic, Supportive, and Restorative EnvironmentsChapter 7. Office EnvironmentsChapter 8. Environmental Sustainability and Pro-Environmental Behaviour

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Book SynopsisFifty Key Theatre Designers looks at the history of theatrical scenography by examining the work and contributions of fifty ground-breaking set, costume, lighting, and projection designers since the Renaissance. Developments of scenic design are traced from the introduction of perspective painting to create illusionistic scenery in Renaissance Italy to the use of digital projection in the twenty-first century. The book also discusses important landmarks in the evolution of costume and lighting design, as well as the introduction of film and video technology to stage design. A broad range of work is explored, including opera, dance, Broadway and West End commercial theatre, avant-garde performance, and even Olympic spectacles. Each chapter features one designer, including basic biographical information and a discussion of that artist's style, aesthetics, and contributions. Designers covered include Sebastiano Serlio, Ferdinando Bibiena, Richard Wagner, Adolphe Appia, Table of Contents1. Sebastiano Serlio (1475–1554[?]) 2. Inigo Jones (1573–1652) 3. Giacomo Torelli (1608–1678) 4. Ferdinando Bibiena (1657–1743) 5. Philippe-Jacques De Loutherbourg (1740–1812) 6. Pierre-Luc-Charles Ciceri (1782–1868) 7. Richard Wagner (1813–1883) 8. André Antoine (1858–1943) 9. Viktor Simov (1858–1935) 10. Adolphe Appia (1862–1928) 11. Léon Bakst (1866–1924) and Alexandre Benois (1870–1960) 12. Edward Gordon Craig (1872–1966) 13. Joseph Urban (1872–1933) 14. Alexandra Exter (1882–1949) 15. Emil Pirchan (1884–1957) 16. Vlastislav Hofman (1884–1964) 17. Robert Edmond Jones (1887–1954) 18. Oskar Schlemmer (1888–1943) 19. Liubov Popova (1889–1924) 20. Traugott Müller (1895–1944) 21. Caspar Neher (1897–1962) 22. Boris Aronson (1898–1980) 23. Nikolai Okhlopkov (1900–1967) 24. Jo Mielziner (1901–1976) 25. Irene Sharaff (1910–1993) 26. Jean Rosenthal (1912–1969) 27. Tanya Moiseiwitsch (1914–2003) 28. Tadeusz Kantor (1915–1990) 29. Jocelyn Herbert (1917–2003) 30 Wieland Wagner (1917–1966) 31. Josef Svoboda (1920–2002) 32. Ralph Koltai (1924–2018) 33. John Bury (1925–2000) 34. Ming Cho Lee (1930–2020) 35. Sally Jacobs (1932–2020) 36. David Borovsky (1934–2006) 37. Jerzy Gurawski (1935–2022) 38. Jennifer Tipton (1937–) 39. Robert Wilson (1941–) 40. Hélio Eichbauer (1941–2018) 41. Richard Peduzzi (1943–) 42. William Dudley (1947–) 43. Jim Clayburgh (1949–) 44. Wendall K. Harrington (1950–) 45. Anna Viebrock (1951–) 46. Liu Xinglin (1953–) 47. George Tsypin (1954–) 48. William Kentridge (1955–) 49. Bert Neumann (1960–2015) 50. Franc Aleu (1966–)

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Book SynopsisDesign and the Built Environment of the Arctic is a concise introductory guide to the design and planning of the built environments in the Arctic region.As the global forces of change are becoming more pronounced in the Arctic, the future trajectories for living environments, city-making processes, and their adaptive capacities need to be addressed directly. This book presents 11 new and original contributions from both leading and emerging scholars and practitioners, positioning the Arctic as a dynamic, diverse, and lived place at the nexus of unprecedented socioenvironmental transformations. The volume offers key concepts for understanding and spatializing Arctic cities and landscapes; similarities and differences in the development of design and planning approaches responsive to specific climatic and cultural conditions; and historical and geographic case studies that provide unique perspectives for the management of the built environment, from the scales of a buildTrade Review'A well-grounded compendium on the Arctic Region, Mathew Jull’s and Leena Cho’s handbook does much to render this relatively unknown part of our world whole with regard to constructed and future habitable environments. Drawing on scholarship from different parts of the world, a portrait emerges of a place being shaped under unique multi-cultural, socio-political and environmental conditions. A must-read volume for those interested in contemporary urbanism.' - Peter G. Rowe, Raymond Garbe Professor of Architecture and Urban Design, Harvard Distinguished Service Professor, Harvard University Graduate School of Design, USA'The Arctic’s extreme climate, remoteness, and mixture of Indigenous and settler cultures present extraordinary design challenges to urban architects, planners, and managers. Often the built environment in the far north resembles southern models that are only poorly adapted. In contrast, the chapters in this book bring together a multidisciplinary team to further design thinking that will truly serve the interests of northern communities. The ideas assembled here help fulfill collective Arctic aspirations.' - Robert W. Orttung, Research Professor of International Affairs, George Washington University, USA'Aptly described as “a region of spectacular negotiation between the natural and the built worlds,” Cho and Jull have assembled a multidisciplinary and multiscalar reading of the inherent complexities and contradictions of architecture, landscape and urbanism in the Arctic. The ten chapters dismantle common assumptions about the singularity of the Arctic and immerse the reader in the land and ice to bear witness to “the physical, material and living environments of the Arctic.” This comprehensive and global collection provides an urgent guide to contemporary design and planning scholarship in Arctic studies and will provide an essential resource to scholars and practitioners for years to come.' - Lola Sheppard, Professor, University of Waterloo, Canada, and Mason White, Professor, University of Toronto, Canada; Partners, Lateral Office'A well-grounded compendium on the Arctic Region, Mathew Jull’s and Leena Cho’s handbook does much to render this relatively unknown part of our world whole with regard to constructed and future habitable environments. Drawing on scholarship from different parts of the world, a portrait emerges of a place being shaped under unique multi-cultural, socio-political and environmental conditions. A must-read volume for those interested in contemporary urbanism.' - Peter G. Rowe, Raymond Garbe Professor of Architecture and Urban Design, Harvard Distinguished Service Professor, Harvard University Graduate School of Design, USA'The Arctic’s extreme climate, remoteness, and mixture of Indigenous and settler cultures present extraordinary design challenges to urban architects, planners, and managers. Often the built environment in the far north resembles southern models that are only poorly adapted. In contrast, the chapters in this book bring together a multidisciplinary team to further design thinking that will truly serve the interests of northern communities. The ideas assembled here help fulfill collective Arctic aspirations.' - Robert W. Orttung, Research Professor of International Affairs, George Washington University, USA'Aptly described as “a region of spectacular negotiation between the natural and the built worlds,” Cho and Jull have assembled a multidisciplinary and multiscalar reading of the inherent complexities and contradictions of architecture, landscape and urbanism in the Arctic. The ten chapters dismantle common assumptions about the singularity of the Arctic and immerse the reader in the land and ice to bear witness to “the physical, material and living environments of the Arctic.” This comprehensive and global collection provides an urgent guide to contemporary design and planning scholarship in Arctic studies and will provide an essential resource to scholars and practitioners for years to come.' - Lola Sheppard, Professor, University of Waterloo, Canada, and Mason White, Professor, University of Toronto, Canada; Partners, Lateral OfficeTable of ContentsIntroduction: Grounding Design in the Arctic 1. The Heterogeneity of Arctic Cities 2. Infrastructural Urbanization of the Arctic 3. Comfort and Discomfort: Conflicting Concerns in Arctic Urban Planning and Design 4. Reframing Urban Relocation in Kiruna, Sweden: An Integrative Ownership Model for Resident-Led Transformations 5. Airport Landscapes: The Case of Qaqortoq Airport, South Greenland 6. Green Spaces in the Context of Changing Human-Environment Relations in Siberian Cities 7. Principles of Northern Housing Design with Examples from Alaska 8. Doing Things Differently: Design Research in Partnership with Innu and Inuit Communities in Northern Québec, Canada 9. Love and Care for Place in an Arctic Community: Place Development in Vardø, Norway 10. Land Inside

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Book SynopsisIn the fully rewritten third edition of this classic text, Nicholas Mirzoeff introduces visual culture as visual activism, or activating the visible. In this view, visual culture is a practice: a way of doing, making, and seeing. The 12 new chapters begin with five foundational concepts, including Indigenous ways of seeing, visual activism in the wake of slavery, and unfixing the gaze. The second section outlines three currently successful tactics of visual activism: removal of statues and monuments; restitution of cultural property; and practices of repair and reparations. The final section addresses catastrophe and trauma, from Palestineâs Nakba to the climate disaster and the intersections of plague and war. Each section also includes new, in-depth case studies called Visualizations, ranging from oil painting to Kongo power figures and the mediated practice of taking a knee. Engaging with questions of racializing, colonialism, and undoing gender throughout, this ediTrade Review"Sensitive to current debates about the politics of articulation that ground our understanding of visual culture, visual activism, and visual relations, Mirzoeff’s third edition develops new frameworks for the analysis of image culture. Leveraging the book’s original concerns—the legacy of slavery, refugees and surveillance, global capital and colonial histories—Mirzoeff reinvigorates his arguments, drawing on contemporary events and social movements with insight and urgency. Provocative, relevant and iconoclastic, An Introduction to Visual Culture remains a critical text for students across the disciplines."Jennifer A. González, UC Santa Cruz, United States"The newly revised 3rd edition of Nicholas Mirzoeff’s anti-foundational classic issues the rallying call for refusing the resignations of merely describing visual culture as it is. Showing us how to activate and motivate the real and urgent question of what visual culture does and how to practice it, this primer is also the manifesto on method that takes us from the groundwork of acknowledgment through tactics for visual activism and ways of confronting catastrophe, while never losing sight of the power of the strike as lens and the ways we may yet forge relation in becoming visible to one another by consent. This new edition may be a renewed classic but not for the shelf. As open theory forged in practice, it calls to be used, to be put to the test of sharing out as widely as possible, seeing with and past it, activating the visible for ourselves and each other."Jill Casid, University of Wisconsin-Madison, United StatesTable of ContentsIntroduction Visualization 1: Perspective, Visuality and the Way of Seeing Part 1. Foundational 1.Acknowledgement and Groundwork 2. Indigenous Ways of Seeing 3. In Slavery’s Wake 4.Surveillance and Counter-Surveillance 5.Unfixing the Gaze Visualization 2: The Ambassadors by Hans Holbein Visualization 3: The Decisive Moment and The Limits of Looking Part 2. Tactics of Visual Activism 6. Removal 7.Restitution 8. Repair and Reparations Visualization 4: Power Figures: Minkisi Nkondi Part 3. Catastrophe 9. Nakba 10. The Climate {R}evolution 11. Plague and War Visualization 5: Taking a Knee

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Book SynopsisGlobal material crises are imminent. In the very near future, recycling will no longer be a choice made by those concerned about the environment, but a necessity for all. This means a paradigm shift in domestic behavior, manufacturing, construction, and design is inevitable. The Architecture of Waste provides a hopeful outlook through examining current recycling practices, rethinking initial manufacturing techniques, and proposing design solutions for second lives of material-objects.The book touches on a variety of inescapable issues beyond our global waste crisis including cultural psyches, politics, economics, manufacturing, marketing, and material science. A series of crucial perspectives from experts cover these topics and frames the research by providing a past, present, and future look at how we got here and where we go next: the historical, the material, and the design. Twelve design proposals look beyond the simple application of recycled and waste materials iTable of ContentsIntroduction 1. Global Circularity 2. Waste of Space 3. Case Studies 4. New Deconstruction: The Rebirth of a Circular Architecture 5. Economics for a Circular Environment 6. World of Waste

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Book SynopsisHow can photography be transformed into an active process of investigation for landscape architecture and environmental design? The second book in Godfrey's series, Active Landscape Photography, presents engaged photographic methods that turn photography into a rigorous, thoughtful endeavor for the research, planning and design of landscape places. Photography is the most ubiquitous and important form of representation in these disciplines. Yet photography is not specifically taught as a core skill within these fields. This book creates a starting point for filling this gap. Concepts and working methods from contemporary photography and critical cultural theories are contextualized into situations encountered in the daily practice of landscape architecture and environmental design. These methods can be integrated into practices in academic and professional settings or picked up and self-taught by an individual reader. Part I: Methods presents easily Table of ContentsIntroduction; Terms, Assumptions and Concepts; Part I: Methods; Method 1 Slowing Down; Method 2 Limits; Method 3 Asking Questions; Method 4 Not Photographing; Method 5 Quick Simple Things; Method 6 Frame: Reframe; Method 7 Compositional Sets: Horizon Line, Focal Point, Near and Far; Method 8 Changing Point of View: Imagining and Embodying; Method 9 Photographing What Someone Else Sees; Method 10 Casual Composition: Note-Taking; Method 11 Time With Photographs; Method 12 Significance of the Unphotographed; Part II: Practices; Practice 1 Series: Narrative; Practice 2 Predetermined Path: Regularized Photographing; Practice 3 Distance: Stepping Back; Practice 4 Re-Photography: More Than Comparison; Practice 5 Community; Practice 6 Things Take Time: Time Takes Things; Practice 7 Joining: Combining; Practice 8 Rules: Games, Drifts, Prompts; Practice 9 Many Others: Many Interpretations; Practice 10 Narrative: Writing What You Don’t See; Acknowledgments; Bibliography; Index

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Book SynopsisThis is the third edition of Character Development and Storytelling for Games, a standard work in the field that brings all of the teaching from the first two books up to date and tackles the new challenges of today. Professional game writer and designer Lee Sheldon combines his experience and expertise in this updated edition. New examples, new game types, and new challenges throughout the text highlight the fundamentals of character writing and storytelling.But this book is not just a box of techniques for writers of video games. It is an exploration of the roots of character development and storytelling that readers can trace from Homer to Chaucer to Cervantes to Dickens and even Mozart. Many contemporary writers also contribute insights from books, plays, television, films, and, yes, games.Sheldon and his contributors emphasize the importance of creative instinct and listening to the inner voice that guides successful game writers and designers. Join him on Table of ContentsPreface to the Third Edition. Acknowledgments. About the Author. Introduction. Part I Background. Chapter 1 Equations. Chapter 2 The Story Remains the Same. Part II Creating Characters. Chapter 3 Respecting Characters. Chapter 4 Character Roles. Chapter 5 Character Traits. Chapter 6 Character Encounters. Part III Telling the Story. Chapter 7 Once Upon a Time. Chapter 8 Respecting Story. Chapter 9 Bringing the Story to Life. Chapter 10 Games: Charting New Territory. Chapter 11 Story Anatomy. Chapter 12 Editing. Chapter 13 The Roots of a New Storytelling. Chapter 14 Modular Storytelling. Part IV Games People Play Today. Chapter 15 Game Types. Chapter 16 Game Genres. Chapter 17 Storytelling in Virtual Worlds. Chapter 18 Storytelling in Small Games. Chapter 19 Storytelling in Applied Games. Part V Reflections. Chapter 20 Postlude: Endgame. INDEX.

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Book SynopsisHeritage-led Urban Regeneration in China presents the detailed history of three well-known streets in China; the Southern Song Imperial Street at Hangzhou, the residential Pingjiang Street at Suzhou, and the commercial Tunxi Old Street at Huangshan.Table of ContentsAcknowledgmentsList of Figures and CaptionsPrefaceChapter 1: Embracing the Legacy of Historic Urban StreetsChapter 2: Historical Preservation, Heritage Conservation and Urban RegenerationChapter 3: Imperial Street: Southern Song Imperial Street, Hangzhou Chapter 4: Residential Street: Pingjiang Street, SuzhouChapter 5: Commercial Street: Tunxi Old Street, HuangshanChapter 6: The Past and Future of China’s Historic Street DistrictsChapter 7: Achieving an Authentic Historic Urban Street in China BibliographyIndex

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Book SynopsisThe experiences we enjoy, endure, or miss out on are influenced by what our surroundings allow and invite us to do. Just like our food diet, our experience diet influences our health and so our chances of finding happiness and fulfilling our potential. A healthy experience diet offers inspiration, reassurance, delight, and play. It nurtures physical, cognitive, and emotional health, builds resilience, and fosters confidence and self-esteem. An unhealthy experience diet lacks these things and consigns people to lives diminished in quantity and quality. Recipes for Urban Happiness offers an innovative way of looking at the relationship between people and place and redefines what good urban design is. The book outlines what designers and non-designers can do to create urban places where nurturing behaviours are both possible and preferable. Recipes for Urban Happiness will be relevant to public health, community development, and design practitioners, as well as students and academics.

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Book SynopsisThrough a collection of 13 chapters, Peggy Deamer examines the profession of architecture not as an abstraction, but as an assemblage of architectural workers.What forces prevent architects from empowering ourselves to be more relevant and better rewarded? How can these forces be set aside by new narratives, new organizations and new methods of production? How can we sit at the decision-making table to combat short-term real estate interests for longer-term social and ethical value? How can we pull architectureits conceptualization, its pedagogy, and its enactmentinto the 21st century without succumbing to its neoliberal paradigm? In addressing these controversial questions, Architecture and Labor brings contemporary discourses on creative labor to architecture, a discipline devoid of labor consciousness.This book addresses how, not just what, architects produce and focuses not on the past but on the present. It is sympathetic to the particularly iTable of ContentsList of Charts Forward: Andrew Ross Introduction Chapter 1 Craft and Design: "Detail: The Subject of the Object" Chapter 2 Architectural Work: "Work" Chapter 3 Technology, BIM and New Work: "BIM and Parametricism" Chapter 4 Architectural Production and Consumption: Architectural Work in the Capitalist ContextChapter 5 Architectural Work: Immaterial LaborChapter 6 Antitrust Laws and Architectural Value: "The Sherman Antitrust Laws and the Profession of Architecture" Chapter 7 Architectural Unionization: "The Missing Unions of Architectural Labor" Chapter 8 Professionalism and the AIA: "Response to AIA Values" with Keefer Dunn and Manuel Shvartzberg Chapter 9 Other Nations’ Professional Architectural Associations: "International Architectural Associations: Comparisons and Concerns" Chapter 10 Architectural Contracts: "Contracts of Relations" Chapter 11 Architectural Cooperativization: "Socializing Architecture Practice: From Small Firms to Cooperative Models of Organization" with Aaron Cayer, Shawhin Roudbari, and Manuel Shvartzberg Chapter 12 Beyond Architecture: "For an Architecture of Radical Democracy" with Manuel Shvartzberg Chapter 13 Coda Afterword: Jane Rendell Index

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Book SynopsisHome articulates a critical geography of home' in which home is understood as an emotive place and spatial imaginary that encompasses lived experiences of everyday, domestic life alongside a wider, and often contested, sense of being and belonging in the world. Engaging with the burgeoning cross-disciplinary interest in home since the first edition was published, this significantly revised and updated second edition contains new research boxes, illustrations, and contemporary examples throughout. It also adds a new chapter on Home and the City' that extends the scalar understanding of home to the urban. The book develops the conceptual and methodological underpinnings of a critical geography of home, drawing on key feminist, postcolonial, and housing thinkers as well as contemporary methodological currents in non-representational thinking and performance. The book's chapters consider the making and unmaking of home across the domestic scale house-as-home; the urbTable of Contents1. Setting Up Home: An Introduction, 2. Researching Home, 3. Residence: House-As-Home, 4. Home and the City with Olivia Sheringham, 5. Home, Nation and Empire, 6. Home, Migration and Diaspora, 7. Leaving Home

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Book SynopsisWelcome to the third volume of Game Audio Programming: Principles and Practicesthe first series of its kind dedicated to the art and science of game audio programming. This volume contains 14 chapters from some of the top game audio programmers and sound designers in the industry. Topics range across game genres (ARPG, RTS, FPS, etc.), and from low-level topics such as DSP to high-level topics like using influence maps for audio.The techniques in this book are targeted at game audio programmers of all abilities, from newbies who are just getting into audio programming to seasoned veterans. All of the principles and practices in this book have been used in real shipping games, so they are all very practical and immediately applicable. There are chapters about split-screen audio, dynamic music improvisation, dynamic mixing, ambiences, DSPs, and more.This book continues the tradition of collecting modern, up-to-date knowledge and wisdom about game audio programmingTable of ContentsChapter 1 ◾ Sound Effect Categories 1Florian FüsslinSection I DSPChapter 2 ◾ Complex Numbers: A Primer for DSPProgramming 15Robert BantinChapter 3 ◾ Building Dynamic Analog-Style Filters: Bi-Quadratic Cascades vs Digital IntegratorCascades 29Robert BantinChapter 4 ◾ Modeling Atmospheric Absorption with a Low-Pass Filter 51Nic TaylorSection II VoiceChapter 5 ◾ Software Engineering Principles of Voice Pipelines 71Michael FilionChapter 6 ◾ A Stimulus-Driven Server Authoritative Voice System 81Tomas NeumannSection III Audio EnginesChapter 7 ◾ Building the Patch Cable 93Ethan GellerChapter 8 ◾ Split Screen and Audio Engines 119Aaron McLeranChapter 9 ◾ Voice Management and Virtualization 133Robert GayChapter 10 ◾ Screen-Space Distance Attenuation 143Guy SombergChapter 11 ◾ Under the Influence: Using Influence Mapsfor Audio 167Jon MitchellChapter 12 ◾ An Importance-Based Mixing System 181Guy SombergContents ◾ ixChapter 13 ◾ Voxel-Based Emitters: Approximating the Position of Ambient Sounds 205Nic TaylorChapter 14 ◾ Improvisational Music 235Charlie Huguenard

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Book SynopsisBruno Latour is one of the leading figures in Social Sciences today, but his contributions are also widely recognised in the arts. His theories flourished' in the 1980s in the aftermath of the structuralism wave and generated new concepts and methodologies for the understanding of the social. In the past decade, Latour and his Actor-Network Theory (ANT) have gained popularity among researchers in the field of architecture.Latour for Architects is the first introduction to the key concepts and ideas of Bruno Latour that are relevant to architects. First, the book discusses critically how specific methods and insights from his philosophy can inspire new thinking in architecture and design pedagogy. Second, it explores examples from architectural practice and urban design, and reviews recent attempts to extend the methods of ANT into the fields of architectural and urban studies. Third, the book advocates an ANT-inspired approach to architecture, and examines how its meTrade Review"Don’t get fooled by the title of Albena Yaneva’s book "Latour for Architects". It is a quick, lively and precise introduction of my work for lots of other professional bodies and academics. This is the best presentation of my entire work that I am aware of." Bruno Latour, Emeritus Professor at Science Po, Paris, France"At a moment when more and more designers conceive of form as interplay rather than shape and outline, Latour for Architects further extends research and practice beyond the limits of the profession and into new disciplinary coalitions that are increasingly giving authority to spatial variables."Keller Easterling, Enid Storm Dwyer Professor of Architecture, Yale University, School of Architecture, USA"Albena Yaneva does an outstanding job in presenting Latour’s most important ideas and deserves praise for organizing them in such an accessible manner. Regarding the task of explanation, the book is impressive."Robert A. Beauregard, Emeritus Professor at the Graduate School of Architecture, Planning and Preservation, Columbia University, USAPodcasts‘Sunday Coffee: Arts Design Architecture Latour for Architects by Albena Yaneva’ (with Tricia Keffer)https://sundaycoffee.buzzsprout.com/1848499/10635123-latour-for-architects-by-albena-yaneva‘Albena Yaneva: Bruno Latour, ANT and Architects. A is for Architecture’ (with Ambrose Gillick)Spotify: https://tinyurl.com/w5kvr9e6Apple: https://tinyurl.com/vn4b5bfkGoogle: https://tinyurl.com/yc7tsu69Table of Contents1. Introduction: ‘In this world’ 2. Rethinking the Modern Constitution 3. Science in the making 4. How technology shapes everyday life 5. Actor-Network Theory 6. Space and spacing 7. Invisible cities 8. The parliament of things 9. A Gaia who cares

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Book SynopsisWindows are moments in modern architecture where we look to ascertain elegance, technical expression and material language or to capture a certain atmosphere. A window opening is as much an interval and an opportunity as it is a device for admitting light, air or views; it is simultaneously a physical aperture but also a philosophical opening of collaboration and reflection. In order to understand the language of a building we might look to the detail of the window. But what does this mean and why does modern architecture invest so much expression in the window?This book explores how the act of detailing and situating windows in buildings is a key proponent in the language of architecture, which both informs and works with the contingencies of design and construction. It investigates 18 case studies in-depth using painstakingly drawn details and vivid photographs in full colour to define what makes these windows great and how each window is situated within both its technical

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Book SynopsisThe Archaeology of Seeing provides readers with a new and provocative understanding of material culture through exploring visual narratives captured in cave and rock art, sculpture, paintings, and more. The engaging argument draws on current thinking in archaeology, on how we can interpret the behaviour of people in the past through their use of material culture, and how this affects our understanding of how we create and see art in the present. Exploring themes of gender, identity, and story-telling in visual material culture, this book forces a radical reassessment of how the ability to see makes us and our ancestors human; as such, it will interest lovers of both art and archaeology.Illustrated with examples from around the world, from the earliest art from hundreds of thousands of years ago, to the contemporary art scene, including street art and advertising, Janik cogently argues that the human capacity for art, which we share with our most ancient ancestTable of ContentsIntroduction1 How contemporary is prehistoric art?2 The origins of art 3 The gallery: unveiling visual narrative 4 Power of display: the artist and the object5 Embodiment and disembodiment: the corporality of visual art and interwoven landscapes6 Portraiture and the reverence of the other7 Conclusion

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Book SynopsisThis book provides a comprehensive understanding of the technology architecture, physical facility changes and most importantly the new media management workflows and business processes to support the entire lifecycle of the IP broadcast facility from an engineering and workflow perspective. Fully updated, this second edition covers the technological evolutions and changes in the media broadcast industry, including the new standards and specifications for live IP production, the SMPTE ST2110 suite of standards, the necessity of protecting against cyber threats and the expansion of cloud services in opening new possibilities. It provides users with the necessary information for planning, organizing, producing and distributing media for the modern broadcast facility.Key features of this text include: Strategies to implement a cost-effective live and file-based production and distribution system. A cohesive, big-picture viewTrade ReviewPraise for the first edition: 'To my knowledge this is the first attempt by anyone to document the changing technology in broadcast engineering. Gary does it very well; it could finish up as the industry bible on the subject.' - David MacGregor, Chairman, TSL, UK Table of ContentsIntroduction Chapter 1 Overview Chapter 2 Standards, Protocols and Acronyms Chapter 3 Business Processes and Integration Chapter 4 – Ingest / Acquistion / Capture Chapter 5 Workflow and Processes Chapter 6 Media Management Chapter 7 Technology Infrastructure and Engineering Chapter 8 Transmission and Delivery Chapter 9 Cloud Chapter 10 Artificial Intelligence Chapter 11 - Facility Planning and Design Chapter 12 – Review Appendix

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Book SynopsisAn Illustrated Guide to Furniture History provides upper-level students and instructors with an alternative visual analytical approach to learning about furniture history from Antiquity to Postmodernism. Following an immersive teaching model, it presents a Nine-Step Methodology to help students strengthen their visual literacy and quickly acquire subject area knowledge.Moving chronologically through key periods in furniture history and interior design, such as the Renaissance, the Arts and Crafts Movement, and Modernism, it traverses Europe to America to present a comprehensive foundational guide to the history of furniture design.Part I addresses furniture within the context of the built environment, with chapters exploring the historical perspective, construction principles, and the categorization of furniture. In Part II, the author visually depicts the structural organization of the methodological process, a three-category framework: History,Trade Review"Joclyn Oats has invaluably assembled a fascinating compilation celebrating the Art of Furniture History & Design. She provides a look into the drawing archives of notable practitioners and exceptional presentation of her own eloquent visual and textual literacy. A beautifully crafted inspiring resource, sure to cultivate a desire to learn and create."- Clemenstien Love, Art + Design Director, THE cre.æ.tive ROOM "A revelatory way to gain a deep understanding and instinctive feel for furniture, Joclyn Oats' Illustrated Guide to Furniture History lights the path toward a level of understanding that simple memorization of facts and dates simply can't achieve. Using sketching and other simple learning tools, Oats shares what is probably the most effective and enjoyable method available to develop a true sensitivity for furniture styles and characteristics." – Zurich Esposito, Hon. AIA"Joclyn Oats has written an exceptionally engaging book that will delight the reader who is on a journey to learn the history of furniture. Designers and students of design will thoroughly enjoy the beautiful images and historical context." – Denise Rush, ASID, IIDA, IDEC, Dean and Faculty, School of Interior Architecture, Boston Architectural College, USATable of ContentsPart I: Furniture and the Built Environment Chapter 1 A Historical Perspective Chapter 2 Construction Principles Chapter 3 Piece Categorically Part II: Understanding the Piece Chapter 4 The Analysis of Form Chapter 5 A Graphic Narrative Part III: Object of Desire Part III Introduction Chapter 6 Antiquity: Egypt, Greece and Rome Chapter 7 Renaissance: Italy, France and England Chapter 8 18th Century: Italy, France and England & America – Late Colonial Chapter 9 Precursors to Modernism: Arts and Crafts, Art Nouveau, and Viennese Secession American Arts and Crafts – Prairie Style & Craftsman Style Chapter 10 Modernist Movements: Deutscher Werkbund, Bauhaus, De Stijl, International Style Chapter 11 Early Modernist Designers and Architects: Pierre Chareau (1883–1950), Eleen Gray (1879–1976), Jean Prouvé (1901–1984), Charlotte Perriand (1903–1999) Chapter 12 Modernism in America and the European Connection Chapter 13 Movements after Modernism: High-tech, Postmodermism, Deconstructivism Chapter 14 Conclusion

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Book SynopsisWalking Cities: London (second edition) brings together a new interdisciplinary field of artists, writers, architects, musicians, human geographers and philosophers to consider how a city walk informs and triggers new processes of making, thinking, researching and communicating. In particular, the book examines how the city contains narratives, knowledge and contested materialities that are best accessed through the act of walking.The varied contributions take the form of short stories, illustrated essays, personal reflections and accounts of walks both real and fictional. While artist and RCA tutor Rut Blees Luxemburg and philosopher Jean-Luc Nancy recount a nocturnal journey from Shoreditch to the City of London; architect Peter St John of the practice Caruso St John offers a detailed and personal reflection on the Holloway Road; and architect and author Douglas Murphy examines what he calls London's more politically charged locations' in his account of a solitary Table of ContentsIntroduction. Part 1. Site 1.My Kind of Town by Peter St John; 2. London Has to Continually Refresh its Offer by Douglas Murphy; 3. Against Porosity, Against the Crowd: Walking for a Spatial Complex City by Adam Kaasa; 4. Gravesend-Broadness Weather Station by Roberto Bottazzi; 5. Walking | Material Conditions of the Street by David Dernie Part 2. Night 6.London Winterreise by Rut Blees Luxemburg & Jean-Luc Nancy; 7. Night Moves by Nayan Kulkarni Part 3. Writing 8. Point to Point by Sean Ashton; 9. Public Notice by Jaspar Joseph-Lester; 10. The Rotherhithe Caryatids by Laura Oldfield Ford Part 4. Monuments 11.Squatted Somers Town by Esther Leslie; 12. Docked and Parked by Jo Stockham; 13. Freud in London by Sharon Kivland & Steve Pile; 14. Walking Round Trafalgar Square (Temenos and Omphalos) by Ahuvia Kahane Part 5. Music 15. The Travelling Mindset: A Method for Seeing Everything Anew by Amy Blier-Carruthers; 16. Practise. Walk by by Peter Sheppard Skærved Part 6. Dialogue 17. Curling up Tight by Phil Smith; 18. Walkative: A Choreography of Resistance by Rosana Antoli; 19. The Sound of Sweetness on the Grand Union Canal by Tom Spooner; 20. The Optimists by Duncan Jeffs

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Book SynopsisArchitecture and Choreography: Collaborations in Dance, Space and Time examines the field of archi-choreographic experimentsâunique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers.Forty case studies spanning four decades give evidence of the range of motivations for embarking on these creative endeavors and diverse conceptual underpinnings, generative methods, objects of inquiry, and outcomes. Architecture and Choreography builds histories and theories through which to examine these works, the contexts within, and processes through which the works emerged, and the critical questions they raise about ways to work together, sites and citations, ethics and equity, control and agency. Three themes frame pairs of chapters. The first addresses disciplinarity through works that critically reflect upon their disciplineâs tools, techniques, and conventions juxtaposed against projects that cite or use other art forms and cultural phenomena as source material. The second interrogates space and the role of spatial dispositifs, institutions, and sites, and their hidden and not-so-hidden conditions, as conceptual drivers and structures to subvert, trouble, unsettle, remember. The third asks who and what dances, finding a spectrum from mobilized architectural bodies to more-than-human cybarcorps. Modes of collaboration and the temporalities and life cycles of projects inform bookending chapters.Architecture and Choreography offers vital lessons not only for architects and choreographers but also for students and practitioners across design and performance fields.

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Book SynopsisThis book is an essential guide to making traditional 16mm and 8mm films, from production to post, using both analog and digital tools. Focusing on low-budget equipment and innovative techniques, this text will provide you with the steps to begin your journey in making lasting work in the legacy medium of great filmmakers from Georges MÃliÃs to Steven Spielberg. The discipline of 16mm or 8mm film can initially seem challenging, but through the chapters in this book, youâll learn strategies and insight to develop your craft. Youâll discover the right camera for your needs, how to light for film, and the options in planning your digital post-production workflow. The book includes numerous hand-drawn diagrams and illustrations for ease of understanding, as well as recommended films and filmmaking activities to help you build your knowledge of film history, technical and creative skills within each chapter theme.By applying the suggested approaches to production planningTrade Review"After reading chapter 9 on Special Effects, I grabbed my Bell & Howell Filmo 70 camera to examine it more carefully, amazed that it held so many possibilities that I had been previously unaware of. Dodd provides indispensable shooting tips, inspiring assignment suggestions, while sharing his passion for filmmaking."Mary Beth Reed, VCUartsTable of ContentsIntroduction, Chapter 1: Why Film, Chapter 2: Motion Picture Cameras, Chapter 3: 16mm and 8mm Formats, Chapter 4: Cinema Lenses, Chapter 5: Motion Picture Film Stocks, Chapter 6: Light Meters, Chapter 7: Planning a Film Production, Chapter 8: Cinema Lighting, Chapter 9: Special Camera Effects, Chapter 10: Magnetic Sound Recording, Chapter 11: Film Processing, Chapter 12: Film Bench Editing, Chapter 13: Film Editing Machines, Chapter 14: Magnetic Sound Editing, Chapter 15: Film Finishing and Projection, Conclusion, Appendix: Camera Guide

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Book SynopsisAs featured on CNN, Forbes and Inc BookAuthority identifies and rates the best books in the world, based on recommendations by the world''s most successful business leaders and experts. Winning the spot of #19 out of 26 on the 2020 Bookauthority Best New Industrial Management Books of All Time. Winning the spot of #3 out of 8 on the 2021 Bookauthority Best New Industrial Management Books to Read in 2021. Winning the spot of #5 out of 11 on the 2021 Bookauthority Best New Product Design Books to Read in 2021. 2020 Taylor & Francis Award Winner for Outstanding Professional Book!Product Lifecycle Management (PLM): A Digital Journey Using Industrial Internet of Things (IIot) provides a summary of the essential topics of Product Lifecycle Management (PLM) and the Industrial Internet of Things (IIoT) in the era of IndustTable of Contents1. PLM Components. 2. PLM Ecosystem. 3. Evolution of IIoT. 4. Smart Product Development. 5. Convergence of PLM with IIoT. 6. Industry 4.0 Technologies That Enhance PLM. 7. PLM Using IIoT Use Case. Index.

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Book SynopsisAs an introduction to balletâs history, culture, and meanings, this book draws on the latest ballet scholarship to describe the trajectory of a dance form that has risen to global ubiquity and benefited from many diverse influences along the way.Organized around themes, the book explains how the manners, style, and hierarchies of ballet became such a strong part of its DNA. It addresses the origins of balletâs aristocratic vocabulary and the ways in which it may be interpreted now, incorporating meanings that range from the aesthetic to the spiritual and the political. The Routledge Introduction to Ballet, its Culture and Issues explores how dancers and audiences have experienced ballet, how popular films have represented it, and who has been excluded and how that could change. The chapters highlight the people, institutions, and works that helped to establish balletâs reputation, while also uncovering lesser-known influences and new ways of interpreting ballet. Lists

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Book SynopsisAdditive Manufacturing and 3D Printing Technology: Principles and Applications consists of the construction and working details of all modern additive manufacturing and 3D-printing technology processes and machines, while also including the fundamentals, for a well-rounded educational experience. The book is written to help the reader understand the fundamentals of the systems. This book provides a selection of additive manufacturing techniques suitable for near-term application with enough technical background to understand the domain, its applicability, and to consider variations to suit technical and organizational constraints. It highlights new innovative 3D-printing systems, presents a view of 4D printing, and promotes a vision of additive manufacturing and applications toward modern manufacturing engineering practices. With the block diagrams, self-explanatory figures, chapter exercises, and photographs of lab-developed prototypes, along with case studieTable of Contents1. Introduction to Additive Manufacturing and 3D Printing Technology. 2. CAD for Additive Manufacturing. 3. Liquid-Based Additive Manufacturing Systems. 4. Solid-Based Additive Manufacturing Systems. 5. Powder-Based Additive Manufacturing Systems. 6. Materials in Additive Manufacturing. 7. Applications and Examples. 8. Additive Manufacturing Equipment. 9. Post Processing. 10. Product Quality.

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Book SynopsisBelow the Waist: Pads, Hoops, Crinolines and Bustles provides a wide range of historical patterns and instructions to construct a range of underpinnings, simple pads, a farthingale, 18th century hoops, 19th century crinolines and bustles.The silhouette that enables us to recognize and date historical female garments owes a great deal to the underpinnings that support the costume. Historical underpinnings were constructed to hold and shape the outer garment, creating a silhouette unique to a particular period. The examination of a wide range of original garments forms the basis for each pattern in this book and includes historical information to support each pattern, providing a unique shape that gives a wider choice for the costumer to create an accurate period silhouette. Many of the garments are from unseen collections and present new patterns for the reader. Clear step-by-step instructions, with supporting diagrams, will enable the reader to produce an accurate period undergarment.Mandy Barrington?s method of pattern drafting allows anyone, from students on costume construction courses to professionals working in the costuming industry, to draft and make an authentic historical underpinning.

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Book SynopsisThe Routledge Anthology of Women''s Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women's writing within, and also reframes the field's male-defined and male-dominated traditions. Its collection of documents demonstrates women's consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artTable of Contents1. FIVE MEDIEVAL WOMEN: St. Perpetua (c. 185–203), Hildegard of Bingen (1098–1179), Hadewijch (c. 1200–1250), Katherine Sutton (d. 1376), Margery Kempe (c. 1373–1438)Andrew Galloway2. HROTSVIT OF GANDERSHEIM (c. 935–1002)Andrew Galloway3. MARGARET LUCAS CAVENDISH (c.1623–1673)Sujata Iyengar and Mikaela Warner4. APHRA BEHN (1640–1689)Joseph Roach5. ANNE FINCH (1661–1720)Christina Black6. SUSANNA CENTLIVRE (c. 1669–1723)Gillian Skinner7. CHARLOTTE LENNOX (1729–1804)Elizabeth Kraft8. CHARLOTTE CHARKE (1713–1760)Molly Marotta9. FRANCES BURNEY (1752–1840)Serena Baiesi10. HANNAH COWLEY (1743–1809)Melinda C. Finberg and Angela Escott11. LADY EGLANTINE WALLACE (c. 1754–1803)Lilla Maria Crisafulli12. SALLY SIDDONS (1775–1803)Laura Engel13. ELIZABETH INCHBALD (1753–1821)Lisa A. Freeman14. JOANNA BAILLIE (1762–1851)Thomas C. Crochunis15. FELICIA HEMANS (1793–1835)Diego Saglia16. ADELAIDE O’KEEFFE (1776–1865)Donelle Ruwe17. SARAH SIDDONS (1755–1831)Daniel O’Quinn18. “ANONYMOUS”Marjean D. Purinton19. MARY RUSSELL MITFORD (1787–1855)Serena Baiesi20. AMELIA CHESSON (1833–1902)Tracy C. Davis21. FRANCES A. KEMBLE (1809–1893)Catherine Burroughs22. OLIVE LOGAN (1839–1909)Merritt Denman Popp23. MICHAEL FIELD [KATHARINE HARRIS BRADLEY (1846–1914) AND EDITH EMMA COOPER (1861–1913)]Jill R. Ehnenn24. CHARLOTTE PERKINS GILMAN (1860–1935)Andrew Tolle25. PHYLLIS ROBBINS (1883–1972)Kim Marra26. LADY AUGUSTA GREGORY (1852–1932)Marjorie Howes27. EDITH CRAIG (1869–1947)Katharine Cockin28. CHRISTOPHER ST. JOHN (1871–1960)Lesley Ferris29. BINODINI DASI (1862–1941)Aparna Dharwadker30. FLORENCE KIPER (1886–1976)Sharon Friedman31. MAY ISABEL FISK (1872–1955)Jennifer Schmidt32. DJUNA BARNES (1892–1982)Nick Salvato33. SOPHIE TREADWELL (1885–1970)Jerry Dickey34. VIRGINIA WOOLF (1882–1941)Shilo McGiff 35. ELIZABETH ROBINS (1862–1952)Joanne Gates36. LENA ASHWELL (1872–1957)Maggie Gale37. CONSTANCE ROURKE (1885–1941)Charlotte M. Canning38. CORNELIA OTIS SKINNER (1899–1979)Jennifer Schmidt39. GERTRUDE STEIN (1874–1946)Scott W. Klein 40. SUSAN GLASPELL (1876–1948)J. Ellen Gainor and Elizabeth A. Osborne41. HALLIE FLANAGAN (1889–1969)Elizabeth A. Osborne42. JOAN LITTLEWOOD (1914–2002)Fatine Bahar Karlidağ 43. ALICE CHILDRESS (1916–1994)Meenakashi Ponnuswami44. ANN JELLICOE (1927–2017)Kate Pierson45. BARBARA ANN TEER (1937–2008)La Donna L. Forsgren46. JUDITH MALINA (1926–2015)Kate Bredeson47. ROSE YUEN OW (1895–?)Krystyn Moon48. MARGUERITE DURAS (1914–1996)Shelley Orr49. MEGAN TERRY (1932–2023)Maya Roth50. DOROTHY HEWETT (1923–2002)Aoise Stratford51. MARÍA IRENE FORNÉS (1930–2018)Linda Ben-Zvi52. JANE CHAMBERS (1937–1983)Sara Warner53. ELFRIEDE JELINEK (b.1946)Anke Charton54. SUE-ELLEN CASE (b.1942)Penny Farfan55. ADRIENNE KENNEDY (b.1931)Maya E. Roth56. LIZ LOCHHEAD (b.1947)Aoise Stratford57. CONSTANCE CONGDON (b.1944)Ryan Platt58. ELIZABETH MACLENNAN (1938–2015)Gioia Angeletti59. MONSTROUS REGIMENT (1975–1993)Elaine Aston60. JILL DOLAN (b.1957)Jessica Del Vecchio61. THE DIVINA PROJECT (1989–1998)Juliet Guzzetta62. NEHAD SELAIHA (1945–2017)Marvin Carlson 63. PEGGY PHELAN (b.1959)Daniel Sack64. SUZAN-LORI PARKS (b.1963)Kristen Wright65. KATE BORNSTEIN (b.1948)Kara Raphaeli66. ELIN DIAMOND (b. 1948)Jen-Scott Mobley67. HÉLÈNE CIXOUS (b.1937)Rachel Morris Watson68. MĨCERE GĨTHAE MŨGO (1942–2023)Kellen Hoxworth69. DIANE GLANCY (b.1941)Birgit Däwes70. LOIS WEAVER (b.1949)Benjamin Gillespie71. JUDITH THOMPSON (b.1954)Erica Stevens Abbitt72. CHERRÍE MORAGA (b.1952)Lindsay Cummings73. AMAL ALLANA (b.1947)Aparna Dharwadker74. NAOMI WALLACE (b.1960)Lindsay B. Cummings75. MOJISOLA ADEBAYO (b.1971)Kellen Hoxworth76. LAUREN GUNDERSON (b.1982)Noelia Hernando-Real77. SARAH RUHL (b.1974)Amy Muse78. ELAINE ASTON (b.1958)Geraldine Harris79. DAME HARRIET WALTER (b.1950)Rosemary Malague80. CATHERINE KODICEK (b.1972)Katherine Gurnos-Davies81. SPIDERWOMAN THEATER (1976–) AND MURIEL MIGUEL (b.1937)Lilian Mengesha82. EMMA RICE (b.1967)Siouxsie Easter83. PAULA VOGEL (b.1951)Meghan Brodie84. ELAINE ROMEROJimmy A. Noriega85. VELINA HASU HOUSTON (b.1957)Eunha Na86. QUIARA ALEGRÍA HUDES (b.1977) and GABRIELA SERENA SANCHEZJ. Ellen Gainor87. WINSOME PINNOCK (b.1961)Gabriele Griffin88. TAKEMOTO KOSHIKÔ (b.1953)Maki Isaka89. ÉMILIE MONNET (b.1979)Lindsay LaChance

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Book Synopsis  The International Who's Who in Classical Music 2020 is a vast source of biographical and contact information for singers, instrumentalists, composers, conductors, managers and more. Each entrant has been given the opportunity to update his or her information for the new improved 2020 edition. Each biographical entry comprises personal information, principal career details, repertoire, recordings and compositions, and full contact details where available. Appendices provide contact details for national orchestras, opera companies, music festivals, music organizations and major competitions and awards. International Who's Who in Classical Music includes individuals involved in all aspects of the world of classical music: composers, instrumentalists, singers, arrangers, writers, musicologists, conductors, directors and managers. Key Features:- over 8,000 detailed biographical entriesTable of ContentsPart 1: BiographiesPart 2: Directory Appendix A: Orchestras. Appendix B Opera Companies. Appendix C: Music Festivals. Appendix D: Music Organizations. Appendix E: Competitions and Awards.

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Book SynopsisWhat can you do with a degree in architecture? Where might it take you? What kind of challenges could you address? Architects After Architecture reframes architecture as a uniquely versatile way of acting on the world, far beyond that of designing buildings. In this volume, we meet forty practitioners through profiles, case studies, and interviews, who have used their architectural training in new and resourceful ways to tackle the climate crisis, work with refugees, advocate for diversity, start tech companies, become leading museum curators, tackle homelessness, draft public policy, become developers, design videogames, shape public discourse, and much more. Together, they describe a future of architecture that is diverse and engaged, expanding the limits of the discipline, and offering new paths forward in times of crisis. Whether you are an architecture student or a practicing architect considering a change, you'll find this an encouraging and inspiring readTable of ContentsINTRODUCTIONHarriet Harriss, Rory Hyde, Roberta MarcaccioARCHITECTURE AFTER ARCHITECTUREJeremy TillDESIGNING FOR THE CLIMATE EMERGENCYA case study by Sarah Wigglesworth‘WHOSE VOICE COUNTS?’Interview with Liza Fior, MufSPACES TO SPEAKJustine Clark, ParlourON MIS-FITTINGJos Boys‘ARCHITECTURE IS A WAY TO CONSTRUCT SOCIETY’Interview with Andrés Jaque, OFFPOLINN DESIGNING WITH CHILDRENA case study by InterboroFROM EXCLUSION TO INCLUSIONJoel SandersPRACTICE AS PROJECTPublic Works with Angharad Davies AN ALTERNATIVE PRACTICE IN TIMES OF CRISISDoina Petrescu, aaaPRIDE IN MAKINGInterview with Takeshi Hayatsu REVIVING THE ALMS HOUSEA case study by Peter Barber THE ARCHITECT-ORGANIZERSib Trigg, PEACH ‘WE WANTED TO DO THINGS OURSELVES’Interview with Jane Hall, Assemble SAY IT LOUDPascale SablanBUILDING DIVERSITYElsie Owuso on Baroness LawrenceDECONSTRUCTIONA case study by RotorUNDERGROUND ARCHITECTUREAnt Farm in conversation with WORKacTHE SELF AS A DESIGN SUBJECTJack Self THE ARCHITECT-DEVELOPERRoger ZogolovitchWHEN IS AN ARCHITECT NOT AN ARCHITECT?Holly Lewis, We Made That DEPROFESSIONALISMPeggy Deamer‘ONLY A CRIMINAL CAN SOLVE THE CRIME’Interview with Eyal Weizman and Christina Varvia, Forensic ArchitectureARCHITECTURE AFTER CONFLICTMalkit Shoshan, FASTTO PROGRAM A SITE Kimberli MeyerEXHIBITION-MAKINGJudith ClarkBUILDINGS TASTE LONELY TO MEA case study by Alex SchwederFROM ARCHITECTURE TO VIDEOGAMESMiriam Bellard, Rockstar North‘IT’S WHERE DIFFERENT FORMS OF KNOWLEDGE COLLIDE’Interview with Matt Jones, GoogleFROM ARCHITECTURE TO TECHBlake Hudelson and Gavin Johns, Architechie‘CRYPTOCURRENCY HAS ENTERED MAINSTREAM CONSCIOUSNESS’Interview with Matt Storus SEEING UPSIDE-DOWN AND AROUND CORNERS Scott PatersonRECLAIMING ATTENTIONA case study by Studio FolderDESIGN FOR HOMELESSNESSChris Hildrey‘WHAT WOULD HAPPEN IF ALL THE DETAILS WERE PUT BACK IN THE STORY?’Interview with Damon RichPUBLIC PRACTICE Finn Williams PERSONAL-PRIVATE, PROFESSIONAL-POLITICALShelley PennARCHITECTS FOR THE HUMANITARIAN SECTOR Shareen Elnaschie, ODDTHE FREE WORLDRobert Mull

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Book SynopsisEach of these Analysing Architecture Notebooks is devoted to a particular theme in understanding the rich and varied workings of architecture. They can be thought of as addenda to the foundation volume Analysing Architecture, which first appeared in 1997 and has subsequently been enlarged in three further editions. Examining these extra themes as a series of Notebooks, rather than as additional chapters in future editions, allows greater space for more detailed exploration of a wider variety of examples, whilst avoiding the risk of the original book becoming unwieldy.Shadows may be insubstantial but they are, nevertheless, an important element in architecture. In prehistoric times we sought shade as a refuge from the hot sun and chilling rain. Through history architects have used shadows to draw, to mould form, to paint pictures, to orchestrate atmosphere, to indicate the passing of time  as well as to identify place. Sometimes shadow can be the subsTable of ContentsPreface Introduction – Our World of Shadow Shadow Types Drawing Shadow – Sciagraphy Drawing with Shadow Practical Shadow Problematic Shadow Shadow Container Contained Shadow Shadow Threshold Narrative Shadow Regional Shadow Stage Set for Shadow Shadow and Time Japanese Shadow Islamic Shadow Le Corbusier – Architect of Shadow Endnote Acknowledgements Bibliography Index

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Book SynopsisConservation Skills for the 21st Century provides a much-needed update to the original Conservation Skills volume, presenting an overview of current issues facing conservators of historic and artistic works. Beginning with the basics  why the past is important, as well as an overview of the nature and history of conservation the book allows the reader to develop a holistic appreciation of the subject. As with the first edition, this volume assists with the development of judgement in conservation students and young professionals. A selection of new case studies representing issues conservators are likely to face in the 21st century illustrates the crucial considerations that must be made when proposing and executing a conservation treatment. Incorporating recent developments and use of new technologies in conservation processes, the book also covers topics such as conservation ethics; recording and documentation; investigating and cleaning obTable of Contents1. Reasons for Preserving the Past; 2. The History of Conservation; 3. Conservation Aims and Ethics; 4. Objects: Their Investigation and Recording; 5. Cleaning; 6. Restoration; 7. Stabilisation; 8. Preventive Conservation and Storage; 9. Preserving Intangible Heritage: Working and Socially Active Objects; 10. Perception, Judgement, and Decision-Making; 11. Responsibilities, Skills, and Sustainable Practices in the 21st Century.

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Book SynopsisConservation Skills for the 21st Century provides a much-needed update to the original Conservation Skills volume, presenting an overview of current issues facing conservators of historic and artistic works. Beginning with the basics  why the past is important, as well as an overview of the nature and history of conservation the book allows the reader to develop a holistic appreciation of the subject. As with the first edition, this volume assists with the development of judgement in conservation students and young professionals. A selection of new case studies representing issues conservators are likely to face in the 21st century illustrates the crucial considerations that must be made when proposing and executing a conservation treatment. Incorporating recent developments and use of new technologies in conservation processes, the book also covers topics such as conservation ethics; recording and documentation; investigating and cleaning obTable of Contents1. Reasons for Preserving the Past; 2. The History of Conservation; 3. Conservation Aims and Ethics; 4. Objects: Their Investigation and Recording; 5. Cleaning; 6. Restoration; 7. Stabilisation; 8. Preventive Conservation and Storage; 9. Preserving Intangible Heritage: Working and Socially Active Objects; 10. Perception, Judgement, and Decision-Making; 11. Responsibilities, Skills, and Sustainable Practices in the 21st Century.

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