Description

Book Synopsis
Demonstrates how the basso continuo line has an independent musical funxtion in ensemble music of the Italian Baroque period.Covers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of the large lutes. Italian continuo practice included elaborate training in improvisation described in detail here for the first time. Tharald Borgir is Professor Emeritus in the Music Department at Oregon State University. His principal performance activities have been on the harpsichord and the fortepiano.

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. . . a major reconsideration of the sound of 17th-century Italian music . * CHOICE *

The Performance of the Basso Continuo in Italian Baroque Music

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    A Paperback by Tharald Borgir

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      View other formats and editions of The Performance of the Basso Continuo in Italian Baroque Music by Tharald Borgir

      Publisher: Boydell & Brewer Ltd
      Publication Date: 3/1/1991 12:00:00 AM
      ISBN13: 9780835719124, 978-0835719124
      ISBN10: 083571912X
      Also in:
      Entertainment Art music, orchestral and formal music Music reviews and criticism String instruments

      Description

      Book Synopsis
      Demonstrates how the basso continuo line has an independent musical funxtion in ensemble music of the Italian Baroque period.Covers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of the large lutes. Italian continuo practice included elaborate training in improvisation described in detail here for the first time. Tharald Borgir is Professor Emeritus in the Music Department at Oregon State University. His principal performance activities have been on the harpsichord and the fortepiano.

      Trade Review
      . . . a major reconsideration of the sound of 17th-century Italian music . * CHOICE *

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