Traditional or cultural fiction and true stories, tales and retellings

Book SynopsisFairytale is an enchanting rendering of a much-loved classic by the world's favourite storyteller, Danielle Steel.Camille Lammenais has grown up in the beauty of the Napa Valley surrounded by acres of her family’s vineyards. Her parents, Christophe and Joy, still deeply in love after two decades of marriage, have built a renowned winery and chateau modelled after Christophe’s ancient family estate in his native Bordeaux. Camille has had a perfect childhood, safe in her parents’ love. After graduating from Stanford, she returns to help manage Chateau Joy, her lifetime goal. But their fairytale ends suddenly with her mother’s death.Six months after losing his wife, the devastated Christophe is easy prey for a mysterious, charming Frenchwoman visiting the valley. Camille, still grieving for her mother, is shocked by the news that her father intends to remarry. Then she begins to see past the alluring looks, designer clothes, and elegant manners of the Countess, while her innocent father is trapped in her web . . .A wonderful, beautifully told tale from America’s favourite novelist, Fairytale is a captivating example of the truths that will always withstand even the darkest storms, and a reminder that sometimes fairytales do come true, and good prevails over evil in the end.

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Book SynopsisUniquely inventive and vivacious in style and with deep insight into children's points of view, Hans Christian Andersen established a new genre in literature.Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of Best Fairy Tales uses the classic translation by Jean Hersholt and is illustrated by various artists, with an afterword by Ned Halley.Hans Christian Andersen was a profoundly imaginative writer and storyteller who gave us the now standard versions of some traditional fairy tales - with an anarchic twist - but many of his most famous tales sprang directly from his imagination. The thirty stories here range from exuberant early works such as 'The Tinderbox' and 'The Emperor's New Clothes' through poignant masterpieces such as 'The Little Mermaid', 'The Little Match Girl' and 'The Ugly Duckling', to more subversive later tales such as 'The Ice Maiden' and 'The Dryad'.Trade ReviewHans Christian Andersen's fairytales . . . have captivated generations with their blend of plain language, unbridled imagination and haunting strangeness * Guardian *Hans Christian Andersen's fairy tales are not fairy tales at all; they're too bittersweet, too knowledgeable about the way of the world for that. What they've done is provide us with many of the archetypes that sustain our Western collective unconscious * Independent *

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Book SynopsisTo achieve the incredible she must attempt the impossible All her life, Alice has been haunted by visions of birds. But when the mysterious Crowley appears at Alice’s door, he reveals she’s been seeing nightjars – the miraculous birds which guard our souls. And a shadowy faction wants to use her rare gift to hunt the magically gifted. Forced to go on the run, Alice follows Crowley to an incredible alternate London, to hone her talents. But can she trust him? Alice must risk everything as she navigates a dangerous world of magic, marvels and death cults. Exciting, vivid and enthralling – The Nightjar by Deborah Hewitt will take the reader on a journey involving betrayal, twisted loyalties, magic and the powerful ties of friendship.'I thoroughly enjoyed this' – Genevieve Cogman 'The wildly imaginative Hewitt is a writer to watch' – Publishers Weekly (starred review)Trade ReviewI thoroughly enjoyed this. The compelling plot and original mythological elements kept me gripped -- Genevieve CogmanIt’s a delight to explore the Rookery alongside Alice as she discovers her unusual powers and races to save her friend. The wildly imaginative Hewitt is a writer to watch -- Publishers Weekly starred reviewEasily one of my favourite books of the last few years . . . bittersweet yet beautiful -- NovelKnightThe plot explodes off the page . . . I would definitely recommend this book to anyone who enjoys a flight of fancy -- TheBookBagAn absolutely compelling read that I just couldn't put down -- FrasersFunHouseHewitt's prose is fluid, engaging and often lush -- FantasyLiterature

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Book SynopsisMichael Holland is a grim reaper working the worst beat in the worst town. Michael’s best friend is a pot-smoking tooth fairy, his boss is the angel of death, his psychiatrist can read his mind, and he counts bogeymen, demons, and clones as his acquaintances.His nine-to-five is a succession of stupidity, clearing up the remains of the latest Darwin Award winner or dealing with the detritus of some apocalyptic clerical error, and it only seems to be getting worse. Michael is as equally disillusioned with death as he was with life, but at least life made more sense.In Forever After, Michael starts to question whether his immortality is really worth having. He sees clueless souls cross over every day, and battling confused succubi, tormented psychopaths, evil henchmen, and even a demon who thinks he’s Santa Claus is getting boring. Is there something more exciting for this grim reaper to do in this sad little town? This darkly humorous novel is set in a fantasy world that exists parallel to ours—a world where anything is possible, very little makes sense, and nothing is as it seems.Trade Review"Forever After at its heart is the story of one individual—who happens to be immortal—struggling to find meaning and purpose in a seemingly indifferent universe. The tale is an unflinching witness to the beauty and ugliness of the human condition, all the while cycling rapidly between the wickedly funny, melancholia, acerbic satire, and the occasional touching moment." —Mark Cain, Circles in Hell"Jester has pulled off rare thing here. He’s crafted a fantasy tale drenched in biting satire, fun, darkness, but also gives us a nice touch of the feels. Open this one up, dig in, and let it swallow you whole.” —Mike McCrary author of Genuinely Dangerous and Remo Went Rogue"As far as I know, Christopher Moore is not terminally ill. However, if he happens to be, it seems like David Jester would be a natural heir to the throne of his darkly comedic brand of fiction. Charged with a cynically philosophical look at mortality and often touching insights into the bumbling emotions of humans, Forever After blends squalid realism with a playful sense of bizarre fantasy to create a wildly appealing and entertaining book." —Andersen Prunty, author of This Town Needs a Monster"Forever After at its heart is the story of one individual—who happens to be immortal—struggling to find meaning and purpose in a seemingly indifferent universe. The tale is an unflinching witness to the beauty and ugliness of the human condition, all the while cycling rapidly between the wickedly funny, melancholia, acerbic satire, and the occasional touching moment." —Mark Cain, Circles in Hell"Jester has pulled off rare thing here. He’s crafted a fantasy tale drenched in biting satire, fun, darkness, but also gives us a nice touch of the feels. Open this one up, dig in, and let it swallow you whole.” —Mike McCrary author of Genuinely Dangerous and Remo Went Rogue"As far as I know, Christopher Moore is not terminally ill. However, if he happens to be, it seems like David Jester would be a natural heir to the throne of his darkly comedic brand of fiction. Charged with a cynically philosophical look at mortality and often touching insights into the bumbling emotions of humans, Forever After blends squalid realism with a playful sense of bizarre fantasy to create a wildly appealing and entertaining book." —Andersen Prunty, author of This Town Needs a Monster

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Book SynopsisIreland's Finest Writers Together in an Entertaining and Humorous Anthology For a comparatively small country, Ireland’s contributions to the world of literature have been enormous. From the older tradition, Irish writers have inherited a sense of wonder in the face of nature, a narrative style that tends toward the deliberately exaggerated or absurd, and a keen sense of the power of satire. These themes carry through the entire canon of Irish literature, up until modern times. Stephen Brennan brings us this collection of classic stories, essays, and fairytales that inform the past and therefore, the present, of our most beloved fiction. In Irish Stories and Folklore, the reader can revisit old favorites, like Oscar Wilde's short story "The Canterville Ghost," and discover lesser-known treasures such as "The Orange Man, or the Honest Boy and the Thief" by Maria Edgeworth. The imaginative stories contained in this volume are sure to engage the mind and delight readers looking to enhance their knowledge of the rich history of Ireland.

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Book SynopsisA gothic, lyrical evocation of a shipwreck, ghosts, and lost—and found—love in a North Shore town Jack Cooper, last in a long family line of fishermen, lives alone in the remote North Shore town of Greyshore, haunted by grief. But he will discover what it means to be truly haunted when a ghostly woman appears to lure him to land’s end, to the beckoning waves that have broken his heart. In a tale weird and whimsical, as familiar as folklore and as strange as life itself, musical artists Chan Poling and Lucy Michell create a world where even the most hardened soul has to see that grief may be tough, but life is tougher. As Jack’s childhood friend, the loyal and endlessly optimistic Red, tries to counter the ghost’s allure, the story exerts its own charm, guiding us through a landscape of prose and pictures at once irreverent and dead serious. Though the book’s surreal seduction might call to mind the likes of Wes Anderson, Edward Gorey, or the Decemberists, it is, finally, Poling and Michell’s singular accomplishment, an enchanting imaginative leap into life’s haunted depths.Trade Review"Jack and the Ghost is a gorgeously illustrated meditation on grief and loss, a poignant reminder to not let the ghosts of the past control the present."—Jeremy Messersmith"Finally, a book with pictures that can put a waterproof mascara through its paces."—Dessa"Jack and the Ghost is a book with a readership that needs it—they’re waiting for this book. It does its job with simplicity, charm, and beauty."—Arthur Phillips, New York Times Notable Book winner and international best-selling novelist"Chan Poling and Lucy Michell have put together a gorgeous little book featuring deep loss, the rebirth of life, and lush illustrations that remind me of Ludwig Bemelmans' art for the Madeline series."—Geoff Herbach, author of Stupid Fast "Jack and the Ghost is a haunting tale of lost love and the depths we will go to find it. Jack Cooper seems to have lost everything, but those who love him tell him, with tenderness and strength, tell him he needs to live his life, be a part of the world. This journey from despair to love renewed is, in the end, uplifting, and we are left with hope. In truth, this is a perfect story for all ages."—Julie Poling, Red Balloon Bookshop

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Book SynopsisReviving a lost classic of American fairy–tale literature Charles Godfrey Leland was one of the most popular American writers and artists of the nineteenth century, publishing more than twenty books of legends, fairy tales, humor, and essays. Today, however, he is a woefully underappreciated writer. Written, designed, and illustrated by Leland in 1892, The Book of One Hundred Riddles of the Fairy Bellaria is a forgotten classic and a small sample of his influential and experimental work. The Book of One Hundred Riddles of the Fairy Bellaria features the Scheherazade-like fairy goddess Bellaria: powerful and mysterious, courageous and clever, goddess of spring, flowers, love, fate, and death. In this story, Bellaria engages in a duel of wits with an evil king, a death match of one hundred riddles. Each riddle is spoken as a rhyme and illustrated by an original engraving in the arts and crafts style. This book is a beautiful reintroduction to Leland and his pioneering design.

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Book SynopsisWelcome to a world in the shadow of our own, a fairytale land where the dangers are real . . . In The Ever After, the final book in the Omte Origins trilogy, Amanda Hocking creates an epic adventure in her much-loved Trylle universe. Ulla Tulin has lost a month of memories. Her journey to uncover her past led her to a mysterious sect – and a man claiming to be her father. But Ulla’s forgotten their reunion, and fears something terrible happened. Determined to recall the truth, Ulla risks her life to battle the enchantments that bind her. And she finally opens the bridge to Alfheim, the lost First City.Ulla knows this will unleash a tide of monstrous creatures upon the Earth. But she also knows she has no choice – and must gather a Trylle army in time to face them. Or could her own buried heritage be the key to victory?‘Addictive’ Guardian‘Drew me in and kept me hooked’ Sunday ExpressTrade ReviewHer character-driven books, which feature trolls, hobgoblins and fairytale elements and keep the pages turning, have generated an excitement not felt in the industry since Stephenie Meyer or perhaps even J. K. Rowling -- New York Times on the Trylle trilogyA fast-paced romance . . . addictive -- Guardian on the Trylle trilogyDrew me in and kept me hooked . . . It has action, mystery and, thanks to a feisty heroine and brooding hero, there’s a good deal of romantic tension -- Sunday Express on the Trylle trilogyA paranormal romance as addictive as Twilight -- Stylist on the Trylle trilogyReturning to the troll world of her Trylle trilogy, Hocking explores another tribe of trolls in this book . . . The novel’s lingering questions and the author’s knack for cliffhangers are reason enough to anticipate the next instalment -- Publishers Weekly on the Kanin ChroniclesHocking is a paranormal YA favourite, and her latest does not disappoint. Readers will feel transported by this beautifully written story -- RT Book Reviews on the Kanin Chronicles

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Book SynopsisIn a magical ancient Britain, bards sing a story of treachery, love and death. This is that story. For fans of Madeline Miller's Circe, Lucy Holland's Sistersong retells the folk ballad ‘The Twa Sisters.''A beautiful reimagining of an old British folklore ballad, Sistersong weaves a captivating spell of myth and magic' – Jennifer Saint, author of AriadneKing Cador’s children inherit a land abandoned by the Romans, torn by warring tribes. Riva can cure others, but can’t heal her own scars. Keyne battles to be seen as the king’s son, although born a daughter. And Sinne dreams of love, longing for adventure. All three fear a life of confinement within the walls of the hold, their people’s last bastion of strength against the invading Saxons. However, change comes on the day ash falls from the sky – bringing Myrdhin, meddler and magician. The siblings discover the power that lies within them and the land. But fate also brings Tristan, a warrior whose secrets will tear them apart. Riva, Keyne and Sinne become entangled in a web of treachery and heartbreak, and must fight to forge their own paths. It’s a story that will shape the destiny of Britain.Sistersong is a powerfully moving story, perfect for readers who loved Naomi Novik’s Uprooted and Katherine Arden’s The Bear and the Nightingale.

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Book SynopsisPre-order the next captivating folkloric fantasy, Song of the Huntress, now!In a magical ancient Britain, bards sing a story of treachery, love and death. This is that story. For fans of Madeline Miller's Circe, Lucy Holland's Sistersong retells the folk ballad ‘The Twa Sisters'.'A captivating spell of myth and magic' – Jennifer Saint, author of AriadneKing Cador’s children inherit a land abandoned by the Romans, torn by warring tribes. Riva can cure others, but can’t heal her own scars. Keyne battles to be seen as the king’s son, although born a daughter. And Sinne dreams of love, longing for adventure.All three fear a life of confinement within the walls of the hold, their people’s last bastion of strength against the invading Saxons. However, change comes on the day ash falls from the sky – bringing Myrdhin, meddler and magician. The siblings discover the power that lies within them and the land. But fate also brings Tristan, a warrior whose secrets will tear them apart.Riva, Keyne and Sinne become entangled in a web of treachery and heartbreak, and must fight to forge their own paths. It’s a story that will shape the destiny of Britain.Sistersong is a powerfully moving story, perfect for readers who loved Naomi Novik’s Uprooted and Katherine Arden’s The Bear and the Nightingale.Trade ReviewA beautiful reimagining of an old British folklore ballad, Sistersong weaves a captivating spell of myth and magic around the reader. Lucy Holland's lyrical prose and powerful storytelling will lure you into an eerie, intriguing world in which enemies lurk unseen, the threat of betrayal hangs heavy and sisterly loyalties are tested to their limit -- Jennifer Saint, author of AriadneSistersong is a fresh and gripping retelling of an ancient tale. Set in a realistic, gritty world, the nuanced, compelling characters are the heart of this story about family, love, loyalty and identity. I loved it -- John Gwynne, author of MaliceRooted in history but shot through with surprises, this takes ancient British myth and gives it a wonderfully fresh twist. The book combines timely themes around our lost connection with nature, the fluidity of identity and the power of claiming your own story with a haunting atmosphere and a rollicking pace. Lucy Holland is a brilliantly assured storyteller -- Molly Flatt, author of The Charmed Life of Alex MooreAstonishing! -- Ellen Kushner, author of SwordspointNo cream teas in this West Country fable: feast instead on a gory, gripping and magically mythic tale of love and hatred, loyalty and betrayal -- Daily MailBrilliantly written and full of memorable characters . . . If you like poetic reimaginings of mythology, such as Madeline Miller’s Circe and The Song of Achilles, you need to make sure to pick up Sistersong -- Grimdark MagazineA masterpiece of storytelling . . . a beautiful story of the complex and loving relationship between three sisters and how their relationship and strength influenced the lives of those around them -- TheBookBagBeautifully written and with a keen eye for historical detail, Sistersong demonstrates the power of these old familiar ballads when they are opened up to new perspectives -- TheFantasyHiveSistersong is such a fantastic read . . . complicated sisters, gorgeous creepy magic and a sublime sense of time & place -- Freya MarskeSistersong truly reads like a ballad – beautiful and mournful, a melody that sticks in your head. An absolutely stunning book -- Hannah Whitten, author of For the WolfFrom its opening pages, Sistersong transports you to a time period often overlooked, and spins a tale of family, loyalty, and the triumph of becoming the person you were always meant to be. I was utterly captivated from the beginning to the tragic, bittersweet end -- Genevieve Gornichec, author of The Witch's HeartSistersong is a marvellous tale, gracefully told in language as beautiful as the song that inspired it. It's a celebration of the power of sisterhood, the strength of earth magic, and the triumph, in the end, of fidelity to both. I fell in love with all three siblings, and I think you will, too! -- Louisa Morgan, author of A Secret History of WitchesMagical, beautiful, and heartbreaking, Sistersong keeps you turning the pages until the thrilling conclusion, both tragic and triumphant. Lucy Holland is a talent to watch -- Greer Macallister, author of Scorpia

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Book SynopsisLonglisted for the Highland Book Prize 2020 ‘I’ve long admired Robin Robertson’s narrative gift . . . If you love stories, you will love this book.’ Val McDermidThe new book from the author of The Long Take, shortlisted for the Booker Prize and winner of both the Walter Scott Prize and the Goldsmiths Prize.Like some lost chapters from the Celtic folk tradition, Grimoire tells stories of ordinary people caught up, suddenly, in the extraordinary: tales of violence, madness and retribution, of second sight, witches, ghosts, selkies, changelings and doubles, all bound within a larger mythology, narrated by a doomed shape-changer – a man, beast or god.A grimoire is a manual for invoking spirits. Here, Robin Robertson and his brother Tim Robertson – whose accompanying images are as unforgettable as cave-paintings – raise strange new forms which speak not only of the potency of our myths and superstitions, but how they were used to balance and explain the world and its predicaments.From one of our most powerful lyric poets, this is a book of curses and visions, gifts both desired and unwelcome, characters on the cusp of their transformation – whether women seeking revenge or saving their broken children, or men trying to save themselves. Haunting and elemental, Grimoire is full of the same charged beauty as the Scottish landscape – a beauty that can switch, with a mere change in the weather, to hostility and terror.Trade ReviewRobin Robertson is one of the finest contemporary poets. -- John BanvilleFew writers so expertly pull the curtains back on the many collective fictions, both ancient and new, that constitute our understanding of the world. -- Kevin Powers author of The Yellow BirdsRobin Robertson is a fearless and thrilling poet in what he confronts in himself as well as what he unearths from the commons of myth and balladry * Marina Warner *A major poet… Robertson remains an unequalled guide among the shamanistic roots of poetry. * Fiona Sampson, Independent *Robertson's lines have the luminosity of myth. * Adam Newey, Guardian *Robin Robertson is instantly recognisable as a poet of vivid authority, commanding a surprised, accurate language of his own. * W.S. Merwin *He’s a poet who takes enormous risks, not only as a writer, but as a man and I admire him enormously for that. * Kirsty Gunn, Scotsman *This is a book that will make you awaken at night . . . [Robinson's] poetry is unusual in that it is pointed – the glanced moment – and yet can be propelled narrative at the same time. Grimoire is a perfect encapsulation of both these talents . . . exceptionally impressive -- Stuart Kelly * The Scotsman *In this beautifully spare and distilled poetic form these new Scottish folk tales rise from the page like the supernatural beings they give voice to . . . The illustrations are like beautifully strange phantoms . . . unflinching, brutal and often movingly beautiful . . . With its wonderful illustrations, bold design and sumptuous production, it's also a gorgeous book to handle and treasure. * The Tablet *It is no wonder Roberston’s narrative poem-novel, The Long Take, was shortlisted for the Booker Prize in 2018. Grimoire is a collection which revels in this same talent for the tale; the reader is insistently drawn through these poems by the mythical narrative figure. Whether you read for the magic of the story, for the lull of beautiful language, or for the mysteries of the occult, Grimoire is a must-have for your poetry shelf this autumn. * The Skinny *Robertson does something exceptionally impressive with language here, in that the book twists around Gaelic, Scots and English. It does not feel forced, and if it makes a reader check the index, then all to the good. . . Robertson is somehow dapper in just using the right word in the right place for the right line. . . The linguistic inventiveness would mean little or nothing if it did not come with an emotional truth. Robertson doesn’t coax, but he does lure the reader, right up to the point when you are punched in the guts . . .There is a steeliness to Robertson’s work. I would like an audio-book version, as in performance, he is dreadfully still as he tells us dreadful things. This is the poetry of the pause, not the applause. But there is one hand clapping here. * Scotsman *Robertson’s finely wrought poems capture the tradition of shape-shifting inherent in such spirit stories – the slippery interface of human, beast, god/spirit – and explore it in conjunction with dark and troubling narratives that edge on violence, murder and reckoning. These poems are populated by ghosts, witches, selkies, doppelgangers and, as such, read as though they might be reworkings of ancient folktales that have only just been brought to light. The accompanying drawings, in their bold, monochromatic woodcut style, have the feel of cave paintings, or Blakean preliminary sketches for some more colourful works. All in all, it’s a lovely little coffee-table style book of poems, though don’t let that sound too cosy . . . The Robertson brothers’ book is a dark delight; a lexical and narrative cornucopia, full of uncanny and unsettling tales, rendered in a language that treads the line between viscerality and lyricism. * Stride *

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Book SynopsisLonglisted for the Highland Book Prize 2020From the author of The Long Take, shortlisted for the Booker Prize and winner of both the Walter Scott Prize and the Goldsmiths Prize.‘I’ve long admired Robin Robertson’s narrative gift . . . If you love stories, you will love this book.’ Val McDermidLike some lost chapters from the Celtic folk tradition, Grimoire tells stories of ordinary people caught up, suddenly, in the extraordinary: tales of violence, madness and retribution, of second sight, witches, ghosts, selkies, changelings and doubles, all bound within a larger mythology, narrated by a doomed shape-changer – a man, beast or god.A grimoire is a manual for invoking spirits. Here, Robin Robertson and his brother Tim Robertson – whose accompanying images are as unforgettable as cave-paintings – raise strange new forms which speak not only of the potency of our myths and superstitions, but how they were used to balance and explain the world and its predicaments.From one of our most powerful lyric poets, this is a book of curses and visions, gifts both desired and unwelcome, characters on the cusp of their transformation – whether women seeking revenge or saving their broken children, or men trying to save themselves. Haunting and elemental, Grimoire is full of the same charged beauty as the Scottish landscape – a beauty that can switch, with a mere change in the weather, to hostility and terror.Trade ReviewRobin Robertson is one of the finest contemporary poets. -- John BanvilleFew writers so expertly pull the curtains back on the many collective fictions, both ancient and new, that constitute our understanding of the world. -- Kevin Powers author of The Yellow BirdsRobin Robertson is a fearless and thrilling poet in what he confronts in himself as well as what he unearths from the commons of myth and balladry * Marina Warner *A major poet… Robertson remains an unequalled guide among the shamanistic roots of poetry. * Fiona Sampson, Independent *Robertson's lines have the luminosity of myth. * Adam Newey, Guardian *Robin Robertson is instantly recognisable as a poet of vivid authority, commanding a surprised, accurate language of his own. * W.S. Merwin *He’s a poet who takes enormous risks, not only as a writer, but as a man and I admire him enormously for that. * Kirsty Gunn, Scotsman *This is a book that will make you awaken at night . . . [Robinson's] poetry is unusual in that it is pointed – the glanced moment – and yet can be propelled narrative at the same time. Grimoire is a perfect encapsulation of both these talents . . . exceptionally impressive -- Stuart Kelly * The Scotsman *In this beautifully spare and distilled poetic form these new Scottish folk tales rise from the page like the supernatural beings they give voice to . . . The illustrations are like beautifully strange phantoms . . . unflinching, brutal and often movingly beautiful . . . With its wonderful illustrations, bold design and sumptuous production, it's also a gorgeous book to handle and treasure. * The Tablet *It is no wonder Roberston’s narrative poem-novel, The Long Take, was shortlisted for the Booker Prize in 2018. Grimoire is a collection which revels in this same talent for the tale; the reader is insistently drawn through these poems by the mythical narrative figure. Whether you read for the magic of the story, for the lull of beautiful language, or for the mysteries of the occult, Grimoire is a must-have for your poetry shelf this autumn. * The Skinny *Robertson does something exceptionally impressive with language here, in that the book twists around Gaelic, Scots and English. It does not feel forced, and if it makes a reader check the index, then all to the good. . . Robertson is somehow dapper in just using the right word in the right place for the right line. . . The linguistic inventiveness would mean little or nothing if it did not come with an emotional truth. Robertson doesn’t coax, but he does lure the reader, right up to the point when you are punched in the guts . . .There is a steeliness to Robertson’s work. I would like an audio-book version, as in performance, he is dreadfully still as he tells us dreadful things. This is the poetry of the pause, not the applause. But there is one hand clapping here. * Scotsman *Robertson’s finely wrought poems capture the tradition of shape-shifting inherent in such spirit stories – the slippery interface of human, beast, god/spirit – and explore it in conjunction with dark and troubling narratives that edge on violence, murder and reckoning. These poems are populated by ghosts, witches, selkies, doppelgangers and, as such, read as though they might be reworkings of ancient folktales that have only just been brought to light. The accompanying drawings, in their bold, monochromatic woodcut style, have the feel of cave paintings, or Blakean preliminary sketches for some more colourful works. All in all, it’s a lovely little coffee-table style book of poems, though don’t let that sound too cosy . . . The Robertson brothers’ book is a dark delight; a lexical and narrative cornucopia, full of uncanny and unsettling tales, rendered in a language that treads the line between viscerality and lyricism. * Stride *

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Book SynopsisA magical new novel from the acclaimed author of THE TOYMAKERS, perfect for fans of Neil Gaiman and Erin Morgenstern.'A spellbinding tale of nocturnal life and magic in the streets of Paris tells of the courage it takes to be different and follow your dreams.' WATERSTONES'Beautifully captures the hazy dissonance of storytelling and invention.' GUARDIAN______________________________________Every city has its own magic...Every night on their long journey to Paris from their troubled homeland, Levon's grandmother has read to them from a very special book. Called The Nocturne, it is a book full of fairy stories and the heroic adventures of their people who generations before chose to live by starlight.And with every story that Levon's grandmother tells them in their new home, the desire to live as their ancestors did grows. And that is when the magic begins...But not everyone in Paris is won over by the spectacle of Paris-by-Starlight. There are always those that fear the other, the unexplained, the strangers in our midst. How long can the magic of night rub up against the ordinariness of day? How long can two worlds occupy the same streets and squares before there is an outright war?Readers love Paris by Starlight!'Robert Dinsdale, I salute you! A smorgasbord of delights. It's a wondrous thing to be able to visit Paris by Starlight and I'd recommend a trip to you all!''Beautifully written and its observations on human nature are spot on. Exceptionally cleverly done. Exceptionally written piece of fabulism with gorgeous, evocative imagery.''A real treat and just as enchanting as Dinsdale's The Toymakers. Full of magic as well as being a moving tale of displacement, longing and love.'Lovely cover and beautiful prose. I'm about half way through and enjoying every page''A truly magical tale that couldn't be more relevant for our times.''A gorgeously written tale of love and acceptance'Trade ReviewEnchanting, beautiful and heart-breakingly relevant . . . so rich with dreamlike imageryand so full of genuine emotion that you want to savour every page as if it's the first and last time you'll ever read it * Culturefly *A spellbinding tale of nocturnal life and magic in the streets of Paris tells of the courage it takes to be different and follow your dreams. * Waterstones *Beautifully captures the hazy dissonance of storytelling and invention. * Guardian *This is a skilful, human tale * SFX *PRAISE FOR THE TOYMAKERS * : *There is magic at the heart of The Toymakers, a glittery inventiveness that shimmers through the dark corners of a story about love, war and sibling rivalry...Robert Dinsdale's imagined toys are truly glorious...a gripping, moving story. * SUNDAY EXPRESS *Like the magic at the heart of the story, this vivid, haunting novel is both vast and intimate. A world war echoes a family conflict, and the delights and dangers of childhood suddenly have vast implications. A wonderful and thought-provoking read. * KATHERINE ARDEN, author of The Winternight Series *What an extraordinary and wonderful achievement this novel is! I was gripped, and thrilled, and touched, and above all I was completely swept into the magic of the book...And the scope of the thing! Such a broad chronological range, such sweep, all with the lightest touch. Just astonishing. * ADAM ROBERTS *Truly magical ... Anyone who's ever stepped inside a traditional toyshop and marvelled at the wonders on display will instantly be captivated by this book, which transports readers to The Emporium in London. Prepare to be charmed by this utterly enchanting tale. * CULTUREFLY *A magical World War I novel * METRO *Robert Dinsdale's engaging and enchanting new novel offers the literary equivalent of a Guillermo del Toro film; it is, at its best, a fairytale for adults, with all the wonder - and terror - that that entails. Even as the story takes an inevitably darker turn with the advent of the second world war, it is the sense of joy that lingers in this fine book. * THE OBSERVER *

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Book Synopsis____________________________A magical fairytale-inspired debut about accepting being that little bit different, for fans of The Night Circus and The Bear and the Nightingale.____________________________A girl. A secret. A life-changing journey.'A beautiful fairytale of a book with the most delicious prose. I devoured every page' Alex Bell, Bestselling author of The Polar Bear Explorers’ ClubBorn covered in the feathers of a bird, and kept hidden in a crumbling house full of secrets, Marea has always known she was different, but never known why. And so to find answers, she goes in search of the father she has never met.The hunt leads her to the City of Murmurs, a place of mermaids and mystery, where jars of swirling mist are carried through the streets by the broken-hearted.And Mara will never forget what she learns thereFeathertide is an enchanting, magical novel perfect for fans of Erin Morgenstern's The Night Circus and Katherine Arden's The Bear and the Nightingale.____________________________Readers are loving Feathertide! 'Magical, inventive and unique. A truly beautiful story.''Rarely there comes a book that makes you go wow. When it does you want to treasure every word, savour the book, never let it end. This is that book.''Beautifully written, reminiscent of old fairy tales, yet very modern in its concepts.''Quite literally the most beautiful book I’ve ever read.''Beth Cartwright's stunning prose left me enchanted and enthralled and I love this style of writing.'Trade ReviewA beautiful fairytale of a book with the most delicious prose. I devoured every page * Alex Bell, Bestselling author of The Polar Bear Explorers’ Club *[A] surprisingly refreshing read * Hilton Jenkin *If you enjoy magical realism and moving tales of self-discovery, you won't be able to put this down. * CultureFly *

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Book Synopsis''A tale of fear and survival, hope and yearning and defiance, in timelessly elegant prose. It will enchant you, break your heart, and chill you to the very marrow.' Samantha Shannon on The Wolf and the WoodsmanFrom the Sunday Times bestselling author of The Wolf and the Woodsman comes a gothic retelling of The Juniper Tree, where a young witch seeks to discover her identity and escape the domination of her abusive wizard father. Perfect for fans of Angela Carter, Catherynne M. Valente and Shirley Jackson_________________________________A gruesome curse. A city in upheaval. A monster with unquenchable appetites.Marlinchen and her sisters are the last true witches in a city shifting from magic to industry. Viewed as little more than tourist traps, they spend their days treating clients with archaic remedies and nostalgic charm, while attempting to placate their tyrannical, xenophobic wizard father, who keeps his daughters locked away in their crumbling home.But at night, they sneak out to revel in the city's thrills, particularly the recently established ballet theatre, where Marlinchen meets a dancer who quickly captures her heart. But as their late-night trysts grow more fervent and frequent, so does the threat of her father's rage. And while their city flourishes, a monster lurks in its midst, borne of intolerance and resentment and suffused with old-world power.Sunday Times bestseller, June 2022 (w/c 27th June 2022)Trade ReviewA tale of fear and survival, hope and yearning and defiance, in timelessly elegant prose. It will enchant you, break your heart, and chill you to the very marrow. * Samantha Shannon, Sunday Times bestselling author of The Priory of the Orange Tree *Utterly astonishing . . . Juniper & Thorn is the dark fairytale brought to perfection: terrible, and true, and full of teeth. * Shelley Parker-Chan, Sunday Times bestselling author of She Who Became the Sun *A gothic masterpiece. Reid weaves threads of unsettling horror and abuse with astonishing empathy. * Kat Dunn, author of Dangerous Remedy *Reid expertly weaves a dark and delightful tale that packs a sting. Love, betrayal, and a heroine for our time. I absolutely loved this novel. * T. L. Huchu, author of The Library of the Dead *Thrumming with feminist power, and riveting in its worldbuilding, Juniper & Thorn is an unforgettable tale. * Ausma Zehanat Khan, author of The Bladebone *

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Book Synopsis__________________________________________________________The princess isn't supposed to fall for an evil sorceress. But in this darkly magical retelling of Sleeping Beauty, true love is more complicated than a simple fairy tale. Perfect for fans of Naomi Novik and Holly Black.'Malice is the dark and wicked heart of a fairytale carved into a book. This story is beautiful, vicious magic.' Tasha Suri, author of Empire of Sand 'A truly original and clever retelling of a classic that had me racing to the end - you'll never look at Sleeping Beauty the same again.' S.A. Chakraborty, author of City of Brass__________________________________________________________Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love's kiss.Utter nonsense.Let me tell you, no one in Briar cares what happens to our princess. I thought I didn't care, either. Until I met her.Princess Aurora, last heir to the throne, the future queen her realm needs. One who isn't bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. But with less than a year before the curse kills her, any future I might imagine for us is quickly disappearing - and she can't stand to kiss yet another idiotic prince. But maybe I can help her. If my power began the curse, it might be the one to lift it. Perhaps, together, we could forge a new world.But we all know how this story ends. Aurora is the beautiful princess. And I am the villain.Book Two of the Malice Duology is available to preorder now! Trade ReviewMalice is the dark and wicked heart of a fairytale carved into a book. This story is beautiful, vicious magic * Tasha Suri, author of Empire of Sand *A beautifully imaginative and feminist retelling of a fairytale so often swept into the dark. Walter's debut was engrossing from page one, with a vivid cast of characters, thrilling romance and a world so vivid it will wrap thorns around your dreams. * Roshani Chokshi, author of The Guilded Wolves *A truly original and clever retelling of a classic that had me racing to the end - you'll never look at Sleeping Beauty the same again. * S.A. Chakraborty, author of City of Brass *The story grows deliciously darker at every turn . . . Fairy tale lovers of all ages will be thrilled * Publishers Weekly, Starred Review *Heather Walter writes about magic-and with magic. Her retelling of Sleeping Beauty remains true to the beloved classic, yet every page is completely new and unexpected. * Richelle Mead, author of the Vampire Academy series *

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Book SynopsisDid they break the curse, or begin one? Sleeping Beauty's dark sorceress reclaims her story in this sequel to Malice________________________________________________The Dark Grace is dead. Feared and despised for the sinister power in her veins, Alyce has spent 100 years wreaking her revenge on the kingdom that made her an outcast. Once a realm of decadence and beauty, Briar is now wholly Alyce's wicked domain. No one escapes the consequences of her wrath. Not even the one person who holds her heart. Princess Aurora saw through Alyce's thorny facade, earning a love that promised the dawn of a new age. But that love came with a heavy price: Aurora now sleeps under a curse that even Alyce's vast power cannot seem to break, and their dream of the world they would have built together is nothing but ash. Alyce vows to do anything to wake the woman she loves, even if it means descending into the monster Briar believed her to be. But could Aurora ever love the villain Alyce has become? Or is true love only for fairy tales?

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Book SynopsisEmpowering life lessons from myths and monsters. Wonder at Medusa's potent venom, Circe's fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world - the great Greek Goddesses. Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic. 'I watch Girl become Goddessand the metamorphosis is moremagnificent than anythingI have ever known.' Trade ReviewFun, illuminating and will leave you exploring the original legends from a new perspective ... this book is the perfect gift for all the women in your life * Stylist *Nikita Gill's poetry excels in its exploration of womanhood * The Independent *Whether you’re completely clued up on Greek mythology or are a newcomer, Nikita Gill outlines the tales of Medusa, Circe, and Athena, to name a few, in stunningly beautiful prose. This will be one of the most entertaining history lessons you’ve ever had. * Bustle *Nikita’s words are as powerful as they are beautiful. Her poems mix ideas that are both ancient and timeless, and somehow she makes them urgent. Her voice is one of the most compelling, compassionate and creative in contemporary literature. She’s the writer we all need to read right now – she’s challenging a fearful era with real love. -- Daisy BuchananThis empowering collection sheds light on women who are often misunderstood and is a piece of “modern feminist magic.” * BOOKRIOT *

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Book Synopsis'A great storyteller' Madeline Miller, author of CirceIn this powerful new collection, Charlotte Higgins foregrounds Greek mythology's most enduring heroines. Here are the myths of Heracles and Theseus, the Trojan war, Thebes and Argos and Athens. They are stories of love and desire, adventure and magic, destructive gods, helpless humans, fantastical creatures and resourceful witches. In this telling the female characters take centre stage as Athena, Helen, Circe, Penelope and others weave these stories into elaborate imagined tapestries. In Charlotte Higgins's thrilling new interpretation of these ancient stories, their tales combine to form a dazzling, sweeping epic of storytelling. With a series of original drawings by Chris Ofili.Trade ReviewHiggins is a wonderful scholar, and a great story teller. I've been loving these retellings, cleverly centered around the theme of myths told in tapestry. -- Madeline Miller, author of THE SONG OF ACHILLES and CIRCE[Higgins] leads us through the labyrinth of interconnected stories in a startlingly fresh way. It throws radiant new light on their meanings... This excellent book should delight many generations of story lovers to come. -- Edith Hall * Guardian *[An] erudite and exhilarating collection... luminous, astute retellings. -- Hephzibah Anderson * Observer *[A] scholarly, capacious reimagining... Higgins makes you feel for these tormented, accursed mortals afresh. -- Claire Allfree * The Times *We are in the hands of a fine, fluent storyteller... Higgins, like the bards who first unspooled these tales, creates the illusion of spontaneity and handles suspense brilliantly... Chris Ofili's drawings complement the lyricism of the prose descriptions. Higgins depicts art mediating life - the reason, I think, that we read books... I loved this book. -- Sara Wheeler * Spectator *

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Book Synopsis'Gripping . . . You won't put it down' Sunday TelegraphA shocking collection of dark stories, ranging from chilling contemporary fairytales to disturbing supernatural fiction.Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child's day out is undercut by chilling footnotes.These dark tales explore women's fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. 'A brilliant collection of stories . . . All will burrow their way into your brain and not let go' Stylist'Shimmers with menace . . . Fans of Angela Carter and Shirley Jackson take note' i NewspaperKIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019Trade ReviewDeeply, deeply unsettling and brilliant collection of short stories. Some feature horror, nearly all feature dread and, in the manner of Shirley Jackson, all will burrow their way into your brain and not let go. * Stylist *Finely crafted feminist short stories, each one gripping and unnerving in equal measure… you won’t put it down * Sunday Telegraph *Literary and menacing. Powerfully unsettling. A fascinating collection. * Metro *Logan observes modern anxieties and commonplace troubles and twists them into surreal new shapes...marvellously unnerving...her sharp wit is unmistakable. * New Statesman *Her poetic, supernatural prose has lace edges of sticky, violent terror...Logan masters the format indubitably, channelling the spirit of Angela Carter... these tales seem to perfectly suit the unsettling times in which we live. Luckily for us, in writing these terrifying tales Logan, like Margaret Atwood or George Orwell, turns the big light on. * Herald *

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Book SynopsisA spellbinding and haunting literary fable of loss, perfect for fans of The Binding and The Night Circus.'This beautiful and beguiling book tells a poignant and haunting story rich in slow-burning intrigue and tender emotion' Jennifer Saint, Sunday Times bestselling author of Ariadne.'A transporting, delicious fairytale about loss, beauty, and love.' Kiran Millwood Hargrave, Sunday Times bestselling author of The Mercies.________________________How do you heal a broken house?First you unlock its secrets.Alone on an island, surrounded by flowers that shine as dusk begins to fall, sits an old, faded house. Rooms cannot be rented here and visits are only for those haunted by the memory of loss.When Liddy receives an invitation, she thinks there must be some mistake - she's never experienced loss. But with her curiosity stirred, and no other way to escape a life in which she feels trapped, she decides to accept.Once there, she meets Vivienne, a beautiful, austere woman whose glare leaves Liddy unsettled; Ben, the reserved gardener; and Raphael, the enigmatic Keymaker. If Liddy is to discover her true purpose in the house, she must find the root of their sorrow - but the house won't give up its secrets so easily . . .________________________'A haunting journey of self-discovery, bursting with metaphor, and with the feel of a classic fairytale. Prepare to get lost in this spellbinding world.' Ava Reid, Sunday Times bestselling author of The Wolf and the Woodsman.'Haunting, surreal, and intricate, Cartwright has deftly crafted a story about what we find when we believe we are lost.' Heather Walter, author of the Malice duology.'Enchanting, poetic prose that enriches a beautiful fairytale world.' A. E. Warren, author of the Tomorrow's Ancestors series.Trade ReviewThis beautiful and beguiling book tells a poignant and haunting story rich in slow-burning intrigue and tender emotion * Jennifer Saint, author of Ariadne *A transporting, delicious fairytale about loss, beauty, and love. * Kiran Millwood Hargrave *A haunting journey of self-discovery, bursting with metaphor, and with the feel of a classic fairytale. Prepare to get lost in this spellbinding world. * Ava Reid, Sunday Times bestselling author of The Wolf and the Woodsman *The House of Sorrowing Star is like a dream poured onto a page. Haunting, surreal, and intricate, Cartwright has deftly crafted a story about what we find when we believe we are lost. * Heather Walter, author of Malice. *Enchanting, poetic prose that enriches a beautiful fairytale world. * A. E. Warren, author of the Tomorrow’s Ancestors series *

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Book Synopsis'So immense and beautiful, it's both gorgeously composed and an addictive page-turner. Sue Rainsford is an extraordinary writer' DONAL RYAN'Unnervingly, thrillingly strange . . . a masterpiece of literary horror' CAL FLYN'Lyrical, hypnotic and provocative, I devoured Redder Days in a single, slightly furious sitting and have been haunted by it ever since' JAN CARSONTwins Anna and Adam live in an abandoned commune in a volatile landscape where they prepare for the world-ending event they believe is imminent. Adam keeps watch by day, Anna by night. They meet at dawn and dusk.Their only companion is Koan, the commune's former leader, who still exerts a malignant control over their daily rituals. But when one of the previous inhabitants returns, everything Anna and Adam thought they knew to be true is thrown into question.Dazzling, unsettling and incredibly moving, Redder Days is a stunning exploration of the consequences of corrupted power, the emotional impact of abandonment, and the endurance of humanity in the most desperate of situations, from the author of Follow Me to Ground.

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Book Synopsis'His cornucopia of tellers and tales is a delight, a riveting celebration of a genre that revels in its own hybridity and the imaginative riches produced by the crossing of cultural and literary borders' Financial Times'Like a child after the Pied Piper I pursued Jubber into a world both human and full of magic. A carnival of a book, rigorously researched and jostling with life' Amy Jeffs, author of Storyland: A New Mythology of Britain'Magical tales about magical tales and tellers. Jubber, congenially and fascinatingly, explores the land from which the great fairy stories seeped, making the stories more resonant, powerful and important than ever' Charles Foster, author of Being a Human and Being a BeastThe surprising origins and people behind the world's most influential magical tales: the people who told and re-shaped them, the landscapes that forged them, and the cultures that formed them and were in turn formed by them.Who were the Fairy Tellers?In this far-ranging quest, award-winning author Nicholas Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as 'Cinderella', 'Hansel and Gretel', 'Beauty and the Beast' and 'Baba Yaga'.From the Middle Ages to the birth of modern children's literature, they include a German apothecary's daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar.Following these and other unlikely protagonists, we travel from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland. In the process, we discover a fresh perspective on some of our most frequently told stories. Filled with adventure, tragedy and real-world magic, this bewitching book uncovers the stranger lives behind the strangest of tales.Trade ReviewPrepare yourself for a wild ride -- The TimesHis cornucopia of tellers and tales is a delight, a riveting celebration of a genre that revels in its own hybridity and the imaginative riches produced by the crossing of cultural and literary borders -- Financial TimesEngaging and interesting . . . Jubber's book shows the long-sustained value of these narratives, and should make us wonder what might happen to us if they disappeared from somewhere at the back of our brains. -- The SpectatorLike a child after the Pied Piper I pursued Jubber into a world both human and full of magic. A carnival of a book, rigorously researched and jostling with life -- Amy Jeffs, author of StorylandI love this book - a whole new way into these classic tales. The Fairy Tellers is full of fascinating detail, a must for those intrigued by the traditional tale. Author Nick Jubber is the real thing, a scholar gypsy of courage and skill -- Robert Twigger, award-winning author of Red NileJubber's style is so pervaded with intrigue and adventure that it is impossible not to be swept up by these seven fascinating tales of the neglected tellers of our most treasured stories. The Fairy Tellers brilliantly reveals all the serendipity at the heart of what we think of as eternal, the specific circumstances and individual creativity behind the great archetypes that inform our understanding of our world in childhood and beyond. Enchanting, illuminating, and delightful -- Jennifer Croft, author of Homesick and co-winner of the Man Booker International Prize for FlightsA dazzling treasury of observation, erudition, and folklore - recounted with spellbinding sensitivity and grace -- Tahir Shah, author of In Arabian NightsJubber astutely delves into the origins and deeper meanings of fairy tales and their cultural history - the cooking pot of languages and stories which have continually fed our imagination down the centuries. A fine achievement -- James Crowden, author of The Frozen RiverWondrous. Jubber evokes hidden moments and atmospheres across the world, from smoke-filled dens to exquisite palaces, so beautifully that they will linger long in my memory. A treasure trove of a book -- Zoe Gilbert, author of FolkA fabulous book . . . My favourite kind of nonfiction - skilled writing that takes imaginary worlds and renders them almost tangible -- Edward Brooke-Hitching, author of The Phantom AtlasMagical tales about magical tales and tellers. Jubber, congenially and fascinatingly, explores the land from which the great fairy stories seeped, making the stories more resonant, powerful and important than ever -- Charles Foster, author of Being a Human and Being a BeastIn this rich and sparkling journey, Jubber follows the ink trails of the great storytellers of the past, weaving a tale of his own by turns witty, bawdy, poignant, always eye-opening -- Eleanor Rosamund Barraclough, author of Beyond the NorthlandsFantastic, moreish and utterly original, with The Fairy-Tellers Jubber not only takes us through some wildly eclectic histories and landscapes, he also reminds us of what heights travel writing is capable of -- Caroline Eden, author of Black SeaInsightful, original, and, often, as charming as the tales themselves -- Professor Nancy CanepaA fabulous quest through time in search of the lost tellers of tales of wonder, Nick Jubber is a master storyteller whose endless curiosity, wit and panache brings the lives of key fairy tale tellers to vibrant life -- Kate Forsyth, author of Bitter Greens[Jubber] goes in search of some of the figures responsible for the fairy tales we know today and it pays off, their lives turning out more often than not to be as wild, adventurous and heartbreaking as the stories themselves . . . Importantly these stories are for the people and of the people -- New European

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