TV and society Books

Book SynopsisInternational in scope and more comprehensive than existing collections, A Companion to Reality Television presents a complete guide to the study of reality, factual and nonfiction television entertainment, encompassing a wide range of formats and incorporating cutting-edge work in critical, social and political theory.Table of ContentsNotes on Contributors ix Introduction 1Laurie Ouellette Part One Producing Reality: Industry, Labor, and Marketing 9 1 Mapping Commercialization in Reality Television 11June Deery 2 Reality Television and the Political Economy of Amateurism 29Andrew Ross 3 When Everyone Has Their Own Reality Show 40Mark Andrejevic 4 Cast-aways: The Plights and Pleasures of Reality Casting and Production Studies 57Vicki Mayer 5 Program Format Franchising in the Age of Reality Television 74Albert Moran Part Two Television Realities: History, Genre, and Realism 95 6 Realism and Reality Formats 97Jonathan Bignell 7 Reality TV Experiences: Audiences, Fact, and Fiction 116Annette Hill 8 From Participatory Video to Reality Television 134Daniel Marcus 9 Manufacturing “Massness”: Aesthetic Form and Industry Practice in the Reality Television Contest 155Hollis Griffin 10 God, Capitalism, and the Family Dog 171Eileen R. Meehan Part Three Dilemmas of Visibility: Identity and Difference 189 11 The Bachelorette’s Postfeminist Therapy: Transforming Women for Love 191Rachel E. Dubrofsky 12 Fractured Feminism: Articulations of Feminism, Sex, and Class by Reality TV Viewers 208Andrea L. Press 13 “It’s Been a While Since I’ve Seen, Like, Straight People”: Queer Visibility in the Age of Postnetwork Reality Television 227Joshua Gamson 14 The Wild Bunch: Men, Labor, and Reality Television 247Gareth Palmer 15 The Conundrum of Race and Reality Television 264Catherine R. Squires 16 Tan TV: Reality Television’s Postracial Delusion 283Hunter Hargraves Part Four Empowerment or Exploitation? Ordinary People and Reality Television 307 17 Reality Television and the Demotic Turn 309Graeme Turner 18 DI(t)Y, Reality-Style: The Cultural Work of Ordinary Celebrity 324Laura Grindstaff 19 Reality Television’s Construction of Ordinary People: Class-Based and Nonelitist Articulations of Ordinary People and Their Discursive Affordances 345Nico Carpentier Part Five Subjects of Reality: Making/Selling Selves and Lifestyles 367 20 Mapping the Makeover Maze: The Contours and Contradictions of Makeover Television 369Brenda Weber 21 House Hunters, Real Estate Television and Everyday Cosmopolitanism 386Mimi White 22 Life Coaches, Style Mavens, and Design Gurus: Everyday Experts on Reality Television 402Tania Lewis 23 Reality Television Celebrity: Star Consumption and Self-Production in Media Culture 421Julie A. Wilson 24 Producing “Reality”: Branded Content, Branded Selves, Precarious Futures 437Alison Hearn Part Six Affective Registers: Reality, Sentimentality, and Feeling 457 25 A Matter of Feeling: Mediated Affect in Reality Television 459Misha Kavka 26 “Walking in Another’s Shoes”: Sentimentality and Philanthropy on Reality Television 478Heather Nunn and Anita Biressi Part Seven The Politics of Reality: Global Culture, National Identity, and Public Life 499 27 Reality Television, Public Service, and Public Life: A Critical Theory Perspective 501Peter Lunt 28 Reality Talent Shows in China: Transnational Format, Affective Engagement, and the Chinese Dream 516Ling Yang 29 Reality Television from Big Brother to the Arab Uprisings: Neoliberal, Liberal, and Geopolitical Considerations 541Marwan M. Kraidy Index 557

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Book SynopsisA Level Media Studies is a comprehensive guide to the subject content of AS and A Level Media Studies, across all examining boards. It is specifically designed to meet the needs of both students and teachers with an accessible writing style, helpful notes on key theories and theorists and a range of learning exercises.The book's overall approach is gradual immersion, assuming no prior knowledge of the subject. Starting with an overview of the discipline, the book moves on to develop increasingly sophisticated ideas whilst repeatedly reinforcing the basic principles of media studies. Each component of media studies is illustrated with practical examples and guided exercises that demonstrate the application of theories and concepts. In addition, numerous case studies offer examples of media studies in practice. Working through these examples, students will acquire the skill set and confidence to tackle the analysis of media products and the discussion of media iTable of ContentsList of figures. List of tables. Chapter 1. This Is Media Studies Chapter 2. Media Language: Analysing a Media Product: An Introduction to Semiotics Chapter 3. Fictions and Realities: A Television Case Study Chapter 4. Media in a Historical Context Chapter 5. Theory and Debates: The Media Audience Chapter 6. Media Language and Representations: Inequality and Difference Chapter 7. Social and Cultural Contexts Chapter 8. Persuasion: Advertising, Marketing and Propaganda Chapter 9. Media in an Economic Context Chapter 10. Theory and Debates in Hypermodern Times: Where Does Meaning Come From? Chapter 11. Media in a Political Context Chapter 12. Media Shorts: A Collection of Readings Index

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Book SynopsisTranslating Culture Specific References on Television provides a model for investigating the problems posed by culture specific references in translation, drawing on case studies that explore the translational norms of contemporary Italian dubbing practices. This monograph makes a distinctive contribution to the study of audiovisual translation and culture specific references in its focus on dubbing as opposed to subtitling, and on contemporary television series, rather than cinema. Irene Ranzato's research involves detailed analysis of three TV series dubbed into Italian, drawing on a corpus of 95 hours that includes nearly 3,000 CSR translations. Ranzato proposes a new taxonomy of strategies for the translation of CSRs and explores the sociocultural, pragmatic and ideological implications of audiovisual translation for the small screen.Trade Review"Offering an in-depth analysis of the translation of Culture Specific References in three interesting and original television series, Ranzato’s work uncovers key trends in Italian dubbing and contributes to documenting the evolution of this fascinating AVT modality. She provides an impressive amount of examples, beautifully argued and presented, in a monograph which will engage AVT researchers and translation scholars alike." —Rocío Baños Piñero Centre for Translation Studies, University College London, UKTable of ContentsPreface Jorge Díaz Cintas 1. Introduction 2. Theoretical framework 3 . Censorship and the film industry: a historical overview of dubbing in Italy 4. Culture specific references 5. "The lesser-known I don’t have a dream speech": cultural humour in Friends 6. "Follow the yellow brick road": cultural time and place in Life on Mars 7. Coffee bars in slumber rooms: culture specific death in Six Feet Under 8. Conclusions

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Book SynopsisThis companion provides a definitive and cutting-edge guide to the study of imaginary and virtual worlds across a range of media, including literature, television, film, and games. From the Star Trek universe, Thomas Moreâs classic Utopia, and J. R. R. Tolkienâs Arda, to elaborate, user-created game worlds like Minecraft, contributors present interdisciplinary perspectives on authorship, world structure/design, and narrative. The Routledge Companion to Imaginary Worlds offers new approaches to imaginary worlds as an art form and cultural phenomenon, explorations of the technical and creative dimensions of world-building, and studies of specific worlds and worldbuilders.Table of ContentsAbout the ContributorsPrefaceAcknowledgmentsPart 1 Content and Story1. Locations and Borders Gerard Hynes2. The Hero’s Journey Lily Alexander3. Invented Languages Dimitra Fimi and Andrew Higgins4. Invented Cultures Mark J. P. Wolf5. Backstory Benjamin J. Robertson6. Narrative Fabric Mark J. P. Wolf7. Saviors Mark J. P. Wolf8. Portals Jennifer Harwood-SmithPart 2 Form and Structure9. World Design Mark J. P. Wolf10. Ontological Rules Marie-Laure Ryan11. World Completeness Benjamin J. Robertson12. World Consistency Rodrigo Lessa and João Araújo13. Geography and Maps Gerard Hynes14. History and Timelines Benjamin J. Robertson15. Mythology Lily Alexander16. Philosophy Edward Castronova17. Transmediality Lars Konzack18. World-Building Tools David LangdonPart 3 Types of Worlds19. Island Worlds Ian Kinane20. Underground Worlds Peter Fitting21. Planets Jennifer Harwood-Smith22. Utopias and Dystopias Peter Sands23. Uchronias, Alternate Histories, and Counterfactuals George Carstocea24. Virtual Worlds Mark J. P. Wolf25. Interactive and Participatory Worlds Matthew FreemanPart 4 Authorship and Reception26. Subcreation Lars Konzack27. Authorship Jessica Aldred28. Reboots and Retroactive Continuity William Proctor29. Canonicity William Proctor30. Escapism Lars Konzack31. Genre Lily Alexander32. Fandom Matt Hills33. Worlds as Satire George Carstocea34. Worlds as Paracosms Jeremiah Piña35. Worlds as Experiments Edward Castronova36. Worlds and Politics Dan Hassler-ForestPart 5 Worlds and World-Builders37. More’s Utopia David Glimp38. Cavendish’s Blazing-World Anne M. Thell39. Swift’s World of Gulliver’s Travels David Alff40. Holberg’s Nazar and the Firmament Peter Fitting41. Paltock’s Sas Doorpt Swangeanti Edward O’Hare42. Defontenay’s Starian System Irène Langlet43. Baum’s Oz Michael O. Riley44. Wright’s Islandia Michael Saler45. Tolkien’s Arda Dimitra Fimi46. Roddenberry’s Star Trek Galaxy Mary McAuley47. Lucas’s Star Wars Galaxy Christopher Hanson48. Linden Labs’s Second Life Astrid Ensslin49. Persson’s Minecraft Lori Landay50. No Man’s Sky Kevin SchutIndex

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Book SynopsisThis comprehensive textbook, now substantially updated for its fourth edition, provides students with a framework for understanding the key concepts and main approaches to Television Studies, including audiences, representation, industry and global television, as well as the analytical study of individual programmes.This new edition reflects the significant changes the television industry is undergoing in the streaming era with an explosion of new content and providers, whilst also identifying how many existing practices have endured. The book includes a glossary of key terms, with each chapter suggesting further reading.New and updated material includes: Chapters on style and form, narrative, industry, and representation and identity Case studies on Bon Appétit's YouTube channel, Insecure, British youth television, ABC and Disney+, fixed-rig observational documentary, streaming platforms'' use of data to shape audience expTable of ContentsIntroduction 1. Studying Television 2. Television Style and Form 3. Television Narrative 4. Television Histories 5. Television Industries 6. Television Genres and Formats 7. Television Realities 8. Television Production 9. Television Audiences 10. Television Representation and Identity 11. Television Cultures and Globalisation 12. Television and Quality Glossary of key terms

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Book SynopsisTeen TV explores the history of television's relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and teen media.Organized chronologically to cover each generation since the inception of the medium in the 1940s, the book examines a wide range of historical and contemporary programming: from the broadcast bottleneck, multi-channel era that included youth-targeted spaces like MTV, the WB, and the CW, to the rise of streaming platforms and global crossovers. It covers the thematic concerns and narrative structure of the coming-of-age story, and the prevalent genre formations of teen TV and milestones faced by teen characters. The book also includes interviews with creators and showrunners of hit network television teen series, including Degrassi's Linda Schuyler, and the costume designer that established a heightened turn in the significanTrade Review"Stefania Marghitu has written the book on the evolution of an often overlooked yet fiercely beloved TV genre, teen television. Teen TV provides a rich and insightful chronological history of the genre from Baby Boomer teen TV to the teen TV of Gen Z by mixing textual, cultural, and industrial analysis interspersed with illuminating interviews with key producers of the genre. A must read for everyone who’s watched TV as a teenager."Gry C Rustad, Senior Lecturer in Media Studies, University of Bergen, Norway "In Teen TV Stefania Marghitu anchors engaging and accessible genre analysis not to decades but rather to generations. By accentuating generational specificities, cross-generational conflicts, and demographic shifts, Marghitu invites us to consider how different youth cultures are cultivated and chased by the corporate television complex. Attentive to key creatives, series, and episodes, Teen TV crafts a sweeping and swift journey through a television genre that is always on the verge of stirring up a moral panic."Deborah L. Jaramillo, Associate Professor of Film and Television, Boston University, USA"Teen TV is not just about how teens were portrayed on U.S. shows, but also skilfully traces the changing roles, status, financial and cultural power of them over a 70-year period. A clear and interesting read with insightful interviews with TV professionals."Harvey G. Cohen, Senior Lecturer in Creative and Cultural Industries, King’s College London, UK"Marghitu combines nuanced analysis of shows, audiences, producers, marketing and programming trends, and shifting media ecologies with interviews with leading producers of teen television series. The resulting book is short but sweet — easy to read and teach but also rich in insight and deeply grounded in historical research."Henry Jenkins, Provost Professor of Communication, Journalism, Cinematic Arts and Education, University of Southern California, USATable of ContentsIntroduction 1. Baby Boomer Teen TV 2. Gen X Teen TV 3. Millenial Teen TV 4. Gen Z Teen TV

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Book SynopsisThis book serves as an accessible critical introduction to the broad category of American political television content. Encompassing political news and scripted entertainment, Political TV addresses a range of formats, including interview/news programs, political satire, fake news, drama, and reality TV. From long-running programs like Meet the Press to more recent offerings including Veep, The Daily Show, House of Cards, Last Week Tonight, and Scandal, Tryon addresses ongoing debates about the role of television in representing issues and ideas relevant to American politics. Exploring political TV's construction of concepts of citizenship and national identity, the status of political TV in a post-network era, and advertisements in politics, Political TV offers an engaging, timely analysis of how this format engages its audience in the political scene. The book also includes a videography of key and historTable of ContentsIntroduction: Political TV and Mediated Citizenship 1. Selling Politics: Advertising After Citizens United 2. Political News in the Post-Network Era 3. Fake News as Political Satire 4. Comedy and the Political Spectacle 5. Political Process Melodramas and Serial Narrative 6. Surveillance Culture: Melodramas of National Security Conclusion Political TV: Questions for Discussion

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Book SynopsisIn this new Routledge Television Guidebook, Jeremy G. Butler studies our love-hate relationship with the durable sitcom, analyzing the genre's position as a major media artefact within American culture and providing a historical overview of its evolution in the USA.Everyone loves the sitcom genre; and yet, paradoxically, everyone hates the sitcom, too. This book examines themes of gender, race, ethnicity, and the family that are always at the core of humor in our culture, tracking how those discourses are embedded in the sitcom's relatively rigid storytelling structures. Butler pays particular attention to the sitcom's position in today's post-network media landscape and sample analyses of Sex and the City, Black-ish, The Simpsons, and The Andy Griffith Show illuminate how the sitcom is infused with foundational American values.At once contemporary and reflective, The Sitcom is a must-read for students and scholars of television, comeTable of ContentsIntroduction: Comedy Genre, Humor Theory [Modern Family] 1. Understanding the Sitcom 2. A Critical/Cultural History of the Sitcom [I Love Lucy] 3. Comedy, Family, and Small Towns [The Andy Griffith Show] 4. Comedy, Sex, and Gender Identity [Sex and the City] 5. Comedy, Race, Ethnicity, and Religion [Black-ish] 6. Comedy, Televisuality, and Convergence [The Simpsons]

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Book SynopsisExamining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape.

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Book SynopsisAncient Greece has inspired television producers and captivated viewing audiences in the United Kingdom for over half a century. Through 10 case studies drawn from television drama, theatre, animation and documentarythis collection offers wide-ranging insights into the significance of ancient Greece on British television.

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Book Synopsis First aired in 1989, The Simpsons has become America''s most beloved animated show. It changed the world of television, bringing to the screen a cartoon for adults, a sitcom without a laugh track, an imperfect lower class family, a mixture of high and low comedy and satire for the masses. This collection of new essays explores the many ways in which The Simpsons reflects everyday life through its exploration of gender roles, music, death, food politics, science and religion, anxiety, friendship and more.Trade ReviewThe book provides a deeper reading of the show, discussing its music and film allusions and how it examines themes such as nationalism, gender roles, and environmentalism. ... This is a perfectly cromulent resource and a fun read. Simpsons fans will appreciate academics geeking out, and scholars will benefit from this embiggening of Simpson-ology."—Library Journal; "Fans of The Simpsons will welcome the opportunity to delve deeper into their favorite show."—Booklist; "Nobody 'steams a ham' [writes and edits academic material about The Simpsons quite as well as Denise and Karma!...a brilliant book...read their book"—Bill Oakley was writer, producer, and show runner of The Simpsons with his partner Josh Weinstein. He is currently Co-EP of Disenchantment and is known as "The Gordon Ramsay of Fast Food" for his Instagram food videos; "As a chef, my biggest connection to The Simpsons is with food. In each of the essays of this book, the authors share how they connect to The Simpsons, a show that really is a part of us all."—"Chef John" Mitzewich of Foodwishes.com is one of the most-watched chefs on YouTube.

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Book SynopsisFrom Twin Peaks (including the 2017 return) to Girls, a veteran critic and scholar draws on decades of industry expertise and exclusive interviews with renowned creators to examine the rise of art television.Trade ReviewNochimson's book is well worth reading not only for its insights but for the dialogue and reflection it opens up among readers. * Lost in the Movies *Television Rewired is an essential contribution to the still-crystallizing critical definition of auteur television…from the unique perspective of a critic who has engaged with the medium in profound ways. * 25 Years Later *This book details the creative process of each of the series [that developed the concept of the television auteur], based on interviews and detailed research by the author…Recommended. * CHOICE *A lively and fascinating book...Throughout Nochimson is thoroughly consumed by the question of what constitutes television art, and what plausibly counts as a defense of its achievements; her prose is utterly compelling in its gentle unfolding of such complex and challenging questions. * New Review of Film and Television Studies *[Nochimson provides] solid, but accessible, insights into the process of auteur television expression....After reading Television Rewired, I learned a new vocabulary for television viewing. The book is not a judgment of what is good or bad. Nochimson expanded my appreciation for television by explaining exactly what it is I am watching. * Popular Culture Studies Journal *Table of Contents Introduction: The David Effect The Founding Titans: Men without Formula Chapter 1. David Lynch, Twin Peaks Chapter 2. David Chase, The Sopranos Chapter 3. David Simon, The Wire The Legacy: New Options, New Questions, Retooled Formulas Chapter 4. David Simon and Eric Overmyer, Treme Chapter 5. Matt Weiner, Mad Men Chapter 6. Lena Dunham, Girls Chapter 7. Backlash! Formula 2.0 Coda: The Return of David Lynch Acknowledgments Notes Bibliography Index

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Book SynopsisVenezuela''s most prominent community television station, Catia TVe, was launched in 2000 by activists from the barrios of Caracas. Run on the principle that state resources should serve as a weapon of the poor to advance revolutionary social change, the station covered everything from Hugo Chávez’s speeches to barrio residents'' complaints about bureaucratic mismanagement. In Channeling the State, Naomi Schiller explores how and why Catia TVe''s founders embraced alliances with Venezuelan state officials and institutions. Drawing on long-term ethnographic research among the station''s participants, Schiller shows how community television production created unique openings for Caracas''s urban poor to embrace the state as a collective process with transformative potential. Rather than an unchangeable entity built for the exercise of elite power, the state emerges in Schiller''s analysis as an uneven, variable process and a contentious terrain where institutionsTrade Review"This is a rich, timely and compelling piece of work that contributes significantly to debates about the state, press freedom, community media, class, gender and urban social movements. It will be of great value both to those interested specifically in Venezuela and those concerned with these themes in broader terms." -- Matt Wilde * ERLACS *"In this engaging book . . . Schiller is able to buttress critiques of top-down approaches to state power and state-building, showing readers how most interactions and relationships on the ground cannot be neatly categorized as either from above or from below." -- Anna Fournier * PoLAR *"Schiller’s book is a thorough description of how class and gender affect active citizenship and how these factors create constant conflict in everyday practices of meaning making." -- Virpi Salojärvi * Journalism & Mass Communication Quarterly *"This text is important because it so carefully recorded the explanatory principles of Catia TVe and the impact of media technology in the hands of the community desperate to affect state process and policy. . . . This study is quite timely, considering the events that took place in Venezuela in March 2019. It will help future researchers to see whether the theory of community TV and its ethos had a long-lasting impact on the people those stations were designed to serve." -- Albert Tedesco * Journal of Broadcasting & Electronic Media *"This book joins a significant body of anthropological and theoretical work on the state and society in Venezuela. . . . This book is a highly useful aid to that project." -- Daniel Hellinger * Journal of Anthropological Research *"Schiller’s book boldly unthinks commonsensical categories in the liberal episteme, namely 'the state' and 'society.' Doing so casts the popular classes not as victims of Western imperialism or of Chavista hegemony, but as activated agents who debated in what kind of state would be made. It is an important entry in the emergent field of Chavismo media studies." -- Noah Zweig * International Journal of Communication *"We must read Naomi Schiller's Channeling the State, a compelling study of community media in Venezuela, with a sense of urgency.… The book offers a deep understanding of complex political and social processes occurring within social movements that established alliances with the state. What makes it so unique is the engrossing narrative that, benefiting from ethnographic detail, presents a tangible approach to difficult conceptual debates on state formation, populism, and subalternity." -- Luis Duno-Gottberg * NACLA Report on the Americas *"While Schiller considers statecraft and the role of poor people rather than the medium of media per se, I'd encourage anyone thinking about media as a channel for social justice to take up Channeling the State. I further recommend this book to anyone considering the relations between the marginalized and the state and the specifics of Venezuelan politics at a particular moment in time." -- Amanda Daniela Cortez * American Ethnologist *"A fascinating behind-the-scenes account that draws on months of ethnographic fieldwork. . . . The book’s framing of CatiaTVe as a legacy of New Latin American Cinema makes it an essential reference for researchers of film and participatory film-making." -- Rebecca Jarman * Modern Language Review *Table of ContentsPreface ix Acknowledgments xiii Introduction 1 1. State-Media Relations and the Rise of Catia TVe 23 2. Community Media as Everyday State Formation 62 3. Class Acts 89 4. Channeling Chávez 128 5. Mediating Women 164 6. Reckoning with Press Freedom 196 Conclusion 227 Notes 241 References 251 Index 269

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Book SynopsisVenezuela''s most prominent community television station, Catia TVe, was launched in 2000 by activists from the barrios of Caracas. Run on the principle that state resources should serve as a weapon of the poor to advance revolutionary social change, the station covered everything from Hugo Chávez’s speeches to barrio residents'' complaints about bureaucratic mismanagement. In Channeling the State, Naomi Schiller explores how and why Catia TVe''s founders embraced alliances with Venezuelan state officials and institutions. Drawing on long-term ethnographic research among the station''s participants, Schiller shows how community television production created unique openings for Caracas''s urban poor to embrace the state as a collective process with transformative potential. Rather than an unchangeable entity built for the exercise of elite power, the state emerges in Schiller''s analysis as an uneven, variable process and a contentious terrain where institutionsTrade Review"This is a rich, timely and compelling piece of work that contributes significantly to debates about the state, press freedom, community media, class, gender and urban social movements. It will be of great value both to those interested specifically in Venezuela and those concerned with these themes in broader terms." -- Matt Wilde * ERLACS *"In this engaging book . . . Schiller is able to buttress critiques of top-down approaches to state power and state-building, showing readers how most interactions and relationships on the ground cannot be neatly categorized as either from above or from below." -- Anna Fournier * PoLAR *"Schiller’s book is a thorough description of how class and gender affect active citizenship and how these factors create constant conflict in everyday practices of meaning making." -- Virpi Salojärvi * Journalism & Mass Communication Quarterly *"This text is important because it so carefully recorded the explanatory principles of Catia TVe and the impact of media technology in the hands of the community desperate to affect state process and policy. . . . This study is quite timely, considering the events that took place in Venezuela in March 2019. It will help future researchers to see whether the theory of community TV and its ethos had a long-lasting impact on the people those stations were designed to serve." -- Albert Tedesco * Journal of Broadcasting & Electronic Media *"This book joins a significant body of anthropological and theoretical work on the state and society in Venezuela. . . . This book is a highly useful aid to that project." -- Daniel Hellinger * Journal of Anthropological Research *"Schiller’s book boldly unthinks commonsensical categories in the liberal episteme, namely 'the state' and 'society.' Doing so casts the popular classes not as victims of Western imperialism or of Chavista hegemony, but as activated agents who debated in what kind of state would be made. It is an important entry in the emergent field of Chavismo media studies." -- Noah Zweig * International Journal of Communication *"We must read Naomi Schiller's Channeling the State, a compelling study of community media in Venezuela, with a sense of urgency.… The book offers a deep understanding of complex political and social processes occurring within social movements that established alliances with the state. What makes it so unique is the engrossing narrative that, benefiting from ethnographic detail, presents a tangible approach to difficult conceptual debates on state formation, populism, and subalternity." -- Luis Duno-Gottberg * NACLA Report on the Americas *"While Schiller considers statecraft and the role of poor people rather than the medium of media per se, I'd encourage anyone thinking about media as a channel for social justice to take up Channeling the State. I further recommend this book to anyone considering the relations between the marginalized and the state and the specifics of Venezuelan politics at a particular moment in time." -- Amanda Daniela Cortez * American Ethnologist *"A fascinating behind-the-scenes account that draws on months of ethnographic fieldwork. . . . The book’s framing of CatiaTVe as a legacy of New Latin American Cinema makes it an essential reference for researchers of film and participatory film-making." -- Rebecca Jarman * Modern Language Review *Table of ContentsPreface ix Acknowledgments xiii Introduction 1 1. State-Media Relations and the Rise of Catia TVe 23 2. Community Media as Everyday State Formation 62 3. Class Acts 89 4. Channeling Chávez 128 5. Mediating Women 164 6. Reckoning with Press Freedom 196 Conclusion 227 Notes 241 References 251 Index 269

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Book SynopsisEngaging with a variety of shows, including The League, Dexter, and Nip/Tuck, among many others, this title identifies the gradual incorporation of second-wave feminism into prevailing gender norms as the catalyst for the contested masculinities on display in contemporary cable dramas.Trade Review"Amanda Lotz impressively maps out important features of television's representations of men and shifting masculinities in the 21st century. Her careful analyses of these series makes this book an essential resource for anyone interested in television, gender, and culture." -- Ron Becker,author of Gay TV & Straight America"Cable Guys is an incredible work that should further cement Lotz's place as a considerate yet comprehensive expert on media and gender studies. Her writing . . . oozes confidence, knowledge, and reflection for her themes and televised tales." * PopMatters *"Lotz (communication studies, Univ. of Michigan;Redesigning Women: Television After the Network Era) here explores how cable television is dramatizing contemporary American male masculinity. The author identifies and focuses on three narrative types: serials that emphasize the development of of a central male protagonist (e.g.,Breaking Bad; Dexter), shows set in male enclaves (e.g.,Rescue Me; Entourage), and stories featuring intimate male friendships (e.g.,Boston Legal; Nip/Tuck). Lotz argues that these dramas depict straight, largely white men wrestling with what it means to be manly in today's post-second-wave feminism and in the context of rising queer visibility. She concludes that the shows' characters all struggle to combine old and new modes of manhood . . . . Lotz offers a concise and insightful analysis of the productions she does examine. Verdict:Scholars will value Lotz's contribution to media and masculinity studies, as will more casual viewers who enjoy watching cable television with a critical eye." * Library Journal,Anna J. Clutterbuck-Cook, Massachusetts Historical Soc. Lib., Boston *"Cable Guysis essential reading for students and scholars working in television studies and in the gendered politics of representation. The book is clear enough to be accessible to anundergraduate audience, while it is also sufficiently subtle and illuminating to be satisfying to more advanced students and scholars.​" * International Journal of Communication,Katherine Sender *"Lotz explores modern visions of masculinity following third wave feminism and epitomized in the rhetoric of male protagonists in cable programming. Mostly eschewing networks depictions of problematized males, Lotz zeroes in on straight male one-on-one friendships, what she calls the & homosocial enclave of the male group, and a genre that particularly challenges male characters, the emerging & male centered-serials." * Choice *Table of ContentsAcknowledgmentsIntroduction1. Understanding Men on Television2. Trying to Man Up: Struggling with Contemporary Masculinities in Cable's Male-Centered Serials3. Any Men and Outlaws: The Unbearable Burden of Straight White Man4. Where Men Can Be Men: The Homosocial Enclave and Jocular Policing of Masculinity5. Dynamic Duos: Hetero Intimacy and the New Male Friendship Conclusion: Is It the End of Men as We Know Them? NotesBibliography Index About the Author

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Book SynopsisHow the internet transformed television Before HBO's hit show Insecure, Issa Rae's comedy about being a nerdy black woman debuted as a YouTube web series The Misadventures of Awkward Black Girl, her response to the absence of diverse black characters on the small screen. Broad City, a feminist sitcom now on Comedy Central, originated as a web series on YouTube, developed directly out of funny women Ilana Glazer and Abbi Jacobson's real-life friendship. These unconventional stories took advantage of the freedom afforded outside the traditional television system: online. Open TV shows how we have left the network era far behind and entered the networked era, with the web opening up new possibilities for independent producers, entrepreneurs, and media audiences. Based on interviews with writers, producers, show-runners, and network executives, visits to festivals and award shows, and the experience of producing his own series, Aymar Jean Christian argues that the webTrade ReviewChristians account of networked television is thrilling, current, and deep. He narrates a period when the story is up for grabs and even the 'postnetwork' era as we know it is on its way to becoming something else through the creativity and vitality of people old TV has left behind. Using stories full of driven energy yet equally steeped in a scholars recognition of the nature of the industry, this is one of the most remarkable books in television studies in quite some time. -- Lisa Henderson,author of Love and Money: Queers, Class, and Cultural ProductionAymar Jean Christian shows us the need to reinvent television, a medium, he says, that has never fully represented the United States. Deeply engaged in the most pressing debates about the future of televisual and web culture, and written in sparkling prose, this book is chock full of inspiring stories of those working to make & open TV, this time, online, for all Americans. -- Stuart Cunningham,author of Hidden Innovation: Industry, Policy and the Creative SectorMedia historian Michele Hilmes referred to the challenges with writing media histories as comparable to 'nailing mercury.' In that sense, Christian nailed it. InOpen TV, Christian has articulated a history of scripted web series, a phenomenon that has advanced at a pace never witnessed in prior media history or, for that matter, media historiographies....Christians research yields great merit in capturing how web series producers operate and have the agency to engage in more diverse representational strategies. This is a phenomena that marginalized audiences and critical scholars have been eager to witness. * Journal of Communication *The focus ofOpen TVgoes beyond the network era and examines the 'networked era' (open TV) and media distribution over the internet and other web protocols. * Choice *

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Book SynopsisAn international team of experts explores how streaming services are disrupting traditional storytelling.The rise of streaming has dramatically transformed how audiences consume media. Over the last decade, subscription video-on-demand (SVOD) services, including Netflix, Prime Video, and Disney+, have begun commissioning and financing their own original movies and TV shows, changing the way and the rate at which content is produced across the globe, from Mexico City to Mumbai. Streaming Video maps this international production boom and what it means for producers, audiences, and storytellers. Through eighteen richly textured case studies, ranging from original Korean dramas on Netflix to BluTV's experimental Turkish series, the book investigates how streaming services both disrupt and maintain storytelling traditions in specific national contexts. To what extent, and how, are streamers expanding norms of television and film storytelling in different parts oTrade ReviewReveals the power of subscription video-on-demand (SVOD) services to commission stories that matter, and highlights Lotz and Lobato’s prowess in commissioning cutting-edge, impactful research. The chapters they have collected in this book are essential reading for anyone serious about contemporary media industries and global production cultures. * Derek Johnson, University of Wisconsin–Madison *If you really want to understand the impact of SVOD on contemporary global culture, then read this book. Streaming Video unpacks the complex interplay of the national and the global that underpins SVOD’s impact on storytelling practices. It offers a truly international perspective—with case studies from Europe, Asia, Africa, Latin America, and the Middle East chosen by leading and emerging scholars—that expands the scope and scale of contemporary studies of streaming media. * Catherine Johnson, author of Online TV *

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Book SynopsisAn international team of experts explores how streaming services are disrupting traditional storytelling.The rise of streaming has dramatically transformed how audiences consume media. Over the last decade, subscription video-on-demand (SVOD) services, including Netflix, Prime Video, and Disney+, have begun commissioning and financing their own original movies and TV shows, changing the way and the rate at which content is produced across the globe, from Mexico City to Mumbai. Streaming Video maps this international production boom and what it means for producers, audiences, and storytellers. Through eighteen richly textured case studies, ranging from original Korean dramas on Netflix to BluTV's experimental Turkish series, the book investigates how streaming services both disrupt and maintain storytelling traditions in specific national contexts. To what extent, and how, are streamers expanding norms of television and film storytelling in different parts oTrade ReviewReveals the power of subscription video-on-demand (SVOD) services to commission stories that matter, and highlights Lotz and Lobato’s prowess in commissioning cutting-edge, impactful research. The chapters they have collected in this book are essential reading for anyone serious about contemporary media industries and global production cultures. * Derek Johnson, University of Wisconsin–Madison *If you really want to understand the impact of SVOD on contemporary global culture, then read this book. Streaming Video unpacks the complex interplay of the national and the global that underpins SVOD’s impact on storytelling practices. It offers a truly international perspective—with case studies from Europe, Asia, Africa, Latin America, and the Middle East chosen by leading and emerging scholars—that expands the scope and scale of contemporary studies of streaming media. * Catherine Johnson, author of Online TV *

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Book SynopsisFinalist, 2020 Latino Book Awards, Best Academic Themed BookThe surprising effects of American TV on global viewers As a dominant cultural export, American television is often the first exposure to American ideals and the English language for many people throughout the world. Yet, American television is flawed, and, it represents race, class, and gender in ways that many find unfair and unrealistic. What happens, then, when people who grew up on American television decide to come to the United States? What do they expect to find, and what do they actually find? In America, As Seen on TV, Clara E. Rodriguez surveys international college students and foreign nationals working or living in the US to examine the impact of American television on their views of the US and on their expectations of life in the United States. She finds that many were surprised to learn that America is racially and economically diverse, and that it is not the easy-breezy, happy endings culture portrayed in the mTrade Review"This insightful book delves into the influence that watching US TV shows has on the viewers preconceptions and perceptions about race, class, and gender, and to what extent they are aware of this influence[A] timely and important contribution in understanding the global dominance of US TV." * Choice *"It may be useful for undergraduate courses in research methodology, particularly for the open and honest introduction that explains Rodriguezs reason for conducting the study in the first place. Rodriguezs expertise as a sociologist comes through here and she is systematic in approach and easy and enjoyable to read in analysis." * Journalism & Mass Communication Quarterly *"This is an interesting and important book, as it provides sorely lacking data on not only viewer impressions of television (rather than the content analyses more common in media studies) but also on those of two populations of viewers; it also provides insight into how foreigners see the United States. This book would be very useful in an introduction to sociology class, as well as classes related to globalization or media studies. It is accessible for an undergraduate or even high school audience." * American Journal of Sociology *"All in all, the book presents interesting empirical findings ... It would most certainly be of interest to academics interested in audience research and the role of American TV." -- European Journal of Communication"Clara Rodríguez has produced an incisive and provocative study. Through intensive interviews and a thoughtful examination of scholarly literature on the media, she has provided a revealing examination of American televisions influence on global perceptions of the life and values of the United States.This is a landmark study of televisions role in shaping popular views of our nation, particularly its racial, ethnic, class, and gender diversity." -- Carlos E. Cortés, author of The Children Are Watching: How the Media Teach about Diversity"This engaging book provides a nuanced probing of the vast and complex literature on the & soft power of television here and abroad to examine how TV shapes the views of foreign born and U.S. millennials about representations of class, race, ethnicity, and gender in America. Through grounded analysis, the findings reveal not only the influence of viewers social and cultural backgrounds on their reception of American television programs, they also transform our understanding of the cultural embeddedness of the global television industry." -- Denise Bielby, author of Global TV: Exporting Television and Culture in the World Market"This book has valuable insights for those studying American soft power but offers even more to students and scholars interested in the impact of the representation of minority groups on television, as Rodríguez emphasizes questions of race, class and gender diversity in American television. Unlike previous studies which have mainly focused on international audiences viewing in their home countries, Rodríguez focuses on how depictions of American life on television can impact immigrants’ perceptions and expectations of America before and after arrival." * Critical Studies in Television *

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Book SynopsisFinalist, 2020 Latino Book Awards, Best Academic Themed BookThe surprising effects of American TV on global viewers As a dominant cultural export, American television is often the first exposure to American ideals and the English language for many people throughout the world. Yet, American television is flawed, and, it represents race, class, and gender in ways that many find unfair and unrealistic. What happens, then, when people who grew up on American television decide to come to the United States? What do they expect to find, and what do they actually find? In America, As Seen on TV, Clara E. Rodríguez surveys international college students and foreign nationals working or living in the US to examine the impact of American television on their views of the US and on their expectations of life in the United States. She finds that many were surprised to learn that America is racially and economically diverse, and that it is not the easy-breezy, happy endings culture portrayed in the mTrade Review"This insightful book delves into the influence that watching US TV shows has on the viewers preconceptions and perceptions about race, class, and gender, and to what extent they are aware of this influence[A] timely and important contribution in understanding the global dominance of US TV." * Choice *"It may be useful for undergraduate courses in research methodology, particularly for the open and honest introduction that explains Rodriguezs reason for conducting the study in the first place. Rodriguezs expertise as a sociologist comes through here and she is systematic in approach and easy and enjoyable to read in analysis." * Journalism & Mass Communication Quarterly *"This is an interesting and important book, as it provides sorely lacking data on not only viewer impressions of television (rather than the content analyses more common in media studies) but also on those of two populations of viewers; it also provides insight into how foreigners see the United States. This book would be very useful in an introduction to sociology class, as well as classes related to globalization or media studies. It is accessible for an undergraduate or even high school audience." * American Journal of Sociology *"All in all, the book presents interesting empirical findings ... It would most certainly be of interest to academics interested in audience research and the role of American TV." -- European Journal of Communication"Clara Rodríguez has produced an incisive and provocative study. Through intensive interviews and a thoughtful examination of scholarly literature on the media, she has provided a revealing examination of American televisions influence on global perceptions of the life and values of the United States.This is a landmark study of televisions role in shaping popular views of our nation, particularly its racial, ethnic, class, and gender diversity." -- Carlos E. Cortés, author of The Children Are Watching: How the Media Teach about Diversity"This engaging book provides a nuanced probing of the vast and complex literature on the & soft power of television here and abroad to examine how TV shapes the views of foreign born and U.S. millennials about representations of class, race, ethnicity, and gender in America. Through grounded analysis, the findings reveal not only the influence of viewers social and cultural backgrounds on their reception of American television programs, they also transform our understanding of the cultural embeddedness of the global television industry." -- Denise Bielby, author of Global TV: Exporting Television and Culture in the World Market"This book has valuable insights for those studying American soft power but offers even more to students and scholars interested in the impact of the representation of minority groups on television, as Rodríguez emphasizes questions of race, class and gender diversity in American television. Unlike previous studies which have mainly focused on international audiences viewing in their home countries, Rodríguez focuses on how depictions of American life on television can impact immigrants’ perceptions and expectations of America before and after arrival." * Critical Studies in Television *

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Book SynopsisA new edition that brings the ways we watch and think about television up to the presentWe all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it good or bad. Rather, criticism uses the close examination of a television program to explore that program's cultural significance, creative strategies, and its place in a broader social context.How to Watch Television, Second Edition brings together forty original essaysmore than half of which are new to this editionfrom today's leading scholars on television culture, who write about the programs they care (and think) the most about. Each essay focuses on a single television show, demonstrating one way to read the program and, through it, our media culture. From fashioning blackness in Empire to representation in Orange is the New Black and from the role of the reboot in Gilmore Girls Trade ReviewThere's quite simply no book out there that can match this in scope and quality. The contributors are a 'Who's Who' of contemporary television studies, and the prose is engaging and highly readable. If you're looking for models of how to think about television from a range of perspectives, you need look no further. -- Greg M. Smith, author of Beautiful TV: The Art and Argument of Ally McBealAsk anyone in Hollywood and they'll tell you the movies are dead. TV is where its at, and this book will show you why. Thompson and Mittell offer an essential guide to television today, featuring the most insightful critics writing about the most creative and engaging shows. Whether student, fan, or TV professional, it belongs on your bookshelf. -- Michael Curtin, co-author of The American Television IndustryThis book, unlike the manual that comes with your TV set, is utterly readable, highly engaging, and worth referring back to, long after you've switched on your favorite channel. . . . Regardless of which essay one chooses to tune in to, How to Watch Television is an accessible and impressive group of essays by a powerhouse cast of television scholars. -- Journal of American CultureThere's not a single dull page in this book. -- Jose Solis, PopmattersWhat happens when you give 40 smart television scholars ten pages each to write about a television show that interests them? You get a delightful book that is sure to become a favorite of television scholars and students alike. Thompson and Mittell have brought together authors who provide thoughtful criticism in an engaging style and cover just about every genre, historical period, and lens of analysis. Each essay's combination of brevity and detailed analysis makes the book likely to work well as both a course reader for undergraduates in television studies and a reference resource for those wanting to dive into research on individual shows. Though every essay adds something valuable to the collection, essays on Mad Men, Glee, M*A*S*H, I Love Lucy, Modern Family, NYPD Blue, The Twilight Zone, and The Walking Dead are worth the price of this fun, informative, and useful book, even for seasoned television scholars.Summing Up: Highly recommended. -- S. Pepper, ChoiceWith their urging in the introduction about how the essays serve as models for writing your own criticism, the editors seem to be addressing media studies students. But because of its well-commissioned and well-balanced tone and diversity/specificity of texts, it is just as instructive for a wide range of burgeoning or established TV scholars as well as inquisitive fans of the various programs. The collection manages to be potentially enjoyable and useful to scholars and TV fans alike. -- Kathleen Collins, Journalism & Mass Communication Quarterly[I]t is a damn good collection, featuring 40 different contributions from American scholars, plus Matt Hills from Aberystwyth and Roberta Pearson from Nottingham. Their contributions are organised under five main themes: Aesthetics and Style;TV Representations: Social Identity and Cultural Politics;TV Politics: Democracy, Nation, and the Public Interest;TV Industry: Industrial Practices and Structures; and TV Practices: Medium, Technology, and Everyday Life. As with television schedules, it is easy to flick and pick and read. Indeed, the editors in their Introduction actively encourage & readers to go straight to a particular program or approach that interests them. -- Geoff Lealand, CST OnlineThis second edition ensures that this title will remain a staple of television studies courses, and the accessible style welcomes students and general readers to explore these essays and see their favorite television shows in new ways. * CHOICE *

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Book SynopsisThe election of President Barack Obama signaled for many the realization of a post-racial America, a nation in which racism was no longer a defining social, cultural, and political issue. This title helps you examine television's role as the major discursive medium in the articulation and contestation of racialized identities in the United States.Trade Review"Collectively the essays document the dominance of colorblind ideology, which, the volume argues, has been enabling the continuation of 'racial apathy.' This volume contributes to postracial discourse and is also a valuable resource for those interested in media criticism." * Choice *"Overall, The Colorblind Screen is a timely anthology that joins a smallbut, I hope, growingnumber of works that address colorblind and post-race discourses in media. This collection demonstrates the continued need to consider the central role television plays in the articulation, construction, and contestation of contemporary racial politics . . . . This collection is essential for anyone interested in exploring current racial politics and representations of racial difference in media." * International Journal of Communication *Table of ContentsIntroduction Sarah Nilsen and Sarah E. TurnerPart I: Theories of Colorblindness1. Shades of ColorblindnessAshley ("Woody") Doane 2. Rhyme and ReasonRoopali Mukherjee3. The End of Racism? Colorblind Racism and Popular Media Eduardo Bonilla-Silva and Austin AshePart II: Icons of Post-Racial America4. Oprah Winfrey5. The Race Denial CardDavid J. Leonard and Bruce Lee Hazelwood 6. Representations of Arabs and Muslims in Post-9/11 Television DramasEvelyn Alsultany7. Maybe Brown People Aren't So Scary If They're Funny ComediesDina IbrahimPart III: Reinscribing Whiteness8. "Some People Just Hide in Plain Sight"Sarah Nilsen9. Watching TV with White SupremacistsC. Richard King10. BBFFsPart IV: Post-Racial Relationships11. Matchmakers and Cultural CompatibilityShilpa Dave12. Mainstreaming Latina IdentityPhilip A. Kretsedemas13. Race in Progress, No Passing ZoneJinny Huh About the Contributors Index

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Book SynopsisA new edition that brings the ways we watch and think about television up to the presentWe all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it good or bad. Rather, criticism uses the close examination of a television program to explore that program's cultural significance, creative strategies, and its place in a broader social context.How to Watch Television, Second Edition brings together forty original essaysmore than half of which are new to this editionfrom today's leading scholars on television culture, who write about the programs they care (and think) the most about. Each essay focuses on a single television show, demonstrating one way to read the program and, through it, our media culture. From fashioning blackness in Empire to representation in Orange is the New Black and from the role of the reboot in Gilmore Girls Trade ReviewThere's quite simply no book out there that can match this in scope and quality. The contributors are a 'Who's Who' of contemporary television studies, and the prose is engaging and highly readable. If you're looking for models of how to think about television from a range of perspectives, you need look no further. -- Greg M. Smith, author of Beautiful TV: The Art and Argument of Ally McBealAsk anyone in Hollywood and they'll tell you the movies are dead. TV is where its at, and this book will show you why. Thompson and Mittell offer an essential guide to television today, featuring the most insightful critics writing about the most creative and engaging shows. Whether student, fan, or TV professional, it belongs on your bookshelf. -- Michael Curtin, co-author of The American Television IndustryThis book, unlike the manual that comes with your TV set, is utterly readable, highly engaging, and worth referring back to, long after you've switched on your favorite channel. . . . Regardless of which essay one chooses to tune in to, How to Watch Television is an accessible and impressive group of essays by a powerhouse cast of television scholars. -- Journal of American CultureThere's not a single dull page in this book. -- Jose Solis, PopmattersWhat happens when you give 40 smart television scholars ten pages each to write about a television show that interests them? You get a delightful book that is sure to become a favorite of television scholars and students alike. Thompson and Mittell have brought together authors who provide thoughtful criticism in an engaging style and cover just about every genre, historical period, and lens of analysis. Each essay's combination of brevity and detailed analysis makes the book likely to work well as both a course reader for undergraduates in television studies and a reference resource for those wanting to dive into research on individual shows. Though every essay adds something valuable to the collection, essays on Mad Men, Glee, M*A*S*H, I Love Lucy, Modern Family, NYPD Blue, The Twilight Zone, and The Walking Dead are worth the price of this fun, informative, and useful book, even for seasoned television scholars.Summing Up: Highly recommended. -- S. Pepper, ChoiceWith their urging in the introduction about how the essays serve as models for writing your own criticism, the editors seem to be addressing media studies students. But because of its well-commissioned and well-balanced tone and diversity/specificity of texts, it is just as instructive for a wide range of burgeoning or established TV scholars as well as inquisitive fans of the various programs. The collection manages to be potentially enjoyable and useful to scholars and TV fans alike. -- Kathleen Collins, Journalism & Mass Communication Quarterly[I]t is a damn good collection, featuring 40 different contributions from American scholars, plus Matt Hills from Aberystwyth and Roberta Pearson from Nottingham. Their contributions are organised under five main themes: Aesthetics and Style;TV Representations: Social Identity and Cultural Politics;TV Politics: Democracy, Nation, and the Public Interest;TV Industry: Industrial Practices and Structures; and TV Practices: Medium, Technology, and Everyday Life. As with television schedules, it is easy to flick and pick and read. Indeed, the editors in their Introduction actively encourage & readers to go straight to a particular program or approach that interests them. -- Geoff Lealand, CST OnlineThis second edition ensures that this title will remain a staple of television studies courses, and the accessible style welcomes students and general readers to explore these essays and see their favorite television shows in new ways. * CHOICE *

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Book SynopsisThis is the first cultural history of MAC Cosmetics and charts the originally Canadian company's philanthropy around HIV/AIDS awareness and fundraising during the revitalization of the Toronto fashion industry, the rise of the AIDS epidemic in North America, and the commodification of social causes during the 1980s and 1990s.Trade Review"The book makes important contributions to urban history, the history of queer life, the history of corporate social responsibility, Canadian business history and the history of beauty and fashion." -- Catherine Carstairs, University of Guelph * Canadian Business History Association *Table of ContentsAcknowledgments Prologue: Rise Up Introduction: The Rules of Make-up Art Cosmetics Part I: Spaces of Original Possibilities 1 The Kitchen Sink 2 Fashion Capital 3 Caring Is Never Out of Fashion Part II: Creative Activism 4 Put Your Money Where Your Mouth Is 5 Selling Out 6 Dragging Theory into Practice Epilogue: The Brightest Jewel in Our Crown Notes Bibliography Index

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Book SynopsisWords Have a Past traces settler colonial narratives represented in newspapers produced in late nineteenth-century Indian boarding schools.Trade Review"Griffith has produced a nuanced exploration of the tensions and contradictions that not only marked the past in the form of the Residential School system, but has always existed and continues to exist in a web of related assumptions." -- Anne Lindsay * Prairie History *"[Words Have a Past] is a marvelous exploration of the language of colonialism, how the English language was cast as an innocent neutral force, and how this continues to be reflected in contemporary Canada. The book is easily accessible for all readers, well researched, and documented. It is simply a must-read that will aid in developing a deeper understanding of language, and colonialism roots and their ongoing impact in the present." -- Karl Hele, Mount Allison University * Anishinabek News *"Words Have a Past is an important contribution to the ongoing conversation on the assimilation policies of the Indigenous boarding school systems in North America, and importantly, Griffith’s message of settler responsibility and restitution for Indigenous linguicide and land loss is essential for all settlers to hear." -- Carling Beninger, University of Alberta * Canadian Journal of History *"Words Have a Past marks an important step in the study of residential school history by drawing our attention to newspapers as important historical sources, and the printing trade as an influential part of some students’ experiences. Further, in anchoring the book within critical Indigenous and Settler Colonial studies, Griffith provides a direction for scholarship on residential schooling that challenges approaches that situate the system wholly in the past; as a result of her conclusions, Griffith explicitly calls for justice and restitution—especially as it relates to language reclamation—for survivors and their communities. This is an essential read for those studying the residential school system, settler colonialism, history of media, and Canadian history." -- Natalie Cross and Thomas Peace, Huron University College * Journal of British Studies *"In this well researched and highly readable book, Jane Griffith analyzes six newspapers published in the late nineteenth and early twentieth century by five Indian boarding schools." -- Shurli Makmillen, Claflin University * Discourse and Writing *Table of Contents1. Bury the Lede: Introduction 2. Printer’s Devil: The Trade of Newspapers 3. Indigenous Languages Did Not Disappear: English Language Instruction 4. "Getting Indian Words": Representations of Indigenous Languages 5. Ahead by a Century: Time on Paper 6. Anachronism: Reading the Nineteenth Century Today 7. Layout: Space, Place, and Land 8. Concluding Thoughts

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Book SynopsisUsing firsthand interviews, archival documents, and visual analysis, Superfluous Women explores the intersections between art, protest, and feminism in today's Ukraine.Trade Review"Superfluous Women is clearly a labor of empathy and solidarity with Ukrainians, and the inter-revolutionary generation in particular. As a path-blazing study on the topic, it should be valued as the result of a decade’s worth of intellectual production, which included numerous research trips and prolonged periods of work in the region, amassing an archive, as well as the work of cultural diplomacy, translating and representing Ukrainian artists and activists in the West." -- Sasha Razor * H-SHERA *"[Zychowicz] introduces several important art projects and movements that are indicative of a unique time in Ukraine’s post-independence history. The author’s connection with the artists through interviews enhances the images and descriptions of works of art, manifestos, and political responses—including repressions of artists—that make up much of the book’s content." -- Emily Channell-Justive, Harvard Ukrainian Research Institute * H-Ukraine, H-Net Reviews *"Jessica Zychowicz’s Superfluous Women: Art, Feminism, and Revolution in Twenty-First-Century Ukraine is a groundbreaking study of feminist protest and how it is mediated in contemporary Ukraine. Examining the decade between 2004’s Orange Revolution and the Revolution of Dignity (2013–14), Zychowicz traverses a dazzling array of media, objects, and methods to reveal the vibrant histories of feminist collectives in Ukraine—from the infamous Femen and its media strategies to Ofenzywa’s engagement with photography to the work of the curatorial collectives HudRada and REP. Zychowicz herself is present throughout, as an interlocutor, archivist, and guide whose bracing prose will make this study an invaluable resource for readers in Slavic studies, feminist studies, and visual and media studies alike." -- MLA Aldo and Jeanne Scaglione Prize for Studies in Slavic Languages and Literatures Committee"[Zychowicz] seeks to examine the way feminism, as a concept and a set of practices, has shaped and continues to shape the political and cultural landscape of Ukraine … it will reach a welcome audience among scholars of feminism, art activism, contemporary art, cultural studies, and Slavic studies." -- Mayhill C. Fowler * The Russian Review *"Drawing attention to the protest spirit evident in Ukrainian society since the early 2000s as the consequence of the rejection of its bigger neighbor’s imperial ideology and aggression, the book reveals the artistic antecedents of Ukraine’s resistance against the Russian invasion in 2022." -- Halyna Kohut * Zeitschrift für Kunstgeschichte *"This book introduces many important urban struggles going on in Ukrainian art and activism to an anglophone audience." -- Vira Sachenko, Justus-Liebig-University Giessen * KULT_online *"Superfluous Women: Art, Feminism, and Revolution in Twenty-First-Century Ukraine is a significant study of the direct links between political context, protest actions, and art practices in this century … Zychowicz does not hesitate to introduce the reader to the complexities and ambiguities of the struggles for rights." -- Irina Genova * Aspasia *"Superfluous Women offers a valuable new contribution to the scarce English-language bibliography on contemporary Ukrainian art activism. With the Russian invasion of Ukraine, which has sparked worldwide interest in Ukrainian history and culture, Zychowicz’s book gains an even more important role." -- Halyna Kohut, Ivan Franko National University * Zeitschrift für Kunstgeschichte *"Superfluous Women is remarkable for its blend of erudite theory, close analysis of visual culture, and personal experience. The author’s first-hand engagement with the people and events she discusses facilitates a unique and well-balanced insight that any scholar of contemporary Slavonic studies should welcome." -- Kathleen Mitchell-Fox, Princeton University * Slavonic and East European Review *Table of ContentsList of Figures Acknowledgments Note on Translation and Transliteration of Terms Introduction 1. Performing Protest: Sexual Dissent Reinvented 2. An Anatomy of Activism: Virtual Body Rhetoric in Digital Protest Texts 3. The Image Is the Frame: Photography and the Feminist Collective Ofenzywa 4. Museum of Congresses: Biopolitics and the Self in Kyiv’s HudRada and R.E.P. Visual Art Collectives 5. Bad Myth: Picturing Intergenerational Experiences of Revolution and War Conclusion Bibliography

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Book SynopsisApplying media theory to late-Victorian print, Making Pictorial Print shows how popular illustrated magazines developed a new design interface that encouraged dynamic engagement and media literacy in the British public.Table of ContentsIntroduction: A History of Victorian Print Media Literacy and the Technological Imagination 1. The Illustrated London News, Popular Illustrated Journalism, and the New Media Landscape, 1885–1907 2. Imagining Consumer Culture: Reading Advertisements in the Illustrated London News and the Graphic, 1885–1902 3. Imagining Political Subjectivity: Reading Data Visualizations in Pearson’s Magazine, 1896–1902 4. Imagining Print Production: Making Scrapbook Media, c.1830–1918 5. Imagining New Media Platforms: Taking Snapshots for the Strand, 1896–1918 Conclusion: Victorian Media Literacies and the Genealogy of the Present

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Book SynopsisThis is the first cultural history of MAC Cosmetics and charts the originally Canadian company's philanthropy around HIV/AIDS awareness and fundraising during the revitalization of the Toronto fashion industry, the rise of the AIDS epidemic in North America, and the commodification of social causes during the 1980s and 1990s.Trade Review"The book makes important contributions to urban history, the history of queer life, the history of corporate social responsibility, Canadian business history and the history of beauty and fashion." -- Catherine Carstairs, University of Guelph * Canadian Business History Association *Table of ContentsAcknowledgments Prologue: Rise Up Introduction: The Rules of Make-up Art Cosmetics Part I: Spaces of Original Possibilities 1 The Kitchen Sink 2 Fashion Capital 3 Caring Is Never Out of Fashion Part II: Creative Activism 4 Put Your Money Where Your Mouth Is 5 Selling Out 6 Dragging Theory into Practice Epilogue: The Brightest Jewel in Our Crown Notes Bibliography Index

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Book SynopsisThe Near-Death of the Author describes the plight of contemporary authors in the internet ageTable of ContentsList of Figures Acknowledgments Introduction 1. “Heroes with Names”: What Is the Author? 2. “I Don’t Own It”: Contemporary Complications 3. Who Is the Author / Who Are the Authors? 4. A Brief History of the Author 5. The Alleged Death of the Author: Post-structuralism and Postmodernism 6. The Author and Technology: Downloading vs. Copyright 7. Big Data Writing: Author as Algorithm 8. AI vs. the Author 9. “Creative ReUse”: Post-authorship in Internet Culture Notes Bibliography Index

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Book SynopsisThe Near-Death of the Author describes the plight of contemporary authors in the internet ageTable of ContentsList of Figures Acknowledgments Introduction 1. “Heroes with Names”: What Is the Author? 2. “I Don’t Own It”: Contemporary Complications 3. Who Is the Author / Who Are the Authors? 4. A Brief History of the Author 5. The Alleged Death of the Author: Post-structuralism and Postmodernism 6. The Author and Technology: Downloading vs. Copyright 7. Big Data Writing: Author as Algorithm 8. AI vs. the Author 9. “Creative ReUse”: Post-authorship in Internet Culture Notes Bibliography Index

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Book SynopsisHow can twenty-first-century scholars and other experts engage with wider audiences beyond their peers? In Public Influence, Mira Sucharov walks readers through the ins and outs of op-ed writing and social media engagement. Enlivened with discussions of an array of hot-button issues and sharp analysis of the delicate dynamics of social media, this book is essential reading for anyone who wants to harness the opportunities of public engagement in this vital digital age.Table of Contents1. Introduction 2. Saying What You Want to the Right Audience 3. Developing Ideas and Pitching an Op-Ed 4. Writing an Effective Op-Ed and Managing the Ensuing Conversation 5. Finding the Right Platform: Op-Eds, Blogs, Social Media, Podcasts, and Other Outlets 6. Striking an Effective Online Voice 7. Avoiding the Echo Chamber and Communicating Your Ideas to an Evidence-Resistant Audience 8. What You Need to Know about Political Labels 9. Sharpening Your Public Engagement 10. Dealing with Social Media Blowback 11. Navigating Personal Relationships through Political Debate 12. Conclusion Appendix: How to Assign Op-Eds in a Research-Oriented Course (with Practice Exercises)

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Book SynopsisIn Public Influence, political scientist Mira Sucharov walks readers through the ins and outs of op-ed writing and social media engagement.Table of Contents1. Introduction 2. Saying What You Want to the Right Audience 3. Developing Ideas and Pitching an Op-Ed 4. Writing an Effective Op-Ed and Managing the Ensuing Conversation 5. Finding the Right Platform: Op-Eds, Blogs, Social Media, Podcasts, and Other Outlets 6. Striking an Effective Online Voice 7. Avoiding the Echo Chamber and Communicating Your Ideas to an Evidence-Resistant Audience 8. What You Need to Know about Political Labels 9. Sharpening Your Public Engagement 10. Dealing with Social Media Blowback 11. Navigating Personal Relationships through Political Debate 12. Conclusion Appendix: How to Assign Op-Eds in a Research-Oriented Course (with Practice Exercises)

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Book SynopsisThe increased use of digital politics by citizens, groups, and governments over the last 25 years carried the promise of transforming the way politics and government was practiced. This book looks at Canadian political practice and the reality of the political process against those early promises.Trade Review"The pioneering research and insights in this book provide critical tools to understand and inform our response to digital politics. Such research enhances our capacity to unleash the potential for enhanced democratic participation and to comprehend and curtail practices that imperil it." -- Lori Williams, Mount Royal University * Alberta Views *Table of ContentsPreface: The Politics of Disruption David Taras Introduction: Twenty Years of Digital Politics in Canada Tamara A. Small and Harold J. Jansen Section I: Political Institutions 1. Digital Representation: The Normalization of Social Media into Political Offices Alex Marland and Stephen Power 2. Digital Government and Democratic Trust: From Online Service to Outward Engagement Jeffrey Roy 3. Open Government: Was It Just a Moment? Justin Longo 4. Internet Voting: Strengthening Canadian Democracy or Weakening It? Nicole Goodman and Chelsea Gabel 5. Electronic Surveillance: The Growth of Digitally-Enabled Surveillance and Atrophy of Accountability in Law Enforcement and Security Agencies Christopher Parsons 6. Political Parties: Political Communication in the Digital Age Tamara A. Small and Thierry Giasson 7. Digital Journalism: The Canadian Media’s Struggle for Relevance Christopher Waddell Section II: Political Digital Citizenship 8. Democratic Citizenship: How Do Canadians Engage with Politics Online? Harold J. Jansen, Royce Koop, Tamara A. Small, Frederic Bastien, and Thierry Giasson 9. Young People: Politics and Digital Technologies Allison Harell, Dietlind Stolle, Philippe Duguay, and Valérie-Anne Mahéo 10. Online Mobilization: Tweeting Truth to Power in An Era of Revised Patterns of Mobilization 2.0 in Canada Mireille Lalancette and Vincent Raynauld 11. Digital Indigenous Politics: “there’s more than one political show in town” Derek Antoine 12. Digital Feminism: Networks of Resistance, Neoliberalism, and New Contexts for Activism in Canada Samantha C. Thrift

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Book SynopsisThe increased use of digital politics by citizens, groups, and governments over the last 25 years carried the promise of transforming the way politics and government was practiced. This book looks at Canadian political practice and the reality of the political process against those early promises.Trade Review"The pioneering research and insights in this book provide critical tools to understand and inform our response to digital politics. Such research enhances our capacity to unleash the potential for enhanced democratic participation and to comprehend and curtail practices that imperil it." -- Lori Williams, Mount Royal University * Alberta Views *Table of ContentsPreface: The Politics of Disruption David Taras Introduction: Twenty Years of Digital Politics in Canada Tamara A. Small and Harold J. Jansen Section I: Political Institutions 1. Digital Representation: The Normalization of Social Media into Political Offices Alex Marland and Stephen Power 2. Digital Government and Democratic Trust: From Online Service to Outward Engagement Jeffrey Roy 3. Open Government: Was It Just a Moment? Justin Longo 4. Internet Voting: Strengthening Canadian Democracy or Weakening It? Nicole Goodman and Chelsea Gabel 5. Electronic Surveillance: The Growth of Digitally-Enabled Surveillance and Atrophy of Accountability in Law Enforcement and Security Agencies Christopher Parsons 6. Political Parties: Political Communication in the Digital Age Tamara A. Small and Thierry Giasson 7. Digital Journalism: The Canadian Media’s Struggle for Relevance Christopher Waddell Section II: Political Digital Citizenship 8. Democratic Citizenship: How Do Canadians Engage with Politics Online? Harold J. Jansen, Royce Koop, Tamara A. Small, Frederic Bastien, and Thierry Giasson 9. Young People: Politics and Digital Technologies Allison Harell, Dietlind Stolle, Philippe Duguay, and Valérie-Anne Mahéo 10. Online Mobilization: Tweeting Truth to Power in An Era of Revised Patterns of Mobilization 2.0 in Canada Mireille Lalancette and Vincent Raynauld 11. Digital Indigenous Politics: “there’s more than one political show in town” Derek Antoine 12. Digital Feminism: Networks of Resistance, Neoliberalism, and New Contexts for Activism in Canada Samantha C. Thrift

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Book SynopsisTV's American Dream examines how the U.S. television industry in the 2010s pursued audiences whose ideas about hope, fairness, work, and economic class were shaped by the Great Recession. While Americans navigated the trauma of the economic meltdown, the television industry faced growing pressure stemming from new program distribution and viewing methods, increasingly fragmented audiences, shifts in methods of advertising, and regulatory changes. To cut through the clutter of television content to appeal to elusive viewers, television programming reimagined some of the traditional representations of the American Dream and continued to bolster others. Exploring shows on different platforms from legacy networks to Netflix, Selznick takes a deep dive into representations of the American Dream on television. Each chapter of this book focuses on a particular strategy mobilized in the second decade of the new century to speak to audiences about their expectations for and concerns about the

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Book SynopsisTelevision Studies provides an overview of the origins, central ideas, and intellectual traditions of this exciting field. What have been the primary areas of inquiry in television studies? Why and how did these areas develop? How have scholars studied them? How are they developing? What have been the discipline’s key works? This book answers these questions by tracing the history of television studies right up to the digital present, surveying emerging scholarship, and addressing new questions about the field’s relationship with the digital. The second edition includes an examination of how internet-distributed services such as Netflix have adjusted the stories, industrial practices, and audience experience of television. For all those wondering how to study television, or even why to study television, this new edition of Television Studies will provide a clear and engaging overview of key topics. The book works as a stand-alone introduction and, by placing key works in a broader context, can also provide an excellent basis for an entire course.Trade Review“Having written a landmark guide to television studies, Jonathan Gray and Amanda Lotz – two of the discipline’s most prominent practitioners – have updated their vivid intellectual history to account for key transformations in television and its scholarship over the past decade. An essential book.” Jason Mittell, Middlebury College “No one is better placed to offer an up-to-date introduction to television and a compelling intellectual history of the field than Jonathan Gray and Amanda Lotz, two of the most engaging television scholars of their generation. A must-read for students and scholars alike.” Catherine Johnson, University of NottinghamTable of ContentsIntroduction: Still Television Studies? Chapter 1: Programs Chapter 2: Audiences Chapter 3: Industries Chapter 4: Contexts Conclusion Notes Bibliography

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Book SynopsisTelevision Studies provides an overview of the origins, central ideas, and intellectual traditions of this exciting field. What have been the primary areas of inquiry in television studies? Why and how did these areas develop? How have scholars studied them? How are they developing? What have been the discipline’s key works? This book answers these questions by tracing the history of television studies right up to the digital present, surveying emerging scholarship, and addressing new questions about the field’s relationship with the digital. The second edition includes an examination of how internet-distributed services such as Netflix have adjusted the stories, industrial practices, and audience experience of television. For all those wondering how to study television, or even why to study television, this new edition of Television Studies will provide a clear and engaging overview of key topics. The book works as a stand-alone introduction and, by placing key works in a broader context, can also provide an excellent basis for an entire course.Trade Review“Having written a landmark guide to television studies, Jonathan Gray and Amanda Lotz – two of the discipline’s most prominent practitioners – have updated their vivid intellectual history to account for key transformations in television and its scholarship over the past decade. An essential book.” Jason Mittell, Middlebury College “No one is better placed to offer an up-to-date introduction to television and a compelling intellectual history of the field than Jonathan Gray and Amanda Lotz, two of the most engaging television scholars of their generation. A must-read for students and scholars alike.” Catherine Johnson, University of NottinghamTable of ContentsIntroduction: Still Television Studies? Chapter 1: Programs Chapter 2: Audiences Chapter 3: Industries Chapter 4: Contexts Conclusion Notes Bibliography

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Book SynopsisIn the wake of the MeToo movement, revelations of sexual assault and harassment continue to disrupt sexual politics across the globe. Reports of widespread misconduct—in workplaces from doctors’ offices to factory floors—precipitate firings, legal actions, street protests, and policy punditry. Meenakshi Gigi Durham situates media culture as a place in which these broader social struggles are produced and reproduced. The media figures whose depravity sparked the #MeToo movement are symbols of the complexities of sexual desire and consent. Pop culture fuels controversies about rape culture; social media users have launched feminist resistance that turned to real-world activism; and investigative journalists have broken stories of assault, offering a platform for survivors to speak truth to patriarchal power. Arguing that the media are a linchpin in these events, Durham provides a feminist account of the interrelated contexts of media production, representation, and reception. She situates the media as the key site where the establishment of sexuality and social relations takes place, and traces the media's powerful role in both reifying and challenging rape culture. This timely and stimulating book will be of interest to students and scholars of media, communication, gender studies, and sociology, as well as to anyone concerned by the current state of sexual politics.​Trade Review“An accessible and thorough interrogation of the media, rape culture, and MeToo. The book does a fantastic job of detailing rape culture (as it is conceived by many feminist theorists and activists) as well as outlining, in a really impressive way, the complexity of the MeToo movement.”Catherine Rottenberg, University of Nottingham “Laying out with great clarity what needs to be done to remove rape culture and its residue from the media, this insightful, thoughtful, and generative volume demonstrates why this eradication is a social justice issue that should matter to all.”Barbie Zelizer, Raymond Williams Professor of Communication, University of Pennsylvania “Durham moves our understanding of rape culture into the twenty-first century with this compelling examination of the MeToo movement. The book will provoke discussions across disciplines and audiences.”Carolyn Byerly, Chair of Communication, Culture, and Media Studies, Howard University“This book reminds us that speaking out is powerful, and that whether we are survivors, advocates, journalists, or bystanders, we can all be silence breakers.”International Journal of Communication“Durham has deftly combined the rape myths with the critique of the Metoo movement from a historical feminist standpoint, which only makes the book more accessible to the readers.”Media Practice and Education“Gender and media scholar Meenakshi Gigi Durham has delivered a clearly written and confronting, yet engaging, text where she uses the media as a framework through which to discuss and analyse the international #MeToo movement.”Australian Journalism Review“It’s a timely and challenging book that offers a unique insight into the role and power of the media as well as the state of contemporary gender relations.”Seattle Book ReviewTable of ContentsTable of contents:Acknowledgements Introduction Chapter 1: Rapacity Monsters, Inc. Danger Zones Of Presidents And Pussy-Grabs Chapter 2: Representation E-race-ures The Naked And The Damned Reporting And Rape Culture Chapter 3: Resistance Reckonings Redress Coda: Reformulating Desire And Consent Notes References Index

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Book SynopsisIn the wake of the MeToo movement, revelations of sexual assault and harassment continue to disrupt sexual politics across the globe. Reports of widespread misconduct—in workplaces from doctors’ offices to factory floors—precipitate firings, legal actions, street protests, and policy punditry. Meenakshi Gigi Durham situates media culture as a place in which these broader social struggles are produced and reproduced. The media figures whose depravity sparked the #MeToo movement are symbols of the complexities of sexual desire and consent. Pop culture fuels controversies about rape culture; social media users have launched feminist resistance that turned to real-world activism; and investigative journalists have broken stories of assault, offering a platform for survivors to speak truth to patriarchal power. Arguing that the media are a linchpin in these events, Durham provides a feminist account of the interrelated contexts of media production, representation, and reception. She situates the media as the key site where the establishment of sexuality and social relations takes place, and traces the media's powerful role in both reifying and challenging rape culture. This timely and stimulating book will be of interest to students and scholars of media, communication, gender studies, and sociology, as well as to anyone concerned by the current state of sexual politics.​Trade Review“An accessible and thorough interrogation of the media, rape culture, and MeToo. The book does a fantastic job of detailing rape culture (as it is conceived by many feminist theorists and activists) as well as outlining, in a really impressive way, the complexity of the MeToo movement.”Catherine Rottenberg, University of Nottingham “Laying out with great clarity what needs to be done to remove rape culture and its residue from the media, this insightful, thoughtful, and generative volume demonstrates why this eradication is a social justice issue that should matter to all.”Barbie Zelizer, Raymond Williams Professor of Communication, University of Pennsylvania “Durham moves our understanding of rape culture into the twenty-first century with this compelling examination of the MeToo movement. The book will provoke discussions across disciplines and audiences.”Carolyn Byerly, Chair of Communication, Culture, and Media Studies, Howard University“This book reminds us that speaking out is powerful, and that whether we are survivors, advocates, journalists, or bystanders, we can all be silence breakers.”International Journal of Communication“Durham has deftly combined the rape myths with the critique of the Metoo movement from a historical feminist standpoint, which only makes the book more accessible to the readers.”Media Practice and Education“Gender and media scholar Meenakshi Gigi Durham has delivered a clearly written and confronting, yet engaging, text where she uses the media as a framework through which to discuss and analyse the international #MeToo movement.”Australian Journalism Review“It’s a timely and challenging book that offers a unique insight into the role and power of the media as well as the state of contemporary gender relations.” Seattle Book ReviewTable of ContentsTable of contents:Acknowledgements Introduction Chapter 1: Rapacity Monsters, Inc. Danger Zones Of Presidents And Pussy-Grabs Chapter 2: Representation E-race-ures The Naked And The Damned Reporting And Rape Culture Chapter 3: Resistance Reckonings Redress Coda: Reformulating Desire And Consent Notes References Index

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Book SynopsisA major work destined to change how scholars and students look at television and animation With the release of author Thomas Lamarre’s field-defining study The Anime Machine, critics established Lamarre as a leading voice in the field of Japanese animation. He now returns with The Anime Ecology, broadening his insights to give a complete account of anime’s relationship to television while placing it within important historical and global frameworks. Lamarre takes advantage of the overlaps between television, anime, and new media—from console games and video to iOS games and streaming—to show how animation helps us think through television in the contemporary moment. He offers remarkable close readings of individual anime while demonstrating how infrastructures and platforms have transformed anime into emergent media (such as social media and transmedia) and launched it worldwide. Thoughtful, thorough illustrations plus exhaustive research and an impressive scope make The Anime Ecology at once an essential reference book, a valuable resource for scholars, and a foundational textbook for students.Trade Review"The Anime Ecology is a path-breaking work of media philosophy whose influence will be felt for many years to come. In this wildly innovative book, Thomas Lamarre presents an enlarged concept of animation that entails a major theoretical revision of our understanding of the complexly interrelated genealogies of television, animation, and interactive gaming with respect to their media platforms, technologies, infrastructures, screen forms, and affective relations. What Lamarre describes as the ‘anime ecology’ is nothing less than the emergence of a new and distinctive mode of techno-sociality."—D. N. Rodowick, University of Chicago"By tracking the evolving modes of television animation across cultures as well as in modern Japan, Thomas Lamarre offers a painstaking account of the infrastructure complexes that constitute affective experiences in the age of non-discrete multimedia objects. Written with both a media specialist’s technical precision and a maverick theorist’s archival resourcefulness, this book compels us to rethink our relations with the electronic screens that cohabit intimately with us, body and soul. A brilliant work."—Rey Chow, author of Entanglements, or Transmedial Thinking about Capture"Infrastructures have a tendency to slide into the background, and after seven decades of television, it is hard to make it new and strange again. In his long-awaited book, Thomas Lamarre turns everything we think we knew about television upside down. Animation, not liveness, is the key to its ontology. Japan, not the USA, is the place to see its most radical development. Signals are not simply the raw materials of electrical engineering but the symptoms of our vulnerable existence in the world. Television turns out to be a strange and wonderful habitat, a meeting place of many species. In seeing media platforms as wormholes into alternate universes, The Anime Ecology fulfills the prime directive of media theory: to show that channels are not simply pipes but are worthy of existential dread, respect, and reverence. Steeped in both Japanese television and continental theory, this book is a kind of Japanese-French fusion, a delicious feast of insight. To write this book you would need to be a world-class media theorist, a long-time connoisseur of Japanese culture, and even a former marine biologist, and the one person on earth who is all of those things has brought the rest of us this gift."—John Durham Peters, author of The Marvelous Clouds: Toward a Philosophy of Elemental MediaTable of ContentsContentsIntroduction: Television Animation and Infrastructure EcologyPart I. The Screen–Brain Apparatus1. Population Seizure2. Neurosciences and Television3. This Stuff Called Blink4. A Thousand Tiny BlackoutsPart II. A Little Social Media History of Television5. Media Genealogy and Transmedia Ecology6. A Little History of Japanese Television7. Television and New Media8. Sociality or Something Like It9. Platformativity and OntopowerPart III. Infrastructure Complexes10. The Family Broadcast Complex11. The Home Theater Complex12. The Game Play Complex13. The Portable Interface ComplexConclusion: Signaletic AnimismNotesBibliography

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Book SynopsisThis volume looks at a range of texts and practices that address race and its relationship with television. The chapters explore television policy and the management of race, how transnationalism can diminish racial diversity, historical questions of representation, the myth of a multicultural England and more. They also provide analyses of programmes such as Doctor Who, Shoot the Messenger, Desi DNA, Survivors and Top Boy, all of which are considered in the context of the broadcast environments that helped to create them. While efforts have been made to put diverse portrayals on screen, there are still significant problems with the stories being told.Trade Review‘Adjusting the Contrast makes a meaningful intervention into the whiteness that historically characterises much of UK television studies […]with this rigorous, engaging and eclectic collection, Malik, Newton and their contributors play an important part in the ongoing project to decolonise British television studies.’Hannah Hamad, Critical Studies in Television: The International Journal of Television Studies, Vol. 13, No. 4 (2018) -- .Table of ContentsIntroduction – Sarita Malik and Darrell M. Newton1 A little Brit different? BBC America and transnational constructs of Britishness – Darrell M. Newton2 Scheduling race – Anamik Saha3 Reframing the 1950s: race and representation in recent British television – James Burton4 Black British drama, losses and gains: the case of Shoot the Messenger – Sarita Malik5 The iconic ghetto on British television: Black representation and Top Boy – Kehinde Andrews6 Whiteness, normativity and the ongoing racial Other: imperial fictions: Doctor Who, post-racial slavery and other liberal humanist fantasies – Susana Loza7 Myth of a multicultural England in BBC’s Luther – Nicole M. Jackson8 Framing The Fosters: jokes, racism and Black and Asian voices in British comedy television – Gavin SchafferIndex

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Book Synopsis'Like a superheated kernel of corn, the world has gone Pop... Drag has become mainstream. Being gay became cool. From being the criminal outsider, being queer has even become representative of the way the outsider voice is common to us all.'When he moved to New York in 1982, Fenton Bailey saw the world go Pop. Together with filmmaking partner Randy Barbato, their production company World of Wonder would pioneer the genre of Reality TV and chronicle the emerging Screen Age through their extraordinary programs and outrageous subjects - from Bible Belt televangelists and conspiracy theories to pioneering drag queens.Working with icons such as Britney Spears, Tammy Faye Bakker and RuPaul, the production company's shows tell a wider story of how television has fundamentally shifted our reality.Packed with glorious insider gossip and amazing celebrity stories, these are the riotous tales behind the shows that would make ScreenAgers of us all.Trade ReviewScreenAge is a must-read. We FINALLY have a book that recognizes the profound and positive impact television has had on all our lives -- Michelle Visagel learned everything I know from television, and you can learn everything I know from this book -- RuPaul

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Book Synopsis"A vital contribution to our understanding of intimacy both on screen and in life." Gillian Anderson An Evening Standard ''Book to Watch'' for 2025From the initial spark of attraction when your eyes first meet, to spontaneously dancing together in the kitchen and falling asleep side by side - how do we create those intimate moments of connection? As a pioneering Intimacy Coordinator, Ita O'Brien has choreographed some of the most groundbreaking, passionate and vulnerable intimate scenes onscreen. From Normal People to I May Destroy You, and in so many more productions, she has also made these scenes safer, more joyful and more empowering to perform in. No one knows intimacy, the power of true connection, better than her. So, what can her work teach us about our own relationships, both with ourselves and others? How can we use her tools to discover what it is that we truly want in our intimate lives? And how can all of this create environments in which intimacy can take seed, grow and even thrive? Combining embodied wisdom, behind-the-scenes stories and exercises for connection, Intimacy offers us a field guide to discovering our desires, communicating our needs, and cultivating truly intimate relationships at every stage of our lives.

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Book SynopsisDespite the prominence of television in our everyday lives, psychoanalytic approaches to its significance and function are notoriously few and far between. This volume takes up perspectives from object relations theory and other psychoanalytic approaches to ask questions about the role of television as an object of the internal worlds of its viewers, and also addresses itself to a range of specific television programmes, ranging from Play School, through the plays of Jack Rosenthal to recent TV blockbuster series such as In Treatment. In addition, it considers the potential of television to open up new public spaces of therapeutic experience.Interviews with a TV producer and with the subject of a documentary expressly suggest that there is scope for television to make a positive therapeutic intervention in people's lives. At the same time, however, the pitfalls of reality programming are explored with reference to the politics of entertainment and the televisual values that heighten the drama of representation rather than emphasising the emotional experience of reality television participants and viewers. A recurring theme throughout is that television becomes a psychological object for its viewers and producers, maintaining the psychological 'status quo' on the one hand and yet simultaneously opening up playful spaces of creative, therapeutic engagement for these groups. This collection of essays makes a timely intervention into the field of television studies by offering a distinctive range of psycho-cultural approaches drawn from both academic criticism and an array of experiences grounded in both the clinical and televisual scenes of practice.Trade Review'Given that television has arguably been the most powerful medium in much of the world for up to half a century, a book approaching it through psychoanalysis is considerably overdue. And now digitisation and the internet have made the idea of "television" much more complicated and pervasive, our need to understand its deeper influences on our minds, and how we relate to it, is yet more important. This collection of essays draws on key ideas from modern psychoanalysis while retaining, in its rich psychosocial approach, a strong appreciation of the socio-cultural contexts in which television has taken the shapes it has.'- Barry Richards, Professor of Public Communication, The Media School, Bournemouth University'Combining cultural theory and television studies with clinical encounters and object-relations, Television and Psychoanalysis is as erudite and switched-on as it is eclectic. Ranging from the London Olympics 2012 Opening Ceremony through to The Sopranos, and even Play School, the essays gathered together here challenge us to re-think the "boob tube" via a welcome array of shows. TV has long deserved serious psycho-cultural understanding, and this book marks a vital transition by creatively bridging the small screen and key psychoanalytic ideas.'- Matt Hills, Professor of Film and TV Studies at Aberystwyth University

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Book SynopsisPremiering in 2006,Ugly Betty, the award-winning US hit show about unglamorous but kind-hearted Betty Suarez (America Ferrera),is the latest incarnation of a worldwide phenomenon that started life as a Colombian telenovela,Yo soy Betty,la fea, back in 1999. The tale of the ugly duckling has since taken an extraordinary global journey and become the most successful telenovela to date. This groundbreaking book asks what the Yo soy Betty,la fea/Ugly Betty phenomenon can tell us about the international circulation of locally produced TV fictions as the Latin American telenovela is sold to,and/or re-made-officially and unofficially-for different national contexts. The contributors explore what Betty has to say about the tensions between the commercial demands of multimedia conglomerates and the regulatory forces of national broadcasters as well as the international ambitions of national TV industries and their struggle in competitive markets. They also investigate what this international trade tells us about cultural storytelling and audience experience,as well as ideologies of feminine beauty and myths of female desire and aspiration. TV's Betty Goes Global features original interviews with buyers and schedulers,writers,story editors and directors,including the creator of Yo soy Betty, la fea, Fernando GaitanTrade Review'This terrific and timely collection's distinct focus on the Yo soy Betty,la fea phenomenon allows for an impressively expansive inquiry into contemporary television and global popular culture.' Tasha Oren, Associate Professor of Film and Media Studies at the University of Wisconsin, MilwaukeeTable of ContentsAcknowledgements Contributors Introduction: ‘Oh Betty, You’re So Beautiful’ Janet McCabe The Whole World’s Unlikely Heroine: Ugly Betty as Transnational Phenomenon Michele Hilmes Our Betty: The Legacy of Yo soy Betty, la fea’s Success in Colombia Yeidy M. Rivero Interview with Jeff Ford on the purchase of Ugly Betty for Channel 4 Jean Chalaby Interviews with TV Executives involved in the German Adaptation, Verliebt in Berlin Andrea Esser Betty and Lisa: Alternating Between Sameness and Uniqueness Bianca Lippert Ugly Betty, Flemish Sara: Telenovela Adaptation and Generic Expectations Alexander Dhoest and Manon Mertens Re-Creating Betty’s World in SpainStefania Carini Towards a Cultural Economy of Chou Nu (Nv) Wu Di: The Ugly Betty franchise in the People’s Republic of China Coco Xiaolu Ma and Albert Moran How Ugly Can Betty Be in India? Divya D. McMillin Ugly Betty on Turkish Television: Updating Popular Cinema Laurence Raw Esti Ha'mechoeret: The Israeli Ugly Betty Amit Lavie-Dinur and Yuval Karniel The Greek Maria The Ugly: The Never-Ending Journey of a Myth Betty Kaklamanidou Czech Ugly Katka: Global Homogenization and Local Invention Irena Carpentier Reifová and Zden?k Sloboda Glamorously (Post) Soviet: Reading Yo soy Betty, la fea in Russia Elena Prokhorova Traveling Narratives and Transitional Life Strategies: Yo soy Bea and Ugly Betty Paul Julian Smith Our Betties, Ourselves Dana Heller

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Book SynopsisA specter is haunting contemporary television-the specter of creepiness. In our everyday lives, we try to avoid creepiness at every cost, shunning creepy people and recoiling in horror at the idea that we ourselves might be creeps. And yet when we sit down to watch TV, we are increasingly entranced by creepy characters. In this follow-up to Awkwardness and Why We Love Sociopaths, Adam Kotsko tries to account for the strange fascination of creepiness. In addition to surveying a wide range of contemporary examples-from Peep Show to Girls, from Orange is the New Black to Breaking Bad-Kotsko mines the television of his 90s childhood, marveling at the creepiness that seemed to be hiding in plain sight in shows like Full House and Family Matters. Using Freud as his guide through the treacherous territory of creepiness, Kotsko argues that we are fascinated by the creepy because in our own ways, we are all creeps.

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Book SynopsisWelcome to the Whoniverse. First stop: everywhere.Six decades may only be a handful of heartbeats to a Time Lord, but for Doctor Who it's the adventure of several lifetimes. Evolving over 60 years, the world's longest-running sci-fi TV show has gifted us a universe of menacing monsters and unforgettable heroes. You might even call it a 'Whotopia'.Now you can roam free through the Doctor's dimension as never before in this special commemorative book for Doctor Who's diamond anniversary. Join all the Doctors as each tells their own story. Learn about their legions of legendary allies - and hear from the monsters' own mouths about what makes them tick. Find danger on alien worlds and threats here on Earth in all eras. And explore the gadgets, robots, spaceships, computers and mind-blowing creations that crowd the never-ending corridors of Whotopia.Crammed with exciting new images and in full colour throughout, Whotopia: The Ultimate Guide to the Whoniverse is the essential celebration of 60 years of Doctor Who.

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