Architectural structure and design Books

Book SynopsisIn formulating a design concept into a viable plan, architects oscillate constantly between two planes of observation: the actual design task in the context of planning typologies such as residential buildings, office buildings, museum, or airport, and the individual room, meaning the kitchen, office, classroom, sanitary rooms, storage rooms, and so on. Planning Architecture offers architects and students a thought-out planning tool, in which two main sections reciprocally complement one another: the “spaces” and the “typologies” between which the planner can flexibly oscillate depending on his or her plane of observation. All relevant planning information is presented in a detailed clear fashion, and in context. These two sections are flanked by an introductory chapter explaining the basis and framework for typological design, as well as a “reference section” at the end of the book that clearly lists general dimensions and units, regulations and standards.

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Book SynopsisIt is understood that Mies van der Rohe is one of the most important architects of the Modern movement. But how do Mies’ ideas on architecture and on the logic of construction relate to his built – and sometimes unbuilt – oeuvre? This book investigates this question based on 14 projects, with a focus on the choice of detail and material. Specially produced three-dimensional drawings provide an easy-to-understand analysis of Mies’ construction concepts. The projects include Lange and Esters Houses (1927–30), Tugendhat House (1928-30), the Barcelona Pavilion (1928-29), Farnsworth House (1946-51), Lake Shore Drive (1948-51) and the New National Gallery (1962-68). The investigation covers several decades of Mies’ work, and hence his German and American creative periods.

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Book SynopsisThe Pritzker laureate Renzo Piano is recognized worldwide as one of the most renowned architects of our time. Central elements of his aesthetics include the playful use of natural light, the transparency of his buildings and their fine detailing. This publication documents nine museum buildings by Renzo Piano Building Workshop.

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Book Synopsis A roof over one’s head is a basic need – it provides shelter from rain, wind and the cold. In addition to these requirements, the structure must be load bearing and stable. Out of traditional craftsmanship, roof shapes and typologies have developed that fulfill these tasks and endure to this day. Basics Roof Construction describes the different kinds of roofs and which advantages and disadvantages each of them has. It explains which tasks are performed by the structural elements and layers and how to account for these in planning construction. The objective is to provide students with the principles, properties and technical terms of construction so that they can implement this knowledge in concrete design plans: from building, to insulation and sealing, all the way to the basics of drainage.

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Book Synopsis Timber is one of the most elementary and oldest building materials used by mankind, and has still not lost any of its attractiveness and topicality. In many cultural spheres and climate zones, the primary construction methods of domestic architecture include both masonry construction and timber construction. However, this living, lightweight, and easy-to-work material has specific characteristics that impact on the way it is used in construction in different ways compared to other building materials. In order to develop high-quality designs that suit the material, architects need to be familiar with the specific characteristics of this building material and with the rules governing timber construction. The new edition of the successful Basics Timber Construction volume lists the most common solid timber construction systems, including that using solid timber wall elements, as well as the rules, applications, and the relevant details. Table of ContentsIntroduction.- Building material.- Timber.- Growth.- Timber moisture.- Qualities.- Ways of cutting.- Loadbearing properties.- Timber construction products.- Solid timber.- Timber materials.- Construction panels.- Timber protection.- Timber selection.- Structural timber protection.- Chemical timber protection.- Construction.- Stability.- Loadbearing system.- Wall reinforcement.- Timber construction systems.- Log construction.- Timber-frame construction.- Frame construction.- Skeleton construction.- Panel construction.- Building components.- Foundations and base.- Slab foundation.- Strip foundations.- Individual foundation.- External wall.- Layer construction.- Building science.- External formwork.- Surface treatment.- Interior cladding and installation.- Apertures.- Interior wall.- Structure.- Incorporation.- Ceilings.- Beam ceilings.- Structure.- Layer of beams.- Support.- Solid ceilings.- Roof.- Pitched roofs.- Flat roof.- Appendix.- DIN standards.- Information sources.- Picture credits.

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Book SynopsisAt the beginning of their studies students of architecture are confronted with a wealth of different ways in which to visually present their designs. Expressing ideas in the form of drawings and models is usually required in the early stages of studying: “learning by doing” is the only way for students to quickly develop a repertoire for their design work.However, there are important issues to consider between the phases of devising the spatial concept and recreating it in a two- or three-dimensional drawing or physical model: How to construct a perspective freehand drawing? What plan drawings are necessary to present my design? What scale should my model be and what materials should I use to construct it?Basics Architectural Presentation combines the highly successful single volumes Technical Drawing, Freehand Drawing, CAD, Modelbuilding (new edition) and Architectural Photography from the series BASICS in a new volume. Step-by-step, it conveys possible ways to present architectural projects throughout the various project phases. In an informative and practical approach, the publication discusses the basics of architectural representation from freehand drawing, which is especially important in the design phase, to the plan drawing, model, and architecture photography. The student architect learns the tools necessary for presenting his or her work, supported by many concrete examples and practical tips that are directly applicable.

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Book SynopsisThe book is a guide for students and teachers to understand the need for, the role of and the methods and techniques of freehand analytical sketching in architecture. The presentation focuses on drawing as an approach to and phase of architectural design. The conceptual goal of this approach is to use drawing not as illustration or depiction, but as exploration. The first part of the book discusses underlying concepts of freehand sketching in design education and practice as a complement to digital technologies. The main component is a series of chapters that constitute a typology of fundamental issues in architecture and urban design; for instance, issues of "façade" are illustrated with sketch diagrams that show how façades can be explored and sketched through a series of specific questions and step-by-step procedures. In the expanded and updated edition, a new part explores the questions and experiences of large architectural offices in applying freehand drawing in the practice of architectural design. This book is especially timely in an age in which the false conflict between "traditional vs. digital" gives way to multiple design tools, including sketching. It fosters understanding of the essential human ability to investigate the designed and the natural world through freehand drawing.

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Book SynopsisThe publication Two Lakes is the result of a comparative study of two cultural regions Lake Lucerne in Switzerland and Lake Biwa in Japan. Based on the results of a five-year cooperation entitled The Culture of Water (20182023) between the Lucerne School of Engineering and Architecture and the Kyoto Institute of Technology, it engages with the architecture of the future. Addressing the core themes of danger, beauty, commons and eternity and their according relationships to water it develops hypotheses on both regions with respect to the interdependence between people and the architecture they produce. The book is rounded off by in-depth articles, two photographic essays and archive documents.

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Book SynopsisThe publication explores the different yet corresponding architectural concepts of Umberto Riva and Bijoy Jain. On the basis of building visits and ongoing conversations, the author Mirko Zardini interprets Umberto Riva's and Bijoy Jain's motivations and inds unlikely resonance in their complementary approaches. The publication accompanies the exhibition held under the same name at the Canadian Centre for Architecture.

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Book Synopsis”Reduce, Reuse, Recycle, and Recover“ is the sustainable guideline that has replaced the ”Take, Make, Waste“ attitude of the industrial age. Based on their background at the ETH Zurich and the Future Cities Laboratory in Singapore, the authors provide both a conceptual and practical look into materials and products which use waste as a renewable resource. This book introduces an inventory of current projects and building elements, ranging from marketed products, among them façade panels made of straw and self-healing concrete, to advanced research and development like newspaper, wood or jeans denim used as isolating fibres. Going beyond the mere recycling aspect of reused materials, it looks into innovative concepts of how materials usually regarded as waste can be processed into new construction elements. The products are organized along the manufacturing processes: densified, reconfigured, transformed, designed and cultivated materials. A product directory presents all materials and projects in this book according to their functional uses in construction: load-bearing, self-supporting, insulating, waterproofing and finishing products.

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Book SynopsisFrom hand-made brick to high-tech product: building with blocks of fired clay today draws from a heritage of nine millennia and remains innovative, sustainable, and highly appreciated for its manifold applications. Since 2004, Wienerberger, the world's largest manufacturer of bricks and other clay building materials, biannually presents the international Brick Award as a scene for outstanding achievements in brick architecture. The 2020 edition of this master class saw 644 submissions from fifty-five countries that were reviewed by an international jury of experts. This book features the fifty nominees and the six winning designs, which are located in Africa, Asia, Europe, and Central America. All projects are presented in texts and richly illustrated with atmospheric images, site and floor plans, views, elevations and sections. Five topical essays by international authors, discussing the winning buildings in a wider context, round out this celebration of contemporary brick architecture.

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Book SynopsisThe Department of Architecture at ETH Zurich has been researching the integration of robots into the architectural practice, both in design and the fabrication process, for some time. This book—created in collaboration with the chair of Christophe Girot, Gramazio Kohler Research, and Marco Hutter at ETH Zurich’s Robotic Systems Lab—is the first to investigate the use of robot-based construction equipment for large-scale soil grading in landscape architecture. As landscapes are continuously changing due to ever-changing environmental conditions, the application of autonomous systems that respond to the environment rather than perform predefined and static earthwork is of particular interest in this field. Robotic Landscapes sheds light on a series of groundbreaking experiments in an interdisciplinary collaboration of landscape design, environmental engineering, and robotics that aims to make landscape architecture sustainable and ecological in the long term.

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Book SynopsisThe Passerelle des Arts is a pedestrian and cycling bridge in the Quartier Européen Sud in Luxembourg's Kirchberg neighbourhood. It links the Avenue J. F. Kennedy, Kirchberg's mobility backbone, with the Contemporary Art Museum of Luxemburg (MUDAM) and the Musée Dräi Eechelen. Designed by the local firm Fabeck Architectes and Paris-based Marc Mimram Architecture Ingénierie, the Passerelle des Arts is characterised by its sculptural design as well as the goal of preserving its natural environment, considered a green treasure in the heart of the city. Winding through the trees of the urban forest, with benches installed in the curves, the architecture encourages people to slow down and take a contemplative stroll. The close relationship between nature and culture strongly influenced the choice of materials: the bridge's main structure is made of polished stainless steel that is combined with light-coloured concrete elements for the deck and glass railings. This results in an ever-changing materialisation of the whole throughout the seasons and depending on the weather.This book documents the entire concept, design, and construction process of the Passerelle des Arts through photographs, plans and drawings, and texts.Text in English and French.

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Book SynopsisThe urban research projects of Estudio Teddy Cruz + Fonna Forman made the Tijuana-San Diego border region a global laboratory for engaging the central challenges of urbanization. The projects engage urban and political confl ict as a creative tool, and demonstrate the capacity of architecture and design to confront exclusion and homogenization in the city, and propose alternative strategies for more inclusive urban development.

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Book SynopsisSpatializing Justice calls for architects and urban designers to do more than design buildings and physical systems. Architects should take a position against inequality and practice accordingly. With these thirty short, manifesto-like texts—building blocks for a new kind of architecture—Spatializing Justice offers a practical handbook for confronting social and economic inequality and uneven urban growth in architectural and planning practice, urging practitioners to adopt approaches that range from redefining infrastructure to retrofitting McMansions. These building blocks call for expanded modes of practice, through which architects can imagine new spatial procedures, political and economic strategies, and modalities of sociability. Challenging existing exclusionary policies can advance a more experimental architecture not bound by formal parameters. Architects must think of themselves as designers not only of things but of civic processes, complicate the ideas of ownership and property, and imagine new sites of research, pedagogy, and intervention. As one of the texts advises, “the questions must be different questions if we want different answers.”

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Book SynopsisConcrete? That characterless stuff of parking lots or Communist tower blocks, right? Well, yes. And no. Concrete is actually a name applied to a remarkably wide range of building substances, and, when properly handled, is one of the noble materials of contemporary architecture. A kind of “liquid stone” at the outset, it is malleable, durable, and capable of prodigious feats of engineering. This Bibliotheca Universalis edition highlights the best work done in concrete of recent years. It includes such stars as Zaha Hadid, Herzog & de Meuron, and Steven Holl, but also surprising new architects like the Russians SPEECH and artists such as James Turrell, who turned the famous concrete spiral of Frank Lloyd Wright’s Guggenheim in New York into the setting of one of his most remarkable pieces.

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Book SynopsisText in English and German. The basic features of Deutsche Lufthansa's present corporate image emerged almost 45 years ago. It was created by Otl Aicher, one of the principal figures at the now legendary Hochschule für Gestaltung in Ulm. Another work by Aicher that spoke to the whole of Germany, as it were (and still does, in rudiments), is the 1972 corporate image for the Zweites Deutsches Fernsehen. The corporate image he created for the Olympic Games in Munich, which made an essential contribution to the ambience of the event, has also remained memorable. Since the ideas developed by Aicher and his colleagues were implemented in the early sixties, the airline has been seen world-wide as a perfect example of a consistently developed corporate image. Aicher based himself on ideas from the Deutscher Werkbund and took the company's entire inventory into consideration: "house colours, pictorial and typographic logos, typeface, graphic and typographic rules and standards, photographic style, quality of support materials, packaging, exhibition systems, architectural characteristics, forms (design) of interior furnishings and equipment, style of work and service clothes". As well as Otl Aicher, numerous other product and graphic designers, fashion designers and advertising and marketing agencies have worked for Lufthansa. They include Otto Firle, whose ideas led to the crane logo, Hartmut Esslinger and his company frog design, Priestman & Goode, Müller Romca Industriedesign, Don Wallance, Wilhelm Wagenfeld, Hans Theo Baumann, Nick Roericht, Wolfgang Karnagel, Topel & Pauser and the bhar design practice, fashion designers Uli Richter, Ursula Tautz and Werner Machnick, Jürgen Weiss, Gabriele Strehle and the Jobis company as well as the agencies Zintzmeyer & Lux, the Peter Schmidt Group, Ogilvy & Mather, Young & Rubicam, Spiess/Ermisch/Abel, Springer & Jacoby, McCann & Erickson and Fanghänel & Lohmann. An exhibition of the same name at the Museum for Applied Arts in Frankfurt deals with the same subject as the book.

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Book SynopsisNew spatial notational systems for protecting and regaining Indigenous lands in the United States.In The Language of Secret Proof, Nina Valerie Kolowratnik challenges the conditions under which Indigenous rights to protect and regain traditional lands are currently negotiated in United States legal frameworks. This tenth volume in the Critical Spatial Practice series responds to the urgent need for alternative modes of evidentiary production by introducing an innovative system of architectural drawing and notation. Kolowratnik focuses on the double bind in which Native Pueblo communities in the United States find themselves when they become involved in a legal effort to reclaim and protect ancestral lands; the process of producing evidence runs counter to their structural organization around oral history and cultural secrecy. The spatial notational systems developed by Kolowratnik with Hemish tribal members from northern New Mexico and presented in this volume are an attempt to produce evidentiary documentation that speaks Native truths while respecting demands on secrecy. These systems also attempt to instigate a dialogue where there currently is none, working to deconstruct the fixed opposition between secrecy and disclosure within Western legal systems.

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Book SynopsisSince the firm’s founding twenty-five years ago, AKT II have forged an international practice that unifies the cultures and disciplines of architecture and structural engineering. This book is an engine for critical reflection on the scope, potential, and limits of what they have come to define as design engineering.Structured into five discursive domains—scale, variability, attitude, reverse engineering, and the craftsmanship of engineering—the book presents a robust selection of the firm’s endeavours, which together demonstrate a vast range of encounters and processes in design. Common among them is a desire to understand and reshape the boundaries of the discipline of structural engineering, along with its links to fields such as philosophy, computer science, and geography. Interlaced with the projects, texts by contributors from varying fields engage the theoretical discussions and social conditions that bind contemporary practice.Matters of Engineering Design: AKT II balances structural concerns that require an equilibrium of internal and external forces, a clear understanding of boundary conditions, and knowledge of the properties of material with the overarching challenges that society faces today, including advances in technology, changing economic orders, and ecological responsibility.With contributions by William Baker, David Basulto, Hanif Kara, Jayne Kelley, Priya Khanchandani, Adrian Lahoud, Lesley Lokko, Ibrahim Mahama, Stephen Parnell, Vicky Richardson, and Ellis Woodman.

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Book SynopsisMonnikenheide in Zoersel is a residential care centre for people with mental disabilities. A special place for special people, it is examined from an architectural perspective for the first time in this book.In the fifty-year building history of Monnikenheide, different architects have gone in search of new spatial possibilities, with inclusion as leitmotif. This has created a unique landscape that transcends the boundaries of care architecture. Monnikenheide is a powerful architectural statement about the place of people in society who depend on care.

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Book SynopsisA photographic and textual documentation of David Chipperfield's long-awaited restoration of St Mark's SquareThis volume follows the long-anticipated restoration work on the Procuratie Vecchie in St Mark's Square in Venice, as overseen by David Chipperfield Architects. Thousands of people walk past the landmark each year, oblivious to what resides within. In April 2022, the building opened for the first time in 500 years, housing humanitarian organizations such as the Human Safety Net foundation.St Mark's Square is often regarded as Venice's central community complex; Venice, in turn, is often regarded across the globe as an architectural mecca. Accordingly, the major restoration has drawn a number of critical reflections by both Italian and international thinkers. Venice Lab gathers these essays from scholars and artists, as well as interviews with the architects involved in the restoration, conveying the project's pluralistic vision for the lagoo

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Book SynopsisExplore over 500 masterpieces of modern architecture in this celebration of the most iconic buildings in the world. Written by acclaimed architecture expert Jonathan Glancey, Modern Architecture is a beautifully illustrated guide to the key styles, architects and movements that have defined our skylines since the dawn of the twentieth century. From the dizzying heights of the Shard to the exquisite curves of the Sydney Opera House, and from Frank Lloyd Wright to Sir David Adjaye, this is the essential handbook to the creative discipline that shapes our world.'His comments are always informative, unashamedly partisan and often enjoyably tart' – Sunday Telegraph'One of the finest architectural writers in contemporary Britain' – Scotland on SundayTrade Review'His comments are always informative, unashamedly partisan and often enjoyably tart' * Sunday Telegraph *'One of the finest architectural writers in contemporary Britain' * Scotland on Sunday *Table of ContentsForeword • Arts & Crafts • Classicism • Organic • Modernism • Postmodernism • Robotic • Cities • Futures • Iconic • Index.

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Book SynopsisThis book is an authoritative but uniquely accessible and highly illustrated guide to good acoustic design practice for architects, interior designers and acoustic professionals. It provides a user-friendly introduction to architectural acoustics and acoustics technology where the market is crowded with dense and technical texts. It will go through each typology in turn explaining the key acoustic concepts with highly illustrated and international case studies that demonstrate cutting-edge practice and technology, innovative design techniques and common challenges and solutions.Table of ContentsAcknowledgementsForeword1. Introduction to Acoustics2. Acoustic Technology3. Case Studies by typology3.1 Commercial – office spaces, warehouses, lofts, industrial spaces, atriums3.2 Education – lecture and meeting spaces, class rooms, class rooms of future3.3 Courthouses – Courtrooms3.4 Healthcare – Acoustics and the role in recovery. Hospital Design3.5 Hotels – Key issues – what makes a successful hotel entertainment and good sleep3.6 Immersive Spaces – Future of Multimedia based design3.7 Labs/Research3.8 Libraries3.9 Movie Theatre/Cinema3.10 Museums and Galleries The challenge of sound and light3.11 Performing Arts/Entertainment Concert Halls - Recital spaces - Theatre - Opera - Dance- Amplified Music - What’s the Difference?How to design well for each – key things to consider3.12 Recording/Broadcast3.13 Restaurants3.14 Retail3.15 Sport – Stadiums, Arenas, Aquatics Centres – the importance of sound for winning3.16 Transport-Air-Road-Rail3.17 Worship3.18 Urban design and soundscapes3.19 Sound for Art3.20 ResidentialConclusion Glossary of basic termsindex of project names and/or design issue

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Book SynopsisAn essential design guide for architects and others interested in innovative housing typologiesRadical Housing explores the planning, technical, financial, health-based and social background for developing multi-generational homes and co-living. Abundantly illustrated with case studies and plans from projects across the UK and abroad, this book aims to inform and inspire the delivery of alternative approaches to affordable and flexible housing, and is an essential text for architecture practitioners, students, and community groups. Offers inspiration and innovative ideas for customer-led housing and deliverable solutions from the UK and abroad. Practical focus, particularly around deliverability, giving readers an understanding of the planning and legislative framework, and helping them to negotiating a speedier path through the process of obtaining consents Demonstrates how alternative housing models can help to deliver the number of affordable homes needed, exploring finance and land availability. Offers a sustainable vision of the future, since new homes must be flexible and adaptable over time so they can meet the changing needs of families and communities. Outlines the social benefits to society beyond the provision of homes for those in need and demonstrates through case studies that it is also important to establish supportive, caring and stimulating environments for people to thrive. Table of ContentsForeword Introduction Chapter 1. Multi-generational living: existing and new individual homes in UK and across the world Chapter 2. Mixed communities - Multi-generational housing in UK Case studies Chapter 3. Co-Housing in UK and Europe Case studies References & further reading Appendix Index Image credits

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Book SynopsisIf you’ve ever dreamt of designing and building your own home, this book is for you. Becoming a ‘self-builder’ doesn’t necessarily mean learning to build a house physically from scratch. Anyone can be a self-builder – you can do so without ever having to lay a brick yourself. Self-built homes can also be more individual, better designed and more economical than buying from a developer. This book is designed for homeowners and self-builders, whether aspiring or on the brink of starting a project. It provides a jargon-free, step-by-step guide to the process of designing and building your own home, distilling all of the practical information needed to make your dream house a reality. Carefully crafted to offer friendly, easy-to-understand practical guidance and packed with watch points, hints and tips, it also highlights the potential pitfalls and suggests ways of avoiding them. Including indications of costs and timescales, Self-build demystifies the process of budgeting, finding a site, gaining planning permission, designing your home and all of the surrounding issues to do with sustainability, planning, regulations, procurement and the use of building contracts. Beautifully illustrated with over 230-colour photos, diagrams and plans, it provides all the inspiration and ideas you need to bring your own project to life. Featured houses include: • Amphibious House by Baca Architects • Corten Courtyard House by Barefoot Architects • Haringey Brick House by Satish Jassal Architects • Shawm House by Mawson Kerr Architects • Sussex House by Wilkinson King Architects • The Pocket House by Tikari Works Architects.Table of ContentsDedication About the Author 1. Why self build 2. Project Preparation 3. Finding and Assessing a Plot 4. Appointing an Architect 5 Design Influences 6. Rooms & Layout 7. Getting Planning Permission 8. Building Regulations 9. Procurement & Construction Methods 10. Preparing for Construction 11. Building the House 12. Case Studies Useful contacts Recommended reading References Glossary Image credits

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Book SynopsisDo you know how to create beautiful buildings that truly promote social change? Architects need to understand how to design for social equity, but too often this is presented as a choice between work that does good and work that looks good. When done well, building for social equity can directly enhance the formal, experimental and creative language of architecture. Renowned architects Sara Caples and Everardo Jefferson, who have been designing for underserved multi-cultural communities in New York for decades, provide thought leadership that is deeply rooted in practice. By urging architects to approach equity projects with an open mind, the volume highlights the need to dig deep into the diverse culture of local neighbourhoods. It provides techniques to encourage listening, communicating and fully engaging with users, resulting in imaginative design responses that draw on all the tools that the architect possesses. Packed with interviews from established and up-and-coming designers, and highly illustrated case studies from all over the world, this accessibly written book serves both as a point of inspiration and a challenge to Western-centric ways of working. Ultimately, it explores how listening to the aspirations of diverse communities enriches designs and broadens the architectural language of all involved. Featuring: - International case studies from Austria, Brazil, Bolivia, China, Egypt, India, USA and many more- Interviews from leading designers, including: Tatiana Bilbao, Wanda Dalla Costa, Andres Lepik, Xu Tiantian, Li Xiaodong, Sara Zewde - Guidance on a range of topics, from integrating narratives to working with colour, communicating with communities and stakeholders to ethical practice.Table of ContentsForeword Acknowledgements Introduction Part One: Social Equity Chapter 1: Social Equity Chapter 2: Cast Your Net Part Two: Space for Beauty Chapter 3: Narratives and Counter-Narratives Chapter 4: Tectonic Ethics Chapter 5: Between Indoors and Out Chapter 6: Elements of Delight Chapter 7: Gesamtkunstwerk Conclusion: All Architecture is Social Further Reading Index

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Book SynopsisThe office has changed forever.Emerging from the pandemic, the workplace has undergone its greatest disruption since the dawn of the service economy. Covid has rewritten the rule book about how, when, where and even why we work. How can investors, developers, designers, operators and users of office buildings navigate this new climate of uncertainty to create successful places to work in the future?Reworking the Workplace delves into this changing landscape. Divided into three sections – People, Purpose and Place – it identifies the emerging trends in the reworking of work culture and offers insights into innovations and ideas that will inform the workplace of tomorrow. In doing so, it recognises the enduring importance of physical place for meaningful human connection and explores how this must be refocussed in an increasingly virtual world. Featuring over 50 international case studies, including Amazon Fresh, Brent Cross Town London, Capita Springs Singapore, Carrefour, Diageo, Disney, King’s College London, Mission Rock San Francisco, Salesforce, Virgin Money and WeWork Tackles topical workplace themes: hybrid working, wellbeing, ESG, operationalising working experience, value of place, experience destinations, physical/virtual interface and future cities Combines essential design guidance with up-to-date workplace thinking throughout. Table of ContentsACKNOWLEDGEMENTSFOREWORDAUTHOR BIOGRAPHIESINTRODUCTION PART I - PEOPLE 1. THE IMPACT OF THE COVID PANDEMIC ON WORK, CULTURE AND COMMUNITY2. HYBRID WORKING 3. THE IMPACT OF BUILDINGS ON WELLBEING4. ESG – WITH A FOCUS ON THE ‘S’, AND THE BUILT ENVIRONMENTPART II – PURPOSE 5. OPERATIONALISING THE WORKPLACE EXPERIENCE6. THE VALUE AND PUPOSE OF PLACE7. EXPERIENCE DESTINATIONSPART III - PLACE 8. FUTURE CITIES9. PHYSICAL/VIRTUAL INTERFACE10. WORKPLACE ECOSYSTEM, COMMUNITIES AND PLACE SUMMARYREFERENCESBIBLIOGRAPHYINDEXIMAGE CREDITS

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Book SynopsisA complex bamboo pyramid to block a busy crossing in London. A maze of ''mini Stonehenge'' brick structures to hinder government crackdowns in Hong Kong. The takeover of a Dallas highway to create a temporary public square.Architects have often used their skills in struggles for civil rights, gender equality and climate justice. Illuminating the role that design has played in protest movements, Nick Newman explores the colliding worlds of architecture and activism through the stories of those who have built for change.Using historic and contemporary examples, Protest Architecture analyses the design problems and solutions faced by protestors on the streets through detailed drawings, photography and expert insight.From beacons to barricades, towers to treehouses, this unique design typology demonstrates architectural influence over moments of societal change.This is a retelling of protest history through the eyes of an architect.

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Book SynopsisDuring the three decades following the Second World War, and before the advent of personal computers, government investment in university research in North America and the UK funded multidisciplinary projects to investigate the use of computers for manufacturing and design. Designing the Computational Image, Imagining Computational Design explores this period of remarkable inventiveness, and traces its repercussions on architecture and other creative fields through a selection of computational designers working today. Situating contemporary expressions of design in relation to broader historical, disciplinary, and technical frames, the book showcases the confluence, during the second half of the 20th century, of publicly funded technical innovations in software, geometry, and hardware with a cultural imaginary of design endowing computer-generated images with both geometric plasticity and a new type of agency as operative design artifacts.Table of ContentsMaterialities 16 Images to Think With Daniel Cardoso Llach 24 On the Surface Theodora Vardouli Archive 36 Servomechanisms Laboratory, MIT, United States 48 Cambridge CAD Group, University of Cambridge, United Kingdom 50 Sperry Gyroscope Co. of Canada Ltd., Canada Works 54 Ben Snell 56 BairBalliet (Kristy Balliet and Kelly Bair) 58 Joseph Choma 61 Vernelle Noel 64 Jonah Marrs 66 Nicolas Reeves 67 Jer Thorp and Diane Thorp Visualities 102 The Computer-Aided Design Project, MIT, United States 114 Cambridge CAD Group, University of Cambridge, United Kingdom 119 University of Utah, United States 120 Bell Labs, United States 126 McGill University, Canada 130 Computer Graphics Group, University of Toronto, Canada 142 Alan Warburton 143 Dana Cupkova 144 Andrew Heumann 146 Zach Lieberman 150 Carl Lostritto 151 Joseph Choma 152 Golan Levin 154 BairBalliet (Kristy Balliet and Kelly Bair) 156 Benedikt Groß 157 Kyuha Shim 158 Ben Snell 160 Shaheer Zazai 161 Jonah Marrs Agencies 240 The Computer-Aided Design Project, MIT, United States 250 The Architecture Machine, MIT, United States 254 Institute for Physical Planning, CMU, United States 260 Centre for Land Use and Built Form Studies, Cambridge University, United Kingdom 261 Centre for Configurational Studies, The Open University, United Kingdom 262 University of Waterloo, Canada 266 Civil Engineering Systems Laboratory, MIT, United States 268 University of Toronto, Canada 270 Harvard Laboratory for Computer Graphics and Spatial Analysis, United States 272 Université de Montréal, Canada 273 Université Laval, Canada 274 Royal Architectural Institute of Canada journal, Canada 280 Madeline Gannon 281 George Stiny 282 Felecia Davis and Delia Dumitrescu 283 Dana Cupkova and Daragh Byrne 284 Jürg Lehni 286 Golan Levin 287 Elizabeth Vander Zaag 289 Daniel Iregui 292 Rafael Lozano-Hemmer 293 Jean Dubois 294 Joanna Berzowska 296 Philip Beesley Materialities Essays 70 Binary Image, Visual Latency Andrés Burbano 74 The Manufacturing Hand: Tactility and Abstraction in Robotics Emek Erdolu 78 Olympic Calculations Sean Keller 82 Processing Models, Modeling Processes for the HfG Ulm ca. 1952 Anna-Maria Meister Conversations 88 Unsmooth Images: A Conversation about the Materialities of Computational Design Kristy Balliet, Sean Keller, Nathalie Bredella, and Jonah Marrs moderated by Molly Wright Steenson 374 Biographies 380 Acknowledgments 382 Exhibition credits 383 Photo credits Visualities 164 Materialities of Shiny Surfacing with Chrome Akshita Sivakumar 170 “Digit Goes to Hawaii” (1976) and “Baby Eyes” (1984) Gabriela Aceves Sepúlveda 176 Depth and Historical Vision in Computer Simulation Jacob Gaboury 180 Topology, Crystals, and A Multitude of Futures David Theodore 184 “Metamorphosis” (1976) by Lillian Schwartz Olga Touloumi 190 Interfaces of the Self: A Conversation about the Structures and Histories of ComputationalImages Joseph Choma, Carl Lostritto, Theodora Vardouli, and Jacob Gaboury moderated byOlga Touloumi 202 Imagination Machines: A Conversation with George Stiny Moderated by Daniel Cardoso Llach and Theodora Vardouli 218 Computer Art and Information Aesthetics: A Conversation with Leslie Mezei and Frieder Nake Moderated by Theodora Vardouli 300 Data for Decision (film, 1967) Moa Carlsson 304 Seeing with a Machine: Notes on Early SpatialComputing Ranjodh Singh Dhaliwal 308 Alternative Land-Use Map of a Simulated City Matthew Allen 312 @home Mario Carpo 318 Digital Pantheisms: A Conversation About Computational Agencies across Art and Design Madeline Gannon, Andrew Heumann, Dana Cupkova, and Golan Levin moderated by FeleciaDavis 332 Feminist Embodiments of Interactivity: A Conversation with Elizabeth Vander Zaag Moderated by Gabriela Aceves Sepúlveda 350 Machine Misbehavior and Ethical Interfaces: A Conversation with Rachel Strickland and PaulPangaro Moderated by Daniel Cardoso Llach

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Book SynopsisWhat role can interiors play in adapting to the rapidly changing lifestyles of our cities' inhabitants?Resulting from a study project carried out at the Geneva University of Art and Design (HEAD Genève), Renewing the city from the Within formulates alternatives to the urban development model centred onbuilding expansion, by proposing scenarios for the renewal, from the inside out, of existing collective housing buildings in Geneva. By analysing a sample of collective housing buildings from the three main periods of the city's development,the publication develops scenarios aimed at adapting these typologies to a convivial and mixed lifestyle,based on principles of solidarity, hospitality and sharing. At a time when the nuclear family is no longer theonly model and when the boundaries between living and working areas have become porous, the architects of Fagart & Fontana wish to contribute to the reflection on the city's capacity to renew itself, by making people aware that there is a project territory to invest to rethink contemporary housing.

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Book SynopsisAn authoritative - and fascinating - investigation into the spatial and social dynamics of cities at a global scaleTrade Review"As resourceful for architects and policy-makers as it is for anyone interested in how we live now... It enlightens on everything from climate to crime to culture. As a data-driven study, it has a proven takeaway: civic participation is key to defining metropolitan problems while design is key to providing the right solutions."—Aesthetica

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Book SynopsisNamed to the 2022 Architectural Digest AD100 list Named to the 2022 Elle Decor A-List Over the past forty years, Thomas Kligerman has been immersed in the history of residential architecture, weaving together sources from English and European traditions with the American vernacular, particularly the puebloan style of the Southwest and the shingle style that has prevailed along the East Coast since the late nineteenth century. A staple on the AD100 list, Kligerman has woven together these strands of domestic architecture to create his own American aesthetic. Shingle and Stone: Thomas Kligerman Houses is a full-career monograph that features a selection of inspiring residences that highlight the evolution of his architectural thinking. Shingle and Stone presents thirteen major highlights from Kligerman’s portfolio, including three projects currently in design. The featured projects are all set in extraordinarily beautiful natural landscapes, from the coasts of Martha’s Vineyard and the Hamptons, to the forests of South Carolina’s Blue Ridge Mountains and the Pacific Northwest, showcasing the depth and breadth of the architect’s oeuvre. Illustrated with more than 200 spectacular photographs of interiors and exteriors alongside plans, renderings, and sketches that reveal the design process, this new book will immerse readers in the powerfully nuanced language of Kligerman’s architectural vision. In the architect’s own words, exceptional architecture combines existing styles in order to “move the needle forward,” and this new monograph presents luxurious single-family homes that do exactly that. Written in collaboration with the celebrated design editor Mitchell Owens, Shingle and Stone is an inspirational architectural collection that presents the contemporary traditional design for which Kligerman is known. Beautifully packaged with a vellum jacket over a linen case silkscreened with one of Kligerman’s own hand-drawn sketches, this is the ideal book for both architects and design enthusiasts, and is sure to sit beautifully on any bookshelf, desk, or coffee table.Trade ReviewNamed to the 2022 Architectural Digest AD100 list Named to the 2022 Elle Decor A-List ‘[One of] the best of the best decor and design books.’ – AD Pro 'Will make a terrific gift for the design lover on your list.' - Architects + Artisans 'Featuring photographs, illustrations, and renderings of Thomas Kligerman’s most iconic homes, this extensive monograph covers the entirety of the architect’s impressive career.' - Galerie Magazine 'One of the most celebrated architects in America, Thomas Kligerman has developed a signature that takes a modern approach to traditional architecture. Shingle and Stone follows the evolution of Kligerman of his architectural thinking through intimate looks at his work over the years.' - Veranda 'Showcase[s] some of the most magical architecture and design . . . and look[s] fabulous on the coffee table.' - Modern Luxury Interiors New York 'An inspirational architectural collection . . . Pore over twenty years of projects and the stories behind them.' - athome 'Elle Decor A-List architect Tom Kligerman’s manifold influences are on display in this enlightening full-career monograph, showing how the architect’s upbringing in and passion for the American Southwest and New England have led to a practice that marries the finest attributes of both in his single-family homes.' - Elle Decor 'A veritable feast for the senses.' - New England Home 'If you spend much of your downtime scrolling through listings on Zillow, consider this more analog option of manifesting the future manse of your dreams. This book is a monograph of architect Thomas Kligerman’s work.' - New York Magazine 'For architecture aficionados . . . Take a journey through the career of renowned architect Thomas Kligerman in this gorgeous volume.' - Traditional Home 'Gorgeous.' - Veranda 'Forever challenging conventional shingle concepts, Thomas Kligerman’s new work will inspire even the staunchest of traditionalists. Kligerman has proved to be a true master of honoring history and reimagining tried-and-true practices for an enduring future.' - Frederic 'Absolutely brimming with breathtaking work that is sure to leave every reader inspired.' - My Design Chic

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Book SynopsisThere is a layer of the public architecture that has become so familiar that we barely notice it. Street furniture has the capacity to define a city, to locate it and to anchor us within it. Benches, bollards, streetlights, signs, barriers, post boxes, phone booths – they are the physical manifestation of public infrastructure, a network of goods between architecture and the body. In this book, Edwin Heathcote, architecture and design critic of the Financial Times, looks at the cultural impact of street furniture using photography as a measure of how these things have become indispensable components of the cityscape. Based mainly in and on London – but including New York, Paris and Budapest – Heathcote uses history, personal reflection and the lenses of photographers to examine the status of these urban artefacts in both the contemporary imagination and the city streets themselves. It looks at the changing landscape of the cityscape and the way in which street furniture has been adapted to address new technologies, the culture of surveillance and shifts in taste, orthodoxy and material culture. On the Street looks at the language of street furniture reflected through the glaze of photography and contemporary culture. It is a book about the elements of the streetscape which can exert an increasing impact on our interaction with the cities we inhabit.

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Book SynopsisFollowing the success of Typology: Hong Kong, Rome, New York, Buenos Aires (2012) and Typology: Paris, Delhi, São Paulo, Athens (2015), this highly anticipated new volume in the Review series documents some 200 largely unpublished buildings in Tashkent, Genoa, Tbilisi, and Casablanca. These cities experienced rapid development during the 20th century, each offering its unique response to Modernism.Over a period of four years, Basel-based architects Emanuel Christ and Christoph Gantenbein, together with the teaching staff and students at their joint chair of architecture and design at ETH Zurich's Department of Architecture, analysed the featured structures with the aim to offer a wide-ranging array of original typological solutions for contemporary architecture and urban design. Each example is documented with an image, site and floor plans, axonometric projection, key data, and a brief description. Concise essays by distinguished authors explore the historical evolution of the four cities, while an introductory theoretical essay by Emanuel Christ and Christoph Gantenbein introduces the concept of typology. A photo essay with newly taken colour and black-and-white images, capturing the current condition of some of the featured buildings, rounds of this volume.

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Book SynopsisThis well-illustrated book illuminates the life and career of one of Florida’s premier architects, whose elegant homes and design aesthetic shaped the architectural character of Winter Park and influenced urban development throughout central Florida.

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Book SynopsisTable of ContentsPreface vii Introduction 1 Drawing From Observation 13 1 Line and Shape 15 2 Tone and Texture 39 3 Form and Structure 67 4 Space and Depth 83 Drawing Systems 123 5 Pictorial Systems 125 6 Multiview Drawings 143 7 Paraline Drawings 207 8 Perspective Drawings 239 Drawing From The Imagination 303 9 Speculative Drawing 305 10 Diagramming 335 11 Drawing Composition 367 12 Presentation Drawing 409 Index 433

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Book SynopsisA new paradigm combining architectural tradition with emerging technologies Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code. In this ambitious exploration, an eminent thinker examines what, exactly, the building blocks of architecture have meant over the centuries and how technology may—or may not—be changing how we think about them. Antoine Picon argues that materiality is not only about matter and that the silence and inscrutability—the otherness—of raw materials work against humanity’s need to live in a meaningful world. He describes how people define who they are, in part, through their specific physical experience of architectural materials and spaces. Indeed, Picon asserts, the entire paradox of the architectural discipline consists in its desire to render matter expressive to human beings. Through a retrospective review of canonical moments in Western European architecture, Picon offers an original perspective on the ways materiality has varied throughout centuries, demonstrating how experiences of the physical world have changed in relation to the evolution of human subjectivity. Ultimately, Picon concludes that computer-based design methods are not an abrupt departure from previous architectural traditions but rather a new way for architects to control material resources. The result reinforces the fundamentally humanistic nature of architectural endeavor with an increasing sense of design freedom and a release from material constraint in the digital era.Trade Review"Thanks to his immense knowledge of building technologies, along with the acute observations of contemporary practice made over the years, Antoine Picon has carved a masterful synthesis on the very substance of architecture. From ancient vestiges to current designs, the meaning of materials in designs and buildings is dissected in this dense, inspired volume. A must-read for students, scholars, and professionals alike."—Jean-Louis Cohen, author of The Future of Architecture Since 1889: A Worldwide History"This rich and synthetic book rethinks four centuries of Western architectural discourse, arguing that materiality is not a raw essence, nor a state of being, but a branch of technological thinking. In six brisk chapters, Antoine Picon wonderfully combines lucid explanations of architects’ technical processes with insights on their cultural motives. The main takeaway—and it is a brilliant one—is that materials in architecture have ultimately served as a kind of linguistic referent. A needed corrective to recent claims of dematerialization, and a highly rewarding read."—Lucia Allais, author of Designs of Destruction: The Making of Monuments in the Twentieth Century

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Book SynopsisFarm and Rural Building Conversions provides a detailed record of types of rural buildings and advice for conversion , including retention of period features where appropriate. Sympathetic conversion that ensures this record of rural life is not lost forever.

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Book SynopsisThis book explores tiny hideaways, which are a perfect example of the New Ecological Architecture.

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Book Synopsis"I recommend to every Architect, designer and those who have a passion for New York to own this magnificent book…there is no better on the extraordinary Beaux Arts of New York." —Lemeau, Decorator's Insider "This great, beautiful, glossy, polychromatic slab of a book more than does justice to an epic period in architecture when some of the world’s most luscious buildings were designed for some of the most unpleasant people in American history." — Timothy Brittain-Catlin, World of Interiors "New York would be little more than another faceless glass-and-steel city were it not for its Gilded Age buildings and institutions... An American Renaissance: Beaux-Arts Architecture in New York City, written by Phillip James Dodd with photography by Jonathan Wallen, is a gilded embrace of this legacy."— The Critic The Gilded Age, also referred to as the American Renaissance, is an era associated with unparalleled growth, technological advancement, prosperity, and cultural change. Spanning from the 1870s to the 1930s, it marks the first time that the titans of American finance and industry had more wealth than their European counterparts. As the centre of this dynamic economy, New York City attracted immigrant workers and millionaires alike. It was not enough for the self-appointed elite to just build their own grand châteaux and palazzos along Fifth Avenue—collectively they dreamed of creating a new metropolis to rival the great cultural capitals of London, Paris, and Rome. To flaunt their newly acquired wealth they needed an architecture dripping in embellishment and historical reference. Enter the Beaux-Arts. This book, which has been painstakingly researched and beautifully photographed over many years, takes a close look at 20 of the finest examples of Beaux-Arts architecture in New York City. While showing public exteriors, its focus is on the lavish interiors that are associated with the opulence of the Gilded Age—often providing a glimpse inside buildings not otherwise viewable to the public. While some of the buildings and monuments featured are world-renowned landmarks recognisable and accessible to all, others are obscure buildings that history has forgotten. Set amid the magnificent achievements of an American Renaissance, this book recounts not only the fascinating stories of some of New York’s most famous and significant Beaux-Arts landmarks, it also recalls the lives of those who commissioned, designed, and built them. These are some of the most acclaimed architects, artists, and artisans of the day—Daniel Chester French, Cass Gilbert, Charles McKim, Augustus Saint-Gaudens, Louis Comfort Tiffany, and Stanford White—and some of the most prominent millionaires in American history—Henry Clay Frick, Jay Gould, Otto Kahn, J.P. Morgan, John D. Rockefeller, and the ubiquitous Astor and Vanderbilt families. Names that—as Julian Fellowes (the acclaimed director of Downton Abbey) notes in the Foreword—“still reek of money.” Excerpt from the IntroductionTrade Review"I recommend to every Architect, designer and those who have a passion for New York to own this magnificent book…there is no better on the extraordinary Beaux Arts of New York." - Lemeau, Decorator's Insider"This great, beautiful, glossy, polychromatic slab of a book more than does justice to an epic period in architecture when some of the world’s most luscious buildings were designed for some of the most unpleasant people in American history." - Timothy Brittain-Catlin, World of Interiors"Full-color photography from Wallen and insightful commentary by Dodd welcome readers into some of New York’s celebrated Beaux-Arts landmarks—including The Metropolitan Museum of Art, Grand Central Terminal and some that are not open to the public—and the world of those who imagined them." - Tani Levitt, Gotham Mag"But to hold us over, there’s a dazzling new book, An American Renaissance: Beaux-Arts Architecture in New York City (from Images Publishing, with a forward by TGA creator Julian Fellowes), which richly examines the lasting architectural legacy of the era’s big-spending industry titans." - Ann D'Adamo, Black Book Mag"Full-color photography from Wallen and insightful commentary by Dodd welcome readers into some of New York's celebrated Beaux-Arts landmarks." - Tani Levitt, Modern Luxury"In Phillip James Dodd’s glorious new book, An American Renaissance: Beaux-Arts Architecture in New York City, you’ll find buildings whose own names were serially preceded by their architect’s in common conversation—not out of some formal, Gilded Age sense of obligation but because they deserved to be." - AirMail"New York would be little more than another faceless glass-and-steel city were it not for its Gilded Age buildings and institutions... An American Renaissance: Beaux-Arts Architecture in New York City, written by Phillip James Dodd with photography by Jonathan Wallen, is a gilded embrace of this legacy." - The CriticTable of ContentsForeword - Julian Fellowes The American Renaissance - Richard Guy Wilson Introduction Williamsburgh Savings Bank Samuel Tilden House General Grant National Memorial Gould Memorial Library and the Hall of Fame for Great Americans The University Club Soldiers and Sailors Monument The Metropolitan Museum of Art Joseph De Lamar Mansion James Burden Mansion The Pierpont Morgan Library Alexander Hamilton U.S. Custom House New York Public Library Grand Central Terminal Woolworth Building The Frick Collection Brooklyn Trust Company Building Otto Kahn Mansion Cunard Building New York Life Insurance Company Building Woodlawn Cemetery Appeal Acknowledgments Image Credits Selected Bibliography Index

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