Traditional or cultural fiction and true stories, tales and retellings

Book SynopsisSophie Darrow said yes once to a young man offering a realm of Greek gods and immortality. Now her home has been shattered, and her friends and family pulled along with her as they run from an evil cult and take shelter in the gloomy Underworld. To love, trust, and smile again seems almost out of Sophie's reach. But remembering the life of the original Persephone and her fellow immortals long ago may prove the best therapy, as well as their key to victory. In ancient times too, the murderous cult Thanatos attacked and eventually wiped out the Greek immortals who sought to bring good to humankind. But those immortals planted seeds in both their realm and ours to ensure that their season would bloom again someday. And spring is finally coming. Molly Ringle's growing list of other successful titles include:The Chrysomelia Stories 1. Persephone's Orchard 2. Underworld's Daughter 3. Immortal's Spring The Goblins of Bellwater All the Better Part of Me Lava Red Feather Blue Sage and KingTrade Review"This was a beautiful story, and I'm really excited to see how it unfolds in future installments of the series." --Kaitlin Bevis, author of Persephone"Captivating from start to finish, as fraught with intrigue as it is with romance, this is the perfect end to an unforgettable trilogy." Jamie Deacon, author, Caught Inside"I read Persephone's Orchard a year ago and it still remains one of the most unique and engaging retellings of the Hades and Persephone myth I've ever read." Rachel Alexander, author, Receiver of Many"The lion's share of this final volume is a slow boil, but while there's more introspection than in previous volumes, Ringle provides a thoroughly satisfying thread-tying conclusion." Publishers Weekly" Immortal's Spring pulls readers right back into this reimagining of the Greek myths and emergence of modern-day gods and goddesses, and this novel is just as hard to put down as the previous two." Holly Scudero, San Francisco Book Review

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Book SynopsisAlmost everyone knows the familiar fairy tale ending: the prince marries the princess and they live happily ever after. Or do they? Once upon a time, our ancestors were much more honest and open about the spectrum of human sexuality. Among the fairy tales and myths they told were stories of androgynes, neither male nor female; of women and men who resist sex and marriage for other kinds of love; of chaste romances, miraculous childbirth and bodily transformations. These are the asexual fairy tales you will find in this book. These tales come from many places: from Grimms’ Fairy Tales to The Thousand and One Nights, from Greek mythology and Arthurian legend to the silent films of the 1920s and from Scandinavia to Japan. Retold, reimagined, and sometimes reinvented as new stories for the 21st century, these stories will change the way you think about fairy tales, and bring asexuality out of the closet.Trade Review“These Asexual Fairy Tales sound like old folk tales, perfect for reading out loud. More than just a retelling or adaptation, Elizabeth has succeeded in creating something new without losing that old-world storyteller feel.”— Jaycee James, editor of 'Circuits and Slippers'; "Fairy tales are a part of every child's life. As we grow up, we learn mythology, history, and legends. Yet, for asexuals, the representation has always been rare to non-existent. What Elizabeth Hopkinson has done is brought aces to the forefront in these pieces of writing. It's an incredible and necessary thing! Everyone wants to see a character that is like themselves in what they read or watch, even when it comes to fairy tales. So what Elizabeth is doing here is greatly appreciated, and we wish her the very best!" — Kelsey Lee, Social Media Director of AVEN; 'Elizabeth Hopkinson is a natural storyteller and her fairy tales are compelling, powerful and full of the numinous.' — Dr Teika Bellamy, Mother’s Milk Books

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Book SynopsisThe Edda is our richest treasure trove of Norse mythology. Complete and unabridged.The Edda is our richest treasure trove of Norse mythology--starting with a creation myth, passing through the struggle of the gods, giants, dwarves, and elves for survival and supremacy, and ending in the Ragnarok, a final all-engulfing battle wherein the world itself is destroyed. Norse mythology has captured many imaginations, and inspired epics including Wagner''s The Ring and J. R. R. Tolkien''s Lord of the Rings.The Prose Edda, also known as the Younger Edda, Snorri''s Edda and, historically, simply as Edda, was written in Old Norse in Iceland during the thirteenth century. In 1220, Snorri Sturluson, a respected poet, parliamentarian, and a visitor to the royal court of Norway, decided to compile the myths and poetic conventions of Norse mythology before they vanished under the influence of Christianity and the verse forms of Europe. The result is the Prose Edda, a unique glimpse of early Norse mythology.Snorri Sturluson (1179-1241), poet, historian, the most powerful chieftain in Iceland and "Lawspeaker" of the Icelandic Parliament, The Althing is a significant figure in Icelandic history. His extensive writings beyond the Prose Edda provide insight into Scandinavian history and are among the earliest records of the discovery of Vinland (North America).This unabridged edition includes introduction, notes and an extensive list of alternative names

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Book SynopsisA farmer in India is watching the sun set over his village one quiet evening when a mysterious stranger, a giant man who seems more than human, appears on the horizon. He offers the farmer a black goat kid who is the runt of the litter, surely too frail to survive. The farmer and his wife take care of the young she-goat, whom they name Poonachi, and soon the little goat is bounding with joy and growing at a rate they think miraculous. But Poonachi's life is not destined to be a rural idyll: dangers lurk around every corner, and may sometimes come from surprising places, including a government that is supposed to protect the weak and needy. Is this little goat too humble a creature to survive such a hostile world? With allegorical resonance for contemporary society and examining hierarchies of caste and colour, The Story of a Goat is a provocative but heartwarming fable from a world-class storyteller who is finally achieving recognition outside his home country.

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Book SynopsisOnce upon a time, our ancestors told tales of asexuality, symbolic stories that hint at other identities: a princess who grows a beard to escape marriage, a knight who forsakes his wife’s bed to become a werewolf, a goddess with detachable parts, a planet where everyone is asexual. Drawn from many times and places, retold and reimagined for the 21st century, Elizabeth Hopkinson’s second book of myths and tales brings asexuality out of the closet and gives it the history it has been denied. "'Asexual Myths & Tales is a fairy tale connoisseur’s delight. The stories are both fresh and familiar, delicately told, and filled with magic, romance, heartache and wonder.” Leife Shallcross Author of The Beast’s Heart

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Book SynopsisSpringing from the heart of medieval France, The Romance of the Faery Melusine tells the story of Raymondin of Poitiers who accidentally kills his uncle while out hunting, and fleeing deep into the forest, encounters a faery by a fountain. Falling deeply into a mutual soul-love, the faery Melusine agrees to help Raymondin and to become his wife, on condition that he makes no attempt to see her between dusk and dawn each Saturday. On this basis the house of Lusignan thrives and prospers, until a series of treacherous events tempt Raymondin to violate his promise and shatter the magic which holds his faery wife to the human world. First rendered into written form in a text by Jean d'Arras in 1393, the legend of the Faery Melusine is well established in France, where she is credited with having founded the family, town and castle of Lusignan. However, it is very little known in the English-speaking world, despite the fact that Melusine originally hailed from Scotland. This new retelling by Gareth Knight translated from Andre Lebey's 1920s novel Le Roman de la Melusine captures the freshness of Lebey's telling of the legend and brings the benefit of Knight's expertise both in French literature and in the esoteric faery tradition.

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Book Synopsis‘Many years ago in Mytherranea, before the stars had names, when daisies were still called days’ eyes, and the moon stayed up all night to keep the darkness company, there lived a race called redbits…’ So begins the tale of Rensal, a small creature trying to make sense of a big world. Running along one day, Rensal bumps into the Tall One, a wise and mysterious redbit who loves to talk. Over tea, toast, and berries, the friends discuss life, love, creation, dreams, death, and everything else that lies under the sun. This is a book that gets to the heart of what it is to be young, of the joys and sorrows and confusions of childhood, and of the questions that continue to be pertinent even when we are full-grown – how we live, how we love, and what – if anything – it all means.

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Book SynopsisKing David spies on beautiful Bathsheba as she bathes and his desire drives him to acts of such callousness that even his god turns away from him. Only through searching penitence and the psalms that express this can he find him way back into the light. A world and centuries away, King Henry VIII looks up at his prized tapestries of David and Bathsheba and sees in David a mighty predecessor, defender of the faith. Henry’s courtier-poet, Sir Thomas Wyatt, sees instead two kings who take what they want, careless of the lives they destroy in the process — David’s lust led him to murder, while Henry is ruthless in his pursuit of Ann Boleyn and the son she has promised him … more ruthless still when she fails to provide an heir. Wyatt too, once dangerously close to Ann himself, is caught in the slipstream of wilful power. David’s psalms of penitence reach across the years to touch and speak to him directly. Shackled in a cell in the Tower of London, not expecting to get out alive, he thinks of his beloved falcon Lukkes, and wishes he too could fly. Lux weaves past and present into a story of love and its reach, fidelity and faith, power and poetry, for readers of Marilynne Robinson, Anne Carson, and Hilary Mantel.Trade Review‘This book is a spell. Cook’s retelling of these old stories is masterful, immersive, lyrical, and psychologically profound. With the deftest of touches, she illuminates these well-known figures, David, Bathsheba, Thomas Wyatt, and makes them shine anew.’ -- Madeline Miller, author of Circe‘Hugely ambitious and very beautiful.’ * BBC Radio 4’s, Saturday Review *‘Cook writes with impressive empathy … There is both a painterly eye and a physicality about her prose.’ -- Diana Hendry * The Spectator *‘Cook’s account of an Old Testament repentance is a full-throated one.’ -- Elizabeth Buchan * Daily Mail *‘Intelligence, originality, and poetic grace … Ms. Cook reflects on the momentous change by tenderly humanising all of these larger-than-life characters. Her portrayal of Bathsheba is both more compassionate and more convincing than the usual caricature of a power-hungry seductress. Her David, too, is remarkably approachable … Again and again in this discerning novel, sin and suffering culminate in a majestic work of humility and praise.’ -- Sam Sacks * The Wall Street Journal *‘Lux emerges as an unusual and accomplished page turner. It’s ambitious, incredibly detailed … the clarity and beauty of the prose is a joy. An overwhelming sense of destiny is palpable and defining.’ -- Kevin O’Sullivan * Irish Examiner *‘Elizabeth Cook’s visual imagination is as sharp and gorgeous as any Pre-Raphaelite painter’s. Her psychological penetration is deep and compassionate. They are both unfailing as she weaves together the stories of King David and Bathsheba and of Thomas Wyatt and Ann Boleyn. If this is, in a way, a tour de force, it doesn’t read like that: the connections are organic and realistic, gripping the reader and integral to the rapid movement of the narrative.’ -- John Drury, author of Music at Midnight‘Almost two decades in the making, Lux is well worth the wait. Like its predecessor Achilles, it’s an ambitious and compelling novel, equally vivid in its conjuring of myth and history, particularly striking in its portrayal of religious belief under pressure, the nature of holiness and the sacred. It’s a remarkable book.’ -- Michael Symmons Roberts, author of Drysalter‘Cook’s multilayered prose is rich, luminous, and pays particular attention to the perspectives of women, all but ignored in the original David story.’ -- Alastair Mabbott * The Herald *‘Cook’s quietly masterful prose builds a huge world, unsentimental, numinous and deeply moving. Longing, appetite, love, grief, regret, and their consequences: Lux, Wyatt's falcon, is named for the luxury of courts and concupiscence but also the light of the desert, of song, of David’s Yahweh. This novel is a joy to read.’ -- Susan Hitch‘An ambitious attempt to yoke together two narratives separated in time but not in their timeless resonances.’ -- Howard Cooper * Jewish Chronicle *‘A well-told thinker of a read.’ -- Jon Wise * Weekend Sport *‘In her second novel, Elizabeth Cook has followed her own passions … to good effect. Her command of language, and of her material, makes this an extremely satisfying read.’ * Anne Goodwin *‘Lux is a remarkable interweaving of one ancient king’s story and his place as redeemer within and beyond Judaism.’ -- Rabbi Dr Aviva Kipen * J-Wire *‘Cook writes beautiful and complicated prose, befitting of the subjects she chooses … Informed by the Judeo-Christian spiritual tradition without being subject to it, here is the rare book that functions on multiple levels, inspiring new ideas and insights with each re-reading … The most powerful chapters of Lux are those spent with women … Cook plucks these hollowed-out characters from Samuel and imbues them with souls. She circles the Bible story of David and Bathsheba, plumbs its depths and breathes life into it, creating the type of mannered, academic leaning novel that the English seem to adore … But press down firmly on the cover and the words, regardless of how beautiful they are, will flow out its sides like water from a sponge.’ -- Tara Cheesman * On the Seawall *

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