Art music, orchestral and formal music Books
Faber Music Ltd Lang Lang Piano Book
Book SynopsisTable of ContentsPrelude in C major (J.S. Bach); Bagatelle in A minor, “Für Elise” (Beethoven); The Departure (Richter); Spinning Song (Mendelssohn); Clair de lune (Debussy); Prelude in D flat major, “Raindrop” (Chopin); Doctor Gradus ad Parnassum (Debussy); Allegro from “Sonata facile” (Mozart); Andante from Sonatina in C major (Clementi); Presto from The School of Velocity (Czerny); La Valse d’Amélie (Tiersen); Moment musical in F minor (Schubert); To Spring (An den Frühling) (Grieg); Rêverie (Debussy); Staccato from Villageoises (Poulenc); The Merry Shepherd Boy (Hu- Wei Huang); Wilder Reiter (The Wild Horseman) (Schumann); The Maiden’s Prayer (Badarzewska-Baranowska); Minuet in G major (J.S. Bach attrib. Petzold); Merry Christmas, Mr. Lawrence (Sakamoto); Jasmine Flower (Chinese Traditional); Variations on “Ah, vous dirai-je, Maman” (Mozart); Arirang (Korean Traditional); Eliza Aria (Kats- Chernin); Limu, limu, lima (Swedish Traditional); Danza de la moza donosa (Ginastera); Nimrod from Enigma Variations (Elgar); Maple Leaf Rag (Joplin); The Chop Waltz “Chopsticks” (De Lulli); Lang Lang’s annotation of Bagatelle in A minor, “Für Elise” (Beethoven)
£999.99
Random House USA Inc Every Valley
£14.85
iUniverse Con Brio Four Russians Called the Budapest String Quartet
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£20.54
iUniverse Breaking the Sound Barrier an argument for mainstream literary music
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£16.59
iUniverse The Gifted Listener
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£12.63
iUniverse Lillian Fuchs First Lady of the Viola
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£13.29
Berklee Press Publications Berklee Basic Guitar Phase 1 Gtr Guitar Technique
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£13.49
Recent Work Press Unclassified
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£19.94
Alfred Publishing Co Inc.,U.S. Spanish for Guitar Masters in Tab
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£8.95
Alfred Music TopRequested Movie TV Sheet Music Easy Piano
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£12.59
Bloomsbury Publishing PLC Ambient Century From Mahler to Moby The
Book SynopsisTHE AMBIENT CENTURY passionately reveals the drift in twentieth-century music from composers to non-musicians, from strict rules to no rules and from the single note to the sample. From the expanding classical horizons of Mahler, Satie and Debussy to the revolutions in electronic music inaugurated by Stockhausen and Cage; from the Indian-influenced minimalism of Phillip Glass and terry riley to the ''unlocking'' sound worlds of Brian Eno and Arvo part; through the epoch-defining music of rock maestros The Beatles and Jimi Hendrix to the pure electronic creations of Kraftwerk, Goldie and Trance - this drift through technology, Minimalism, the rock era and Techno is earthed by the development in Ambient Sound, to the author the most important breakthrough in music of the past one hundred years. Aided by electronics, new ideas and mass consumption, Ambient has established itself beyond question as the ''classical music of the future''.
£23.52
AuthorHouse The Implosion of Las Vegas Entertainers
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£12.80
Hamilton Books My Musical Notes
Book SynopsisAn inside view of the life of internationally famous twentieth-century French concert pianists, Robert and Gaby Casadesus who left Paris in 1940 and emigrated to the United States on the eve of the German invasion. The husband and wife team went on to become some of the most revered cultural figures in French musical repertory.
£999.99
Warner Bros. Publications Inc.,U.S. The Unknown Kurt Weill A Collection of 14 Songs
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£22.49
Hal Leonard Corporation Sonatina Album Piano Solo Schirmers Library of
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£11.39
Hal Leonard Corporation TwentyFive Easy and Progressive Studies for the
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£7.50
Hal Leonard Corporation Nocturnes Piano Solo Schirmers Library of Musical
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£10.44
Hal Leonard Corporation 3 Pieces From Schindlers List
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£22.34
Hal Leonard Corporation Nutcracker Suite Op 71a Piano Solo
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£10.44
Hal Leonard Corporation 30 Two and ThreePart Inventions
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£7.99
Hal Leonard Corporation School of Violin Technics Book 1
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£7.99
William B Eerdmans Publishing Co Playing Before the Lord The Life and Work of Joseph Haydn
£21.99
Philosophical Library Schoenberg and His School
£14.20
Scarecrow Press J.S. Bach
Book SynopsisThis volume contains parallel texts and translations of all Bach''s church and secular cantatas that have come down to us complete. They have been translated into an accurate and readable English style that does not attempt to render the rhythm and rhyme scheme of the original German texts but allows the reader to appreciate the beauty and atmosphere of the poetry set by Bach. The volume also includes a short glossary of geographical and mythological names, a list of dedicatees of the secular cantatas, a list of the poets with their dates, and an introduction to the cantatas by Martin Neary, former organist of Winchester Cathedral and Westminster Abbey. This corrected and revised printing incorporates a number of corrections to the text and a new alphabetical index of the cantatas by title.Table of ContentsChapter 1 Preface Chapter 2 Introduction Chapter 3 The Complete Church and Secular Cantatas Chapter 4 Glossary Chapter 5 Dedicatees of Bach's Secular Cantatas Chapter 6 The Poets Chapter 7 The Cantatas in Alphabetical Order
£999.99
Scarecrow Press Lutoslawski on Music
Book SynopsisLutoslawski on Music is the first collection of writings by the Polish twentieth-century composer Witold Lutoslawski. It includes texts about his own compositions and techniques as well as writings on various aspects of twentieth-century musical culture.Trade ReviewThe production and editorial work are uniformly excellent....Very highly recommended. * CAML Review *Table of ContentsPart 1 Preface Part 2 Introduction: Witold Lutoslawski's Life and Music Chapter 3 1. On Beauty, Musical Form, Compositional Technique, and Perception Chapter 4 2. On His Own Works Chapter 5 3. On Composers and Musicians Chapter 6 4. Miscellaneous Items on Contemporary Music in Poland and Abroad Chapter 7 5. Occasional Speeches Chapter 8 6. Notebook of Ideas, 1959–1984 Part 9 Select Bibliography Part 10 Name and Title Index Part 11 About the Editor
£75.00
Rlpg/Galleys Corresponding with Carlos
Book SynopsisCarlos Kleiber (1930-2004) was the greatest conductor of his generation. His reputation is legendary, and yet astonishingly, in his five decades on the podium, he conducted only 89 concerts, some 600 opera performances, and produced 12 recordings. How did someone who worked so little compared to his peers achieve so much?Between his relatively small output and well-known aversion to publicity, many came to regard Kleiber as reclusive and remote, bordering on unapproachable. But in 1989 a conducting student at Stanford University wrote him a letter, and an unusual thing occurred: the world-renowned conductor replied. And so began a 15-year correspondence, study, and friendship by mail. Drawing heavily on this decade-and-a-half exchange, Corresponding with Carlos is the first English-language biography of Kleiber ever written. Charles Barber offers unique insights into how Kleiber worked based on their long and detailed correspondence. This biography by one friend of another considers,Trade ReviewThere's much, much more to Kleiber than the myth-making. At least there is now, thanks to Charles Barber's astonishing new book, Corresponding with Carlos: A Biography of Carlos Kleiber. Charles had a unique relationship with Kleiber. As a conducting student at Stanford University, with dazzling boldness and naivety, he wrote to Kleiber out of the blue and said he wanted to study with him. The key was Barber's use of humour and irony to attempt to elicit a response from Kleiber – it worked. Barber never formally became a student of Kleiber's (nobody ever did), but from 1989 until the maestro's death, he corresponded with the supposedly unknowable Carlos, and as well as vivid account of Kleiber's life, Barber's book publishes pretty well the complete letters he received. And they're a revelation. Kleiber proves as virtuosically funny and self-deprecating as he was incandescent on the podium....Barber's book does more than any other I know to simultaneously reveal the truth behind the Kleiber myths and to illuminate the deeper mystery of how his recordings and films continue to have such a talismanic power. This is a brilliant summary of Kleiber's way of making music. * The Guardian *Barber is artistic director of City Opera Vancouver, with a longstanding, busy career in California music life, including contributions to Classical Voice. Corresponding With Carlos: A Biography of Carlos Kleiber offers unique insights into how Kleiber worked. This biography considers his singular aesthetic, his playful and often erudite sense of humor, his reputation for perfectionism, his much-studied baton technique, and the famous concert and opera performances he conducted. It explores the great conductor’s musical lineage and the contemporary contexts in which he worked. * San Francisco Classical Voice *Once the book turns from biographical sketch to lively correspondence, we get the thrill of reading—hearing—the voice of Carlos Kleiber, and all is light. * The Wall Street Journal *Charles Barber's book on Carlos Kleiber is fascinating, remarquable and unexpected....Rich in details....it contains unique jewels as one can appreciate Kleiber's encyclopedic knowledge....While Charles Barber’s book is comprehensive, it is easy to read and the author fascination and respect is palpable at every page....This is probably the musical book of the year. * ConcertoNet: The Classical Music Network *Charles Barber’s Corresponding with Carlos: A Biography of Carlos Kleiber represents an admiring younger conductor’s efforts, begun during his graduate-student days, to draw out a brilliant but eccentric and reclusive maestro through multiple layers of correspondence. * SymphonyNOW *This is mainly a book so fascinating that for once the ‘impossible to put down’ cliché is appropriate. Charles Barber was, in 1989, a young music teacher and conductor who sent a short letter to Kleiber, and to his amazement received a reply a few days later. He wanted to be Kleiber’s student, but there could be no question of that. Instead, they became frequent correspondents, and all of Kleiber’s letters concerning music are published here, with enough of Barber’s to make the exchanges intelligible….What makes Kleiber’s correspondence with Barber especially interesting is that Barber regularly sent Kleiber video cassettes of the great conductors, eliciting a deluge of comments on their style, greatness (or weaknesses), and their music. Kleiber’s criticism alternates with his commentary on his own slender repertoire and his growing distaste for conducting….The first 180 pages are devoted to a biographical sketch, with many quotations from letters: illuminating, but I doubt whether many readers will be able to resist the temptation to leap ahead to the epistolary section. * BBC Music Magazine *As a musician and old Kleiber fan, one cannot resist the temptation to whole-heartedly recommend this book. * Teatro Colón Magazine *‘An artist par excellence’, and ‘creativity par exellence’ - those are the definitions that come to mind when one thinks of Carlos Kleiber. Each time he conducted, it seemed that the music was being created anew that very moment in all its greatness, beauty and freshness. How wonderful that now we have a book about this genius. Bravo and many heartfelt thanks to Dr. Charles Barber for his work! -- Evgeny Kissin, pianistHaving heard most of the world's best conductors in the last 35 years, I can safely say that none brought so much passion, energy and exquisite musicality and beauty to their work as did Carlos Kleiber. La Bohéme and Der Rosenkavalier under his baton at the Met will remain among my most treasured memories. In this fascinating work Charles Barber offers a rare glimpse into the enigma that was Carlos Kleiber. -- Valéry Ryvkin, conductor
£112.00
Random House USA Inc Every Good Boy Does Fine
Book SynopsisNEW YORK TIMES BESTSELLER • A beautifully written, witty memoir that is also an immersive exploration of classical music—its power, its meanings, and what it can teach us about ourselves—from the MacArthur “Genius” Grant–winning pianistLONGLISTED FOR THE ANDREW CARNEGIE MEDAL • “Jeremy Denk has written a love letter to the music, and especially to the music teachers, in his life.”—Conrad Tao, pianist and composerONE OF THE BEST BOOKS OF THE YEAR: The New YorkerIn Every Good Boy Does Fine, renowned pianist Jeremy Denk traces an implausible journey. His life is already a little tough as a precocious, temperamental six-year-old piano prodigy in New Jersey, and then a family meltdown forces a move to New Mexico. There, Denk must please a new taskmaster, an embittered but devoted professor, while navigating junior high school. At sixteen he escapes to col
£17.09
Bloomsbury Publishing (UK) Noise Music A History
Book SynopsisLooks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica. This work situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics.Trade ReviewCan silence be "noisy"? Why do punk banks downplay their musical abilities? What do 37 minutes of ceaseless feedback and squawking birds tell us about the human experience? Calling upon the work of noted cultural critics like Jean Baudrillard, George Bataille and Theodor Adorno, philosophy and visual culture professor Paul Hegarty delves into these questions while tracing the history of "noise" (defined at different times as "intrusive, unwanted," "lacking skill, not being appropriate" and "a threatening emptiness") from the beginnings of the 18th century concert hall music to avant-garde movements like musique concrete and free jazz to Japanese noise rocker Merzbow. Ironically, it is John Cage's notorious 4'33", in which an audience sits through four and a half minutes of "silence," that represents the beginning of noise music proper for Hegarty; the "music" made up entirely of incidental theater sounds (audience members coughing, the A/C's hum), represents perfectly the tension between the "desirable" sound (properly played musical notes) and undesirable "noise" that makes up all noise music, from Satie to punk. Hegarty does an admirable job unpacking diverse genres of music, and his descriptions of the most bizarre pieces can be great fun to read ("clatters and reverbed chickeny sounds...come in over low throbs"). Though his style tends toward the academic (the "dialectic of Enlightenment" and Heidegger appear frequently), Hegarty's wit and knowledge make this an engaging read. * Publishers Weekly *In this rigorously researched deconstruction of noise, Paul Hegarty explains how the concept is entirely contingent upon social norms and how its inevitable emergence into music, which is simply organized noise, unfolded. Hegarty begins by arguing for the concept of noise as a socially undesirable them to the musical elites us. He then leads us on a dense yet speedy tour of pivotal moments in the evolution of noise into a component of music, focusing on salient benchmarks the Italian Futurists, recording technology, Fluxus, John Cage, Merzbow and hip-hop. By the time Hegarty arrives at modern manifestations of noise, genre neophytes will consider themselves experts. But be warned: This is not a pop history. It's an academic survey with a distinct poststructuralist ?avor, an informative read, but not a particularly fun one, unless of course you read Derrida for giggles. -- P * Paste Magazine / July 2007 *An intertwined crash course in outsider music and cultural studies, Paul Hegarty's dense new survey, Noise/Music: A History, traces noise music's avant-garde and experimental roots-from Futurism, Fluxus, and musique concrète to 1970s progressive rock and punk-and examines its more recent incarnations.One noise-engaging genre is jazz, the subject of Hegarty's most compelling chapter, in which he investigates Adorno's infamous dismissal of the form in a 1936 essay...Hegarty also offers a fresh analysis of free jazz's abstractions, tying the subgenre's oscillation between form and content, its 'attack on tonality,' and its 'introduction of non-musical noises' to Bataille's concept of the 'formless.' The book's selected discography..should satisfy both the curious and the "extreme" enthusiast...it's a reminder that there's 'no sound, no noise, no silence,' without our active participation. * Bookforum Sept. 2007 *Fear of music "Noise and its relationship to music - and noise as music - is a suitably chaotic and mercurial subject with much hissing feedback. According to author Paul Hegarty in Noise/Music, A History (Continuum, 232 pages, $22.95), noise is "defined by what it is not" and "a resistance, but also defined by what society resists." In his phenomenal study, he provides a history and a sense of that contradiction. Until now, most investigations into noise and music have been chiefly concerned with chronicling early innovators like John Cage or Karlheinz Stockhausen, but usually at the cost of the last 30 years being framed as aftershocks of modernism and not developments in their own right. Noise, in Hegarty's estimation, has evolved far beyond, as a resource and into an aesthetic philosophy. This could placate all denominations - from bearded improvisers to black-clad nihilists - and feels more correct than any linear conception of successive avant-gardes following one another. Exhaustive without being exhausting, Hegarty lucidly works his way through the last 100 years of music and untangles dogmas and ideologies ranging from Theodor Adorno's immensely flawed approach to jazz to the valorization of ineptitude by punks and composers alike. Hegarty refreshingly places his history around recent noise - as he says "noise itself constantly dissipates ... noise music must also be thought of as constantly failing - failing to stay noise or acceptable practice." This approach is open enough for sudden leaps and insight. For every obsessive exegesis on Merzbow, there's his consideration of Public Enemy as an industrial band or his original take on the minimalist jams of garage and Kraut-rock bands: "the long tracks of proto-punk are a direct erasing of the meandering 'expressions' musicians were doing more and more, live and on album. It is not enough just to reject the long form (as the Ramones would do); it is far more effective to wreck the purpose of it through the form itself." Any disruption, in other words, can be noise - such as Eric Satie's tranquil pianos works - when considered as "a rebellion against the growing complexity of classical music in the late 19th and early 20th century." Noise, as music, is any moment when all structure and notions of beauty are called into question. As a whole we need noise, and any adventurous listener needs Hegarty's book. Wonderfully written, even the footnotes are a treasure trove (like this great working definition of prog: "the narcissism of brilliance signifying itself") and more than just another music theory book, it acts as a secret philosophical treatise on the calamities of the 20th century and the intensities of now. * Eye Weekly *...a personal meditation on how various aesthetic, socio-political and philosophical approaches and ideas can be applied to music and sound. Noise/Music is a brave attempt to grapple with an impossible subject as one could reasonably hope for. There's some brilliant writing linking notions of 'ineptitude' and late 70s punk, and Hegarty if one of very few writers able to get to grips with Merzbow's work without simply dwelling on its sonic extremity. * The Wire *A brave attempt to grapple with an impossible subject as one could reasonably hope for...Some brilliant writing. -- The Wire, October 2007In his book Noise/Music: A History, Irish philosopher and educator Paul Hegarty examines the phenomenon of noise as music. Aimed at anyone interested in the avant-garde (and especially modern music that's dissonant and challenging), this book provides a historical overview that begins with the Italian Futurist movement, touches on composers from Edgard Verese to Pauline Oliveros, and progresses to bands like Throbbing Gristle and Severed Heads. Although Hegart's approach is musically (and geographically) all over the map, it's a fascinating read and offers a wealth of information and perspective on the subject. -- Geary Yelton, Electronic MusicianMention in Today's Books / BookweekThe A-ListPaul Hegarty's Noise/Music is one of the more provocative books I've read this past year. When I first encountered the book, I assumed-like many readers-that it would be a book about a genre that has come to be known as "noise music," which evolved in Japan in the 1990s but has subsequently become a world-wide phenomenon. While "noise music" does in fact get addressed in the latter part of the book, Hegarty's book is actually about something much larger; it is a socio-musicological examination of the ever-changing threshold of tolerance between music and noise in a wide variety of musical genres during the 20th century. * newmusicbox.com *An interesting historical look at the interplay of the two, from the avant-garde compositions of John Cage and Pauline Oliveros to the ear-scraping experiments of Merzbow and the Boredoms, and the technology that empowers and hinders music making. -- Roy Christopher, author of Follow for Now: Interviews with Frieneds and Heroes.Review in Oxford Journal, May 2010. A fascinating read from an exhaustive expert on the subject, Noise/Music is incredibly appealing. * Under the Radar Magazine *Noise/Music is a provocative historiography of noise's contribution/damage to music. -- Adam Green * The Slow Review *There's some brilliant writing... Hegarty is one of the few writers able to get to grips with Merzbrow's work. -- Keith Moline * The Wire *The dad cliche 'that's not music, that's just noise' gets a thorough intellectual going-over in this fascinating book. * Record Collector *The author writes eloquently and with considerable insight about progressive rock, industrial music, power, electronics, Japanese Noise (Merzbow gets an entire chapter), and Public Enemy. Not only does he present an airtight café for that last's inclusion in the noise canon, in lamenting raps' passage from instrument of confrontation to tool of capital, he mirrors the feelings of countless hip-hop heads in their late teens and early twenties...the book works well as an introduction to 20th-century philosophy for noise fiends. -- Rod Smith * Rain Taxi *In his book Noise/Music: A History, Irish philosopher and educator Paul Hegarty examines the phenomenon of noise as music. Aimed at anyone interested in the avant-garde (and especially modern music that's dissonant and challenging), the book provides a historical overview that begins with the Italian Futurist movement, touches on composers from Edgard Varèse to Pauline Oliveros, and progresses to bands like Throbbing Gristle and Severed Heads. Although Hegarty's approach is musically (and geographically) all over the map, it's a fascinating read and offers a wealth of information and perspective on the subject. * Electronic Musician *Table of Contents1. Introduction: Noise in Music; 2. Electricity; 3. Free; 4. Industry; 5. Inept; 6. Power; 7. Japan; 8. Merzbow; 9. Electronic; 10. Quiet; 11. Conclusion.
£32.41
Boydell & Brewer Ltd The Performance of the Basso Continuo in Italian Baroque Music
Book SynopsisDemonstrates how the basso continuo line has an independent musical funxtion in ensemble music of the Italian Baroque period.Covers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of the large lutes. Italian continuo practice included elaborate training in improvisation described in detail here for the first time. Tharald Borgir is Professor Emeritus in the Music Department at Oregon State University. His principal performance activities have been on the harpsichord and the fortepiano.Trade Review. . . a major reconsideration of the sound of 17th-century Italian music . * CHOICE *
£31.54
North Point Press The Essential Canon of Classical Music
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£42.49
University of Tennessee Press The New Negroes and Their Music The Success of the Harlem Renaissance
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£25.60
Rowman & Littlefield Publishers Fromental Halevy His Life Music His Life and
Book SynopsisFROMENTMAL HALEVY HIS LIFE
£999.99
Rowman & Littlefield Publishers Twentieth Century Opera A Guide Limelight
Book SynopsisTWENTIETH CENTURY OPERA
£23.02
Boydell & Brewer Ltd Beethoven The Sonatas for Piano and Violin
Book SynopsisA rich survey of all Beethoven's sonatas for violin and piano.The first in over half a century to be devoted to a detailed analysis of the complete Beethoven sonatas for violin and piano, this book arose from the author's desire to pass on to a younger generation more than sixty years' experience as a practising musician and teacher. Professor Rostal addresses himself to professional and amateur musicians alike, to students and to listeners, all of whom will derive pleasure and enlightenment from his words.Each of the ten Sonatas is carefully discussed, the manuscripts and first and later editions meticulously compared. Musicians will find technical and interpretative problems approached and solved and the music-lover a helpful listener's guide to these ever-popular masterpieces. As the Amadeus Quartet's Preface says of this important book, `It is a "must" for all students and performers, and is a "must" for all lovers of Beethoven.' A renowned violinist and teacher, Professor MAX ROST
£14.99
Rlpg/Galleys A History of the Concerto
Book Synopsis
£37.00
£12.38
Awkward Fermata Press Carmen Fantasy for Two Pianos
£18.16
£12.32
Diplodocus Press Siam Sinfonietta
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£8.53
Lulu.com Oratorio Arias for Bass An anthology of 56 arias from oratorios for bass
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£21.80
Lulu.com Oratorio Arias for Alto An anthology of 57 arias from oratorios for alto
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£21.80
Lulu.com Oratorio Arias for Soprano An anthology of 57 arias from oratorios for soprano
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£21.80
Cambridge University Press The Cambridge Companion to Global Rap
£22.99
LEGARE STREET PR The History of the Violin
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£28.45
LEGARE STREET PR The History of the Violin
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£19.90
LEGARE STREET PR The Forty Eight Preludes And Fugues Of J S Bach
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£23.70
LEGARE STREET PR The Forty Eight Preludes And Fugues Of J S Bach
£13.95
LEGARE STREET PR Five Mystical Songs
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£21.80
