Description

Clara Schumann's cadenzas to piano concertos by Beethoven (Opp. 37 and 58) and Mozart (K466) not only give a unique insight into her performing and composing style; they also throw light on her relationship with Johannes Brahms, whose cadenzas have considerable similarities to those of Schumann. This Urtext edition of the cadenzas includes a preface in which the renowned Canadian pianist Ludwig Sémerjian explores the interaction between Schumann and Brahms. The edition also marks the first publication of Clara Schumann's early cadenzas for Mozart's D minor Piano Concerto, previously only available in the manuscript in the Library of Congress in Washington DC.


Clara Schumanns Kadenzen zu Klavierkonzerten von Beethoven (op. 37 und op. 58) und Mozart (KV 466) geben nicht nur einen einzigartigen Einblick in ihren Interpretations- und Kompositionsstil, sondern werfen auch ein neues Licht auf ihre Beziehung zu Johannes Brahms, dessen Ka

Cadenzas to Piano Concertos

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Clara Schumann's cadenzas to piano concertos by Beethoven (Opp. 37 and 58) and Mozart (K466) not only give a unique... Read more

    Publisher: Edition Peters
    Publication Date: 1/18/2023
    ISBN13: 9790014133337, 979-0014133337
    ISBN10: 9790014133337

    Non Fiction , Entertainment

    Description

    Clara Schumann's cadenzas to piano concertos by Beethoven (Opp. 37 and 58) and Mozart (K466) not only give a unique insight into her performing and composing style; they also throw light on her relationship with Johannes Brahms, whose cadenzas have considerable similarities to those of Schumann. This Urtext edition of the cadenzas includes a preface in which the renowned Canadian pianist Ludwig Sémerjian explores the interaction between Schumann and Brahms. The edition also marks the first publication of Clara Schumann's early cadenzas for Mozart's D minor Piano Concerto, previously only available in the manuscript in the Library of Congress in Washington DC.


    Clara Schumanns Kadenzen zu Klavierkonzerten von Beethoven (op. 37 und op. 58) und Mozart (KV 466) geben nicht nur einen einzigartigen Einblick in ihren Interpretations- und Kompositionsstil, sondern werfen auch ein neues Licht auf ihre Beziehung zu Johannes Brahms, dessen Ka

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