Traditional and folk music Books

Book SynopsisJamaica’s rich culture is known the world over; and every aspect of this culture has been influenced by Jamaica’s African heritage. From speech to dress, and spirituality to dance, from food to folklore and from music to art and religion, African retentions from the time of slavery have become more than preserved aspects of Jamaica’s past; African traditions have become part and parcel of Jamaican culture.In this Reader, Coester and Bender have compiled some of the most important ethnographic work by noted researchers which, although previously published, have been exceptionally difficult to access by the growing community of scholars of African-Caribbean and Jamaican studies. Several seminal articles on aspects of African-Jamaican culture are included in this rich and valuable collection that describes and analyses the elements that make up a distinctive African-Jamaican ethos.

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Book SynopsisCalypsonians have long been the `voice of the people’, delivering the complaints, criticisms and even the solutions to political leaders. In its earliest manifestations, calypso music emerged in response to a cultural climate that demanded creative modes of expression that could both resist and record political and historical changes taking place in Trinidad and Tobago. Since the 1920s and 1930s, calypsonians typically have composed songs that chronicle their observations and opinions on current events focusing on specific occurrences, from local scandals to current affairs while also examining broader trends. Not only has calypso served as an unofficial record of historical events, it emerged as a cultural weapon that yielded tremendous sway within the general audiences of the Caribbean region. This collection includes contributions from calypsonians, critics, novelists and poets alike, all engaged in representing Caribbean culture in its myriad forms. It represents an array of convergences across critical perspectives, political and social agendas, generations and national boundaries. The work of numerous calypsonians and other singers are explored, including Sparrow; Kitchener; Chalkdust; Denise Belfon; and writers such as Samuel Selvon, V.S. Naipaul, Jean Rhys, Errol John, Paul Marshall, Earl Lovelace and Lashkmi Persaud. The comparative analyses provide an interdisciplinary approach to Cultural Studies making the volume essential reading for students, scholars and calypso enthusiasts.

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