Theatre studies Books
Taylor & Francis Ltd Shakespeare as Jukebox Musical
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£39.99
Taylor & Francis Ltd Shakespearean Temporalities History on the Early Modern Stage
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£45.99
Taylor & Francis Writing Performance Identity and Everyday Life The Selected Works of Ronald J Pelias
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£39.99
Taylor & Francis Writing Qualitatively
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£39.99
Taylor & Francis The Practicalities of Early English Performance Manuscripts Records and Staging
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£39.99
Taylor & Francis Ltd The Reinvention of Theatre in Sixteenthcentury Europe Traditions Texts and Performance
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£39.99
Taylor & Francis Ltd The Tradition of the Actorauthor in Italian Theatre
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£39.99
Taylor & Francis Pastoral Drama in Early Modern Italy The Making of a New Genre
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£39.99
Taylor & Francis Ltd Teaching Costume Design and Costume Rendering
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£135.00
Taylor & Francis Ltd The Art of Tango
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£39.99
Taylor & Francis Ltd The Routledge Companion to Dance in Asia and the Pacific
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£128.25
Taylor & Francis Nigerian Female Dramatists
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£128.25
Taylor & Francis Ltd Sound Teaching
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£24.51
Taylor & Francis Ltd Managing the Arts and Culture
Book SynopsisManaging cultural organizations requires insight into a range of areas including marketing, fundraising, programming, finances, and leadership. This book integrates practical and theoretical insights, blending academic and practitioner voices to help readers speak the language in the creative industries.Including coverage of the management of theaters, dance companies, galleries, and performance spaces, evaluation, marketing, fundraising, activism, and policy, the book benefits from a range of features, including: Scenarios to help orient readers to common arts management problems Ethical dilemmas discussed in every chapter Study questions to enable students to review the skills learned Experiential exercises to gain experience and apply skills Emphasis on cross-cultural and transferrable skills Integration of international perspectives Suggested additionaTrade Review"This is now a central book on this subject, and a leader in terms of its international multi-author and authoritative explication of every major dimension of management, organisation, and production of the arts. It pushes beyond the traditional topics of ‘arts management’ to include the vital subjects of leadership, policy, law, and community engagement." Jonathan Vickery, Director, Centre for Cultural and Media Policy Studies, University of Warwick, UK "An excellent resource both for students looking to understand how the arts are approached and managed in the world today, as well as for practitioners looking to expand their understanding of how arts management works. The international perspective brings knowledge from around the world to inform readers of best practices and the theories that support them. Regardless of the specific artform one works in, this book is a vital resource that explores both the peculiarities of arts management in general as well as exploring the unique positions that are discipline specific." Anthony Rhine, Clinical Associate of Management, Pace University, USA "This highly readable and impeccably researched volume is a tremendous addition to the arts and culture literature. A consistent and much-appreciated effort has been made to unite research and practice as necessary and complementary parts of the same whole, providing readers with vital tools that are grounded in time-tested theory." Travis Newton, Le Moyne College, USA and author of Orchestra Management Handbook "The book provides a holistic perspective on creative industries, both in terms of theory and practice, also covering different sectors and specializations. Creative industries were at the frontline during the pandemics and better understanding like the one provided by this book is extremely needed to fully support their recovery and growth. The diversity of authors in terms of expertise and focus exhibits the right combination of attributes to make out of this book an outstanding contribution to the field of cultural management." Montserrat Pareja-Eastaway, University of Barcelona, Spain "This textbook provides a timely look at multiple facets of the creative industries with international representation, in a way that speaks to the increasing overlap of theoretical and practical work. At a time when practitioners are expected to know and benefit from past lessons in the field, it will equip readers with those lessons and the ability to articulate the theoretical underpinnings of their management decisions." Brea Heidelberg, Drexel University, USA Table of ContentsPart I Cultural Management Practices 1. Financial Management for Decision-Making in the Arts Constance DeVereaux 2. Fundraising in the Arts Victoria D. Alexandra and Oonagh Murphy 3. Arts Marketing David Ocón 4. Facilities Management Jim Richerson 5. Evaluation in the Arts Annabel Jackson Part II Performing and Visual Arts Management 6. Managing Art Galleries Melissa Rachleff 7. Theatre Management through Successful Collaboration Patrick J. Ebewo and Rachael Diang'a 8. Orchestra Leadership Njörður Sigurjónsson 9. Festival Management Practices Olga Kolokytha 10. Cultural Work Johanna Schindler Part III Law, Policy, and Advocacy 11. Cultural Policy Constance DeVereaux 12. Art Activism and Community Engagement Simone Wesner 13. Law and the Arts Constance DeVereaux
£39.99
Taylor & Francis Ltd Managing the Arts and Culture
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£118.75
Taylor & Francis Ltd Cultural Management and Policy in Latin America Routledge Research in the Creative and Cultural Industries
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£128.25
Taylor & Francis Ltd Cultural Management and Policy in Latin America
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£25.99
Taylor & Francis Ltd Commercial Dance
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£135.00
Taylor & Francis Ltd Ethical Agility in Dance
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£128.25
Taylor & Francis Ltd Oral Literary Performance in Africa
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£37.99
Taylor & Francis Ltd In Search of Stanislavskys Creative State on the Stage With a Practice as Research Case Study
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£128.25
Taylor & Francis Ltd In Search of Stanislavskys Creative State on the Stage With a Practice as Research Case Study
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£38.99
Taylor & Francis Ltd Butoh as Heard by a Dancer
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£135.00
Taylor & Francis Ltd Plays of Our Own
Plays of Our Own is the first anthology of its kind containing an eclectic range of plays by Deaf and hard-of-hearing writers. These writers have made major, positive contributions to world drama or Deaf theatre arts. Their topics range from those completely unrelated to deafness to those with strong Deaf-related themes such as a dreamy, headstrong girl surviving a male-dominated world in Depression-era Ireland; a famous Spanish artist losing his hearing while creating his most controversial art; a Deaf African-American woman dealing with AIDS in her family; and a Deaf peddler ridiculed and rejected by his own kind for selling ABC fingerspelling cards. The plays are varied in style a Kabuki western, an ensemble-created variety show, a visual-gestural play with no spoken nor signed language, a cartoon tragicomedy, historical and domestic dramas, and a situation comedy. This volume contains the well-known Deaf theatre classics, My Third Eye and A Play of
£34.99
Taylor & Francis Ltd Plays of Our Own
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£118.75
Taylor & Francis Ltd How Greek Tragedy Works A Guide for Directors Dramaturges and Playwrights
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£128.25
Taylor & Francis Ltd Monsters in Performance
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£35.99
Taylor & Francis Ltd Forms of Emotion
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Taylor & Francis Ltd Inclusivity and Equality in Performance Training
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£31.99
Taylor & Francis Ltd Inclusivity and Equality in Performance Training
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£128.25
Taylor & Francis Ltd Relevance and Marginalisation in Scandinavian and European Performing Arts 17701860
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£38.99
Taylor & Francis Ltd Stage Management
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£999.99
Taylor & Francis Commedia dellArte its Structure and Tradition Antonio Fava in Conversation with John Rudlin
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£51.29
Taylor & Francis Commedia dellArte its Structure and Tradition
Book SynopsisCommedia dell'Arte, its Structure and Tradition chronicles a series of discussions between two renowned experts in commedia dell'arte â master practitioners Antonio Fava and John Rudlin. These discussions were recorded during three recent visits by Fava to Rudlinâs rural retreat in south west France. They take in all of commedia dell'arte's most striking and enduring elements â its masks, its scripts and scenarios, and most outstandingly, its cast of characters. Fava explores the role of each stock Commedia character and their subsequent incarnations in popular culture, as well as their roots in prominent figures of their time. The lively and wide-ranging conversations also take in methods of staging commedia dell'arte for contemporary audiences, the evolution of its gestures, and the collective nature of its theatre-making. This is an essential book for any student or practitioner of commedia dell'arte â provocativTable of ContentsChapter 1 The Mask; Chapter 2 The personnages; Chapter 3 Performance location; Chapter 4 The scenarios; Chapter 5 Collective creation; Chapter 6 Gestural evolution; Chapter 7 Closed forms; Chapter 8 Multilingualism; Chapter 9 Anachronism; Appendices
£24.51
Taylor & Francis Ltd The Jukebox Musical
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£128.25
Taylor & Francis Embodied Practice in Educational Theatre
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£135.00
Taylor & Francis Ltd Cultural Industries and the Covid19 Pandemic
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£128.25
Taylor & Francis The Automated Lighting Programmers Handbook
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£128.25
Taylor & Francis Ltd A History of Equestrian Drama in the United States
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Taylor & Francis Tragedy and Redress in Western Literature
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£39.99
Taylor & Francis Reading Drama in Tudor England
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Taylor & Francis The Shakespearean International Yearbook
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Taylor & Francis Ltd Beckett and Musicality
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Taylor & Francis The Shakespearean International Yearbook
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Taylor & Francis Ltd Scoring the Hollywood Actor in the 1950s
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Taylor & Francis Ltd Audience and Reception in the Early Modern Period
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£128.25
Taylor & Francis Ltd Audience and Reception in the Early Modern Period
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£37.99
Taylor & Francis Ltd An EthicoPhenomenology of Digital Art Practices
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£38.99