Art & Photography Books

Book SynopsisThis book examines how sustainability has the potential to transform both the fashion system and the innovators who work within it. The book is organized in three parts. The first part is concerned with transforming fashion products across the garment''s lifecycle and includes innovation in materials, manufacture, distribution, use, and re-use. The second part looks at ideas that are transforming the fashion system at root into something more sustainable, including new business models that reduce material output. The third section is concerned with transforming the role of fashion designers and looks to examples where the designer changes from a stylist or shaper of things into a communicator, activist or facilitator.

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Book SynopsisThis richly illustrated publication explores the lasting influence of Gainsborough’s Blue Boy on British art and culture Marking the return of Gainsborough’s Blue Boy to the UK exactly 100 years since it left for the United States, this richly illustrated publication will explore the lasting influence of this iconic painting on British art and culture. During the nineteenth century, the painting’s fame grew and full-length portraits by Gainsborough and his contemporaries became much sought after by wealthy American collectors. The sale of The Blue Boy to the American railroad magnate and collector Henry E. Huntington in 1921 was unsurprisingly viewed as a national tragedy—emblematic of a shift in economic and cultural power. However, its afterlife, as a permanent ambassador for British art, has undoubtedly fed into ideas of Britain and Britishness—its history, society, culture and character—that still resonate today. Including a select group of paintings that demonstrate the profound influence of Sir Anthony van Dyck and the old master tradition on Gainsborough’s practice and identity, Gainsborough’s Blue Boy will examine this masterpiece within the context of the National Gallery’s collection. Published by National Gallery Company/Distributed by Yale University Press

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Book SynopsisHere is a selection of paintings by artist Robert Geoghegan about his home city of Birmingham where he has lived for all his life. His work is full of the detail and colour of modern urban life, often combined with a nostalgia for old Birmingham. Some of the works portray ordinary everyday scenes like someone walking dogs, a lollipop man or getting on the bus with an off peak pass, while others show many of the city's landmarks such as Selfridges, Aston Hall and the Custard Factory but always with a comic twist. There's something here for everyone – from depictions of modern-day Goths in Pigeon Park to yesteryear's children hanging off the back of the old Corporation buses. There's football pictures about the Blues, Villa and West Brom – both tragic and comic! One about Jasper Carrott and of course King Kong has to make an appearance. Here the Birmingham buses are peopled by bears, Morris dancers, druids, Santa Claus and even the Royal Family. There's pictures of Birmingham's public statues: the Iron Man squaring up to a Cyberman, Bullie being harassed and the statue of Victorian reformer Thomas Attwood attracting the attention of the police. The Beatles, characters from Father Ted, Dracula, Daleks and the Peaky Blinders all make an appearance in this enthralling collection. Robert sells prints of his work at local art markets in Moseley, Kings Heath and the MAC as well as in the city centre before Christmas. His work is also available to purchase online at robspaintings.com. As well as being a practicing artist, Robert is an art tutor who has run art sessions in primary schools for many years and also teaches drawing and painting to adults.

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Book SynopsisA humorous and incisive analysis of the basic tenets of typography and how to turn them on their heads, this book will appeal to the conformist and the non-conformist in everyone - not just the newcomer to design. One side of this sharp-witted, cleverly designed guide presents the ten main rules, or 'commandments', of type design, addressing such aspects of typographic doctrine as legibility, alignment and capitalization; the other shows how type can successfully subvert these rules, presenting 'sacreligious' visual alternatives. In support of the commandments, Felton includes a list of twelve 'disciples', those internationally renowned graphic designers whom he identifies as rule-abiding, including such figures as Eric Gill, Jan Tschichold and Erik Spiekermann. Confronting these are his 'fallen angels', including such experimental typographers as David Carson, Jeffery Keedy, Phil Baines, and Jonathan Barnbrook.Trade ReviewA humorous and incisive analysis - this book will appeal to the conformist and non-conformist in everyone - RIBA BOOKSHOPS NEWSLETTER

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Book SynopsisThe very first photographs of the nineteenth century were produced without the use of a camera. Today, having rediscovered camera-less techniques, a number of artists are using camera-less photography to create beautiful, startling images. Now available in an updated and fully revised edition, Shadow Catchers surveys the work of five leading practitioners - Pierre Cordier, Susan Derges, Adam Fuss, Garry Fabian Miller and Floris Neususs - who, by casting shadows on light-sensitive paper or by chemically manipulating its surface, capture the presence of objects, figures or glowing light. The resulting pictures are consistently powerful, often with surreal effects and symbolic content. This is the first book to gather together the work of these key contemporary artists, revealing the technical processes and creative practices involved in their art. In an age of mass-produced imagery, Shadow Catchers offers a fascinating insight into a world of handcrafted photographs that are at once visually striking and intellectually stimulating.Trade Review'a brilliant collection that will blow the minds of some, but intrigue many others' - AMATEUR PHOTOGRAPHER

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Book SynopsisSome of the most stunning architectural structures in India are to be found below ground: these are its stepwells, ancient water stores. Stepwells are unique to India and from around the 3rd century CE were built throughout the country, particularly in the arid western regions. Excavated several stories underground in order to reach the water table, these cavernous spaces not only provided water all year long but also fulfilled other functions; they offered pilgrims and other travelers a respite from the heat, and became places in which villagers could socialize. Stepwell construction evolved so that, by the 11th century, the wells were amazingly complex feats of architecture and engineering.The journalist Victoria Lautman first encountered stepwells three decades ago and now, a seasoned traveller to India, she has devoted several years to documenting these fascinating but largely unknown edifices before they disappear. Of the thousands of stepwells that proliferated across India, most were abandoned as a result of modernization and the depletion of water tables. Often commissioned by royal or wealthy patrons, the wells vary greatly in scale, layout, materials and shape. Those in what is now Gujarat state also served as subterranean Hindu temples that featured columned pavilions and elaborate stone carvings of deities. Islamic wells were generally less flamboyant, but incorporated arched side niches. Today, few stepwells are in use. The majority have been left to silt up, fill with rubbish and crumble into disrepair. Gradually, however, the Indian government and heritage organizations have come to recognize the need to preserve these architectural wonders. In 2014 India's best-known stepwell, the Rani ki Vav in Patan, northern Gujarat, became a UNESCO World Heritage site.In her introduction, Lautman discusses why and where the stepwells were built. She reflects on the reasons they became derelict and considers how the appreciation of stepwells is changing with the work of organizations and individuals who aim to protect and restore them. The main part of the book is arranged in a broadly chronological order, with up to six pages devoted to each of c. 80 stepwells, every one unique in design and engineering. The name, location (including GPS coordinates) and approximate date of each well accompany color photographs and a concise commentary by Lautman on the history and architecture of the well and her experience of visiting it. While many of the stepwells are rather decrepit, their magnificent engineering and great beauty cannot fail to impress.Table of ContentsForewordIntroductionThe StepwellsAcknowledgementsIndex

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Book SynopsisAlvar Aalto remains Finland's greatest architect, retains his place among the Modern Masters of twentieth-century architecture and is now recognized internationally as one of the world's greatest architects of all time. For Finland, Aalto, through his architecture, furniture, glassware and sculpture, contributed perhaps more than any other Finn to the creation of the cultural identity of the new independent Finland and its promotion around the world. His Finnish Pavilions in Paris and New York from the Thirties placed Finland centre-stage, establishing its identity as a modern, innovative country and generated huge interest in this northern land of lakes and forests. He went on to work in 18 countries around the world, as well as designing many of Finland's most important buildings of the 50s, 60s and 70s. This new biography of Aalto is the first to comprehensively cover his life, from the backwoods of Ostrabothnia to international fame and all of his buildings, from the early alterations and extensions to shops and houses in Jyvaskyla to Finlandia Hall.It draws on Aalto's archive, recollections of former employees and contemporaneous publications to fully explore Alvar Aalto the architect, rather than simply Alvar Aalto's architecture. For the first time, his life is set in the context of the events that surrounded and shaped it - the Finnish Civil War, the Great Depression, The Winter and Continuation Wars, the post-war boom in education, Finland's industrialisation and eventually the social revolution of the 60s which led to his characterization as a member of a Finnish elite and temporary unpopularity. It covers his life from his childhood, growing up in regional Jyvaskyla and Alajarvi, his architectural studies in Helsinki, combat in the Civil War through to the founding of his first office, his early neo-classical work and his international breakthrough with the completion of Paimio Sanatorium and Viipuri Library. It deals with his personal life, his marriage to Aino, what working life in his first office was like, the architectural competitions, his key friendships and continuous financial difficulties.As his career progressed, it explores the patrons who were so important to him - the Gullichsens and the founding of Artek, his new American friends, professorship at MIT. After the war, the death of Aino, marriage to Elissa and the period of his greatest architectural achievements - Saynatsalo Town Hall, Otaniemi University and Imatra Church. It considers the organisation of his new office in Helsinki, his expanding team, fame and eventually vanity. The book seeks to understand what drove him, the combination of skills, talents and character traits, which led to his extraordinary global success. As you will be aware, there is no shortage of books on Alvar Aalto, or to be more precise, there is no shortage of books on Alvar Aalto's Architecture. (Only one previous biography exists, published first in 1984 and now out of print). This book is about an architect and his architecture, written by another architect, not an architectural historian. It is the first, frank and fully-comprehensive biography of Alvar Aalto.

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Book SynopsisFor more than 600 years the Livery Companies have played a leading role in commercial activities and social and political life in the City of London. These trade associations, each representing a particular craft or profession, were originally responsible for controlling, for example, wages and working conditions. As the Companies were established and incorporated by royal charter, largely in the 14th and 15th centuries, they began acquiring and adapting buildings from which to operate. The Companies’ headquarters – the Livery Halls – gradually evolved from large medieval town houses to become an identifiable building type matched in scale and ambition only by the guild houses of northern European mercantile cities and the Venetian scuole. By the time of the Great Fire of London in 1666, there were at least 53 Livery Halls. Of the 40 Halls standing today, half remain on their medieval sites, but all have been rebuilt several times. To give only two examples: there have been six incarnations of Clothworkers’ Hall on Mincing Lane and six Salters’ Halls on three different City sites. This beautiful book is the first major exploration of these architecturally significant yet under-researched buildings. Dr Anya Lucas, who has studied the Halls in depth, provides an introduction and an illustrated history of the buildings that have been lost over the centuries. The Great Fire, in particular, resulted in a period of energetic reconstruction. Companies rebuilt and beautified their Halls in recognition that the image they projected was as crucial as their wealth and regulatory powers. More building activity took place in the 18th and 19th centuries as Halls were required to accommodate new functions. Many of the Restoration Halls did not survive these years, and, where they did, alterations continued apace. Only 3 out of 36 Halls remained untouched after the Blitz of 1940–41, leading to another wave of reconstruction, the buildings being predominantly traditional or neo-Georgian in style. Henry Russell surveys each of the 40 present-day Halls, no two of which share an identical plan. Sited across the City from east to west, they range from the London Proof House, the home of the Worshipful Company of Gunmakers, on Commercial Road, outside the old City walls, to HSQ Wellington, headquarters of the Honourable Company of Master Mariners, moored on the Thames at Victoria Embankment. All existing Livery Halls have been photographed especially for the project by the renowned interiors photographer Andreas von Einsiedel, making this a truly outstanding publication.Table of ContentsForeword by Charles Bowman Preface by the Master of the Worshipful Company of Chartered Architects Introduction by Anya Lucas Map of the City of London showing extant livery halls The Livery Halls by Henry Russell The Lost Livery Halls by Anya Lucas Gazeteer Acknowledgements Index

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Book SynopsisSouthern California is the birthplace of skateboard culture and, even though skateparks may be found worldwide today, it is where these parks continue to flourish as architects, engineers and skateboarders collaborate to refine their designs. The artist Amir Zaki grew up skateboarding, so he has an understanding of these spaces and, as someone who has spent years photographing the built and natural landscape of California, he has a deep appreciation of the large concrete structures not only as sculptural forms, but also as significant features of the contemporary landscape, belonging to a tradition of architecture and public art. To capture the images in this book, Zaki photographed in the early-morning light, climbing inside the bowls and pipes while there were no skaters around. Each photograph is a composite of dozens of shots taken with a digital camera mounted on a motorized tripod head. The resulting images are incredibly high resolution and can be printed at a large scale with no loss of detail. Their look is unusual in that Zaki's lens is somewhat telephoto, which has the effect of flattening space, yet the angle of view is often quite wide, which exaggerates spatial depth. The technology also allows Zaki to photograph certain areas from difficult positions that would otherwise be impossible to capture. Zaki makes the point that, by climbing deep inside these spaces, the visual experience is fundamentally different from viewing them from outside. In his text, Tony Hawk - one of world's best-known professional skateboarders - describes how Zaki's photographs of empty skateparks and open skies evoke memories of the idyllic freedom and the sense of potential that he felt when he first visited a skatepark as a child and saw skaters flying like birds in and out of the concrete pools and bowls. Hawk has skated in some of the parks featured in this book, and for him several of Zaki's images, taken from the skater's perspective, recall the experience of trying to learn a particular trick. A beautiful full pipe that looks like a barrelling wave may be, for Hawk and other seasoned skateboarders, a perfect example of function and form fitting together flawlessly in a well-designed skatepark. In his essay, the Los Angeles-based architect Peter Zellner offers a different perspective. Skateparks are made by excavating large open areas of land within city parks. The forms inside them may represent ocean waves, mountainous terrain and other features from nature, but they are permanently frozen in cement like Brutalist architecture. Every shape, line, transition, hip, tombstone, coping, stair, flow, tile, bowl, pipe, spine, rail, ledge, roll-in, kidney, clover, square and bank serves a specific purpose - to provide a challenging thrill and maximum pleasure for the rider. In this sense, skateparks epitomize function over form. In Zaki's mesmerizing photographs, however, these concrete landscapes suggest a more complex and integrated relationship with the history of design and architecture in Southern California.

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Book SynopsisWalking through London's busy streets, you would not imagine that the city boasts one of the world's most diverse manufacturing scenes. But throughout its 32 boroughs, people are making propellers, bicycles, ballet shoes, military uniforms, cardboard packaging, neon signs, umbrellas, chocolate truffles, craft beer and much more. Today there are around 4000 manufacturers based in Greater London, building on the city's rich heritage of making. While producing world-class goods, they are all jostling for space and dealing with familiar challenges, such as rising rents and trying to keep developers at bay. This book provides a fascinating glimpse behind the doors of London's making and manufacturing companies: the processes and spaces that are so often hidden from view, and the people who work there, from sole traders to workforces numbering in the hundreds. The introduction is written by Mark Brearley, an architect and Professor of Urbanism at London Metropolitan Museum who also owns the London-based tray and trolley manufacturer Kaymet. The main part of the book is arranged into chapters grouping similar types of manufacturer. In total, 50 businesses are featured, ranging from the Ford Motor Company in Dagenham, the biggest factory in London; to William Say, third-generation tin-can makers, in Bermondsey; Nichols Brothers, bespoke woodturners, in Walthamstow; Growing Underground, a salad farm in old air-raid shelters under the streets of Clapham; and Jost Haas, Britain's last glass-eye maker, in Mill Hill. Specially commissioned photography by Carmel King captures the making process, the materials, the finished products and the staff at each manufacturer, while concise, engaging descriptions are provided by the design and architecture journalist Clare Dowdy. Made in London is a timely celebration of the vibrant manufacturing scene that contributes so much to the creativity, vitality and economy of the city.Table of ContentsIntroduction by Mark Brearley Furniture & Wooden Items Metalwork Printing, Packaging & Signs Food & Drink Machines, Vehicles & Parts Clothing, Accessories & Leathework Practical Equipment & Tools Sets, Props & Models Materials Electrical Items & Electronics Index

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Book SynopsisTextiles are central to our lives and are at the heart of the world's largest industries. In recent years there has been a dynamic shift in attitudes toward textiles, fuelled in part by explosive developments in technology. While textiles have always retained roots in craft and industry, the discipline now embraces a much wider range of practices. Innovations in the industry demand a fresh approach to the subject, which this comprehensive introduction ably supplies. Taking as their starting point the very meaning of textiles, Gale and Kaur go on to show the astonishing range of opportunities for careers in the field, from the creative (artists, craftspeople and designers) to the social and industrial, to the commercial and associated practices (buyers, journalists, researchers and scientists). The Textile Book takes us behind the scenes with professionals to reveal what various jobs involve, what influences decision makers, and how their decisions affect what we buy next season. What happens to clothes before they reach the shops? What determines the 'must have' item? How can recycled bottles be transformed into silk-like yarns? These and many other questions are explored to show the diversity that makes up the contemporary global textile scene. Woven, printed, embroidered, knitted -- textiles are pivotal to the everyday experience of people in all parts of the world. This wide-ranging and informative book conveys the excitement and new challenges textiles represent and is essential reading for anyone working with, studying or simply interested in textiles.Trade Review'Although the authors planned this book as a text/reference book, I recommend reading every page ... a valuable authority that provides an historical and global view of the past, present, and future of textiles.' Handwoven 'Essential reading for anyone considering a career in textiles.' Embroidery Magazine 'The Textile book takes a compelling and very broad look at a myriad of aspects of fabrics and the humans using them...the authors seem to have tapped not only solid history, but a good deal of the most up-to-date information, including 'smart fabrics'...this subject, and its treatment in this book, is food for a lot of thought, discussion, and research.' Costume Journal 'Those studying textiles and the general public should find this book very useful.' Choice 'Upper division or graduate students as well as professionals in our field would certainly benefit from the content information of The Textile Book. More importantly, those in the textile community who read it, will be encouraged to engage in broad discourse that the subject deserves in order to better ensure the subject's future as an academic discipline.' Nancy Lyons, South Dakota State UniversityTable of ContentsContents Preface vii Part I Overviews 1What is Textiles?1 This Book3 2The Cultural Place of Textiles7 Gentility and Gender7 The Inner Spirit13 Capitalism and Communism16 Lifestyle23 3Perceptions of Fabric30 New Fabrics, New Aesthetics31 Fundamental Skills and the Evolution of Textile Practice33 The Influence of Skill35 The Influence of Science and Engineering38 Re-evaluation42 Part II The Creative 4The Textile Designer45 Design Practice49 Global Comparisons of Textile Design53 Futures61 5The Designer-Maker63 The Origins of Designer-Makers66 Employment67 Market68 Business71 Case Study: Lindsay Bloxam75 Personal Issues76 Establishing a Business78 Selling Stuff80 The Broader View82 6The Craftsperson85 Comparing Makers89 The Importance of Process-Led Practice93 A Role in the Modern World94 The Appeal of the Handmade98 Supporting Organizations99 7The Textile Artist102 Textile Art, Craft or Design?104 The Reason of Textile Art108 Issues of Content111 Ownership115 Part III The Social and Industrial Context 8Global Textile Traditions119 Regional Exchanges120 Patronage123 Ritual, Symbolism and Stories125 Weave127 Embroidery129 Print and Dye131 Contemporary Uses of Traditional Textiles134 Recent Textile Traditions136 9Ecology139 Pollution, Politics and Ecology139 The Role of Organizations and Agencies143 Government Policies and Organizations148 Eco or Green Design153 Case Study: Corporate Environmental Policies157 10Industry161 The Industrial Story162 Power and Influence170 The Future174 11The Role of Trends and Forecasting180 The Textile Industries and Forecasting183 The Forecasting Gurus and their Roles188 Part IV Related Disciplines and Studies 12The Buyer194 The Buyers Role195 Issues Affecting Buying Decisions196 Buying Textiles and Design-Led Textile Products200 The Suppliers Concerns203 International Issues204 The Future207 13Journalism212 The Media Industry212 Lifestyle and Textile Journalism215 Courting Fame220 The Internet223 14Science226 A Scientific History227 The Basics230 The Science Design Gap233 The Stuff of Fiction236 Future Issues241 15Research245 Archaeology and Anthropology245 Textiles, Cultural Identity and the Culture Industry 250 Museums and Collections255 Contemporary Textiles and Critical Studies 259 Bibliography263 Index27

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Book SynopsisAtrocities committed by the Nazis during the Holocaust were photographed more intensely that any before. In the time since the images were taken they have been subjected to a perplexing variety of treatments: variously ignored, suppressed, distorted and above all exploited for propaganda purposes. With the use of many photographs, including some never before seen, this book traces the history of this process and asks whether the images can be true representations of the events they were depicting. Yet their provenance, Janina Struk argues, has been less important that the uses to which a wide range of political interests has put them, from the desperate attempts of the war-time underground to provide hard evidence of the death camps to the memorial museums of Europe, the US and Israel today.Trade ReviewLondon Review of Books: "excellent book...wonderfully modest and informative." Rabbi Dr Charles H Middleburgh, executive director, Union of Liberal and Progressive Synagogues: "Photographing the Holocaust now numbers among the top ten books on the Shoah that I have ever read... seeks carefully and sensitively to explore the way in which photography has been used in connection with the Holocaust... Janina Struk forces the reader to think again... Photographing the Holocaust has a raw power that far exceeds its 216 pages of text and should be essential reading for all who seek an ever deeper understanding of an almost incomprehensibly evil series of events that have scarred the modern world forever." Source Magazine "brilliant book... poignant... Struk's book is a welcome counter to even great history writing that is innocent of the problem of representation. Her book is written with style and pace, uses theory without being weighed down by it, and is full of new research... Every historian should read this book and learn what it means to be literate in the present day."H-NET REVIEWS (Humanities and Social Sciences Online)'tells us a great deal about the production, circulation, use and misuse of photographic images of the Holocaust'Table of ContentsAtrocities committed by the Nazis during the Holocaust were photographed more intensively than any others, before or since. These images have been subjected to a perplexing variety of treatments: variously ignored, suppressed, distorted and above all exploited for propaganda purposes or political interest. Struk suggests that their provenance - whether taken by the Nazis or their collaborators or by the Jews themselves, their sympathisers and the resistance movements in the occupied territories; or by the Allied forces at the end of the war - has been seen as of secondary importance to their meaning. She recounts the history of the use and abuse of Holocaust photographs and asks whether or not these images can serve as true representations of the events they depict. The questions explored are illustrated with a wide range of photographs, including a number never published before.

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Book SynopsisHastings: Wartime Memories and Photographs weaves the personal stories of 75 people who endured life in Hastings during the Home Front war years with more than 140 photographs, the majority of which have never been published before. It describes the dramatic and turbulent way in which a peaceful seaside resort quickly became a town in grave danger of enemy attack, whose residents had to adapt very rapidly in order to cope with the numerous problems that now faced them. The book delves into the lives of ordinary men, women and children, as well as the soldiers and evacuees who made Hastings their home at the time and so lived with the constant fear of invasion, and provides a detailed and colourful account of life on the front line. The personal stories and photographs are complemented by documentary evidence from various sources, including local newspapers, local and national government records and two very informative private diaries that were meticulously kept in Hastings during the Second World War by John Turner and Charles Chalk. The focus of this book is once again Hastings and St Leonards, but inevitably the surrounding towns and villages are also included.

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Book SynopsisComparatively easily mastered and needing few expensive tools or materials, stickmaking is an increasingly popular craft. Topics covered include: tools and techniques; different types of sticks; materials both traditional and new; the microwave in hornwork; fancy sticks; miniature sticks and jointing and finishing. Highly illustrated with colour photographs and line drawings Stickmaking is a fully comprehensive guide to this fascinating craft. AUTHOR: Leo Gowan is a founder member and former chairman of the British Stickmakers' Guild, and a founder member of the Northern Stickmakers. He frequently gives lectures and demonstrations, is an experienced judge at stick competitions and is a regular contributor to stickmaking magazines. Colour throughout

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Book SynopsisThe book provides ideas and practical information easily accessible to textile students and designers, but also for people new this area. ; Advice on generating ideas and expressing them visually; A cultural and historical background to surface pattern design; Pattern structures and other design components; Tips on assessing a potential market; Experimental ways of working from paper onto fabric; Practical information on fabrics, recipes, equipment and techniques fro dyeing and printing; Ideas for future developments in textiles

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Book SynopsisWhat happens when an architect sets out to design the extraordinary, and by doing so challenges the established norms of the industry? A riot of inventive and ingenious residential structures to delight the eye and gladden the soul. This book decodes a wide selection of stunning experimental designs. By shaking off any limitations and seeking to challenge established design conventions, and using architectural ingenuity and modern technical aspiration, these carefully selected architects show how they develop bold and striking designs that will serve as inspiration for years to come, creating home designs that are both out of left field and can take residential ingenuity to the next level. This edition is lavishly illustrated with crisp and evocative full-colour images of the architecture, with insight from the architect detailing their inspiration and the challenges encountered through the designing and building processes. Whether it be a uniquely challenging location, the d

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Book SynopsisRobert Konieczny, founder and principal of KWK Promes, in Poland, specialises in projects renowned for ingenious concepts and unique design. His works examine closely the nature and interpretations of spatial journeys for the viewer or those who inhabit the space, be it for residential works, public buildings, or international cultural festivals and exhibitions, such as the Venice Biennale. The firm’s work especially with kinetic architecture fuses seamless design principles with inventive concepts, namely movable structures that both catch light and create a uniquely experiential environment. A leader in industry innovation, Konieczny and KWK Promes was awarded the World Architecture Festival Award for the best building in 2016. “Our designs are shaped by logic. Inside these pages we showcase a unique and detailed précis that narrates the story of the concepts behind our buildings.” — Robert Konieczny “The ideas expressed by Robert Konieczny are quite radical and surprising—his forms are unexpected, and often closed or heavy at first sight. Though the Polish context, in terms of climate, history, and sociology may imply such solutions, KWK has laid out a series of concepts that could readily be applied to other places, surely generating other types of buildings. This is not a style so much as it is an intellectual construct.” — Philip JodidioTable of ContentsIntroduction: Philip Jodidio Robert Konieczny in Conversation with Philip Jodidio Introduction: Robert Konieczny Selected Projects Aatrial House Safe House OUTrial house Autofamily House standard hOuse By the Way House Living-Garden House in Katowice From the Garden House Przełomy Dialogue Center Konieczny’s Ark Marina in Biały Bór Quadrant House Unikato Housing Gambit Office Miedzianka Shaft Art Bunker Plato Contemporary Art Gallery Living-Garden House near Kassel Sunlite Building Map of Design Paths + Building Index Image Credits

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Book SynopsisIt is well known that children are naturally drawn to an engaging and fun environment for them to play, learn, and grow. This book showcases 30 creative, immersive, and interactive spaces from around the globe, where designers focus on spectacular interior and architectural designs that help to encourage the child’s creativity and development, tap into their potential, inspire play and social interaction, involve nature, minimise distractions, and promote optimised learning opportunities. Presented throughout with stunning full-colour photography, detailed drawings and diagrams, and important up-to-date perspectives on current and emerging trends for optimal childhood development and safety standards when designing spaces for children, Contemporary Creative Spaces for Children is a must-have title for all interior designers, architects, child educators, and owners and operators who are interested in effectively shaping designs of children’s spaces that focus on the health and wellbeing of the child.Table of ContentsIntroduction Cases studies Index

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Book SynopsisAn inspiring journey through a carefully curated collection of stunning designer beach holiday homes across the globe and illustrated with full-colour aspirational images.

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Book SynopsisThreads of Time is a journey around the world through the medium of textiles. In many communities, cultural heritage and traditions have been handed down through generations by textile artisans. Their beliefs, history, ceremonies, and traditions have been woven into cloth with meaning and purpose sometimes lasting thousands of years. Textiles are special in that they can create narratives that are personal as well as eminently portable. The pages of Threads of Time illustrate exquisite textiles with location photography, from historical examples of centuries past to extraordinary contemporary expressions, revealing a continuum of inspiration and beauty. The 16 chapters, covering regions from across the globe, feature contributions from local textile makers and experts, bringing together over 30 voices to tell stories of cloth. Locations explored include: Indonesia, China, Vietnam and Cambodia, Laos and Myanmar, Bhutan, Nagaland, Punjab, Egypt and Palestine, The Caucasus, Turkey, Madagascar, Tunisia, Ghana, Peru and Guatemala, Navajo Nation.

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Book SynopsisIkat textiles, known as abr in their lands of origin in Central Asia, are beloved by collectors, decorators and textile devotees across the world. This book presents a new approach to the intricately patterned silk textiles by focusing on complete robes from a major private collection. These items of clothing tell stories about their wearers: their home, identity and place in society. By studying the history, making, and changing fashions of ikat robes, the past is brought to life. It quickly becomes clear that the power and influence of Central Asian costume reached far beyond the borders of modern Uzbekistan, inspiring imitations and providing visual stimuli for avant-garde artists.With stunning photography and previously unpublished research findings, this publication is a new take on ikat costume for those interested in the history of textiles and fashion, but also for those wishing to admire the sheer beauty and exquisite craftsmanship of these remarkable textiles.

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Book SynopsisUnlocking Paintings is a new guide, highlighting masterpieces from the collection of Dulwich Picture Gallery while also offering universal tools to help 'unlock' the secrets behind any work of art. This book provides an in-depth look into the mind of the artist and the unique context in which they created their art, finding new perspectives that show exactly why these works are still so powerful today. Table of Contents Introduction Love/Loss Reality/Imagination Youth/Maturity Seeing/‘Being Seen’ Stillness/Action Tradition/Innovation

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Book SynopsisA remarkable private collection formed over the last thirty years is the focus of this richly illustrated book that introduces the reader to English silver spanning a century and a half from a little before the Tudor age (1485-1603) to the threshold of the Civil War (1642-51). This was a period when England changed out of all recognition. At the beginning it was still essentially a medieval country dominated by an autocratic king and a rich and powerful Church; by the end of the period the Church had lost virtually all of its power and, with the execution of Charles I in 1649, the monarchy itself was abolished. To a degree, this changing world is mirrored in the styles represented by the silver featuring in the collection. Besides setting the silver against its social and historical background the book examines the wide range of techniques used by silversmiths at the time to shape and adorn silver objects.Trade Review"With its accessible text, exemplary silver photography, elegant design and careful editing, this is a pleasure to read and should encourage a new generation of collectors to follow David Littles example." Tessa Murdoch, Art Newspaper; "'[A] fascinating new book that uses one man's collection to examine the social history of domestic silver from the Tudor and early Stuart eras." Roland Arkell, Antiques Trade Gazette; "The book is peppered with alluring historical illustrations that help readers understand the time period. In short, this captivating treatise is a connoisseur's delight." Steven Wayne Yvaska, San Jose Mercury NewsTable of ContentsPreface; Foreword by David Little; 1 English Silver before the Civil War; 2 Conspicuous Consumption: the Ceremonies of Dining; 3 'Plate commonly used in the howse'; 4 Silver and Godliness; 5 The Workshop and the Trade; 6 The Afterlife of Early Silver; Catalogue of items in the Little collection; Bibliography; Index; Picture credits

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Book SynopsisThe Romanesque churches to be found in every corner of France are one of the wonders of Europe. They were built between about 1000 and 1200 and were contemporary with English Norman architecture. Their architectural style varies from region to region, as do their size, shape and layout. The period saw the first revival of the art of sculpture since Roman times, and many of the churches such as Moissac, Autun, Vezelay and Chauvigny contain outstanding sculpture. Some, like St-Savin-sur-Gartempe and Tavant, have superb frescoes, and a few like Ganagobie have fine mosaics. It was the age of pilgrimages and a number of the churches were built along the four great pilgrim routes through France to Santiago de Compostela in north-west Spain. Many have links to Romanesque churches in Italy, England and Germany, since Romanesque was a style that was admired throughout Europe. "Romanesque Churches of France", which covers a hundred or so churches in ten geographical sections from Normandy and Burgundy in the north to Provence, Roussillon and Languedoc in the south, is the first comprehensive book to be published on the subject. This book is an ideal companion for travellers, with its many maps and its regional arrangement, and will be a stimulus for the exploration of remote and beautiful areas that are less familiar, such as Auvergne and the Pyrenees. It will also be invaluable as a reference book for all those with a general interest in the history of French architecture and sculpture.Trade Review"'Peter Strafford's book should open people's eyes to one of the less-known treasures of France. He takes the reader to the ancient towns and villages where the best of these lovely churches are to be found, region by region; and he is a perceptive and knowledgeable guide who makes you want to visit each one of them.' Simon Jenkins, author of England's Thousand Best Churches (1999) 'A masterly and detailed account of Romanesque glories and their history: every section of it made me long to revisit that area of France with Peter Strafford's book in hand.' Sir Brian Young, Director-General, Independent Broadcasting Authority, 1970-82, and author of The Villein's Bible: Stories in Romanesque Carving (1990)"Table of ContentsAcknowledgements; Glossary; General Introduction; Romanesque style: stone vaulting, ambulatory; Origins: from the days of the ancient Greeks; Exchanges with neighbouring countries; France in the Romanesque period; The monasteries; Pilgrimages; Burgundy; Introduction; Anzy-le-Duc, Montceaux l'Etoile, Neuilly-en-Donjon; Autun; La-Charite-sur-Loire; Charlieu and St-Julien-de-Jonzy; Cluny and Berze-la-Ville; Dijon: St Benigne; Fontenay; Nevers: St-Etienne; Paray-le-Monial; Perrecy-les-Forges and Gourdon; Saulieu; Semur-en-Brionnais and Iguerande; Tournus and Chapaize; Vezelay; Paris Region; Introduction; Chartres; Morienval; Rheims: St-Remi; Vignory. Normandy; Introduction; Bayeux and Thaon; Caen: St-Etienne, La Trinite and St-Nicolas; Cerisy-la-Foret; Jumieges; Lessay; Mont-St-Michel; St-Martin-de-Boscherville; Loire Valley; Introduction; Cunault; Fontevraud; Montoire-sur-le-Loir and St-Jacques-des-Guerets; St-Benoit-sur-Loire and Germigny-des-Pres; Tavant; Massif Central; Introduction; Brioude; Clermont Ferrand: Notre-Dame-du-Port; Conques; Issoire; Orcival; Le-Puy-en-Velay; St-Nectaire; St-Saturnin; Western France; Introduction; Angouleme; Aulnay-de-Saintonge; Chauvigny; Fenioux; Melle; Perigueux; Poitiers; Rioux and Retaud; Saintes; St-Jouin-de-Marnes and Airvault; St-Savin-sur-Gartempe; Talmont-sur-Gironde. South-West France; Introduction; Beaulieu-sur-Dordogne; Cahors; Carennac; Collonges-la-Rouge; Moissac; Souillac; Toulouse: St Sernin; Provence; Introduction; Arles; Ganagobie; Montmajour; St-Gilles-du-Gard; Saintes-Maries-de-Mer; Cistercian abbeys in Provence: Senanque, Silvacane and Le Thoronet; Roussillon and Languedoc; Introduction; The Master of Cabestany: Cabestany, St-Hilaire-d'Aude, St-Papoul, Rieux-Minervois, Le Boulou Corneilla-de-Conflent and Villefranche-de-Conflent; Elne; St-Genis-des-Fontaines, St-Andre-de Sorede and Arles-sur-Tech; St-Guilhem-le-Desert; St-Martin-de-Fenollar; St-Martin-du-Canigou; St-Michel-de-Cuxa; Serrabone; Central Pyrenees; Introduction; Lescar; Oloron-Ste-Marie; St-Aventin; St-Bertrand-de-Comminges and St-Just-de-Valcabrere; St-Lizier; Index.

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Book Synopsis

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Book SynopsisCotswold SeasonsThese glorious hills, rightly described as an area of outstanding natural beauty, along with flowers and wildlife just asking to be photographed. In the following pages I take you through the seasons, offering just a taste of what can be seen.

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Book SynopsisAugustus John & the First Crisis of Brilliance tells the story of a remarkable generation and its artistic achievements. Accompanying Piano Nobile's exhibition of the same title, the publication explores the artistic networks around Augustus John before the First World War. John was closely acquainted with many of his highly talented contemporaries and this publication considers his relationship to Jacob Epstein, James Dickson Innes, Gwen John, Henry Lamb, Derwent Lees, Wyndham Lewis and William Orpen. The publication includes an introductory essay by Dr David Boyd Haycock discussing Augustus John and the notion of genius. A selection of over forty paintings, drawings and sculptures illuminates some of the key themes at play in John's milieu, and each work is accompanied by thoroughly researched catalogue entries by Dr Haycock. Themes and subjects include friendship and family portraits, the muses Dorelia McNeill and Euphemia Lamb, and the landscapes of Wales, Provence and Ireland.

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Book SynopsisLondon's City Churches include some of the Capital's finest architecture. The sanctity of the church has prevented London's churches from being redeveloped or altered in any significant way and so they remain historical islands while the environment around them has changed beyond recognition.

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Book SynopsisThis pocket guide will give you all the information you need to explore over 80 cemeteries in London with detailed reviews for each cemetery complete with a who's who of famous permanent residents, along with opening times and travel information.

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Book SynopsisThis fully revised and updated edition of London Architecture takes the reader through almost 2000years of architectural achievement in the capital.

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Book SynopsisThe Round Towers of Ireland are among the most enigmatic and extraordinary constructions of the early Irish Church. Why were they put up? What were they used for? Where did the idea come from, and when? Hector McDonnell, one of Ireland's best-known contemporary painters, outlines the story of the round towers, and presents a radical theory. With a gazeteer at the back, and numerous rare early engravings, this is an excellent small guide to the field. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

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Book SynopsisOur bodies are the only things we ever truly own, yet most of of us haven't got a clue what they are made of and how they manage to grow, thrive and survive everything we chuck at them. In this delightful little book, the smallest of its kind ever produced, Dr Betts tells the incredible story of the human body, and how it got to where it is today. With useful appendices and a glossary. WOODEN BOOKS are small but packed with information. "...short and witty ...beautiful woodcuts ...a distillation of ancient alchemical tomes ...rich and artful ..." - THE LANCET. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.Trade Review"... short and witty... rich and artful..." - The Lancet "Descriptions of DNA, the cell, embryology, and the heart are curiously interspersed with the ancient humours, the odd numerology of bodily proportions, and eastern systems of chakras and kundalini. Betts fosters a sense of overall connectedness despite chasms of scale and religion. I felt I was reading a distillation of ancient alchemical tomes, a 19th-century Matt Ridley, or perhaps even Paracelsus for Dummies, and while the text is beguilingly simple, it is neither dumbed down nor stripped of scientific vocabulary" - Noah Raizman in The Lancet"

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Book SynopsisFollowing on from an earlier monograph, Mark Lewis: Films 1995-2000', this publication documents a more recent series of film works produced by the artist since 2000, which continue his evocative reflections upon the cinematic history of medium.Extensively illustrated and featuring essays by Steven Bode, David Turnbull and Jean-Pierre Rehm, the book was published to accompany two large-scale exhibitions of Lewis's work that took place at MOMA, Oxford in 2001 and at Villa Arson in Nice in 2001/2002.

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Book SynopsisThis large-format publication acts as a visual record of a unique three-part exhibition by the acclaimed Glasgow-based artists Smith/Stewart. Their project A Black Thread', consisted of a trio of related installations, combining video and sound with stark and physically imposing sculptural elements. Capturing the taut, tense and enigmatic atmosphere of the works themselves, the book features a series of fractured images from each manifestation of the project, which began at Chisenhale Gallery in the winter of 2002 before travelling to Art Sheffield (April 2003) and Milton Keynes Gallery (January-March 2004).

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