Traditional or cultural fiction and true stories, tales and retellings

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Book SynopsisEach line of this beautifully crafted Christmas story evokes the rugged countryside that the author loves, the heartlands of the Yorkshire Dales. A moving and charming story to warm our hearts at Christmas time.Trade Review'THE VISITOR is a moving, evocative story that touches on the many aspects of my own experience, those childhood memories of Christmas at my home in the West Riding of Yorkshire'. PATRICK STEWART, actor. 'Chris Simpson is a master storyteller from the heartlands of the Dales. This tale will take you there and will touch your heart.' JAMES HERRIOT, author. 'Chris Simpson is a born storyteller'. DR PETER CLARK

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Book SynopsisAn essential collection of chivalric romance, swordplay, wizardry and brutal feats of courage, Malory’s 15th century Morte d’Arthur is one of the world’s greatest pieces of myth-making, with most gothic and modern fantasy finding its roots in this splendid mix of history, magic and literature. This selected edition features all the best stories and many of Aubrey Beardsley’s classic illustrations. Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore, epic literature and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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Book SynopsisThe legend of King Arthur lives on in this epic and dramatic new trilogy from the magnificent storyteller M. K. Hume. Sure to appeal to fans of Game of Thrones.Trade ReviewHume brings the bloody, violent, conniving world vividly to life...will appeal to those who thrill to Game of Thrones and other tales of intersecting, ever-warring, noble lineages * Kirkus Review *Hume deftly navigates the Arthurian legends, populating them with likable and despicable characters, and casting them in a fully realized historical setting * Publishers Weekly *Historical fiction of the most bloodthirsty and roistering kind * Australian Bookseller & Publishers Magazine *Exciting, violent and bloody... Up there with Conn Iggulden and Bernard Cornwell * www.lovereading.co.uk *It's a slice of history that's totally, utterly believable. Magnificent * www.booksmonthly.co.uk *

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Book SynopsisThe third book in an exciting Arthurian trilogy.For many years, the people of Briton have enjoyed peace and prosperity under the reign of King Artor and the Union of Kings. Having spurned the despotism of his predecessor, Uther Pendragon, Arthur has ruled with a strong sense of duty, goodness and honour. Artor is now weakening with age, however, and the seeds of discontent are being sown. Seeking to cleanse the land of Christian belief, dissenters need a symbol with which to legitimise their pagan claim and gather malcontents together into a cohesive weapon. These shadowy, subversive elements seize upon the ancient cup of Bishop Lucius of Glastonbury as a way of fragmenting Artor''s hard-fought-for kingdom. But first, they must lay their hands on the relic and, in doing so, unleash a force for evil from which murder and violent mayhem ensue. But it emerges that the ultimate threat to Artor''s rule lies far closer to home; Artor is betrayed by kin. Celt will sTrade ReviewPraise for M. K. Hume: 'Hume brings the bloody, violent, conniving world vividly to life...will appeal to those who thrill to Game of Thrones and other tales of intersecting, ever-warring, noble lineages * Kirkus Review *Historical fiction of the most bloodthirsty and roistering kind * Australian Bookseller & Publishers Magazine *

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Book SynopsisA widely celebrated translator's vivid, accessible, and elegantly concise rendering of an ancient English masterpieceBeowulftells the story of a Scandinavian hero who defeats three evil creaturesa huge, cannibalistic ogre named Grendel, Grendel's monstrous mother, and a dragonand then dies, mortally wounded during his last encounter. If the definition of a superhero is someone who uses his special powers to fight evil, thenBeowulfis our first English superhero story, and arguably our best. It is also a deeply pious poem, so bold in its reverence for a virtuous pagan past that it teeters on the edge of heresy. From beginning to end, we feel we are in the hands of a master storyteller. Stephen Mitchell's marvelously clear and vivid rendering re-creates the robust masculine music of the original. It both hews closely to the meaning of the Old English and captures its wild energy and vitality, not just as a deep work of literature but also as a rousing entertainment that can still stir our feelings and rivet our attention today, after more than a thousand years. This new translationspare, sinuous, vigorous in its narration, and translucent in its poetrymakes a masterpiece accessible to everyone. Trade Review“Mitchell aims to find for Beowulf a ‘contemporary language that seems natural and alive’, and he does this well… His rendering of Beowulf has much to offer —narrative momentum, clarity, a sense of the poem’s heroic verve, and a contemporary slant.”—Susan Irvine, Times Literary Supplement“A most readable, energetic, and colorful translation of this savage epic. . . . An amazing achievement.”—Billy Collins“Stephen Mitchell’s new translation of Beowulf is elegantly wrought, highly accurate, and fully annotated. It is a compact and remarkably readable version.”—Eric Weiskott, Boston College“Stephen Mitchell comes as close to fulfilling the translator’s task as anyone at work today. He admirably balances two imperatives: to maintain fidelity to the text while rendering it available to the English we speak today. Mitchell’s reader-friendly version of Beowulf honors the narrative and will extend the readership for this foundational work of English literature.”—David Lehman“Mitchell’s version is eloquent and conveys a true sense of the original. In addition, his notes are a great enhancement.”—Harold Bloom

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Book Synopsis''Her Imagination was one of the most dazzling this century'' MARINA WALKER, INDEPENDENT ''The way to Carter''s visionary and lurid world'' THE TIMES''The darting, lyrical pen of Angela Carter, mistress of the erotic picaresque'' KIRKUS REVIEWS''I know nothing. I am a tabula rasa, a blank sheet of paper, an unhatched egg. I have not yet become a woman, although I possess a woman''s shape. Not a woman, no: both more and less than a real woman. Now I am a being as mythic and monstrous as Mother herself . . . ''New York has become the City of Dreadful Night where dissolute Leilah performs a dance of chaos for Evelyn. But this young Englishman''s fate lies in the arid desert, where a many-breasted fertility goddess will wield her scalpel to transform him into the new Eve. The Passion of New Eve is an extraordinary journey into the apocalyptic vision of the author Lorna Sage called ''The boldestTrade ReviewHer Imagination was one of the most dazzling this century -- Marina Walker * Independent *If you can imagine Baudelaire, Blake and Kafka getting together to describe America, you are well on the way to Carter's visionary and lurid world * The Times *Her writing is pyrotechnic * Observer *If we must have futuristic fantasies of feminism's nth degrees, let them come from the darting, lyrical pen of Angela Carter, mistress of the erotic picaresque * Kirkus Reviews *

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Book SynopsisThe Vinland Viking Saga: Book 3Anja has just settled into a new life on the silver shores of Vinland with her beloved, Bjorn.But then a local warrior bursts onto the scene seeking revenge, swearing to spill Viking blood.And so Bjorn must risk everything to save the woman he loves before she steps into the darkness and sets their world ablaze.The Oath of Bjorn is an epic historical novel of gripping adventure and love everlasting perfect for fans of Vikings and Outlander.Praise for The Voyage of Freydis:Anyone who loves Vikings and historical fiction definitely should pick up this book' Emily, NetGalley reviewerVery lyrically written, I felt as if I was reading a song' Tiffany, NetGalley reviewerAs a lover of mythology and historical fiction I knew immediately I was going to like this book and I'm pleased to say I not only liked it but I LOVED it!' Libby, NetGalley reviewerTamara Goranson's writing really shines here. I felt the cold, heard the wind, flinched with the blows that takesTrade Review‘Anyone who loves Vikings and historical fiction definitely should pick up this book’ Emily, NetGalley reviewer ‘Very lyrically written, I felt as if I was reading a song’ Tiffany, NetGalley reviewer ‘As a lover of mythology and historical fiction I knew immediately I was going to like this book – and I’m pleased to say I not only liked it but I LOVED it!’ Libby, NetGalley reviewer ‘Tamara Goranson’s writing really shines here. I felt the cold, heard the wind, flinched with the blows – that takes a lot of skill’ Dawn, NetGalley reviewer ‘Took me on a rollercoaster of emotions’ Charlotte, NetGalley reviewer

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Book SynopsisAnne of Green Gablesmeets Diana Wynne Jones in this whimsical fantasy adventure perfect for teen readers.Each step was like an old familiar songStill recovering from the inferno that consumed Kelseth lighthouse, apothecary Lily Knight, powerful witch Alice Blackwell, and their newfound family find refuge in a mysterious mist-wreathed castle to regroup and draw up a plan of action.Because the shadows are closing in and Hecate Winter, High Priestess of the notorious coven that almost cost Alice her life, is only getting strongerBut there are murmurings of an even more sinister threat brewing on the horizon and it has something to do with the castle.When Alice's nightmares begin to bleed into her daily reality, everything changes.Can Lily pull her back from the edge or will she finally succumb to the darkness?Here's what readers are saying:Absolutely loved it There were stories within stories like a tangled plait of hair. A plait that unravelled as certain characters' stories went off Trade Review‘Hot freaking damn guys. Sisters of Shadow was so good! Beyond addicting. I honestly couldn't put the book down until I reached the very last page’ Alaina, NetGalley ‘Full of raw, dripping magic… characters that are complex, something that I would expect to come from V E Schwab… I cannot get it out of my head. I need more, MORE, from Livesey’ Dalton, NetGalley ‘This was a gripping read, full of love, friendship, working together to overcome fears and the battle of good vs evil… should definitely be added to your TBR’ Ronni, NetGalley ‘I thoroughly enjoyed this book. The world the author created was brilliant and so immersive’ Amy, NetGalley ‘I suspect this book will have a certain Tik-Tok generation appeal… A gentle, whimsical fantasy story of best friends, first love and witches!’ Rebecca, NetGalley ‘The young adults in this book are so fierce and full of action’ Kelly, NetGalley ‘This book didn't disappoint’ Natàlia, NetGalley

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Book SynopsisEnter a world in which magic exists, hope wins and every woman’s heart is alive with courage! This global feast of ancient tales features valiant women overcoming every kind of obstacle and danger to fulfil their destinies. Travel through Africa, Asia, Europe, the Middle East, North America and the Pacific. Shudder, cheer and laugh out loud as the heroines deal with trolls, faeries, dragons and ghosts; admire their knowledge, wit and cunning; marvel at shapeshifting and other manifestations of the supernatural. A rich collection of fairy tales, beautifully illustrated throughout with Joe McClaren woodcuts, this book is stitched together like a series of Scheherazade stories. It is story-telling at its best, pitch perfect fairy tales of fearless women for readers everywhere.Trade Review‘An appealing and accessible introduction to the folklore of many different places around the world... The narrative voice is vivid and flexible, drawing in the reader from the beginning... A pleasure to read.’ Folklore Sophia Kingshill 2022

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Book SynopsisRural Cyprus, 1925. Despo is recently married, heavily pregnant and deeply afraid. The twelve days of Christmas are beginning - the time when, according to local folklore, creatures known as kalikantzari come up from Hell to wreak havoc. Meanwhile, her husband Loukas has troubles of his own. Struggling with dreams and desires he doesn't understand, he finds himself irresistibly drawn to an Englishman, a newcomer to the island. In a village wreathed in superstition, Despo and Loukas must protect themselves and their unborn child from ominous forces at play.Trade Review'With beautifully paced, rich prose, Loizou conjures the heady sights, sounds and smells of Cyprus, while exposing the horror that resides in her superstitions and traditions' —Lucie McKnight Hardy, author of 'Water Shall Refuse Them'; 'A story of illicit passion wrapped in a Cypriot folk tale, 'A Good Year' is spellbinding from start to finish, and confirms Polis Loizou as one of our boldest young writers. Evocative and resonant beyond its final page' —Dan Coxon, author of #Only The Broken Remain' and editor of 'This Dreaming Isle'; 'Intense and harrowing, 'A Good Year' is a beautifully crafted meditation on the light and shade of the human psyche in which Loizou explores one of the darkest of human fears-that of being ourselves' —Justin David, author of 'The Pharmacist'; 'A captivating story' —Mechanics Institute Review; 'A sensory supernatural delight. As heady and intoxicating as a shot of zivania, this festive tale both warms the heart and chills the soul' —Josh Winning, author of 'The Shadow Glass'; 'The best kind of horror— atmospheric, intense and deeply unsettling' —Francesca May, author of 'Wild and Wicked Things'

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Book Synopsis________________Set in a 5th century Britain besieged by invading bands of Saxons and Franks, Irish and Picts, Giles Kristian's epic novel tells - in Lancelot's own words - the story of the most revered yet reviled of all Arthur's knights, the warrior who fought at his lord's side - yet stole his wife.Trade ReviewIt is a masterpiece in the true sense of the word. -- CONN IGGULDEN, author of The Falcon of SpartaSome of us grew up with T H White’s Once and Future King as our touchstone for authenticity in the Arthurian myths; others found that Rosemary Sutcliff, Bernard Cornwell or Mary Stewart filled that role. Giles Kristian pulls together the best of the best and infuses it with his own utterly transformative understanding of myth, magic – and the many faces of love . . . There are so many modern retellings of the Arthurian myth, but this one stands head and shoulders above the rest, in the company of true greatness. -- MANDA SCOTT, author of BoudicaWithout doubt this is Giles Kristian’s finest novel to date. Glorious. Tragic. Lyrical. Totally gripping. I loved it. -- BEN KANE, author of Clash of EmpiresThis most fascinating character from Arthurian legend has been plucked from the 14th-century romances and positioned firmly back in the early medieval environment he belongs in. Giles is an extraordinary writer, able to capture sounds, smells, sensations in a sentence. No other writer thinks and feels his way back to the medieval past the way he does . . . Lancelot is an exceptional book and does what only great historical fiction can do: transport you back through time to feast, fight and feel alongside fascinating characters from the past. No one does this better than Giles Kristian. -- DR JANINA RAMIREZA gorgeous, rich retelling of the Arthurian tale. -- Antonia Senior * THE TIMES *I loved the post Roman chaos of Giles’ vision, just as I imagine it would have been but with the life of that vision breathed into it to render it in stark and bloody tones. But what I enjoyed most was the sheer glorious brutality of the age, delivered by a writer with the heart of a warrior and the soul of a poet. It’s really, really good. -- ANTHONY RICHES, author of The Centurions seriesHis Lancelot is no airy tale of magic and romance, but a muscular telling of warriors and survival, beautifully rendered in a prose that is both visceral and lyrical. This is historical fiction at its very best. -- ELIZABETH FREMANTLE, author of The Girl in the Glass TowerIntense and powerful . . . written with deep expression and enormous feeling. It is a marvellous historical adventure. * Sunday Express *Kristian is a writer with rare power to grab you at the opening of the story and to keep the pace going. Lancelot is a powerful reworking of the King Arthur myths. The pages turn by themselves. -- JUSTIN HILL, author of Viking FireMy impression as I was reading Lancelot was of a flare being held up in the gloom of this peculiarly dark passage of history. Every detail illuminated, every motive believable, every heart laid bare. A bright intensity but passing away, guttering, about to go out. And, by the time his tale comes to its conclusion, that seems to be his point. A gentle lament at the onrushing of a dark and inexorable tide which comes to extinguish a bright and golden age of Britain forever. Lancelot is a gem of a book. If there were six stars, it could have them all. Or, to use the words of Spinal Tap, “This one goes to eleven.” Loved it. -- THEODORE BRUN, author of The Wanderer ChroniclesTruly magical . . . reads with the authority and gravitas of Manda Scott's Boudica books, such that I found it utterly believable throughout . . . it was a stroke of genius to retell this legend through Lancelot's POV, the betrayer rather than the betrayed. -- ANNA STEPHENS, author of GodblindGiles Kristian’s brilliant take on the Arthurian love-triangle is impressively fresh and original . . . the language is arrestingly beautiful, poetic and poignant; the fights are satisfyingly bloody; the background is a believably muddy, pagan and benighted post-Roman Britain, against which Giles unfolds a tender and tragic love story. We know it will end badly, but reading this enchanting and elegiac novel, you can’t help rooting for Lancelot and his love and hoping it will all work out somehow by the final page. -- ANGUS DONALD, author of OutlawAuthentic, epic, and wonderfully Arthurian. -- CHRISTIAN CAMERON, author of The Ill-Made KnightKristian is one of the finest storytellers in the genre . . . this is a novel that you feel as much as you read. What we end up with is utterly staggering . . . Giles has surpassed the Cornwell trilogy in a single title. -- ROBIN CARTER * Parmenion Books *Fiercely beautiful and gripping. -- ANNA SMITH-SPARK, author of The Court of Broken KnivesIt’s difficult to think of any author more gifted to retell Lancelot’s story than Giles Kristian . . . [he] writes so beautifully. He brings these post-Roman years so vividly to life. I love the way in which the recent Roman past haunts this landscape. There is myth here, there is the Druid Merlin, and we’re reminded of many of the famous Arthurian legends, such as Excalibur, but Giles Kristian evokes a time rooted in history and in the land around us even now . . . his writing comes closest to the feeling, mood and beauty of the Old and Middle English verse that I love so much . . . there is power here, deep expression and enormous feeling. I cried and cried as the story ended in the only way it could. -- KATE ATHERTON * For Winter Nights *

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Book SynopsisThe Number One Sunday Times BestsellerAn immersive historical fantasy, She Who Became the Sun by Shelley Parker-Chan is a queer retelling of one legendary Chinese ruler's rise to power.'Magnificent in every way. War, desire, vengeance, politics – Shelley Parker-Chan has perfectly measured each ingredient' – Samantha Shannon, author of The Priory of the Orange TreeIn a famine-stricken village on a dusty plain, a seer shows two children their fates. For a family’s eighth-born son, there’s greatness. For the second daughter, nothing.In 1345, China lies restless under harsh Mongol rule. And when a bandit raid wipes out their home, the two children must somehow survive. Zhu Chongba despairs and gives in. But the girl resolves to overcome her destiny. So she takes her dead brother’s identity and begins her journey. Can Zhu escape what’s written in the stars, as rebellion sweeps the land? Or can she claim her brother’s greatness – and rise, ruthlessly, to take the dragon throne?This is a glorious tale of love, loss, betrayal and triumph by a powerful new voice.She Who Became the Sun is a reimagining of the rise to power of Zhu Yuanzhang. Zhu was the peasant rebel who expelled the Mongols, unified China under native rule, and became the founding Emperor of the Ming Dynasty.‘Epic, tragic and gorgeous’ – Alix E. Harrow, author of The Ten Thousand Doors of JanuaryTrade ReviewMagnificent in every way. War, desire, vengeance, politics – Shelley Parker-Chan has perfectly measured each ingredient of this queer historical epic. Glinting with bright rays of wit and tenderness, yet unafraid to delve into the deep shadows of human ambition, She Who Became the Sun, like Zhu, is unquestionably destined for greatness -- Samantha Shannon, author of The Priory of the Orange TreeShe Who Became the Sun is epic, tragic, and gorgeous. It will wreck you, and you will be grateful -- Alix E. Harrow, author of The Ten Thousand Doors of JanuaryA thoroughly engrossing read with a fabulous, tragic-trickster protagonist. The exploration of gender and personhood was totally absorbing . . . I've been waiting for a book like this -- Megan Campisi, author of Sin EaterEpic, sublime and emotionally devastating, She Who Became the Sun is as brilliant as Circe, and a deft and dazzling triumph -- Tasha Suri, author of The Jasmine ThroneParker-Chan unrolls the painted scroll of her epic tale with the control of a master storyteller, revealing a dazzling new world of fate, war, love and betrayal -- Zen Cho, author of Black Water SisterA gripping tale of rise to power, fate, betrayals and the bloody beginnings and endings of dynasties. Heartbreaking, stirring, haunting -- Aliette de Bodard, author of The House of Shattered WingsEvocative and heart-rending, Parker-Chan’s debut is a poetic masterpiece about war, love and identity -- S. A. Chakraborty, author of The City of BrassStunning, powerful and complex -- Anna Stephens, author of GodblindShe Who Became the Sun is an intense and sweeping epic that blurs the lines between rebellion and revenge, between fate and ambition, exposing the inherent violence of gendered ideologies and the traumas they create in ourselves and the world -- Tessa Gratton, author of The Queens of Innis LearZhu is a hero unlike any other – her propulsive desire to survive at any cost powers a glorious novel that encompasses grand betrayal, love, loss and triumph. An unforgettable debut -- A. K. Larkwood, author of The Unspoken NameShe Who Became the Sun is just amazingly, blindingly good -- Joanne Harris, author of Chocolat and A Narrow DoorA cinematic tour de force that feels classic and yet utterly fresh -- C. S. Pacat, author of Captive PrinceInstantly enthralling. Zhu is canny, charming, and ruthless as she claims her own fate in a richly detailed world, challenging dynasties and gender in the process -- Malinda Lo, author of LegendThis audacious, brilliant debut is a vivid, original reimagining . . . Peopled by flawed, fearless characters and with a dramatically violent storyline, this is immersive storytelling at its finest -- Daily MailShe Who Became the Sun is an emotional rollercoaster. Highly recommended and I can’t wait for the sequel! -- Sara Rees Brennan, author of the Lynburn Legacy series

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Book SynopsisBabylonian myths, inherited in Mesopotamia from Sumeria, influenced by the ancient Assyrians represent a pinnacle of human achievement in the period around 1800 BC. Here we find humankind battling with the elements in their Flood myth, a grim creation story and the great Epic of Gilgamesh, one of the earliest recorded literary treasures. Babylon, a powerful city state at the time of the ancient Egyptians was a centre of profound spiritual, economic and military power, themes all represented in the fragments and myths of this book of classic tales. FLAME TREE 451: From mystery to crime, supernatural to horror and myth, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.

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Book SynopsisTwo great epics of Western Culture are combined here into one volume. The Iliad tells the story of the Trojan War of the Ancient Greeks, focusing on the struggles of Achilles. The Odyssey covers the events after the war as Odysseus travels home, encountering many strange monsters and creatures along the way. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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Book SynopsisThe ancient Mabinogi is a great world literature, and fascinating Celtic mythology. Centuries of oral storytelling worked up its intricate art, delighting every generation of all ages. The Guest translation from Middle Welsh is the most well-loved, in this new edition with expert introduction by Shân Morgain. Featuring war, love, politics, enchantment, and destiny, with companion tales telling the earliest King Arthur. Brave heroes, dangerous villains, and strong, unforgettable women struggle with classic challenges we know today. FLAME TREE 451: From myth to mystery, the supernatural to horror, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.

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Book SynopsisWhat started as a normal, everyday, child-sucked-into-a-magical-land-to-fulfill-an-inane-quest has changed Fairyland forever. In the continuation of SKOTTIE YOUNG'S saccharine fantasy-satire, Gertrude hands over the spotlight to Larry, Duncan Dragon, and some of Fairyland's other supporting cast, misfits, and forgotten threats.Collects issues 16 through 20.

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Book SynopsisAlexandre Dumas (Author) Alexandre Dumas was a French playwright, historian and prolific novelist, penning a string of successful books including The Three Musketeers (1844), The Count of Monte Cristo (1845), and Twenty Years After(1845). His novels have been translated into a hundred different languages and inspired over two hundred films. In his day Dumas was as famous for his financial irresponsibility and flamboyant lifestyle as for his writing. Dumas died in 1870.Trade ReviewA family story that everyone can enjoy * Guardian *For all its darkness, [The Nutcracker] appeals to parents and their children because it's like one of those glowing glass globes that you can shake and see the snow swirl. It's a dream bubble, a vision of middle-class happiness and fantasy that precedes the Russian Revolution and all the horrors of the last century and this one. That world may have faded, but it is still our sweetest dream * New York Times *An enduring Christmas classic * Daily Telegraph *Like Hansel And Gretel, The Nutcracker is a slightly dark story, but it s also magical...a world of childhood imagination * Glasgow Herald *

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Book SynopsisThe Vinland Viking Saga: Book 1History set her fate in stoneMurderer. Mercenary. Temptress.Trickster. Traitor. Thief.But under a hammer that falls like thunder, stone will always shatter.So with her voice she lights the forge.The Voyage of Freydis sings the silenced tale of Freydis Eiriksdottir, the first and only woman to lead a Viking voyage across the Atlantic in this tempestuous retelling of an ancient Icelandic saga set at the dawn of the 11th century.Content notice: spousal abuse.Praise for The Voyage of Freydis:Anyone who loves Vikings and historical fiction definitely should pick up this book' Emily, NetGalley reviewerVery lyrically written, I felt as if I was reading a song' Tiffany, NetGalley reviewerAs a lover of mythology and historical fiction I knew immediately I was going to like this book and I'm pleased to say I not only liked it but I LOVED it!' Libby, NetGalley reviewerTamara Goranson's writing really shines here. I felt the cold, heard the wind, flinched with the blTrade Review‘Anyone who loves Vikings and historical fiction definitely should pick up this book’ Emily, NetGalley reviewer ‘Very lyrically written, I felt as if I was reading a song’ Tiffany, NetGalley reviewer ‘As a lover of mythology and historical fiction I knew immediately I was going to like this book – and I’m pleased to say I not only liked it but I LOVED it!’ Libby, NetGalley reviewer ‘Tamara Goranson’s writing really shines here. I felt the cold, heard the wind, flinched with the blows – that takes a lot of skill’ Dawn, NetGalley reviewer ‘Took me on a rollercoaster of emotions’ Charlotte, NetGalley reviewer

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Book SynopsisThe true story of Theseus and the Minotaur. Everyone thinks they know Theseus, the great Hero of Athens. But what legend has retained is merely a web of lies, a fable to hide the truth—a truth that time was not ready to accept... It's time Her story was told.

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Book SynopsisJapan's mythology is alive with gods, spirits and monsters. It draws on Buddhist and Shinto traditions to explain the nature of the world of the island of Japan, and the heavenly status of the long line of emperors. The warrior class of the imperial court, and the natural spirits of the countryside represent parallel and interdependent aspects of Japanese society, explored through ancient legend and folklore in this fascinating new book in the Flame Tree Myths and Legend series. FLAME TREE 451: From mystery to crime, supernatural to horror and myth, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.

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Book SynopsisA unique collection of traditional stories about faeries, elves and goblins. Faeries, elves, goblins, leprechauns, brownies, spriggans and many other supernatural beings leap vividly off the page in this collection of haunting stories. Included are 25 stories drawing on folklore from the rich narrative heritage of Britain and Ireland. Marvel over ancient spells to summon faeries to your house, tremble at the shapeshifting powers of dangerous faery queens, lose yourself amongst the illusions of Faeryland and learn how to protect family members from the terrors of faery abduction. Interspersed with facts on faery folklore, these tales cover faery morals, elvish misdemeanours, the spells cast by goblins and the sightings of the creatures, as well as their dealings with mortals. With charming illustrations from favourite illustrators throughout, including Arthur Rackham, this book reminds us of the enduring appeal of folklore and mystery for all generations.

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Book SynopsisThe legend of Mulan--the daughter who disguises herself as a man, dons her father's armor, and heads off to war in his place--remains one of the most popular Chinese folktales despite (or because of) its lack of supernatural demonstrations or interventions.This volume offers lively translations of the earliest recorded version of the legend and several later iterations of the tale (including the screenplay of the hugely successful 1939 Chinese film Mulan Joins the Army), illustrating the many ways that reinterpretations of this basic story reflect centuries of changes in Chinese cultural, political, and sexual attitudes.An Introduction traces the evolution of the Mulan legend and its significance in the history of Chinese popular culture. Annotation explaining terms and references unfamiliar to Western readers, a glossary, and a comprehensive bibliography further enhance the value of this volume for both scholars and students.Trade ReviewIdema's scholarship . . . [and his] ability to translate popular texts into comparably idiomatic English are outstanding achievements.--Hugh R. Clark, Ursinus CollegeThe plots and the elaborations of the Mulan narratives reproduced (and summarized) here demonstrate the many ways in which the Mulan figure has spoken to succeeding generations with differing heroic characteristics and in the idiom that each audience understood; they offer excellent texts for a deep background for any consideration of Mulan in contemporary culture. For scholars of European fairy tales, the narratives offer striking points of comparison with European crossdressing heroines of the sixteenth, seventeenth, and eighteenth centuries.--Ruth B. Bottigheimer, Stony Brook University

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Book SynopsisThis magnificent collection of eleven early [1250–1450] Chinese plays will give readers a vivid sense of life and a clear understanding of dramatic literature during an extraordinarily eventful period in Chinese history. Not only are the eleven plays in this volume expertly translated into lively, idiomatic English; they are each provided with illuminating, scholarly introductions that are yet fully intelligible to the educated lay reader. A marvelous volume.--Victor Mair, University of PennsylvaniaTrade Review"An exciting new resource for undergraduate teaching. The translated plays were clearly chosen for their literary value as well as their significance to the history of Chinese drama, and each is preceded by an introduction providing its historical context In their lucid introduction, West and Idema describe the historical background of early drama, discussing its urban setting, the theater, the actors, and the sources to trace the transformation of Yuan drama from urban popular performance into an elite reading form by the end of the Ming dynasty". --Kimberly Besio, Colby College, in The Journal of Asian StudiesWest and Idema's Monks, Bandits, Lovers, and Immortals represents a milestone in the reception of early Chinese drama in the West. Not only do the translations of eleven plays take precision, readability, and range to new heights, but the substantial yet accessible Introduction, together with a number of useful appendices, illustrations, and tables, make it the anthology of choice for courses in Chinese literature, world literature, and theater.--Patricia Sieber, Ohio State UniversityTable of ContentsIntroduction: Mending a Broken Lineage: Women, Writing, Theology; Fear & Women's Writing: Choosing the Better Part; 'A Wretched Choice?': Evangelical Women & the Word; 'My God Became Flesh': Angela of Foligno Writing the Incarnation; Speaking Funk: Womanist Insights into the Lives of Syncletica & Macrina; 'A Moor of One's Own': Writing & Silence in Sara Maitland's "A Book of Silence"; With Prayer & Pen: Reading Mother E J Dabney's "What It Means to Pray Through"; Writing a Life, Writing Theology: Edith Stein in the Company of the Saints; Writing Hunger on the Body: Simone Weil's Ethic of Hunger & Eucharistic Practice; The Body, to be Eaten, to be Written: A Theological Reflection on the Act of Writing in Theresa Hak Kyung Cha's "Dictee"; Not with One Voice: The Counterpoint of Life, Diaspora, Women, Theology, & Writing; Embodying Theology: Motherhood as Metaphor/Method; Postscript: Wounded Writing / Healing Writing.

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Book SynopsisAs the bombs rain down in the Second World War, one young girl is evacuated to the English countryside. Struggling to make sense of her new wartime life, she is given a copy of a book of ancient Norse myths and her inner and outer worlds are transformed.Linguistically stunning and imaginatively abundant, Byatt's mesmerising tale - inspired by the myth of Ragnarok -is a landmark piece of storytelling from one of the world's truly great writers.The Myths series brings together some of the world's finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo Kirino, Alexander McCall Smith, Philip Pullman, Ali Smith and Jeanette Winterson.Trade ReviewLyrical and urgent * * The Times * *Brilliant, highly intelligent, fiercely personal . . . Gorgeous -- Ursula K. Le GuinByatt has made . . . an entire world, compressed but energetically alive in all its details. When we have artists like this, who needs gods? * * Observer * *Byatt's prose is majestic, the lush descriptive passages - jewelled one minute, gory the next - a pleasure to get lost in * * Sunday Telegraph * *Byatt's writing, impassioned and liberated from the strictures of the novel, has never been so beautiful * * Telegraph * *Byatt's prose, compact and lyrical, treats the gods with dignity . . . Ragnarok is a clever, lucid, lovely book * * Guardian * *Surely among the most beautiful and incisive pages Byatt has ever written * * Independent * *Byatt enters with gusto and an almost Ted Hughes-like relish for savagery into this primitive world of sorcery and trickery * * Sunday Times * *Byatt peels back the cover of the book that the girl reads and takes us deep inside it as she delights in reimagining the twilight of the gods and the destruction of the world . . . Like Wagner before her, she dares to dream how the world might end . . . this rewriting of the Ragnarok is a story for our time of overpopulation and anthropomorphic climate change, and of all time * * Financial Times * *Byatt's retelling of Ragnarok is permeated with the loving familiarity of long acquaintance * * Evening Standard * *

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Book SynopsisThis new edition of Anthology of Classical Myth offers selections from key Near Eastern texts—the Babylonian Epic of Gilgamesh, Epic of Creation (Enuma Elish), and Atrahasis; the Hittite Song of Emergence; and the flood story from the book of Genesis—thereby enabling students to explore the many similarities between ancient Greek and Mesopotamian mythology and enhancing its reputation as the best and most complete collection of its kind.Trade ReviewReview of the first edition: "This book is a treasure-trove. It will be hugely useful to instructors teaching any level of mythology course. Not only does it provide, under one cover, good translations of the two complete books essential to every course (Theogony; Homeric Hymns), but it also offers hundreds of pages of additional primary material. . . . No other book in English offers such a wide range of well-translated and important sources. This will be the perfect complement to courses in myth and ancient civilization, making exploration of the mythic heritage richer and more intellectually exciting for all. . . . The quality of translation is universally high—passages are simple, direct, accurate, yet preserve (as the editors wished) a good sense of the native stylistic variations found in the range of excerpts." —Richard Martin, Stanford UniversityReview of the first edition: "I am astonished by the simplicity of the idea, and, at the same time, the complexity of the effort, that joined to produce this outstanding work . . . the organization is impeccable and the selection is provocative. [An] invaluable contribution to the way we teach Classical myth at the university level." —Monica Cyrino, University of New MexicoReview of the first edition: "I believe any mythology teacher who uses primary texts should order this volume for their classes; I certainly will. While the combination of Hesiod and the Homeric Hymns in one volume is in itself welcome, the addition of Apollodorus, Pausanias, Lucian, and Ovid's Heroides, among many others, should prove irresistible to experienced teachers of myth. . . . The introductory materials are very clear and well presented." —Robin Mitchell-Boyask, Temple University

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Book SynopsisThis new edition of Anthology of Classical Myth offers selections from key Near Eastern texts—the Babylonian Epic of Gilgamesh, Epic of Creation (Enuma Elish), and Atrahasis; the Hittite Song of Emergence; and the flood story from the book of Genesis—thereby enabling students to explore the many similarities between ancient Greek and Mesopotamian mythology and enhancing its reputation as the best and most complete collection of its kind.Trade ReviewReview of the first edition: "This book is a treasure-trove. It will be hugely useful to instructors teaching any level of mythology course. Not only does it provide, under one cover, good translations of the two complete books essential to every course (Theogony; Homeric Hymns), but it also offers hundreds of pages of additional primary material. . . . No other book in English offers such a wide range of well-translated and important sources. This will be the perfect complement to courses in myth and ancient civilization, making exploration of the mythic heritage richer and more intellectually exciting for all. . . . The quality of translation is universally high—passages are simple, direct, accurate, yet preserve (as the editors wished) a good sense of the native stylistic variations found in the range of excerpts." —Richard Martin, Stanford UniversityReview of the first edition: "I am astonished by the simplicity of the idea, and, at the same time, the complexity of the effort, that joined to produce this outstanding work . . . the organization is impeccable and the selection is provocative. [An] invaluable contribution to the way we teach Classical myth at the university level." —Monica Cyrino, University of New MexicoReview of the first edition: "I believe any mythology teacher who uses primary texts should order this volume for their classes; I certainly will. While the combination of Hesiod and the Homeric Hymns in one volume is in itself welcome, the addition of Apollodorus, Pausanias, Lucian, and Ovid's Heroides, among many others, should prove irresistible to experienced teachers of myth. . . . The introductory materials are very clear and well presented." —Robin Mitchell-Boyask, Temple University

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Book SynopsisSub-Saharan Africa is a land of colourful contrasts and diverse cultures. Despite the destructive influences of colonialism and the slave trade and the lack of early written records, Africa has persevered with its powerful tradition of storytelling, with tales of its history passed down in songs and stories through the generations. Because of the huge diversity of lifestyles and traditions, no real unified mythology exists in Africa, but broadly speaking, a number of beliefs, ideas and themes are shared by African peoples. So this collection offers a selection of descriptions and tales, often those recorded faithfully by some of the first to put them to paper – tales of the gods, creation stories, trickster adventures, animal fables and stories which amuse and teach – from 'Olukun’s Revenge', from the Yoruba people of west Africa, to' The Story of the Glutton', from the Bantu-speaking peoples of east Africa, all brought together with the aim of providing an insight into the boundless and vibrant world of African myth. FLAME TREE 451: From mystery to crime, supernatural to horror and myth, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.

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Book SynopsisThe international Number One bestseller from the author of The Song of Achilles, shortlisted for the Women's Prize for FictionWoman. Witch. Myth. Mortal. Outcast. Lover. Destroyer. Survivor. CIRCE. In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens the gods, she is banished to the island of Aiaia where she hones her occult craft, casting spells, gathering strange herbs and taming wild beasts. Yet a woman who stands alone will never be left in peace for long and among her island's guests is an unexpected visitor: the mortal Odysseus, for whom Circe will risk everything. So Circe sets forth her tale, a vivid, mesmerizing epic of family rivalTrade ReviewA novel to be gobbled greedily in a single sitting * Observer *Circe is poised to become the literary sensation of the summer, as much for the quality of its writing as its timeliness * Sunday Times Magazine *Enough magic, enchantment, voyages and wonders to satisfy the most jaded sword-and-sorcery palate. Miller approaches Odysseus’s story from Circe’s point of view, richly evoking her protagonist’s overlapping identities as goddess, witch, lover and mother -- Adam Roberts * Guardian, Books of the Year *A triumph * The Times, Books of the Year *Circe back as superwoman … Homer’s witch get a kickass modern makeover… Miller’s Me Too-era, kickass portrait of a woman trying to defy the men and Fates arrayed against her is enchanting… Blisteringly modern * The Times *In a thrilling tour de force of imagination, Miller makes her otherworldly heroine a complex, sympathetic figure for whom we cheer throughout. Circe is a truly spellbinding novel, the mesmerising shimmer of ancient magic rising from it like a heat haze * Mail on Sunday *A brilliantly strange work of mythic science fiction, as effortlessly expressive within the palaces of gods as it is about the world below … Superb … This is both a fabulous novel and a fascinating retelling; the best compliment, perhaps, that any myth could hope for * Daily Telegraph *This year’s novels were filled with the angry clamour of women’s voices: ignored, idealistic or excitingly ambivalent. Madeline Miller reflected the mood for feminist revisionism with her lissom follow-up Circe, which casts the witch goddess in the Odyssey not as a bit player in a man’s epic but as the star of her own show -- Claire Allfree * Daily Telegraph, Books of the Year *It was a big year for creative retelling of myth and pre-modern literature; a favourite was Madeline Miller's Circe, a distinctive, lyrical novel about power, agency and reponsibility, from the point of view of this crafty, much-misunderstood goddess -- Emily Wilson * Times Literary Supplement, Books of the Year *The writing is lovely, the tone assured, and the touch just right -- Alexander McCall Smith * Independent, Books of the Year *It is out of these insights that Miller achieves real narrative propulsion … Supple, pitched in a register that bridges man and myth * Guardian *The first witch in Western literature sets Homer straight as she tells her life story, from her unhappy childhood to her lonely island exile. The woman who emerges is complex and sympathetic. A spellbinding tour de force of imagination * Mail on Sunday, ‘Sizzling summer reads’ *Miller has effected a transformation just as impressive as any of her heroine’s own: she’s turned an ancient tale of female subjugation into one of empowerment and courage full of contemporary resonances -- Lucy Scholes * Independent *What more could you wish for on holiday than this fabulously written re-imagining of the myth? Gods, monsters and mortals are lushly evoked in a page-turner that is as gripping as a soap opera and which triumphantly fuses myth with our contemporary concerns -- Elizabeth Buchan * Daily Mail, Books of the Summer 2018 *Dubbed the ‘feminist Odyssey’, there’s so much to like about Circe. From the author of the much-loved The Song of Achilles, this novel puts a feminist spin on Greek mythology, recasting Circe, the vilified witch infamous for turning men into pigs, in a sympathetic light. Subverting the usual masculine tropes of epic adventure narratives, Miller tells the story of the women who have been historically silenced. And on top of that, she makes Greek myths and culture, which is often perceived as impenetrable and intimidating, accessible. A real page-turner * Elle Magazine *Illuminates known stories from a new perspective … Miller has determined, in her characterization of this most powerful witch, to bring her as close as possible to the human, as a thoughtful and compassionate woman who learns to love unselfishly … A highly psychologized, redemptive and ultimately exculpatory account of the protagonist herself -- Claire Messud * New York Times *The Orange prizewinner Madeline Miller reimagines Circe, the witch from The Odyssey. In Miller’s retelling Circe is a suitably bolshie character who is not going to be bossed around by men. The writing is beautiful * The Times *An epic that’s also a page-turner * i *Fabulous … Bold and sensuously written, it plays brilliantly with the original myth of Circe * Daily Mail *I’ve been waiting for Circe by Madeline Miller for what feels like forever. Since her 2011 debut, The Song of Achilles – a queer retelling of the Iliad from Patroclus’ perspective – I’ve been crowing about the wit and magic of Miller’s prose. Circe did not disappoint. It’s a feminist tale of the nymph child of Helios, the sun god, who is exiled for practising witchcraft. Circe lives for hundreds of years, encountering heroes, gods and legends, but it never feels like a Greek mythology lesson. Actually, it feels more like a splashy, gossipy memoir written by a celebrity who has met everyone. I suspect this will be my book of the year -- Caroline O'Donoghue * Irish Times *Greek myth is fertile fictional terrain for Miller, who won the Orange Prize with her debut, The Song of Achilles. Her new novel is narrated by Circe, the witch from Homer’s Odyssey, who is banished to a remote island and there learns how to survive as a woman alone in the world -- Anita Sethi * Independent, Books of 2018 *A bold and subversive retelling of the goddess’s story that manages to be both epic and intimate in its scope, recasting the most infamous female figure from the Odyssey as a hero in her own right * New York Times *[Miller] gives voice to Circe as a multifaceted and evolving character ... Circe is very pleasurable to read, combining lively versions of familiar tales and snippets of other, related standards with a highly psychologized, redemptive and ultimately exculpatory account of the protagonist herself * New York Times Book Review *God though she may be, here she faces life – and its love, heartbreak, loneliness and motherhood – with immensely relatable humanity. The definition of female strength in all its fractured, fragile glory * **** Stylist *Offers opportunities for feminist revision of famous characters both mortal and divine, especially the egotistical Odysseus and the irresponsible and laddish Hermes. It also leads to a suspenseful metaphysical dilemma … Polished diction and descriptive powers * Prospect *Absorbing ... One of the most amazing qualities of this novel [is]: We know how everything here turns out -we’ve known it for thousands of years - and yet in Miller’s lush reimagining, the story feels harrowing and unexpected. The feminist light she shines on these events never distorts their original shape; it only illuminates details we hadn’t noticed before… In the story that dawns from Miller’s rosy fingers, the fate that awaits Circe is at once divine and mortal, impossibility strange and yet entirely human * Washington Post *A look at mythology with fresh eyes ... In Circe the female perspective sharpens into focus in a way that doesn’t happen in the original * Wall Street Journal *Miller excels at reworking myths and legends for a modern audience … Miller conjures up a cast of strong, relatable characters, from cold-hearted gods and flawed heroes to deadly monsters-and best of all-a strong female protagonist. Fabulously readable * Scotsman *Beautifully written throughout … Miller has broken [Circe] free of the conventions of the masculine epic * Literary Review *A refreshingly complex and utterly compelling portrait of one of the most intriguing women in western literature … Miller’s depiction of what it feels like to work magic is extraordinarily vivid and convincing … What elevates Circe is Miller’s luminous prose, which is both enormously readable and evocative, and the way in which she depicts the gulf between gods and mortals … Circe can be part of that cycle of cruel and pointless conflict, or she can choose to break it. In this unforgettable novel, Miller makes us care about that magical, mythical choice * Irish Times *In Circe, Miller gives depth and history to the title character, how it was she came to be on her island, and her struggles as an independent woman. The “heroes” of Greek myths - the gods, Odysseus and so on - get shoved to the side, as Miller brings to the forefront a fascinating, captivating female character. This is wonderfully detailed and well worth the more than five year wait since The Song of Achilles * Stylist, The 20 must-read books to make room for in 2018 *A mesmerising, fiercely feminist and lyrical retelling of a story from Greek mythology – as enchanting as the enchantress herself * Psychologies *Circe is the utterly captivating, exquisitely written story of an ordinary, and extraordinary, woman's life -- Eimear McBride, author of A Girl is a Half-Formed ThingAn epic spanning thousands of years that's also a keep-you-up-all-night page turner -- Ann PatchettHorror, heartache and grit pour from the pages of this exquisitely written and compelling novel. An alchemist with words, Miller continues to rejuvenate the classics with her exceptional talent … Circe is one of the best and most rewarding books of 2018 * Attitude, 'Book of the Month' *Gives Greek mythology a modern, feminist twist * Elle *Miller weaves an intoxicating tale of gods and heroes, magic and monsters, survival and transformation * i *Gorgeously written ... It leaves you thinking about it for weeks * Grazia *

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Book SynopsisAn inspired and urgent prose retelling of the Maya myth of creation by acclaimed Latin American author and scholar Ilan Stavans, gorgeously illustrated by Salvadoran folk artist Gabriela Larios and introduced by renowned author, diplomat, and environmental activist Homero Aridjis.The archetypal creation story of Latin America, the Popol Vuh began as a Maya oral tradition millennia ago. In the mid-sixteenth century, as indigenous cultures across the continent were being threatened with destruction by European conquest and Christianity, it was written down in verse by members of the K'iche' nobility in what is today Guatemala. In 1701, that text was translated into Spanish by a Dominican friar and ethnographer before vanishing mysteriously.Cosmic in scope and yet intimately human, the Popol Vuh offers invaluable insight into the Maya way of life before being decimated by colonizationtheir code of ethics, their views on death and the afterlife, and their devotion to passion, courage, and the natural world. It tells the story of how the world was created in a series of rehearsals that included wooden dummies, demi-gods, and eventually humans. It describes the underworld, Xibalbaa place as harrowing as Dante's helland relates the legend of the ultimate king, who, in the face of tragedy, became a spirit that accompanies his people in their struggle for survival.Popol Vuh: A Retelling is a one-of-a-kind prose rendition of this sacred text that is as seminal as the Bible and the Qur''an, the Ramayana and the Odyssey. Award-winning scholar of Latin American literature Ilan Stavans brings a fresh creative energy to the Popol Vuh, giving a new generation of readers the opportunity to connect with this timeless story and with the plight of the indigenous people of the Americas.

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Book SynopsisReynard – a subversive, dashing, anarchic, aristocratic, witty fox from the watery lowlands of medieval East Flanders – is in trouble. He has been summoned to the court of King Noble the Lion, charged with all manner of crimes and misdemeanours. How will he pit his wits against his accusers – greedy Bruin the Bear, pretentious Courtoys the Hound or dark and dangerous Isengrim the Wolf – to escape the gallows? Reynard was once the most popular and beloved character in European folklore, as familiar as Robin Hood, King Arthur or Cinderella. His character spoke eloquently for the unvoiced and disenfranchised, but also amused and delighted the elite, capturing hearts and minds across borders and societal classes for centuries. Based on William Caxton’s bestselling 1481 English translation of the Middle Dutch, but expanded with new interpretations, innovative language and characterisation, this edition is an imaginative retelling of the Reynard story. With its themes of protest, resistance and duplicity fronted by a personable, anti-heroic Fox making his way in a dangerous and cruel world, this gripping tale is as relevant and controversial today as it was in the fifteenth century.Trade Review“Anne Louise Avery presents the full, complicated glory of the silver-tongued predator and his milieu in Reynard the Fox, a tour de force of storytelling and a beautiful object in itself. A writer and art historian, Ms. Avery deploys a scholar’s fluency with medieval language, literature and religion and a raconteur’s ease with anecdote.” -- Meghan Cox Gurdon * The Wall Street Journal *"Game of Thrones meets The Wind in the Willows in Avery's retelling of Reynard the Fox. Riffing on William Caxton's 1481 English translation of a popular Dutch beast epic, this is set in an intricate medieval world reminiscent of Brian Jacques's 'Redwall' series, except bawdy and violent. . . . By cleaving close to Caxton's medieval text, the challenge of Avery's language is equaled by the reward of world-building." -- Katherine Magyarody * School Library Journal *"Anne Louise Avery has done a new translation of the Caxton tale for the Bodleian Library, but has amplified the relatively brief traditional tales with her own prose. . . . By all means, give this book to someone you love as a gift, but be sure to buy one for yourself. The immersive reading experience is lovely." -- Jill O’Neill * Scholarly Kitchen *"This is marvelously spirited and adroit storytelling and an exciting example of innovative translation. Anne-Louise Avery communicates throughout sheer pleasure in the material and luxuriates in its lexical exuberance. Adding mischievous contemporary twists, she has wonderfully refreshed and revivified the medieval collection and shows how these traditional animal fables, with their large and lively cast of characters and their wicked and seductive protagonist, have lost none of their truth-telling power." * Marina Warner *“Reynard the Fox as retold by Anne Louise Avery is a delight to read and an example of how our oldest tales are still some of the best ones around.” -- Richard Marcus * Seattle Post Intelligencer *

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A Neverwhere short story from one of the brightest, most brilliant writers of our generation - the Sunday Times and New York Times bestselling author of the award-winning The Ocean At the End of the Lane. The coat. It was elegant. It was beautiful. It was so close that he could have reached out and touched it.And it was unquestionably his.***'Gaiman's achievement is to make the fantasy world seem true' The Times

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Book SynopsisThe Polynesian triangle covers Easter Island, Hawaii, New Zealand and the many isles in between. The legends of the region are based on the creation of land, fish, sea, valleys and the volcanic outcrops scattered across the long stretches of the Pacific. The beautiful myths of the ancient Polynesians are brought together in this new collection: from Hawaii the Rainbow Maiden of Manoa undulates through the valleys and rainbow mists; the creator Maui releases his fish hooks into the sea to raise the islands to the surface; and tales of Pele the Fire Goddess, who hurls fountains of molten rock into the air creating vast flows of lava. From the Maori of New Zealand come the strange fruit of darkness, the tales of Tiki and the Great Mother from whom the gods descend, then humankind. And from Polynesia, more legends of Maui creating the ancestors, and Hina the moon goddess. Such myth-making joy creates a rare unity in diversity as the ancient Polynesians strove to explain the beauty and darkness of their lush ocean worlds, now offered in this new selection of myths and legends. FLAME TREE 451: From myth to mystery, the supernatural to horror, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.

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Book SynopsisONLY ONE CAN BE QUEEN'A feminist fantasy fairy tale not to be missed' BookPage Sixteen-year-old Mina is motherless, her magician father is vicious, and her silent heart has never beat with love for anyone. In fact, it has never beat at all, for her father cut it out and replaced it with one of glass. When she moves to Whitespring Castle, Mina forms a plan: win the king's heart with her beauty, become queen, and finally know love. The only catch is that she'll have to become a stepmother.Fifteen-year-old Lynet looks just like her late mother, and one day she discovers why: a magician created her out of snow in the dead queen's image. Lynet would rather be like her fierce and regal stepmother, Mina, but when her father makes her queen of the southern territories, Mina starts to look at Lynet with something like hatred, and Lynet must decide what to do - and who to be - in order to win back the only mother she's ever known . . . or else defeat her once and for all.'An empowering and progressive original retelling' School Library Journal'Utterly superb' ALA Booklist'Dark, fantastical, hauntingly evocative' KirkusTrade ReviewGirls Made of Snow and Glass is recognisably drawing on Snow White, but its queerness, and its focus on relationships between (step) mothers and daughters, makes it a compelling, refreshingly new version of a very old story. I liked it a lot * Tor.com *In Girls Made of Snow and Glass, Melissa Bashardoust has given us exquisite displays of magic, complex mother-daughter relationships, and gloriously powerful women triumphing in a world that does not want them to be powerful. A gorgeous, feminist fairy tale * Traci Chee, New York Times bestselling author of The Reader *A feminist fairy tale not to be missed * BookPage *Utterly superb * ALA Booklist *Dark, fantastical, hauntingly evocative * Kirkus Reviews, starred review *An empowering and progressive original retelling * School Library Journal *

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Book SynopsisMany medieval writers, especially from France and Wales, wrote stories about the great British leader that was King Arthur. Legends, folklore and myths from this period come together to paint a picture of who he was. Some describe him as a great warrior, defending Britain from its enemies, while others suggest Arthur had magical qualities. Throughout this mystery, King Arthur has become an iconic figure, known for his court and knights, all over the world. This collection offers a selection of myths, featuring Arthur’s knights of the round table, his love for Queen Guinevere and of course the ultimate betrayal by one of his most trusted knights, Sir Launcelot. All awaken the magical and exciting world of King Arthur. FLAME TREE 451: From mystery to crime, supernatural to horror and myth, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.

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Book SynopsisThe debut series from the double Hugo Award-winning N. K. Jemisin, author of The Fifth SeasonFor two thousand years the Arameri family has ruled the world by enslaving the very gods that created mortalkind. Now the gods are free, and the Arameri's ruthless grip is slipping. Yet they are all that stands between peace and world-spanning, unending war.Shahar, last scion of the family, must choose her loyalties. She yearns to trust Sieh, the godling she loves. Yet her duty as Arameri heir is to uphold the family's interests, even if that means using and destroying everyone she cares for.As long-suppressed rage and terrible new magics consume the world, the Maelstrom - which even gods fear - is summoned forth. Shahar and Sieh: mortal and god, lovers and enemies. Can they stand together against the chaos that threatens the kingdom of gods?The Inheritance Trilogy begins with The Hundred Thousand Kingdoms, continues in The Broken Kingdoms and concludes in The Kingdom of Gods.Trade Review'This has been an intensely enjoyable series to read...What began as a twist on the familiar fantasy epic has developed into a penetrating analysis of the relationships between gods and humans, and the problems that arise, but also issues of power among people and countries, and who gets to wield it' * INTERZONE *The Inheritance Trilogy has all the elements I love in fantasy: worlds that are fresh and not overly derivative of fantasy that's gone before, complex characters with both strengths and flaws, powerful magic that isn't just a substitute for technology but affects everything from the obvious like power structures to the subtle, like everyday attitudes and habits. Oh, and a compelling, gripping plot * Trudi Canavan (SUNDAY TIMES bestselling author) *

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Book Synopsis"The poems of the Poetic Edda have waited a long time for a Modern English translation that would do them justice. Here it is at last (Odin be praised!) and well worth the wait. These amazing texts from a 13th-century Icelandic manuscript are of huge historical, mythological and literary importance, containing the lion's share of information that survives today about the gods and heroes of pre-Christian Scandinavians, their unique vision of the beginning and end of the world, etc. Jackson Crawford's modern versions of these poems are authoritative and fluent and often very gripping. With their individual headnotes and complementary general introduction, they supply today's readers with most of what they need to know in order to understand and appreciate the beliefs, motivations, and values of the Vikings." --Dick Ringler, Professor Emeritus of English and Scandinavian Studies at the University of Wisconsin–MadisonTrade Review"An excellent and entertaining work that succeeds in achieving its intended purpose: to create an accessible and readable English translation of the Poetic Edda. Crawford's knowledge of and passion for the topic is clear throughout, and he strikes an excellent balance between approachability and authenticity. I will most certainly be using this translation when I teach Norse mythology in the future and will recommend it to anyone looking for an approachable introduction to the subject." —Natalie M. Van Deusen, University of Alberta, in Scandinavian-Canadian Studies

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Book SynopsisHarperCollins is proud to present its new range of best-loved, essential classics.So he rose and lighted one lamp after another, till he had lighted the whole eighty and the palace seemed to dance with brilliancy.'Beginning with the legend of King Shahryr, whose anger at his queen's infidelity leads him to murder a new wife each day, Arabian Nights weaves together ancient folklore and magic in an anthology of fantastical and evocative stories dating from the ninth century.Rich with suspense, passion and tragedy, Sir Richard Burton's celebrated translation continues to transport readers across oceans, to mystical lands and ancient palaces in tales such as The Lovers of Bessorah', The Fellah and His Wicked Wife' and The Hunchback's Tale'.

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Book SynopsisWith a new introduction, comes the story of Hannibal, often regarded as a successor to the mantle of Alexander the Great, at a time when Carthage, in North Africa, and Rome were rivals for land and power across the Mediterranean sea. A masterful tactician, a resourceful planner and courageous general, Hannibal famously crossed the Alps with a vast army of 100,000 soldiers and their elephants to make his mark on history, winning a series of battles across the Roman territories, holding much of Italy for over 15 years without ever quite overthrowing the Roman Republic. FLAME TREE 451: From myth to mystery, the supernatural to horror, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.

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Book SynopsisFirst ever standalone edition of one of J.R.R. Tolkien's most important poetic dramas, that explores timely themes such as the nature of heroism and chivalry during war, and which features unpublished and never-before-seen texts and drafts.In 991 AD, vikings attacked an Anglo-Saxon defence-force led by their duke, Beorhtnoth, resulting in brutal fighting along the banks of the river Blackwater, near Maldon in Essex. The attack is widely considered one of the defining conflicts of tenth-century England, due to it being immortalised in the poem, The Battle of Maldon.Written shortly after the battle, the poem now survives only as a 325-line fragment, but its value to today is incalculable, not just as an heroic tale but in vividly expressing the lost language of our ancestors and celebrating ideals of loyalty and friendship.J.R.R. Tolkien considered The Battle of Maldon the last surviving fragment of ancient English heroic minstrelsy'. It would inspire him to compose, during the 1930s, hiTrade Review ‘If you were to choose only one [book] to gain some insight into the prolific smorgasbord of his multifaceted writing, this is peak Tolkien’ Wall Street Journal ‘Offers valuable insight into Tolkien’s creative process and enriching our understanding of his scholarly contributions’ Amon Hen, Bulletin of the Tolkien Society ‘Tolkien was a storyteller of genius’ Literary Review

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