Typography and lettering Books
MIT Press Ltd The Typographic Medium History and Foundations of
Book SynopsisAn innovative examination of typography as a medium of communication rather than part of print or digital media.Typography is everywhere and yet widely unnoticed. When we read type, we fail to see type. In this book, Kate Brideau considers typography not as part of print media or digital media but as a medium of communication itself, able to transcend the life and death of particular technologies. Examining the contradiction between typographic form (often overlooked) and function (often overpowering), Brideau argues that typography is made up not of letters but of shapes, and that shape is existentially and technologically central to the typographic medium.After considering what constitutes typographic form, Brideau turns to typographic function and how it relates to form. Examining typography's role in both the neurological and psychological aspects of reading, she argues that typography's functions exceed reading; typographic forms communicate, but that commun
£40.85
Thames & Hudson Ltd Jan Tschichold Master Typographer
Book SynopsisFew have left a deeper impression on the world of typography than Jan Tschichold, one of the most outstanding and influential designers of the 20th century. This volume covers Tschichold's life and career, placing the designers vision firmly in the rich cultural and historical context of his era.Trade Review'Enormous, beautiful …' - IconTable of ContentsIntroduction by Cees W. de Jong • Tschichold and Die Neue Typographie by Alston W. Purvis • Jan Tschichold and Poster Design by Martijn F. le Coultre • Resurgence of Classical Design by Richard B. Doubleday Perfectly Legible and Readable by Hans Reichardt & Cees W. de Jong
£31.96
Saqi Books Khatt
Book SynopsisA colourful and beautifully produced volume, documenting calligraphic expressions found in cities across Egypt.Trade Review`A sumptuous guide to a phenomenon that is simultaneously popular and increasingly under threat.' The National, UAE; - `A treasure of a volume' Egyptian Streets
£20.00
Presentation House Gallery Fiona Banner Font Book Lynn Valley No 11
Book Synopsis
£23.75
Bloomsbury Publishing PLC Advanced Typography
Book SynopsisOnce you have learnt the fundamentals of typography, there is still a wealth of knowledge to grasp to really become a master in the art and craft of working with type. In Advanced Typography, expert practitioner and instructor Richard Hunt goes beyond the basics to take your understanding and usage to the next level. Taking a practical approach, the book combines visual, linguistic, historical and psychological systems with the broad range of applications and audiences of type today. From the challenges of designing across media and cultures, to type as information and craft, Hunt marries theoretical context with applied examples so you feel confident in improving your skills as an advanced typographer.Table of Contents1. Introduction 2. The changing technology and practice of type 3. Typography - art or craft? 4. Biological and psychological dimensions of type 5. Systems of organization 6. Typography as visual/type as information 7. Type as technology 8. Type on screen (design practice) 9. Type as culture and symbol 10. Typefaces 11. Customizing/creating type forms
£29.99
Bloomsbury Publishing PLC Giving Type Meaning
Book SynopsisTable of ContentsIntroduction: Chapter 1: Social Context 1.1 Context and meaning 1.a. Visual Inflection 1.b. Social Meaning & Typography 1.c. Visual Metaphors and Analogies 1.d. Cultural Context 1.e Power Structures 1.f Recontextualization Chapter 2: Spatial Context 2.1. Visual Space (section) 2.1a Kinetic and Expressive Type 2.1b. Sound, Shape, and Speech 2.2. Concrete and Visual Poetry 2.2a. Physical Space 2.2b. Material Meaning 2.2c. A Known Social Context 2.2d. History and Material Meanings 2.2e. Material Metaphors and Analogies 2.3 Architectural Materials 2.3a. Public Space 2.3b. Place-Based Meaning 2.4b. Public Type & Community Participations 2.5 Private Space 2.5a Challenging Private Space 2.6 Personal Space 2.6a Apparel and Affiliation 2.6b Proximity and Politics 2.7 Virtual Space 2.7a Digital Methods 2.7b Augmented Reality, Mixed Reality, and Virtual Reality 2.8 Gestural Space 2.8a The Human Hand 2.8b Gesture in and of Letterforms 2.8c Gesture of Mark 2.8d Gesture and Expression 2.8e Corporeality and Performance Chapter 3: Temporal Context 3.1. Time and history 3.1a Temporal Influence: Technology and Society 3.1b Temporal Influence: Current Events 3.2 Typographic Trends 3.2a. Historical Type in Contemporary Use 3.2b. Revivals and References 3.2c. Temporal Recontextualisations 3.2d. History-Inspired Type 3.3 Voices in Design 3.3a Type and Identity 3.4 Time as Medium 3.5 Into the Future 3.6 Language, Form and Meaning 3.7 Speculative Typography 3.8 What's Next? Resources for Educators and Students Bibliography Index Acknowledgements
£71.25
Bloomsbury Publishing PLC The Bloomsbury Handbook of Global Typography
Book SynopsisPaul Luna is Emeritus Professor at the University of Reading, UK, and author of Typography: A Very Short Introduction (2018). He has written on the relationship between typography and lexicography, and for many years directed the design of English and bilingual dictionaries at Oxford University Press.Fiona Ross is Professor in Type Design at the University of Reading, UK. With a background in languages and Indian palaeography, she specializes in type design for Arabic, South Asian, and Thai writing systems. Fiona has received the SoTA Typography Award (2014) and the Type Director's Club Medal (2018).Aaris Sherin is an educator, writer, and designer. She is Professor of Graphic Design at St John's University, New York, USA, and the author of Sustainable Thinking (Bloomsbury, 2017) and Introduction to Graphic Design (Bloomsbury, 2017).Vaibhav Singh is an independent researcher, typographer, and type designer. Previously a British Academy Postdoctoral Fellow and chairman of the Printing Historical Society, he is the editor of the journal Contextual Alternate and co-editor of the Bloomsbury research series Notes on Typography.Sue Walker is co-director of the interdisciplinary Centre for Book Cultures and Publishing, and director of the Lettering, Printing, and Graphic Design Collections in the Department of Typography and Graphic Communication at the University of Reading, UK. Her research interests are in book design for young people and the relationship between typography and language.
£123.50
Bloomsbury Publishing PLC Typography
Book SynopsisGavin Ambrose teaches at the University of Brighton and is a practicing designer as well as an author. Paul Harris is a freelance writer and editor whose work appears extensively in magazines and journals in the US and UK. .Trade ReviewTypography is a thorough, well-organised and engaging book, which guides the reader through practical, contextual and theoretical issues and considerations associated with typographic design and use. The structure, content and format of the book lends itself perfectly as a core text for any Graphic Design degree. * Simon Harrison, Leeds College of Art, UK *Beautiful examples! I like how the content is organized and presented... This is a good book for an intro typography course. * Robert Hankin, Bellevue University, USA *Pitched at the right level of engagement and learning for intended audience. Very well resourced and comprehensive. Design looks fresh and inviting. * Manny Ling, University of Sunderland, UK *Flipping through the pages, its design is dynamic, bold, attractive and enticing to read. * Safoura Rafeizadeh, Boston University, USA *Table of ContentsIntroduction 1 A Brief History of Typography The evolution of type/Theory and principles 2 Looking at Type Where type is used/What is type?/Typefaces and fonts/ Typeface style/Italic or oblique?/Looking at a typeface/ Typeface anatomy/x-height/Absolute and relative measurements Industry view: TOKY 3 Type Classification Basic classifications/Block typefaces/Roman typefaces/Roman variations/Types of serifs/ Serif variations/Gothic typefaces/Gothic variations/Rounded variations/ Script typefaces/Graphic typefaces/Type classification for a digital age/ Industry view: Urban Influence 4 Choosing Type Navigating the sea of type/Type families/Using multiple typefaces/ Text hierarchy/Text hierarchy for the digital age/Type on a page/Numerals/ Drop and standing capitals/Special characters/Ligatures/ The right character for the job/Non-alphabetical typefaces/ Industry view: Triboro Design 5 Setting Type Leading/Tracking/Kerning/Spacing/ Overprinting and knocking out/ Legibility and readability Industry view: Designbolaget 6 Type Generation Hand-drawn type/Building letterforms/Font generation/ Dynamic type for the screen Industry view: Leftloft 7 Type Realization Materials/Printing techniques/Print finishing Industry view: Graphical House Exercises Glossary Acknowledgements and credits Index
£22.49
Bloomsbury Publishing PLC The Fundamentals of Typography
Book SynopsisDemonstrating the power and variety of typography from hand-drawn to kinetic, this fully updated new edition of The Fundamentals of Typography covers the principles of using type across a range of media. Starting with a comprehensive introduction to the history of typography, the authors provide detailed explanations and inspirational examples of type usage from leading practitioners from around the world. With expanded practice exercises and four new case studies, this book gives students everything they need to know to use type effectively and creatively.Trade ReviewAs a design teacher and typeface designer I’ve come across many great books on Typography. The Fundamentals of Typography is definitely among them, but it takes a step beyond. It covers in one book what I’d typically need many for. It has all the essential content for a basic type course while offering a wealth of information for advanced learners. It is rich in history and spans many cultures and alphabets. Learners can connect with the subject and gain contextual awareness through case studies, examples, and exercises with well-structured methods. I’m thrilled to find comprehensive information on optical, technical, and ethical dimensions all in one place. It’s a must-have for any student and designer's bookshelf -- Donald Tarallo, Graphic Designer for Tarallo Design and Associate Professor at Fitchburg State University, USAThe Fundamentals of Typography approaches the subject in such a way that the book can be used for a student just getting introduced to the idea of typography, yet has enough depth for the more advanced student. The unique typographic examples, combined with exercises at the end of the chapter that I actually want to assign to my students, makes this book my choice for the classroom. The new edition's updated interview-based case studies present contemporary cases that are inspiration for class projects. -- Brytton Bjorngaard, Director of Visual Arts and Associate Professor of Digital Media, University of Illinois Springfield, USAIt is exciting to see examples of type that often do not appear in books on typography. -- Joe Gilmore, Teaching Fellow in Graphic Design, University of Leeds, UKTable of ContentsIntroduction 1 Type and Language The alphabet/Early printing/1800s/The Arts and Crafts movement/The early 20th century/1950s/ 1960s/ 1970s/1980s/1990s/2000s/graphic design today/Case study/Typography task 2 A Few Basics Typefaces and fonts/Typeface anatomy/Relative and absolute measurements/X-height/Basic terminology/Majuscule and minuscule/Set width/The baseline grid/The golden section/The Fibonacci sequence/ Dividing the page/Standard paper sizes/The page--how we read/Case study/Typography task 3 Letterforms Type families/Typeweight variations/Frutiger's grid/Types of serif/Fractions/Superscript and subscript/Numerals/ Diacritical marks/Punctuation/Drop and standing capitals/Dashes/Character spacing/Expert sets and special characters/Small capitals/Ligatures, diphthongs and sans serif logotypes/Italic and oblique/ Type classification systems/newspaper text faces/Hand-drawn type/Case study/Typography task 4 Words and Paragraphs Calculating line lengths/Kerning/Automated kerning tables/Alignment/Word spacing, hyphenation and justification/ Type detailing/Leading/Indents/Indexes/Case study/Typography task 5 Using Type Hierarchy/Color/Surprint, overprint, knockout and reverse/Printing and type realization/Grids and fonts/Generating type/Legibility and readability/Texture/Type as image/Concrete poetry, typograms, trompe l'oeil and calligrams/Humor/Vernacular/Appropriation/Ownership/Case study/Typography task 6 Digital Type Vectors and rasters/Type on screen/Kinetic typography/Environmental typography/Case study/Typography task Glossary Contacts Index
£28.99
Edinburgh University Press The Manuscript Tradition of the Islamic West
Book SynopsisExplores the aesthetic dimensions, cultural significance and ideological power of Maghrib? manuscripts
£103.50
V & A Publishing Western Illuminated Manuscripts: Manuscripts in
Book SynopsisThis catalogue of illuminated manuscripts in the V&A's National Art Library provides a history of an art form over eight centuries. It documents not only the practice of medieval and Renaissance illumination, but also the survival of medieval book-making crafts alongside printing in the post-Renaissance period -and their revival in the nineteenth-century. Its three volumes bring together for the first time works such as the St Denis Missal of 1350 and the Chambord Missal of 1844, the Sanvito Petrarch of 1463-64 and William Morris's Book of Verse of 1870. Catalogue descriptions discuss in detail each work, and pay particular attention to the changing ways in which they have been evaluated and used through the centuries.
£225.00
SelfMadeHero The ABC of Typography
Book SynopsisTypography confronts us everywhere: in books and newspapers, on road signs, product packaging and political leaflets. It is ubiquitous to the point of mundanity. But while the typeface might be secondary to the message, it remains crucial to the way we respond. Fonts spark emotions; they evoke eras and ideologies. Some, like Edward Johnson’s for the London Underground, have become iconic. Others, like comic sans, are loathed. Each one has its own place in history. The ABC of Typography traces 3,500 years of type, from Sumerian pictographs, through Roman calligraphy, to Gutenberg, the Bauhaus and beyond. Brimming with insight and anecdote, this witty and well-informed graphic guide explores the historical, technological and cultural shifts that have defined the look of the words we read, as well as introducing the artists who have marked typography’s long history.
£13.49
Design For Today Printer's ABC
Book Synopsis
£12.95
Niggli Verlag The Typographic Grid
Book SynopsisThe typograhic grid is a child of constructive art. This book offers a collection of about two dozen typographic works of the author including books, brochures and art catalogues. The works, documented in schematic drawings and many individual illustrations, are not meant to be recipes; instead, they should provide the reader with impulses of how he himself can set design processes in motion from the outset. The many-sidedness of design with grid systems should be made manifest.
£39.96
Niggli Verlag Overlap: Web & Typography
Book Synopsis
£17.95
Niggli Verlag A Gallery in Type Cases: The Arno Stolz
Book Synopsis
£31.96
Sorry Press New Aesthetic 2: A Collection of Experimental and
Book Synopsis
£27.00
Skira Scripts and Calligraphy (Arabic edition): Path to
Book Synopsis
£31.50
Shs Publishing Type Compass: Charting New Routes in Typography
Book Synopsis
£15.15
BIS Publishers B.V. Never Use More Than Two Different Typefaces: And
Book SynopsisRules in typography--a joy for graphic designers and everyone who has anything to do with designing texts.
£12.34
BIS Publishers B.V. LOIS Logos: How to Brand with Big Idea Logos
Book SynopsisGeorge Lois is an American icon in graphic design. This book showcases his logos with his own comments on why they work. A bonus in the book is a chapter of world logos made by others with George Lois’s comments on why they are so good. George Lois continues to prove that a memorable brand name interacting with a strong visual symbol to communicate a humanistic idea is the ultimate art form in popular graphic communication. His Big Idea branding and logo design, developed with a built-in, conceptual, “catchy” brand name, can visually impart information in a nanosecond, delivering a specific ethos with a penetrating promise of power that immediately sears a product’s virtues into a viewers’ brain—and has the potential of bringing instantaneous success. Lois boldly states, “My goal, with the vast majority of the brands I have named and logos I have designed, is to create ‘humanistic’ symbols, driven by a pregnant idea, visualizing some recognizable aspect of the human experience, and magically relating it to a unique selling proposition that empowers great advertising and promotion.” If anyone wants to experience the creation of Big Idea Branding, this astounding compilation of the work of George Lois is the ultimate form of clear, precise, eye-popping communication.
£21.24
BIS Publishers B.V. Free your Mind Postcard Block
Book SynopsisWhen times are particularly difficult, and you are likely to slip into despair, some of the greatest pop songs can provide true comfort to make it through the pain. The problem with advice in general is that we often don’t take it. The great thing about advice songs is that you can kick back and listen to someone else coach you through a tough situation while rocking out at the same time. Marcus Kraft’s bestsellers Don’t Eat the Yellow Snow and Don’t Talk Just Kiss struck a chord with music lovers. This sparked the idea for the Get off the Internet Postcard Block. In the footsteps of this popular postcard block, we present a new collection of postcards, using the same iconic design as the books. They contain the best advice from the most iconic pop songs. Surprise your friends or family with one of the 20 pieces of advice collected in these postcard blocks.
£8.80
SendPoints Publishing Co., Ltd BranD No.76
Book Synopsis
£18.95
Victionary HANDSTYLE LETTERING: 20th Anniversary Edition:
Book SynopsisFor some time in the distant past, hand-lettering used to be a highly-regarded skill to master and was ubiquitous via publications and public signages. Although society relies heavily on keyboards and screens for communication today, a growing number of creative practitioners have been busy reviving the seemingly-lost art in recent years, in a bid to return the sincerity and warmth of the human touch to our predominantly digital lives. Brimming with character, hand-lettering serves as the bridge between old-school calligraphy and modern typography to bring nuance back into an age of uniformity. As an update of the original release in 2017, the ‘Handstyle Lettering’ 2021 edition rereleased in conjunction with Victionary’s 20th anniversary is a delightful showcase of artwork from around the world that are anything but unvaried. With an additional selection of new projects, the book also features insightful interviews from the best calligraphers as well as an expanded, beginner-friendly guide/practice area.
£24.00
Getty Trust Publications The Prayer Book of Charles the Bold A Study of a
Book SynopsisIn January 1469, the accounts of Duke Charles the Bold of Burgundy (reigned 1467-77) record a payment to the noted scribe Nicolas Spierinc 'for having written...some prayers for my lord.' This study presents an argument suggesting that the documents refer to the exquisite prayer book of Charles the Bold.
£47.50
GMC Publications Typographic Specimens
Book SynopsisIn 1831, Reverend Jackson Whitehead served as chaplain aboard the HMS Pica, which accompanied the Beagle on its second survey expedition. Whitehead was a keen collector of fauna as well as a typography enthusiast. Upon realising that the majority of both ships' crews were either committed atheists or budding evolutionists, Whitehead embarked on creating a whole series of natural history specimens made up out of typographical characters. Only recently, after the restoration of Whitehead's ancestral home, has the manuscript of his work come to light. Edited by artist, A.W. Bainbridge, Typographic Specimens presents his menagerie of beasts, fish, fowl and invertebrates, all created from traditional typefaces, numerals and punctuation marks. AUTHOR: A.W. Bainbridge is an artist, designer and educator. His natural talent for drawing led to him studying art, eventually specializing in Graphic Design at Preston Polytechnic. After graduating in 1991 he practised for the best part of a decade with The Chase Creative Consultants, one of the UK's leading design agencies. He returned to Higher Education in 1999 and is currently Senior Lecturer in Graphic Communications and Creative Thinking at The University of Central Lancashire. Lecturing aside, he has a penchant for words and type, and is an inveterate collector, connector and documenter, and a serial dry stone waller. SELLING POINTS: . Wonderfully inventive illustrations . All images accompanied by brief, witty descriptions . Great gift book for art and graphic design-lovers
£8.99
Liverpool University Press John Baskerville: Art and Industry in the
Book SynopsisThis book is concerned with the eighteenth-century typographer, printer, industrialist and Enlightenment figure, John Baskerville (1707-75). Baskerville was a Birmingham inventor, entrepreneur and artist with a worldwide reputation who made eighteenth-century Birmingham a city without typographic equal, by changing the course of type design. Baskerville not only designed one of the world’s most historically important typefaces, he also experimented with casting and setting type, improved the construction of the printing-press, developed a new kind of paper and refined the quality of printing inks. His typographic experiments put him ahead of his time, had an international impact and did much to enhance the printing and publishing industries of his day. Yet despite his importance, fame and influence many aspects of Baskerville’s work and life remain unexplored and his contribution to the arts, industry, culture and society of the Enlightenment are largely unrecognized. Moreover, recent scholarly research in archaeology, art and design, history, literary studies and typography, is leading to a fundamental reassessment of many aspects of Baskerville’s life and impact, including his birthplace, his work as an industrialist, the networks which sustained him and the reception of his printing in Britain and overseas. The last major, but inadequate publication of Baskerville dates from 1975. Now, forty years on, the time is ripe for a new book. This interdisciplinary approach provides an original contribution to printing history, eighteenth-century studies and the dissemination of ideas.Trade ReviewReviews 'A fascinating account of the printer, type designer, and manufacturer, John Baskerville, which sheds new light on the history of this polymathic figure. Focusing on previously unexplored details of his personal life, the book explores his contribution to fields beyond printing, and his relationship with the broader technologies and ideas of Enlightenment Birmingham.'Dr Freya Gowrley, University of Edinburgh‘This book brings to light the life of this relatively unknown 18th century figure…This volume is an important addition to the story of Birmingham and the power of networks that brought together art and industry during the Industrial Revolution.’The William Shipley Group Bulletin'This enterprising volume of essays makes a determined effort to…underline the influence that Baskerville had in the Midlands, Britain and beyond.'Paul Elliott, Midland History'This collection of papers is a useful contribution to the study of Baskerville [...] There is valuable original work here, especially in filling out some of the gaps in our knowledge of Baskerville’s life.' John Feather, Publishing History'Due to the variety of its chapters, and the depth of their investigations, John Baskerville: Art and Industry of the Enlightenment is a most welcome title, and one can only hope that it may be the first in what will become a series of 'Baskerville studies' addressing a range of topics from authors in a variety of fields.'Dan Reynolds, Journal of the Printing Historical SocietyTable of ContentsList of Figures viiAcknowledgements xiForeword xiiiTimeline xvBaskerville Family Tree xviiIntroduction: John Baskerville: Art and Industry ofthe Enlightenment 1Caroline Archer-Parré and Malcolm Dick1 The Topographies of a Typographer: Mapping JohnBaskerville since the Eighteenth Century 9Malcolm Dick2 Baskerville’s Birmingham: Printing and the English Urban Renaissance 25John Hinks3 Place, Home and Workplace: Baskerville’s Birthplaceand Buildings 42George Demidowicz4 John Baskerville: Japanner of ‘Tea Trays and otherHousehold Goods’ 71Yvonne Jones5 John Baskerville, William Hutton and their Social Networks 87Susan Whyman6 John Baskerville the Writing Master: Calligraphy and Typein the Seventeenth and Eighteenth Centuries 113Ewan Clayton7 A Reappraisal of Baskerville’s Greek Types 133Gerry Leonidas8 John Baskerville’s Decorated Papers 151Barry McKay and Diana Patterson9 The ‘Baskerville Bindings’ 166Aurélie Martin10 After the ‘Perfect Book’: English Printers and their Use ofBaskerville’s Type, 1767–90 185Martin Killeen11 The Cambridge Cult of the Baskerville Press 206Caroline Archer-ParréAppendix 1 The ‘Baskerville Bindings’ 222Appendix 2 Members of the Baskerville Club 226Appendix 3 Comparative Bibliography 230Further Reading 248General Bibliography 255Notes on the Contributors 260Index 263
£109.50
Liverpool University Press John Baskerville: Art and Industry in the
Book SynopsisThis book is concerned with the eighteenth-century typographer, printer, industrialist and Enlightenment figure, John Baskerville (1707-75). Baskerville was a Birmingham inventor, entrepreneur and artist with a worldwide reputation who made eighteenth-century Birmingham a city without typographic equal, by changing the course of type design. Baskerville not only designed one of the world’s most historically important typefaces, he also experimented with casting and setting type, improved the construction of the printing-press, developed a new kind of paper and refined the quality of printing inks. His typographic experiments put him ahead of his time, had an international impact and did much to enhance the printing and publishing industries of his day. Yet despite his importance, fame and influence many aspects of Baskerville’s work and life remain unexplored and his contribution to the arts, industry, culture and society of the Enlightenment are largely unrecognized. Moreover, recent scholarly research in archaeology, art and design, history, literary studies and typography, is leading to a fundamental reassessment of many aspects of Baskerville’s life and impact, including his birthplace, his work as an industrialist, the networks which sustained him and the reception of his printing in Britain and overseas. The last major, but inadequate publication of Baskerville dates from 1975. Now, forty years on, the time is ripe for a new book. This interdisciplinary approach provides an original contribution to printing history, eighteenth-century studies and the dissemination of ideas.Trade ReviewReviews 'A fascinating account of the printer, type designer, and manufacturer, John Baskerville, which sheds new light on the history of this polymathic figure. Focusing on previously unexplored details of his personal life, the book explores his contribution to fields beyond printing, and his relationship with the broader technologies and ideas of Enlightenment Birmingham.'Dr Freya Gowrley, University of Edinburgh‘This book brings to light the life of this relatively unknown 18th century figure…This volume is an important addition to the story of Birmingham and the power of networks that brought together art and industry during the Industrial Revolution.’The William Shipley Group Bulletin'This enterprising volume of essays makes a determined effort to…underline the influence that Baskerville had in the Midlands, Britain and beyond.'Paul Elliott, Midland History'This collection of papers is a useful contribution to the study of Baskerville [...] There is valuable original work here, especially in filling out some of the gaps in our knowledge of Baskerville’s life.' John Feather, Publishing History'Due to the variety of its chapters, and the depth of their investigations, John Baskerville: Art and Industry of the Enlightenment is a most welcome title, and one can only hope that it may be the first in what will become a series of 'Baskerville studies' addressing a range of topics from authors in a variety of fields.'Dan Reynolds, Journal of the Printing Historical SocietyTable of ContentsList of Figures viiAcknowledgements xiForeword xiiiTimeline xvBaskerville Family Tree xviiIntroduction: John Baskerville: Art and Industry ofthe Enlightenment 1Caroline Archer-Parré and Malcolm Dick1 The Topographies of a Typographer: Mapping JohnBaskerville since the Eighteenth Century 9Malcolm Dick2 Baskerville’s Birmingham: Printing and the English Urban Renaissance 25John Hinks3 Place, Home and Workplace: Baskerville’s Birthplaceand Buildings 42George Demidowicz4 John Baskerville: Japanner of ‘Tea Trays and otherHousehold Goods’ 71Yvonne Jones5 John Baskerville, William Hutton and their Social Networks 87Susan Whyman6 John Baskerville the Writing Master: Calligraphy and Typein the Seventeenth and Eighteenth Centuries 113Ewan Clayton7 A Reappraisal of Baskerville’s Greek Types 133Gerry Leonidas8 John Baskerville’s Decorated Papers 151Barry McKay and Diana Patterson9 The ‘Baskerville Bindings’ 166Aurélie Martin10 After the ‘Perfect Book’: English Printers and their Use ofBaskerville’s Type, 1767–90 185Martin Killeen11 The Cambridge Cult of the Baskerville Press 206Caroline Archer-ParréAppendix 1 The ‘Baskerville Bindings’ 222Appendix 2 Members of the Baskerville Club 226Appendix 3 Comparative Bibliography 230Further Reading 248General Bibliography 255Notes on the Contributors 260Index 263
£30.25
RIT Cary Graphic Arts Press The Bentons: How An American Father and Son
Book SynopsisThe ease with which we can choose a typeface today is something we take for granted, but it is possible only because of the tremendous amount of labor of the Bentons. The ease with which we can choose a typeface today from a plethora of options to fit a particular need is something we may take for granted, but it is possible only because of the tremendous amount of labor and ingenuity that camebefore. The story of the lives and work of Linn Boyd Benton and Morris Fuller Benton is an important chapter in the history of type, recalling a time in American history when men quietly worked at developing and improvingmechanical technologies that they thought would continue evolving incrementally into the future.
£18.99
RIT Cary Graphic Arts Press The Art of the Book in the Twentieth Century
Book SynopsisThrough the selection of eleven master designers, Jerry Kelly illustrates a wide range of styles: from classically inspired design and historical revival, to novel and modern layouts. Throughout the twentieth century, modern design theories in combination with newer printing technologies offered book designers far more options than were previously available to them. Utilizing these resources, some skillful artisans produced stunning designs in period style, arranging modern re-cuttings of early type designs with historical decoration that resulted in the creation of truly beautiful books; while others preferred a more contemporary aesthetic, building upon earlier principles in a fresh, novel manner. Through the selection of eleven master designers, Jerry Kelly illustrates a wide range of styles: from classically inspired design and historical revival, tonovel and modern layouts. He describes the care with which each designer combined typographic elements in their own unique way. The selection of these designers, ranging from Updike to Zapf, is only a small sampling of the practitioners that the twentieth century produced, but they are indicative of the wide range of book design styles achieved during this exceptionally dynamic century. JERRY KELLY is an award winning designer, calligrapher and printer working in New York City.
£27.00
RIT Cary Graphic Arts Press Highlights of the Cary Graphic Arts Collection:
Book SynopsisA fully-illustrated guide to the treasures of the Cary Graphic Arts Collection in Rochester, NY. Since its founding in 1969, the Cary Graphic Arts Collection at Rochester Institute of Technology has grown from the personal library of its namesake Melbert B. Cary Jr., to one of the nation's premier libraries on graphic communication history. Highlights of the Cary Graphic Arts Collection brings this history to life with a selection of items that not only exemplify the scope and mission of the library, but are treasures in their own right. The catalog features milestones in the history of printing, diverse examples of fine press printing, artists' books, and rare artifacts from The New York Times Museum of the Recorded Word. Stephen K. Galbraith is Curator and Amelia Hugill-Fontanel Assistant Curator at the Cary Graphic Arts Collection; Kari Horowicz is Librarian for the College of Imaging Arts and Sciences.Table of ContentsIntroduction Highlights of the Collection Acknowledgements
£18.99
RIT Cary Graphic Arts Press Manuale Calligraphicum: Examples of Calligraphy
Book SynopsisOf all his contributions to the graphic arts, Hermann Zapf's (1918-2015) dedication to sharing his knowledge may be regarded as one of his most enduring achievements. And no institution benefited more from his generosity than Rochester Institute of Technology where, in 1979, he began to teach a series of summer classes in Advanced Calligraphy. The classes attracted an international group of accomplished graphic artists whose hours spent with Zapf became treasured memories. This new book - Manuale Calligraphicum - was conceived as a way to honor Hermann Zapf's legacy at RIT by offering a select group of accomplished former students an opportunity to share, through their art, what those classes meant to them. The specifications for submissions were simple: design an original calligraphic alphabet or quotation that could be presented and formatted in the manner of Professor Zapf's famous model book Feder und Stichel (1950) and printed letterpress to the very highest standards. The variety and quality of the work submitted has been extraordinary. The Cary Collection is proud to present this selection of 19 works from 15 calligraphers as their tribute to a master teacher and dear friend. Limited edition of 325 copies, designed by Jerry Kelly and letterpress printed on Hahnemühle paper by Bradley Hutchinson. Manuale Calligraphicum Contributing Artists: Larry Brady, Marsha Brady, Annie Cicale, Rick Cusick, Claude Dieterich A, Reggie Ezell, Peter Fraterdeus, Kris Holmes, Jerry Kelly, Peter Noth, Marcy Robinson, Ina Saltz, Steven Skaggs, John Stevens, Julian Waters
£175.50
Lars Muller Publishers 100 Years of Swiss Design
Book Synopsis100 Years of Swiss Design offers a new perspective of Switzerland's achievements in furniture and product design. The book presents the essential historical designs in chronological sequence, from the regional roots of the early days around 1900 to the globalized network of today. Thirty essays by known experts shed light on themes typical of their times in word and image. Besides the design process, manufacturing techniques, distribution, and reception, the changing roles of the designer--from mediator between form and function, entrepreneur, social worker, to branding architect--are examined. Featuring one hundred key works from the Designsammlung, the world's largest collection of Swiss design, this reference work is the first to present and discuss a comprehensive show of Swiss designers' achievements, from the anonymous to the famous.
£40.50
Lars Muller Publishers True Print
Book SynopsisDafi Kuhne is a Swiss designer who works with analog and digital ways to produce fresh and unique letterpress-printed posters. Using very different kinds of instruments, from a MacBook to a pantograph, for his compositions, he pushes the boundaries of design. Never afraid of getting his hands dirty in his creative workshop, Kuhne embraces the labour involved in the entire process of creating a poster from initial idea to finished product. Fusing modern means with the century-old tradition of the letterpress, he forms a new vocabulary on how to communicate through type and form in a truly un-nostalgic way. Never retro, his work is a clever response to the search for new ways of graphic expression: true print. 182 illustrations
£31.50
Lars Muller Publishers Helmut Schmid: Typography
Book SynopsisThe Austrian typographer Helmut Schmid was a master of his craft. He put his own spin on Emil Ruder’s teachings at the Basel School of Design while remaining faithful to the principles of clarity, simplicity and elegance. Blending eastern and western influences, Schmid honed his skills and put them into practice in the fields of editorial design, packaging of ethical drugs and visual identity of brands such as Pocari Sweat sports drink (Otsuka Pharmaceutical), Maquillage (Shiseido) and IPSA. He also produced independent publications in parallel, such as Typographic Reflections. Helmut Schmid Typography explores the typographer’s oeuvre in its entirety. The book’s generous design allows each image to breathe, and the accompanying texts narrate Schmid’s life and career in an informative but pleasant manner. Complementing the publications Weingart: Typography and Ruder Typography, Ruder Philosophy, this bilingual monograph completes the Basel school of typographic thought.
£40.00
Hoaki The Worlds Best Typography
Book Synopsis
£47.99
Instituto Monsa de Ediciones Lettering: Through the Creative Process
Book SynopsisThe art of lettering enjoys a high level of popularity due to the possibilities, uses, and techniques that gives artists the opportunity to experience, play, and enjoy while you create. There are more people now than ever who understand its potential and are dedicated to making "letters" full of beauty and individual style. Following the hand of authentic masters from around the world, newcomers can learn techniques, tips, and tricks from each artist.
£16.79
Editorial Gg El Placer del Lettering: Guía Práctica Para
Book Synopsis
£20.86
Editorial Gg Cincuenta Y Tantos Consejos Sobre Tipografía
Book Synopsis
£17.68
Taylor & Francis Ltd The Skilled Compositor 18501914 An Aristocrat Among Working Men Modern Economic and Social History
a huge range and FREE tracked UK delivery on ALL orders.
£128.25
Cambridge University Press Latin Bookhands of the Later Middle Ages 11001500
Book SynopsisIn this book Professor Thomson provides 132 characteristic specimens of the period 1100-1500, reproduced by lithography (in all cases in the original size).Table of Contents1. France; 2. Germany; 3. Italy; 4. Britain; 5. Iberia.
£36.09
Cambridge University Press Chinese Calligraphy Introductions to Chinese Culture
a huge range and FREE tracked UK delivery on ALL orders.
£22.23
Cambridge University Press A History of the Old English Letter Foundries With Notes Historical and Bibliographical on the Rise and Progress of English Typography Cambridge of Printing Publishing and Libraries
Book SynopsisTalbot Baines Reed wrote in a period of transition when hot metal typesetting and offset printing were transforming the scale and scope of printing. In the previous 350 years, England had experienced civil war and started the Industrial Revolution. The dissemination of printed information and learning is inextricable to this history, and the art with which this was done is a quintessential part of English culture. Reed is distinctly aware of the great debt that his contemporaries had to the early typographers (notable among them William Caslon - considered the first great English typographer - and John Baskerville), and everywhere in his work is this shown in his meticulous and unstinting presentation of the fascinating details of their artistic exploration and expression. Modern readers will enjoy the technical and historical insight this work affords, and also find the style and presentation fresh and engaging.Table of ContentsPreface; Introductory chapter. The types and type founding of the first printers; 1. The English type bodies and faces; 2. The learned, foreign and peculiar characters; 3. The printer letter-founders, from Caxton to Day; 4. Letter founding as an English mechanical trade; 5. The state control of English letter founding; 6. The Oxford University foundry; 7. The Star Chamber founders, and the London Polyglot; 8. Joseph Moxon; 9. The later founders of the 17th century; 10. Thomas and John James; 11. William Caslon; 12. Alexander Wilson; 13. John Baskerville; 14. Thomas Cottrell; 15. Joseph and Edmund Fry; 16. Joseph Jackson; 17. William Martin; 18. Vincent Figgins; 19. The minor founders of the 18th century; 20. William Miller; 21. The minor founders from 1800 to 1830; Index.
£35.99
MIT Press Ltd Helvetica and the New York City Subway System The
Book SynopsisHow New York City subways signage evolved from a “visual mess” to a uniform system with Helvetica triumphant.For years, the signs in the New York City subway system were a bewildering hodge-podge of lettering styles, sizes, shapes, materials, colors, and messages. The original mosaics (dating from as early as 1904), displaying a variety of serif and sans serif letters and decorative elements, were supplemented by signs in terracotta and cut stone. Over the years, enamel signs identifying stations and warning riders not to spit, smoke, or cross the tracks were added to the mix. Efforts to untangle this visual mess began in the mid-1960s, when the city transit authority hired the design firm Unimark International to create a clear and consistent sign system. We can see the results today in the white-on-black signs throughout the subway system, displaying station names, directions, and instructions in crisp Helvetica. This book tells the story of how typographic orde
£38.25
MIT Press Ltd The Eternal Letter
Book Synopsis
£41.60
MIT Press Ltd Absence of clutter minimal writing as art and
Book SynopsisAn exploration of minimal writing—texts generally shorter than a sentence—as complex, powerful literary and visual works.In the 1960s and 70s, minimal and conceptual artists stripped language down to its most basic components: the word and the letter. Barbara Kruger, Jenny Holzer, Carl Andre, Lawrence Weiner, and others built lucrative careers from text-based art. Meanwhile, poets and writers created works of minimal writing—visual texts generally shorter than a sentence. (One poem by Aram Saroyan reads in its entirety: eyeye.) In absence of clutter, Paul Stephens offers the first comprehensive account of minimal writing, arguing that it is equal in complexity and power to better-known, more commercial text-based art.Minimal writing, Stephens writes, can be beguilingly simple on the surface, but can also offer iterative reading experiences on multiple levels, from the fleeting to the ponderous. “absence of clutter,” for example, the
£27.20
The University of Michigan Press Brushed in Light
Book SynopsisThe brushed word in films and film cultures of Korea, Japan, Taiwan, Hong Kong, and PRC
£36.95
Thames & Hudson Typography Graphic Design in Context
Book Synopsis
£59.00
