Art music, orchestral and formal music Books
Faber & Faber Sviatoslav Richter
Book Synopsis''To Richter (no first name necessary), warm greetings to the best pianist in the Soviet Union - indeed in the whole world.'' ProkofievThroughout a life dedicated to music, Richter maintained a stubborn silence about his own ideals and aspirations. Here at last he opens up his heart in these exceptional interviews with Bruno Monsaingeon, who became close to Richter not long before the pianist''s death in 1995. These conversations take us on a journey which begins with Richter''s childhood memories, follows his early career and his development into ''an artist of the people'', and finally charts his rise to international acclaim.Richter''s personal notebooks, kept for nearly thirty years, constitute an unparalleled witness to the music of our time. The pianist writes with precision, humour and clarity and is uninhibitedly himself. These are the private thoughts of a nonconformist, one of the greatest performers of the century, yet one whose life was inextricably bound to the history of the USSR.Trade Review"'This book is almost impossible to put down.' Financial Times; 'For anybody interested in 20th-century musical life [the Notebooks and Conversations] make fascinating reading, because Richter met everybody from Britten to Karajan, and had an opinion (usually scathing) about them all. But you don't have to be an aficionado to enjoy this rant: a genius on the rampage is always great entertainment.' Richard Morrison, The Times; 'Though most of the [notebook] entries are brief, they are vivid in their immediacy, and Richter's remarks about opera productions, conductors (he despised von Karajan and thought that Carlos Kleiber was the greatest) and individual works are constantly engaging.' Economist"
£17.09
Faber & Faber Sergey Prokofiev Diaries 19151923 Behind the Mask
Book SynopsisThe second volume of Sergey Prokofiev''s recently uncovered Diaries covers the years 1915 to 1922. It describes in detail the genesis and the problematic path to performance of major works in his canon, and the life-changing experiences of living in war-torn and revolutionary Russia, and deciding to leave for the mythic America he had long dreamed of visiting. The Diaries chart the author''s swings of fortune, the loneliness of the émigré, his encounters with a luminous range of personalities from music, theatre, art and literature, and the search for love and friendship, all cast in the burnished prose of a born master, not just of music, but of words.
£34.00
Faber & Faber Why Mahler How One Man and Ten Symphonies Changed
Book SynopsisA century after his death, Gustav Mahler is the most important composer of modern times. Displacing Beethoven as a box-office draw, heard in Hollywood films and on state occasions, his music inspires particular devotion. Some believe it helps heal emotional wounds, others find intellectual fascination in its contradictory meanings, and many feel that the music captures the yearnings and anxieties of our post-industrial society. In this highly original account of the composer''s life and work, Norman Lebrecht explores the Mahler Effect, asking why Mahler''s music has become the soundtrack to our twenty-first-century lives.
£11.69
Faber & Faber Leonard Bernstein
Book SynopsisA new edition of Humphrey Burton''s celebrated biography of Leonard Bernstein, published to coincide with the centenary of his birth. With a new introduction by the author.Humphrey Burton''s biography remains the essential account of American music''s dominant figure.' Alex RossComposer, pianist, author, television teacher, Harvard lecturer, cultural icon, humanist and conductor without peer, Leonard Bernstein''s versatility was legendary. He captivated Broadway with such hits as On the Townand West Side Story and introduced middle America to classical music with his Young People''s Concerts on television. He composed three symphonies and a full-length opera, and he inspired the world''s leading orchestras to give some of the most memorable performances of the twentieth century.Humphrey Burton was given exclusive access to Bernstein''s rich legacy of letters and papers, and the book draws on hundreds of interviews with family, frie
£18.00
Faber & Faber Robert Schumanns Advice to Young Musicians
Book SynopsisNo musician or music lover should be without it.' BBC Music MagazineRobert Schumann was far ahead of his time: his music anticipated a multitude of trends that would spread in the 150 years after his death, and almost every major composer who followed him acknowledged his influence. He was also revolutionary in his attitude to young people; in 1848 he wrote his famous Advice to Young Musicians, a book that is still deeply relevant today. In this volume, celebrated cellist Steven Isserlis has taken Schumann's words of wisdom and set them in a modern context with his own extensive commentary. By turns practical, humorous and profound, this book is a must for aspiring musicians and music-lovers of all ages.
£9.49
Faber & Faber Murder in the Cathedral
Book SynopsisMurder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot's first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play's theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time. This anniversary edition marks 850 years since Becket's dramatic murder, and eighty-five years since Eliot's play was first performed.
£10.44
Faber & Faber The Bach Cello Suites
Book SynopsisA unique Companion to J S Bach''s iconic Cello Suites from internationally-renowned cellist Steven Isserlis.The very model of how to write about music.' Philip PullmanAn essential companion.' Jeremy Denk, New York TimesIlluminating, accessible and detailed.' ObserverBach's six cello suites for solo cello are among the most cherished works in musical literature. Little-known for some two hundred years after their composition, they have acquired an aura that enthrals audiences worldwide.Internationally renowned cellist Steven Isserlis goes deep into the history and the emotional journey of the suites, bringing to bear all his experience of performance to offer a rewarding companion for everyone, from the casual listener to the performing musician.Trade Review'In his writing, as in his playing, Steven makes hard work seem effort-less. He's the master of the material, yet always able to make it accessible. In The Bach Cello Suites he explains often difficult technical detail with great joy and humour. For someone like me, who doesn't know their gavotte from their elbow, it is an absolute treat to be led to this sublime music by such an enthusiastic expert.'- Michael Palin'The book I've always wanted: an accessible, eloquent guide to the world's greatest - and maybe most elusive - pieces of music. And written by the man I'd want to tell me about it. This is such a delight.'- Derren Brown
£10.44
Faber & Faber Quartet
Book Synopsis*WINNER OF THE ROYAL PHILHARMONIC SOCIETY STORYTELLING AWARD**SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2023*The lives, loves, adventures and trailblazing musical careers of four extraordinary women from a stunning debut biographer.''Fabulous.'' Sunday Times ''A rare gift.'' Financial Times ''Passionate ... Vivid ... Timely.'' Telegraph ''Readable and inspiring.'' Guardian ''Compelling ... Ambitious ... Poignant.'' Spectator ''Magnificent.'' Kate Mosse ''Riveting.'' Antonia Fraser ''A breath of fresh air.'' Kate Molleson ''Fascinating.'' Alexandra Harris ''Wonderful.'' Claire Tomalin ''Splendid.'' Miranda Seymour ''Remarkable.'' Fiona Maddocks ''Pioneering.'' Andrew Motion ''Brilliant'' Helen PankhurstEthel Smyth (b.1858): Famed for her operas, this trailblazing queer Victorian
£11.69
Nimbus Publishing (CN) The Raga Guide
Book Synopsis
£35.96
Hal Leonard Corporation The Art and Craft of Making Classical Guitars
Book SynopsisTHE ART AND CRAFT OF MAKING CLASSICAL GUITARS
£19.99
Pegasus Books The Way of Bach: Three Years with the Man, the
Book SynopsisA tale of passion and obsession from a philosophy professor who teaches himself to play Bach on the piano.Dan Moller grew up listening to heavy metal in the Boston suburbs. But something changed when he dug out his mother's record of The Art of the Fugue, inexplicably wedged between 16 ABBA Hits and Kenny Rogers. Moller became fixated on Bach and his music, but only learned to play it for himself as an adult. In The Way of Bach, Moller draws us into the strange and surprisingly funny world of the composer and his scene. Did you know The Goldberg Variations contain a song about having to eat too much cabbage? Or that Handel nearly died in a duel he fought while conducting an opera? Along the way, Moller takes up such questions as, just what is so special about Bach’s music? What can Americans—steeped in pop culture—learn from European craftsmanship? And why do some people see a connection between Bach's music and God? By turns witty and thought-provoking, Moller infuses The Way of Bach with insights into music, culture, and philosophy alike.Trade Review“Intellectual rigor yielding pure musical art. Will move anyone seeking to grasp the power of music in human existence.” -- Booklist, starred review"Moller’s encounter with Bach’s music faces him off with an entity as stubborn and searching as he is. In this confrontation, the piano becomes a tool of spiritual and physical struggle, a glorious contraption that elicits from its player philosophical reflections not just on music but on work, art, love, teaching, learning, God, humanity, life and death. Moller packs these and other big ideas into wisecracks and freewheelingly erudite comparisons and cultural references. He reveals much of himself while struggling with Bach’s fugues at the keyboard and away from it: stretches of frustration lead to epiphanies; musical setbacks and successes interlock in counterpoint both comic and profound. The intelligence and beauty of Bach’s works can never be fully explained, but Moller illuminates and inspires with his unique appreciation. We experience anew how this music can transform those unafraid of its intimate, yet far-reaching challenges." -- David Gaynor Yearsley, author of BACH AND THE MEANING OF COUNTERPOINT and BACH'S FEET“A superb biographical vignette. Alternately scholarly and effusive. An eccentric, adoring tribute to Bach.” -- Kirkus Reviews"A bright, honest, and refreshing reminder that the most worthy pursuits in life are not those that come easily, but those that come from painstaking craftmanship and devotion. Anyone who has ever pursued a passion will find joy in this story.” -- Audrey Wright, Associate Concertmaster, the Baltimore Symphony Orchestra“Highly personal, beautifully written, hugely inspiring.” -- Jerrold Levinson, professor Emeritus, University of Maryland, author of Musical Concerns
£18.00
Elliott & Thompson Limited Beethoven: The Man Revealed
Book SynopsisThe Sunday Times bestseller, revised and updated for the 250th anniversary of Beethoven's birth. ---- As heard throughout 2020 on Classic FM ---- You know the music... but do you know the man? ---- Ludwig van Beethoven is one of the world's best loved and most influential composers. His life - its dramas, conflicts, loves and losses - is played out in his music. ---- In this special edition to mark the 250th anniversary of Beethoven's birth - with a new section featuring his most celebrated pieces - John Suchet shows us the man behind the music. He reveals a difficult and complex character, struggling to continue his profession as musician despite increasing deafness, alienating friends with unprovoked outbursts of anger one moment, overwhelming them with excessive kindness and generosity the next, living in a city in almost constant disarray because of war with France. ---- This is the real Beethoven, and Suchet brings him faithfully and vividly to life. ---- This updated edition of Suchet's acclaimed biography contains new material, including a detailed guide to Beethoven's most important compositions, family tree and timeline.Table of ContentsContents; Note on this Edition ... xi; Preface ... xv; Prologue ... xviii; 1. The Spaniard ... 1; 2. The Right Teacher ... 23; 3. Meeting Mozart ... 42; 4. Word Spreads ... 61; 5. Impressing the Viennese ... 88; 6. My Poor Hearing Haunts Me ... 105; 7. Only My Art Held Me Back ... 121; 8. Egyptian Hieroglyphics ... 134; 9. O, Beloved J! ... 151; 10. A Deeply Immoral Woman ... 168; 11. Under Cannon Fire ... 188; 12. Immortal Beloved ... 202; 13. An Utterly Untamed Personality ... 216; 14. Into the Witness Box ... 235; 15. A Musical Gift from London ... 252; 16. 'I Want to Be a Soldier' ... 273; 17. Two Pistols and Gunpowder ... 291; 18. Frightening the Oxen ... 307; 19. Terminally Ill ... 323; 20. The Last Master ... 339; Postscript ... 346; Beethoven's Music ... 351; Cast of Characters ... 407; Timeline ... 419; Acknowledgements ... 431; About Classic FM ... 433; Index ... 435; About the Author ... 443
£9.49
Chronicle Books Arhoolie Records Down Home Music: The Stories and
Book SynopsisA visual storytelling celebration of American roots music in its rich variety, through unseen and newly scanned photographs by the founder of the legendary Arhoolie records. Founded in 1960 by Chris Strachwitz, the one-man operation of Arhoolie Records eventually produced more than 400 albums during more than forty years in operation, exploring the far corners of American vernacular music - blues, gospel, Cajun, zydeco, hillbilly, Texas-Mexican norteno music, and more. From the very beginning, Strachwitz brought his camera along with recording equipment as he met and recorded now-legendary artists such as Lightnin' Hopkins, Mississippi Fred McDowell, Clifton Chenier, and Big Joe Williams. This book collects more than 150 of his best, most intimate and exciting images - many never-before seen - each with rich captions by Strachwitz and award-winning music journalist Joel Selvin, along with a substantial 20,000 word essay about Arhoolie, Strachwitz, and the music by Selvin.
£24.00
Atlantic Books Mozart in the Jungle: Sex, Drugs and Classical
Book SynopsisIn the tradition of Anthony Bourdain's Kitchen Confidential comes an insider's look into the cloistered world of classical music. Now a major Amazon.com TV series starring Gabriel Garcia Bernal.From her debut recital at Carnegie Hall to performing with the orchestras of Les Miserables and Miss Saigon, oboist Blair Tindall has been playing classical music professionally for over twenty-five years. She's also lived the secret life of musicians who survive hand to mouth, trading sex and drugs for low-paying gigs and the promise of winning a rare symphony position or a lucrative solo recording contract. In Mozart in the Jungle, Tindall describes her graduation from the North Carolina School of the Arts to the backbiting New York classical music scene, a world where Tindall and her fellow classical musicians often play drunk, high, or hopelessly hung-over, live in decrepit apartments, and perform in hazardous conditions. (In the cramped confines of a Broadway pit, the decibel level of one instrument is equal to the sound of a chain saw.)Mozart in the Jungle offers a stark contrast between the rarefied experiences of overpaid classical musician superstars and those of the working-class musicians. For lovers of classical music, Mozart in the Jungle is the first true, behind-the-scenes look at what goes on backstage and in the Broadway pit.Trade ReviewThis is the most candid and unsparing account of orchestral life ever to see print... Blair Tindall tells it how it is * Norman Lebrecht *Just because they dress up and play expensive instruments, classical musicians are assumed to behave with chaste propriety. Meet blonde chick in a black frock Blair Tindall, oboist and orchestra muso. Her life in the pits of Broadway, blowing for Miss Saigon and Les Mis, when not gigging at Carnegie Hall or recording for movies, was a dance macabre of performance and party, fuelled by coke, alcohol and promiscuity. -- Iain Finlayson * The Times *An hilarious exposé of the American musical world. If you want to know the sexual techniques of different orchestral sections, this is the book for you - an X-rated version of Britten's Young Person's Guide to the Orchestra ... Tindall's book is a serious attempt to take the lid off a world in which the genius in tails is underpaid, undervalued and exploited. Parents of musical children should read it carefully. -- Kate Saunders * Sunday Times *A courageous and often entertaining insight into an alien world ... riveting stuff ... Rest assured that Mozart's music will never sound the same to you again. -- Alexander Waugh * Mail on Sunday *Scathing . . . Its scandalous peek behind the decorous façade of classical music is bound to cause shock waves. -- Michael Shelden * Daily Telegraph *A frank, moving and important work... a poignant and fascinating memoir... Many fundamental questions are raised here concerning the role of music and the arts in society. For anybody who cares about the answers, this is an indispensable book. -- Clemency Burton-Hill * New Statesman *Candid and intriguing. * Observer Music Monthly *Tindall's book offers a devastating indictment of the sordid ethics of American orchestral life ... her engagingly written memoir offers a rare insight into an unpleasant, cloistered world. -- Jeremy Nicholas * Classic FM Magazine *Her description of life in the famous Allendale building . . . is delightful, as are her portraits of fellow musicians and her stories of life in the pit. -- Susan Salter Reynolds * Los Angeles Times *A cautionary tale from the trenches . . . An unsparing glimpse into that world of small triumphs, easy frustrations and surprising excess, dispensing dirty little secrets usually reserved for late-night bar talk and backstage gossip. . . . Tindall succeeds at a more ambitious goal: presenting a surprisingly through analysis and scathing critique of the classical music business. . . . This is a fascinating examination of a peculiar culture that provides so much joy while breaking so many hearts. -- Anya Grundmann * Newsday *
£10.44
Kahn & Averill American Minimal Music
Book SynopsisThis is the first book which deals with the school of American repetitive music, also know as minimal music. The early work of La Monte Young, Terry Riley, Steve Reich and Philip Glass is discussed in the context of traditional Western music. Minimal music thus emerges as the latest stage in a development leading from Schoenberg, Webern, Stockhausen and Cage. In considering the philosophical thinking of Deleuze and Lyotard, the representatives of the so-called French ' libidinal philosophy', and of Adorno, the author examines the degree to which the 'ecstatic dimension' is present in this music or is even consciously introduced to it.Trade Review'...Merten's book ...is both analytical and polemical, distant and personal, limited to the music itself and yet posiitoning that music in a wider aesthetic/ideological context than is customary' - Michael NymanTable of ContentsPreface by Michael Nyman, Part One: American Minimal Music: 1.1 La Monte Young, 1.2 Terry Riley, 1.3 Steve Reich, 1.4 Philip Glass, 1.5 Basic Concepts of Minimal Music, Part Two: The Historical Developments of Basic Concepts: 2.1 Arnold Schoenberg, 2.2 Webern and Post-serialism, 2.3 Stockhausen, 2.4 John Cage, Part Three: Ideology: 3.1 T W Adorno, 3.2 Libidinal Philosophy, Bibliography, Acknowledgements
£14.95
Kahn & Averill Bela Bartok: An Analysis of His Music
Book Synopsis'The publication of this study of the music of Bela Bartok is an important event. Many descriptive analyses of particular works of his have appeared, but here for the first time is an authoritative and convincing exposition of the theoretical principles which the composer worked out for himself but refrained, as far as is known, from expounding it to anyone during his lifetime. Erno Lendvai has disclosed the fact that Bela Bartok, in his early thirties, evolved for himself a method of integrating all the elements of music; the scales, the chordal structure with the melodic motifs appropriate to them, together with the proportions of length as between movements in a whole work, main divisions within a movement such as exposition, development and recapitulation and even balancing phrases within sections of movements, according to one single basic principle.' Alan BushTrade Review'Erno Lendvai is a Bartok specialist of the highest order...a theorist of genius.' Tempo; 'Essential reading for any composition student.' Composer; 'His analysis of the Sonata for Two Pianos and Percussion is remarkable.' The ListenerTable of ContentsIntroduction, 1. Tonal Principles - The Axis System, 2. Form Principles - Golden Section, 3. Fibonacci Series, 4. The Use of Chords and Intervals - Chromatic System, 5. Diatonic System, Appendices
£15.15
Kahn & Averill The Classical Piano Sonata: From Haydn to
Book SynopsisMichael Davidson - author of the highly acclaimed Mozart and the Pianist - casts new light on some of the most masterly sonatas written for the piano and on the uniqueness of these great compositions and their composers. Excepting the considerable literature on Beethoven, few studies are available which explore the interpretation of this much played repertoire. This study is not only a detailed look at fourteen sonatas; one can also learn more about other works by these composers and about aspects of 'style' - that magical quality which differentiates Haydn from Mozart, Beethoven from Schubert, Liszt from Brahms.Trade Review"The real joy of this book, which lifts it above many a textbook, is that the selected sonatas, though discussed in depth, illustrate the staging posts and landmarks on a much broader and more valuable journey through the development of the sonata itself. Davidson provides a "field guide" suitable for performers, students and listeners, steering all his readers towards the most fulsome and enjoyable engagement with each sonata and with the repertoire as a whole. It is marvellous both for its analysis and practical advice. The book is undoubtedly essential reading for anyone interested in learning, performing or teaching any of the works discussed within. Moreover though, I must strongly recommend it to any serious pianist or classical music-lover. I suspect many others will find just the same; Davidson has surely succeeded in his aim to write "a useful guide to some of the most marvellous music ever conceived"! OUTSTANDING!" Andrew Eales - Pianodao; 'A guide post for anyone seriously interested in piano music at a professional level. The perceptions, humour, and above all, humanity shine through in every page' - Professor Both Lehel, Director, Liszt Music Academy, Budapest; 'Michael Davidson's Mozart and the Pianist, so unanimously acclaimed, struck an ideal balance between scholarship and performance practice. His eagerly awaited The Classical Piano Sonata; from Haydn to Prokofiev is exceptionally interesting, each chapter like a masterclass or masterly concert' - Malcom Troup, EPTA Piano Journal, London; 'Hugely stimulating and thought provoking but also enjoyable, this book will be a boon not only for pianists, but for all readers' - Eleanor Bailie (author of The Pianist's Repertoire series)Table of ContentsIntroduction, 1. Playing the piano music of the Classical Viennese School: some basic misconceptions, 2. Haydn: Sonata in C minor, Hob XVI:20, 3. Haydn: Sonata in E flat major, Hob XVI:49, 4. Mozart: Sonata in C major, K330, 5. Beethoven: Sonata in C minor "Pathetique", Op.13, 6. Beethoven: Sonata in D minor "Storm", Op.31/2, 7. Beethoven: Sonata in E major, Op.109, 8. Beethoven: Sonata in A flat major, Op.110, 9. Beethoven: Sonata in C minor, Op.111, 10. Schubert: Sonata in A major, D664 (Op.120), 11. Schubert: Sonata in A minor, D784 (Op.143), 12. Schubert: Sonata in A major, D959 (Op.posth), 13. Liszt: Sonata in B minor, 14. Brahms: Sonata in F minor, Op.5, 15. Prokofiev: Sonata in C major, No.9, Op.103, Notes, Index
£18.00
Kahn & Averill Chopin: A Graded Practical Guide
Book SynopsisThis work is part of a series of comprehensive practical guides for the solo piano. A reference book for all levels - amateur, student, teacher and professional - the purpose of the series is to help pianists with their choice of music to suit their own styles and capabilities, and to discuss their technical and interpretive demands. This volume provides a complete survey of Chopin's music for solo piano, including a graded list of his works together with detailed suggestions for study and performance. An extended introduction places Chopin in the context of his time, distancing him from the romantic misconceptions that have dogged his reputation through successive generations.Trade Review'Eleanor Bailie has a disciplined yet refreshingly natural way of dealing with the necessary regard for structure and detail, and ceaseless care for the many technical problems present in Chopin's works, balanced simply and convincingly by the sheer love of music. This is a rare talent indeed...' - Peter Katin; 'The author has a unique way of involving us and of instilling into the pianists compulsion to turn to that particular piece and find out more about it. In summary, this book is a treasure-trove.' - Beryl Chempin, Piano Journal; 'This book exudes the love and practical knowledge of Chopin's work. It will help pianists, teachers and students to enter the unique world of Chopin.' - Jean-Jacques EigeldingerTable of ContentsForeword by Peter Katin, Preface, Introduction, 1. More Specific Aspects of Style, 2. Some Explanations and Amplifications, 3. Editions, 4. A Graded List of Chopin's Works for Solo Piano, 4.1 Preludes, 4.2 Mazurkas, 4.3 Waltzes, 4.4 Polonaises, 4.5 Nocturnes, 4.6 Studies, 4.7 Trois Nouvelles Etudes, 4.8 Scherzos, 4.9 Ballades, 4.10 Sonatas, 4.11 Impromptus, 4.12 Rondos, 4.13 Variations, 4.14 Miscellaneous Works, 4.15 Works for Solo Piano without Opus Numbers, 4.16 Other Works, Persons mentioned in the text, Appendix, Bibliography, Index
£35.62
Giles de la Mare Publishers Becoming an Orchestral Musician: A Guide for
Book SynopsisBecoming an Orchestral Musician takes you on a journey into the musical profession. It is the first comprehensive guide for professional musicians on how to succeed in joining an orchestra or ensemble, and how to survive as an orchestral musician. Such crucial topics as how to obtain the right tuition, music college versus university, auditioning, nerves, the secrets of ensemble playing and intonation, conductors, the mechanics of the orchestra, performing philosophies and strategies for survival are covered in separate sections. The matter of how to explore and adapt one's musical psyche, the pitfalls of a career in music and the highs and lows of performing are also discussed. The history, mythology and science of music-making and numerous anecdotes provide a vivid background. It is essential reading for all orchestral musicians, including players of every instrument, whether at college or university or during their career, whether full-time or part-time, and whether professional or amateur, and also for the parents of budding instrumentalists. There are probably more orchestras and ensembles in the length and the breadth of Britain today than ever before.With the renewed recognition in schools of the importance of music, the competition among younger musicians has become intense. Schools and colleges need to be well informed about career guidance for their students. Richard Davis's book will give the answers to many of the questions those students will be asking. It has been warmly welcomed by his colleagues in the BBC Philharmonic, and by other musicians, too. Twenty of them have been interviewed by him specially for it on their experiences and on advice they would like to give to younger musicians on many different themes. They include principals and rank and file players, soloists, academics, music critics, fixers, chamber musicians and people involved in management.Trade ReviewJohn Clare in Daily Telegraph: recommended, in 'Any Questions?' Sir Edward Downes: 'Thanks so much for your marvellous book...You should be very proud of it - and [Joan and I] both feel it ought to be a "set book" at Music Colleges for all prospective orchestral players.' Classical Music: '...[his] practical guide invites systematic reading from cover to cover...Experienced players will nod in agreement with something on every page...newcomers will be profoundly grateful for page after page of advice just not obtainable from normal conservatoire training...the many tips on relationships with colleagues often overlooked by full-time performers...Beautifully laid out on good-quality opaque paper...Davis's book is an unbeatable-value master-class.' Classic FM, The Magazine (four stars): '...[his] invaluable... book. It certainly fills a gap in the market: no one previously has thought to spell out what it takes to become (and survive) as an orchestral musician. Davis, principal flute of the BBC Philharmonic and a senior lecturer at the Royal Northern College of Music, is better qualified than most to tackle the subject. He has a pragmatic, detached view of the business...This should be required reading for all music students.' Maggie Cotton, percussionist with City of Birmingham Symphony Orchestra for forty years: 'Richard Davis's most excellent book...a gem of unvarnished, thoughtful advice...it should be required that every music teacher in the land should have a copy, digest it thoroughly and pass on the messages to their young...[it] is worth its weight in gold.' Musician (Musicians' Union Magazine): 'Essential reading.' (December 2005) Glasgow Herald: '...it will undoubtedly prove helpful to anyone considering a career in music...for any concert goer who has ever wondered how the orchestra onstage functions...it also offers an illuminating glimpse into [its] workings and dynamics...' Pan, Journal of the British Flute Society: 'Almost everything you've always wanted to know, but didn't dare ask, is tackled: counting, nerves, trials, politeness, high finance, Pythagorean tuning...it's all in there...I must express nothing but admiration for the genial style and content of [his] book.' Education: '...a unique insight into the world of professional performers...I would strongly recommend this book to everyone studying or teaching music at a more advanced level, and...essential reading for anyone associated with children who aspire to be professional musicans.' Clarinet & Saxophone Society Magazine (editor's choice): 'No aspiring musician can afford to be without this comprehensive guide to entering the music profession...It [should be] kept within easy reach on the bookshelf at home and in the music and career libraries of all schools and colleges...All the practical advice and information is as essential... as a map and guide book is to the discerning traveller.' Jennifer Cluff, principal flute of Vancouver Island Symphony Orchestra, in reply to a college first-year student's question on her website, 'What is the best advice for becoming a professional soloist or symphonic flautist...[and] on the process of auditioning/joining a symphony and/or becoming a professional soloist?' she wrote: 'See Becoming an Orchestral Musician...this is a phenomenal book! Read it cover to cover!!...[it]is the best book ever written on the subject... and I have read hundreds. I loved it and read it cover to cover in one day.' Reviewer (Chris Downing) on Amazon.co.uk (five stars), from UK: 'I love these books that relate careers as they really are rather than how a journalist or a professional writer sees them from the outside. This book covers all aspects of being a working musician and can be related to any instruments easily...reading this book will help you avoid the pitfalls, enjoy the successes and understand what you'll need to be doing every day to earn a crust.' Rachel Brown, distinguished flautist, lecturer and author, London: 'Just finished reading your wonderful book. It only arrived two days ago. I've read it from cover to cover as I couldn't put it down. It's so eloquent and so readable. Time after time I heard a voice in my head saying "Yes! Exactly!" Now I'm completely behind with the work I should have been doing but I feel like working...I'm sure the book will be an inspiration to so many.' Reviewer on Amazon.co.uk (five stars), from Moscow: '[It] transported me from the audience, my normal vantage point, to behind the scenes of an orchestra...I read this book from cover to cover in one day, never losing interest -- and I'm not a musician! Strongly recommended for any serious music fan, and an absolute must for any music student (and his or her parents).' Winds: '...it will have balanced suggestions for any query you might have about the music business...[it] should be in every school library and on the bookshelf of every music teacher and professional player.' All Flutes Plus bookshop: Congratulations on an excellent book. We are certainly very pleased to recommend it as a "must have" to all aspiring young professional musicians and their parents. A much needed publication, I'm sure it will be deservedly successful.' Jo Buckland, freelance graduate violinist: 'I have never read such an inspiring book...an eye-opener...[at] Dartington this summer, I wasn't the only one talking about it -- so many others were saying how inspiring it was...I just wish I'd known about it at college...[where] it should be on the reading list.'Perfect Fifths, Resources and Reviews for Violin, Viola and 'Cello Players: '...a lovely, well written, informative book...this all-encompassing guide...' Leo Eroed, Linz, Austria, orchestral bassoonist: '...a fantastic book that covers nearly [everything you need] to know about the business...I was inspired to find a publication of this quality...' Gerloff Music Studio, California (five stars): '...[it] gives great insight not just into what it takes to become a good ensemble player, but what it takes to be a great musician. I love this book...highly recommended.'Table of Contentspage Preface by Sir Peter Maxwell Davies vii Prologue 1 Foreword 3 Acknowledgements 7 1 Introduction to the Orchestral Profession 13 What Are the Chances of Success? 2 The Formative Years 19 Persistence, Music Competitions, Is Your Teacher Right for You? Quality of Instrument, How Dear Can They Be? Stolen Instruments, Wrong Notes, Learn the Score, Goals, Play Music With and For People, Music School, You Are Not Doing Enough Practice! Warming Up, Injuries, Music College...,... Or University? Are You Sure You Want to Do This? The Right Personality, After College 3 Performing Philosophies 43 A Musical Vision, The Je Ne Sais Quoi, The Journey, Singers in the Coffee Queue, Learn to Conduct, The Composer's Condensed Universe, Style, The Bar, CD Culture, How Many Takes Does It Take? Study or Mimic, Soul Music 4 Auditions 52 When Should You Start Applying? Students, CV Versus Resume, The Audition Loophole - Back Door, The Audition, The Panel, How Long Will I Be in There? What Are We Looking For in an Audition? Orchestral Excerpts, What Do You Do with the Bars' Rest? Sight-Reading, The Truth About Sight-Reading in the Profession, Audition Nerves, The Warm-Up Room, Rumours, Auditions for Extra Work, Subsidiary Instruments, Pre-Audition, Post-Audition, Rejection Letter, At What Point Should I Quit? 5 Ensemble 85 All Orchestras Are Different, Know Your Role, Accompanying, Blending, Vibrato, Note-Endings, Articulation, Rhythm, Rubato, Dynamics, ppp-fff, Back-Desk Soloists, Finally 6 Nerves 112 Why Do You Get Nervous? Practice, Nerve Targets, Split It Up, Visualization, Don't Worry..., The Public, The Performing Circle, Red-Light Nerves, Re-takes, Nerves: the 'Virus', Diet, Drugs, Alcohol, Lucky Charms, Controlling Your Nerves Before the Performance, Controlling Your Nerves During the Performance, Still Nervous? Should You Give Up? Towel in the Bidet 7 Counting 133 Look Out, The Domino Factor, Counting Strategies, What Do You Do? Sounds Wrong? Sounds Right? Not Sure? Asking for Help, Still Lost, Emergency Mode, Count Upwards, Complex Music Shouldn't Mean Complicated Counting, You Are Not Alone, Lost Souls 8 Conductors 143 The Player's Wish: A Clear Up-Beat, Do You Know Exactly When You Are About to Play? Upsetting the Apple Cart, What Difference Do Conductors Make? Bad Conductors, Why We Need Them, Where Did They Come From? Conductors' Traits, How to Cook a Conductor, The Baton Makes No Sound, There Are Wonderful Conductors, Too, When to Play, a Possible Answer 9 Intonation 156 Science Lesson, Hearing, Natural Harmonics, Harmonic Mixtures, Maths Lesson, Singing Lesson, Making Cents, History Lesson, Pythagorean Tuning, Meantone Tuning, Well-Tempered Tuning, Equal Temperament Tuning, Orchestral Temperament, Warning! Practical Experiment, Wolves and Ghosts, Second Maths Lesson, The Oboe's A, Tuning Up Orchestras, Which is Best: Sharp or Flat? Tuning Tips, Still Out of Tune? How Much Work? 10 The Mechanics of the Orchestra 185 Behind the Scenes, How Much Does an Orchestra Cost to Run? Do Any Orchestras Make a Profit? The Duty Sheet, We Don't Work Very Hard! Maintenance, 'Cello Strings, Oboe Reeds, Bumping, Breathing and Bowing, Transposing Instruments, How to Transpose, The Clarinet Problem, The Union, Rotation in the Ranks, Working Your Way Up the Ranks, What Are We Worth? 11 Surviving in the Orchestral Profession 205 Being Booked, The Fixer, A Fixer's Top Tips, The Route to Work, All Those Notes to Learn, Networking and Common Mistakes, Keeping in Shape, Waiting in the Green Room, Tours, Holidays, Survival Tips 12 Alternative Careers 220 Chamber Music, Strike Up the Band, Original Instruments, Management or Administration, Music Critic Epilogue 230 Index 233
£13.49
Taylor & Francis Ltd Anthology of PostTonal Music
Book SynopsisThis anthology of over 40 scores and excerpts represents a wide range of music from across the twentieth century and into the twenty-first century, from pieces by Debussy, Stravinsky, and Bartok to works by Arvo Pärt, Thomas Adès, and Kaija Saariaho. Showcasing the vast range of compositional styles encompassed in the post-tonal era, this volume offers a convenient compendium including hard-to-find scores. Designed for use with Understanding Post-Tonal Music by Miguel A. Roig-Francolí, which includes extensive analyses of the scores provided here, this anthology can also stand alone for study and analysis in other courses on the history and analysis of post-tonal music.Table of Contents1. Claude Debussy (1862-1918), "La cathédrale engloutie," no. 10 from Preludes, Book 1 (1910)2. Claude Debussy, "Canope," no. 10 from Preludes, Book II (1910-13)3. Claude Debussy, "Sarabande," from Pour le piano (1894-1901)4. Igor Stravinsky (1882-1971), Introduction to Part I, from The Rite of Spring (1913)5. Béla Bartók (1881-1945), "Song of the Harvest," no. 33 from Forty-four Violin Duets (1931)6. Béla Bartók, "Whole-tone Scale," no. 136 from Mikrokosmos, vol. 5 (1932-39)7. Béla Bartók, "Diminished Fifth," no. 101 from Mikrokosmos, vol. 4 (1932-39)8. Béla Bartók, "From the Island of Bali," no. 109 from Mikrokosmos, vol. 4 (1932-39)9. Anton Webern (1883-1945), Five Movements for String Quartet, op. 5, II (1909)10. Anton Webern, Five Movements for String Quartet, op. 5, III (1909)11. Arnold Schoenberg (1874-1951), "Angst und Hoffen," no. 7 from Book of the Hanging Gardens, op. 15 (1909)12. Alban Berg (1885-1935), "Schlafend trägt man mich," no. 2 from Four Songs, op. 2 (1908-1909)13. Igor Stravinsky (1882-1971), Agnus Dei, from Mass (194-48)14. Paul Hindemith (1895-1963), Interlude in G, from Ludus tonalis (1942)15. Paul Hindemith, "Vom Tode Mariä I," from Das Marienleben (1923)16. Charles Ives, "The Cage," from 114 Songs (1906)17. Ruth Crawford Seeger (1901-1953), Diaphonic Suite no. 4, III (1930)18. Luigi Dallapiccola (1904-1975), "Contrapunctus secundus," no. 5 from Quaderno musicale di Annalibera (1952-53)19. Anton Webern (1883-1945), "Wie bin ich froh," no. 1 from Drei Lieder, op. 25 (1935)20. Anton Webern, Piano Variations, op. 27, II (1935-36)21. Arnold Schoenberg (1874-1951), Klavierstück, op. 33a (1929)22. Igor Sravinsky (1882-1971), "Lacrimosa," from Requiem Canticles (1966)23. Pierre Boulez (b. 1925), Structures Ia, mm. 1-39 (1952)24. Olivier Messiaen (1908-1992), Turangalîa Symphony, Introduction, reh. 12-22 (1946-48)25. Karlheinz Stockhausen (1928-2007), Stimmung (three pages: Formschema, one sample page of Modelle, and one sample page of Magische Namen) (1968)26. Witold Lutosłowski (1913-1994), Jeux vénitiens, I (1960-61)27. Krzysztof Penderecki (1933-2020), St. Luke Passion, no. 13, "Et Surgens Omnis Multitudo" (1965)28. Sofia Gubaidulina (b. 1931), String Quartet no.2, reh. 1-21 (1987)29. Karlheinz Stockhausen, Telemusik, Sections 1-5 (1966)30. Barry Truax (b. 1947), Riverrun, 0:00-8:48 (1986)31. Luciano Berio (1925-2003), Sinfonia, III ("In ruhig fliessender Bewegung"), mm. 1-96 (to reh. E) (1968)32. György Ligeti (1923-2006), Ramifications, mm. 1-44 (1968-69)33. George Crumb (b. 1929), "Primeval Sounds," no. 1 from Makrokosmos, vol. 1 (1972-73)34. George Crumb, "Dream Images (Love-Death Music)," no. 11 from Makrokosmos, vol. 1 (1972-73)35. Steve Reich (b. 1936), Violin Phase (1967)36. John Adams (b. 1947), Nixon in China, Act I, "News" Aria, mm. 374-542 (1987)37. Arvo Pärt (b. 1935), Cantus (1977)38. Michael Torke (b. 1961), Adjustable Wrench, mm. 1-72 (1987)39. Augusta Read Thomas (b. 1964), Spring Song, mm. 1-41 (1995)40. Thomas Adès (b. 1971), Aslya, II, mm. 1-43 (1997)41. Kaija Saariaho (b. 1952), Ariel’s Hail (2000)
£47.49
Hal Leonard Europe Limited Playalong Cello Classical Tunes
Book Synopsis
£19.99
Manchester University Press Liszts Chopin
Book SynopsisMeirion Hughes combines a new translation of the first edition with an introduction that places the work in its cultural and political context -- .Table of ContentsList of figuresAcknowledgementsTranslator’s noteLiszt’s ‘Chopin’ Part One: IntroductionI. ‘Comrades’ and ‘Friends’II. ‘Men of the Future’III. Voices IV. Some Contexts and Conclusions Part Two: TextF.Chopin Chapter 1Chapter 2Chapter 3Chapter 4Chapter 5Chapter 6Chapter 7Chapter 8Bibliography
£18.99
Kahn & Averill Valentin Berlinsky
Book SynopsisThe Borodin Quartet was to the string quartet what Richter was to the piano, Oistrakh to the violin, Rostropovich to the cello. But the story of this Soviet ensemble - the first to come out of the USSR to give concerts abroad - was inextricably linked to the personality of its founder and cellist for more than six decades, Valentin Berlinsky.Trade Review'On so many levels, this is one of the most fascinating books I have ever read: a history of the legendary Borodin Quartet, not coincidentally packed with musical wisdom enlightening, or at least food for thought, to any musician. Furthermore, it's a memoir of the extraordinary talent among both teachers and students of the Moscow Conservatory in the 1940s (Shostakovich, David Oistrakh and Rostropovich just some of the most famous); and - perhaps most intriguing of all - a candid portrait of the Borodin's long-standing cellist, Valentin Berlinsky. Conjured from a rich mix of sources - Berlinsky's diary, reviews, interviews published for the first time - what emerges from the book is a profound musician fanatically dedicated to the quartet and the repertoire it excelled in. Anyone disappointed by their Christmas haul should not hesitate but treat themselves.' 5 stars Daniel Jaffe, BBC Music Magazine, February 2019; 'The more I read, the more absorbed and touched I was' Steven Isserlis, September 2018Table of ContentsForeword, Author's Preface, Publisher's Note, Family and Childhood, Moscow Central Music School, Moscow Tchaikovsky Conservatory, Birth of a Quartet, Beginnings - First Appearances at Moscow Conservatory, Ethics and Ideals - Moscow Philharmonic Quartet, Stabilising the Quartet, Borodin Quartet on the Road, Dmitri Dmitriyevich Shostakovich, Like a Phoenix from the Ashes, On Leadership, On Teaching, On Audiences - on Russia, David Oistrakh, On Criticism - Mstislav Rostropovich, On Sviatoslav Richter - on family, In Praise of Examples, Anatoly Zverev, Tempo, Yevgeny Fyodorovich Svetlanov, Finale, Valentin Berlinsky by Family and Friends - Ludmila Berlinskaya - Dmitri Shebaline - Irina Antonova - Rostislav Burkin - Natalia Shakhovskaya, Appendices, Notes on Contributors, Index of Names
£18.00
Omnibus Press Richard Rodney Bennett: The Complete Musician
Book SynopsisSir Richard Rodney Bennett, in the enormous diversity of his activities, is arguably the most complete musician of all time. Not only does he have a remarkable 300 commissioned concert works to his credit, which have established him among the leading British twentieth-century composers, yet at the same time, with supreme success, he has also contrived to lead several completely different musical lives. For some, he is the ultimate exponent of 'crossover', as epitomised in his remarkable Concerto for Stan Getz and concert works for Cleo Laine. Others remember him as a concert pianist with a special enthusiasm for pioneering contemporary music, his partnerships with Susan Bradshaw, Jane Manning and Barry Tuckwell being particularly notable. Meanwhile, he also has over 70 film and television scores to his credit, the many classic titles ranging from "Murder on the Orient Express" and "Far From the Madding Crowd" to "Equus" and "Four Weddings and a Funeral". For cabaret and jazz club devotees, he is, again, something completely different: one of the finest and most knowledgeable of all exponents of the Great American Songbook, a much-in-demand singer and accompanist over the past thirty-five years, and, as such, the stage partner of some of the most glamorous performers in the business. This, then, is a book about a uniquely gifted musician. It is also a study of a most engaging personality and a fascinatingly complex human being.
£21.21
Kahn & Averill Janáček - Leaves from His Life
Book SynopsisJanáček wrote regular articles for the Brno daily paper and in these he expressed his attitude and feelings towards the everyday things in nature and human situations which had commanded his attention. The sounds he heard, especially the human voice, he annotated with musical sketches and these appear in this book in his own words and serve to illuminate the works which this great composer produced. The thirty-odd articles are grouped under Memories of Youth, The Sounds of Music, Travel, Birds, while included under Operatic Studies is a fascinating account of the origins of The Cunning Little Vixen. The book also contains some rare photographs and music examples, many in Janáček's own hand.Trade ReviewAnyone who is the least bit interested in opera and certainly anyone who as listened to Leoš Janáček’s music will love Leaves From His Life. The writing style alone is a wonderful insight into his music. The man really did think in those terse little aphorisms. But what shines through his music and his words is his love of and devotion to the experience of ordinary folk, and the occasional bird, furry creature or insect: life, in short.Table of ContentsRecollections of Leos Janáček, Preface, Introduction, Memories of Youth, The Sounds of Music, Birds, Gypsy Children, Travel, Operatic Studies, Music
£14.95
Kahn & Averill Ravel According to Ravel
Book SynopsisVlado Perlemuter had the privilege, as a young man in 1927, of studying all of Ravel's solo piano music with the reclusive composer himself. The origins of this book lie in a series of programmes broadcast in 1950 by Radio Francaise in which Perlemuter played all Ravel's compositions for solo piano and discussed them with Helene Joudan-Morange - a distinguished violinist who had been one of Ravel's closest friends. This is a transcript of their conversations supplemented with numerous musical examples. This edition also deals with the two piano concertos. The value of Ravel According to Ravel is obvious, but the comprehensive background notes which are woven into the conversational fabric give it a much wider appeal. Performers and listeners alike will find it a fascinating guide to the magical sound-world of Ravel's piano music.Trade Review'...fascinating companion to Ravel's piano music...yields fresh insights on each rereading' Roy Howat, The Musical Times; '...this book is a rare treasure...it is a must for any pianist and musicologist.' R Pitts, Choice; '...essential reading for all pianists...' Lionel Salter, GramophoneTable of ContentsForeword by Vlado Perlemuter, Preface by Harold Taylor, Editorial Notes, 1.1 Menuet Antique, 1.2. Pavane pour une Infante Defunte, 1.3. Jeux d'eau, 2. Sonatine, 3. Miroirs, 4.1 Gaspard de la Nuit, 4.2 Menuet sur le nom d'Haydn, 5. Valses Nobles et Sentimentales, 6.1 Ma Mere l'Oye, 6.2 A la maniere de..., 7. Le Tombeau de Couperin, 8. Piano Concertos
£14.95
Kahn & Averill Bach: Chorale Harmonization and Instrumental
Book SynopsisFollowing methods known to have been adopted by Bach himself, the exercises provided in chorale harmonization are graded in such a way as to encourage the student to develop both technique and imagination within a closely-defined framework. The instrumental counterpoint section is based on Bach's two-and three-part Inventions. By close analysis the author helps the reader to recognize the procedures Bach adopted in various musical situations. The exercises are taken largely from Bach's keyboard works.Trade ReviewMalcolm Boyd's lucid text investigates how often various chords and progressions occur, in what contexts and (where possible) for what reasons. Following methods known to have been adopted by Bach himself, the exercises are graded in such a way as to encourage the student to develop both technique and imagination within a closely defined framework. Recommended for all music students.Table of ContentsPart One - Chorale Harmonization: Introduction, 1. Melodic Characteristics of the Chorale, 2. Cadences, 3. Harmonic Resource, 4..Unessential Notes, 5. Consecutives, 6. Textures, 7. Modal Chorales, 8. Exercises, Appendix, Part Two - Instrumental Counterpoint: 1. Introduction, 2. Melodic Characteristics, 3. Harmony, 4. Rhythm and Texture, 5. Musical Forms, 6. Exercises
£14.95
Kahn & Averill Diary of My Songs
Book SynopsisA unique record of Poulenc (1899-1963) who is considered the greatest composer of mélodies of his period, a period that opened with the aftermath of the First World War and closed as recently as 1960. He set to music poetry by all the greatest French twentieth century poets as well as others from earlier times. He wrote this diary of songs as an answer to what he felt were the frequent misinterpretations of his work. It describes the origins of each song, comments on performances he heard and offers guidelines for interpretation. The diary is filled out with explanatory notes, a collection of unfamiliar photographs and the English translation to the text written opposite the French original. It will appeal to singers who include French song in his or her repertoire and also to those who have an interest in music of this period. The translator, Winifred Radford is also the singer who gave the first performance in England of Poulenc's song cycle Fiancailles pour rire in 1945. She was coached by Poulenc and Pierre Bernac with whom she later translated The Interpretation of French Song and Francis Poulenc - The Man and his Songs.Trade Review'Read within the context of his own distinctive tone of voice, Poulenc's comments take on a totally fresh hue in a book that is much more than simply a catechism for singers, but rather a revevealingly idiomatic self-portrait, redolent of the Parisian boulevards and artistic salons, childhood memories, melancholy rainy afternoons, or the invigorating bitterness of a flower once plucked and munched in the surroundings of the Grande Chartreuse.' - Robert Henderson, The Daily TelegraphTable of ContentsForeword by Graham Johnson; Preface to the French edition by Henri Sauguet; The Diary in English and French Notes; List of Songs by Francis Poulenc; Bibliography; Illustrations; Discography by Patrick Saul
£14.95
Kahn & Averill Francis Poulenc: The Man and His Songs
Book SynopsisIn 1935 the French baritone Pierre Bernac formed a duo with the composer Francis Poulenc that became a legend throughout the world. Unprecedented in the history of music, it was the first duo in which the singer and pianist were perceived as equals. It lasted for 25 years and was a determining influence on Poulenc's vocal output: more than two-thirds of his songs were written for Bernac to sing. Bernac's general book on the French repertoire, "The Interpretation of French Song", has long been the standard and indispensable work on its subject. In "Francis Poulenc - the Man and His Songs", first published in 1977, he gives us the fruit of his long association with Poulenc, paying moving tribute to the composer both as man and musician, and providing detailed analyses of every piano-accompanied song that Poulenc wrote. Each of the 137 poems is annotated for pronunciation, with a line-for-line translation into English by Winifred Radford, who also translated the text of the book. The discussion of each song is preceded by a brief biographical note on the poet and a description of Poulenc's own attitude towards both poet and poem.Bernac aimed in this book, to pass on his personal understanding of the songs of Francis Poulenc, as well as a little of their mutual experience in interpreting and performing them. He has thereby left a unique record whose importance cannot be overestimated.Table of ContentsForeword by Sir Lennox Berkeley, Introduction, List of Songs, 1. Francis Poulenc, the Man, 2. Francis Poulenc, Composer of Songs, 3. Performance and Interpretation, 4. Guillaume Appollinaire, 5. Paul Eluard, 6. Louise de Vilmorin, 7. Max Jacob, 8. Maurice Careme, 9. Maurice Fombeure, 10. Jean Cocteau - Raymond Radiguet, 11. Louis Aragon - Robert Desnos, 12. Colette - Laurence de Beylie - Jean Anouilh, 13. Federico Garcia-Lorca, 14. Jean Moreas, 15. Ronsard, 16. Anonymous Texts of the Seventeenth Century, 17, Malherbe - Racine - Charles d'Orleans, Epilogue, Bibliographical Note, Index of Titles, Index of First Lines
£16.10
Kahn & Averill Italian 20th Century Music: The Quest for
Book SynopsisOffers an overview ot Italian music of the modern era - deals with the composers and the music they wrote.
£14.95
Edition Peters Lyric Pieces Book 2 Op.38
Book SynopsisBook 2 (Op. 38) of Grieg''s 66 lyric pieces written for solo piano. Containing 8 pieces, including Berceuse, Volksweise, Mélodie, Halling, Springtanz, Elegie, Walzer and Canon.Dieser zweite Band op. 38 von Griegs 66 lyrischen Stücken für Klavier solo enthält 8 Stücke, darunter Berceuse, Volksweise, Melodie, Halling, Springtanz, Elegie, Walzer und Canon.
£10.92
Edition Peters Piano Works
Book Synopsis
£18.86
Edition Peters In the stillness
Book SynopsisIn the stillness by Sally Beamish is a short contemporary Christmas carol for unaccompanied SATB choir. With original words by Katrina Shepherd, this short carol beautifully captures the hushed rapture of a small parish church in a snowbound landscape, just before Christmas.
£5.06
Vintage Publishing The Cello Suites In Search of a Baroque
Book SynopsisEric Siblin is an award-winning journalist and filmmaker, and was the pop music critic at the Montreal Gazette. The Cello Suites is his first book.www.ericsiblin.comTrade ReviewIn Siblin's world, Bach and Casals have real, beating hearts... He brings an unstuffy freshness to the often staid world of classical music writing... This book reminds us of the joy of exploration, of finding glorious things in the least likely places -- Suzy Klein * New Statesman *Bach and Casal's stories are lucidly, even grippingly, told * Daily Telegraph *A passionate ode to the joy of discovery... He doesn't patronise and writes about Bach for a reader like himself - who wants to know more but doesn't know where to start... What a gift -- Natalie Clein * The Times *A work of ever-percolating interest...tirelessly enthusiastic * New York Times *One of the most extraordinary, clever, beautiful, and impeccably researched books I have read in years * Simon Winchester *
£9.49
Oxford University Press Inc J. S. Bach
Book SynopsisTrade ReviewGeorge Stauffer takes us on a compelling journey through Bach's life and the organs he played, providing a rich and fascinating context for his organ music. The author discusses each work, incorporating information from recent discoveries that broaden our understanding of how the iconic compositions were disseminated and performed. Stauffer's study is a must-read for anyone interested in Bach's music for the organ! * Kimberly Marshall, Goldman Endowed Professor of Organ, Arizona State University *Stauffer's fascinating introduction to Bach's Organ Works combines decades of familiarity with Bach's organ music as a practicing organist with the deep erudition of a music historian. The book sheds new light on the musical and social contexts of Bach's organ music and provides a unique perspective of the place of the organ works in Bach's own artistic development. The book will be indispensable for performers, listeners, and music historians." -=-Markus Rathey, Yale UniversityGeorge Stauffer has been at the forefront of researching Bach's organ music for about fifty years. His new book on all the composer's organ works not only provides an up-to-date and useful chronological overview but also many new details and insightful observations. * Christoph Wolff, Adams University Professor Emeritus, Harvard University *
£34.19
Yale University Press The Tchaikovsky Papers
Book SynopsisTrade Review“Essential in filling out a more humane and complete portrait of the composer and his art.”—Jeremy Eichler, The Boston Globe“These newly translated documents provide deeper insight both into Tchaikovsky himself, and the family circle and larger society in which he was active.”—Rebecca Mitchell, Canadian-American Slavic Studies“This English-language version of the ground-breaking original Russian text has been prepared with great skill and care. The notes are particularly admirable, and the translations of the letters and other documents impeccable”– Arnold McMillin, The Slavonic and East European ReviewWinner of the Outstanding Academic Title for 2018 award sponsored by Choice"We are now at home with much that was once taboo about Tchaikovsky—his tsarist loyalties, his homosexuality, how he died. But the Sentimentalism of his letters, its emotional register, still startles the modern reader. This revealing collection helps us see that how one writes letters is only a small part of who one is."—Caryl Emerson, Princeton University“This collection of finely translated letters, documents, and musical mementos moves Tchaikovsky considerably beyond the vapid biographical clichés of yesteryear. Turns out, the genius was also a human being —funny, coarse, germaphobic, borderline alcoholic, with great friends and supportive siblings. Gay? Fine by them.”—Simon Morrison, Princeton University"This indispensable volume, containing copious unpublished private correspondence, allows us to gain an unparalleled insight into Tchaikovsky as a human being, and thus move beyond the clichés surrounding the composer’s biography." —Rosamund Bartlett, author of Tolstoy: A Russian Life
£35.62
Bloomsbury Publishing PLC Passionate Spirit
Book Synopsis__________________________''Fascinating ... Haste paints a portrait of a woman who was born to triumph, not surrender'' - Harper's Bazaar''Written in elegant, lucid prose ... a treasure trove of European cultural riches and scandalous intrigue Compelling'' - Economist''Lively, well illustrated and enjoyably juicy'' - Miranda Seymour, Financial Times__________________________The life of an extraordinary artist and intellect: the composer, author and socialite Alma Mahler, whose life spanned one of the most captivating and dramatic periods in historyAlma Mahler was once at the epicentre of Vienna's artistic and intellectual life. A talented composer in her own right, she was open, generous, remarkably creative, curious, challenging and zealous in her pursuit of love. Artists, architects, musicians and writers jostled to join her coterie. Gustav Klimt was her first kiss; Gustav MTrade ReviewFascinating ... Haste paints a portrait of a woman who was born to triumph, not surrender * Harper’s Bazaar *Cate Haste’s seductively accessible biography offers a sympathetic interpretation of Alma’s life. Written in elegant, lucid prose, her book is a treasure trove of European cultural riches and scandalous intrigue … [Alma] emerges as a tough, lively, cultured and wilful woman … Compelling * Economist *Lively, well illustrated and enjoyably juicy -- Miranda Seymour * Financial Times *A welcome and engaging narrative of a life that, surely, has not yet been fully explored -- Gillian Moore * Literary Review *[An] absorbing biography ... Through reference to diaries, letters and interviews with Mahler’s granddaughter, Haste draws a portrait of a complex, highly accomplished woman … Mahler is depicted as a woman who not only facilitated the creative pursuits of her husbands, but was an intellectual force in her own right -- Hannah Beckerman * Observer *
£12.99
Hal Leonard Corporation Calming Classical Piano Solos
Book Synopsis(Piano). Sometimes you just need some soothing piano music to relax, unwind, and let go. This collection gathers nearly 40 beautiful classical favorites for the intermediate-level player. Works include: Air (from Water Music ) (Handel) * Arietta, Op. 12, No. 1 (Grieg) * Bagatelle in G Major, Op. 126, No. 5 (Beethoven) * Canon in D (Pachelbel) * Clair De Lune (Debussy) * Gymnopedie No. 1 (Satie) * Lullaby (Cradle Song) (Brahms) * La Pastorale (Burgmuller) * Piano Sonata No. 8 "Pathetique" (Beethoven) * Prelude in A Major, Op. 28, No. 4 (Chopin) * Prelude in C Major (Bach)* Reverie (Debussy) * Slumber Song (Gurlitt) * The Swan (Le Cygne) (Saint-Saens) * Waltz in A-Flat Major, Op. 39, No. 15 (Brahms) * and more.
£15.19
Edition Peters Elementary Method Op.101
Book SynopsisThe object of this work is to furnish young players with as easy an introduction as possible to the art of playing on the pianoforte wrote Ferdinand Beyer in the preface to his Elementary Method, which has been a cornerstone of the piano education literature since it first appeared in 1860, and contains much essential technique and theory for the young and beginner musician. This classic publication is a must-have for any aspiring pianist.Vorschule im Klavierspiel op. 101Pianist und Komponist Ferdinand Beyer legte mit seiner Vorschule im Klavierspiel die Grundlage von so vielen mehr oder weniger erfolgreichen Musikkarrieren. Bis heute wird die Vorschule im Klavierunterricht genutzt und während seine anderen Werke mit der Zeit aus dem Gedächtnis verschwunden sind, hält sie sich weiterhin. Der Aufbau ist zweigeteilt, der erste Grad befasst sich mit allgemeiner Musiklehre und ersten Versuchen im ein- und zweihändigen Spiel, im zweiten Grad lernt der Schül
£14.36
Oxford University Press The Oxford Book of French Chansons Vocal score
Book SynopsisThe 84 chansons in this collection are mainly for SATB, and were selected first and foremost for their musical value. Care has been taken to represent the great masters as well as lesser-known composers who made significant contributions to the genre.Table of ContentsD'un Extreme Regret ; Je Ne Suis Pas Si Tot ; Comme Serait a Moi ; Je Ne Me Puis Tenir D'Aimer ; Hola, Caron ; Je Suis un Demi'Dieu ; Ha, Bel Accueil ; J'espere et Crains ; Francion Vint L'Autre Jour ; Douce Memoire ; Une Puce ; Mariez Moi Mon Pere ; Ah! Je Meurs ; Je Suis Quasi ; J'espere et Crains ; Je Suis Desheritee ; La, La, La, Je Ne L'ose Dire ; Que N'est Elle Aupres de Moi ; Jaquin Jaquet ; Comme Un Qui Prend ; Avecque Vous ; Celle Fillette ; Arrete Un Peu Mon Coeur ; Mignonne, Allons Voir si la Rose ; Un Gai Berger ; Un Doux Regard ; Qu'heureuse est ma Fortune ; Las! Amour ; Complainte de la Tourterelle ; petite Camusette ; Douce Memoire ; Si L'on Doit Prendre ; Changeons Propos ; Vous Etes Trop Jeune ; Qui Renforcera Ma Voix ; A Paris a Trois Fillettes ; Au Joli Jeu du Pousse Avant ; La Plus Belle de la Ville ; Le Chant de Oiseaux ; Or Vien Ca, Vien M'amie ; Pourquoi Tournez Vous Vos Yeux ; En L'ombre d'un Buissonet ; Faute d'Argent ; Mille Regrets ; Petite Camusette ; La Moeulle ; Si Je Maintiens Ma Vie ; Bonjour Mon Coeur ; La Nuit Froide et Sombre ; Quand Mon Mari ; Une Puce ; Dames en qui Reluit Toute Beaute ; Ce n'est que Fiel ; J'aime la Pierre Precieuse ; Revoici Venir du Printemps ; Susanne un Jour ; Une Dame Pour Mieux Venir ; Je Suis Desheritee ; A Qui Me Dois Je Retirer? ; Voice le Vert et Beau Mai ; Un doux Regard ; O Ma Belle Maitresse ; Moins je la veux ; Bonjour mon coeur ; Je Ne Me Confesserai Point ; En Venant de Lyon ; Et la la la ; Il est bel et bon ; D'Etre Amoureux ; Pleurez Mes Yeux ; Puis Que Le Ciel Veut Ainsi ; Las, Je Me Plains ; Trut Avant Il Faut Boire ; Mon Coeur a Vous, Belle, se Recommande ; Douce Memoire ; Puisque Vivre en Servitude ; Jouissance Vous Donnerai ; Martin Menait Son Pourceau ; Tant Que Vivrai ; Douce Memoire ; Non, Vous N'etes pas Yeux ; Si Vous Voulez ; D'Amourss Me Va ; Qui la Dira ; Sur le Joli Jonc
£26.95
HarperCollins Publishers Gareth Malones Guide to Classical Music
Book SynopsisHave you ever been carried away by a piece of classical music? In this funny, evocative, personal book, previously published as Music for the People: The Pleasures and Pitfalls of Classical Music', Gareth takes us on a journey of musical discovery that explains and entertains in equal measure.Have you ever been carried away by a piece of classical music? The sad song of a single violin might make us cry, but the idea of finding out more about classical music can often be intimidating. There are musical terms we don''t recognise, dead composers we can''t connect with, and a feeling that we were never given the right tools to appreciate, understand, and most importantly, enjoy classical music.So who better to cut through the misconceptions and the jargon than the star of BBC2''s Bafta award-winning series The Choir, Gareth Malone. Over the course of three series, Gareth has unearthed a passion for classical music in schoolchildren, reluctant teenage boys, and even a whole town. With his Trade Review'Why do we love Gareth? Seriously, you have to ask?'Daily Mail 'One of the most strangely beguiling presences television has ever uncovered: impish but laconic, funny and yet still resolute, reserved but shameless, camp but dignified - and clearly a bloody good choirmaster.'The Guardian About The Choir: 'As profoundly a moving piece of television as has ever been made'The Independent 'The mystery at the heart of The Choir is Malone's charisma'The Times
£10.44
HarperCollins Publishers The Times Lives Behind the Music
Book SynopsisA must-read collection for all music fans.Delve into the tumultuous world of music stardom with this collection of obituaries from The Times.From the rock'n'roll pioneers of the 1950s to the pop superstars of the 21st century as well as lesser-known, boundary-pushing innovators with undeniable influence, this collection features music greats such as:Chuck Berry, founding father of rock'n'roll who lit the flame of teenage rebellion in 1950s America and was himself never far from troubleChristine McVie, reserved, intelligent singer and songwriter for Fleetwood Mac, whose album Rumours was one of the biggest-selling of all timeJimi Hendrix, American singer and songwriter who expanded the range and vocabulary of the electric guitar into areas no musician had ever ventured beforeAmy Winehouse, singer and songwriter with an astonishing voice and talent, her career was tarnished by drugs, alcohol and scandalFreddie Mercury, flamboyant singer and songwriter who achieved worldwide fame as the lead vocalist and pianist for the rock band QueenElvis Presley, singer known as The King and remembered as one of the earliest and greatest exponents of rock'n' roll musicNina Simone, tempestuous soul singer, who enjoyed a 50-year career, but left America because of racismDavid Bowie, rock superstar who had a profound impact on popular music and culture during 50 years of continuous artistic innovationDusty Springfield, shy, soulful, smoky-voiced singer whose songs and beehive hair became enduring symbols of Swinging LondonShane MacGowan, hard-drinking frontman of Celtic punk band the Pogues who was hailed for his raw talent and masterful songwritingEra-defining obituaries are illustrated with behind-the-scenes photos from The Times archive, revealing the lives behind the music that have left an indelible mark on our cultural landscape. Authoritative, insightful and endlessly engaging, this collection of music biographies is a must-read for music fans and anyone with an interest in fascinating life stories.
£13.49
HarperCollins Publishers Inc Mozart
Book SynopsisNow in paperback: the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart, by the acclaimed composer and biographer Jan SwaffordAt the earliest ages it was apparent that Wolfgang Mozart?s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun.Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life?s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art.Like Jan Swafford?s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it?s nearly impossible to understand classical music?s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
£17.99
Penguin Putnam Inc Mozart
Book Synopsis
£14.39
The University of Chicago Press Palestinian Arab Music A Maqam Tradition in
Book SynopsisThis long-awaited project presents the results of a major research effort to determine the parameters of the stylistic variability of Arab folk music in Israel. Central to this old and highly improvised musical tradition is a unique modal framework that combines the concept of maqamthe foundation of Arab music theorywith other characteristics, including those of the text. Palestinian Arab Music is a comprehensive analysis of this music as actually practiced, examining both musical and nonmusical factors, their connection with the traits of individual performers, and their interaction with sociocultural phenomena. Working initially with their own 1957 invention, the Cohen-Katz Melograph, and later with computers, Dalia Cohen and Ruth Katz recorded and digitized several hundred Palestinian music performances. The authors analyzed the musical tradition in light of its main variables. These include musical parameters, modal frameworks, the form and structure of the music, its poetic text
£148.20
Indiana University Press The Art of Ballet Accompaniment
Book SynopsisTrade ReviewThe Art of Ballet Accompaniment is a no-nonsense, well-written must-read for dance teachers and musicians alike. Dance teachers, accompanists, and dancers will benefit from adopting Gerald Lishka's easy-to-follow suggestions to hone their craft. -- Patrick Corbin, MFA, Associate Professor of Practice, USC–Glorya Kaufman School of Dance; Artistic Director, CorbinDances; Former Dancer, Joffrey Ballet, The Paul Taylor Dance CompanyTable of ContentsForeword by Kyra NicholsPrefaceIntroduction: How I View the Art of Ballet Accompaniment1. The Ballet Class2. Advice and Guidance3. Barre and Center Combinations4. Suggested Piano Repertory for Barre and Center Work5. Preparing and Arranging Piano Repertory for Ballet Class6. Adapting Piano Repertory with Complex Phrasing Challenges: Four Advanced Lessons7. Improvisation8. Ballet-Related Accompanying Outside the Ballet ClassIndex of Steps
£25.19
Indiana University Press A Performers Guide to Medieval Music
Book SynopsisAn excellent reference by leading performers in the field.Trade ReviewI would recommend this book to all who have an interest in medieval music, thought and culture.May 2004 * Early Music *Table of ContentsPart 1: RepertoireI. Sacred 1. Chant 2. Organum 3. Motet & Cantilena 4. Polyphonic Mass OrdinaryII. Non-Liturgical Monophony 5. Introduction 6. Latin 7. Occitan 8. French 9. Iberian 10. Sephardic 11. Italian 12. German 13. English III. Lyric Forms post 1300 14. French Ars Nova 15. Italian Ars Nova 16. Ars Subtilior 17. Early Du FayIV. Drama 18. Litugical 19. VernacularPart 2: Voices & InstrumentsV. The Voice in the Middle Ages 20. Poetics as Technique VI. Bowed Strings 21a. Vielle before 1300 21b. Vielle after 1300 22. Rebec 23. SymphoniaVII. Plucked Strings 24a. Harp 24b. Imagining the Early Medieval Harp 24c. Playing the Late Medieval Harp 25. Lute, Gittern, & CitoleVIII.Winds 26. Flutes 27. Reeds & Brass 28. BagpipeIX. Keyboard & Related Types 29. Organ 30. String Keyboards 31. Psaltery & DulcimerX. Percussion 32. PercussionXI. Instrumental Usage 33. Untexted Repertoire 34. Improvisation & Accompaniment before 1300 35. Ornamentation & Improvisation after 1300Part 3: Theory & PracticeXII. Essential Theory for Performers 36. The Gamut, Solmization & Modes 37. Musica ficta 38. Proportion 39. Notation & Editions 40. Tuning Select DiscographySelect BibliographyIndex
£28.80
Yale University Press Prokofiev A Biography From Russia to the West
Book SynopsisAn assessment of the life and work of renowned composer, Sergey Prokofiev, in which David Nice draws on a range of sources. He follows Prokofiev's personal and musical progression from his childhood on a Ukrainian country estate to the years he spent travelling in America and Europe.
£35.62
