Theory of art Books
David Zwirner Souvenirs From a Memoir
Book SynopsisA selection from the memoir of Elisabeth Louise Vigée Le Brun, the renowned eighteenth-century French portraitist and one of the most important women painters in art historyIn her memoir, Elisabeth Louise Vigée Le Brun offers a candid and thoroughly enjoyable account of her life and art. She relates her encounters among the royalty and aristocracy she paintedincluding, most famously, her patron Marie Antoinetteand the effusive reception they extended to her across Europe. Forced to flee during the French Revolution, Vigée Le Brun traveled through Italy, Russia, Germany, and England, returning twelve years later to France under Napoleon I. These pages demonstrate her unflagging creativity during unstable times and her remarkable savvy. Her observations provide unique insight into the art world of eighteenth- and nineteenth-century Europe, a time when women were rarely allowed success. In her introduction to this volume, the scholar Anne Higonnet conveys Vigée Le Brun's unique position at a turning point in the art world, as well as the larger world beyond, and navigates in particular how one retroactively reconstructs a relationship to a world-changing revolution.
£10.40
Archaeopress Artistic Practices and Archaeological Research
Book Synopsis‘Artistic Practices and Archaeological Research’ aims to expand the field of archaeological research with an anthropological understanding of practices which include artistic methods. The project has come about through a collaborative venture between Dragos Gheorghiu (archaeologist and professional visual artist) and Theodor Barth (anthropologist). This anthology contains articles from professional archaeologists, artists and designers. The contributions cover a scale ranging from theoretical reflections on pre-existing archaeological finds/documentation, to reflective field-practices where acts of ‘making’ are used to interface with the site. These acts feature a manufacturing range from ceramics, painting, drawing, type-setting and augmented reality (AR). The scope of the anthology – as a book or edited whole – has accordingly been to determine a comparative approach resulting in an identifiable set of common concerns. Accordingly, the book proceeds from a comparative approach to research ontologies, extending the experimental ventures of the contributors, to the hatching of artistic propositions that demonstrably overlap with academic research traditions, of epistemic claims in the making. This comparative approach relies on the notion of transposition: that is an idea of the makeshift relocation of methodological issues – research ontologies at the brink of epistemic claims – and accumulates depth from one article to the next as the reader makes her way through the volume. However, instead of proposing a set method, the book offers a lighter touch in highlighting the role of operators between research and writing, rather entailing a duplication of practice, in moving from artistic ideas to epistemic claims. This, in the lingo of artistic research, is known as exposition. Emphasising the construct of the ‘learning theatre’ the volume provides a support structure for the contributions to book-project, in the tradition of viewing from natural history. The contributions are hands-on and concrete, while building an agenda for a broader contemporary archaeological discussion.Table of ContentsContents; Introduction: Exposition and Transposition. Seeking an Ontologic Sensoriality in Contingencies – by Theodor Barth; Convergences: Archaeology and Art – by Giulio Calegari; Art as Entangled Material Practices. The Case of Late Iron Age Scandinavian Gold Foil Figures in the Making – by Ing-Marie Back Danielsson; The Mediality of Rock and Metal. Exploring Formal Analyses of Rock Art through Graffiti – by Fredrik Fahlander; The Diverse Sense of Frontality of Prehistoric Pottery: At the Time of Production, Deposition, and Publication/Exhibition – by Makoto Tomii; Art or Creativity? From Archaeological Photo-Ethnography to Art: Approaches to Two Contemporary Sites – by José Ant. Marmol Martinez; Heidegger at Work. An Archaeological Employment of a Theory of Truth in Art – by Ylva Sjostrand; Art and Thought – by Marcel Otte and Hans Lemmen; Experimenting the Art of Origins: Animating Images by Blowing Colours and Sounds – by Dragoş Gheorghiu; ‘Who’s Afraid of Virginia Woolf?’ Art, Archaeology and Forensic Anthropology – by Theodor Barth and Ane Thon Knutsen; Epigraphy in the Landscape: Intersections with Contemporary Ink Painting and Land Art – by Lia Wei; Magnetic Boulders. Unfolding Stone with Gestures and Light – by Geir Harald Samuelsen; PORØS: A Model of Resistance as Material Communication – by Neil Forrest and Theodor Barth; Virtual Art in Teaching and Learning Archaeology: An Intermedia to Augment the Content of Virtual Spaces and the Quality of Immersion – by Dragos Gheorghiu and Livia Stefan
£38.00
Art LoVers Celebrating Elisabeth de Bièvre and
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£57.00
Intellect Critical Digital Art History
Book SynopsisThis anthology highlights emerging criticalperspectives on digitization, computationalmethods and datafication in art history and themuseum/heritage sector. The aim is to develop adeeper understanding of the theoretical andpolitical aspects of the use of digital tools in theseareas. 25b&w illus.
£23.70
Intellect Photo Obscura
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£33.20
Verso Books Crisis as Form
Book SynopsisCriticism of contemporary art is split by an opposition between activism and the critical function of form. Yet the deeper, more subterranean terms of art-judgment are largely neglected on both sides. These essays combine a re-examination of the terms of judgement of contemporary art with critical interpretations of individual works and exhibitions by Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof and Cady Noland. The book moves from philosophical issues, via the lingering shadows of medium-specificity (in photography and art music), and the changing states of museums, to analyses of the peculiar ways that works of art relate to time.To give artistic form to crisis, it is suggested, one needs to understand contemporary art's own constitutive crisis of form.Trade ReviewSpritely -- David Beer * The Critic *Praise for Anywhere or Not At All * : *An important achievement. This is the first book known to me that brings contemporary art as a whole to philosophical consideration. One of the orienting points for future work. -- John Rapko * Notre Dame, Philosophical Reviews *A brilliant book -- Blake Stimson * Philosophy of Photography *Osborne's capacity to synthesise the impact of new geopolitical realities on art practices make this book an important one not just for philosophers, art historians and critics, but new media theorists as well. -- Lisa Trhair * Critical Enquiry *An inestimably significant intervention into a range of debates in the history, theory, criticism, and philosophy of contemporary art and its various genealogies and lineages. For the range of thought-provoking and suggestive insights offered, it has few competitors in the field. -- James Lavender * Goodreads *Praise for The Postconceptual Condition * : *Compelling -- Max L. Feldman * Afterimage *Peter Osborne offers a fundamental reflection on the critical potential of art today, but also on its lacunas, an element that gives more value to the work. * Critique d’art *Very little philosophical writing is inspiring enough to catalyse art and bring it into being. Peter Osborne's writing is consistently in this category. -- Hito SteyerlIt is essential reading for anyone serious about contemporary art - or its philosophy. -- Ruth Noack, Curator of documeta 12
£18.99
Verso Books Images of Class: Operaismo, Autonomia and the
Book SynopsisDuring the 1960s and 1970s, Workerism and Autonomia were prominent Marxist currents. However, it is rarely acknowledged that these movements inspired many visual artists such as the members of Archizoom, Gordon Matta-Clark and Gianfranco Baruchello. This book focuses on the aesthetic and cultural discourse developed by three generations of militants (including Mario Tronti, Antonio Negri, Bifo and Silvia Federici), and how it was appropriated by artists, architects, graphic designers and architectural historians such as Manfredo Tafuri. Images of Class signposts key moments of this dialogue, ranging from the drawings published on classe operaia to Potere Operaio's exhibition in Paris, the Metropolitan Indians' zines, a feminist art collective who adhered to the Wages for Housework Campaign, and the N group's experiments with Gestalt theory. Featuring more than 140 images of artworks, many published here for the first time, this volume provides an original perspective on post-war Italian culture and new insights into some of the most influential Marxist movements of the twentieth and twenty-first centuries worldwide.Trade ReviewA tremendous achievement: through critically exploring what it terms "visual practices and communicative strategies", Images of Class uncovers crucial, hitherto ignored dimensions of the workerist adventure. -- Steve Wright, author of Storming Heaven Class Composition and Struggle in Italian Autonomist MarxismThe 1970s in Italy were a decade of social conflicts and intense cultural and aesthetic innovation, but only now, thanks to the Galimberti's book we can have a glimpse of the visual dimension of the movement of Autonomia and of the cultural field that is generally known as "operaismo". -- Franco "Bifo" BerardiMasterful in sweep and molecular in detail, Jacopo Galimberti's volume draws upon thorough archival work and a nuanced understanding of Italy's post-war extraparliamentary left. As the book's incisive case studies reveal, the period's proliferating images of class were matched by an assault upon established classes of imagery. The defiance of capitalist wage relations found an equivalent not merely in the iconography of social contestation, but new formats and forums, new means of circulation and dissemination, from architectural interventions to graphic novels to ephemera which refused institutionalization. Galimberti shows us a time and place when the collective "class vernacular" of operaismo and autonomia had not yet ceded to something else. We can still rail against that something else, in Italy and elsewhere: urban gentrification, critical grandstanding, a bloated art market, the aesthetic apotheosis of the individual. But this book helps us remember what came first and what might, one day, come again. -- Ara H Merjian, New York UniversityRich in innovative insights, Images of Class proposes a fresh approach to a tumultuous historical period that generated original political theories and social movements. This inspiring and beautiful volume is a must-read. -- Leopoldina Fortunati, author of The Arcane of ReproductionA very significant contribution in the English language to the historicization of operaismo...Images of Class performs novel research on the development of these Marxian and dissident tendencies alongside visual, literary, and architectural production and theory. -- Andreas Petrossiants * Social Text *
£24.69
Tate Publishing A Short Book About Art Expanded Edition
Book SynopsisThe bestselling survey of art history, newlyexpanded with additional artworks and freshcommentary across six overarching themes:looking, materials, mind, devotion, power, and sex. How is art made? How can we interpret the meaning behind it? And what is the significance of the way in which it is displayed? Using six common themes that bind together art from around the globe, this lively and illuminating journey through art history seeks to answer these questions and more, drawing parallels across different time periods and cultures from cave paintings to contemporary multi-media works. This expanded edition of Dana Arnold's bestselling survey offers news illustrations and fresh insights the perfect companion for anyone seeking to learn more across a stunning breadth of art.
£13.50
Reaktion Books Outsider Art: From the Margins to the Marketplace
Book SynopsisOutsider art is work produced outside the mainstream of modern art by self-taught visionaries, spiritualists, eccentrics, recluses, psychiatric patients, criminals and others beyond the perceived margins of society. Coined in 1972 the term is derived from art brut', which the artist Jean Dubuffet began promoting just after the Second World War. Both focus on the idea of a raw', untaught creativity, which is still a contentious and much-debated issue. Is this a natural phenomenon, requiring only the right circumstances (isolation or alienation) to be revealed; or is it more like a mirage projected by the very culture it is supposed to be escaping from? Behind the polemic and the commercial hype lies a cluster of assumptions about creative drives, the expression of inner worlds, radical originality and the artist's social or psychological eccentricity. Although Outsider art is often presented as a recent discovery, these ideas belong to a tradition that goes back to the Renaissance, when the modern image of the artist began to take shape. If Outsiders are in some way outside' the conventional art world, what happens to them, and to the works they create, when they are introduced to it? David Maclagan has been writing on Outsider art for over twenty-five years, and this book sets out to challenge many of the received ideas in the field. This book will be of interest to the growing number of people interested in the field of Outsider art, and all those studying concepts of artistic creativity and their cultural background.Trade ReviewTo celebrate publication of Outsider Art, James Maclagan will be in discussion with James Brett, the curator of the Museum of Everything, at the ICA on 10th February 2010, with Jarvis Cocker as fellow panelist. 'The author guides the reader through this complex debate, building up the historical background and investigating the growth of psychological ideas and psychiatric therapies during the 20th century. His analysis includes an introduction to the principles of art brut as defined by Dubuffet, the evolution of public appreciation, the role of collectors, and the impact of these developments on the artists themselves.' - The Art Newspaper 'a thoughtful, informative and well-researched analysis of an area of art that defies easy classification or study ... he shows that in the struggle for understanding of this complex and contradictory genre there is much to learn about art from the outside edge, and through it, understanding of the art that resides in the mainstream centre.' - The Art Book
£22.00
Persephone Books Ltd The Exiles Return
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£16.00
Wooden Books Shadows: in Nature, Life and Art
Book SynopsisWhats the difference between a cast shadow and a form shadow? Why do shadows become increasingly important in Western art? Can we only ever see shadows, not objects themselves, as Plato claimed? In this beautiful little book, printmaker and History of Art Professor William Vaughan presents the history of shadows, from their emergence in the visuals arts to their association with death and the subconscious. Get ready! You may never look at the world the same way again! "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.Table of ContentsIntroduction 1 Shadows in Nature The Naming of Parts 2 3-D Shadows and Ambient Light 4 How Do We See Shadows? 6 Night The Earths Shadow 8 Eclipses Shadows of the Sun and Moon 10 Measuring Time Sundials 12 Spatial Calculations and Revealing the Invisible 14 Shadows in the Mind The Shadow and the Soul 16 In Platos Cave 18 Melancholia 20 Fairy Tales and Popular Culture 22 Psychology Freud, Jung and the Archetype 24 In Praise of Shadows 26 Shadows in Art The Origins of Art 28 Skiagraphia Shadows and Illusion 30 Shadows in Sculpture 32 The Rebirth of the Shadow 34 Drawing shadows 36 Shadow in Architecture 38 Caravaggio and Chiaruscuro 40 Rembrandt and the Ambient Shadow 42 The Enlightenment Lavater and Silhouette Portraiture 44 Chinese Shadows 46 The Magic Lantern 48 Romantics and Other Mysterious Shadows 50 The Shadow in Modern Art 52 Filmic Shadows 54 Shadows and Paradox 56 Ending 58
£7.49
Black Dog Press Central Line Series
Book Synopsis The Central Line Series documents and celebrates a selection of artworks commissioned and presented at a range of sites along the Central Line of the London Underground, intended to enhance the experience of traveling on the Tube.Projects include: Michael Landy, Acts of Kindness, 2011 and the collaborative work A Lock is a Gate, 2011, from Ruth Ewan, composer Kerry Andrew and poet Evlynn Sharp in conjunction with the Laburnum Boat Club, amongst many others.
£11.01
ERIS On Depiction: Selected Writings on Art
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£999.99
Strange Attractor Press In Search Of The Third Bird: Exemplary Essays
Book SynopsisThe real history of the covey of attention-artists who call themselves "The Birds."A great deal of uncertainty--and even some genuine confusion--surrounds the origin, evolution, and activities of the so-called Avis Tertia or "Order of the Third Bird." Sensational accounts of this "attentional cult" emphasize histrionic rituals, tragic trance-addictions, and the covert dissemination of obscurantist ontologies of the art object. Hieratic, ecstatic, and endlessly evasive, the Order attracts sensual misfits and cabalistic aesthetes--both to its ranks, and to its scholarship.In recent years, however, the revisionist work of the research collective ESTAR(SER) has done much to clear the air, bringing archival precision to the history of this covey of attention-artists who call themselves "The Birds." Gathering the best articles of the last twenty years of The Proceedings of ESTAR(SER), this volume represents a landmark in the history of aesthetic practices, and will be a point of departure for future work wading the muddy marshes at the limits of historicism.
£19.55
Zone Books Francisco de Goya and the Art of Critique
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£31.50
ELM Grove Publishing The Singular Adventures of Rabbit and Kitty Boy
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£23.39
Oro Editions After Dante: Divine, Design, and the Cosmos
Book SynopsisThis book focuses on the philosophical, artistic, and scientific forces that impacted on the humanist of the late Medieval and Renaissance period, profuse in the exchange of ideas and discovery, behind much of which was the impact of Dante’s Divine Comedy with a message which continues to reverberate through the centuries. What has also persisted is the perpetual tension between science, religion, and design because of their perceived contradictions. The book explores how we might gain inspiration and motivation to embrace a consistent artistry and sense of exploration in the face of an ever-expanding knowledge-based frontier.
£999.99
Shelter Press Twenties are Gone
Book SynopsisTwenties Are Gone is a sentimental journey written in the mist of a Finnish August of 2012. It guides us as a reconstructed and DIY carte du Tendre . Reconstructed through the primordial forests from the Californian redwoods to the northern Finland. A statement led by the experience of making sculptures and having drinks under a porch, drawing as making sandwiches, being in love and singing songs, watching tv shows and staring at sunsets. Both highly in the now and at the same time metaphysical. The Twenties are gone. And thirties are opening their wild gates. This is the first poetry book wrote by the visual and sound artist Felicia Atkinson.
£9.00
CFC Les collections du Art et marges musée:
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£28.50
Springer Nature Switzerland AG Performance and Spectatorship in Edwardian Art
Book SynopsisThis book explores how Edwardian art writing shaped and narrated embodied, performative forms of aesthetic spectatorship. It argues that we need to expand the range of texts we think of as art writing, and features a diverse array of critical and fictional works, often including texts that are otherwise absent from art-historical study. Multi-disciplinary in scope, this book proposes a methodology for analyzing the aesthetic encounter within and through art writing, adapting and reworking a form of phenomenological-semiotic analysis found conventionally in performance studies. It focuses on moments where theories of spectatorship meet practice, moving between the varied spaces of Edwardian art viewing, from the critical text, to the lecture hall, the West End theatre and gallery, middle-class home, and fictional novel. It contributes to a rethinking of Edwardian culture by exploring the intriguing heterogeneity and self-consciousness of viewing practices in a period more commonly associated with the emergence of formalism.Table of Contents1. Introduction: An Invitation.- 2. Characterising the Viewer.- 3. Spectatorship and Ekphrasis.- 4. Staging Spectatorship.- 5. Staging Art.- 6. Domesticity, Decoration and Role Play.- 7. Conclusion.
£42.74
Springer International Publishing AG From STEM to STEAM
Book SynopsisThis book provides readers with an introductory overview of art from the perspective of science, technology, engineering, and mathematics. The author ensures that readers will understand the art terms used by comparing them with terms used in STEM fields of study.
£33.24
JRP Ringier Resistance Anew: Artworks, Culture & Democracy
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£15.20
De Gruyter New Apelleses and New Apollos: Poet-Artists
Book Synopsis This book breaks new ground by illuminating the key role of verse-writing as a cultural strategy on the part of Italian Renaissance artists. It does so by undertaking a wide-ranging study of poems by painters, sculptors, architects, and goldsmiths who were active in Florence under Cosimo I and Francesco I de’ Medici – a milieu in which many practitioners of the visual arts appropriated the literary medium to address issues related to their primary professions. New Apelleses, and New Apollos intervenes in the burgeoning scholarly discourse on the intellectual life of artists in early modern Italy, revealing how poetry often provides fresh insights into art-theoretical debates, patronage questions, workshop cultures, issues of professional identity, and networks of personal relations.
£51.85
De Gruyter Barbara Holub – Stiller Aktivismus / Silent
Book SynopsisDialogisches Handeln in der Kunst Barbara Holubs sozial und politisch engagierte Kunstpraxis verknüpft seit dreißig Jahren urbane Entwicklungen, gesellschaftliche Fragestellungen und künstlerische Interventionen. Als akkumulativer Prozess partizipatorischen Handelns hinterfragen Holubs Projekte die Rolle von Kunst in der Gesellschaft, ob im Kunstkontext, im urbanen öffentlichen Raum oder in Bezug auf Unternehmen. Die Monografie gibt einen fundierten Überblick über Barbara Holubs umfangreiches Werk sowie ihre Projekte mit transparadiso an der Schnittstelle von Kunst, Architektur und Urbanismus, für die sie den Begriff „stiller Aktivismus“ geprägt hat. Anstatt Aktivismus im direkten Sinne zu propagieren, schafft Holub beharrlich performative Situationen für dialogisches Handeln – mit dem Ziel, Normen zu hinterfragen und Grenzen zu überschreiten. „Stiller Aktivismus“ – Barbara Holubs transdisziplinäre künstlerische Arbeit im Porträt Neue Perspektiven für eine partizipatorische Kunstpraxis Mit Beiträgen von Jonatan Habib Engqvist, Enrico Lunghi, Paul O’Neill, Jane Rendell und Andreas Spiegl Zweisprachige Ausgabe: Deutsch/Englisch
£34.12
De Gruyter Georg Eisler. Werkverzeichnis der Gemälde
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£50.58
De Gruyter Against the Current: The Omaha. Francis La
Book SynopsisFrancis La Flesche (1857–1932) lived between two worlds: as an Umoⁿhoⁿ (Omaha), he fought for their rights, and as a scholar he researched his own culture. He is regarded as the first indigenous ethnologist of North America and stands representatively for the many indigenous protagonists without whom ethnological collections would never have come into being. We are no longer familiar with most of these individuals, since the focus until today has been on European and North American collectors. Francis La Flesche is an exception: his work provides insights into indigenous agency and their resistance to racism and colonialism as well as their active participation in the trade with objects. The book presents La Flesche’s records of the objects, the collection of which he contributed to what is today the Ethnological Museum in Berlin in 1894—an impressive testimony to his successful efforts to preserve the culture of the Omaha for future generations.
£15.20
De Gruyter Life Is Other
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£34.65
Hatje Cantz Xiaowen Zhu. Oriental Silk (bilingual)
Book SynopsisCan corporate history be art? This question can only be asked if one is not familiar with the fascinating long-term project by the Chinese artist Xiaowen Zhu. Anyone who has experienced Oriental Silk will answer this question with a clear “yes.” The project’s title is also the name of a company founded in Los Angeles in the early 1970s. Specialising in trading and distributing silks, it was headed for decades by Kenneth Wong and his family. Through her multi-sensory works Zhu opens up a multifaceted view of a firm that is distinguished, like its silk products, through its own haptics, style, colours, and values. The people, places, and stories that make up the phenomenon of Oriental Silk form a fascinating, vivid tapestry in which the past and present, art and life, are closely interwoven.
£30.00
Hatje Cantz Tirdad Zolghadr: REALTY: Beyond the Traditional
Book SynopsisHow to transcend land grab economies, even by means of art? The reader REALTY moves from the safety of critique to the vulgarity of suggestions. The pandemic’s effect on mobility presents a historic opportunity. Rarely has criticism of our extractive artworld logic of one-place-after-another been louder. REALTY is a long-term curatorial program by Tirdad Zolghadr, initially commissioned by the KW Institute of Contemporary Art. With the help of numerous artists and experts who contributed over 2017–2020, this reader revisits how contemporary art can contribute to decisive conversations on urbanism.
£999.99
Hatje Cantz Esch2022 (Bilingual edition): Earthbound: In
Book SynopsisEarthbound – In Dialogue with Nature gathers forward-thinking works proposing alternative ways of shaping the complex relationship between human activities and the ecosystem—visionary approaches that emphasize the need for dialogue through new forms of interaction and that consciously, by challenging political and geographical boundaries, intervene in the current debate to initiate change. Created in collaboration HEK, Haus der elektronischen Künste, a young institution from Basel, dedicated to digital culture and its new art forms, and curated by Sabine Himmelsbach, Director HEK, and Boris Magrini, Head of Program HEK, this exhibition demonstrates that precisely where other strategies fail, art can open up new perspectives.
£23.80
Hirmer Verlag Imagining Sculpture
Book SynopsisSculpture is just a word, an English word, which elicits an image in the mind’s eye. Sculpture is a European idea. In China statues, stele and other figural objects were made for millennia but not valued or collected as Sculpture. There was no Sculpture in China. Imagining Sculpture is the story of this something that did not exist. Imagining Sculpture is a series of short vignettes, historical and fictional. Travelers, scholars, officials, collectors, and antiquarians encounter statues, figures, and effigies in China, Japan, England, Germany, France, Italy, and the United States from the fourteenth to the beginning of the twentieth century. Imagining Sculpture is visual, cinematic and sumptuous—told with rare photographs, paintings, sketches, letters and ephemera. With little text, the argument is made by the images. Imagining Sculpture offers a new kind of visual narrative and offers a radically different way of seeing and knowing.
£31.96
Hirmer Verlag Women Reframe American Landscape: Susie Barstow
Book SynopsisReframing American Landscape: Women, Land, + Art illuminates the accomplishments of Susie Barstow and her circle, who painted the landscape in the nineteenth century and places them in conversation with women-identifying artists working today who expand and challenge how we think about “land” and “landscape” in our contemporary moment. Engaging diverse multigenerational perspectives and creative practices, this publication launches an expanded narrative around land and art that strongly positions women in the canon of American landscape art. It includes a deep look at the nineteenth-century landscape painter conversation with artists working today. For the first time, the nineteenth-century landscape painter Susie Barstow is given a solo exhibition and an in-depth publication. Well known during her lifetime, Barstow was written out of art history, but this book, which accompanies an exhibition of the same name, illuminates the significant accomplishments of the artist, and in doing so redefines the history of the Hudson River School. This book further explores how artists working today continue to engage landscape using multi-disciplinary artistic practices and diverse critical perspectives, that at times challenge art and historical narratives. Artists such as Ebony G. Patterson, Mary Mattingly, Tanya Marcuse, Anna Plesset, Wendy Red Star, Jaune Quick-to-See Smith, Kay WalkingStick, Saya Woolfalk, Cecilia Vicuña, and others, complicate and redefine how we now understand land through art.
£28.00
£18.00
Bbooks Verlag Work the Room: A Handbook of Performance
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£13.30
Bbooks Verlag Public Sphere by Performance
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£13.30
Sternberg Press Sharp Tongues, Loose Lips, Open Eyes, Ears to the
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£13.50
Sternberg Press Manifesto Architecture – The Ghost of Mies
Book SynopsisA history of the modern architectural manifesto, with a focus on Mies van der Rohe.The history of the avant-garde (in art, architecture, literature) can't be separated from the history of its engagement with mass media. It is not just that the avant-garde used media to publicize its work; the work did not exist before its publication. In architecture, Adolf Loos, Le Corbusier, and Mies van der Rohe came to be known through their influential writings and manifestos published in newspapers, journals, and little magazines. Entire groups, from Dada and Surrealism to De Stijl, became an effect of their manifestos. The manifesto was the site of self invention, innovation, and debate. Even buildings themselves could be manifestos. The most extreme and radical designs in the history of modern architecture were realized as pavilions in temporary exhibition. In the third book in the Critical Spatial Practice series, Beatriz Colomina traces the history of the modern architecture manifesto, with particular focus on Mies van der Rohe, and the play between the written and built work. This essay propels the manifesto form into the future, into an age where electronic media are the primary sites of debate, suggesting that new forms of manifesto are surely emerging along with new kinds of authorship, statement, exhibition, and debate.Critical Spatial Practice 3Edited by Nikolaus Hirsch, Markus Miessen Featuring artwork by Dan Graham
£15.84
Sternberg Press Painting beyond Itself – The Medium in the
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£15.84
Sternberg Press Is Now the Time for Joyous Rage?
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£13.50
Skira Dark Light: Realism in the Age of Post-Truths.
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£40.00
BIS Publishers B.V. Never Touch a Painting When It's Wet: And 50
Book SynopsisArt rules the world. But what about the rules of art? In our current day and age, the general consensus seems to be that creativity, divine inspiration and art can never be bound by rules. Artists need to push the envelope, be ahead of the curve, and if there are any rules out there it is the artist’s prerogative, if not God-given right, to break them. But up to the early 20th century, artists did not have the complete artistic freedom that they are believed to enjoy today. They were bound by rules of art, of decency and indeed of taste. This books contains 51 art rules. From the age-old ‘Rule of Thirds’ to modern mantras like ‘Design isn’t art.’ Myths, like the one of the struggling artist, are dispelled, while other rules are merely confirmed with the help of quotes by artists, theorists and art enthusiasts.
£12.59
Lannoo Publishers Power of the Avant-Garde: Now and Then
Book SynopsisIn The Power of the Avant-Garde, contemporary artists from different art disciplines enter into dialogue with their colleagues from the historical avant-garde movement. Luc Tuymans talks about 'Le Grand Cheval' of Raymond Duchamp-Villon; Marlene Dumas describes her passion for Edvard Munch; John Baldessari discusses the genius Marcel Broodthaers,...This book makes surprising links, shedding new light on the power and influence of art before, during and after World War I.
£999.99
Transcript Verlag Online Museum Collections and Social Media
£43.99
Transcript Verlag Looking Through Theatre
£34.72
MIT Press Shanzhai Deconstruction in Chinese Untimely
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£15.29
Quarto Publishing PLC Colours of London
Book SynopsisPeter Ackroyd turns his gaze to the colours of London in this fascinating and visually engaging work, exploring how the city's many hues have come to shape its history and identity. Think of the colours of London and what do you imagine? The reds of open-top buses, phone boxes and terracotta bricks? The grey smog of Victorian industry, Portland stone and pigeons in Trafalgar square? Or the gradations of yellows, violets and blues that shimmer on the Thames at sunset – reflecting the incandescent light of a city that never truly goes dark. We associate green with royal parks and the District Line; gold with royal carriages, the Golden Lane Estate, and the tops of monuments and cathedrals. The colours of London have inspired artists (Van Gogh, Turner, Monet), designers (Harry Beck) and social reformers (Charles Booth). Colour is everywhere in the ciTrade Review"A truly invaluable book for lovers of art, history, photography or urban geography, this beautifully illustrated title tells a rich and fascinating story of the history of this great and ever-changing city." * Lovereading.co.uk *Table of ContentsLIGHT, FIRE, WHITE, GOLD, BLUE, GREEN RED, BROWN, GRAY, BLACK THE NIGHT THE FULL SPECTRUM ABOUT THE COLOURIZED PHOTOGRAPHS INDEX PICTURE CREDITS
£21.25
The Visible Press Flare Out Aesthetics 19662016
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£17.10
Hatje Cantz A Decade of Cultural Production: Samos Young
Book SynopsisFor 12 years, the Schwarz Foundation has been organizing regular exhibitions on the island of Samos at Art Space Pythagorion as well as the Samos Young Artists Festival. Due to its location on the Greek–Turkish border, Samos symbolizes one of the most pressing humanitarian issues of our time: Migrants crossing the Mediterranean Sea, geopolitical conflicts at the borders of Europe, and the human impact on the oceans around he world. A Decade of Cultural Production presents the work of the Munich-based Schwarz Foundation, whose declared aim is to promote dialogue through music and art. The book highlights how its projects deal with issues of migration, social responsibility and intercultural coexistence. Text by: Fanie Antonelou, Tania Canas, Markellos Chryssicos, Michelangelo Corsaro, Boris Dezulovic, Dorukhan Doruk, Antje Ehmann, Marina Fokidis, Mulo Francel, Caspar Frantz, Konstantia Gourzi, Katerina Gregos, Masha Ilyashov, Alexis Karaiskakis-Nastos, Dimitris Kountouras, Guy Mintus, Ina Niehoff, Wolf-Dietrich Niemeier, Daniel Nodel, Lorenda Ramou, Lenia Safiropoulou, Nikos Tsouchlos, Ioli Tzanetaki, Alexander Ullman, Chiona Xanthopoulou-Schwarz, Nikos Xydakis, Katerina Zacharopoulou
£30.40
